Dancing in the Street and Ai Weiwei

5 Jul 2025 · 51 min · 18 chapters

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In short

This History Hour episode links four “iconic moments” in modern history: Live Aid’s 1985 satellite video of Bowie and Jagger singing “Dancing in the Street,” Ai Weiwei’s Sichuan earthquake artwork and imprisonment, the global backlash after Cecil the lion’s 2015 trophy killing, and the origin of the phrase “Drill, baby, drill,” plus a brief look at how Back to the Future was nearly derailed.

Guests/backgrounds

Bernard Doherty (Live Aid press officer); Alice Austin (music journalist); Ai Weiwei (Chinese artist, detained after Sichuan earthquake activism); Professor Andrew Loveridge (zoologist who studied Cecil); Vicky Farncombe (interviewer); Marco Silva (interviewing Michael Steele); Michael Steele (coined “Drill, baby, drill”); Bob Gale (Back to the Future co-writer/producer).

Key claims/examples

Live Aid’s “Dancing in the Street” was arranged in about two weeks and filmed in ~12 hours; Ai Weiwei compiled 5,000+ child death names and made “Straight” from bent steel, then faced 13-year sentencing threats; Cecil was baited with an elephant carcass and shot after leaving Hwange reserve; “Drill, baby, drill” began as a 2008 convention chant and was later misused by Trump.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

The Impact of Live Aid

1:16 to 2:16

Exploration of the significance of the Live Aid concert in 1985.

“This week, the artwork that landed Ai Weiwei in a Chinese jail.”

Creating Dancing in the Street

2:16 to 4:18

Behind the scenes of the iconic music video featuring Bowie and Jagger.

“The music legends Mick Jagger and David Bowie were asked to perform a duet with a twist.”

Challenges of Satellite Technology

4:18 to 6:16

Discussion of the technical challenges faced during Live Aid's performance.

“Having the idea was one thing, but given the practicalities of satellite technology at the time, of course, there was a snag.”

The Quick Creation of a Classic

6:16 to 9:16

Detail on how the video for Dancing in the Street was produced in record time.

“So what I tend to do is put down a lead vocal, then start building up from there.”

The Legacy of Live Aid

9:16 to 11:18

Live Aid's role in raising awareness for famine in Ethiopia and music's social impact.

“While Mick was being interviewed in Philadelphia, David was backstage in London and mentioned the fact there were plans to release the song as a single.”

Concerts for Change

11:18 to 13:58

Exploring other concerts that have raised awareness and influenced history.

“But there are other examples of concerts that have raised awareness and had an impact on history.”

The Impact of Music on Social Change

14:00 to 15:29

Discusses the role of music in raising awareness and promoting social causes.

“And there was such a wonderful atmosphere that day.”

Ai Weiwei and the Sichuan Earthquake

15:29 to 18:06

Explores Ai Weiwei's response to the 2008 Sichuan earthquake and government suppression.

“Next, we're going back to 2008, when an earthquake in China's Sichuan province killed almost 90 ,000 people.”

Detention and Artistic Expression

18:06 to 20:49

Details Ai Weiwei's detention and its influence on his art and activism.

“It struck in the middle of the school day.”

The Creation of 'Straight'

20:49 to 24:16

Describes the creation and significance of Ai Weiwei's artwork 'Straight'.

“They make sure you're not going to commit suicide.”
Show all 18 chapters

The Legacy of Cecil the Lion

25:30 to 28:00

Examines the events surrounding the death of Cecil the Lion and its impact on conservation.

“and the making of the Oscar-winning film Back to the Future.”

The Tragic Story of Cecil the Lion

28:00 to 34:03

Learn about the circumstances surrounding the death of Cecil the Lion and its wider implications.

“That ease around humans is later thought to contribute to the lion's death.”

The Birth of 'Drill Baby Drill'

34:03 to 39:40

Explore how the slogan 'Drill, Baby, Drill' became a key phrase in U.S. politics.

“Next, the origin of a phrase which has become a touchstone for debate in this age of climate change consciousness.”

The Evolution of Energy Politics

39:40 to 42:05

Discuss the changes in U.S. energy policies and the relevance of 'Drill, Baby, Drill' today.

“We are going to, as I use this expression now, everyone else is using it, so I hate to use it, but drill, baby, drill.”

Memories and Fun in the Playground

42:05 to 42:51

Discover how fun childhood memories inspire creativity and storytelling.

“And so, you know, I guess I get to leave a little bit behind for people to go to the playground and have fun with.”

Back to the Future: The Genesis of an Iconic Film

42:51 to 44:59

Learn about the inspiration behind the classic film 'Back to the Future' and its initial struggles.

“Now, each week on the History Hour, we go back in time.”

The Challenges of Making Back to the Future

44:59 to 48:21

Explore the hurdles faced during the creation of 'Back to the Future' and how they were overcome.

“You know, the interesting thing about life, and Back to the Future seems to become more profound as the years go by, more profound than we thought.”

Audience Reaction and Critical Success

48:21 to 51:36

Understand how the audience received 'Back to the Future' during its premiere and its subsequent success.

“How many stories have you heard about somebody that couldn't get the movie made?”
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Transcript

Automatic transcript. May contain errors.

0:00This BBC podcast is supported by ads outside the UK.

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1:08Hello and welcome to the History Hour from the BBC World Service with me, Max Pearson. The past brought to life by those who were there. This week, the artwork that landed Ai Weiwei in a Chinese jail. The worst thing they tell me is I have to be sentenced for 13 years. They said, when you come out, your child will not recognize you. Also, the global shock generated by the trophy killing of Cecil the lion. Yeah, sat there and sniffing the night air and just very relaxed. Very beautiful and I think that would be my last memory of him and how he was such a beautiful animal. And the man who first coined the phrase, drill baby drill.

1:50You could tell the look on my face was like, oh snap. They like this. and then I started chanting with them a little bit, y 'all want to drill, baby, drill. All right, let's do that. That's coming up later, but first we're going to examine one of the key moments in a truly iconic cultural event. On the 13th of July, 1985, Wembley Stadium in London was the focus for the biggest gathering of pop superstars the world had ever seen, Live Aid. The music legends Mick Jagger and David Bowie were asked to perform a duet with a twist. Mick would be in the US, while David would perform in the UK. Here's Des Shaw.

2:31It's 12 noon in London, 7am in Philadelphia, and around the world it's time for Live Aid.

2:43Live Aid was a series of concerts staged in London and Philadelphia's JFK Stadium in America, linked via the latest satellite technology to a global audience estimated to be 1.9 billion people. Among the many memorable events during this historic concert was the screening of a video featuring David Bowie and Mick Jagger with their version of the Motown classic Dancing in the Street.

3:12Bernard Doherty was the Live Aid press officer who was part of the team that worked on this iconic slice of 80s pop.

3:23The brief was, let's make fun of each other. Both of them had looked at each other's videos and sort of thought, I can do that move, I can do that move. Mick and David would be in a portal cabin, sort of dressing room area, practising their cheesy moves. Go from the top again, I'll do that again. Just want to get a motor. The idea for the video came about during discussions for ways to highlight the groundbreaking technology that enabled the Live Aid concert to link international audiences. To have David Bowie, Mick Jagger, Bob Geldof, Harvey Goldsmith in a boardroom with me, trying to get these techies to understand what they wanted to do, which was basically a live duet with David Bowie on stage in London and Mick Jagger on stage in Philadelphia.

4:13And they would sing Dancing in the Street via satellite. simple, come on guys, all you've got to do is plug us in and it'll happen. Having the idea was one thing, but given the practicalities of satellite technology at the time, of course, there was a snag. There's a thing called a delay on a satellite feed. There's this problem, where can we have the music? Should the band be David's band in London? Could it be mixed with the delay? And so they started suggesting that one of them mimed and they had a click track. And in the end, David and Mick looked at each other and said, no, if it can't be live, we're not doing this.

4:51So that idea went out the window. For Live Aid organiser Bob Geldof, the concept of bringing stars together to perform on a global stage was inspired by the Beatles' All You Need Is Love, which in 1967 was the world's first satellite broadcast. The impetus for Bob to do something had come the previous November when he, like millions of others, was shocked and appalled by the images of famine in Ethiopia that stunned the world. Bob teamed with Midjure from the band Ultravox to write Do They Know It's Christmas, which featured the biggest stars of British and Irish music at the time. That, in turn, inspired USA for Africa's We Are The World, featuring America's A-listers.

5:35So with all these massive names wanting to be involved, the plans for a concert in July 85 came together very quickly. Bob said a million times over the period, this is a global jukebox. Don't think it's just the UK and the US and everyone else can kind of hang in there. He really wanted it to be a global event, which it was. So once David and Mick decided that a video shown via satellite at the concert was their preferred option, how long did it take them to arrange everything? I think it was probably two weeks before. It's fantastic. They went to a studio, recorded it in about two hours. Amazing.

6:16So what I tend to do is put down a lead vocal, then start building up from there. Finished the track, and while it was being mixed, the rough edit was shoved in the back of a van with David Mallett, who had the sound which he needed to make a video. He worked with Queen, Tina Turner, Peter Gabriel, and he did a number of David Bowie videos, did The China Girl and Let's Dance and Ashes to Ashes. So there everyone knew each other. It was a great team. But David is one of those directors who likes to wave his arms about and make things up as he goes. He didn't really have a plan. He just thought, I've got to get these guys on film.

6:53So the essence of the video shoot was, let's make fun of each other. David was supposed to be doing Mick Jagger, pointy finger hand claps hip swinging stuff and mick was attempting to do david's moves which were you know clips of ashes to ashes because it was dark we were all in the darkness before we started and anyone who's worked in video pop videos now they take an eternity so david had to kind of put different sets together so it was an awful lot of breaks and hanging around at one point when there was going to be a long break it was three o 'clock in the morning and everyone was getting a little bit jaded but still wanting to have fun Mick said can we do something can we just you know I said well I've got a cricket bat and some stumps those kind of practice ones I've got in my boot why don't we have a game of cricket so in the middle of the David Bowie and Mick Jagger dancing in a street video we on the concrete concourse of a dirty old warehouse we set up the stumps and had a proper game of cricket the only person who didn't join him was David Bowie but I suppose David playing cricket it's not really him is it and the last shot that David Mallet wanted he suddenly said I need 10 cars immediately parked in a line down there with their headlights on Bernard Bernard go on so I had to go and find a load of cars just random have you got a car where's it park go and park it down there and my beaten up old honda civic is the second one on the left hand side as you look at the video we all had to put our headlights on and of course there was a lot of flat batteries down there after the video had been finished but yeah so my claim to fame in rock and roll history is that my beat up honda civic is in the classic david bowie mick jagger dancing in the street video immediately after the video was screened Live Aid, Mick Jagger was interviewed backstage.

8:54It was a real quickie. We went in the studio, in the recording studio at 8, and we finished the track by 11, and then we went to do the video in London about midnight, and we finished at 8 o 'clock in the morning, so the whole thing took like 12 hours, which is the way I prefer to do it. And it kind of has, I think, it's nice because it's spontaneous to work like that. I haven't actually heard it since I've done it. I've left it with David, and he's going to send me the tapes this week. While Mick was being interviewed in Philadelphia, David was backstage in London and mentioned the fact there were plans to release the song as a single.

9:26Maybe if it becomes a record after then we could donate their proceeds to Live Aid as well. So it's a possibility. What a lot of people forget because in the mists of time they think that Dancing in the Street went to number one like the week after Live Aid. No, it didn't get released until August, late August. So showing it on the screens in Philadelphia and in London and on the broadcast was kind of a world exclusive. And yeah, what it did was show you that both Mick Jagger and David Bowie were absolutely committed to raising money for Starving in Africa. Yeah, they got involved from day one.

10:11During the 80s, if you were Phil Collins, Duran Duran, Spandau Ballet, Elton John, you would spend on a video, the budget would be a million, million and a half, and you'd go off to exotic places like the south of France or Rio, whatever, and make your video, and record companies were very happy to fund that. Some of those videos are forgettable.

10:36It's kind of interesting that two of the biggest rock stars in the world on a shoestring in a day managed to put together the most iconic video of the 80s Yes, perhaps a little bit cheesy perhaps voted sometimes as the worst video ever but it's still remembered and it's absolutely iconic The former Live Aid press officer Bernard Doherty was speaking to Des Shaw. It was a Zinc Media production. So as we just heard, Live Aid was a huge event. It brought Ethiopia's famine to the world's attention and the money it raised saved thousands from dying of starvation. But there are other examples of concerts that have raised awareness and had an impact on history.

11:27Alice Austin is a music journalist who's written for The Guardian, the iNispaper and Mixmag. The criticism of the genre, if you like, is that it's a bunch of very wealthy Western, generally, musicians asking people to dip into their own pockets to help out people in poorer parts of the world. But on the other hand, there have also been, if you like, similar concerts that have had a political impact. In 1976, there was the Bob Marley Smile concert in Jamaica, which was definitely political. Yes, 100%. And I think that concert specifically did create social change in Jamaica. He performed that concert two days after he was actually shot.

12:09There was an attempt at an assassination on Bob Marley and his wife and his manager. They all survived, obviously. I mean, his wife was actually shot in the head and managed to survive. And just two days later, he insisted on performing for Smile Jamaica, which was an attempt to promote peace and unity between two parties, two rival parties in Kingston, Jamaica. And it was deemed to have worked. I mean, there was a famous image of him standing between the two rival political leaders and holding their hands aloft. Exactly, yes. And that was just two years later. So if you can imagine the violence that was rife in Jamaica at the time of Smile Jamaica's concert in 1976, to the point where Bob Marley himself was, you know, there was an attempt at a fascination.

12:55Just two years later, with this message, the Rastafarian message of unity and peace and togetherness, these two warring parties are actually on stage, smiling, shaking hands with Bob Marley between them. It's absolutely remarkable. It's also interesting that Live Aid is perhaps the most famous of this type of concert. But even in the same year, 1985, there was another concert in Africa about raising awareness of political issues and poverty in Africa. Yes. And that was very much overshadowed by Live Aid, which happened about six months later. But yeah, this concert was organised by an independent radio station called Radio 702 in Ellis Park Stadium, which is near Johannesburg in South Africa.

13:42And it was 1985 and it was the height of apartheid. And this was South Africa's first multiracial concert. And over 100 ,000 people attended. And all of the proceeds were donated to a South African charity called Operation Hunger. I think what really the real impact of this was to show South African society what can happen if apartheid is abolished. And there was such a wonderful atmosphere that day. And a lot of politicians were predicting violence and it was absolutely full of peace and love and togetherness. And I think that really did have a huge impact on South Africa and the path it went down five years later for apartheid to end.

14:25have these concerts possibly you know we have to still say that live aid is the big daddy if you like have they um had an impact around the world are there other sort of uh consciousness raising examples of artists getting together but just not western artists yeah i mean i think all over the world there's i think you know even on a very small in a much smaller scale i think music and concerts will always be used to raise awareness, to raise funds. I mean, historically, of course, but even today, I know that all sorts of music events are being held to raise awareness and raise funds for all sorts of causes.

15:04And yet, the politics can become problematic. Yes, it's a historic movement that artists regularly will use their voices to protest, you know, wars, genocides that they do not agree with, obviously. So it's always art, culture, music will always be politically charged, I think. That's the music journalist Alice Austin. Next, we're going back to 2008, when an earthquake in China's Sichuan province killed almost 90 ,000 people. After visiting the scene of the devastation, the artist Ai Weiwei was inspired to make an artwork which set him on a collision course with China's government and landed him in jail.

15:49He's been speaking to Ben Henderson.

15:54The wind blows. You can sense the death is in the wind. Then you can see the Chinese flag is blowing in the wind. The rest all disappeared. The only thing you see on the ground is the students' backpacks and the school materials, pencil, textbook and all those. That made a devastating image in my mind. For China, 1966 has been the most dramatic year, the year of greatest political upheaval since Mao Zedong came to power 17 years ago. Red guards on the rampage, a widespread purge throughout the Chinese Communist Party, all this in the name of cultural revolution. Ai Weiwei's father was a celebrated poet who fell out of favour in the 1950s under Chairman Mao's rule.

16:54The family was sent to a so-called re-education camp where Ai Weiwei grew up. There's no electricity, no water. It's the worst condition human can ever survive. It's just like wild animals were living there for about five years. I think I was born under the condition of being oppressed, and so it's in my blood to question the authority and to defend the basic human conditions. And was there any element of creativity in your life back then? Do you remember maybe your first artworks? Talk about creativity, I still don't have it now. I really think about art. I'm sorry to say that. I think about food or whatever.

17:44And I think creativity belongs to God. And we're just someone trying to catch some kind of emotions or ideas. Ai Weiwei was certainly brimming with ideas. He was behind the iconic Bird's Nest Stadium in Beijing, designed for the 2008 Summer Olympics. But a few months before the Games, disaster hit Sichuan. It struck in the middle of the school day. Like most, the student had little time to seek shelter from the biggest earthquake to hit southwestern China in 30 years. At that time, China had a single child policy, so each family just have one child. Really, every family give everything to their child.

18:30Then one day, they all disappeared. And the government will not give a clear reason why. Another five schools collapsed nearby. It's not known how many are trapped. To counter what they saw as government suppression of information, Ai Weiwei and his team spent almost a year compiling a list of more than 5 ,000 children killed in the earthquake. They published the victims' names on Ai Weiwei's hugely popular online blog. One parent, she read me a letter. She said, I only want the world to remember Yang Xiaowan as her name, happily living in this world for seven years. I just want the world to remember that.

19:14So that deeply touches me. And, you know, she said, I'm very grateful you're doing this. The Sichuan disaster inspired Ai Weiwei to make a number of artworks. One of them would be called Straight. So you go to the site, you realise only school building collapsed. The building next to it, residential building, hospitals, are standing still. And the school building is government's construction, so clearly it's corruption. The artwork would be made from 90 tonnes of mangled steel bars saved from the wreckage of the poorly built schools. I don't know exactly what I'm going to do, but I started secretly shifting it to Beijing, my studio.

20:00I think first we were straightened out, like just come out from factory. Each of them take about 200 hit and bend. 200 blows with a hammer to straighten it out. Yeah, to make it perfectly straight, just like new ones. But during that time, I was detained. Ai Weiwei was picked up here at the international airport. China's rulers seem deeply troubled, so in recent weeks, dozens have been detained, silencing all the most vocal critics of the Communist Party and its repressive rule. The worst thing they tell me is I have to be sentenced for 13 years. They said, when you come out 13 years later, certainly your child will not recognize you.

20:49And your mom already maybe passed away. And that was pretty, pretty dark. You're a political prisoner. They make sure you're not going to commit suicide. So they have two person next to you 24 hours a day. While you're eating, while you're in the bathroom, taking a shower or walking. sleeping and I cannot talk to them. I'm not even to look at them directly. But after a while, they all have curiosities. They start to talk with me without moving their lips. There's cameras on every angle. And also there's recording behind the wall. So they start talking like this, you know. Then I used to have a conversation in the middle of the night or a different moment, then we become quite close.

21:45Released by police in the middle of the night, Ai Weiwei arrived home after almost three months in a secret Chinese detention centre. Chinese police say he's confessed to tax evasion and been released as he's promised to repay the money. In the months before his detention, he'd become one of the most vocal critics of China's ruling Communist Party. That day, during the routine interrogation, they said, go away, take a shower, dress up, then we go. I said, go where? They said, go home. Just like that. My mom had to go to police station to guarantee our behaving rightly after my release. I still remember that day after we came out, it started raining a little bit.

22:35my mom and me are sitting in the back of the car. And my mom, after these three months, her hair become whiter. She looks much older. And what about the moment you first saw your son when you came out? It was a funny story because when I disappeared, his mom tell him, he said, Where's my father? He said, oh, he went to work in London. So I saw my son. He's so happy. He said, Weiwei, do not go to London again. I said, OK. Given his 81-day detention, Ai Weiwei knew his artwork, straight, would likely have been abandoned. Everybody know I will never come back. So it would have been easy for them to just give up?

23:26It's true. And so I approached my working shop, I heard the sound of bending of the iron bar from Norway. I was so happy. They never stopped work. Between 2012 and 2015, Strait was shown in Washington DC, Venice and London, often accompanied by Ai Weiwei's list of more than 5 ,000 children who died in the earthquake. I think millions of people see the work and are deeply shocked by the work. I feel just like a farmer, say, in the autumn, you know, it's kind of a harvest, you know, hardworking, but finally you have some products.

24:17Ai Weiwei was speaking to Ben Henderson at Factory International Arts Centre in Manchester. Since being allowed to leave China in 2015, Ai Weiwei has lived and worked in Europe.

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25:29Still to come, long before Donald Trump, the man who first used the phrase drill, baby, drill, and the making of the Oscar-winning film Back to the Future. I thought, was my dad like that? If I'd gone to high school with my dad, would I have been friends with him? And that was the bolt of lightning striking me, saying, that is a movie. But first, a moment which highlighted the world's changed attitude towards big game hunting, an activity which many today find repellent. A decade ago, a much-loved lion was killed in Zimbabwe by an American trophy hunter. Cecil was one of the star attractions at one of the country's national parks.

26:10Vicky Farncom has been speaking to a zoologist who had known and studied Cecil in the wild.

26:21I was in the park at nightfall and I was tracking him so I knew he was around. And he sort of came out of the sort of kind of thick bush onto the road and walked towards the vehicle and sat down almost by the passenger door. And he just sat there and sniffing the night air and just very relaxed. Very beautiful and I think that would be my last sort of memory of him and how he was such a beautiful animal. This is Professor Andrew Loveridge talking about his final sighting of Settle the Lion in Hwangi National Park in Zimbabwe. Growing up in the Southern African country, Professor Loveridge always knew he would work with animals.

27:01My dad was also a zoologist and he was actually an animal physiologist, but he did a lot of research on crocodiles. and used to hatch their eggs at work and used to bring the baby crocodiles home and we used to have them in the bathtub at home. Wow. Which was kind of, yeah. So I guess I had a bit of an unusual upbringing from that point of view. Wow. So I guess it was always inevitable that you'd go into... Yeah, that I would want to work on something with Big T. The scientist first met Cecil in 2007 when he was looking for lions to track for Oxford University's Wildlife Conservation Research Unit.

Read the full transcript

27:37My wife and I actually darted him and mobilised him and put a collar on him. So that was the kind of first time I sort of had hands on the animal. He kind of lived in an area where there's a lot of photographic tourism and safari guides drive around in their vehicles and they show their guests lions. And so he was living in that area and he got really used to the sort of photographic vehicles and the people. And so he was actually really relaxed around vehicles. That ease around humans is later thought to contribute to the lion's death. In July 2015, Professor Loveridge is on holiday on the other side of Zimbabwe when a member of his team tells him Cecil is dead.

28:17Cecil was the star attraction of the Hwangi National Park, an iconic and rare black-maned lion. But this week Cecil's carcass was discovered skinned and headless. Conservationists say Cecil was baited into leaving the protected reserve by hunters who tied a dead animal to the back of a truck, luring the line to a neighbouring farm. The hunters had a bait. I think it was an elephant carcass. And so when Cecil started feeding, they were waiting there and the hunter had a bow. So it was a bow hunt and they shot Cecil. He was wounded, was at night. He ran away. Obviously they lost him. And he only died about eight hours later actually.

29:00I mean I think it's pretty horrific to think of anything suffering for 8 hours, especially with a kind of catastrophic arrow wound. So yeah I think you feel very bad about that kind of thing for sure. And yeah knowing the animal I guess you know you do you get very emotional about that kind of thing. I think most trophy hunts are fairly humane if you can put it that way and fairly quick. So this was probably quite unusual in the fact that the animal suffered for a long time.

29:30Zimbabwean officials say Walter Palmer paid$55 ,000 for a permit to kill a lion. A seasoned big game hunter, Palmer has travelled the world in pursuit of animal trophies. The media attention was huge. So once the kind of story was out there, I mean, my phone just didn't stop ringing for about a week. And people I'd never heard of before were trying to get a hold of me. So that was pretty disconcerting for me. I'm still a bit bemused as to why it did become worldwide news. It's a story that kind of grew from sort of local roots, was picked up by social media, I think, initially. And then was really amplified by, you know, sort of celebrities kind of getting involved, particularly a guy called Jimmy Kimmel, who has a show in the United States.

30:11And he ran a story on it. And that's sort of when it kind of exploded and really went viral. I'm not against hunting. If you're hunting to eat or to help keep the animal population healthy or it's part of your culture or something, that's one thing. But if you're some a-hole dentist who wants a lion's head over the fireplace in his man cave so his douchebag buddies can gather around it and drink scotch and tell him how awesome he is, that's just vomitous. This is that clip from the Jimmy Kimmel live show on ABC. If you want to make this into a positive, you can... Sorry. OK, I'm good. Make a donation to support them.

30:49At the very least, maybe we can show the world that not all Americans are like this jackhole here, this dentist, the top dentist. Their chants were impassioned. All your money, all your lies, we will never compromise. And full of purpose. Extradite Palmer. Protesters called for Walter Palmer to be extradited to Zimbabwe to face poaching charges and the killing of Cecil the Lion. This is just so he can slap a head on his wall. you know he beheaded the animal and skinned it they turned the parking lot of the dentist's office into a rally to revolt against the killing and to honor a lion beloved by many it's just sad and mean and wrong i think you know the sort of optics of a guy with a nice big white smile and you know a bow you know posing over an animal's body is certainly not something that um you know a lot of people are very comfortable with today the minnesota dentist defended his actions.

31:47I had no idea that the line I took was a known local favourite until the end of the hunt, he said. I relied on the expertise of my local professional guides to ensure a legal hunt. Officials confirm Walter Palmer will not be prosecuted as he had obtained the legal authority to hunt. A Zimbabwe court also rules that poaching charges levelled against the local guide were too vague to enable him to mount a proper defence. Amid calls for a ban on trophy hunting, airlines including South African, Emirates and American say they'll ban passengers from travelling with animal trophies such as elephant tusks and skins from tigers or lions.

32:29You have to understand that at the root of this is that African countries are very poor. They have to pay for conservation of animals in the country, habitat in the country. and one of the ways they do that is through trophy hunting. So they generate revenue and that revenue is used to conserve actually vast areas of habitat. So there's about 1.2 million square kilometers of hunting area across Africa. That's five times the size of the United Kingdom and that harbors vast numbers of lions, elephants, all sorts of other species. So if you lost that habitat, those species would face extinction. So I think it's an important kind of tool in the sort of conservation toolbox from that point of view.

33:13But at the root of it is the need for these very, very poor African countries to pay for conservation. Cecil's story raises awareness of the fact that lion numbers are in decline. There's actually been a lot more support for conservation and conservation of lions since then. And so, for instance, there's a big fund called the Lion Recovery Fund that puts several million dollars into lion conservation every year. And that was started in 2016, probably as a result of the whole Cecil thing. So there's actually a lot more conservation funding available to conserve lions and other species. Professor Andrew Loveridge still studies lions in Zimbabwe.

33:55He's also written the book Lion-Hearted, the Life and Death of Cecil and the Future of Africa's Iconic Cats. He was speaking to Vicky Farncombe. Next, the origin of a phrase which has become a touchstone for debate in this age of climate change consciousness. For this, we're going back to 2008, when the slogan, Drill Baby Drill, much loved by President Donald Trump, was first coined. It wasn't a Trump original, and Marco Silva has been speaking to the American politician who first used it. It's the 3rd of September 2008. In St Paul, Minnesota, the Republican Party's national convention is in full swing.

34:38Michael Steele, the former lieutenant governor of Maryland, takes the stage for a speech. Thank you. He wants to make the point that the US should produce its own energy and rely less on other countries. I started to speak and started to push and sort of excite the audience a little bit more. And then when we got to that line, let me make it very clear. Drill, baby, drill and drill now. It landed like a bomb going off in the room in a good way in terms of just amping up the energy. And people started chanting it. You could tell the look on my face was like, oh, snap. They like this. And then I started chanting with them a little bit.

35:25Yeah, I want to drill, baby, drill. All right, let's do that.

35:32Michael's one-liner had just entered the language of U.S. politics for good. But as he worked on his speech the night before, he never imagined the impact it would have. It's like two o 'clock in the morning. You know, I'm supposed to give this speech at the convention the next day. And I'm still writing it. And folks aren't too happy about that. Michael is stuck. He wants to make the point that the U.S. should not rely on foreign oil and gas and instead produce them at home. And he's looking for a catchy way to sum that up. So I'm getting to this part in the speech, and as I'm sitting there with an adult beverage, trying to figure out what should go there, it just struck me.

36:14I reread it over and over again, and it just naturally flowed out. Drill, baby, drill.

36:23In US politics, it's at national conventions that parties nominate their presidential candidates. Think of them as these big get-togethers where the great and the good of the party give televised speeches in support of their candidates. Folks knew who I was. I was a former elected official, been involved in a lot of the national politics in all 50 states. So then there were people who were pretty excited to know that I was speaking. I can see we're ready to party in this house tonight. So I'm kind of looking out over the crowd and there's a main camera with a teleprompter in three spaces, but the one in the middle is really far back.

37:05So unless you've got really good eyes, you're trying not to squint. Tonight, my friends, we gather not as Republicans, but as Americans. As Michael works his way through his speech, trying not to squint, he gets to the section that kept him awake the previous night. Then let's reduce our dependency on foreign sources of oil and promote oil and gas production at home. I didn't know, to be honest, did not know what the value of that would be until I said it. Drill, baby, drill, and drill now. And the hall erupted, and folks started chanting.

37:51After which you go back and everyone is like high-fiving after the speech, going, oh my God, that was amazing, and started greeting me with Drill Baby Drill. And so the funny part was I called up my assistant, and her first thing was, we got to put that on a t-shirt. And I'm like, okay, go do it. If you go online today, you'll find a broad range of garments bearing Michael's slogan. There's some pretty creative ways of using that phrase. From t-shirts to underwear. Though admittedly, that's not a business venture Michael ever got on board with.

38:30This thing just sort of took life of its own in that moment. And it just became the theme, not just for the rest of that evening, but for the rest of that convention. It was at that convention that Senator John McCain formally accepted the Republican Party's nomination as their presidential candidate for the 2008 election. His running mate, the then-Governor of Alaska, Sarah Palin, who took a liking to Michael's newly minted slogan. The chant is drill, baby, drill. And that's what we hear all across. It wasn't enough to sway voters. The Democrats won in the end. Barack Obama was elected. Governor Palin came by to visit and we had a good laugh about the campaign.

39:20And, you know, she just again congratulated me for giving the campaign that kind of energy. John McCain and I never really talked about it, although he did. The one time I saw him later on, he did smile at me and just say, drill, baby, drill. And that might have been the end of the story had it not been for one Donald J. Trump. We are going to, as I use this expression now, everyone else is using it, so I hate to use it, but drill, baby, drill. You know, he's going to take credit for stuff he didn't do because that's his M.O. After announcing that he's running for a second term as president, Donald Trump starts dropping the slogan in speeches, rallies and interviews.

40:01If elected president again, what is the first thing you would do to help bring down the cost to make things more affordable? Drill, baby, drill. I will end Kamala's war on American energy and we will drill, baby, drill. We're going to drill, baby, drill. What I'm saying is that we're going to immediately drill, baby, drill. We're going to get energy down. But Michael says Donald Trump doesn't quite get what his slogan was about. Donald Trump's use of that term misidentifies the moment. And that's because, according to Michael, the U.S. has changed since his calls back in 2008 for more domestic fossil fuel production.

40:44We have done the drilling. We are drilling and supplying a significant portion of our own oil needs and meeting those needs, we are far less relied on foreign sources of oil than we were 15 years ago. And we are now one of the leading producers of natural gas. We are exporting. You know, in this age now, as we're looking at where we are with our energy needs, the crises that we face with the environment. Maybe instead of drill, baby, drill, we should think, baby, think about what we do next and how we do it. It's not just the US president who's rediscovered drill, baby, drill. Around the world, other leaders have, let's say, adapted the slogan to fit their own policy choices.

41:40From French President Emmanuel Macron. Here there is no need to drill. It's just plug, baby plug. To the UK Prime Minister, Sir Keir Starmer. I say build, baby build. Does Michael think his slogan will live on? I think it'll stand the test of time. I think, again, people will pick it up and use it for their own purposes, and that's fine. Leave a little bit behind, as they say, right? And so, you know, I guess I get to leave a little bit behind for people to go to the playground and have fun with.

42:18I saw something where Daddy had posted a picture of his kid playing in the backyard and he was looking for buried treasure. And he was like, drill, baby, drill. You know, this kid with the shovel full of dirt and dirt all over his face with the promise of finding gold in the backyard. I just enjoy the fact that people have fun with it. That's Michael Steele, the former lieutenant governor of Maryland and the former chairman of the Republican National Committee, who now hosts a news show on MSNBC. He was speaking to Marco Silva. Now, each week on the History Hour, we go back in time. But for our final item this week, we're going back 40 years in the company of someone who made time travel a cultural phenomenon.

43:04Josephine McDermott has been speaking to Bob Gale, the American co-writer and producer of the film Back to the Future.

43:18In the summer of 1980, I was back in St. Louis, which is where I grew up, visiting my parents, and there had recently been a flood, and my father salvaged a bunch of stuff, and he threw it in a box, and he said, son, go through this and see if there's anything that's worth keeping. Among the things that were in there was his high school yearbook from 1940. Now, I went to the same high school that my dad had gone to. I'd never seen his high school yearbook, so I pulled this thing out and I said, oh, this would be cool. What did my high school look like back in 1940? and I'm thumbing through it and I discovered that my father was the president of his graduating class, something I had no idea about.

44:04And I'm looking at this picture of my dad and he's very, you know, proper and serious and all that. And I'm thinking about the president of my graduating class, who was a guy I would have nothing to do with, right? He was one of these school spirit rah-rah guys. No, no, no. So I thought, was my dad like that? If I'd gone to high school with my dad, would I have been friends with? And that was the bolt of lightning striking me, saying, that is a movie.

44:36But it will be another five years before cinema goers will see the famous bolt of lightning in the climax of Back to the Future, which sees Marty McFly, a high school student played by Michael J. Fox, accidentally sent 30 years into the past. Bob Gale had already written three films with Robert Zemeckis, so you might think getting this film made would be a formality. You know, the interesting thing about life, and Back to the Future seems to become more profound as the years go by, more profound than we thought. The interesting stories are not only about how do we make the movie, but how is it the movie almost didn't get made.

45:14We kept hearing that time travel movies don't make any money, which is a true statement in 1981. one. Bob Zemeckis and I had always kicked around doing some kind of a time travel story, but other than a title, which was Professor Brown Visits the Future, we didn't have any idea what it really was going to be about. We're intrigued that we're in this history and the details. So when you and Robert Zemeckis are in the room writing scripts, can you give us an insight into that process. We always like to use index cards to plot the movie. So we had these big cork boards in our office and we would write the different outlines of the scene on an index card.

46:00So we wanted Marty to invent rock and roll. That was a very, very early idea that we had. So there was a card that said Marty performs rock and roll in the 50s. One of the things that we always try to do is figure out the ending. Endings, as any writer will tell you, are really hard. It's like taking a trip. You need to have a destination so that you know that you actually got there. I believe that in the first draft, the DeLorean wasn't the time machine and the pet wasn't Einstein the dog, as we know him. Can you explain what those changes were? Absolutely, and I'm very impressed, Josephine, that you did your homework.

46:47Yes, in the first two drafts, the time machine was built out of an old refrigerator. It was a time chamber, and Doc had it in his lab. Doc didn't have a dog. He had a chimpanzee named Shemp, after Shemp and the Three Stooges. Shemp is messing around in the lab and accidentally knocks over a bottle of Coca-Cola into the equipment. And that is the secret ingredient that makes the power converter work. The second draft we handed in in April 1981, about six weeks later. And then they just said, well, we're not going to make this. It's very nice. It's very sweet. And we think the audience is looking for things that are a little bit raunch here.

47:36In all, the script was rejected 40 times. They had a last-ditch meeting with a boss called Tom Wilhite at Disney. But the storyline where Marty accidentally tampers with history, jeopardizing his future existence when his mother shows an interest in him instead of his father, was a big problem. I remember we walked into his office and Tom looked at us and he was appalled. He just said, are you guys out of your mind? Do you guys really think that Disney would make a movie about incest. You've got the kid and his mother in the car. We're Disney. We don't do that. So that was the end of Disney. We don't write things off.

48:15That's not in our DNA. If it's a good idea, you put it in a drawer and it's a story of Hollywood. How many stories have you heard about somebody that couldn't get the movie made? They put it in the drawer. A couple of years later, they pull it out of the drawer and next thing you know, they're in production. And that is what happened with us because what changed was Bob Zemeckis went off and he directed a very successful movie called Romancing the Stone. And Romancing the Stone was such a big hit that everybody and his uncle wanted to be in business with Bob Zemeckis and make whatever movie Bob wanted to make.

48:48And of course, the movie that Bob wanted to make was Back to the Future. Back to the Future. And so it was made, starting in earnest at the end of 1984 and at breakneck speed, the star Michael J. Fox having to fit shooting in around his commitment to the TV series Family Ties, as he explained on BBC television. It was a strange situation because I worked on Family Ties from 10 in the morning until about 6 at night and then I'd get in the car and go over to Universal and work until about 2, 2.30 in the morning. The people, the energy involved with the other people in the film was just so great, they were just so inspired.

49:24I hope that everyone here likes the movie. It's a lot of fun. Glad you could drop the MCs. Thank you. Michael Jacobs. His appeal became apparent during the filming. Let's go to the school, which was Whittier High School, and the girls were just lined up seven deep to try to catch a glimpse of him. And we knew, OK, this kid's a really big star. Maybe people are actually going to go see this movie. The first members of the public to see the movie went to Century 21 Theatre in San Jose, California in May 1985 for a taster screening. Bob Gale was sitting in the middle of the auditorium to best gauge their reaction.

50:05They weren't told what they were going to be watching. They knew that it was a movie with Michael J. Fox and Christopher Lloyd. There were no trailers yet and it was only about three weeks after we'd finished principal photography. The point where they really understood the movie they were seeing was when Marty goes into the cafe in 1955. Hey, McFly. What do you think you're doing? And he turns around, and then you see his father is in there as a kid, and it's Biff as a kid, and there was this sense in the theater. You could just feel it. Oh, that is so great. Oh, that's so cool. and from that point on the audience was totally with it and even at the end of the movie when the car flies that shot wasn't even finished it was in black and white it didn't matter

51:03they were on their feet they were crazy

51:13they were going insane to such an extent that The theatre manager went over to one of our film editors and said, you've got a hit movie here. Indeed they did. Back to the Future was released across the US in time for the Independence Day holiday on the 3rd of July 1985. It became the highest grossing film that year and won an Oscar. A second and third film followed and a stage musical written by Bob Gale. He was speaking to Josephine McDermott. And if you want to watch an extended version of that interview, you can find one on the BBC World Service's YouTube channel. Just go to podcasts and then witness history.

51:54That's it for this History Hour. We'll be back next week. So until then, this is Max Pearson from all of us here. Thanks for listening. Goodbye.

52:13This was really my worst fear. He found 100 % horse meat that was labelled as beef. Witness the stories that have shaped our world, told by the people he would bear. When he went to the factory, the poodle went in front of him, so the workers only, oh, the boss is here. Many people had many things to lose by our victory. The future was not so bright. Witness history. We had a designer. he brought in a fully storyboarded idea about how the Queen would arrive by jumping out of a helicopter. And we all said, that's brilliant, but it's never going to happen. Witness History at bbcworldservice.com slash witnesshistory or wherever you get your podcasts.

52:59What if I told you that most of history's underwear wasn't remotely close to the underwear you're wearing right now? Hi, I'm Greg Jenner, host of the You're Dead To Me podcast, and we're back with a brand new season. And if you're a fan of fashion trends of the past, you'll love our newest episode on the history of underwear. We explore how our underwear has changed throughout history and whether TV depictions of Regency-era ladies in their lacy underwear are truly accurate. Listen on bbc.com or wherever you get your podcasts.

From the publisher

Max Pearson presents a collection of the week's Witness History episodes including the story behind Mick Jagger and David Bowie's duet for Live Aid in 1985 and the Chinese artist who was jailed for his art inspired by the Sichuan earthquake in 2008.

He speaks to music journalist Alice Austin to explore other concerts in world history that have had a political impact.

Also, the American politician who first coined the phrase "drill, baby, drill" in 2008, the making of Back To The Future in 1985 and the trophy killing of Cecil the Lion in Zimbabwe in 2015.

Contributors: Bernard Doherty - former Live Aid press officer. Alice Austin - music journalist. Ai Weiwei - artist. Prof Andrew Loveridge - zoologist who studied Cecil the lion. Michael Steele - the former Lieutenant Governor of Maryland, who came up with the slogan "Drill, baby, drill!" Bob Gale - the co-writer and producer of the Back to the Future.

(Photo: Mick Jagger and David Bowie performing Dancing In The Street. Credit: Brian Cooke / Redferns)

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