How much do YouTubers charge for brand deals?

18 May 2023 · 48 min

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In short

Podcast Episode Notes: The Colin and Samir Show - How Much Do YouTubers Charge for Brand Deals?

Episode Overview In this episode of *The Colin and Samir Show*, hosts Colin and Samir dive into the world of brand deals, addressing common questions about how to secure them, how much creators charge, and tips for working effectively with brands. The episode emphasizes the importance of community and introduces their new Discord channel.

Key Announcements

  • Discord Launch: The hosts announce the official launch of their Discord server, aimed at fostering community engagement and providing a platform for creators to support each other.
  • Live AMA: A live Ask-Me-Anything (AMA) is scheduled for Monday at 3 PM Pacific Time on Discord, encouraging audience interaction.

Brand Deals Discussion

Types of Brand Deals

  1. Inbound Brand Deals: Brands reaching out to creators.
  2. Outbound Brand Deals: Creators reaching out to brands.

Evolution of Brand Deals

  • Initially, Colin and Samir focused on outbound deals, but found more success with inbound opportunities as their audience grew.
  • Their early experiences included brand gifting, which helped them learn how to integrate brands into their content.

Key Concepts

  • Market Value: The hosts discuss how brand deals are a way for brands to access a creator's audience. The more specific the audience, the more valuable a creator becomes to brands.
  • Pricing Strategy: They suggest using a simple model of tracking expenses and desired profit to set pricing for brand deals.
  • CPM and CPA: They briefly explain cost-per-mille (CPM) and cost-per-acquisition (CPA) as metrics that can inform pricing strategies.

Charging for Brand Deals

  • High-End Rates: Top creators can charge hundreds of thousands for brand integrations.
  • Flat Rates and Packages: They advocate for setting flat rates and offering packages (like three episodes) to brands for better engagement.
  • Value Alignment: It’s essential for creators to work with brands that share similar values, enhancing the partnership's authenticity.

Considerations for Brand Deals

  • Deliverables: Understand what the brand expects in terms of content.
  • Usage Rights: Be clear on how the brand intends to use the content.
  • Exclusivity: Determine if exclusivity is required and how it impacts pricing.
  • Contract Terms: Pay attention to the term, termination clauses, and payment schedules.

Insights on Building Relationships with Brands

  • Trust and Consistency: Building long-term relationships requires trust, which is established through consistency in content creation and interactions with brands.
  • Personal Connection: Engaging directly with brand representatives helps strengthen partnerships.

Tips for Securing Brand Deals

  • Focus on Growth: Creators should prioritize growing their channels and audience before heavily pursuing brand deals.
  • Consider Representation: Hiring agents or agencies can help navigate brand partnerships and ensure fair pricing.
  • Educate Yourself: Continually seek knowledge about brand partnerships and best practices.

Community Engagement

  • Feedback and Interaction: The Discord server opens up opportunities for creators to ask questions, provide feedback, and interact regularly, fostering a collaborative environment.

Final Thoughts The conversation emphasizes that entering the creator economy can be challenging, but understanding brand deals and building meaningful relationships with brands is crucial for success. The hosts encourage engagement in the community and active participation in the new Discord.

Key Takeaways

  • Brand deals are essential for creators to monetize their content.
  • Specific audience targeting leads to more valuable brand partnerships.
  • Creators should be proactive in seeking out brands and negotiating fair deals.
  • Building community and sharing knowledge among creators enhances the overall experience in the creator economy.

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Transcript

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0:00The Colin and Samir Show is supported by Microsoft Copilot. This is something I thought I would never say, but can I share with you my favorite prompt? I mean, like when you say something like that, I have to say yes. Were you going to say no? No, but okay. Just let me hear it. So when I'm researching for a guest or I need to know a lot about a subject matter, I say, make me a podcast about. And when you do that, you're going to get a short blurb about that subject. And then in like two minutes, you're going to get a podcast. So check this out. Welcome to Co-Pilot Podcasts. Picture this, a guy working the front desk at a hotel, making lacrosse videos in his spare time, completely unaware that he's about to become one of the most influential voices in the creator economy.

0:38Today, we're diving into the remarkable story of Colin Rosenblum. Wow. Did you pay it to say that? That's crazy. That's very kind. It's crazy, but it's my favorite way to learn about a subject matter. I'm learning about so much more now that I can turn this research into like a seven minute podcast that I can listen to just when I'm walking. Did you tell it that I worked at the front desk of a hotel? Dude, the prompt is just, make me a podcast about Colin from Colin and Samir. That's it. I may be biased, but I'm on the edge of my seat. I'm hooked. So if you guys haven't checked out Copilot, check it out, try it for your research, try it for getting variations of your titles, your ideas.

1:15It's one of my favorite tools on the internet right now for our creativity. And now back to the show. How much do YouTubers charge for brand deals? That's a question that we answer on today's episode of the show, which is dedicated to your questions about brand deals. And we start the show by breaking down a pretty big announcement about the show. All right, if you make it to the deep end, let us know. All right, the brand deal extravaganza episode. This episode is all about your questions about brand deals. And you guys asked us a lot, which is great. And it makes sense. That is the majority of how creators make money.

1:50So I would imagine there'd be a lot of questions. Yeah, I'm excited to answer these. But first, an announcement from us. So our Discord is officially live. The link is in the description. You can join it right now. We've been talking about this launch for weeks on the show. We've been planning this out for months. It's something that we've wanted for a very long time, and it's officially live. Something that's very cool about launching a Discord is that you kind of just like doors are open and it's like, let's see what happens. Yeah, it's not like we pull all the strings, right? When you launch a Discord, and that's what's so interesting.

2:23It's like with every member that joins, people get to make recommendations, new channels get added, and there become new use cases for this community. Yeah, we've been chatting a lot internally and with our mods about what we want the Discord to be. And, you know, there's a certain extent where we can say, here's the channels that we think make sense. Here's the intention for the Discord. But really, it's going to be defined by all of you, the people who join it, what you find valuable in it. Now, I want to talk through, you know, some of the channels, what our intention is with it, and then actually our broader partnership with Discord.

2:59Discord has actually come on to be a sponsor of this show. And that's been a really cool journey as well and happened extremely organically. Earlier this year, we left the LinkedIn podcast network and we wanted to keep this show going and we didn't really know exactly how we wanted to monetize. You know, you guys have heard us in the past couple of weeks talk about paywalls, talked about different versions of how to bring funding to the show. And one of the first brands to reach out was Discord. They were authentic members of our community. They were listening to the show. And they wanted to, you know, talk to us about launching Discord.

3:36And that came at a time where we were already having those conversations internally. Yeah, that was super exciting because we were talking about having a community-based show. Yeah. One that doesn't necessarily rely on the algorithm as much as just the community coming back to this place every time. and, you know, during those early stages, we were also talking about who would be the right sponsor if we were to bring on a sponsor. Yeah. And when Discord reached out, it was like, oh, yeah, that makes perfect sense. Clearly, they were listening to that episode of the show when we're talking about having a community-based place for our audience.

4:12There's a really great Seth Godin quote that I've been thinking about a lot recently and it's, a group needs only two things to become a tribe. a shared interest and a way to communicate. And I think something that's really interesting about this community is like, we all have a shared interest, right? We're all creators. We're all interested in expressing ourselves on the internet, making YouTube videos, you know, growing our platforms, expressing our creativity and a way to communicate. Now there's many ways to communicate on the internet. There's YouTube comments. You can leave a comment on this video.

4:45You can tweet at us. You can post in our subreddit. There's a lot of different ways to communicate. But the one thing that I think was missing from our communication was a way for the community to talk to each other and to do that in curated ways, like in specific environments where we were noticing that, you know, if you guys send us a question and if we don't answer it on the show, you know, there's a possibility a question doesn't get answered. But the opportunity now that we have this Discord server is we have a channel dedicated to creator support questions. That's going to be the primary place where we pull questions for this show now.

5:22So if you join the Discord server, you want to ask a question, you can do a video question in there. You can also do a text-based question. But the opportunity is that if you're in the server and you have the answer to that question, you can actually pop in and answer it. So the hope is that if we can't get to all the questions on the show, there can be an ongoing conversation in the Discord server asking questions, answering them, sharing insights, talking about what's going on in the world of creators. And that can be happening now in between our uploads. It can be happening on a more regular basis and it can happen between all of you.

5:55I think that's what's really cool is that it can happen in an active way where people can meet in the discord and actually chat back and forth. You're not going to get into a conversation in the YouTube comments where you're like, oh, this person happens to be on YouTube at the same time that I'm on YouTube and they're responding to me in real time. That just doesn't happen. Yeah. Right. You put out a YouTube video, people comment on it. And then when the next YouTube video comes out, that video is kind of like old news for the community, at least, right? It's not an active spot. So that's what's really exciting for me here is that people can actually like meet and interact.

6:26And we're also going to be doing other things with it. Like with Discord, you can go live, right? We're going to be doing a live AMA in there. That's going to happen on Monday, 3 p.m. Pacific. If you join the Discord, you'll get the invite. You can see the event there. So yeah, we can use voice video. We can go live. There's so many different ways for us to engage with the community on Discord. There's a lot of communities that exist on Discord. And I think joining some of those and engaging with creators on Discord has been a huge part of the past couple years of us even building relationships with creators, getting a pulse of what different communities are like on the internet.

7:01When we're exploring different niche worlds, typically you turn to Discord to see what the most engaged version of that community is and what the conversation is. So a lot of this is also part of our strategy and our philosophy that the next chapter of the creator economy is about depth. It's depth within your audience, depth within your community. It's saying, hey, here's these big viral moments that do sometimes happen on YouTube. Those are exciting. But what's really impactful for us is building a deep connection with a community. and that's what launching Discord is all about for us. Yeah, and I want to acknowledge too our subreddit, which has given us the majority of the questions up to this point for creator support and I think that still is an amazing place for the democratic voice of a singular group of people.

7:52For sure. Because of the upvotes, you can post a thread there and a month later, a post could gain traction and that's like what people want to know the most. But I think with Discord, we have this opportunity to be so much more multidimensional with how we can interact with the community and how they can interact with each other. I think there's one core difference between the two right now. And I want the subreddit to always be, you know, it wasn't created by us. That was created organically by our audience. The Discord is made by us. You know, the moderators are on our team. Our team members will be in there.

8:28It's an official Colin and Samir environment. That is a primary difference, right? We will be more engaged and active in our Discord server. That's where we will hang out. And, you know, I think that is something that we talk about when it comes to permission-based environments too, where it's like, here's an environment. If you want to join, you join. And now we have permission to, you know, engage with you. We have permission to host events there. We have all this interesting opportunity that sometimes algorithmic-based environments don't afford us. Like on YouTube with a thumbnail, we're trying to interrupt you.

9:01We're trying to be like, hey, stop. Look at this. Come over here. So even if you subscribe to us on YouTube, you're not necessarily always going to get our content or engage with us. But if you join the Discord, then you're inside of an environment where you're saying, hey, I'd like to sign up to be a part of this. And I've got something I want to say that I want to contribute. Yeah. Yeah. So the link is in the description. You can join the Discord. And one thing that we want to urge you guys to do, go into the introductions channel and introduce yourself. If you want to do it through a video, I think that would be really fun.

9:29like a 60 second video of like, here's who I am. Here's where I live. Here's the type of content I make. That would be awesome. And if you guys do make a video, I think we'll pick out our favorites and spotlight them on the show. Right? Yeah. So we have an introductions channel that you can pop into. We also have a gripes channel. Helpful for you guys. If you guys could add some gripes into that. Because I haven't had a gripe in at least three to four weeks. Yeah. Yeah. Yeah. Life's been too good for gripes. Too good for you. But now I really want some gripes. So please. There's also server suggestions.

9:59So if you get into the server and you're like, hmm, I want to see this channel, then you can pop those in there. We have thumbnail feedback and video feedback. What we want to ask is that if you want to get feedback, be an active participant of those channels. Give feedback to people. I think that's a really important part of being a part of this community is be there to get advice, but also be there to give advice. We have Creator News. We have Colin and Smear episodes. We have Creator Spotlight, which is going to be a really cool channel where if you have a creator that you feel like we should know about or the community should know about, pop them in here.

10:32Then we have video suggestions. So if you want to guide us in a direction of like, hey, I want this topic to be covered or this creator to be interviewed on Colin and Samir's show, put that in there. This is something that we say a lot, which is creators build content with their audiences, not for them. And this is our first step in that direction to truly take that into consideration and build an environment where that can happen. so that is our intention with the discord now the discord does what the discord wants the discord does what the what did you say what the discord does what the discord well I'm just saying that's a tagline once you let it out of the cage whatever you know what I mean yeah it's loose it's loose here we go yeah let's see what happens we'll see you at the AMA you know 3pm on Monday so join the discord link is in the description and thank you so much to discord for partnering with us on this you're gonna see them show up not only on this channel, but also on the main channel.

11:27We'll be doing some events with Discord. Just have a really great deep partnership with them. They're authentic members of this community, and I think they're really ushering in the future of the creator economy. So appreciate the support. Now for some creator support for all of you. Question one. Okay, this first Brandy L-related question comes from YouTube, from Kiana L. Bandy. That's probably not how you say that name. We will find out. Hey, Colin and Samir. I'm an up-and-coming creator, and I would love some insight from you guys in the world of navigating and negotiating brand deals. I know you guys are very experienced in this subject matter and I want to know how it looked for you guys in different stages of your YouTube career.

12:05It's a good question. I think we can speak a bit in, you know, broad strokes of the different eras. But what I will say is that there's two forms of brand deals, inbound and outbound. Now, inbound brand deals means the brand is reaching out to you and an outbound brand deal is you reaching out to the brand. So those are like the two forms of communication. And what's really interesting is that as you start creating, typically if you're making something of value to a specific audience and the audience starts growing, you will start getting inbound. And inbound can look like many different forms.

12:44It could be an agency reaching out saying, hey, we represent brands. It can be a brand itself reaching out. But those inbound brand deals typically inform you of like what the market is. Outbound is when you like package up your own thing and you're like, hey, these are the types of sponsorships I sell and I want to go out to a brand. We tried going outbound quite a bit when we first started. We tried pitching to brands. But the thing that, you know, we noticed is that to go outbound, you do need to kind of have a presence. An audience. I think at that time, we thought the idea could win out over the audience.

13:23Yeah. Right? We would come up with somewhat elaborate pitches for videos that we could make for the brand on our channel. Yeah. And even if they liked the idea, that's not what was interesting to them. Right? We had yet to define our audience, really. Right. Our earliest inbound was actually gifting. Yeah, it was gifting. And specifically, it was Felix Grey sunglasses. Blue light glasses. Blue light glasses. and they said, we'll give you a couple pairs if you make a video about these. And we said yes. And the value there was us being able to figure out, what is it like for us to even integrate a brand on this new channel?

14:03Do we like the experience? Does our audience resonate with it? And we learned a lot from that experience of putting out that video because we dedicated the entire video to that brand. Which is not what they asked. Not what they asked. We spent a ton of time making a video essay about blue light glasses. that we did not need to do. Yeah, yeah, yeah. And I think we learned a little bit moving forward that, and also the ad market changed. Yeah. We came from a place of like, you got to make a custom video for a brand. And we learned from that. So what is a brand deal, right? A brand deal is a brand paying you money to access your audience.

14:38That's what's happening. You know, that's a very important concept to understand is that the value for them is to say, hey, I have a message. I'd like to use your content or travel alongside your content to your audience to deliver that message. So that means the audience has to be so specific that the brand understands why it would be valuable for them to reach that audience. And that's why what we notice is that very specific, as our audience got more and more specific, our inbound got more and more specific, right? Like when you first started, it was like, okay, these guys are pretty good at making videos.

15:15Here's some blue light glasses. Can you guys make a video with those? Yeah. And then I think the next brand we worked with was Skillshare. I think that deal was$800. And it was like, okay, that's like general. Okay. They have an audience, you know, of people who are online. They might want to learn. Okay. Skillshare. But at that time, I would say Skillshare probably would have taken anyone with a similar audience. Exactly. They might not have even known it was us. Yeah. That probably came through an agency and then got split up amongst a bunch of creators and we were some creators that ended up in that deal.

15:46And so as we got more and more and more defined of who our audience was and our audience grew, once our audience was so defined that it was like, hey, this is, we are speaking to creators. We are speaking to online creators. We're speaking to people like us, people who make YouTube videos. Then all of a sudden the brands that started reaching out were much more specific to that. Storyblocks. Is there a moment in time? Yeah, what moment was that for us? I think it was Storyblocks. Storyblocks and Musicbed, two brands that were really looking to say, hey, YouTube creators, here's a library of stock footage that you can use for your videos.

16:18And Musicbed, hey, here's a music library that you can use for your videos. Those two brands, I remember, was a turning point, an inflection point for us where it was like, oh, they understand what type of content we're making. So our inbound has now changed. So that's 2018, 2019. That was probably 2018, 2019. Yeah. And that's when our deals started to get into the$1 ,000 $4 ,000 range for a video. And, you know, even with a small audience, we were valued high because the audience was specific. So that's like my number one piece of advice for creators is specify the audience because if the audience is specific, then the advertisers become specific.

16:56And the more specific the audience, the more valuable you are to the advertiser. That's, you know, that's like a very simple concept in advertising, but our evolution and our different stages have gone from like, you know, mostly, uh, you know, outbound with nothing working to, you know, a slow ramp up of inbound gifting, small deals, more specific deals, audience growing and audience getting more specified, which means bigger and bigger deals. Right. Which are primarily inbound now, uh, which is great. Yep. You know, and we get to react to that. Or if we have something that we're like, Hey, we use this product.

17:34We want to reach out to that brand. Then we can do that. Okay, Savvy Tanjil says, love to watch a video about how much YouTubers charge for brand deals. So there's a couple different philosophies when it comes to charging. I'll just speak right now of like some of the highest rates I've seen. Some of the top tier creators are charging in the hundreds of thousands of dollars for a brand integration. So the product being like a 60 to 90 second integration into their video could trade at like anywhere between 200 and$400 ,000. That's a lot of money. When compared to television advertising, it's not that much, but it's a lot of money because these are online creators.

18:17Their cost of production is lower, but their reach and their influence is really impactful, especially in that, when you're in like the 10 million plus view range. Now, that can range all the way down to, you know, like$50 ,000 depending on the brand and the audience fit. that audience fit is really important. When we first started kind of going outbound and developing our own media kit, meaning in the era of like the Colin and Samir show, once the show was defined and the audience was defined and we had more creator economy specific opportunities, how we defined our pricing, how we figured that out was we said, what's going out?

18:59meaning what's going out of our bank account. I wrote down in a very simple Google Excel sheet or Google spreadsheet, just like how much money did it cost for us to exist? Like how much money did each of us need? How much money was it for our rent? How much money were we spending on equipment, software, all of that? And then how much money needed to come in to cover that expense? And then how much money did we need to make a profit? So let's say we wanted to make like a 40 % profit. So that was like, you know, the base premise of our pricing philosophy. And I think that ended up being like$5 ,000 in integration is where we got to.

19:36And we just went out the gates and said, let's, we need to be pitching that in the market to see if anyone agrees to that. Is that actually our value? Because when you're out pitching brands and when brands are reacting to pricing, that's the only way you're really going to know if that is your price. Yeah. You're really worth how much someone says yes to. Yeah. Right. And that's kind of whether you're a freelancer or you're a creator or whatever, like whatever you accept and what they accept is your worth. Yeah. Right. And there are, there are other math equations. CPMs, right. Is a math equation, which is cost per thousand views.

20:14That's how YouTube pays you on YouTube AdSense. There is CPA, which is cost per acquisition, which we never really did any of those deals, which means like we do an ad. If X amount of people sign up for your service, then you pay us X amount. We never did those deals. We just said, hey, this is our flat rate. And another thing we did is say, we sell these in packages of three. And essentially why we did that was we said, you know, if you're buying across three episodes, then the aggregate performance of that is what you're buying. So it's not just a one-off because there's so many factors when it comes to YouTube, right?

20:52There's so many different factors. There's, you know, the algorithm, there's just other world events, there's all kinds of things. So buying across three, we felt like was the right entry point for brands to get in and actually see if they were a good fit with us. Yeah. And that's also thinking with the brand in mind, because if a brand comes in and they buy one video, again, you don't know what's going to happen. Yeah. You may hit it out of the park with that video. You may not. Yeah. If they buy three, there's a better chance that maybe one of those videos will hit in a way that completely outperforms the other two.

21:24And then the brand is in a great position. Yeah. And now as a creator, you've also given that brand a great experience. Whereas if they were to buy one and it didn't go that well from a viewership perspective, they may never buy with you again. So that brings up a really important point of like brand deal philosophy as creators. As a creator, you, as you're getting involved with the brand, you need to authentically care about the outcome of the integration. That's a very important thing. You know, you do need to care about what happens. Like, is this the right call to action? Is this the right, you know, messaging?

22:02Can we work together to make something more creative? Like being invested in that process is really important. That's what would get you into the, you know, when we just talked about like creators who are making, you know, in the hundreds of thousands of dollars on a brand deal, that's what gets you there is being the person who takes pride in the brand integration, who understands and empathizes with what the outcome is that the brand is trying to get to. And if that's actually a right fit for you. So if you're, if you are that type of creator who can like step into that, that's, that's where there's a lot of room to grow because this, like the brand deals are a product that you're selling, you know, and you have to deeply care about that product.

22:40And you're doing work for another company. Yeah. It may be on your platform. But you're spending hours of your life to work for someone else's company during that time. So it does matter that you care somewhat about that company. Now, in the early innings of being a creator, brands will come out of the woodwork that you've never heard of. It's definitely your job to understand the brand, decide if it's right for your audience, if you care about it. But there are creators who do brand deals early because the brand came, like you said, like inbound, not because there was like some dying passion to work for that brand, but it represents an opportunity for creators, smaller creators to turn this passion into a career.

23:21And I think as you grow as a creator, you have more leverage and you have more of an opportunity to decide which brands you want to work with that you truly are passionate about, that you believe in, that you're interested in spending your time working for. You really only get afforded that opportunity as things get a little bit more stable. You know, that's my perspective, especially it. And that's one of the reasons to not, you know, bet the house on your YouTube channel, which is what we did. You know, like we, we were left without many options. We were like, here we go. We're all in on this YouTube channel and needs to provide for us.

23:57And that gets you in a position where it's very hard to say no to brand deals. And I'm going to quote Victoria Paris, right. From our show. She said, you are what you say no to. I thought it was like such a fantastic quote. And she was talking about brand partnerships. She's like, your brand is defined by what you say no to. And you want to be in a position where if someone offers you something, but it's not a good fit, you can say no. Because the whole thing, this whole career is predicated on trust. Where it's like, do you, the audience, you know, trust that this show is going to provide the value that we promise?

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24:39and if so, then anything we put in this show needs to deliver on that value. That includes sponsors, right? We say no to sponsorships because we don't believe they will provide value to our audience. And we say yes to sponsorships when we can build something that does provide value or information that provides value so that our sponsorships are value additive to the content we're creating. That's not always possible. It's just not always possible, but that's our philosophy and how we are building. That is a limiting thing to do from a business perspective, but we believe that in the long term, that is the right move.

25:17That is just how we feel comfortable doing brand partnerships. So I do think you want to be in a position to be selective. So originally the question here was, how much do YouTubers charge for brand deals? The one thing I'll add there is that I did find it helpful to work with agencies. Good call. Like Space Station Integrations, who worked with us early on. Now UTA. Like they are seeing so many more deals in the marketplace and have so much more of a reference for what is the right rate or what's possible. And, you know, even with our success now, what you see is that there's also companies in different financial positions, right?

26:05who like, I don't think rates will ever be one specific rate for all of time. Yeah. There's always like a low end and a high end, depending on who that brand is, what they're interested in, how much the audience fits with you, right? Totally. And I think working with agencies has allowed us to trust the rates more because they see more. It informs you what else is going on. You know, and again, if you can pitch them a rate that you want and you could be like, I want to make$100 ,000 per brand deal. and they could be like, that is just not possible. You know, you have 5 ,000 subscribers. It's just, we've never seen that deal happen in the market.

26:39So they can tell you what like your fair market value is. Like what's happening in the marketplace that, you know, is similar to where you stand. That was really helpful. But we would workshop stuff with whoever represents us at whatever, you know, stage in our career, which again, like you said, started with us working with Space Station, you know, worked into us working internally with our team and specifically with our team now that runs the newsletter group and then getting represented by UTA. Like every step of the way, there's people who we get to workshop this stuff with. Like don't just be alone in a silo.

27:13You can also chat with other creators about this. That's a really helpful thing to do too in terms of how much to charge. Okay, this comes from Brett Coleman. He says, question for next week. Love the show. Thanks, Brett. What's the best way to approach big game hunting when it comes to selling sponsors? I usually have no trouble selling individual episodes to sponsors, but overarching long-term deals or title sponsorships or ambassadorships like the deal you guys got with Samsung are much harder to land. Is your approach different when trying to pitch that to a brand? I've never heard this described as big game hunting.

27:52Someone offered us to go fishing after last week's episode. What did we say? Have we responded? The whole beginning was about the - No, I'm saying, what have we - I'm not not interested. Did you respond? No. I didn't respond. I'm just telling you the offer. Oh, all right. Yeah, yeah. We'll bring that into our next meeting. Or we'll workshop it with the Discord community. Should we go fishing with this person? Yeah. Well, I think to call it big game hunting is interesting because you've said this before, but I don't know if I can bring this back to hunting because I don't hunt. Yeah. But let's just see here.

28:27Okay. You've said that, you know, it can take just as much work to land a hundred thousand dollar deal. Yeah. As it can take to land a$5 ,000 or a thousand dollar deal or something like that. I would imagine if you're a hunter, it could take just as much work to hunt and capture a smaller animal. Sure. Sure. Than it would, or, or than a larger, I'm lost here, but you know what I'm saying? It's like, it could be the same effort to get a bigger deal. I'm just gonna say I don't in my experience. It's not hunting. This is a guy. Yeah. Yeah. Yeah. It's not hunting It's it's uh, these things happen very organically Like they happen again.

29:06I want to come back to the word trust Like as creators I want everyone to think about the concept of trust like For me to enter into a long-term relationship with anyone. I need to trust them And that comes from repetition and experience Like if you do get the opportunity to do a one-off deal with a brand you really think would be a great fit, you should deliver on that in a way that allows for the conversation to go further, right? Like you should be very involved and you should deliver on it. When you finish the brand deal, you should maybe follow up with them and say, hey, here's how it went.

29:42Here's the wrap-up, right? Here's what my community is saying. That worked really well for me. How did that go for you? Did that work for you? What if we did this on a more long-term basis? What if it was, you know, this type of creative every month? You have to kind of paint that vision and it has to be authentic to what your mission is. The thing that we've noticed is we call this value prop alignment. So our value is to educate and empower the next generation of creators. So what we look for is we write down what brands share that same value. And most likely you're very aware of them because that's your mission.

30:20That's your value. That's our mission and our value. So we end up becoming into contact with these brands, right? You may already use the brands. Yeah, exactly. So if you're like, you know, maybe you want to make the world of cooking more accessible, that's your value prop. I would, you know, take a sheet of paper out and be like, what brands am I really looking at that are doing the thing I'm really excited about too? What brands are making cooking more accessible? And then when you find those brands, there's a more likelihood that you could enter into a long-term relationship because they share the same mission as you.

30:53That's where you need to get. But any brand that, this probably won't happen that often, but any brand that would come to you and want to do a year-long deal immediately, having not talked or worked with you at all, is something I would be hesitant to get straight into. Because you have no idea how it actually is. to work with that brand. And you could end up in a year long deal that is extremely difficult. True. Right? Where every video, every integration is really hard. There's a lot of feedback back and forth. You just never know. And you want to make sure that you can trust that the people at the brand are people you want to be working with.

31:30Yeah. Long-term. Agreed. Yeah. That's a really, it's a relationship and it's a long-term one. So you have to be comfortable with engaging with them. Imagine if you went on a first date and someone was like, you want to spend the next year together? Right. You'd be like, you're like, oh yeah, I don't know. I don't know yet. Let's go and maybe. We just met. Yeah. Let's date before we get married. Exactly. Yeah. So next question is from Mr. Smore. How on earth do you even get brand deals? I have a gaming channel with 50 ,000 subs, averaging 300 ,000 to 500 ,000 views a video, with my most watched video, all long form, having 1.5 million views, but struggle to get any brand deals.

32:07I don't know if I should hire someone or just wait a bit longer. that way brands think I'm a reliable channel because I've only been doing this for two months. Well, trust. Yeah, trust. There you go. That last point is super important because the numbers are good. Like that's, those clearly - Those are great numbers, yeah. Average viewership is totally worthy of an integration there. But if you've only been doing it for two months, you know, brands, you know, even YouTube needs to know that you'll be around on a consistent basis for them to really pay you well with their advertising platform, right?

32:40Like it takes time. Yeah. And that's a bit like, you know, that's a bit of a hypothesis from us. I don't think we can say that with certainty, but our hypothesis is that YouTube, you know, like, like any other business would reward consistency. We would think so. Yeah. Like any shop, right? Like any restaurant even, uh, they're not going to be a hit from the first month or the first two months. Like people over time need to trust it. But yeah, trust is based on consistency. Like how consistent are you? So yeah, only doing it for two months is important, but I would probably try and reach out to some agencies or, you know, management companies because I do think it's a, I do think having representation, you know, while you, while you end up paying commission to them, right?

33:23So you're making less money, but you outsource this, this entire part of making this a career that you might not even be capable of doing, nor is it, does it make sense for you to spend your time on that? so I think having representation is really helpful especially in the beginning you need to focus on how to go like you're averaging 300 or 500 000 views a video that's fantastic keep doing that and grow that and let someone else figure out you know if there's deals that you want to make and you can hand them a sheet of paper that says these are the types of brands I want to work with these are the types of integrations I want to do you know and if you have a day job or you have something else that's paying the bills keep that yeah keep that until the brands you want to work with are coming in the door.

34:07That might take more than two months. It might take a year. It might take two years. You know, like let the channel become something before you get too integrated with brand deals. This creator also may find that there are brands that want to be involved with them from the early stages, that want to sort of grow with them and bet on them. You know, for you and I, Samsung and Storyblocks were the first two brands to say, hey, like we are aligned with your value prop and we are betting that over the next year you will grow and we want to help support that growth. And this is a really opportune time to find that type of brand.

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35:21Cobra the night on Twitter. Oftentimes brand deals feel like the creator unenthusiastically reading a script. Do you ever get full creative control over an ad spot? Also, do you vet the brands before partnering? I hope. Okay. So a couple of different points here. Yeah. Like oftentimes brand deals do feel like a creator just reading a script. That does happen. Um, I think that comes back to like taking pride in the product of a brand deal and also the relationship with that brand. The one thing is like, it's, we are on the phone with every brand we work with. We engage with the human beings at the brand.

36:00I think that's a really important thing to do. So you have that connection and we, we've been doing this for, you know, over a decade. So like we have an understanding of what their job is too. You know, what are they trying to do? And then I also feel very protective over our audience. I don't really, I want to make sure that like the brand's intentions of reaching our audience are pure and match our intentions. So our enthusiasm towards brand deals typically comes from enthusiasm, you know? And I think that's, it's not easy as a creator. You have to, you have to pay your bills, you have to monetize and sponsorships is how you monetize.

36:44To do it in a way where you're excited about every single one is a challenge. You have to build your whole infrastructure around saying no. Yeah, and I, you know, some creators though have high volume advertising. Yeah. They do lots of advertisers as opposed to - Yeah, like podcasts. Like podcasts, right? Like there are some podcasts where they're working with 30 advertisers in a year. Totally, yeah. It's much harder to be on the phone with the people at the brands. That's true. and to scroll through all those scripts. I think the creators that do that best are the ones that maintain their personality throughout the scripts.

37:20They change them, they alter them, they don't just read them. Yeah. Right? So I think you have to do whatever you think you can do to make it in your voice, to keep it your own. And I would make sure that audiences understand or hope that audiences understand that there are some brands that creators are working with for the first time that give no leeway. Yeah. that are afraid of changing the script or don't want to change the script. And it just comes out the way it comes out because that's it. It's either you do the deal like that or you don't. You know what I mean? So I think it's important to understand that too, that that's why some creators have maybe unenthusiastic sounding brand deals.

37:58Yeah, one way that, again, we've afforded ourselves this opportunity. So I don't want to speak for, because I want to like respect the different stages of being a creator because it hasn't always been like this. But we are now in the unique opportunity where we get to work with fewer brands and have deeper relationships with them. So that makes us enthusiastic about the brands. Because also like when we send a brand deal for review, we're sending it to someone we know. We want them to be excited, right? We want the relationship to grow. And we want it to be like we want ourselves to deliver a good product not only to them, to our audience.

38:34Like, so that relationship matters. And I agree, like some high volume brand deal products, like a podcast that has six spots in it, that's a different style, you know? And I don't know. Like, I think some people do it in their own voice and like Cody Ko and Noel Miller, I think they do it well in their own voice. I think Smartless. Smartless does a great job. They do a great job doing that in their own voice. And I think, you know, again, saying like, this is how I do it is a really important thing, but that takes practice. Yeah. That takes a lot of practice. If you've never done a brand deal, you don't even know how you do, how you, how to do it.

39:12So there's this weird thing that like we would, we have had times where we've practiced brand deals, you know? Yeah. I think that's an important thing to do. Like, how do you practice? Maybe it's just like you integrate your own thing. If you have a newsletter or if you have a merch site. Like you do your own brand deal. So you're like, how would I integrate this? How would I break the flow of the story and the video to talk about something somewhat related, but not something that contributes or adds fully to the story? Yeah. It's a challenge. By the time this comes out, we will have already done our performance at YouTube Brandcast, but we got a text from the YouTube team with this photo of us at the Lincoln Center.

40:01And I just want to bring up that that, it like made me very emotional. Yeah. You said you cried. I got choked up. I don't know where it came from, but I like looked at this and I thought, and even in this conversation about brand deals, it's like bringing back these memories of growing as a creator. And I was just like, there was a time where I didn't know if this was going to happen. you know I didn't know if we were gonna make it on youtube quote-unquote in our terms um and seeing that like like a photo of us at the Lincoln Center and like the fact that there we work so closely with youtube now and get to go on stage and talk about youtube it's just like whoa it's uh out-of-body experience out-of-body experience and um obviously that has a lot to do with the people listening and watching.

40:49So I want to acknowledge that. But man, I just wanted to bring that up. Yeah, it is kind of crazy. I mean, I think even the opportunity to even speak in public on their behalf on some of these stages is something, you know, not only that would have surprised me had you told me three or four years ago, but would have terrified me. Right. And now I'm like, oh yeah, this is exciting. I can't wait to be up on stage. It'll be super fun. Totally. Yeah, it's crazy. Um, just back to the conversation about like how you vet brands. We did an interview with Tim Ferris. That's going to come out on the main channel.

41:27I've never heard someone talk about brand partnerships the way that Tim Ferris talks about them. That man can vet a brand. Like we talk about vetting brands. Tim Ferris gave the guide to do it. Guy lives it. Yeah. He gave a lot of guidance on how to actually build a sponsorship based business. So, you know, know, that will come out over the next couple of weeks. Uh, when that comes out, I would urge everyone who's listening and watching to check that episode out and, and have your like notebook ready. Cause when I was in that conversation, I was like, Oh my God, this is some of the most valuable information I've heard.

42:00And, and even now listening back to it, I'm like, I have the same feeling. I'm like, this is so incredibly valuable. So that gives a very good understanding of how to vet a brand. Um, but again, that, that isn't so much of a reality. If you have a system where you have to say yes to every brand deal. So you got to put yourself in that position. Can I share a brand deal related gripe? Yeah, of course. So that's where we are. We're in the deep end. Great. Oh, we're in it? Of course we are. I didn't even realize. Let me jump in. Now you're in. All right, here we go. Great. Okay. This happens to us multiple times a week.

42:34Okay. And it happens to most creators. What is it? The email that comes into your inbox. I saw it this morning. Yeah. And it says, dear creator. Or dear influencer. Or dear influencer. Sometimes I like when it says dear influencer because I never think of myself as an influencer. Yeah. And I think influencer, like that term is like you dress well, you take cool photos of yourself. Interesting. You're attractive. So I'm like, yeah, I am an influencer. You've been influenced. But I just, I hate when the auto response email comes through, but there's not a chance that there's an actual human on the other end.

43:07No. They have no idea. They don't watch your videos. but there's just this like spray going on of like dear creator slash sir or madam. Yeah. If you are of any, it's always like weird English. It's like, if you're of interest and would like, we'll send you this$5 ,000. Yeah. And you're like, this feels strange. Yeah. I would heavily watch out for those. Like just do not engage that. That is like, I just wouldn't get involved in that. You got any brand deal related gripes?

43:37Okay. Another one. Yeah. this is more of like something to watch out for. Okay. But when, and this actually is more on creators to make sure they read their contracts, but it's more of like when you do a brand deal and you don't realize that there's language in it that allows them to take the brand deal and use it in perpetuity wherever they want. Yep. So three years later, you're scrolling and you're like, is that me? Yeah, yeah, yeah. Advertising for that brand from 2017? Yes. Like what? What? That is something that happens. That happens. That's related to a question we got. Is there a standard rate for usage, licensing, and exclusivity?

44:16And how do they vary across platforms? That's a good question from at hello Vivian. There's not really a standard, but I would say that there's very important things to look out for in brand deals. Number one is going to be deliverables. What are the deliverables? That's very important. That could be three integrations into your show, or it could be an integration and a cut down for Instagram. Like there's going to be deliverables, right? The next thing is usage. What is the brand going to use this content for? Is it just for usage in your content or do they actually have access to use it for something that could be like they could run it as an Instagram ad?

44:52Could they put it on TV? Could they put it on TV, which is a possibility? Could they put it on their own website? How are they going to use what you've just made? That's really important. All of which you can charge for, charge extra for. Yeah, exactly. The next line is exclusivity. So is there any exclusivity related to this? If there is, I would always have that as a line item. Like that's if, okay, if your rate is$5 ,000 for a 60 second integration, but they want exclusivity, then you got to charge for that too. You know, that's an important thing. Because that means you're cutting off other potential products or potential advertisers.

45:28The next thing is term. and termination. So term, meaning like how long does this contract last for? Termination, like in what ways could they terminate the agreement? And what ways could you, if something happens or something needs to happen? And the last thing is schedule. And that means like payment schedule, you know, like when do you get paid? Is it upon signing the agreement? Is it upon 30 days after you complete the integration? Is it once the video goes live? You want to be really clear on those thinks. So that's deliverables, usage, exclusivity, term, termination, schedule. Write that down.

46:06You know what's a great contract term for Brandy L's? Force majeure. Which I did not know about. I love a good force majeure clause. I love a good force majeure clause. Which I only learned about in the pandemic. During the pandemic. Which is this clause that says like, this contract can be terminated if like an act of God or something. A natural disaster. A natural disaster or something completely out of the company's Like both parties control takes place. Like a global pandemic. Like a global pandemic. Exactly. And I remember you and I being so frightened because we had just gotten our Samsung deal that like saved our company.

46:38And we were like, have you heard of this? This could be it. Yeah. Luckily. Yeah. Luckily for us, every brand honored their agreements, which was really cool during that time. That was great. Well, cool. There are a lot of questions that we did not get to here. And again, part of the concept of us launching the Discord is that if you have more questions about brand partnerships, how they work, You can ask those in the discord if you have questions about anything else like how long is calling gonna wear this jumpsuit for You can ask that in discord. The answer is forever, but but you can ask you can ask you can ask it Yeah, also i'll say that in the gripes channel.

47:11I left an exclusive Uh an exclusive gripe. Yeah, so did you yeah, there's two we each left an exclusive gripe in the gripes channel Well, we will see you in the discord click the link in the description Join the discord ask some questions give some feedback post your thumbnails We'd love to hang out with you guys there. And again, we're doing an AMA on Monday. So we'll be live. We'll be live on a stage. You guys can interact with us. You can interact with each other. We're really excited to see where the Discord goes. And thank you so much to the team at Discord for supporting this show. It means a lot to us that you guys have been a part of our community and have been workshopping this partnership with us.

47:47It's truly awesome. We're excited for everything to come. Join the Discord. We'll see you there.

From the publisher

On this episode of Creator Support, we're answering questions about brand deals -- how to get them, how much to charge and tips for working with brands.
Plus, our Discord is live! Join: https://discord.gg/colinandsamir
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