In short
The Colin and Samir Show: Episode Summary
Episode Title
Life after Nelk (ft. Jesse Sebastiani)
Overview In this episode, hosts Colin and Samir interview Jesse Sebastiani, a former member of the controversial YouTube group Nelk. They delve into Jesse's journey from Nelk to establishing his own creative agency, Sunday, discussing the evolution of content creation, the importance of community, and the challenges of transitioning from viral pranks to more meaningful content.
Key Topics Discussed
Introduction to Jesse Sebastiani
- Jesse is introduced as a former member of Nelk, a popular yet controversial YouTube group.
- Noted for their innovative approach to monetization after facing demonetization on YouTube.
Transition from Nelk
- Jesse left Nelk and sold his shares in the company, a rare move for YouTube creators.
- Six months post-exit, he founded his creative agency, Sunday.
- His current content style focuses on behind-the-scenes insights of his agency, contrasting sharply with his previous prank videos.
Early Content Creation
- Jesse’s background includes an MTV show at a young age and a passion for skateboarding, which fostered his interest in video production.
- He shares nostalgic stories of early skate videos being a source of inspiration.
Fame and Its Challenges
- Jesse discusses his complex relationship with fame, noting the shift from a comfortable level of recognition to feeling overwhelmed.
- He reflects on the loneliness that can accompany fame, especially when fans know much about you but you know little about them.
Insights on Nelk's Success
- The group’s growth was attributed to their authentic connection with fans, which allowed them to pivot to merch sales and product development.
- Jesse describes the changes in their content strategy when demonetization hit, leading to the launch of successful brands like Happy Dad.
Reflection on Identity and Content Style
- Jesse expresses a desire to create content that resonates with him personally, moving away from pranks that may harm others.
- He acknowledges the importance of evolving as a creator and the toll that certain content styles can take on mental health.
Building a Community
- The episode emphasizes the distinction between virality and building a tight-knit community.
- Jesse mentions that the community built around Nelk was initially rooted in underdog support, which was crucial for their success.
The Business of Creativity
- Discussion around the potential for creator-led brands to succeed without relying solely on viral content.
- Jesse reflects on how his exit from Nelk provided financial security, allowing him to pursue projects driven by passion rather than monetary necessity.
Future Perspectives
- Jesse shares his vision for Sunday, recognizing the challenges of scaling a community-focused brand.
- He emphasizes that true success lies in creating meaningful connections rather than purely chasing views or revenue.
Key Takeaways
- Evolving Content: Creators must adapt their content to align with personal values and audience expectations.
- Community vs. Virality: Building a strong community can be more beneficial than solely pursuing viral success.
- Financial Freedom: Achieving financial stability allows creators the freedom to explore their passions without monetary pressure.
- Impact of Fame: Navigating fame can be complex; it is essential to maintain a grounded perspective amid success.
Conclusion Jesse's journey post-Nelk highlights the importance of authenticity, community, and emotional well-being in the creator economy. His commitment to creating content that aligns with his values marks a significant shift in his career, setting a precedent for other creators navigating similar paths.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:00The Colin and Samir Show is supported by Microsoft Copilot. This is something I thought I would never say, but can I share with you my favorite prompt? I mean, like when you say something like that, I have to say yes. Were you going to say no? No, but okay. Just let me hear it. So when I'm researching for a guest or I need to know a lot about a subject matter, I say, make me a podcast about. And when you do that, you're going to get a short blurb about that subject. And then in like two minutes, you're going to get a podcast. So check this out. Welcome to Co-Pilot Podcasts. Picture this, a guy working the front desk at a hotel, making lacrosse videos in his spare time, completely unaware that he's about to become one of the most influential voices in the creator economy.
0:38Today, we're diving into the remarkable story of Colin Rosenblum. Wow. Did you pay it to say that? That's crazy. That's very kind. It's crazy, but it's my favorite way to learn about a subject matter. I'm learning about so much more now that I can turn this research into like a seven minute podcast that I can listen to just when I'm walking. Did you tell it that I worked at the front desk of a hotel? Dude, the prompt is just, make me a podcast about Colin from Colin and Samir. That's it. I may be biased, but I'm on the edge of my seat. I'm hooked. So if you guys haven't checked out Copilot, check it out.
1:10Try it for your research. Try it for getting variations of your titles, your ideas. It's one of my favorite tools on the internet right now for our creativity. And now back to the show. What's up, everyone? Welcome to the Colin and Samir show. On this episode, we're joined by Jesse Sebastiani. Now, Jesse was a part of one of the most controversial, but also one of the most popular groups on YouTube, Nelk. While they are very controversial, they also are one of the most innovative groups on YouTube. When their content got demonetized and they weren't able to make money from the platform, they turned to their loyal fan base and came up with brands and products to sell them that funded their content.
1:51They launched an apparel brand called Fold Send, and they also launched a hard seltzer called Happy Dad. And Colin and I actually went out to try and go buy Happy Dad, and it was completely sold out. Could not find it anywhere. The woman at BevMo laughed at us when we asked. They used their millions of fans to build incredible businesses, and Jesse was one of the faces of the brand. But at the height of their success, Jesse decided to do something very unique. He left the group and in the process sold his shares of the companies that he owned, walking away with millions, something that's extremely rare on YouTube.
2:25Six months later, we went to go visit him at his brand new creative agency called Sunday. We wanted to catch up with him and understand what his time was like at Nelk, what it was like to actually exit a YouTube company, and what it feels like to reinvent yourself on the platform. The videos that Jesse's making today on his Sunday YouTube channel are drastically different from what he was making at Nelk. It's the content that we love to watch. He's bringing people behind the scenes in real time with the growth of his creative agency. All right. This episode is also out on YouTube and it does have some visuals to go along with it.
2:58So if you want to go check that out over there, if you want to listen to it here and then maybe you want to go drop a comment, who knows? You can do that. It's on our YouTube channel. All right. Without further ado, let's get into it. This is our conversation with Jesse Sebastiani.
3:13Before we go anywhere else, we should address your black eye. yeah because you have a black eye right now yeah just timing also i apologize yeah right i didn't mean yeah things got i didn't mean to catch you like that i made fun of his sweater and it got really heated and i do uh sparring on fridays um i train mma during the week and it's just a hobby of mine and uh yeah i guess i got caught with a hook and i was like i honestly didn't even know like i told you guys i was in the shower and i was just like oh wait what's going on there. And then it just slowly, every 10 minutes got darker and darker.
3:47Like, so I want to go back in time and talk about your name, MTV Jesse. Yeah. Where does that come from? I had an MTV show when I was younger. Um, it was kind of like a low budget jackass type, like a stunt show in Canada. And, um, I think we filmed it when I was like in, when I was like 16 and it aired when I was like just getting out of high school. So I was just like, probably just like, Oh yeah, MTV Jesse, more people will find it or something. Like, I don't know. You know what I mean? And then it just stuck and I never changed it. How did that show come together? Like, how did you get an MTV show at that age?
4:23We, uh, we waited outside of the Masonic temple in Toronto, um, until we saw a producer and we showed him a VHS tape of our, uh, some stuff we were filming. And then we got a meeting like the next day and like took the train back down to Toronto and sold, sold the show like within a week. That's crazy. Is that where your journey with picking up a camera starts with that project? Or is that even earlier than that? No, a lot earlier it, uh, it started with skateboarding. That's where it all kind of, I mean, I've been skateboarding my whole life and, uh, that classic dream, everyone's making a, you know, a video part and they're trying to get sponsored and they're trying to show their local skate shop.
5:02Um, yeah, that was my whole childhood we would just film every summer and uh that's what made me want to get my first little sony camera and uh and we didn't have any skate spots i grew up in the country so it was like grinding a tractor and like it's like yeah it was very hard to make a video part like i had to like build like a staircase and then try to kickflip down it yeah but uh yeah that's where i kind of stemmed was it the culture of skate videos that the fact that skate videos were starting to have skits and like jackass style moments in it that you sort of you were like oh maybe that's part of my culture of what i want to film i think i was just a huge fan of jackass like i was like a mass and cky and all that like when i was a kid that was like me my friends all loved it and i think yeah i think you're right it was just so connected to skateboarding that's probably why we liked it yeah and um yeah we just everyone wanted to be johnny knoxville or steve-o and you know, so it was crazy that we relate like early nineties and early 2000s skate culture so much to like the rise of YouTube, because that was, in my opinion, YouTube before YouTube, like it was groups of people who no one was going to tell their story.
6:13Like no sports network was going to be like covering skateboarders really beyond like the, you know, X games when that came around and Tony Hawk and whatnot. But that's like, you even go back to like Bones Brigade and the era of like just telling stories about people who are really into something. Yeah. You know, and like lived and breathed this niche culture. Oh, yeah. And that created like incredible community and fandom. I mean, we were talking about this before. Like I used to go to our local skate shop to watch the latest VHS, right? Whether it was shorties or like, you know, girl. Yeah, right.
6:48Which you had playing downstairs. And I like, those were some of the first videos that I saw. where I was like, wait, so you can make a movie with just like your camera that you have at home and your friends? Yeah. Yeah. That was the difference. Like it wasn't just that it was a movie. It was a movie. It was the fact that the person behind the camera also sometimes was in front of the camera. Right. And like you were totally aware of the fact that you could cross that threshold of like in front of the lens, behind the lens, the first like really accessible media where it's like, I could do that.
7:18That's possible. What was the experience like of having an mtv show like was that a moment when you when when they picked up that show did it feel like a life-changing moment yeah it i was young so it just felt cool it was like oh like mtv was cool back then so it was like it felt just like whoa this is crazy like i don't know if i necessarily felt like canada is so different than america like it's such a smaller amount of fame you know what I mean? But I think it also set me up for like my whole life's been this like slow climb. So like it kept me very like level headed. And I think it was the perfect amount of just like people knowing who I am, but like in a very small way.
8:02Um, but, uh, yeah, it was pretty wild. And like, I remember we like got flown down to New York and went on Anderson Cooper to get like interviewed. And then like, he kicked us off the show. And like, it was like, like, it was like that feeling of like we're young and we're in like uh we're in a limo and like we're in new york and we're heading to like you know where they do like i don't know if it is like the ellen show or something but i remember seeing like other shows being like i was like on the lot and like remember that feeling of like whoa is this like happening and uh and then the show got canceled but um we started doing a second season and it got canceled i do think it's interesting how much early mtv i think has influenced what's happening on youtube today um i don't know if you watch the buried life oh yeah i love the buried life the buried life influenced yes theory right like they cite the buried life as as the influence you look at what eric's doing right now it's mtv right yeah it's like there's an element of like next with the dating shows an element of silent library would try not to laugh yeah like these are all you know like it's just for cycling yeah it's origins are in that era of nineties MTV.
9:11And I feel like what you're doing with Sunday also reminds me a lot of it has like a Deirdre field to it, right. Of like fantasy factory of like, bring me into a world of entrepreneurship, but make it interesting and cool. Yeah. You know, like I feel like Deirdre did that really well. Yeah. Um, so yeah, I think it's, it's cool to see like the early origins of what we're watching right now from that MTV era. Yeah. They're all, everything we create is like a piece of something we were like influenced. Yeah. You know what I mean? It's all building on top of each other. Yeah. Well, especially with YouTube just becoming, I mean, it already is, is like our current television.
9:46Like I think it's just, it was a no brainer that all this stuff was going to just recycle its way into. For sure. For sure. What was your relationship with like fame at that time? Like you were saying it's like, it was a comfortable amount of fame, but like even your first taste of getting in a limo, people knowing who you are, like, did you enjoy that? Was that something that like felt really good it probably was like the only time i experienced it and like i liked it because it was like everyone's first year is like it's like oh it's cool or like this is like yeah like it's like new yeah so it's exciting but uh but i i've never enjoyed it ever since i don't think like that's why i've just i don't know i don't really i'm sure one day i don't want to be on camera at all if I don't have to be.
10:36I don't know. I just, it's a very weird thing that like a lot of people know who you are and about your life and you know nothing about them. And it just makes all these very, uh, weird interactions when you want to have a normal life. You don't have a normal life. You don't. Yeah. And, uh, and I do feel like I'm pretty out of the limelight now. Um, especially not being in NELC and stuff anymore, but, um, yeah, still there. I think you just learn how to deal with it but at what point did it get to an uncomfortable level if you look at mtv show gets canceled yeah i know you started uploading to youtube after that yeah so at what point do you reach uncomfortable fame the second year of nelk i'd say i don't know exactly on a year but there was definitely a point where i remember it like shifting where it was i remember we used to like come home like i'd go get groceries when i first came to la and i'd come back and it'd be like lucas and kyle and whoever at the house and i'd be like oh dude a guy know like i remember telling them like you could count on your hands how many times someone noticed you you'd be like yeah dude this guy and he's like he said he saw her like coke prank or like whatever yeah and and uh it's just funny but then you hit a certain point where uh you drive by a coffee shop and you're like oh like i could probably just make coffee at home right because i don't want to i don't want to deal with that i don't want to deal with it yeah and i and i don't like that part of it where I kind of became a hermit and I just didn't want to, yeah.
11:59You work out at home, you watch movies at home, you do everything at home and you're just like, kind of like, I've found a way to just like embrace it though and be like, like who cares? Yeah. But, uh, I actually don't know the story of how you, I like vaguely know it, but I really don't know the story of how you joined NELC. Yeah. It's pretty crazy one. Uh, um, I made a status on Facebook that was like, like if anyone's doing YouTube stuff or whatever, like I was just like constantly trying to get into something. It was very hard in Canada to like find someone doing anything. Like I would have worked for free, did anything.
12:32I just really wanted to work with people. And, uh, and then I somehow started talking to Kyle and it was right when he was like, maybe his first year of doing NELC and, uh, and, uh, it was kind of like skits and then starting to get into some pranks. And, uh, I pitched this like prank about lighting my arm on fire. I'm like, I know how to do it. Like I can like, and you can do it with your arm too. Like we can like, Maybe we'll go act like people who are smoking are lighting us on fire. And we met in Mississauga. And first time we met, we shot the video. It went really well. Dude, your arm's on fire.
13:06Oh, my God. Oh, my God, dude. Why'd you light him on fire? I didn't do that. I just saw you light him on fire. I think before I left that day, we talked about going to LA. We're like, yeah, this is a good mix. And it just kind of clicked from there. That light yourself on fire video, I watched that last night. Oh, okay. And curious for you, like if you could bring yourself back to shooting that video, is it the prank that's fun for you in the moment or is it the response to it after it's out? Because I look at that and I'm like, that would be a bad day for me. You know, like if I was in your shoes, I don't know if I could handle that.
13:40And I'm curious. I always think about people who do pranks. Like, is it the act of the prank that's enjoyable or is it the response? That was a start. And again, it's like you're just young. So I was just like, let's do anything to just like make content or to like grow or to like build something. And like, you're kind of not scared of anything. I like to see the edit the most, like to answer your question. I think I used to love like the whole story of what we're trying to do, especially when it was like a concept like that, that we were shooting. Not just like, go get a funny shot, go get a funny shot, go get a funny shot.
14:13It was like, we really put a whole video together. What was, what was Kyle's like pitch to you about Nelk at that time? Was it just like, I'm making videos? Yeah. I'm trying to think. Cause like they probably had like 20 ,000 subscribers or 30 ,000. But to me, it's like, that's huge. Yeah. I mean, I'm like, yeah, that's, that's people that want to watch content that we could make. I wonder if it wasn't as much or like, we just saw eye to eye and we just like, we both got the vision and we just started doing it. Like it was not like, there's no contracts. It's just like we just started running, you know?
14:46What was the vision? Just like... Probably to just... This episode is brought to you by LifeLock. When you visit the doctor, you probably hand over your insurance, your ID, and contact details. It's just one of the many places that has your personal info. And if any of them accidentally expose it, you could be at risk for identity theft. LifeLock monitors millions of data points a second. If you become a victim, they'll fix it. Guaranteed. Or your money back. Save up to 40 % your first year at lifelock.com slash podcast. Terms apply.
15:43like go viral and we know how to make funny content and let's just like, let's just only do this. And, uh, I think that was the vision. When you say you can make money, was it from YouTube, the platform at the time at the time, eventually that became something that Nelk like didn't have as much access to. Yeah. Yeah. A hundred percent, which, which is again, it was a kind of a blessings that made us create full sun and, uh, made us, uh, have to find other avenues. But, um, yeah, I think at the start, I mean, there was no other, I don't think we were even getting like a brand deal or something.
16:13So how did that feel for you and the guys there that like YouTube, the platform you're investing in was like, this is not, this is not what we want. It was annoying, but it was also one of those things where like, I kind of just knew it. Like, it's like, right. Makes sense. Like, but, uh, I mean, and I still even to this day, I believe it's just, it feels like there's always needed to be two YouTubes. Like, you're like, you know what I mean? Like, or YouTube needs to make like two sides to it or something. Like the fact that there is content that isn't for a 12 year old, but can still have a certain kind of ad on it.
16:47I just, I've always thought that, and that's what we used to talk about back in the day, especially when our audience started growing is like, could we like not compete with YouTube, but like, can we make another platform for like, you know, like all the Danny Duncans of the world and all the, like, just for people that make different content, um, for an older audience. Yeah. Did the fire video go immediately viral from my understanding i don't think it did like crazy no it wasn't the first like thing was when we went to la and we uh i think it was like the first three weeks there we shot still to this day the most viral video we've done which is the coke prank i can't do this i can't do this man we have a bunch of coke in the back i'm sorry dude i'm sorry and that that's when that's when it really felt like whoa like we're really doing something like we're in a random condo in LA, like ghost face killer from Wu Tang is our neighbor coming over and eating our like chicken that we can't afford to like give him any.
17:44And like, it was just like, and we were like, go to the hot tub and there's like this movie producer and like, and then we're getting like interviewed by, uh, like the LA, whatever the LA like news would be, I don't know. Times, Times, Times, like a newspaper or the KCLA? KCLA. That's what it was. KT. KT. Yeah. Or KTLA. Yeah. But you know what I mean? Yeah. It's like you come to LA and it actually just like, because there's a lot of people who come to LA and it takes like years. Oh, yeah. Like I'm Ubering and I'm doing this on the side and then sometimes it never hits. Yeah. But like, it like, we were just so hungry and it just, just worked.
18:21In a video that's now gone viral on the internet, officers pull over an SUV with a group of men. One of the officers starts to handcuff them. The other goes around to check the trunk instead of cocaine. It is just Coca-Cola. You mentioned while you were at Nelk, you were also working other jobs. Yeah. At times. What were those jobs? And at what point were you able to quit? Oh, man, I was the man of a million jobs. I had like 20 jobs. But the one when I was at Nelk was bartending. And then I also worked at a Shadow Red Rockets in Hamilton. Best chicken wing spot ever. I used to hand bread chicken wings.
18:56That was like a grind, though, I remember. That was definitely, I think I was vlogging every single day on another channel, doing NELC and working full time as a bartender. And then I would come, I would get off work at like 3 a.m., go home and edit the vlog for the next morning and then start all over again. And just doing that like cycle of like need to do this to like pay for food and then need to do this because this is the dream. And then need to do this to keep the story going. And it was like this like, and you just, that cycle. But yeah, I try to think of days like that whenever I think I'm tired or something, you know.
19:37So when did that cycle break? Like was it the merchandise that when you saw that you were like, I don't have to work other jobs? or was it, um, you guys make money on AdSense at one point and you're like, I don't have to, I don't have to do that anymore. We can pay ourselves. I remember actually going to the bar that I worked at and like, Oh, cause it was a new bar I had to go to. It was like a fancier place. And like everyone knew who I was. So the views, it was kind of like Steve-O and Jackass. I remember he talked about this where it was like, like people know who you are and they want to buy you a shot and do this whole thing.
20:10But like, you're not making any money. You can't like afford the shot so like it was like i think that was around the like when i like i remember leaving that job being like i don't think i have to do this anymore like money started coming in because like we say ad sense but that's to run a whole company like yeah like if you're even making three grand a month of ad sense you were like oh shit like yeah that's more than a paycheck yeah so how did you have the guts at that time like were you guys just so hungry for good like okay this, we know this concept will go viral. So like, cause like, it's pretty aggressive.
20:46Like the four of you in that car, when I don't remember who it is in the back, he's like, we got, we got Coke in the back, you know? And it's just like, holy shit, guys. Saying that, like I couldn't, there's no world where I'm saying that. And you look terrified. And I can't tell in that moment, is he acting or is he actually a little bit scared? I think I was scared. I mean, to look at it now, I mean, to look at a lot of the stuff we shot, I'm like, yeah, no way. I'm never doing that. But, uh, yeah, I just, like I've said, I think it was just this fire to like, like, oh, if we get arrested or we, uh, guy punches us in the face or if like whatever happens, you're just like, I'm just going to do whatever it takes to make it that kind of fire.
21:30Um, did you feel like from an identity perspective as, cause that, that video to this day has 50 million views. There's still a lot of people who probably know you from, you know, like that was their entry point to you. Like, did you feel at that time being like, I'm totally good with being the prank guy. I'm totally good with being this guy. Yeah. Yeah. A hundred percent. Yeah. Yeah. I think if anything, my love for it over the last like year or so has been the first time it's ever like died down a bit. I just like see it differently now i have to what's funny and what's like up someone's day for some reason something switched in my brain maybe it's just getting older um but like there's it's such a fine line for me and like i've i've gone and shot stuff where i'm like i just like i lose interest right at a certain point where if i'm like oh this person's like not having a good time right why am i doing this yeah like they're the butt of the joke in a in a way that's like yeah not fun for them they call it like punching down and I have tried to, even when I did shithole, I mean, it was always in the back of my head where I tried to keep the joke about me.
22:36Like I'm, I'm the idiot and like, you should be laughing and being like, what is going on right now? But not like, let's just like make fun of you or something, you know? So that feeling, that realization of maybe how you wanted to do a prank, is that the beginning of you from an identity perspective within NELC being like, I think maybe this isn't this isn't my full-time future yeah that was like and not to say that um like that's nelk's direction to like sure punch down but waking up every day and being told we're doing this thing to the and like yeah you'd get some days you're like i don't find this funny or i don't like like this idea but it's my job and i need to just go do it and then you try to make it funny you know i mean and there was just enough bad days where i was like like we're successful like we should just be we should be making exactly what we want to be making so being in the creator world for you know colin and i've been uploading to youtube for for 12 years together and like observing the space uh i would say like especially i'm on with the rise of nelk personally i had a very complex relationship with NELC.
23:46Like I look at, at NELC as like one of the models for how to build a business in this era from a YouTube and content perspective. And at the same time, oftentimes looked at it as like, that's not representative of the YouTube that the side of YouTube that I live on and that I want people to associate with what I'm doing. Yeah. Did you ever have that complex relation or were you aware of that of like there's a huge crop of people who don't like what we're doing yeah and i'm assuming that's what made the audience who loved what you were doing really strong yeah that's kind of what made them core that's what made them core is that it was like this not underground but they are just like you know more aggressive kind of like side of like if you don't like it then fuck you kind of shit right i don't think i've ever like thought of it as like, Hey, is this gonna put me in a, in a, like a pedestal of like, I'm over here.
24:42Right. Um, because like it, I mean, a lot of it was still content that I did think was funny and cool and all that. But, um, I think it was the, the biggest thing was just like me as a person changed so much. So like, if, if like I didn't enjoy, I wouldn't watch those videos, you know I mean, so it was hard to be like the person producing or creating or starring in those videos. There's a video that I watched during the pandemic. Then you guys were getting some, there was bad press about now during the pandemic with the party you guys threw and all that. And I became increasingly more curious about you guys.
25:21And I came across this video where you do a zoom yoga class and you pour yogurt on your head. And I laughed harder than I've laughed. I like that. I like that video. It made me laugh. I think I showed it to Colin and he was like deadpan. He always comes in and I'm like, I don't know what you're showing me. I was like, yeah, it's a yoga class, but he's pouring yoga. I'm like, I see that. I see that. He said he thought it was a yoga class. I was, dude, I was dying laughing at that. And then I think there was another one in that same video where Kyle's like on a zoom call in a college and like pretending to be something.
25:55I don't remember what he's doing, but he's kind of like causing a ruckus in there. And I was like, okay, I don't really like that one. like it was like this complex relationship with like there was stuff that i had was really funny and stuff where i was like see i would that's like like and i'm not trying to shit on anyone totally to just show people an example like that day i was supposed to shoot like uh like a lecture prank yeah and i did one and i had like you know an older teacher or someone and i just like someone's mom or something and like they knew i was i hate when someone someone knows i'm fucking with them right right i lose all comedy for me i'm like oh so i'm just being an idiot like right i mean right because then they're just like just end it now yeah like i see what you're doing let's just end it now yeah whatever yeah and then that so that that morning i got up and like was supposed to shoot that and it was like i quickly thought of yoga yogurt and then they're like smoking cigarettes and um what was that like a workout class like a workout class i just like was like well i think this is funny and i'm gonna go shoot this and then you know the company was big enough that we have enough production and stuff where like I could go shoot my thing and set it up.
27:02Like, so I think that's kind of the start of like how we not dividing, but started just like, like, yeah, if you think that that's really funny and that's cool, like you do this. And if I think this is funny and cool, like I'm going to do this. What was your relationship to the NELC audience? Like you guys had meetups, you guys had like opportunities to be in front of your audience a lot. Yeah. Did you feel like as you started to meet those people, you were like, this is the type of, this is the community I want to build. Like these are, these are like-minded people like me. It's hard to answer because honestly, I think 100%, especially on the way up, that was like, I was that culture.
27:42So I was, it was, and it was like, and also it was like family, like every, like seeing all that love everywhere we went. And it's also the reason like taking care of like myself and take care of my family. Like if it wasn't for them, like I wouldn't have been able to do that. So, I mean, it's the love that we got for being the underdogs that made no money on YouTube and people supported our company from the start, like that forever. Like, that's like, that's everything. That's why I'm here. For sure. When I got sober, it did get to a point where a certain genre of fans that I would meet and be like, yo, let's go like slam a tall boy in the parking lot.
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28:19And I'm like, dude, it's 10 a.m. Whole foods. I don't want to. I'm in my PJs. I know. Like, so there was definitely a mix of that, but, but it is also really interesting seeing like at a very, very small scale again, kind of like I was saying about getting excited when like, yo, someone like recognized me at whatever, like people seeing like what I'm doing now, like I said, at a small scale, it like gets me like super stoked now. Like I was like riding my bike and someone was just like, like putting some in his car and he's just like Sunday. And I was just like, oh, I was like, that's so sick.
28:56That's cool. It's a different feeling. It's a more connected version of yourself. Yeah. Maybe, maybe there was a few years there where someone being like full send, I could, I didn't like connect to that anymore. I mean, I was like literally trying to like not drink and not like, you know what I mean? It's like very like not saying full send is only connected to that, but like, yeah, it was just very refreshing. What did you learn from pushing and operating Full Send the way that you did? Because it really was, I don't know if it is anymore, but like one of the biggest streetwear kind of like apparel brands during that time.
29:28It was crazy. I think I like to look at it as, I mean, I never went to college, so I think it was like one huge program that taught me everything to do with like the internet in general, product development and creating shows and creating hype and marketing and creating core followings. and like, just like, there's, there's a million things, but yeah, it was a crash course that taught me everything I need to know. The same reason that there's a client out there paying me a retainer to teach them how to do something with their company. And I feel like I wouldn't know how to do that if it wasn't for Nelk.
30:08So the counterculture nature, like why it interests me is I do think that, you know, you're what you're doing today and what, what was happening at Nelk. One of the, one of the differences that I see is, and maybe there's similarities actually, but like the business of building a tight knit community is very different from the business of like pure play virality, right? Like making the most viral video that's brand safe and friendly to the platform right now, there's a business to that, which is like AdSense brand deals, you know, that works really well. It actually might not work that well in memberships and merchandise sales because you're so broad from an audience perspective.
30:47But when you dig in and you have this like incredibly tight knit community that's when you can go direct to consumer right yeah and go like you know you guys will transact with me because you're part of my core yeah 10 000 cores stronger than a million that you can't control for sure and nelk was this or is this crazy mixture of the two where it's like 10 million you know and like what do you do when it goes to that like millions of core. I mean, I don't know. I think it's really hard to do, but even with now, like we got a taste of that where it, it got, it got too big to be too core. Like, you know what I mean?
31:27Like, which could hurt sales or could hurt, you know, everything. Cause like it's so hard to please that many people, um, and can make them still feel like this is all for them or even know what they want. Yeah. You know, like have a relationship with that many people my personal opinion and where the what the peak of it all was was when it really was us living on fans couches driving around not making money on youtube but still making banger videos shooting three videos a week like grinding it out and then making clothing that we think is dope and you buying this sweater is like the way that we keep on making you guys content and it was like the underground under underdog story like i met i remember when we opened up shopify like i was literally didn't have any money to my name really either in my family and i saw like seven hundred thousand dollars going to a shopify page my god i remember i called my mom i like teared up i was like dude this like we figured it out like we're good like we could i guess i saw like right there that like it wasn't about that money it was about like whoa this is gonna like work wow we figured like we because we got to think all those years was like struggle and struggle and like you're getting family and people telling you like you got to get a real job and you gotta do this and i was working other jobs while i was doing it to pay for stuff but it was like there was like this moment where it hit me that like wow like and that's what i mean by like it's like when people say a core audience it's like there's two different things then like they're literally like taking care of you like we bought this product this many people like with you that hard that like now we can go do bigger things and keep this dream going it was like it was really crazy what was the rise of nelk like like from for you personally i think like i got to experience the whole thing you know what i mean like i got to do the whole living in the hills, running around, drinking all the time, partying, hanging out with celebrities, doing like, I'd like everything I saw in a movie and thought was like, whoa, that's crazy.
33:37Imagine reaching that point. Like, um, I feel like I got to at least get a taste of all that, but I've, I've had enough for a lifetime. It was, it was good. Like, was it all as good as it looks in the movies? No, no. Yeah. I mean, anyone watching this, that's like, oh, like that looks great. It's not like. Right. Yeah. You're, you're very sad and you're very lonely. Like at the end of that party montage, it's like, I mean, it's like, there's no life there. Yeah. The moments in between the montage too, are kind of just like, yep. Oh, we should film that. Yeah. Okay. Yeah. You obviously, you have enough of those days, like those mornings and you come to the decision to like try and hit the eject button from NELC.
34:19How do you, how do you come to that decision? I'm sure it takes a long time, but was there a specific moment where you're like, no, this is it. I gotta move. Yeah. I think it was just, uh, um, I had a few, like, just wake up calls, like whether it was getting arrested or like, um, especially to do with like pranks that were just like, you know, I think there was this like thing of, we were, we were so big. So now doing like an aggressive prank can get you in like more trouble because they're going to make like a, for sure, like an example out of you, you know what I mean? So like, yeah, like there was one point where I had to go back to Canada cause I was awaiting for this like prank we did in Ohio.
34:58Um, that was like an inducing panic and like, they were trying to put it as like two felonies and like could do up to six months. And like, this was probably like the big changing point for me where it was like, I had to like sit there awaiting knowing if like one, I can never go back in the country or two, I could be like actually going to jail, like doing like time. And I'm like, and it turned out being fine. I could, it all got figured out, but, um, it's still, it did a lot to my, like, uh, my mental health. Like it was very rough to go through that. Kind of evaluating, like, is it worth it?
35:30Oh yeah. Like I've been to jail for like, you know, overnight for like a prank. And it's like, you just, you're just constantly real, like, uh, reminded that like, this isn't a place for me. Like, what am I, I'm not this guy. I'm a good person. I'm not like, I'm not trying to, you know what I mean? It just, it just, yeah. You just got to kind of go with your gut more on, on certain decisions. And yeah, but I, but I'm thankful for all of it. It changed all my paths, you know what I mean? And made me who I am now. So when you left Nelk, you sold your shares in Nelk and Full Send, is that correct?
36:05Yeah. But you retained your shares in Happy Dad. Yeah. Was there something you saw about Happy Dad that you were like, Yeah. I'm not, I'm going to keep that. Yeah. Probably the same thing you guys could see. I guess we can all see it. Yeah, it's a great company. I mean, that exit though is unique. Even the fact that earlier you were like, yeah, me and Kyle got together, there's no contracts. It's just like, let's make some stuff. Yeah. Obviously there's some maturation of the organization so that you can leave and there are contracts in place that you can sell shares. Like that to me is unique because outside looking in, I was like, is Nelk kind of just like a mess?
36:40Even though I'm like impressed by some of what they're doing internally, is it a mess? And I think that's pretty unique that you left and were able to like sell that's that doesn't happen that often with youtube creators you're part of a group and you can exit yeah it's definitely like a little touchy on the um what i can say about all that stuff just like i don't want to go backwards yeah yeah it was it was a long process for exactly what you're saying like what is it and how do you sell it and like well like yeah because like it would think that even goes back to what you're saying too is like these new companies, like is an Instagram page an asset with the, and what's the value of that asset?
37:21And like, like all these things that we're growing, right. If you, I think it's all kind of changing where like, that is going to be in like every business as like the assets that have an actual value to them. And, and you always have to assume on social platforms that they could go away. You just have to play that. You have to play that out in your head of like, YouTube's gone tomorrow. Instagram's gone tomorrow. Twitter's gone tomorrow. Do people still care about this brand. Yeah. Right. How does the brand exist beyond it? Has to be more than that. And there's a, and there's a lot of brands that just survive off of, you know, meta ads and totally being a page, but like have no culture at all.
37:56They don't do any events. They don't have any purpose. No one knows who owns them, which is a big issue. But what was the emotion when the money hit your bank account from the exit? I don't even think I ever looked. You didn't even look at it. No. like it didn't didn't feel like anything because i've already seen like the company made a lot of money too that was connected to my bank account you know right so it was like i've seen big numbers and yeah it all kind of just blended together and i think for me it always was uh there there's a certain number that i'm like anything over that's like yeah like yeah like this is like this is plenty especially if i'm if i'm a person that's down to keep working and keep doing all these things like i'm fine so i think it all just yeah same way as views right sure your first million views it's gonna feel amazing yeah but like i don't know if like uh mr beast is like like freaking out if he gets like 150 million i mean maybe i don't know yeah who might be but like you know what i mean jimmy loves views yeah he does love views but i think it's important for a lot of for everyone to calculate that number financially for themselves yeah especially in this career because I think you can get to a point where the numbers just get like kind of crazy.
39:14Yeah. And then you have to calculate of like, wait, am I doing this to make more money or have I already hit that threshold where I'm like, I'm good. I'm good. And so then can I make decisions based from a place of like, again, abundance where I'm like, I got enough. Yeah. So now I can make different types of decisions because they are different. They're different types of decisions. Yeah. When you're chasing that number of like financial security or even just like financial success, you make completely different decisions than when you're not. Yeah. Completely different. 100%. You're not going to tell us what that number was though.
39:49Like what enough was not the number of the exit. Not asking that just like what enough was, what was enough for you? Um, I don't know what an exact number is, but I remember like, I actually like did the math of, I think what I was doing is I was trying to subtract whatever home I could just be happy with. Right. And then what I would need and invested at 7%. And I was looking at it as like, if everything hits the fan, will like, I'd be able to like have a roof over my head and eat for the rest of my life. And like, and then the same for my family. And I think it's really not that high of a number.
40:28It's like very attainable. Right. Especially if you invest it. Right. So, yeah, I think around that, that like four to 5 million, it was like, yeah, like I'm good. Yeah. Yeah. I'm straight. Yeah. Yeah. I mean, I also live in LA. And you lived here for a while. Yeah. Yeah. You know, what's interesting is I think as, as like creatives and entrepreneurs, you kind of have this feeling that like when you get the big check, that's like the finish line. That's like the goal. was there a sense of relief where you're like okay now i don't have to worry about that or was it kind of just like cool that's something that happened and now i'm going to keep making stuff i think a bit of both there definitely was this um this relief of like yeah it's like you like i don't know what you call it like you made it or whatever but it really was um i can't sit here and say it wasn't part of the goal is to be like financially set or take care of my family Like at the end of the day, that's, that's what I've been trying to do.
41:34And I just, like I've said, I think it's just like once that was accomplished, it was, it took that weight of a, hey, if you don't do good this month, like you're going to have to go get a job or go figure this out. And then you're not going to be able to do this as much. It's like you now for the rest of your life can just keep doing this, which is what I want to do. It's like, it's never was like, let's go make a lot of money so that I can stop doing this. It's kind of like your traditional work 30, 40 years and then retire. It's more like it's just less worry, I guess, you know? Yeah. How early did you feel that weight or responsibility to take care of your family?
42:11Was it really early or was it more so when you were at NELC and working with Full Send? Like, oh, this could be a reality. So I want to do that. Is that something you felt for a long time? Yeah, my whole life. But I remember I have this like weird memory when I was a kid. And my mom was a writer and she was always working on this book. Like she was just like this thing. And we used to watch Oprah. And it's just like this funny story that she's always say like, oh, I'm making this book. You know what I'm going to get it on Oprah, this whole thing. And she never actually got a publisher or did anything, but it was always like, I mean, it was like rough growing up.
42:43We didn't have a lot of money and stuff. But I remember there was always this thing in the back of my head of like, oh, mom's going to like sell her book and it's going to go on Oprah. And we're going to like, everything's going to be better one day. Like we're slowly building to something. You know what I mean? And, uh, and I think like, maybe it's a mix of that's what got into my head about like, you can slowly build something to like, so that everything gets better, like at once. Or maybe it was that it never happened, that it made me feel like I was like, oh, I want to like be the guy that does that for the family kind of thing.
43:15Yeah. And this is, this is like a, like a broken thought that I've been like thinking about lately and trying to like figure out. Cause I think it's really interesting to be like, why are you this person? yeah of course yeah like it's a huge thing right like i think a lot of creativity is driven out of like uh scarcity because like you have no other choice but to make it yourself yeah right like if your life isn't what you want it to be or you're not seeing something that you want in front of you yeah and you're the type of person who's willing to create it and you learn from a young age that you have the power to make something yeah and it could exist in front of your eyes i think then And you start to develop that relationship with creating.
43:55Yeah. Right. Like creating tangible goods, but also creating a life. Yeah. I'm curious from your perspective, I've heard you talk about like your exit from Nelk and Full Send kind of puts you in this position where you don't have to build a business to make money. Right. Is that correct? Yeah. So like, this is also like having a physical space this big, having a team like this, like this is a lot to take on. why take this much on when you are in a position where you don't have to? It's a great question. I think, um, I might not have jumped in this hard if the idea didn't come so quick to me and I wasn't so fired up about it.
44:40Like I can see the like 10 year plan for it and how it's going to roll out. Um, like honestly, and I like, once it made sense, It's like, well, I don't want to wait two years and take a break to like, then go start this 10 year journey. I mean, I've been doing this stuff since I was like a little kid. I mean, even like my family and my friends back home. And I'm sure a lot of people can relate to this that have always been entrepreneurs, but it kind of becomes our identity. And we just like live through this. I mean, like right now building this company is probably like 80 % of my life still. And I just like, I don't, I can't picture a world where something isn't that important to me all the time.
45:22You know, maybe it'll change one day, but. I think as a creator, I always want to be making content for myself. Yeah. You know, like that's, that's when you feel like you're at your, your best, right? It's like, I am the viewer of this thing. Yeah. If you're there, then you deeply are empathetic to who's on the other side of it. Yeah. And like, that's when I think when, when we connected, I candidly, I didn't know that we would get along. Like, you know, I was like, Oh, like I can't, do we have anything in common? Like when you're, when you're Jesse from Nelk. Yeah. When you launched Sunday, I was like, I was so blown away by it.
45:57I was like, wait, this is exactly how, like how I see the world, how I, what the type of people I really am inspired by, like the work that you're doing. And it kind of like, just put this new, you know, viewpoint on it. Yeah. You know, like full send wasn't a brand for me, but I could understand it. Sunday I'm like, oh, this is, this is the type of company that when we first started on YouTube, we thought we, like this was our direction. Yeah, I had that. Boston with the Boys is here to let you know that every college football Saturday, FanDuel is dropping profit boosts that can turn wins into bigger wins.
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46:54realization last night i actually appreciate that though didn't realize how similar uh at least some of the concepts were if you look at our early videos like the first 10 to 15 one of the projects we did was we had to brand like a building and we had to make like a booklet for it and a video and we just filmed the behind the scenes like this was just work you guys like we just worked out of a studio and we did like photo shoots for brands in there and those were basically behind the scenes of how you did yeah yeah oh and it just didn't work and like no one watched it yeah we were stressed all the time trying to like execute the work with just each other and and it didn't pan out yeah um but it was the vision was to like yeah do that we even started a cool a show called now boarding where we were making these skateboards uh and we did i saw this we did three episodes bringing you behind the scenes of making the boards selling them how it worked and i didn't see this yeah and uh it kind of worked we sold boards yeah but then we became the shipping department and we just didn't know how to like scale like the building the company we didn't get yeah the media around it we understood yeah i see but that was at the time our dream show let's build a company bring people behind the scenes kind of like startup yeah from gimla that was like what if we could do that yeah and then watching some of your stuff i was like oh wow he's this is it he's doing it it is hard to use that because like like you said like it's stuff that you and me and we would watch you know what i mean but it is very hard to like grow with like YouTube being allocated around retention and like, it's like, it's very hard.
48:25But I think you also have to just reframe your measure of success and like your measure of community. Totally like realigning what success means. A hundred percent. Even if you watch your video titled why I sold milk. Yeah. For you to even say in that video, like you to be in that video, passionate about the fact that you're building a brand on a Pantone. Yeah. You know, One thing that got me really hyped on it is I had this idea that I wanted to build a brand off of a Pantone. And a lot of this stuff is not going to make too much sense. Like that hits a certain type of person. He was like, I'm telling you, this brand over a long period of time is about the Pantone.
49:01Anyone who was like, I love the Coke prank video. He's probably like, the whole Pantone. You kind of lost me on the Pantone thing. I might not come back. but that's okay for you because like you're looking for a specific type of person yeah who wants to be here for what you're doing now yeah it was never about transferring over fans obviously some are gonna people like yeah like there's some people that just known me for a long time and they're gonna keep following the story but like i'm really excited is and i'm sure it'll take some time but when i meet some people that are like uh fans or purchase product i make or something and they don't know anything about my past.
49:40I think it's like, that's so interesting to me. Like, that's when I feel like it'll be really cool. And it's not that it's not cool if you've like been following my whole story with what I'm doing. But I think that'll be like a, like, and that's what I'm working on right now. Like imagine I uploaded the first Sunday episode and it got two views and the next week it got 10 views and I got like, you know what I mean? Like that's how I'm trying to measure it. You said in that first video, I want to make these episodes really easy. I don't want to be a YouTuber. Yeah. Do you have any thought around that identity of that term YouTuber?
50:13Like when you look at yourself, are you, do you consider yourself not that? I think it's like, at this point, like none of us are YouTubers. Like, you know what I mean? It's, and I think I'm only saying that because like, yeah, you work and you create things for YouTube. But like, when we all say the word YouTuber, we think like, you know, know 10 years ago when it was like a youtuber but like we're all just like the future like we're literally all creating the companies and the production companies and yeah product development companies and the brands like it's we're all just the future that's what it is and it's happening on youtube and it's happening on social media but i mean yeah especially when these companies all start like like prime yeah it's kind of crazy you know sell for a billion dollars and it's gonna be the first like influencer brand to do that and like how do we know that like what you guys aren't doing isn't the next paramount pictures or how like you know what i mean like like we are the studios we know how this stuff all works there's a reason why these companies even like pay us a retainer to like figure it out for sure like so i think that's the coolest part of all of this is like like where is all of this going to go in 10 years yeah um and then how powerful will a youtube network, you know?
51:29Yeah. I think especially the way you're building your business, like you're not building a business where virality is necessary. No. Like in a, in a creative agency, 10, 10 retainer clients, you know, of a certain size and you're like, you're doing amazing. So you're building a business that's, I think that it's, it's an important thing to zoom out on with YouTube. If like, this is an amazing surface to tell your story, but if like five CMOs or people in marketing departments are watching your stuff and they're like, I'd love to work with Jesse. That's like a multi, they could be net out to multiples of millions.
52:05A hundred percent. And that's like, it's a big resume. It's a big resume. And also quality of audience is not something we talk about a lot. I think a lot of people on YouTube assume that every view is created equal, but it's not. So you think about the type of content you're making is attracting a different type of person. And for the business you're building, each view carries a higher value. Yeah. So you can't, it's not apples to apples, right? You can't compare like this audience over here with this. And even if the business models are different than a view means something totally different.
52:39Oh yeah. 10 people can net you, you know, millions of dollars. So that's a different business model. That's the cool part about it. It's even when they weren't getting a lot of views, the kind of people or the friends I've had in the industry that were like hitting me up and being like oh i love this week and i was like oh i'm gonna i'm gonna understand that like no one's watching right but like it's like interesting to see who is watching it because they're just like us where they're like yeah i mean this is my everyday life and i relate to this like it's funny that at like 70 80 100 000 views the feeling is like oh no one's watching and you're like standing in a stadium with 100 000 people yeah and imagine standing in the middle and being like there's no one here yeah i had to come to terms with that like i think it's just normal like you've seen a lot of views you've done all that you have to learn how to like um if you are going to look at it at all but like dude exactly what you just said i've thought of that too like what is do you know what 5 000 people look like like it's like insane dude 5 000 people watching your like premiere yeah i just went to a surf premiere like a couple weeks ago and it was probably like 500 people and this guy made this movie for a local thing and like everyone is loving and all this thing and i'm like this is so cool yeah yeah and he looked like a superstar going up there and talking like for all 500 of his people all these people crazy absolutely 55 yeah it's crazy it's cool if people are excited and like yelling and stuff like that and laughing yeah um i think my my last question is just like, as you look back and reflect on, on the time at NELC, do you feel like NELC was treated unfairly by like YouTube or even by like the, like media or, you know, anyone who kind of like, like YouTube removing AdSense from NELC, like any of that, do you feel like any of that was unfair?
54:32Not really. No. You felt like, yeah, that's right. yeah i mean i just like as i just see everything as like it's just youtube is a business matter of fact yeah and it's like if if they want you to not have ads because it doesn't work for their sponsors or their business model it's like it's just very cut and dry yeah i get it playing on their turf yeah it's on there like you do whatever you want to use their service you know i mean yeah i'm more just thankful that like there was a place that we could just upload stuff and it had a chance to reach an audience and like yeah i think that's dope but uh no i mean everything's been i'm pretty kosher with all of it awesome man well thanks so much for being open with us yeah man appreciate it yeah of course and i love what you guys are doing man you guys are you guys are great i've always been watching and uh yeah you guys are doing something special
From the publisher
Today on the podcast, we're interviewing Jesse Sebastiani about life after Nelk, how he got started on YouTube, and his new company, Sunday.
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