Iran's media at war

19 Mar 2026 · 36 min · 15 chapters

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In short

The Documentary Podcast: Episode Summary

Episode Title

Iran's Media at War

Episode Overview This episode explores the complexities of media narratives and information control in Iran amidst the backdrop of war. It discusses how the Islamic Republic manages communication strategies to shape public perception, especially following the death of Ayatollah Khamenei and the rise of a new Supreme Leader.

Key Contributors

  • Producers: Kriszta Satori, Barry Sadid, Krassi Ivanova Twigg
  • Presenter: Krassi Ivanova Twigg
  • Music: Pete Cunningham

Major Themes

  1. Information Control
  2. The Iranian government implements strict controls on media and communication.
  3. Following military actions, state media enters a "wartime mode," intensifying propaganda efforts.
  1. Narrative Shaping
  2. The state portrays the death of Khamenei as a "rebirth," introducing his son Mushtaba as the new leader to galvanize public support.
  3. The narrative emphasizes martyrdom, a crucial concept in Shia Islam, to unify the nation around the new leadership.
  1. Impact of War on Society
  2. Mass communication is restricted, causing isolation among citizens and limiting access to reliable information.
  3. The state uses threats and warnings via text messages to control public sentiment and quell dissent.

Key Events Discussed

  • The Death of Ayatollah Khamenei:
  • Announced on Iranian television amidst emotional scenes, leading to a shift in state media from mourning to a call for revenge.
  • Rise of Mushtaba Khamenei:
  • Described as a rejuvenated leader, his ascension is framed to ensure continuity in leadership amidst crisis.
  • Response to Military Actions:
  • State media focuses on civilian casualties rather than military failures, aiming to frame the conflict as a struggle for national survival against foreign aggressors.

Media Strategies

  • Use of Propaganda:
  • State media deploys music, imagery, and rehearsed rhetoric to cultivate a narrative of resilience and unity.
  • Reports focus on civilian impacts of foreign attacks while downplaying military setbacks.
  • Internet Restrictions:
  • The government employs internet blackouts and threats against VPN usage to limit citizens' ability to communicate and access information from abroad.

Key Takeaways

  • Dissent and Surveillance:
  • The government's surveillance extends to personal communications, creating an atmosphere of fear and repression.
  • Cultural Significance of Martyrdom:
  • The narrative of martyrdom is instrumental in mobilizing support and justifying state actions.
  • Polarization of Society:
  • A divided public emerges, with hardline factions clashing against reformist elements within the government, complicating the response to the ongoing conflict.

Conclusion The episode presents a profound look into the role of media in shaping public perception during crises in Iran, illustrating how the government manipulates narratives to consolidate power and control dissent. The ongoing war not only affects international relations but deeply impacts the societal fabric of Iran, exposing the fragility of public trust and the potency of state propaganda.

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*For further insights and discussions, listeners are encouraged to connect via email at theglobaljigsaw@bbc.co.uk.*

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

The Propaganda Playbook

3:01 to 4:26

Understanding how Iranian media shapes narratives during conflict.

“Just weeks before the U.S.-Israeli strikes, the authorities ordered a crackdown on mass protests.”

Impact of Information Restrictions

4:26 to 6:28

Exploration of internet restrictions and their effects on communication.

“And that's the kind of the edge, if you like, that ensures the journalist that might be more likely to cross that line will think twice.”

State Messaging and Threats

6:28 to 8:41

The role of state messaging in controlling public perception and behavior.

“to those foreign-based Iranian news channels.”

Media Coverage of the War's Outset

8:41 to 10:44

How the Iranian state media curated narratives in the war's early days.

“Do not post videos of the areas that have been hit and struck by the enemy.”

Martyrdom and Public Sentiment

10:44 to 14:05

Discussion on martyrdom themes and their significance in Iranian culture.

“The state broadcaster, the TV and the radio, as well as a lot of news outlets, are downplaying or very often completely ignoring the attacks on military sites.”

Khamenei's Martyr Legend

14:05 to 15:36

Learn how Khamenei's death was framed as a martyrdom in Iranian media.

“mostly pro-government and pro-establishment groups, they get together in Tehran, in other big cities, and they kind of show that sense of unity, saying that we are ready for this war, facing all these attacks head-on.”

Music's Role in Wartime Media

15:36 to 17:45

Explore how music symbolizes wartime sentiment in Iranian state broadcasting.

“That's exactly what has galvanized the social base of the Islamic Republic.”

Power Shifts After Khamenei

17:45 to 20:58

Analyze the changes in power dynamics following Khamenei's death.

“Khamenei became the focal point of the discourse.”

State Narrative of Attacks

20:58 to 23:12

Understand how Iranian media portrayed domestic and international attacks.

“The IRGC, or the Islamic Revolutionary Guard Corps, is the pillar of Tehran's enforcement apparatus.”

Diplomacy and Apologies

23:12 to 26:10

Examine the diplomatic tensions following Iranian attacks and subsequent apologies.

“You are listening to The Global Jigsaw from BBC Monitoring.”
Show all 15 chapters

Succession and Public Perception

26:10 to 28:00

Discover the implications of Mushta Bahamini's succession on Iranian society.

“Large crowds were watching the announcement in town squares.”

Leadership Transition in Iran: Defiance and Silence

28:00 to 29:46

Explore the unexpected silence of Iran's new leader and the public's reaction to his ascension.

“And this is exactly the candidate that Trump wanted all along.”

A Nation Under Siege: War and Polarization

29:46 to 31:47

Understand how Iran's current conflict has polarized the nation and impacted citizen sentiments.

“Just weeks after the authorities crushed a mass protest with unprecedented brutality.”

State Media Strategies and Public Perception

31:47 to 33:51

Learn about the Iranian government's media strategies and their impact on public perception amidst conflict.

“I don't think any amount of messaging from the leadership of the Islamic Republic will somehow bring those people on side or the people mourning the protesters that died on January 8th and 9th.”

Internet Restrictions and Information Flow

33:51 to 36:01

Delve into the challenges of internet restrictions in Iran and how information is still reaching the public.

“Iranian officials seem to love posting on X, formerly Twitter.”
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Transcript

Automatic transcript. May contain errors.

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1:11On the 28th of February, the US and Israel launched an attack on Iran, targeting military sites and the country's leadership.

1:24The next day on Iranian TV, a visibly emotional presenter announced the death of the Supreme Leader Ayatollah Khamenei.

1:39But sorrow turned into defiance on TV screens as a new Ayatollah Khamenei was announced, the son Mushtaba. The succession was framed as something reminiscent of a rebirth. Khamenei has been made decades younger. We've not lost Khamenei, we have a rejuvenated Khamenei instead. Immediately after the announcement, there were several people. They went to their rooftops and started saying that to Moshtaba.

2:12Dissent is dangerous here. Just weeks earlier, mass protests were met with brutal force. When the country later came under attack, state media switched into war mode. We already had a more restrictive media environment from the January protests. We had internet blackout, polarised atmosphere. Now what we have is a wartime version of that, which is far more extreme. In this episode, we peek under the bonnet of the machinery that shapes official narratives and controls information. And we revisit the turbulent first days of the war as they unfolded on national TV.

2:57Welcome to the documentary from the BBC World Service. I'm Krass Ivanova Twig and this is the Global Jigsaw from BBC Monitoring where we look at the world through the lens of its media exploring the narratives, the propaganda and the disinformation

3:16Radio Tehran We are not in the territory of Ukraine Western countries are not the international community That era has finished To fully immerse ourselves in the Iranian war narratives, it's useful to understand the propaganda playbook. Just weeks before the U.S.-Israeli strikes, the authorities ordered a crackdown on mass protests. Tens of thousands were killed, according to some human rights organizations.

3:57Information the authorities wanted to conceal, and they have form in doing that. Watching for exactly this kind of media behaviour, Barry Sadeed from our Iran team spends his days glued to state TV. After the January protests, we did have articles on reports around state raids on hospitals targeting protesters. The newspaper that published those articles, Hamai Han, A reformist outlet was almost immediately shut down. And the journalist responsible prosecuted as well. And that's the kind of the edge, if you like, that ensures the journalist that might be more likely to cross that line will think twice.

4:36Because of the regime of prosecution, because of very restrictive laws around what the Iranian government would describe as misinformation. Prosecution is one form of information control. But there are other tools as well, including the rumoured internet kill switch. Probably the most egregious impact of these information restrictions, the internet blackout in particular, has been the difficulty of Iranians contacting one another. As in the most reliable source of any kind of local information around the war and the conflict would be actual other Iranians. And also, of course, the difficulty in terms of contacting the outside world and getting any kind of information.

5:15In the age of constant connectivity, Iranians found themselves once again cut off from each other and from the world. Nushin, another colleague from our Iran team, explains what that meant. When the war started, it seemed that telephone and landlines were also cut off. And it got to the point where there is absolutely no way you can get in touch with your loved ones. A few days after the war started, people could reach out to one another, but it was a bit intermittent. What does that mean for the media diet? What sources of news are available? You would have the state broadcaster, TV channels on.

6:01You can access TV, radio, newspapers, limited access to internet and good access to satellite TV as well. Satellite TV carries material the authorities view as enemy propaganda, and it has been targeted through legislation. It's illegal to have a foreign satellite dish, but it's a law that's essentially not enforced. So it's incredibly common. The majority of Iranians will have access normally to those foreign-based Iranian news channels. If they work, that is. The Islamic Republic is operating jammers, sometimes ineffectively, to block access to, for example, or Iran International, BBC Persian.

6:42That means these information-starved Iranians would have to perhaps turn to state media. And what they've been given is this vision by the Islamic Republic, and that's one of a totally mobilised public swearing revenge. Iranians have always found ways around internet restrictions, often by using VPNs. But this time, it seems the screws have been tightened. VPNs have played a specifically interesting role in this war. I think there's been explicit warnings sent around by text that people found using VPNs will be prosecuted and encouraging Iranians to inform on other Iranians using VPNs. Occasionally people are able to break through with VPNs or by using Starlink terminals, which were actually jammed by the Islamic Republic during the January protests and now have also been banned with the government warning that people will be prosecuted for owning the terminals.

7:37Let's pause for a moment on the idea that the state sends warnings directly to people's mobile phones. These are said to have increased both in frequency and in scope. This is a new trend I'd say in the past few years. I remember a few years back women who were not observing the hijab they would get text messages saying that you were spotted in so and so location not wearing your headscarf properly, or sometimes they send a message saying you've been summoned. Obviously, it is very scary. But in terms of mass messaging to the entire nation, I'd say it is becoming more and more frequent. So those text messages could have provided that kind of information to avoid certain areas or where to get help and so on.

8:26But instead, what kind of messages do they send? They send threats, warnings. Threats about what? Do not collaborate with the enemy. Do not post social media messaging that is in support of the enemy. Do not post videos of the areas that have been hit and struck by the enemy. It's not unusual for a country at war to not want to release details about damage to military targets. Back to those mass messages. This is the main line of communication between Iranians and the state, and it's less about public safety, shelters guarding themselves from the airstrikes, and more so about threats of prosecution.

9:08For the avoidance of any doubt, the chief of the police issued an extra warning on state TV. If someone acts at the enemy's behest, we will regard them as the enemy, and we will treat them as we treat the enemy. All our team have their fingers on the trigger, ready to defend the revolution. Meanwhile, information about safety is conspicuously absent from state media. At the time of war, there are no clear instructions for safety measures for people to go to certain areas for sheltering, or there are no audible alarm systems to notify people that an attack is imminent. I have also seen social media footage and heard some audible sirens in them, but that is very limited and it is unclear whether that kind of an alarm system is actually functioning or it's just in random places and areas.

10:10Let's take you inside those dramatic opening days of the war and how they were framed.

10:21It didn't take long for the bombing to be acknowledged on air. As the war came to dominate the day, what followed was a carefully curated narrative. They have a wall-to-wall coverage of this war.

10:46The state broadcaster, the TV and the radio, as well as a lot of news outlets, are downplaying or very often completely ignoring the attacks on military sites. And they are instead highlighting civilian casualties and damages to civilian infrastructures like hospitals, schools. On the first day, a girls' school was hit in Minap, said to be by an American missile, although the US Defense Secretary has denied it. More than 150 people were killed. It shocked the nation.

11:31On that very first day, rumours started spreading that the Supreme Leader had been killed. At first, there was an official denial. Confirmation was delayed until the next day.

11:48We had the vision of this kind of shaking TV presenter in tears, sobbing as he announced a death.

12:02In his words, the mountain of the revolution, the guardian of the Islamic Republic, our loving father, Ayatollah Ali Khamenei. Essentially from that point, the core of all state media coverage has been the former Supreme Leader. And people rushed to the streets and started crying and sobbing.

12:26And there were live footage of people beating their chests or their foreheads and they were very angry and saying that they wanted revenge.

12:41Initially, the TV switched into a morning mode. But I think after a day, that changed into more combative tone of now is the time to take revenge. And the nation is ready to get martyred for the leader. What do you think are they achieving with this change of tone towards the martyrdom themes? Martyrdom is an ingrained concept for Shia Muslims. And this could mean that they want the country to be united and rally around the flag. At the time of war, they want people to sacrifice their lives for their motherland. This is something very specific to Shia Muslims, who are the majority of an Iran, and a minority in the wild and Muslim world.

13:31And it's their specific tradition that draws on the energy of the martyred imams in history. And that's part of the energy that also drove the original Islamic revolution as well, where people mobilized. Every street, every square, we have constant marches and these marches center on mourning.

13:55Whether it's the mourning of local people who died in airstrikes, as they have in provinces across Iran, but more essentially mourning of Ayatollah Khamenei. And what we have seen is that every night, mostly pro-government and pro-establishment groups, they get together in Tehran, in other big cities, and they kind of show that sense of unity, saying that we are ready for this war, facing all these attacks head-on.

14:30And it's worth introducing a point here about the role of mourning and death, specifically in Shia Islam culture. If someone dies in the service of a cause, their death means much, much more than their life. And it galvanizes as opposed to being caused for depression or even despair. So with Khamenei's death, we had the building up of his own martyr legend. The Americans and Israel essentially gave the Supreme Leader perfect death. Khamenei didn't die of a heart attack. He was killed by a foreign enemy while on duty, leading the nation under attack. This is the narrative that secured his legend.

15:10Khamenei wasn't really killed in a bunker 50 meters below the ground. He wasn't killed in a secret compound far away from the capital, preparing to flee to Russia, as some rogue reports suggested. He was killed in his own compound, which is as known to Iranians as 10 Downing Street would be for British people. and he was killed alongside the majority of his family, so several of his sons and daughters-in-law, his daughter and two of his grandchildren as well. How was this visualised on TV? What we had was state media even issuing pictures of his kitchen table, like a very ordinary dining room but covered in dust debris from the airstrike and commentators saying that Hymenae died the death that he wanted, the death of a kind of a holy warrior fighting, in his words, the enemy.

16:03That's exactly what has galvanized the social base of the Islamic Republic. When we see them mourning the Supreme Leader, they're not only mourning, but they're stating their anger, their desire for revenge.

16:19And that's something common we see between the incessant vox pops broadcast by state media.

16:30Scenes of just constant daily mobilisation. In Tehran, for example, this kind of dominance of the street by vans and trucks of loudspeakers constantly blaring Nasheed's wartime songs.

16:46Or mourning songs led by processions of mourners.

16:55chanting out the Islamic Republic slogans.

17:05Another really essential part of this wartime state broadcasting has been music. But also, right at the beginning of the war, we had the signaling of the beginning of hostilities by Iranian state media constantly playing this jingle that dated back to the Iran-Iraq war.

17:25And on top of that, we've had constant music videos, music accompanying almost hype videos of Iranian military hardware. That's the soundtrack basically of this wartime media coverage. Khamenei became the focal point of the discourse. He was eulogized by his followers who went through his back catalogue in search of nuggets of wisdom. There's also this incessant rehashing of his previous speeches. And these cover subjects ranging from, of course, the Islamic Revolution, various organs of the Islamic Republic, Khamenei just meeting and greeting children, for example.

18:14Maybe a child will kind of gently ask Khamenei for his ring and Khamenei will give it to him. Another child will ask for his robe and Khamenei will very generously again give that child his robe or he'll be discoursing on French literature, the differences between the French Revolution and the Iranian and Russian revolutions, for example. Khamenei apparently loved to post his thoughts on X, on everything from world literature to his brand of feminism. Khamenei had a notorious Twitter account. He posted a lot about his love of treating women the right way. Woman is a flower, as one of his famous tweets went.

18:49I think it was during the Iran-Israel war that several of the former Supreme Leader's tweets went viral about his love of literature, Victor Hugo especially. What could you read into what happened shortly after the death was announced? What we saw on state media reflected the new kind of shifting landscape of power that was happening behind the scenes. One figure in particular had been given a quite powerful and widespread portfolio by the Supreme Leader. And there's someone who had a direct connection to him. This is the security chief or the head of the National Supreme Security Council, Ali Lari Jani.

19:28Lari Jani was given a broad role in the nuclear portfolio. He had taken charge in terms of masterminding the repression that happened around the surge of protests on January 8th and 9th. And he had also been tasked by the Supreme Leader with the preparation for the expected war with the US and Israel. He's even engaged in a kind of war of words, spats of Trump.

19:56I think one of his initial interviews said, they've burned our hearts, meaning the Supreme Leader, we will burn their hearts. Larijani's wartime role was short-lived. He was killed on the 17th of March.

20:16So figures like Ali Larijani, while their position can be replaced, their profile can't. someone of his wealth of experience, his kind of connections, and also his authority in terms of commanding different areas like in the diplomatic fields, military field, in terms of domestic repression. The more that these figures are being called, the more decentralized the war becomes, and the more it's effectively directed by these local IRGC commanders, armed with missiles and drones and working according to instructions given to them before the outbreak of the war, which is what the Iranians had planned for.

Read the full transcript

20:50And the more decentralized the conflict is, the harder it is eventually to stop. And there'll be no one left with that authority to actually negotiate with. You were listening to the documentary from the BBC World Service. The IRGC, or the Islamic Revolutionary Guard Corps, is the pillar of Tehran's enforcement apparatus. It's officially part of the Iranian armed forces charged with, and I quote, the protection of the ideological integrity of the Islamic Revolution. It's a proscribed terrorist organisation in the EU, the US and some other countries. One of the main topics is Iran's and the IRGC's attacks on Israel and US bases in the Persian Gulf region.

21:36They love to highlight the support they get from the Lebanese Hezbollah and the resistance groups in Iraq who have so far attacked US bases in Iraq. They often say that they have hit several US bases and there's a large number of casualties among US forces. As much as Tehran wants to emphasize the damage it inflicts on its enemy, the capital, engulfed in black smoke one morning, couldn't be ignored.

22:12Israeli airstrikes brought about these really apocalyptic scenes of dark black clouds blanketing Tehran after this enormous fire that broke out of the fuel refineries. but what many people may not know is that in Tehran what you have are these things called jubbs, street side gutters essentially. You have them in much of the Persian speaking world actually and what happened is that after the destruction of these refineries the oil that spilled from them filtered into these street side gutters but also fire. We had images from Iran of these streets lined on both sides of rows of fire. And what followed was actually black rain.

22:54People reported this kind of powdery black material coming down as well. The foreign ministry spokesman described it as an ecocide. And again, this attack fed into the kind of Iranian state narrative that this is not just an attack on the regime, but an attack on the Iranian state itself.

23:12You are listening to The Global Jigsaw from BBC Monitoring.

23:19Then came a surprising twist. Days after Iran launched strikes on neighboring Gulf countries, its own allies among them, President Mazoud Pezashkian issued an apology. I must apologize on my own behalf and behalf of Iran to the neighboring countries that were attacked by Iran. No more attacks will be made and no missiles will be fired unless an attack on Iran originates from those countries. He suggested these attacks were carried out under the so-called fire at will, as the death of senior Iranian officers disrupted central command structures. I did not expect any of the officials to come out and apologize for the attacks, but later he had to clarify he regretted that people were unsettled because of the attacks in the region.

24:10Pezhashkian, although he always had the endorsement of the late supreme leader, he was still coming from the reformist camp. He wasn't really close to the real power center, which is the hardliners and the IRGC especially. He tried to have that softer tone, a diplomatic approach at the time where the hardliners want revenge, literally avenging for the blood of their own leader. When he comes out and apologizes, it doesn't really sit well with them. What was the reaction? A lot of MPs and officials called out, one of them said that he better not talk at all and described his words as very unwise, unprofessional and very weak.

24:59Immediately after that, Donald Trump said, oh, so Iran has surrendered. And that was the moment where everything went, you know, mad. The foreign minister, Al-Basar, she kind of came to the rescue and said, Trump absolutely killed the de-escalation attempt by Pezashqian. That's probably the most interesting episode for this kind of disagreement amongst the Islamic Republic's new elites after the Supreme Leader's death. This backlash from hardliners made it very clear that Iran would strike whoever it willed within the region that harbored US interests as they interpreted it. And I think actually Pazishkion's statement was one of the reasons that the appointment of the new supreme leader was fast-tracked because of the annoyance of hardliners of this kind of rogue element within the state.

25:51I think Pazishkion has been genuinely hurt by the damage done to Iran's regional relations by this war that Iran was engaging in, in order to really create enough global economic chaos to force the US and Israel to back off. As Barry put it nicely, the election of the new supreme leader was fast-tracked with a sense of urgency. Large crowds were watching the announcement in town squares.

26:24What's known about Mushtaba Khamenei, who was apparently going to take on the mantle of his slain father. Early on, people mentioned his name in passing, but he always preferred to stay behind the scene and pull strings apparently behind everything. I think it's worth recalling that he's someone who's held no public office, has made no public appearances, has spent a lifetime as a cleric and reportedly also administering his father's office and controlling access to the Supreme Leader. Also, it's worth recalling that the Supreme Leader publicly would say while he was alive that he didn't want a kind of a dynastic succession.

27:04And this was against the spirit of the Islamic Republic as opposed to the monarchy that he overthrew. But what we had instead was a state narrative made possible again by the death of Khamenei. Instant jubilation, again, instant mobilization of people on the streets. Let's make it a fake of Khamenei! Let's make it a fake of Khamenei! The state organized these public ceremonies in which crowds of people could swear oaths of allegiance to the new supreme leader. And the state narrative as we had it from the mouths of the people was that Khamenei has been made decades younger. We've not lost Khamenei, we have a rejuvenated Khamenei instead.

27:43But also Trump saying early in the war that the one candidate we do not want at all is Khamenei's son, that is a candidate that would be unacceptable to us. So could it be that Donald Trump inadvertently helped with that election? Maybe it was a brilliant reverse psychology ploy. And this is exactly the candidate that Trump wanted all along. But there were reportedly divisions among Islamic Republic's elites about who they wanted to come to power. But really, I think as much as anything, it's about sending a message of defiance that the one that's closest to the former supreme leader who you assassinated is now the one that's in charge.

28:20With attention fixed on the new leader, the silence from him over the course of the next days was audible. Mushta Bahamini is yet to release a much-anticipated video addressed to the nation. A statement, which could have been written by anybody, came days after his succession. Everyone is expecting to see him, to hear the first words from him because actually nobody has really heard how he speaks. Do we know for sure he's alive? Well, that's a good question. There are rumours that he might be injured. There has been an indication. The state TV called him the veteran of the war, meaning that he has been injured.

29:06We don't know actually what happened to him. With the truth boxed in, Mushtaba could be dead and alive at the same time. in true Schrödinger style. In terms of his attitude, he's set to be close to the IRGC. Everyone is expecting him to be very hardline as his father. So immediately after the announcement, several people went to their rooftops and started saying that the Moschdaba. Moschdaba! Moschdaba!

29:39You couldn't hear this on state media. Such acts of bravery are hard to fathom. Just weeks after the authorities crushed a mass protest with unprecedented brutality. On satellite TV, there were footage of opposition TV channels who tried to blare out the faces of those people. Now people have become so savvy, they don't really film faces. They ask people to cover their faces. those who are opposing the Islamic Republic were celebrating the night that the announcement came that Khamenei was killed.

30:22I read on social media that people would go out and look at one another and there was a wink, there was a smile and then they would just walk past each other because they cannot really display their happiness especially during the day. Iran is a country under attack. In times of war, it's common practice for the state to impose certain reporting restrictions, as was the case with Ukraine's media at war, and spice it up with a generous amount of defiance. The message that they want to communicate was that this is an existential struggle, not just a war against the regime or the Islamic Republic.

31:02This is really a war against Iran itself. And I think that's probably a narrative that's, in a sense, has actually been helped by the statements that we've seen from the US and Israel, whether that's Trump saying that the shape of Iran might not be the same after the war, or reports of the US and Israel engaging with Iranian Kurdish forces in Iraqi Kurdistan to perhaps engage in a proxy war on their behalf. Does this kind of messaging work to unify the nation? I don't think this messaging will work to heal a very, very polarized nation. I think there are some Iranians that are so aggravated by the Islamic Republic that they were willing to endure a war of Israel and the US if the result was somehow the removal of the state apparatus.

31:47I don't think any amount of messaging from the leadership of the Islamic Republic will somehow bring those people on side or the people mourning the protesters that died on January 8th and 9th. But I think the result of it is you have a much more kind of mobilized, galvanized base, elements of which like members of the Basij militia who would be the instruments of repression, as we saw in January. And I think many Iranians, they may be indifferent or hostile to an American Israeli invasion that's targeting civilian infrastructure. What they're seeing is the destruction of their country. Iranians have grown resilient.

32:25They have lived through many years of hardship and are prepared for the worst. People were anticipating the war. So I know that a lot of people bought staple food, candles, you know, anticipating power cuts. Older generation who've seen the war with Iraq, they suffered eight years of it. They actually used some of the techniques that we did during the war. They had tapes on their windows, don't sleep close to their windows, or they go to their basements to take shelter because there are no really functioning shelters around. While Iranians were bracing for more trouble, state TV boasted about gains.

33:10It feels like there's this underlying sense of achievement in their tone, as if disrupting parts of global economy has given them power. The message is like, don't mess with us. We can shake the system if we choose to. There's the sense of praising the military for being able to kind of hit the targets around Gulf countries stopping the movement of the ships in the Strait of Hormuz. They're very proud of that because they actually managed to have a big impact on the global economy. We started this program with restrictions on connectivity and how access to the internet was denied to the majority of the population, but not to everyone.

33:57Iranian officials seem to love posting on X, formerly Twitter. Different people at different levels of the state are granted internet access through the so-called white SIM cards, which are believed to run into the tens of thousands. Alongside the kind of state broadcasting efforts to show this specific image of the Iranian people, we also have been seeing the social media clips emerge. again a vox pops of the iranian people some of which have even gone viral on western social media sites when they went viral that was of a man on the street in tehran interviewing people and showing them videos of supposedly iranian diaspora celebrating that's the way that he sold it to the people's interviewing on the street who reacted with predictable horrors

34:49Why would these people celebrate the fact that we're being bombed? The interview has some kind of level of state access. And I think it's that kind of, I guess, sophisticated media operation that they've brought about.

35:08You get the picture. This isn't business as usual. The already well-oiled narrative-creating machine is now running at full throttle. Its audience? A polarised nation. What is it achieving? One reason they are restricting the internet is the fear of infiltration in terms of tracking their movements, listening to their calls and hacking. and that's why they have been issuing all these warnings and threats. But Iranians have become so savvy and they have always found a way to interact with the outside world. The entire country is under internet blackout, yet you know how they're living, you know what's happening, you know what areas have been hit, how people feel at difficult times.

36:01So information is trickling out, yes. I think now you have a sharper distinction between the so-called enemy and the traitors and the counter-revolutionaries and the Iranian people as described in the state narrative. It's an incredibly polarised and harsh atmosphere, and that's something that will, again, be the grounds for justifying even more violent repression should we see the return of protests either during the course of the war, which is unlikely, or after the end of the war, whenever that may be.

36:37This is the documentary from the BBC World Service. Thank you to our Iran experts Nushin and Barry Sadid. This programme was produced by Krista Shaturi, Barry Sadid and me, Krasi Ivanova-Twig. It was mixed by Anthony Sutton. As always, you can write to us. Our email address is theglobaljigsaw at bbc.co.uk. And thank you for listening.

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From the publisher

The war in Iran through the eyes of the Islamic Republic, and how Tehran’s restrictions on information went full throttle. The Global Jigsaw looks under the bonnet of the machinery that shapes official narratives and controls the media in Iran. And we revisit the turbulent first days of the war as they unfolded on national TV, from the death of Ayatollah Khamenei to the surprise apology by President Pezeshkian and the rise of a new Supreme Leader.

Producer: Kriszta Satori, Barry Sadid, Krassi Ivanova Twigg Presenter: Krassi Ivanova Twigg Music: Pete Cunningham

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