Jack Whitehall's Emotional Confession About His Dad, His Biggest Fear & His New Life!

25 May 2023 · 1 h 25 min

Ask about this episode

Ask anything about it. ChatGPT or Claude reads this page and answers with the times it was said.

Connect VO and ask about every podcast you hear, including the moments you saved. Add to ChatGPT · Add to Claude

In short

```markdown The Diary Of A CEO with Steven Bartlett

Episode Summary

Title

Jack Whitehall's Emotional Confession About His Dad, His Biggest Fear & His New Life!

In this episode, Steven Bartlett sits down with Jack Whitehall, a renowned British comedian, actor, writer, and presenter. Jack shares insights into his life, career, and personal challenges. Key discussion points include:

  • Comedy as an Escape and Connection: Jack discusses using humor as a means to connect with people and escape from personal anxieties. He reflects on the diverse reasons people become comedians and his motivations rooted in the joy of making people laugh.
  • Personal Fears and Anxiety: Jack opens up about his fears of losing success and the struggle to maintain a work-life balance. He candidly shares his anxiety about professional rejection and the impact of negative reviews and online trolls on his mental state.
  • Relationship with His Father: Jack delves into his complex relationship with his father, Michael Whitehall, expressing a desire to make him proud and share successes with him. He emphasizes the influence his father had on his career and expresses hope that his father will have a relationship with his future child.
  • Anticipation of Fatherhood: With his partner, Roxie, expecting a child, Jack reflects on his excitement and the anticipated shift in life priorities. He expresses a hope that fatherhood will bring a new focus and fulfillment.
  • Career Journey and Challenges: Jack recounts his journey into comedy, from early influences and challenges to achieving professional success. He discusses the process of finding his voice in comedy and dealing with imposter syndrome.
  • Upcoming Tour and Creative Process: Jack talks about his new tour "Settle Down," which marks a transitional period in his life as he grows older and prepares for fatherhood.

Key Takeaways

  • Emotion and Vulnerability: Jack shows a vulnerable side, revealing the emotional weight of his ambitions and fears. His openness about the pressure to succeed and his self-doubt offers a relatable perspective for many listeners.
  • Impact of Family: The influence of Jack's family, especially his father, is a recurring theme, illustrating the deep desire for parental approval and the role of familial relationships in personal development.
  • Balancing Personal and Professional Life: Jack’s insights into balancing work demands with personal life highlight a common struggle, underscoring the importance of prioritizing relationships and personal well-being.
  • Evolving Career: Jack's career evolution emphasizes resilience and adaptability, showing how personal growth can influence professional paths.

Quotes

  • Jack on the pressure of comedy: "It's like the voice thing again. I'm like, please just say what's the answer."
  • On fatherhood: "I really, really cannot wait to like sort of step up to the plate and try to be the best dad that I can be."

Guest Details

  • Guest: Jack Whitehall
  • Roles: Comedian, Actor, Writer, Presenter
  • Notable Works: 'Fresh Meat', 'Bad Education', 'Jack Whitehall: Travels with My Father'
  • Current Projects: Film 'Robots', 2023 live show 'Settle Down'

Additional Resources

  • Tour Information: [Settle Down Tour Dates](https://bit.ly/3BTdeqF)
  • Jack Whitehall on Instagram: [Jack's Instagram](https://bit.ly/3ompM6Z)
  • Steven Bartlett's Links: [Steven's Links](https://beacons.ai/diaryofaceo)

Closing Tradition

  • Previous Guest's Question: "What do you pledge to do this year to live life fully while you still make a difference?"
  • Jack's Response: "I'm going to be more present and attentive with the people that I love and I cherish and hold close to me."

---

Thank you for listening to The Diary Of A CEO with Steven Bartlett! For more episodes and insights, visit [The Diary Of A CEO Podcast](https://g2ul0.app.link/DOAC). ```

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Hear the part that matters, and keep it.Open this episode in VO. Double tap your headphones to save a moment as you listen.
Get VO free

Transcript

Automatic transcript. May contain errors.

0:00He's the most loving person ever. I want him to have a relationship with my kid. I mean, that's why... Of course it's... I said I wasn't going to do this on this. I'm not... I'm now getting emotional.

0:19Acto, writer and award -winning comedian. You are in for a treat! Oh god, that's the killer. What is the reason why you're a comedian? I lose humour to connect with people and have always done so. Growing up, wanting my dad to prove it and definitely not receiving it. It dented my confidence but it also made me like I would one day make him proud. If people really knew you, what would they be most surprised about? I do feel the pressure and I do feel the anxiety of it all. Worrying about stuff that is not worth worrying about, bad reviews, rejection, online trolls. So many times I'm just like, why don't I just delete all social media for my phone?

0:56I would be such a good thing for my mental well -being. I have a little bit more sense to be vulnerable than I tell people. Do you doubt yourself? Yes. What impact does that have on you? Overworking, not prioritising, family and I'm not present when I should be present. Roxie is pregnant now. How are you honestly feeling about it? Now I'm regretting putting this on camera. What you're doing is incredibly high stakes out. Why are you smugging? Steven, I've got a punchline about You know, the tramp behind a wheelie bin. I mean, that's not... MUSIC

1:39Jack, I've sat here with so many incredible comedians. And it's funny because there's an ongoing stereotype with comedians that they get into comedy for a variety of different reasons. A lot of comedians have said to me, you know, comedians themselves are depressed in some way. Then I had Jimmy Car say to me, when you meet a comedian, you should ask him which of their parents had oppressed. And then I sat here with one particular comedian who really didn't fit into any of those stereotypes at all. What is the reason why you're a comedian in your own words? I think in the most reductive way it's because I use humor to connect with people and have always done so.

2:25And so I think I've always enjoyed making people laugh and that felt to me like a great way to connect with people whether that be in real life or my audience when I'm up on stage. And I think there are, you know, lots of different reasons that people become comedians and there is this kind of the sad clown trope and that's definitely one that does exist. And I think there are people that use comedy for other reasons, but for me, I don't think I fall into that category necessarily. I think I have always loved comedy and stand up as an art form because I just really enjoy making people happy and making people laugh.

3:09and using comedy as escapism. As escapism. Yeah. From, well, from, you know, it can be from whatever, like if you've had a bad day at work and you come and see a standup on stage and they make you laugh, bring you out of a dark place or if you're, you know, on your phone and watching the news and depressed about the world and then you can go and forget about all of that. And you know, it's a great way of, I think, you know, just going and completely relaxing and listening to someone else in Stainu. And I think that for me, like, that's what I see my kind of duty as a comedian. That's... Your parents are comedians?

3:56Yes. I spend a lot of time watching the wittering white... White tools? Yeah. When YouTube, your father in particular is absolutely fucking hilarious. Yeah. Do you think your sort of comedic edge came from there? Or because you have siblings, right? Yeah, he wanted comedians. They're not comedians. I mean, they're both pretty funny people. And there was a lot of laughter in our household when we were growing up. And I definitely think my dad, in particular, was my kind of most dominant early comic influence. Because again, I would watch how he used to you, man. and how making people laugh was this way that he had to kind of unlock people.

4:39And he was an amazing rack on tour and told these incredible stories. And I watched how people would hang on his every word. And I remember being really in awe of that and thinking, oh, I'd love to not only amuse him when I'm able to do so, but also emulate him and try to be someone that people enjoy the company of and the presence of because of my kind of like wit I guess. And so, yeah, he was definitely like for me, the person that influenced me the most when I was thinking, oh yeah, that's definitely something that I would be interested in pursuing. When was that point where you thought I could pursue comedy professionally as a real job?

5:22I don't know. I think it probably wasn't until the Ed and Refestival. When I went to the Ed and in my teens and saw stand -up comics. I mean, prior to that, like most of my knowledge of comedy had been stuff that I'd seen on TV and movies and Laurel and Hardy and Norman Wisdom and that felt like, you know, hilarious but kind of very alien in a way. And then going up to Edinburgh and seeing like stand -ups performing and people that were maybe slightly closer to me and age and were talking about things that I could relate to and all of a sudden I was like, wow, this is like genuinely a viable career path.

6:00I don't know that they were probably all up there performing for a month at Edinburgh and hemorrhaging money and not filling out the venues every night. It's like a really, really difficult career path for the vast majority of comedians, but I was kind of young and dehyied and just saw or the incredible aspect of it, which is the other thing that appeals to me about comedy, which is that it's a way of doing something that isn't a real job and isn't sat in an office doing something that to me would be kind of mind -crushingly boring. It's a creative pursuit, which I think I would always have been gravitating towards.

6:41Was there not a lot of influences in your life telling you that comedy is not a real job? I'm like, yeah, I'm just, yeah, definitely a lot. Who are those influences and what were they saying? And why didn't you listen? Well, so at school, I was always talking about trying to do stuff off my own bat and do sketches and taking a show to Edinburgh was my idea and the school were very anti that at the time and the drama teacher thought it was a waste of time. My parents were very, very keen that I didn't necessarily pursue a career in the like arts. I think because my dad was an agent and he'd looked after loads of really successful actors, but he'd also looked after a load of actors that had been out of work and had really struggled.

7:28My mum had had a career as an actor that hadn't necessarily given her the film that I think she wanted it to and you know she'd had some sort of bit parts on television and then had to give it up. And so they were very aware that you know that it was a very very competitive industry and so they were very keen that I make sure that I focus on my studies and have something to fall back on if I were to not make it in you know the arts. I mean it was a little little thought through because the other passions that I had were things like art and so I ended up going to university to study history of art, which I didn't necessarily think is, you know, of industries to fall back on, like art history is not the most transferable skill.

8:12And then also, by pushing me away from, you know, going to drama school or becoming an actor, which would have been the other thing that I would have wanted to do at that age, I was so frustrated that I wasn't able to do that, that I went and I did the degree, and then I was like, well, I need to perform in some way. Oh my god, I could do stand -up and they'll have no control over that. So then I started doing stand up as my side hustle and they pushed me into comedy, which again, is like a really, really competitive industry. And if they'd wanted me to become a lawyer or a banker, which they always claim that they did, they went about it completely the wrong way.

8:52In hindsight, hindsight's such a wonderful thing. What do you think if you could reverse the clocks now? And you could be Jack's parents and you could make the decision for Jack at that age, that really pivotal age, what he did next. In the, with the intention of accelerating his career, his happiness, his talent, what should and what would you do as Jack's parents in hindsight? Oh, I don't know. I'd push him towards drama school. No, no, no, I think they probably, they did probably play it right. It is the weird thing. In a roundabout way, it all sort of worked out, okay. And I don't begrudge them for any of those decisions.

9:37And they were, which people are always surprised to hear. It's like, well, they're not surprised to hear it now because people have seen my relationship with my family and we have, I call it a travel log, but some people have pointed out it is also always like a reality television show where like the posh Kardashians and so people have been exposed to my family and can see that we have an unusual relationship but we are very close. But people are always surprised to hear that it was always the case, even when I was away at boarding school, we still had a really good connection. I, in fact, always say that going to boarding school was probably quite helpful to my relationship with my parents.

10:16If anyone has seen my father, he's better in small doses. I think having that distance from him was probably very healthy and is why we had such a good relationship. So yeah, there's a lot of things where at the time I was, oh God, why are you doing this? And I mean, when they sent me to boarding school, I was so upset. I was like, I do not want to go. I'm happy with my friends. I want to stay in London with them at this school and I was really struggling at that school and I wasn't coming out of my shell and I hadn't found, you know, any of my kind of passions or interests and there was no one cultivating any of them.

10:54And so they looked at that and thought we need to do something and make change. And they found this school in Oxford, which I went around and they met lots of teachers. And it had a far more kind of like, um, I didn't know it had like an eccentric feel. It felt like a bit of fit for me, but it was a boarding school. And so they took me out of the school that I was struggling in and sent me to that boarding school. and I remember being, oh my god, I was so upset. I was like, no, please, like, honestly, tell you, I don't want to go. And he said to me at the time, he was like, look, it's fine. If you go, then you don't like it.

11:27You can come back after a term. And I promise you, if you turn around and you tell me that, then you can come out and go back to school with your aunt London. I was like, okay, well, that's something that I can hold onto. And I remember that really helped get through the first term away. And then I asked him, so basically many years later, I was like, you know, when you said that, it really helps. He's like, I had no intention of doing that. Even if you had been very upset, you were there for the year. I'd got you in. It had been very hard to get you in there. And you were staying with your life, and I'm not.

11:58And I didn't know whether that's him sort of slightly being a nuisance, but they may have been some truth to him. Didn't you, around like 11 or something, auditioned to be Harry Potter? Yeah. That's crazy. Yeah. I did a bit of child acting, again, just because I was sort of adjacent to that world. And I saw, you know, my dad in that industry and my mom and my mom was galacting back then. I was so enamored of it. So as a kid, I did want to do it and, you know, I had a few sort of quite low level acting jobs as a child with like single lines in TV shows. I got dubbed in one because I couldn't deliver the line properly.

12:41I had one line, which was, it's not a monster, it's a rabbit. And the day just developed a speech in pediments, I'm not a monster, it's a rabbit. And when it actually went out, they'd redubbed me, so it was another child's voice coming out of my mouth. So I'd had that job, and then I'd had one other job where I had no lines. I had another job that I got, and I swear this is true, but I can't remember exactly how it happened, but I got like demoted. I got cast in a part which was like quite a good speaking role. And then like on the day, all of a sudden I was, it was good by Mr. Chips with Martin Clunes.

13:16And all of a sudden I was like at the back of a class and had no lines. And I can't, for the life of me understand how that happened. I mean, I was very young at the time. Maybe I was just so terrible. They saw me in the rehearsal and thought, nah, you're now out of shot right at the back. And then Harry Potter, yeah. So that was was around the time that obviously I was doing these little acting roles and then there was this audition for Harry Potter and they did an open casting at my school. They came with a casting director to kind of audition loads of kids and they were doing it around the country and there was a lot of excitement about this because obviously the book was so popular and I remember calling my dad and saying they're doing this open casting and I kind of enter myself into it and he was like oh no that's a complete waste of time.

14:03What do you mean? Well, they never cast anyone at these open castings. It'll be some casting directors assistant assistant. You know, it's it's completely waste of time. If you genuinely want to audition for Harry Potter, I will get you in front of the casting director. So he rode down to Oxford, took me out of school for the day, got me down to London through some connections of his managed to get me an audition with the casting director of Harry Potter. I went into the casting room and completely tank the audition because I was not a very good actor as a child, as is proven by the track record up and to that point.

14:41I also hadn't read the book because I've just never been a great reader and I'd read like the first couple of chapters and then got bored and I didn't have any knowledge of the plot of Harry Potter and that was exposed in the audition as well. And so it was as bad as bad as an audition could go and I came out and I looked and I was like, Yeah, I don't know. You need to worry about that one. And then I think the nice heartwarming entered this story. My dad having been, you know, outrageous in his behavior and the nepotism being out of control in the open casting, they caused Emma Watson, a somebody, and she did get cast from just entering through the correct channels and not calling up her dad asking him to get her in front of the casting director and she had that wonderful life -changing opportunity which she earned and that's the way it should be.

15:39But look at all of that and I go that that phase of your life. It doesn't seem like there was a ton of self -belief because you've got your dad, your dad, sort of chiming in at parts saying subtly saying the odds aren't good, son, indirectly. And then you know, the being sent to the back of the classroom in there, the acting thing you do, subtle knocks. Yeah. Does that stay with you as you go into comedy? And is that an accurate assessment of how you were feeling at that point? Yeah, I definitely was not very confident at that age. And I was quite, I was quite odd and eccentric and in the right company and in a safe environment.

16:20And around my kind of family, I think I was a little bit more confident. but at school I certainly wasn't. Very awkward, like very, like unfortunate looking child as well. I had huge buck teeth and glasses and like a cowlick and you see photogas of me from then and you look like a kid that would not have a lot of confidence. And then had the like, you know, the massive braces in my face for a long period of my childhood. And that made, you know, that there was definitely a lack of confidence because of that. And the various knockbacks. And then realizing, oh, I quite like acting and performing.

17:02And for years, I would audition for all of these school plays. And I would never get cast in anything. And so that didn't help. And also, I guess, wanting my dad's approval, which I always did, right from the get -go, and definitely not receiving it like that. It did, it dented my confidence, but it also made me like, I don't know, I think it gave me a kind of result that I would, I would one day achieve it, and I would make him proud. And, you know, because he'd been sort of dismissive or you don't want to become an actor and you're never gonna become an actor, that made me want to do it even more.

17:42And be like, oh no, I really think I can do this. And then with the comedy thing, the other aspect is that he was and remains the hardest person to crack ever. Like he doesn't laugh anything. And, you know, I do have that, like, overriding memory that as a kid, like, I always was desperate to try and make him laugh and to, like, crack him and to just, if I could get him to laugh, like, that felt like such an achievement. And even to this day, you know, when he comes to shows or if I'm doing things with him, like, he's a really hard, like, tough crowd. he has caught, as you've seen, like a real, I mean, resting bitch face.

18:24I believe it was for the kids calling it. And yeah, if I can even get like a smile from him, it transports me back to being, you know, 12 or 13 years old and having that same thing of, I really want to make him laugh. Has he had any sort of acting qualifications or anything? Because when I saw him on chatty man with you, I was thinking that Cardi's an unbelieve black. He's non -believe black. He's just a deal face. No, he's had no training at all, but I guess he does so little and gives away so little. I don't know, that almost feels like it's performative and maybe it is to an extent, but no, he's had absolutely no training whatsoever.

19:07For you Gough and you go up to Edinburgh, you see that? That's a big inspiration for you. What happens next? How'd you go from there to doing shows and climbing up the comedic ladder very, very quickly? So then I went to Edinburgh with a sketch show with two of my friends from school and we did it, the Plezans and we did a month in this tiny room, this now a disabled toilet, that's how small it was. And there was like you know, ten seats and us performing this sketch show. We had no idea what we were doing. It was all kind of cobbled together sketches that we'd copied from not the nine o 'clock muse and League of Gentlemen and got terrible reviews.

19:58But in the middle of it, I came out and did stand up. And I'd never done stand up before. And I thought that stand up was just something that you could do. I'd never done a gig. I literally just walked out in the middle of this sketch show and did 10 minutes of stand up. It was described by one reviewer as Jack Whitehall appears on stage in the middle of the show and does an impression of what he thinks the stand up is. And that is a pretty fair assessment of what it was. But I call Ben Keevy, who was a producer at the time came to that show and saw me and saw that there was, I had some promise or there was something that he recognized and me that he thought, you know, I had some potential.

20:40And so I then went and met with him when I was down in London. He worked for Tiger aspect, he was a great production company. He made Mr. Bean, Catherine Tate, Benadome, all of these shows. And with him, I started developing. he asked me to do tour support for Horn and Corden. When James Corden and Matt Horn were doing their double act around the time of Gavin and Stacey because he was working on a show with them and he said, oh, there's this guy who I saw. Edembroer, he's really funny, he's very new, very young. You're doing these warm -up shows of your sketch show. You should get him to come out and And he could do some stand up before you go on.

21:28And so I did support for them and that's how I met James and how I met Matt who would end up being in my sitcom and James and Matt were kind of quite instrumental in me getting my first television gig as well. So they did a big brother's big mouth and they were like the guest host on that and they were meant to do a whole series and they had to pull out. because they'd seen me do stand up for them as their warm -up act. James was very good at kind of, you know, speaking to whoever the person was at Channel 4 and saying, oh, you know, you should get to host this show, is Jack. And so, yeah, I ended up doing like live TV, hosting Big Brothers Big Mouth, which was the show that kind of had created Russell Brand.

22:13And I was It was 18 or 19? I was young and very, very, very inexperienced. Like my comic persona was, you know, all over the shop because I hadn't like found my voice yet and I was already on TV. I got definitely got catapulted on television for too quickly. Like I always say this, like you look at like Mickey Flanagan or John Bishop or any of the kind of like really established comedians when they break and they become TV stars, they've been doing it for 10 years and they've honed their act and they know exactly who they are and you get like the finished article. When I was on TV I was like still basically an open mic comedian almost.

22:57I mean I'd done paid gigs but I was still like going on and talking in a mockney accent because I hadn't worked out like that I could be myself on stage. I was so terrified to go up onto a stand up comedy stage and talking my voice because I was like, they're all gonna hate me. No one's gonna want to listen to some public school by waffling on. So I'm gonna have to disguise that and I'm gonna go on and I'm gonna talk like Danny Dyer. And so for the first couple of years of my stand up career, I do that and all these other comedians afterwards, they would be like, oh yeah, well, you've got some great stage presence, but you just, you haven't found your voice yet.

23:35And I was like, oh, well, could you tell me what my voice is? And they're like, that's not really how it works. You need to find out your voice. And you'll go on a journey. I was like, just cut the Yoda crap. Like, just what is my voice? And I found it so frustrating. But that is a process that you have to go through as a comedian. You need to find your voice. And my problem was when I was trying to find my voice, I didn't even know who I was as a person. Then I was 18, 19 years old. like I am like at that age like I don't think you've like formulated who you are. And so I was in this kind of weird like period of flux where I was trying all these different comic personas.

24:11I settled on this one that was like basically a kind of like a homage to Russell Brand. It was so inauthentic it wasn't who I was but you know it gave me a kind of a little bit of a I guess a little bit of an armour that I was hiding behind a character almost and it gave me some confidence. So I was in that period of my development when all of a sudden I was doing live television for the first time and I watched some of the footage back of me from those early days and I want to hide behind the sofa. It's so cringe. I've got this big shock of like electric hair and wearing the skinny jeans. I look like I've just fallen out of the hauli arms and I'm talking in a way that just bears no correlation to like who I am.

25:03It was, it was, it was very strange. Do you not, do you not have imposter syndrome or at all? Because you know, you come in at 19, 20 years old to an industry full of, you know, veterans and people that look like they know what they're doing. Yeah. Just playing a good job of like, no, no, what they're doing. Do you feel that at that young age? Yeah, I think I did feel a little bit of that. But yeah, I think I was just probably, I don't know, so ambitious that I went into those dressing rooms and even though I was kind of in awe of a lot of these people again, I was just like, well, I really want I kind of proved myself and every time I had a bad gig, you know, I'd always, my take away would be why I need to just like get better then and I will get better and I know I can get better.

25:52And I, and I, I think I had quite a lot of resilience. I was naive, but then I obviously probably helped get through some gigs that if I'd been a little bit older I would have been like, why the hell am I doing this? And also, you know, obviously, I mean, it helped very much that I come from a background of privilege and that I was, you know, wasn't having to support a family or pay a mortgage and I could kind of pursue this full zirrend for a bit. What's a bad gig, you know, for someone like you, what does that feel like? What does it look like? I think I've had so many bad gigs. Back in the day, it was going in doing 10 minutes in a pub and performing to 20 people, you're set up to fail, really, because it's never going to be a stormer because the environment is not conducive to comedy because you're in a noisy pub fighting against a fruit machine and some of the people are on their phones, some of the people are sort of half listening to you.

27:06There's like a tinny microphone, terrible sound system. And you're going on like 10th on the bill and everyone's a bit drunk and you're never going to kill that gig and then you go out and you do 10 minutes of your material and it like barely raises a and then you've got to get on a train and go back to London and be in your own thoughts for two hours. Like, that's pretty soul -crushing. But I don't know why. I don't know why. I like, and there were a lot of those at the beginning. I think probably because I was like still at that point, I was living in Manchester with all of my mates in a student house and having like a great time, didn't have many worries in the world because I was 18, 19 and I was going off and doing these gigs and sometimes they go well and sometimes I would crash and burn but I don't know it just didn't like I didn't I didn't feel the pressure that that's what was so amazing about that period of my life is that I just don't remember feeling any pressure and now if I tank a gig or I go out and you know mess up the Britta Awards I do feel the pressure and I do feel the anxiety of it all and I and I didn't have as much professional anxiety back then because I was sort of on a relatively upward trajectory and you know it all felt so full of possibility I just think I was sort of unburdened by all of the kind of anxieties that I would have now as a comedian and a performer.

28:44Reminds me of my conversation with Lewis Capaldi, he told me about singing in pubs in Scotland and like no one was really listening. He almost talks about it as if he would prefer to go back and do that now because there's no arenas, there's no expectations, there's no pressure. And I actually think he said on the podcast, I think he said like, I just want to sing a pub in Scotland. Yeah. Your success and his success have meant that that's, you know, that's, I would say not probably, it's certainly possible. But even if you were announced as being in a pub, expectation would show up. Yeah, yeah, and I do and I and I and I connected with his documentary in that aspect when I watched it and saw Like him articulate some of those elements because that is it is so true and you know You yeah, you do a show now and you're putting it on in an arena and like the level of expectation is so much higher and you've got to shift you know A huge amount of tickets is going to be reviewers there.

Read the full transcript

29:42You've got to entertain like a vast crowd if it goes wrong like that's some news event and back then there was none of that like I'd die in a pub you know if Jack White Hall crashes and burns in the middle of an empty forest does he make a sound and my forest was a pub impressed and does that make does that make it less fun is Is there like a certain point in a weird, and I still do to an extent when I'm like, maybe more so now like when I'm working you through, there is like a sadomasochistic thing that quite enjoys like the tricky gigs and like working out why it hasn't worked and what I need to do to get it to work like I do.

30:32But I mean the pressure now, does that make it less fun? Oh, the pressure. Sorry, yes. because you've used the word professional anxieties a few times. Yeah. Yeah, I mean, that element of it does, for sure. And I don't remember feeling that when I was in my kind of early 20s, but all of a sudden, they sort of creep up on you and your, your and your own thoughts a lot more. And constantly like, I don't know. Just thinking about... about like, I just, for me, it's like, worry that it will all go away. And that's always like the greatest fear is that it's just gonna stop and I've loved doing it. But yeah, there are lots of other added pressures that weren't existent when I started doing it.

31:24And I look back on it and do kind of like miss that headspace. A lot of people can relate to that fear of worrying that it'll all go away. Even people that have climbed the corporate ladder, they've gotten to a certain position. I've seen it a lot of the times with some of my friends and even some of my companies where people will say to me that they're just trying to hang on to where they are. When you have that mindset, it seems like it can be quite unenjoyable because there's that constant sort of as you describe anxiety. But also I'm not sure if everyone does their best work when they're kind of hanging on because there's not this sort of mental freedom to fully express or to relax or take time off.

32:10So I'm not sure if we do our best work. Is that what you're saying? You feel like you're you have a constant worry that everything you've built might someday change. And I guess the more important question is where do you that's come from in you. That idea that it could just... No, I mean, I don't know where it comes from, but... And I don't know. And it's not like a cancel culture thing of me going, oh, I'm worrying going to say something and then all of a sudden, I'm going to get canceled and then I'm never going to be able to do shows again. It's not even like linked to that, although obviously there is like a small chance that could happen.

32:50I don't necessarily feel like I pushed the boundaries in such a way that that feels likely. But yeah, I don't know how I've allowed that to sort of creep up on me. And I think the key to not allowing that to consume you is to sort of just try to refocus your mind on what's important. And ultimately, some of the things that are, you know, the concerns that like build up as professional anxieties, ultimately aren't as important as long as you're doing it like ultimately, as long as I'm still doing stand up and still doing what I love and still getting to, you know, act in perform, it doesn't necessarily matter, you know, how I'm doing that.

33:44I'm doing what I love and that should be enough. And then also just like refocusing my energies on like my work life balance and focusing on what's important, my relationship, family. Those are the things that made me happy and as long as those are working, then I think I will feel fulfilled. And so I think it's yeah, it's how like frame that in my head. Even from doing this, because I'm not journalist or if I can get a podcast or whatever, I still sit here and go have a fuck is this It's still a thing, like how are people still listening to this? We admitted, I mean, Jack did production beforehand, but Jack, you've never done anything like this before, have you?

34:26I've never done anything like this before. So it's all a little bit, what the fuck is going on? Just keep going and hopefully nobody notices us. It's like almost the feeling, because you almost assume that all of your competitors, all the other people that are doing it in your space, they have some certificate. Yeah, that has like given them the right. Yeah, yeah. And a rule book that we're not privy to. Yeah. Can you relate to any of that? That feeling that like, yeah, I mean, there is, yeah, and there is no kind of like playbook for it is there like with a career and with, you know, with all of it.

35:03So like the worst thing you can do is start like comparing yourself to other people and like thinking about that too much as well. So many times I'm just like, why don't I just delete all social media from my phone? I think it would be such a good thing for my mental wellbeing. I just haven't quite brought myself to do it yet, but maybe that's something that I should try. It's just the worrying about stuff that is not worth worrying about. I wish I want to get better at that. I really want to work at that. What impact does that have on you? that I'm not present when I should be present. I think that's where I feel it.

35:45It is most frustrating in my life. It's when I'm worrying about, fucking nonsense that doesn't need to be consuming me and I'm not present with friends and family and people that I need to give more of myself to. What's an example of something that might consume you? Like a little troll online or a review or? I mean, yeah, I mean that can take me out for a couple of days, like rejection, professional rejection, not getting a part in something, a bad review, things like that. And then for a couple of days, I'll sort of be spinning out. And then, you know, I'll catch myself doing it and be like, what, what am I doing?

36:26I don't need to do that. I have more sensitivity, I think, than I sort of let on. I've always sort of built myself as being quite resilient and thick -skinned, which I am to a degree, but I think there are things in elements where I have a little bit more sense to be vulnerable than I tell people. You and me both. Yeah. You and me both. And I think obviously in different jobs that I've had, I've had to be, I've been the CEO of the companies. So you kind of learn to put up everything's fine. Yeah. But some, you can be behind the scenes like spinning out a little bit for a couple of days, based on something.

37:02When you say spinning out, what does that, if I'm rocksy, Yeah, you're wonderful partner. Yeah, what would rock subserv when Jack is spinning out that I mean is sort of weird fugue state Because I'm also one of those people that's just like I'm a barrier. I didn't articulate a lot of of these emotions and and I do and I definitely I don't know whether it's because of my background of outwearing, but I'm Someone that doesn't really want to burden people with them. I feel like as well as a comedian as a funny person And again, I feel like I'm letting people down if I'm like a Debbie Downer and talking about stuff that is going to kill the mood.

37:45I just don't like conflict. I don't like to depress people. So I think I sort of, I like, yeah, bury it all, put it on a brave face. And then, yeah, just maybe not quite myself. So you probably wouldn't even realize it was going on, but I think for rocks it's hard because yeah, sometimes I'm just like a little bit away with the fairies, but that's because I'm having this like internal dialogue for three years. It's everything gonna be okay. Oh my god. They hate me. No, no, no, you're gonna be fine and that's all going on and I'm like yeah, yeah, I'm fine. Yeah Someone said to me once they said the people that care most about the applause, which tends to be like performers and comedians and stuff also care the most about the booze.

38:31Do you think that's accurate? Yeah. Like it's not possible just to care about one side of that spectrum. You can't just care about the applause and then say, I don't care. I'm invincible. Yeah. Back isn't it? No, definitely. It's definitely feedback. And you know, like audiences that upset me or online trolls, I mean, I do consume quite a lot of that. If I, if I'm brutally honest with myself, I'm probably consumed more of it than I should. and read it. And again, I'm like, I think it's fine. I think it sort of bounces off me, but maybe it does. It bounces off me as much. And I'm like, it's all stored away somewhere.

39:10You know, it's good. But I don't know. I also like part of me. And I'm not encouraging people to troll me online. But I'm like, there is a good, it's good to like keep your ego in check as well. I do like constructive criticism as well, I think is very useful and some fever. Because if you didn't have any of that and you just went on the reaction to the audiences of paid punters that have come to see you and clearly are onside and it's like a home gig because they're fans of either a board ticket to you. And that was your only interaction. And that was where you kind of garnered what, like, your relationship with the public was, you were thinking you were just like the Messiah.

39:58So it's quite good to be reminded, yeah, there are some people that find you a bit much. But as their feedback, those people, those trolls, has it made you a better comedian? I mean, every now and again, I get quite good, like, like, you know, joke from something that someone said. Oh, okay. No, I don't think it's maybe a better comedian. But someone calls it says on Twitter that my new hairstyle looks like a Tesco's value Richard Hammond. I'm like, I'm like, there you go. Those are quite rare. Normally, it's like, why is this posh, twat on television every time I turn it on? No, I can't want it.

40:37When you, when you bury stuff, they're like a seed, it kind of grows. I always, always think this. And I think it certainly changes us over time, all the things we have buried. Like even if we don't ever express it or whatever, I feel like it kind of just infects our character a little bit. Yeah. That's certainly what's happened to me for sure, for sure. Yeah. Just over time, I think slowly the things that I've like buried or ignored, they kind of just weigh me down a little bit and you might become a little bit snappier or a little bit, you know, more impatient or negative about the world or whatever.

41:06Is that the case with you? Yeah, I think for me, the main way it affects me is like, it's like a focus thing. It's like focusing on, it makes me focus on the wrong things and that's the thing that I struggle with most of my life is my like, is work life balance. I think I'm terrible at work life balance and I always have been because I started when I was 17 and I just didn't stop and so I used to hate going on holidays or I was like, I've got on a holiday, it's a complete waste of time. And I remember calling my agent and my dad from a beach somewhere going, I can't wait to get home. And I've always had that weird attitude to work and wanting to work, work, work, work, work.

41:51And I'm about to have quite a big life event. And I think that will... What life event track? About a baby, which I'm so excited about. And also, I'm just like the thing that I pray that it does is just completely like shifts my focus and and I'm so excited to have this little being in the world that is more important than anything else. I think that's going to be such a healthy thing. And I know that's not necessarily the reason to have a child. I probably should have worked through some of these things before the baby arrived. But like that's an element of it that for some people might be quite daunting, but I think that's going to be amazing and I'm really, really excited and I can't to be a dad and I'm like, it's just really, really cannot wait to like sort of step up to the play and try to be the best dad that I can be and have that as my focus.

42:39And when I'm focused on that and not thinking about all of the other stuff, I think it's gonna just be great. Maybe that's quite a glass awful. Well, yeah, it sounds like a conversation that I've been having with myself but also with my partner where I've said to her, because she's scared that I might just keep working. And I think she asks me once every month, she goes, are you going to be like this when we have kids together? And I'll go, no, no, no, I'll change. When the baby comes, I will be different. Yeah. I'll just cancel stuff. I'll say no to everything. If you're facing the line, I'm having all of these conversations.

43:15Um, yeah. But I've always said you don't know. Yeah. You don't know what will happen. None of us have ever experienced that feeling. That some of our friends I'm sure have explained to where your priorities shift upon the arrival of this arsenal. Maybe, like, no, maybe, arsenal work. Do you think, I've asked a few people this, because when I meet someone that describes themselves as being a bit of a workaholic, I wonder whether they are driven or whether they are being dragged, which resonates more with you. Do you think you're driven or do you think you're being I think I'm driven. I think I'm driven.

43:58I think it would be quite helpful to be dragged back a bit. Sometimes I definitely think it would be good because I have this weird career where I act and I write and I do stand up as well. It's very easy to fill my entire diary all the time. And if I look at a couple of months, I'm not doing anything there. I was meant to be filming a movie then and it's been delayed now and I've got two months. I need to do stand up and I'm going to write a script and I'm going to produce as well and I have a production company so I'm constantly developing things. And I just like, and that all comes from me.

44:38That's not people going, Jack, we've got this cap, can we do this now is me going, we can do this now and we can fill this now and we can develop that and I can write this and I cram so much stuff into my schedule. And I think again, professionally it might be better to take a beat sometimes and prioritize taking some time off as well and having a little bit of head space. I mean, the pandemic was weirdly a time when we be working all the time and this stand up to her, I've had longer to prepare for it than I've ever had. And I've had way more kind of head space and space to like, like live my life a bit, which is so important when you're creating and you're writing, especially when you're trying to, you know, write personal material.

45:31You need to live your life. You can't be working all the time because then all of your experiences are going to be professional ones. No one wants to go and watch a standard comedian tell a load of jokes about what it's like. being on set and like anecdotes about like you know script reads and what up like that's not interesting comedy material for anyone and fame as well I don't think is necessarily always the best kind of you know source of relatable stand -up so I think it's really important as a comedian to have that time to go and like live your life and build up some experiences and and find inspiration as it naturally occurs rather than trying to force it.

46:13And on a personal level, that conversation about work, life balance and giving yourself some time and not just pramming everything into the calendar, what are the consequences of you not being balanced as it relates to your personal life? I think, yeah, I seem to sort of, that's the perennial mistake that I make is overworking, not prioritizing friends and family and then having to sort of make up for it. I don't want to always be making up for it. And I think I'm quite good at making up for it. And you know, I then put a lot of pressure on myself. I've got to like like see all of these people and make sure that I cram in a load of social situations and sneaking a little holiday there and that, and I wish I didn't have that approach because then everything feels rushed and I'd prefer it not to feel as rushed I'd prefer to, yeah, just a bit like it's all going to be fun when the baby comes it's all going to change that line.

47:22How you feel overnight? How are you honestly feeling about, you know, Roxie's sort of five months pregnant now? How are you honestly feeling about becoming a dad? I'm feeling excited. It's hard. It's a weird one because like, sometimes it feels very real and then sometimes it's just a sort of abstract concept and idea and it feels very surreal. and it sort of flits between both of those things on almost like a daily basis. And sometimes I feel overwhelmed thinking about it other times I'm like barely engaged to the tool because I'm so distracted with other things. And so it's a really weird emotional place to be in right now like this sort of run up to having a kid.

48:15And I've spoken to lots of friends that have been in this period as well and a lot of them have said that that's quite normal as well. But, you know, again, this sort of, no, right way to be feeling at any one time. And that, you know, and I'm what you're thinking about her and looking after her, she's had some like health issues as well. And so we've had a bit of a journey to get here and so there's it's quite a scary period as well Like I know I'm just really looking forward to the moment when the baby is born and then I mean I say that like then and then you can relax No, it's then

49:0018 years and so it doesn't stop then again like maybe I've just framed it in in quite a positive way but yeah, I don't know. I'm excited about being a dad because I never thought that I would get to it this early either. I honestly, because my dad was, you know, 50, nearly 50 when he had me. He was 50, I mean, my math is right. Yeah, he was nearly 50. And so I was like, well, I'll be an old dad, you know, I'll, you know, live my best life. And then when I get to 50, then I'll just pop out a couple of kids, be great. And honest and always thought that that was the case. And then ultimately started looking at friends and seeing how happy they were and my sister with her niece and my niece, not her niece, my sister and my niece and thinking, oh, you know, maybe I do want that.

50:01And then like we got to really like, you earn for it. And I was lucky that I met Roxie who's the right person and my person. and we felt like we were both ready. And so, yeah. It's, I think people will be surprised when they find out that I'm, a lot of people were friends and family when I told them, I think, because they just didn't think that I was necessarily ready for it, which again, like in my weird mentality, she just makes me go, I'm gonna prove you, you know, I'm gonna show you, I'm gonna be the best out of it. So, is there a fear? Yeah, because I think if I'm being completely honest with myself, and I don't think I've said this before, when I think about the prospect of having a child, which is again, a something that I really want to do.

50:45I see myself as having four kids, and I also see myself as hopefully being a really attentive, present father. There is a little bit of a thing in my head that goes, you don't have any time as it is to. So something's going to have to give, and it's going to be your career in some respect. Like there's going to be some element of reduction in your career. And maybe that's okay, but if I think about it practically, I'm already using all 24 hours in the day. Yeah. So where's it going to come from? Yeah. That's definitely the thought that crosses my mind and being realistic about it as well and not...

51:22It's not something that you can like just like... You're not going to want to just schedule it in or you can deliver it a family time here And then I'll go and do some, you know, tour dates in Australia or that, like, I think, yeah, it's that that's gonna need to be like a significant moment of like change because I'm not gonna want to work in the same way that I've worked. And that's why this last year has felt a little bit like, I don't know. In my head, I am definitely mentally prepared for that. I was like, baby is coming in September. I'm going to have, it's going to be with a different, and then I'm going to, I don't want to have a tour hanging over me.

52:12I wanted to do it now. and weirdly a lot of the comedians that I'm friends with, I was like, yes, I'm doing a tour and then having a baby in September was like, you're gonna regret putting that tour in then. You're gonna, yeah, because then when the baby's like, too, that's when you don't notice a lot of comedians start getting out on tour because they wanna get out the house. You look at all of them, but they do. I won't have that excuse, they'll all be done. And then you'll be at home for two years. changing nappies. Excited about that? Yes, I am. And I actually know that. I know that. I genuinely am.

52:48I'm very excited to do that. And to like roll up my steves and get involved and be a hands on dad. And now I'm regretting putting this on camera. Because he's going to have that clipped up. You remember when he said this to Steven? Upstairs. Now there's a punal army that needs attending to. Yeah, I was just saying that. What's the sake of the podcast? You've got this tour coming up called settle down. Yeah. You're doing a lot of dates and a lot of places. How many dates are you doing, Jack? I'm doing, I would say. At the time of recording, maybe 40, 50 dates, they keep getting added. And so it's hard to keep count.

53:35And I actually, in my head mentally, it would be quite good to just think of it as being 40 because that sounds quite manageable, but it may be a few more now. How are you honestly feeling about it? Give me all the emotions. But weirdly, I'm actually kind of excited for it to just start and to just be doing it. The bit that's a bit of a slog is this sort of build up to it and the writing of it and getting it already in time and booking all of the venues and doing the promo and talking through the design and it's a whole production. and it's just, and it all has to come through me. It's quite hard to delegate when you're building something like that.

54:15And so I'm really, really excited to just be then on the road doing the shows and that's all I have to worry about. And I remember this feeling before in the run up to the show being like, I'm just desperate for the first one to come about so I can then just like actually be doing it. And then when I'm on the road, I love it. I try to not do too long of a tour in terms of like, you know, a lot of comics were gone for like six months or a year and I find, I mean, you know, quite brutal way just after while I just begin to hate the sound of my own voice and get bored of the material and I don't know, I like doing it in quite kind of condensed burst and, you know, then like keeping some kind of like momentum going and doing a couple of shows having a day off and and a couple more shows.

55:06And I love it. I honestly, it's like I've had a long period away from it. Four years is the biggest gap I've had between tours. And I'm just, I'm excited to be doing it again. And I was talking to it, I can't remember what it was, but I was talking to an actor, a successful actor. This is about the appeal of stand up and how you never really get that moment. No matter how big of a movie you make, like you might go to a premiere and it gets a great reaction and that's amazing and you have good reviews and it does create the box office or whatever, but that thrill of the live experience, I think it's why so many actors want to be musicians and end up in bands and whatnot, so they can have that experience.

55:52And that thing of going out in front of a huge crowd and like having that live experience and connection with them is like the best thing in the world and it's so hard to replicate that anywhere else. What's influenced this show in terms of the jokes, in terms of the humour, in terms of your style? What are the key influences or the differences from previous tours? Well, I called it settle down because it is sort of about this period of my life where I am settling down becoming a little bit more of an adult. A lot of my comedy before and my previous tours, it's all about being a sort of man child and that's kind of like I guess, you know, on stage I'm this sort of for in general just being a bit of a sort of clown.

56:53And this show has an element of that and an element of me being self -aware enough to be like, this is definitely the last show where I can be telling those stories. And maybe this is the last moment of my life where I can lean into that. And that was the sort of feckless misadventure that was my 20s. And now I've entered into my 30s. So I've got a mortgage and a girlfriend and a dog and a baby on the way. And I am now, you know, going to be forced to settle down whether I like it or not. And so it's about this like, like this transitional moment of my life. And you know, talking about the anxieties and the fears of that and like, oh my God, if I got everything out of my system and, you know, I, I don't know.

57:42So it's, it's, it's a lot about that. If I got everything off my spot, I just don't want it. And I'm not having a pop at him, but like, maybe I haven't. And then, but I don't know. I was gonna say, I'll be like, I'll be like, you know, a great dad until the kids 18. And then I'll be in what my 50s. So I could just, I'll get like, if I haven't got a role at my sister, maybe that's what happens. The kid turns 18 and I'll go from like, like, Gary Linnaker to Wayne Linnaker. Like that, and I'll have this other period when I'm in my 50s and 60s and I'm getting out and clubbing in Ibiza. Q does. I don't know.

58:28Q1 is often when businesses start implementing new systems and processes in hopes of creating efficiencies for the year ahead. And over the course of my career, I've learnt just how crucial having the right systems in places. One which has helped me across many of my investments is NetSuite. They're also a sponsor of this podcast. NetSuite is the number one cloud financial system through their streamlined platform. You'll find all of your accounting financial management inventory and HR in one place. Their technology has been a real game changer, especially for my team at Flight Studio. As over the last year, we've moved out of startup mode and into scale at mode.

59:03We no longer have to juggle multiple systems and having everything together has reduced the number of manual tasks and errors. Over 41 ,000 businesses have chosen to future -proof their business with NetSuite. So if you'd like to learn how it can help your business, head to NetSuite .com slash Bartlett and free download the CFO's Guide to AI and Machine Learning. That's NetSuite .com slash Bartlett. People see you on stage and I always find this really interesting about comedians because I watch these comedians, I've watched you for many, many years of my life, Jimmy Carr, Russell Howard, etc.

59:34And then when I meet these people, They surprised me. Obviously, because they're not in Jimmy Car's case, telling like filthy one lineers when they got here, or when Jimmy Car did arrive, the team texted me and said, Jimmy Car's just walked in and cracked a joke about riding someone's mom downstairs. So I thought, God, here we go. But then when he came up here, a completely different person. There is thoughtful person. Incredibly thoughtful person. What do you think people would be? If people really knew you, if people really knew the jack that rocks are your partner knows. What would they be most surprised about about you versus their image of you from TV?

1:00:10Yeah, this is something I think about a lot that kind of disparity between the the comedian that you see on stage and the comedian that is there in real life. And I think I'm relatively close to the person that you see on television or the person that you watch on stage. Obviously, that's like a heightened version of myself. And I think the reality is the thing that people will find most surprising is that sometimes I'm quite a quiet person. I'm quite introspective. I can be a little bit shy in some social situations. I think people would be surprised at that. But then I'm also so conscious that I was like, oh, I don't want that to ever come across as me being rude or aloof.

1:00:56and yeah, I get a little bit of kind of social anxiety as well. I think I definitely drink as like a crutch because I find it's so much easier in certain situations that are overwhelming to have a drink and I find I maybe lean on that a little bit too much. So I think all of those aspects aren't necessarily things that you would look at me and think, oh, he's going to have all of that going on. But I'm also, I'm aware of it. So I always feel like I don't want to be a disappointment in real life as well to people, especially, you know, fans or whatever, if I meet people and they have an expectation of me, I always feel the need to kind of, you know, not let them down.

1:01:43I think that's why I've always said it's like so much easier if you're Jack D or even my dad, it's like his persona is sort of grumpy, deadpan. That's very easy to maintain him real life. Mine is this is like over -inthusiastic. Yeah, clown. And I'm like, oh, that's quite a lot to maintain all of the time. And especially if you're having a bad day or you're tired or, you know, to have that spark in your day to day life can be quite tiring. When you look back on what got you to where you are now, you're at the top table in your game. When you look back at the components that got you here, what are those components?

1:02:25If your son or daughter was asking you for those components? I would say important elements that I have. I do think, I always say this to comedians, I do think you have to build a resilience. and the ability to learn from your mistakes and your missteps and take on board criticism and use it to get better. That's definitely an important aspect. I think recognizing people that could be good collaborators, could be helpful. I've been very lucky that I've had a lot of really, really great people around me. That guy mentioned Ben Kavy of work with him for nearly 15 years. My writing partner Freddie, I've had some really good agents.

1:03:29my dad who's been amazing and has always kind of helped advise me and and finding those those kind of people that you can sort of work with and put around you and people as well that will challenge you and people that will call you out if needs be I think if you surround yourself with the wrong people that's a very surefire way of heading off in the wrong direction and I feel very lucky that I've got good people around me and have always been able to find good people to put around me and and build good relationships with people that are important. Ultimately that's having a good judge of character as well.

1:04:07I think that's a really important aspect. You work ethic is clearly one of them. Yeah, I think work ethic is good to have for sure. or though I feel, yeah, now. Maybe we can just turn it down a little bit. Work ethic is good for the kind of take off, but then maybe there's a different speed that you can find once you're able. Yeah, cruising, yeah. What else though? Because we haven't really talked about the creative brilliance in terms of what you're doing as ultimately art at the end of the day. And there's gotta be something that's separating your art form from others, is it in the process? Is it in just a natural thing?

1:04:52Is it a muscle you've built over time? When I think about that, the content you've crafted to go on tour with, where you smug it. I feel like I can't call it art. I can't. I know technically it is, but it's always such a hard one with comedy because I'm like, I'm thinking of some of the routines. And I'm just like, Stephen, I've got a punchline about wanking off a tramp behind a wheelie bin. I mean, that's not up. But I, if we're in America right now, we're like, yeah, we've been British and I'm like, oh, no, but there is no I insist. There is a, there's, it's a talent and it's an art. It's one that I can come near.

1:05:35When I look at it, I look at it with such awe because not only are you, because Because it feels to me like there's such a clear success or failure with every line you deliver. Whereas in every other game, even this podcast, if somethings might be interesting, somethings might not be, but there's no instant feedback on every line that I deliver. Boom, boom, boom, boom, boom. So I think it's incredibly high stakes out and something that I could never ever, I shouldn't say never ever do. I could do it, but I wouldn't do it anywhere near 1 % of what you could do it. So when you think about why you're so good at it, have you been able to diagnose that?

1:06:11People hate these questions, because they say nice things about themselves. No, I mean, you're right that you can't, you can't like coast it with stand up, because it is pretty brutal, that is for sure. And you do get immediate feedback on every single joke that you put out into the world. But I don't know why I am anymore successful. I don't know whether I'm like the... If I look at my faults, I'm going straight back to my faults. But I don't think I'm like the greatest writer. I think I'm a good writer and I can come up with good jokes and good routines. I think I'm better, I'm better at performing it.

1:07:05I don't know, I think that's something that I've learned. Like I can really sell a joke, which is maybe sometimes to my detriment because I could write better routines if it won't. But I don't need to, I don't know. That makes it sound like I'm lazy, but I'm really working the material as my as I can to try and make it as good as it possibly can be. I've got really good delivery, basically. I think I'm very good at delivering. Jax, do you doubt yourself? Yes. I read quotes. I think that I want to make that a bum. Some of my material can occasionally be a bit ropey, but I can bloody well sell it.

1:07:56I really quote Sky News. I am still sort of dogged by a slight sense of imposter syndrome in the feeling that at any point someone's going to come and tap me on the shoulder and tell me that I need to go on a plane and go home. Yes, that's it. Back to telling inappropriate jokes in a pub to 30 people. Yeah. Constantly. I feel like that, especially with the acting, because again, with the acting, Even more so because I didn't go to drama school. I don't know what I'm doing. And I've been afforded the amazing opportunity of being able to be in some great shows and some big movies now. And again, like I've tasted that in the same way that when I had that experience of standup, I was like, oh my god, this is amazing.

1:08:40And I love this. And now it's gonna be really hard if I can't do that anymore. And... But how'd you be happy then if there's that constant? I don't know. I wish again. Why could someone tell me? No, that's not how it works. It's like the voice thing again. I'm like, please just say what's the answer. But that, but I always find I do this as well by the way. In any kind of like deep dive interview and you are a wonderful for interviewer because you are able to get your interviews to open up more than they normally would. I feel like I have done that today. But whenever I do that, it normally happens in print and it's why I stop doing print interviews.

1:09:30I don't really do any print interviews because I'd read them back and I was like, oh my god, I sound so depressing.

1:09:43It's just Is that a reflection of who I am as a person? Because I don't think I'm as depressing as I sometimes come across when I'm talking about myself. I think I don't know why. But when I, you know, I don't know why that is the case. Yeah, in print interviews, I mean, the reason I try and avoid print interviews as much as I can as well is because you get a really narrow perspective. And what I love about podcasting, you're a podcaster as well You get it all. Yes. So you can see all of the colour and the whole picture. So you can see, and that's what I love about this, especially the way we do it here, because we do it.

1:10:22These podcasts last a long time as you can tell. And there's really no editing at all. So it is what it is. Exactly. And I think actually if you heard our interaction written down verbatim in print, you would probably read it back and go, it's quite a sad man. But then if you watched and listened to us, then maybe you would ascertain that it's not all doom and gloom. I'm just, I get a little bit, morose when I'm being introspective. I think it's really important that particularly the point that even someone in your position has those insecurities about losing their position, The self -doubt, all of those things that everyone has every day in all of their jobs.

1:11:10And really like the reason why I start this podcast, actually, I've come to learn why we do this podcast. It goes back to the word you said at the very start, which was about connection. You said at the start, when you're most authentic, when you're most open, people feel connected. What you also do for them in those moments is you liberate them from thinking that they're inadequate and broken. So by you saying it, you've just liberated a ton of people from thinking that those thoughts that they've been having make them actually an imposter. That's why we call it a syndrome because it's actually just a perception we have which is usually like flawed in some way.

1:11:41As it relates to acting there you are, you got a movie coming up, Robots? Yeah, yeah that's coming out this summer which was a movie, yeah we shot that couple of years ago actually. I've been waiting a while for it to go through the editorial process which is another element that I find so frustrating with films is that you film it and then it takes years for it to come out and you've got new life and done it. But I, yeah, that that was a, again, like a great experience, really fantastic people to work with. Righted director that I really got on with and Shaleen, who's a fantastic actress, who's having, you know, a blast working with her.

1:12:22And that's again, like that's, that's one of those things where I'm like, that, that was a moment I was really happy. I really enjoyed the whole process. I was working with very good people, very nice people, it was a very happy set, very creative environment. And yeah, that was one of those moments, so I was like, I'm very professional, he can tend. Your father, do you think he's proud of you now? Clearly from the origin of your story, that he was a big sort of figure in your life that you tried to impress and please. Yeah, I think he's proud of me and he's expressed that and continues to express it.

1:13:00And my mum as well, they're so sweet. I'm so happy that they've had this kind of second win in their lives as well. Maybe with my dads, it's a third or fourth win, I don't know. But yeah, they still come to my shows and call me afterwards and and say nice things and watch me on TV and if it's something good they'll text me and you know that means a lot still. You're still trying to impress him? Yeah, I think so. I think so because when I do something that he doesn't think is good enough, which you know does happen from time to time, he will let me know. He's very honest and he's one of the few people that will really cut through everything and just be very honest with me.

1:13:57I mean the other thing that we haven't sort of touched upon and again is something that's very present in my mind with all of this in terms of having a baby in terms of trying to achieve as much as I can in my career is that I want to do all of it with him around and obviously I know that that's not going to be the case forever. And so I think that, yeah, I mean that's why I said I wasn't going to do this on this. And I'm now getting emotional. I wanted to have a baby because I wanted him to be around and to know my child and to spend time with my kid. I've seen how amazing he is with my niece.

1:14:47He's the most loving person ever. And so I want him to have a relationship with my kid. And then, yeah, I want to do all of these things and you know, have success in my career that I can share with him and he can see these things and enjoy them. And if the, you know, yeah, I love having him there for all of that. So yeah, I do still think a lot about impressing him and his approval still means a hell of a lot to me. It's such a beautiful thing, you know. It's such a beautiful thing. Yeah. Have my that closeness you have with your father so much. And even when I see you like doing, you know, gigs and stuff together and doing like, you know, you did the Netflix thing with him, it's such a special thing.

1:15:44It's, I feel, and I'm so lucky as well that I've had the opportunity to do it. And, you know, it's never lost on me. The amazing thing about doing that show as well is having people that come up to me and they say, you know, like I watched it with my dad and you know I have you know a really good relationship with my dad and we watched your show and then we went away and we did a trip together and it was one of the I'm so happy that we did it and you know or the flip side of that is yeah I have people that mean it may be lost apparent and I've watched the show and really connected to it because it's reminded them of the relationship that they had with their father when they were around and I think, you know, I just, I know how lucky I am to have had that experience with him and continue to have experiences with him and to work with him and it never feels like what when I'm doing stuff with him.

1:16:43It honestly, you know, it's, I mean partly because of the shooting hours that he insists upon and the hour -long grateful lunch with wine present wherever we are, whatever, you know, the situation is, you know, but just hanging out with him, it just feels like that's, it can never feel like work because it's my dad and yeah, I cherish like hanging out with him so much. There's so much banter when you guys are together on the screen. But I I wondered, you know, from hearing what you've said about him today, like does he does he truly know what he means to you and the impact he's had on your life?

1:17:28I think so, but I think mainly from hearing me talk about it when he's not there, because I don't think I necessarily would ever articulate these feelings to him just because that's not like the nature of our relationship. The reality is a lot of the time when we're talking, we're talking about, you know, we talk about work, stuff quite a bit, we talk about football, we'll talk about current affairs, things like that, but we don't really talk about our emotions and never really have. But I think he knows it. And I think he's, yeah, I think he's very, very aware of it. And I'm glad that he is as well.

1:18:07I'm glad that he knows how much he means to me because I don't think I would necessarily be able to say it to him if he were sat in front of me. A lot of people can relate to that. Yeah, for some reason, it's bizarre, isn't it? Yeah. I don't know. Yeah, and I look at him and I'm like, I'll take from him when I become a dad and I think

1:18:39he's surprising you, he is more affectionate than people think, like because that's obviously not an aspect of him that you ever see on any of the Netflix shows or on his podcast or or whatever, but like I don't know, just yeah, what watching how he is with my niece and knowing what he was like when we were very little. It's like, I want to be like that. And he took a decision in his life as well. He had a very successful career and was a producer and an agent. And then he really did wind it all down and stop when we were kids and spent again, we went to boarding school so we were away for a period of youth.

1:19:26But he did spend a lot of time with us and he was very present in our lives and wasn't as consumed with work. And I think that was a good decision of his. And so I think that's why I'm aware that it's even more important to make sure that I address that. What a life balance thing when my child comes along because I do want to have enough time to be a attentive and present parent. I think about this a lot with my dad. I've talked about it quite often on this show that the last thing I want to have is is almost like regressive words unspoken when my dad's 70 -odd years old now and we've not had the closest relationship over the years and I've also struggled I would like, I took him to the World Cup and stuff, but we never really talk about, you know what I mean?

1:20:22Yeah, yeah, yeah, yeah. And I find it much easier to say things to him, maybe on this podcast or on text, maybe. But to say, it's such a strange thing that, with my partner, I can be open and expressive, but with my dad, it's like, you know, and I worry if I'm being honest about the regrets of the words unsaid. Yeah. So there'll be times where I'm going to be far this day or other days or maybe it's birthday where I'll just try and express it. You have, do you write it down? Do you? I write down here.

1:20:58But it's hard, isn't it? If someone doesn't receive it, how you want it to be received as well, it can make it very difficult. Yeah. And there are, you know, especially like men of that generation, it's just very, because it must have been so different with his father and so and yeah, it's just not a way of communication that we're as used to. So I do think that's why sometimes it can be a real struggle to say some of those things because if you said them to anyone else, then you know that they would go on an illicit or kind of emotional response that you would be welcoming. Yeah, welcoming, Yeah, and it's in it's hard when it's not like that.

1:21:40We have a closing traditional in this podcast where the last guest leaves a question for the next guest not knowing who they're leaving it for and I'm such a bad if you're reading handwriting. Okay. What do you place? Oh, what do you pledge to do this year to live life? fully while you still make a difference? I'm so hot. What am I pledged to do? I'm going to be more present and attentive with the people that I love and I cherish and hold close to me. They're going to clip, Roxie's going to clip that. She's going to play every time. I'm going to change some nappies as well. I pledge to that. Yeah.

1:22:27I will change a nappy. It's already gone down to just being as singular nappy, but I will do an api. That will happen. Well, Jack, thank you. Thank you so much for your time today. I'm incredibly excited for your tour. I'm actually coming with my team. That sounds a little bit amazing, dodgy, but I will be attending your tour with my team. I believe we're going to the London show, and I'm very, very excited because I've been a big fan of yours for a very, very, very long time. and your particular style of comedy and performance, I think is what makes you exceptional at what you do, but also a very necessary voice and comedy, because you, I just think where we are in the world with public discourse and polarization, if there was ever a time for comedy, it is now.

1:23:14And so it's so lovely that with everything going on with the macroeconomic backdrop and all these things, we have great comedians out there adding a little bit of joy to people's lives. And that's really what you do through your work from my observation. If anybody wants to come to the settle down tour tickets are on sale now on the internet wherever you get them he's doing fucking shit tons of dates. So I hope to see some of you at the London show in particular because I'll be there. But yeah, thank you Jack. It's a nice Thank you very much, lovely chat. Thanks so much for having me on.

1:24:07Q1 is often when businesses start implementing new systems and processes in hopes of creating efficiencies for the year ahead. And over the course of my career, I've learnt just how crucial having the right systems in places, one which has helped me across many of my investments is Net Suite. They're also a sponsor of this podcast. Net Suite is the number one cloud financial system through their streamlined platform. You'll find all of your accounting financial management inventory and HR in one place. Their technology has been a real game changer, especially for my team at Flight Studio, as over the last year, we've moved out of startup mode and into scale at mode.

1:24:43We no longer have to juggle multiple systems and having everything together has reduced the number of manual tasks and errors. Over 41 ,000 businesses have chosen to future proof their business with NetSuite. So if you'd like to learn how it can help your business, head to NetSuite .com slash Bartlett and free download the CFO's guide to AI and machine that's netsweet .com slash Bartlett.

From the publisher

n this new episode Steven sits down with the British comedian, actor, writer and presenter, Jack Whitehall.
Jack is a three time winner of the ‘King of Comedy’ at the ‘British Comedy Awards’. He began his television career as a presenter for ‘Big Brother's Big Mouth’ in 2008, before appearing on panel shows such as ‘8 Out of 10 Cats’, ‘Would I Lie To You’ and ‘Mock The Week’. He co-wrote and starred in the TV shows, ‘Fresh Meat’ and ‘Bad Education’, making his film debut with ‘The Bad Education Movie’. He appears with his father, Michael Whitehall, in the Netflix comedy documentary series, ‘Jack Whitehall: Travels with My Father’. The two have also written a book together, ‘Him & Me’. Jack is starring in the new film ‘Robots’ available now in theatres and on demand.
In this conversation Jack and Steven discuss topics, such as:

How comedy is an escape for Jack

Using comedy as a way to hide his anxieties

His fears that his success can leave him at any moment

How he struggles with achieving a work life balance

His relationship with his father and aims for fatherhood

Jack is currently touring the UK with his 2023 live show, ‘Settle Down’, tickets and tour dates are available here: https://bit.ly/3BTdeqF
Follow:
Instagram: https://bit.ly/3ompM6Z
Twitter: https://bit.ly/3IFnc2C
Follow me:
https://beacons.ai/diaryofaceo
Learn more about your ad choices. Visit megaphone.fm/adchoices

More from The Diary Of A CEO with Steven Bartlett

All 629 episodes
Jack Whitehall's Emotional Confession About His Dad, His Biggest Fear & His New Life!The Diary Of A CEO with Steven Bartlett · 1 h 25 min
Listen in VO