In short
The Documentary Podcast: Episode Summary
Episode Title
When Music Became a Prayer
Episode Description This episode features concert pianist Yirui Weng, who grew up in a communist and atheist family in China, where religion was not a part of her upbringing. However, her passion for music led her to explore spirituality. After moving to Italy for her musical studies, Yirui became intrigued by the religious themes in Western classical music. This curiosity eventually led her to embrace Christianity, culminating in her baptism in 2023. The episode is a journey through Yirui's evolution of faith and the profound connection between music and spirituality.
---
Key Themes and Discussions
- Background and Early Life
- Atheistic Upbringing: Yirui Weng grew up in Hangzhou, China, in a family that discouraged spiritual exploration, focusing instead on academic success and music.
- Musical Beginnings: Yirui began playing the piano at four years old, finding joy and a sense of communication through music, which she saw as a unique language.
- Curiosity for Spirituality
- Moment of Realization: At 20, Yirui began feeling a sense of emptiness despite her musical achievements, prompting her to seek deeper meaning in life.
- Encounter with Sacred Music: During her studies in Italy, she encountered Vivaldi’s "Gloria," which sparked her curiosity about religious themes in music.
- Journey into Christianity
- Meeting Father Zhao: A chance meeting with a Chinese priest led Yirui to explore Christianity, asking profound questions about the nature of Jesus and the meaning of religious symbols.
- Sacred Music Course: A course on sacred music heightened her spiritual awareness, culminating in a realization of the holiness and depth within religious music.
- Baptism and Transformation
- Baptism Experience: Yirui was baptized in 2023, which she described as a moment of grace and acceptance, changing her sense of belonging and connection to the divine.
- Change in Perspective: Post-baptism, she felt a continuous presence of God in her life, guiding her through challenges.
- The Power of Music
- Music as a Spiritual Expression: Yirui believes that music transcends time and space, acting as a conduit for divine beauty and peace.
- Impact on Performance: Her faith has shifted her focus from mere technical performance to experiencing and conveying the beauty of music as a form of worship.
- Faith and Doubt
- Understanding Doubt: Yirui embraces doubt as part of her spiritual journey, viewing it as an opportunity to deepen her faith rather than undermine it.
---
Key Takeaways
- Connection Between Music and Spirituality: Yirui’s story illustrates how music can serve as a bridge to spirituality, leading individuals to explore and embrace faith.
- Cultural and Personal Transformation: Her journey reflects significant cultural and personal shifts, transitioning from an atheistic background to a deep, personal faith.
- Role of Community and Tradition: Yirui emphasizes the importance of community in her faith journey, recognizing the differences in worship experiences between Italy and China.
- Artistic Expression as Worship: The episode highlights how artists can channel their beliefs and experiences through their work, transforming personal struggles into spiritual expressions.
---
Conclusion Yirui Weng’s journey is a testament to the profound ways in which music can evoke spirituality and lead to personal transformation. The documentary encapsulates her exploration of faith through the lens of her musical experiences, inviting listeners to consider the deeper meanings embedded within their own artistic pursuits.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOThe Connection Between Music and Religion
1:00 to 1:50
Exploration of the mysterious relationship between music and religious practices.
“Follow Merrin Talks Money on Apple Podcasts, Spotify or wherever you listen.”
Eleonora's Journey Begins
1:50 to 3:21
Eleonora shares her initial feelings of emptiness and search for deeper meaning.
“around a year before I graduated from university.”
Childhood and Parental Influence
3:21 to 4:08
Discussion of Eleonora's upbringing in a non-religious family and its impact.
“In Italy, I would like people to call me Eleonora because it's like a new name for me, a new life.”
Discovering the Piano
4:08 to 6:06
Eleonora recounts her early experiences with the piano as a source of joy.
“what you do, and the grades you take, and if you practice enough the pianoforte, it's like this.”
The Language of Music
6:06 to 8:00
Eleonora describes her perception of music as a means of communication.
“with the music, because music for me is like a language.”
Curiosity About God
8:00 to 8:41
Exploration of Eleonora's growing curiosity about God and spirituality.
“that perhaps you didn't recognize at the time?”
Encountering Sacred Music
8:41 to 10:38
Eleonora shares her transformative experience with sacred music.
“It was here in Italy that that curiosity about God started to become perhaps more conscious for you and a curiosity about Christianity as well.”
Beginning the Journey of Faith
10:38 to 12:20
Eleonora reflects on how her encounter with Vivaldi's Gloria inspired her faith journey.
“One day in this course, you encountered Vivaldi's Gloria.”
Eleonora's Church Experience in Rome
14:20 to 18:27
Explore Eleonora's experiences attending mass in Rome and her reflections on church life in China.
“For this week's Heart and Soul, I'm in Rome with Eleonora Wang, the Chinese pianist who found God in music.”
The Journey to Faith Through Music
18:28 to 23:48
Eleonora shares her journey of discovering faith through music and the influence of a Chinese priest.
“In Milan's Chinatown, she found someone who could answer all the questions thrown up by Vivaldi and walking past churches.”
Show all 12 chapters
The Impact of Faith on Eleonora's Life and Music
23:49 to 28:00
Discuss how Eleonora's faith has transformed her music and personal perspective on life.
“Because in Jesus' words, the beatitudes of Jesus completely overturn the worldly divination of success, happiness and power.”
Faith and Doubt in Music
28:00 to 29:16
Explore how doubt can coexist with faith, particularly in the context of music's existence.
“It helps you think more deeply about it.”
Transcript
Automatic transcript. May contain errors.0:00This BBC podcast is supported by ads outside the UK.
0:06I'm Krassi Ivanova-Twig from the Global Jigsaw podcast from the BBC, where we are asking, who are the women of IS? The camps in Syria holding families of the Islamic State Group are back in the spotlight. After Kurdish forces withdrew, they are now run by the Syrian authorities, who are in the process of closing them down. The Global Jigsaw looks at the world through the lens of its media. Find us wherever you get your BBC podcasts.
0:59It's work for you. Follow Merrin Talks Money on Apple Podcasts, Spotify or wherever you listen. There is a mysterious link between music and religion. Think of monks chanting in their monasteries and the Muslim call to prayer. Gospel singing in churches in Alabama. And Bach signing all the music he ever wrote. Soli Deo Gloria. To God alone the glory. And sometimes music is a revelation. We hear it and somehow we know or think we know that he is there and he is great. I'm John Lawrenson and this is a documentary from the BBC World Service. For this week's Heart and Soul, I've come to Rome to meet a Chinese pianist who found God through music.
1:49I first felt something was missing when I was about 20 years old. around a year before I graduated from university. I had already finished most of my studies, and I was thinking about what to do next. I kept asking myself what's next, what kind of life I'm going to. So on the other side, everything looked fine. I was studying music, I had goals, but inside I felt lost. It wasn't only about my career. It felt like I was missing someone or something to guide me. Was there a moment when music stopped being enough? Yes, I think so. There were moments like that. It was hard for me to admit because music had always been my language.
2:48but sometimes when I couldn't find deeper meaning in what I was doing, when music felt like only technique or performance, I felt empty. For me, the music could express longing, but it couldn't answer it. That's when I realized my question about life was bigger than that music itself.
3:21I'm 32 years old. I'm a pianist and live in Roma, Italy. My name is Irei. In Italy, I would like people to call me Eleonora because it's like a new name for me, a new life. I was born in Hangzhou. It's a city near Shanghai and grew up there. Did religion have a part in your life when you were small, when you were growing up? When I was a child, the school and our family taught us, it's like you need to be a good child, a good student, so you need to focus on the study. Don't think there are things that you couldn't touch, because it's not useful for them. They think it's not useful, so you need to focus on the daily life, what you do, and the grades you take, and if you practice enough the pianoforte, it's like this.
4:18teachers would actually say, concentrate on your work, don't think about spiritual things? Yes, it's actually my mother. Okay. Because my mother is a physical teacher. Ah, physics. Science. Okay, okay, okay. And she doesn't believe. So your parents weren't religious at all? No, no. My mother just goes to temple to pray for us, but she always told me that you need to believe in yourself not something else. Tell me about your discovery of the piano. Were you very young when you started? Yes, it's like I was four years old because a person of my parents were a middle school teacher so before they finished the work they would leave me in the music classroom.
5:17There happened to be a piano here, which actually became my childhood toy and company. It started like this. So they didn't even invite you to play? You just saw a piano and started playing? Yes, because the classroom is empty. There's only one piano. So it's like a big toy. Do you remember what kind of pieces you were playing when you were a little girl? Mozart, Sonata. It's very, really easy for the child. I just like to play the piano. I don't think it's like the homework. I just play. I just enjoy. Could you explain the pleasure that you felt playing when you were small? Perhaps it's the same now, I don't know.
6:05Okay, it's quite like you talk with someone with the music, because music for me is like a language. I could speak with my mouth. I could speak even with my finger. So that time I read the score, I play. It's like I have a community with the composer. Was that especially important for you, do you think? Were you a quiet child? Yes, it's very quiet. I like to stay alone. I'm very shy when I was a child. I wouldn't guess now, but OK. Now, a little bit better. A little bit less.
6:58Looking back, she thinks the search began long before she knew it in the quiet child who found a way to speak through music. I think for many children and teenagers, you know, discovering music, a particular kind of music, they adopt it as their own, and it becomes part of their identity. It's kind of like a religious conversion somewhere. Did you experience something like that when you discovered music?
7:24Yirui Weng:I said in Chinese.
7:31Yirui Weng:When I was a child, the feeling was not that so strong because I was constantly struggling with technique. But as I have grown older, especially at this age of my life, I often feel a sense of freedom and purity. These are words that you can associate with the religious experience when you look back at your childhood self, do you see a desire for God that perhaps you didn't recognize at the time? Yes. I have always had a sense of curiosity and longing for a creator. I deeply believe that such a being exists because there are so many things that feel so perfect, such as laws of nature, human intelligence and the harmony of music.
8:31Yirui Weng:I also believe that there is a presence watching over me, protecting me, accompanying me in planning my life and helping me in the search for the meaning of life.
8:48It was here in Italy that that curiosity about God started to become perhaps more conscious for you and a curiosity about Christianity as well. How did that begin?
9:07Yirui Weng:Italy is full of churches and once when I passed by church I noticed that in the quiet church, there were people sitting there without speaking, and I felt curious about their behavior. Many works of art are connected to stories from the Bible. In order to understand those things, I wanted to study Bible stories in a systematic way. So you had lots of questions about Christianity. Do you remember what those questions were? Yes, it's like, was Jesus human or divine? If he was human, why did he rise from the dead? If he was a son of God, why was he betrayed and made to suffer? Who is the Virgin Mary?
10:03Yirui Weng:What is the meaning of the cross?
10:08In your second year at the Milan Conservatory, you took a sacred music course. Did you already feel something for sacred music at that time?
10:20Yirui Weng:At that time, I only felt that sacred music carried an inexplicable sense of holiness, as if time certainly stood still. It was a feeling I had never experienced before. Can you sing and play together? Yeah, if you can. I'll try. One day in this course, you encountered Vivaldi's Gloria. This was an epiphany for you. Tell us about that.
11:03Yirui Weng:The opening of this work is very splendid and full of light, but when it reaches the unused day, it takes a sorrow for Tom. Especially at qui toli specata muti, I felt a sense of nakedness, as if being exposed in broad daylight.
11:44Yirui Weng:I was immediately drawn in. Who is the son of father? Why is he called the Lamb of God? Why is he able to take away the sins of the world? At that time, I was completely unable to understand the meaning, so I began to search for answers. You could say that this moment inspired me to begin my journey of faith.
12:20I'm John Lawrenson, and this is the documentary from the BBC World Service.
12:30Time for season six. Time for season six. I'm Damilanta Combo and that's my daughter Coco, the inspiration for my award-winning podcast, Dear Daughter, from the BBC World Service. And we're back. I'll be speaking to some amazing people as I collect your letters telling your stories. Dear Daughter, being your mum has taught me so much about myself. And giving advice to people everywhere. I want them to be able to take the space that I know that they should have. And I would love to give them the complete agency to do that. Search for Dear Daughter wherever you get your BBC podcasts. Dear Daughter.
13:16This is not the future we were promised. Like, how about that for a tagline for the show? From the BBC, this is The Interface, the show that explores how tech is rewiring your week and your world. This isn't about quarterly earnings or about tech reviews. It's about what technology is actually doing to your work and your politics, your everyday life. And all the bizarre ways people are using the internet. Listen on BBC.com or wherever you get your podcasts. I'm Krassi Ivanova-Twig from the Global Jigsaw podcast from the BBC, where we are asking, who are the women of IS? The camps in Syria holding families of the Islamic State group are back in the spotlight.
14:01After Kurdish forces withdrew, they are now run by the Syrian authorities, who are in the process of closing them down. The global jigsaw looks at the world through the lens of its media. Find us wherever you get your BBC podcasts.
14:18I'm John Norrenson. For this week's Heart and Soul, I'm in Rome with Eleonora Wang, the Chinese pianist who found God in music. We wander down towards the church at the end of her road. Eleonora lives really close to the Vatican. You can actually see the walls of the city-state from where the Pope leads the Catholic world if you lean out of her window. She could then, if you wanted, go to Sunday Mass at St Peter's, but she goes to this other local church.
14:51we sit in a pew at the back what's it called this church St. Amalia de la Glacia St. Mary of Grace yes it's a huge church enormous isn't it really big yes for me it's very new yeah bright yeah what's the mass like that you go to on Sunday I usually went to the mass at 10am or 11am because full of children and teenagers and you like that yes it's very active is the church full? yes from 7am to 12am every hour is full what's the prayer that you like the most? Holy Mary can you pray it for me? in Italian you usually pray it
16:12Amen.
16:18Where do you usually sit? At the front? Yes, because I like to see the priest. It's easier to understand when you see him speaking. I ask her about China, where she returns quite often. It's a delicate subject, Catholicism in China, because religion in general is strictly controlled. There is an unofficial church, but it has to operate clandestinely. On these political issues, Eleonora would rather not comment. But she will speak about her church life when she's there, which is as rich as the one she lives here. In her hometown, she's in a local Catholic youth group on WhatsApp that has 400 members.
17:06When you go back to China, you go to church in your hometown? Yeah, in my hometown, even other cities. Every city I went, the first thing is search for the church. How does it compare mass here, mass there? It's a little bit different. The mass here, I feel more peaceful. But in China, another feeling, I feel more like home. maybe because they speak my languages. I could understand more. I can hear, I can feel the people. But now it's like prayer alone. It's like you're praying alone? Yes. Okay. More silence for me. Okay. So it's more meditative? Yes. Because the Italian language for me is like, it sounds like music.
18:09So here it's more like a meditation prayer. But in China it's like I can hear my language, so it's like they communicate with me. So you like them both, in fact? Yes. Different feeling. Back home, Eleonora picks up her story again. In Milan's Chinatown, she found someone who could answer all the questions thrown up by Vivaldi and walking past churches. a Chinese priest named Father Zhao. I remember the first time we met in the church and his office, he asked me, why you come here? I said, I want to know a little bit about who is Jesus and who is God and the story of the Bible. And then he asked me the first question.
19:06It's very, very interesting. And he asked me, so you believe in something? I said, yes, I believe in something, but I don't know who is it. You've found your way to this priest, thanks to the music. Do you think that people can hear God in music?
19:33Yirui Weng:Yes, absolutely. I explain in Chinese. I believe that through music, people can feel a kind of supernatural peace and the presence of beauty. This, for me, is the presence of God. Why do you think that so many people are touched by the presence of God through music? Because in the music, you no longer feel the passage of time or space. often the moment when you are moved by beauty is a symbol of eternity. Many people were touched by this feeling because it is a kind of beauty that no language or image can fully describe.
20:46She came to Italy because of Italian opera. And when she'd completed her studies at the conservatory, she began playing professionally, like at this concert in Milan that she shows me on her telephone. Before that concert, I did Ave Maria. like pray for me this concert very beautiful I remember this and so you prayed just before and did you feel her presence, did you feel her help during the concert
21:16Yirui Weng:I hear the presence because I I remember in my prayer I said this concert I want to play for you and did it change something? yes I'm not nervous I was not nervous you don't look nervous actually in the video yes it's like one hour concert but I was not nervous it's interesting because you said that you're quite a timid person quite a shy person and for a shy person to get up on stage in front of all of these people. It must be quite terrifying usually. But do you feel your faith has helped you with that, overcome your fear? It helped me a lot. It helped me overcome my troubles. Yeah, yeah. And more generally, even outside of music, you feel it helps you overcome fear?
22:25Yes, yes. especially when I feel weakness maybe when I'm in some troubles I feel not lonely because I feel there's someone there's God and Jesus they always stay with me and they won't help me so I just need to wait
22:56Getting back to the journey of faith that you started with Father Zhao did that change the way you saw things?
23:05Yirui Weng:I was very surprised first of all it takes great courage to forgive and even to love one's enemies It calls for complete, self-giving and selfless help to others. It even rises to philosophical questions. How to transfer suffering into redemption?
23:34Redemption, making yourself better again, being saved. Were the teachings of Jesus very different from the values that you were raised with?
23:47Yirui Weng:Yes, very different. Because in Jesus' words, the beatitudes of Jesus completely overturn the worldly divination of success, happiness and power. It is not the strong, the rich, or the winner who are blessed, but the humble, the suffering, the gentle, and those who hunger for justice who can become truly human in God. This radically overturned the values I was raised with, which taught me that I had to become stronger and bigger in order to survive and avoid being hurt.
24:39Did you start to pray at that time?
Read the full transcript
24:44Yirui Weng:At that time, I didn't really know how to pray, so I asked Father Zhao how to do it. He taught me, just talk to God, share your thoughts and feelings with Him. This is prayer. Do you think your faith has changed the way you play? It has allowed me to focus not only on technical improvement but more on experiencing the music itself And I'm seeing myself as an instrument through which the mystery and beauty of music can be communicated to others. Many times while playing, I no longer think about showing off, avoiding mistakes, or proving my ability to others. Only when you see yourself as a messenger can you truly bring the beauty and the motion of music to people.
26:11While we're talking, a student of Eleonora's comes round. Eleonora is, as she says, a little shy. But here she's in her element and quite assertive. The voice of the student, Yuxin Rong, she's called, a future star by the sound of it, is so powerful I actually have to move out of the sitting room into the entrance hall. The neighbours must be loving it.
26:52You were baptized in Milan in 2023. What was that experience like?
27:04Yirui Weng:I always felt a deep longing to receive the Eucharist like everyone else, like a child. I longed and waited to truly enter this big family. What changed in you the day after your baptism? The day after I woke up feeling very grateful, I felt accepted, I felt loved. Not because I had achieved something, but because I had been welcomed, I felt. The only word I can use is grace, something given, not earned. From that moment on, I never felt alone anymore. whatever I did I felt there was a quiet presence with me. Do you have a doubt now? Yes of course I think and doubt is very human when you feel weak or when you face problem you can't control you naturally ask why why this happened to me but I don't see doubt as the opposite of face anymore I see it as part of my faith.
28:25Dopt doesn't destroy belief. It helps you think more deeply about it. It makes you understand what you really believe and why. In that way, Dopt actually helps you to grow your faith.
28:51Eleonora tells me she believes that the very existence of music is a testimony to the existence of God. He's the only plausible reason it exists. Why certain combinations of notes are so powerful, so beautiful. And, she says, it brings us the peace and joy he wants for us. It is, she says, his gift. The story of Eleonora Wang, the Chinese pianist who found God in music, was brought to you by Heart and Soul on the BBC World Service. From me, John Lawrenson, goodbye.
29:44inspiration for my award-winning podcast Dear Daughter from the BBC World Service. And we're back. I'll be speaking to some amazing people as I collect your letters telling your stories. Dear Daughter, being your mum has taught me so much about myself. And giving advice to people everywhere. I want them to be able to take the space that I know that they should have and I would love to give them the complete agency to do that. Search for Dear Daughter wherever you get your BBC podcasts. Dear daughter.
From the publisher
Concert pianist Yirui Weng, 32, grew up in a communist, atheist family in China, where religion played no part in her life. Music, however, always did. As a gifted young pianist, she immersed herself in the great works of Western classical music. When Yirui moved to Italy to pursue her musical studies, curiosity began to replace indifference. While playing Vivaldi’s Gloria, she found herself drawn not just to the beauty of the music, but to its unfamiliar language: “Lamb of God”, “Son of the Father”. What did these words mean and why had composers been inspired by them for centuries? After meeting a Chinese priest in Milan, Yirui began attending catechism classes and encountered the teachings of Jesus for the first time. In 2023, Yirui was baptised. John Laurenson travels to Rome to meet Yirui Weng. She reflects on her journey of faith and explores a deeper question: why is music such a powerful and universal expression of belief?




