In short
The episode argues that YouTube is shifting from “videos” to “shows” because (1) most YouTube watch time is on connected TVs, which favors longer, bingeable formats and higher CPMs; (2) financing matches ambition, with more sponsors and higher ad revenue enabling bigger teams and budgets (they cite a 3-hour Emma Chamberlain episode, mostly on connected TV, with about $60k from AdSense alone); and (3) abundance creates a need for marketing/packaging, making “creator shows” easier to promote than standalone clips. They highlight Brandcast’s “creator slate” language and advertiser-facing show pitches, including integrations and ad products (mid-roll, creator ads, takeovers). Examples: Trevor Noah travel show, Alex Cooper’s Unwell Network unscripted reality slate, Dude Perfect’s Squad Games, Kareem Rahma’s Keep the Meter Running, and appearances by Dwayne Wade and Draymond Green.
Guests
none; it’s Colin and Samir discussing these events.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOInsights from YouTube Brandcast
0:45 to 2:45
Discussion about the significance of YouTube's Brandcast event and its announcements.
“where they bring a bunch of creators on stage and they make announcements about what's happening on YouTube to a room full of advertisers.”
The Shift from Videos to Shows
2:45 to 6:20
Exploration of the transition on YouTube from short videos to longer creator shows.
“And the language that YouTube used, you know, in the article about the New York Times that dropped the day of was the creator slate.”
Economic Forces Shaping Content Creation
6:20 to 9:50
Analysis of financial incentives and audience behavior impacting creator content.
“to hire bigger teams, which is now allowing us to also bring in people from traditional media and make longer shows, bigger budgets, bigger shows.”
Diversity of Shows Announced
9:50 to 13:50
Overview of various creator shows announced at Brandcast and their significance.
“Plus, they talked about the new ad products of, you know, mid-roll, creator ads, takeovers, meaning media that's playing before creator videos with creators in them.”
The Future of YouTube as a Platform
13:50 to 14:01
Discussion on the implications of YouTube's evolving identity in the creator ecosystem.
“That we in front of advertisers are saying is premium programming.”
YouTube's Evolving Landscape
14:01 to 18:12
Explore the changing dynamics of content performance on YouTube.
“And so it's a little bit of a different dynamic, I think.”
Marketing vs. View Count
18:13 to 19:20
Discuss the importance of marketing over view counts in new shows.
“unless you have something else on views.”
The Need for Better Marketing
19:21 to 22:34
Analyze the need for improved marketing strategies for new shows on YouTube.
“And then I started thinking about YouTube premium, which I think is something we don't talk about enough, but like it's a massive subscription business for YouTube.”
YouTube Search Update
22:46 to 24:12
Learn about the new conversational search features on YouTube.
“We came here in partnership with Gemini.”
Innovations in AI and Personalization
24:13 to 28:00
Discover the AI innovations presented at Google IO and their impact.
“So let us just put a stake in the ground on which ones are our shows.”
Show all 13 chapters
Experiencing Live Translation with Smart Glasses
28:00 to 29:12
Learn about a unique experience involving live translation during an interaction.
“Just change and make this one thing happen when he touches the glass.”
Alphabet Events and the Future of the Internet
29:13 to 30:58
Discuss how recent Alphabet events showcase contrasting visions for the internet.
“It just feels like, I found this to be really interesting because this week has been pinned by two, you know, Alphabet events.”
Balancing Creativity and Content Consumption
30:59 to 32:04
Explore the tension between creating and consuming content in a digital landscape.
“That is time on the internet that I will spend doing that, which then again plays with the first thing, which is you kind of got to tell me when I have the time and I turn on my TV, what am I supposed to watch?”
Transcript
Automatic transcript. May contain errors.0:00Samir Chaudry:Hey, what's up, everybody? Welcome to this episode of The Colin and Samir Show. Today, we're up in Mountain View at Google I.O. And last week, I was in New York at YouTube Brandcast. Both of these events inform us about the future of the internet. I'm sitting here. My mind is kind of blown.
0:16Colin Rosenblum:Yes. To be honest.
0:17Samir Chaudry:So we're going to walk you through what we learned at both of these events, how it pertains to what's happening with creators and YouTube, and what it means for the future of the internet. All right. We have a short time in this room, so we're going to dive right in.
0:33Samir Chaudry:All right, so let's start last week. New York City, Brandcast. This is like YouTube's Coachella.
0:41Colin Rosenblum:Although YouTube - I think Coachella is YouTube's Coachella.
0:43Samir Chaudry:Yeah, Coachella is YouTube's Coachella. What I mean is like, this is a major moment for YouTube where they bring a bunch of creators on stage and they make announcements about what's happening on YouTube to a room full of advertisers.
0:54Colin Rosenblum:I think one of the most striking images from that time was Neil Mohan in Times Square with Welcome to the YouTube Era on the billboard. Yeah.
1:05Samir Chaudry:So what's important there of why does it say Welcome to the YouTube Era? If you don't have context, what this week is all about in New York City is upfronts. Upfronts are where TV networks would come forward and still do to this day, come forward and present their next slate of programming to advertisers to get buy-in from advertisers.
1:27Colin Rosenblum:And they often do it with some of their biggest stars from their shows.
1:30Samir Chaudry:Exactly. Like if you listen to the Friends cast talk about Upfronts back in the day, like they were the big celebrities at Upfronts in the 90s. So they would stand up and talk about the next season of Friends and then advertisers would go, you know what? I'm going to buy a full year of advertising on the network. So historically, YouTube has mostly put forward creators in this moment. Also talked about different partners they have. Like when we did some hosting at Brandcast, the NFL was on stage, right? Roger Goodell came on stage was like, hey, we're doing this big game with YouTube. So it's like all about this program.
2:02Colin Rosenblum:They also highlight a lot of the advertisers who've had success in the past. That was part of what we spoke about the first time we spoke on stage at Brandcast was, hey, here are some advertisers, here are some brands, and here are some ad agencies that have done valuable work that's been effective on YouTube. So if you are an agency or you are a brand and you're in the audience, this is a good place to advertise.
2:26Samir Chaudry:Over the years, Brandcast has evolved from the messaging to the musical guests. We've seen Doja Cat, Lady Gaga, Billie Eilish. Alex Warren. Alex Warren. And then this time I saw Chapel Rhone, which is very exciting. But the biggest difference this year with Brandcast was it was all about creator shows. And the language that YouTube used, you know, in the article about the New York Times that dropped the day of was the creator slate. meaning this is a slate of shows coming to YouTube. That is very different language. That is definitively the language that television networks have used in the past.
3:05Samir Chaudry:And there's been kind of a line in the sand before that YouTube is a platform. It has creators who make what they make, but there's not as much focus on these are the shows that create.
3:18Colin Rosenblum:So there's not as much marketing. There's not as much eventizing historically. even YouTube does not know what's coming out on a given day. And that's what makes YouTube, YouTube historically. Whereas on a Netflix, you know exactly generally what's coming out. You know their biggest shows. You're not going to miss if Stranger Things, the season series finale is coming out. It will be everywhere.
3:40Samir Chaudry:So obviously, you know, if you listen to our show, you've heard us talk about Netflix versus YouTube constantly. Even in our last episode with Mark Grover. There's a lot of what we're talking about is this curation and editorial nature of creator content now. So I want to talk about like the three forces that I think are changing YouTube from videos to shows. And also what does it mean for YouTube to be pitching creator shows or creators to be pitching their own shows in a room full of YouTube's big stat advertisers. First and foremost, to talk about the three forces at hand here. Number one, to me, is connected TV viewership.
4:19Samir Chaudry:The fact that the majority of viewership of YouTube is on connected TVs is dictating the type of content that creators are making. I think that's for sure. A sit back, turn on your TV experience. Even for me as a consumer, like, when you watch YouTube on your TV, how many videos do you think you're watching in this session?
4:39Colin Rosenblum:Three. Max. Max. Yeah. Yeah. Because they're all 20 minutes long. I'm sitting on my sofa. My wife is next to me. It's a TV-like experience.
4:48Samir Chaudry:It's a bit of a nuisance to click around and go from video to
4:52Colin Rosenblum:video to video on TV, in my opinion.
4:54Samir Chaudry:Yeah. Like, I don't want to watch a bunch of five-minute videos. And I think, you know, the narrative over the past couple of years of connected TV viewership, there's higher CPMs on connected TV. There was a lot of incentive to push us to make content that's meant from TV.
5:07Colin Rosenblum:Yeah. And to that point, higher CPMs, creators are making longer episodes. Audiences are ready to watch them because they're sitting on their sofa. Advertisers are coming in and creators are making more money, which they can then invest back in their videos and make higher quality, longer episodic programming. Whereas in the past, it was just like, I guess I'll make a video today. I'll make a video tomorrow. Right. Exactly. Take it one step at a
5:32Samir Chaudry:time. That's my number two, which is that financing is meeting ambition, right? So both from the platform, when you make longer content, like for us, we had a three hour episode with Emma Chamberlain that is 3 million views. 50 % of those views come from connected TVs for an average of 48 minutes. The advertising revenue on that video, I don't remember what it was, but dramatically higher than typical for us because of that. I'll look it up. Let me look it up. Keep talking, but I'll look it up.
5:57Colin Rosenblum:Okay. And when you have additional financing from the platform, you also now have
6:04Samir Chaudry:more sponsors than ever in the space and more unique sponsors. At Brandcast, I talked to AT &T. I talked to Apple, who's interested in spending with creators right now. Like there's new brands in the space that want to spend with creators. That's creating more money, which is allowing us to hire bigger teams, which is now allowing us to also bring in people from traditional media and make longer shows, bigger budgets, bigger shows. The third thing is what we've been talking about, the abundance era. Something I'm noticing is that there are countless creators who make videos, of course. But creators who make shows, it is way easier to talk about a creator who makes a show than to talk about a creator who makes videos because you have packaging.
6:55Samir Chaudry:You can actually talk about it. Hey, that's Colin and Samir that make the Colin and Samir show. That's probably not a great example. That's actually not a great example. That's just our name. It's more Michelle Carey.
7:04Colin Rosenblum:She makes challenge accepted. Better example. Or Sean Evans and Hot Ones or Amelia DeMuldenburg and Chicken Shop Dave. Exactly.
7:11Samir Chaudry:Yeah. Okay, you have the revenue pulled up. So Emma Chamberlain episode, it's three hours long, mostly viewed on connected TVs. Take a guess. $20 ,000.
7:20Colin Rosenblum:Multiply that times three.
7:21Samir Chaudry:No way. $60 ,000. That video from AdSense alone made$60 ,000.
7:26Colin Rosenblum:Yep.
7:27Samir Chaudry:So that probably also has a brand deal on it, I assume, I think. And that means that we cleared well over$100 ,000 on a sit-down
7:35Colin Rosenblum:interview. That's surprising, actually.
7:37Samir Chaudry:That's crazy, right? Yeah, yeah, yeah. But that's what's happening is that when you can invest, and that's us. There's other creators who do more views,
7:45Colin Rosenblum:you know, on their show.
7:47Samir Chaudry:When you can invest$100 ,000 plus in an episode of content, we've entered a new era, right? When you can maybe confidently do that. And I went on Squawk Box the morning of Brandcast, which is like CNBC business show. And we've been on together once, but Andrew Ross Sorkin asked me, he was like, you know, still the question is the economics of this. How does it work? And what I, what I pushed back on is like, I think, I think we can all accept at this point that if you can drive attention, there's economics to it. But I do think the economics are more surprising than people maybe are noticing right now because that's just AdSense.
8:24Samir Chaudry:Most sponsorships for a good show are in the hundreds of thousands of dollars. Yeah.
8:29Colin Rosenblum:And, you know, as a disclaimer, that episode is what, three years old? Yeah. Four years old. And it's accrued viewership over time. We've continued to play ads on that video.
8:38Samir Chaudry:So that's not like, you can't expect that return immediately.
8:41Colin Rosenblum:But the fact that we got$60 ,000 on a back catalog video that's three years old. Yeah. It's pretty incredible.
8:48Samir Chaudry:But I think needless to say, throw out AdSense, even from sponsorship. Sure. You're driving a hundred plus thousand dollars an episode, which means you can spend that. And that's changing the landscape. Now, YouTube's model, what was happening at Brandcast, which was fascinating, was, you know, Jesser went on stage and starts talking about his new show. He gives the date of the show. And then he's like, and you can buy into it. You know, I've never seen that before. Where creators are on stage and they're giving like a direct call to action at Brandcast to buy.
Read the full transcript
9:24Colin Rosenblum:And is he saying, you can integrate into my videos or you can, with YouTube, buy advertising and make sure that it runs as my videos are coming out? He's saying both things.
9:40Samir Chaudry:He's saying both things. So they showed case studies of direct creator integrations into the content. They showed Dude Perfect with squad games. They showed examples of Dude Perfect with different brands and how they were actually in the videos. Plus, they talked about the new ad products of, you know, mid-roll, creator ads, takeovers, meaning media that's playing before creator videos with creators in them. So it was a very dynamic presentation that went, you know, here's a creator. Here's the show they're making. you can buy with us right now, here's the different products you can buy. So this is a big change for how YouTube engages with creators.
10:18Samir Chaudry:This public facing, we are here to package shows with you and take them to market together with select creators.
10:28Colin Rosenblum:It's very select creators. This is not a scaled operation where anyone who's uploading to YouTube can have that pitch to advertisers. Brandcast is a very specific moment with advertisers in the room.
10:40Samir Chaudry:I think the variance of the types of shows that were announced was really interesting to me. Trevor Noah announced a travel show and he was the host of Brandcast. And then you had Alex Cooper with the Unwell Network announcing about five unscripted reality shows. You had Dude Perfect announcing Squad Games. You had Kareem Rama, the creator of Subway Takes, announcing Keep the Meter Running. which was a very new show to announce. And so there was a lot of different shows. The two very significant moments that I thought were Dwayne Wade came out on stage with Jesser to talk about his new show and how it's like a pros versus Joes format.
11:24Samir Chaudry:And Dwayne Wade plugs his YouTube channel while he's on stage. Then you have Draymond Green come out with Dude Perfect and kind of on a side plugs his YouTube channel and plugs the Draymond Green show. And it had this feeling that everybody's making a show on YouTube right now. So I thought it was a very powerful broadcast. And I thought it drove a lot of clarity as to what YouTube is now. Can you recap the three forces? Yeah. The three forces at play. Number one is connected TV watch time. Meaning the audience behavior now is that people turn on YouTube on their TV. that is driving people to make shows that you can settle into.
12:10Samir Chaudry:Longer formats, repeatable, bingeable. Number two, financing is matching ambition. Yes. There's more sponsors in the space. There's more advertising in the space. And now there's a new model for select creators of going out to market and getting a sponsorship alongside or before you launch a show. And then number three is abundance of content, creating the need for marketing and packaging that's easy to remember. So you just, as a creator, I don't think right now you can just live in this kind of abyss of, you know, even you look at Casey Neistat coming back to vlogging right now. He's Casey Neistat.
12:53Samir Chaudry:He's like talent. He can do whatever he wants and people will still watch. but he doesn't, he can't be marketed in the way that all the creators of Brandcast were just marketed because he's not making a show. And there's just like a really simple distinction between videos and shows, which is just like branding, packaging, format, repeatability. So yeah, those are the three forces that I'm seeing.
13:19Colin Rosenblum:So this is a pretty major shift on YouTube. You know, we've been saying for a while, YouTube is the new TV, But by that, we really mean YouTube is taking away watch time from what has traditionally been TV. People are watching YouTube on their TVs. We're not necessarily saying that it is replacing fully the Hollywood model, the way content is distributed, the networks. But it's a pretty big deal for YouTube now to come out and say, hey, these are our shows. Yeah, this is our creator slate. That we in front of advertisers are saying is premium programming. right? But then these shows come out and they will do how they do.
14:00Yeah.
14:01Colin Rosenblum:Because it's YouTube. It's the numbers are not private. Right. And so it's a little bit of a different dynamic, I think. And it's something to watch this year is these shows that YouTube gets behind, how do they actually perform? And what does that mean for advertisers who are making the choice between YouTube and somewhere else?
14:21Samir Chaudry:I think the question is, though, we don't know how content performs across television or across streaming platforms. We don't know. You know, with Netflix picking up pods, and like we said before on the show, like pods that have historically done 30 ,000 views an episode on YouTube, like we don't know.
14:36Colin Rosenblum:But that works in its favor that audiences don't know. I'm saying that this, I think, could potentially work against YouTube creators,
14:45Samir Chaudry:potentially viewership is low.
14:48Colin Rosenblum:And I think a lot of people are taking this messaging of YouTube is TV and financing, shows and networks for YouTube. I mean, just last week, Cole Bennett launched his Lyrical Lemonade TV
14:59Samir Chaudry:with Lighthouse.
15:00Colin Rosenblum:With Lighthouse. And that's going to be numerous shows that are released on the same channel on YouTube, which again is something that historically does not really work. And it may work because maybe the moment has met YouTube and audiences at the right time.
15:16Samir Chaudry:Can I ask you a question?
15:17Colin Rosenblum:Yeah.
15:18Samir Chaudry:Are we in a post-view world?
15:20Colin Rosenblum:It's a valid question saying, does it even matter if something doesn't do well from a viewership perspective.
15:25Samir Chaudry:Like if it feels premium, if people enjoy it, if the right people like it, does it matter if it did 50 ,000 views, 200 ,000 views or a million views? And I know that's a crazy question, but the way things are marketed right now feels more important to me.
15:44Colin Rosenblum:I mean, TBPN would tell you that we're in a post view world for sure. Or that we're just in a niche world. That we're in a very niche world. Well, and that brand perception really matters. I mean, we were talking about TBPN yesterday. I was looking at their show on YouTube when it was live, and it had 250 viewers watching on YouTube, and it had 1 ,500 on X. And it sold for over$100 million to open AI.
16:08Samir Chaudry:Yeah, and more specifically, one of the shows that was promoted at Brandcast, our friend Kareem Rama, who's going to be on the show soon, Keep the Media Running. Amazing show. Loved it. Absolutely incredible. Two episodes are out right now. They are phenomenal. They are phenomenal. And by the way, Lucas Shaw from Bloomberg wrote about Keep the Minute Running, wrote about Brandcast and wrote that the show is excellent. It's not easy to get Lucas Shaw to say the show is excellent. It is an excellent show. The first episode has about 50 ,000 views in a week. I think that'll get to 100 ,000 views by next week and maybe eventually 200 ,000 views.
16:41Does that, what does that mean?
16:43Colin Rosenblum:Well, the second episode has maybe 10 to 15.
16:46Samir Chaudry:I think 20. 20 ,000 views. Right now.
16:48Colin Rosenblum:Yeah, so what does that mean? What does that mean? For YouTube to get up on stage and say, this is a show that we believe is good, that we're getting behind, and then people to look at it on YouTube in the days after and see viewership sub 100 ,000. I don't know.
17:04Samir Chaudry:I actually truly don't know the answer right now because I think it's good content. I think it's well marketed, and I think Kareem is a good creator for the space. Traditionally, what they've talked about is videos and creators who do in the 5, 10 million range. But even if we compare this to network television, like there's a lot of network television that does 100 ,000 views, right? Or even like business television. Like, I don't know, when I go on Squawk Box, I have no idea how many people are watching that live. Truly, no idea. No idea. It could be 10 ,000. It could be 2 ,000.
17:38Colin Rosenblum:It could be 50 ,000. It's probably at least 10 ,000 people on treadmills and equinoxes.
17:42Samir Chaudry:Let me tell you. It's gotta be. Do you know who texted me within a minute of getting off? Who? Your brother.
17:48Colin Rosenblum:Exactly. My brother was definitely on a treadmill at a gym.
17:52Samir Chaudry:He texted me immediately. Downtown Manhattan. My parents banker.
17:56Colin Rosenblum:Exactly.
17:57Samir Chaudry:Yeah. Those were the two texts I got immediately. Yeah. So I think that's, I really don't know the answer, but I think what we saw at Brandcast was like a move to marketing, a move to curation of YouTube. and my curiosity, unless you have something else on views. I do. I do. I have one more thing.
18:17Colin Rosenblum:I think the reason I kind of posed the question about views and bring it up is because when I saw YouTube get behind and continue to get behind Keep the Meter running, my first feeling after watching and loving the episode and seeing the viewership, which is not low, like this is a new show on a new channel. That is a lot of people to have 50 ,000. But relative to maybe some of the other shows that were announced at Brandcaster, talked about, my first thought was, man, this is a great show. Shouldn't I open up YouTube and shouldn't it take over the entire front page? Right.
18:50Samir Chaudry:Masthead, editorial promo, market it in the environment, not just outside of the environment.
18:56Colin Rosenblum:Yeah. And as I think about it now, I actually don't know how I feel about that because I think part of YouTube is that they shouldn't maybe do that. But I also think if you want to compete with Netflix and you believe you have good shows, you have to use your real estate to surface some of these shows.
19:14Samir Chaudry:I agree with that. So where I was going to go next was I was watching YouTube TV over the weekend and I wanted to, during a commercial break, go watch YouTube. And then I started thinking about YouTube premium, which I think is something we don't talk about enough, but like it's a massive subscription business for YouTube. There's premium, there's TV and there's YouTube. Those are two apps on Connect TV. My thought is this is all gonna become one. I think realistically we're gonna open up our TVs and there'll be a YouTube app that will have live programming that could be from cable networks or could not be if you pay for that package.
19:54Samir Chaudry:There's premium with no ads and then there's YouTube. And my guess is that premium, eventually, and maybe this is a hot take, we'll have original shows. So we're coming back to YouTube Red. YouTube Originals. YouTube Originals. I think we're coming. I mean, even the way that they're talking about our brand cast feels kind of YouTube Originals-y. Well, I think. I mean, we have to remember Good Mythical Morning came out of YouTube Originals, right?
20:23Colin Rosenblum:Or something from Mythical. What was it? So Stevie.
20:27Samir Chaudry:Oh, right. Was hired because. Was hired because of their creative director. Yeah.
20:31Colin Rosenblum:So it played a major part in Good Mythical Morning, having the infrastructure to be as consistent and as high quality as it's been. But yeah, no, I think you're probably right. Even to get down to the problem that I pose with marketing, like to launch Trevor Noah's travel show, but then just release it on YouTube without much marketing.
20:54Samir Chaudry:Right.
20:54Colin Rosenblum:What happens to it? He doesn't have historically a place for a show like that. He has a podcast on YouTube and he's very well known. But like, you know, again, he's kind of like thrown to the wolves sometimes when you launch a new show like that or a new channel. And so it requires a bit of marketing, which requires more of a Netflix style environment when you open up YouTube.
21:15Samir Chaudry:Now we're getting to algatorial, which was Daniel X phrase on our on our show of is it algorithmic? Is it editorial?
21:22Colin Rosenblum:Yeah.
21:23Samir Chaudry:Because we're getting blurred lines even with, not necessarily on the platform yet, but in the marketing of the shows.
21:30Colin Rosenblum:Exactly. That's what I'm saying. The marketing makes it feel like it's going to be more editorial, where we've put a stake in the ground and said, hey, this is one of our shows. You should watch it.
21:40Samir Chaudry:It's good. Yeah.
21:41Colin Rosenblum:But then the distribution is same old YouTube distribution, which is difficult sometimes. Yeah.
21:47Samir Chaudry:We'll see what happens.
21:48Colin Rosenblum:I'm curious to hear what you guys think. but at the same time maybe it's just actually like Hollywood where like look you get behind the shows
21:55Samir Chaudry:and if they work if people go to them they go to them
21:57Colin Rosenblum:exactly and if they're good they're good and I believe Keep the Meter Running is a great show it only has it only has two episodes out yeah five years from now if he's still making if Kareem is still making Keep the Meter Running and it's still on YouTube because the financing works I think it's going to be a massive show but Lucas Shaw also said that someone from HBO was next to him and was like this should be on HBO.
22:20Samir Chaudry:The question is, how does YouTube keep it on YouTube?
22:22Colin Rosenblum:Exactly.
22:23Samir Chaudry:And that's going to come into play over the next year.
22:26Colin Rosenblum:If YouTube decides they want to pay to keep it on YouTube, then they got to market it to make sure it does better and find more people. Exactly.
22:34Samir Chaudry:Yeah, or package it well and sell it to someone.
22:36Colin Rosenblum:Yeah, sell it to a brand.
22:37Samir Chaudry:Okay, I want to transition to talk about IO. We're here at Google IO in Mountain View. We just saw the keynote. This is our first time at IO. We came here in partnership with Gemini. a lot of updates. And actually the day started out with some updates to YouTube. We should just talk quickly about the update to YouTube search. Yeah.
22:56Colin Rosenblum:So the update there is that you can now conversationally ask YouTube what you're looking for. So the example they give is, you know, a dad says, Hey, I want to teach my kid how to ride a bike. She already knows how to balance. That's the prompt that is searched on YouTube. And then And YouTube comes back with a series of videos with exact step-by-step moments where you can drop in to learn the things you need. So it comes back with four videos that start at different points that you click into. You're sort of following a journey of education via different YouTube videos. That's pretty dramatically different from search, give me a thumbnail.
23:34Colin Rosenblum:I have to choose based on the thumbnails where I want to click into. It's more of an efficient way to get you the information.
23:40Samir Chaudry:Yeah, that's very, it's very, I would say that the two things that I noticed in the keynote today is utility, like the internet becoming more efficient and more utilitarian, and then more personalized. And I think this is a bit of like personalization, right? Like I just need this moment from the video. Everything that was talked about on stage today at I.O. is about personalization. And I find that to be a really interesting future of the internet that actually plays in a fascinating way with what we saw with YouTube. What happened with YouTube and Brandcast is like, hey, maybe there's too much content and it's like you can go back down too many rabbit holes.
24:19Samir Chaudry:So let us just put a stake in the ground on which ones are our shows. And then over here, what we saw at IO was like, the internet is your canvas. You can do whatever you want. Now, like there was a demo where you search something in Google. This was insane. And it comes back with a custom app based on your search. So the example was like someone searching about like, how does a black hole work? And it came back with an interactive like interface where you can play around. It teaches you how it works. And then you're sliding things to see how it works and learning with an interactive app.
24:53Colin Rosenblum:There was another one that was a meal tracker, essentially, where you're trying to track your meals for your diet and schedule your workouts. And it was a custom app after you searched that you could then use to do this, which is pretty incredible. Yeah, completely insane.
25:08Samir Chaudry:Yeah. I think the best update for me that I found to be like something I'm going to use immediately is through Gemini Spark, which is like the agents that work in the background. And I have this task called Daily Brief, which essentially works within your Google Docs, your Gmail, your calendar. And spits out like, here's what's going on in the day for you. Here's your priorities. Here's what you need to do. What I find is creators, especially us, we have a lot going on. We're not the most organized people. That to me felt like a really interesting personalized use of the internet that I am excited about.
25:47Colin Rosenblum:Yeah. Some of those announcements were specifically very helpful for us because you and I have worked within the Google suite basically since the beginning. so i have files on top of files on top of google docs on top of slides on top of yeah i think spreadsheets like my yeah i i need i i need like conversational help
26:07Samir Chaudry:with just looking through my stuff yeah the other thing i thought was really interesting through spark was the ability to create a skill so actually like we can upload what's cool is like we have a bunch of guidelines of how we create stuff we have rules of how we create stuff we can upload those into Gemini and have like skill. So we can say, Hey, I need to make a deck for this
26:30Colin Rosenblum:purpose. Or I need to write a script for this video. Exactly.
26:33Samir Chaudry:And it will do it in the style that you want to do it.
26:36Colin Rosenblum:Yeah. Use Colin and Samir's video skill.
26:38Samir Chaudry:Exactly. And we'll have
26:39Colin Rosenblum:written that out. We'll have given it the rules and guidelines and it can edit based on that.
26:44Samir Chaudry:We have this two column script that we use, which is, uh, here's what's being said and here's what's shown. So like, here's, here's verbal and here's visual. And so we can use that now and go like, here's our template, just fill this out.
26:57Colin Rosenblum:And then another one of the major announcements was Omni, which is conversational video editing. And I've used Google Flow before in the past. Even right now, we're working on a car commercial and I'm working through the edit and there were certain shots that I needed of the car that has placeholders for shots that we needed to get. There was this cool shot of like a map moving from one location to another. And as I'm in the edit, I use Google Flow to get those shots and then drop them in. This brings a lot of those capabilities, but just to Gemini. So conversational video editing. You can also now start with a video of your own.
27:37Colin Rosenblum:So they showed a demo where a guy is filming himself POV style.
27:41Samir Chaudry:He goes up to a mirror. So it was Demis. Yeah, Demis. The head of Google DeepMind, but yeah. He's also just a guy. Yeah, or a guy. Yeah, fair.
27:54Colin Rosenblum:Goes up, clicks on the mirror with his finger, uploads that video, and then says, keep everything exactly the same. Just change and make this one thing happen when he touches the glass.
28:06Samir Chaudry:I will say you showed me an edit last week that had a bunch of temp video in it that was from Flow.
28:14Colin Rosenblum:Yeah. And I had no idea, which is actually insane. Yeah. That's pretty insane.
28:20Samir Chaudry:that that's the case. I'm going to say the craziest thing we've done so far today. Insane because I'm one hell of a prompter. Yeah. I just, I was, I was, you turned to me at one point and you were like, you know, those aren't our shots, right? You know, I'm not even in this room right now. The most insane thing was the live translation with the Google smart glasses,
28:39Colin Rosenblum:which we just did. We just did that.
28:41Samir Chaudry:So we were wearing smart glasses and they have us walk up to this woman who then speaks Korean, but it reads out in English from the display inside the glasses. That, to me, was one of the craziest things I've experienced.
28:54Colin Rosenblum:I don't know if you felt this way, but I really wanted to continue the conversation. Yeah, they made us move really fast. But they were like, that's all you got. But I got stuff to say now. This is a once-in-a-lifetime experience because she's speaking Korean and then we're engaging. And they were like, yeah, you've had enough.
29:06Samir Chaudry:So I assume that we were speaking in English and her glasses were translating to Korean. I think that's what was happening. That was crazy. I don't know. That's insane. So, okay. It just feels like, I found this to be really interesting because this week has been pinned by two, you know, Alphabet events. One being YouTube Brandcast, one being Google I.O.
29:26Colin Rosenblum:I haven't thought about the fact that the company is called Alphabet in a long time.
29:29Samir Chaudry:You took me by surprise. I was like, what are we talking about? But they felt like they tell two stories of the future of the internet. Yeah. One being the premium curated, dictated by the platform, right? Like here, here's the shows that we think matter editorially. And then the other, which is personalized.
29:50Colin Rosenblum:There was a slide in this presentation today at IO that said, do anything.
29:55Samir Chaudry:Yeah. That was the message though. It was like literally do anything.
29:59Colin Rosenblum:You can do anything.
30:01Samir Chaudry:Yeah. Which, which we haven't had the time yet, but I just, I kind of want to just play for a bit and play around with like building custom apps. There was one that was like a date planner, which I was like, oh, I saw you really perk up. Yeah. I was like, that's good. I want to do that where you can like organize a, you know, a date night because I think that's just something I need help with. Sure. But yeah, there's also a bit of overwhelm, I would say. There's a slight overwhelm of like the possibilities are absolutely endless.
30:29Colin Rosenblum:Yeah. I found myself a bit overwhelmed. I was excited to sit down, take three hours and explore all these new announcements. But I was like waiting for myself to have one thing I knew I wanted to do. but it's hard when you can do anything. Yeah.
30:45Samir Chaudry:And I think the reason why that matters so much, especially as video creators, is this is the environment now we are competing in for attention. Like I am feeling excited to get on my computer and build things. That is a creative act and it is entertainment. That is time on the internet that I will spend doing that, which then again plays with the first thing, which is you kind of got to tell me when I have the time and I turn on my TV, what am I supposed to watch? Yeah. Those two things. Cause I have less time than ever. Cause I have less time than ever. And if I don't know what to watch on YouTube, I'm going to go have some fun over here and build something, build a custom app, go to an interactive.
31:27Samir Chaudry:That was the interactive like map that you could play with that. Like you can ask a question and it will teach you. Gemini will teach you with this interactive graphic that you can poke around.
31:39Colin Rosenblum:I was like, dude, what are textbooks for?
31:42Samir Chaudry:Yeah, this is crazy. So you could like learn anything and build anything. And so I think there's some writing I want to do around this, but I feel like these two announcements or these two events have told the story of the future of the internet in a really compelling way. So that's what we wanted to share with you guys. I think we're about to get kicked out of this room here at IO.
32:02Colin Rosenblum:We're 10 minutes over?
32:03Samir Chaudry:It's over. So we got to go.
32:04Colin Rosenblum:Okay. Okay. What about it?
32:06Samir Chaudry:Okay. Wrap up.
32:07Colin Rosenblum:We don't have any time.
32:08Samir Chaudry:We don't have any time. All right. Well, here's what I'll say from a wrap up.
32:11Colin Rosenblum:Take the transcript. Put it in Gemini. Next week, press publish LA.
32:15Samir Chaudry:We haven't talked about it much, mainly because we sold out. And we sold out very fast. And I don't know what to do because there's 250 applications and we're going to have to turn them all down. So if you applied and you didn't get in this time, we will do more events. But thank you to everyone who's coming. I truly can't wait We will be summarizing all of what happens on stage with google gemini. There will be videos. There will be photos We will tell you guys all about the event. Seriously. Thank you to everyone who's coming out there It's gonna be great. It's gonna be awesome All right. Thanks for listening to this episode of the colin sphere show.
32:51Samir Chaudry:We'll see you next week
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