In short
Podcast Summary: The History Hour - Emerante de Pradines and Orson Welles’s The War of the Worlds
Episode Overview This episode of "The History Hour" highlights various significant historical events and figures, featuring personal accounts and expert insights. Key stories include:
- The life of Emerante de Pradines, a Haitian singer and advocate for voodoo culture.
- The invention of a pioneering heart disease treatment by Argentinian doctor Julio Palmaz.
- The turbulent political climate in El Salvador during the 1970s marked by the assassination of Father Rutilio Grande.
- A survivor's recollection of the Srebrenica massacre in Bosnia.
- Michelle Payne’s historic victory as the first female jockey to win the Melbourne Cup.
- The infamous radio broadcast of Orson Welles’s adaptation of "The War of the Worlds" that caused public panic in America.
Key Contributions and Contributors
- Richard Morse: Son of Emerante de Pradines, discusses his mother's life and impact on Haitian culture.
- Kate Hodgson: Lecturer at University College Cork, provides historical context about Haiti's voodoo culture and political turmoil.
- Dr. Julio Palmaz: Inventor of the balloon-expandable stent, shares the story behind his groundbreaking medical invention.
- Gabina Dubon: Colleague of Father Rutilio Grande, recounts the events surrounding his assassination.
- Sister Ana Maria Pineda: Theologian and author, discusses the impact of Father Grande’s life and work.
- Hasan Nuhanovic: Survivor of the Srebrenica massacre, shares his harrowing experience of loss and survival.
- Michelle Payne: Shares her journey as a jockey, culminating in her historic Melbourne Cup win.
- Orson Welles: Archive recordings provide insight into the infamous "War of the Worlds" broadcast.
Detailed Content Summary
Emerante de Pradines
- Emerante de Pradines was a prominent Haitian singer and dancer who aimed to de-demonize voodoo through her music and performances.
- Her son, Richard Morse, details her journey from local performer to international artist, emphasizing her role in legitimizing Haitian culture.
- Emerante faced significant challenges, including political repression against voodoo practices, yet she successfully brought voodoo into academia and popular culture.
The History of Haiti
- Kate Hodgson highlights the significance of voodoo in Haitian heritage and its role during slavery.
- The 1930s-40s witnessed cultural revival amid severe repression, culminating in revolts against the US occupation.
- Emerante was an important figure in the cultural revival, performing voodoo music at a time of significant danger.
Julio Palmaz and Heart Disease Treatment
- Dr. Julio Palmaz recounts the "lightning bolt" moment that inspired the invention of the stent during a conference.
- His journey from concept to clinical trials illustrates innovation in medical technology, leading to the stent's approval in the 1990s.
- The stent has transformed heart disease treatment, now being a commonplace solution globally.
Rutilio Grande and El Salvador
- The assassination of Father Rutilio Grande in 1977 sparked protests and raised awareness of the violent political climate in El Salvador.
- Gabina Dubon and Sister Ana Maria Pineda describe Father Grande's work in liberation theology and the impact of his murder on the community.
- The church's response, led by Archbishop Romero, symbolized a stand against government oppression.
Srebrenica Massacre
- Hasan Nuhanovic provides a personal account of the Srebrenica massacre, detailing the events that led to the deaths of over 7,000 Bosnian Muslims.
- The UN's failure to protect civilians highlights the inadequacies of international intervention during the Bosnian War.
- Hasan's narrative serves as a powerful reminder of the human cost of conflict and the challenges of survival.
Michelle Payne’s Melbourne Cup Win
- In 2015, Michelle Payne made history by becoming the first female jockey to win the Melbourne Cup on an underdog horse.
- She reflects on her journey through a male-dominated sport, the challenges she faced, and the significance of her victory for women in sports.
Orson Welles’s The War of the Worlds
- The episode concludes with the infamous broadcast of "The War of the Worlds" in 1938, which incited panic across America.
- Orson Welles's innovative approach to radio storytelling captivated audiences, blurring the lines between fiction and reality.
- The aftermath of the broadcast led to regulatory changes in media to prevent similar public panic.
Key Takeaways
- Emerante de Pradines played a crucial role in reshaping perceptions of voodoo and Haitian culture.
- Julio Palmaz’s invention revolutionized heart disease treatment, showcasing the intersection of creativity and medical science.
- The political upheaval in El Salvador and the tragic history of the Srebrenica massacre illustrate the profound impact of violence and resistance in human history.
- Michelle Payne's victory represents a monumental breakthrough for women in sports, inspiring future generations.
- Orson Welles's broadcast exemplifies the power of media and its potential to influence public perception dramatically.
This episode of "The History Hour" weaves together personal stories and historical narratives, enriching our understanding of these pivotal moments and figures in history.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
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0:36We focus on the part of the internet that most people don't know about. It's called the dark web. Undercover in the furthest corners of the dark web, US special agents are on a mission to locate and rescue children from abuse. Move in now. Police! From the BBC World Service, World of Secrets, The Darkest Web follows their shocking investigations. Listen on bbc.com or wherever you get your BBC podcasts.
1:27Hear from the people who were there. He heard me praying while he was shooting and he just stopped. He said, I'm not going to. I'm going to leave you here to tell the story. Knowing that you have a spy and that you're following a spy, it doesn't get any cooler than that. Witness History brings you first-hand accounts. Merkel gets up and says, I'm going. And Tusk says, I'm locking the door. Nobody's leaving. You're reaching a compromise or you're not leaving this room. Was it shopping carts that made you rich? Well, they didn't make me poor. Listen now. Search for Witness History wherever you get your BBC podcasts.
2:06Hello and welcome to the History Hour from the BBC World Service with me, Max Pearson, bringing you the Witness History contributors who've added to the BBC World Service archive. This week, the Argentinian doctor who invented a life-saving new treatment for heart disease. It was a lightning bolt. I started thinking about it right there and then, and I was already making on the way back home drawings on a napkin on an airplane. Also a witness to the Srebrenica massacre in 1990s Bosnia, and from 1970s El Salvador, the shocking assassination of a priest. I couldn't believe that they had killed him.
2:47He was such a good man. And we said to each other, if they can kill a priest, what awaits us? All that, plus one of the most famous moments in the entire history of broadcasting coming up. But first, a central character from Caribbean culture. Emerante Dupradin was a singer and dancer from Haiti who found fame in the middle of the last century. She was dedicated to championing and de-demonizing voodoo music and folklore and went on to teach dance at some of America's most prestigious universities. Emma Ford has been hearing from her son.
3:34My mom, Emerant de Pradzin, was a pretty amazing person. She was part of the Haitian folklore movement back in the 40s and 50s.
3:50I guess as a mom, she was a workaholic, you know, she had 15 cups of coffee a day. Emma Rance was born in Haiti in 1918, and from an early age, music was in her blood. This is her son, Richard Morse. Her love of music came from the fact that her dad was a musician. His name was Kanjo, and he used to perform with his guitar or with a keyboard. And he sang a lot of songs, wrote a lot of songs, often political, social. And she made all her sisters perform. So it was like a family thing, and they made their living performing and singing. I can hear all my aunts when I hear her recordings. That's so-and-so or that's so-and-so.
4:41It's really quite special. But it was a particular type of music and rhythm which a young emirant became drawn to. Her thing was Haitian folklore. And they didn't call it voodoo, they called it Haitian folklore. I think she had mystical experiences, which is what brought her into it. And then she started researching it on her own and she went out in the Haitian provinces, I think, for a couple of years to learn more about it.
5:15She would go all around the country finding rhythms and seeing how these ceremonies were done and put them into choreographies.
5:27This was at a time when the practice of voodoo was seen by the authorities as a threat and forbidden. Portrayed in Western movies and books as dark and evil, the religion was widely misunderstood. She did the voodoo stuff at a time when, you know, people were getting killed for performing voodoo and for doing voodoo ceremonies. She had a phenomenal voice, and I think taking the voodoo and putting it with this operatic voice is what helped her make this transition at a time when doing voodoo was quite controversial. The Haitian government was trying to make it illegal. They were burning people's temples, and I suspect that her singing style is what made her able to take this religious context and put it into society.
6:20Emmerant soon began performing for the elites in the Haitian capital. That's one of the gigs in Port-au-Prince is working for the embassies, the US embassy, the French embassy. And so once you're doing shows for them, this is legitimate. That's how you make that crossover into society, because the internationals are accepting it. And so she was able to do that. And her talent also caught the attention of others. She was the first Haitian performer to get an international recording deal. She was recorded by Folkways, and they found out what she was doing, and they were intrigued by it, and they released the record.
7:08You take these historical rhythms and you put them in a modern context, it's an intriguing combination. And so I think that that is what helped her make that transition from a Haitian performer to an international performer. She always said that the fact that she was singing in Creole is why it didn't really go farther. People like to understand what they're hearing, but she got that deal anyway.
7:38Richard wouldn't hear his mother's actual recordings until much later in life, but her music was a constant in his childhood. She was always singing. It was always there. It was always part of my life. But I didn't know what she was singing. I didn't know what she was saying. And it didn't really matter to me. It was just beautiful. and it was my mom and she just did it. She didn't become part of a movement. She just did it. Do you remember the first time you heard your mother's albums and her music? I do. I went to a library in the Lincoln Center. It was the Lincoln Center in New York. And I found two of her records and I listened to them and I recognized some of the songs.
8:23I just started crying. Singing was an emirante's only passion. She also had a love of dance and in the late 1940s earned a scholarship to New York to study with a legendary dancer, choreographer and activist. Catherine Dunham used to live in Haiti and I believe that some of my mom's earliest times in the States were with Catherine Dunham and then she got a grant to go study at Columbia University and that's where she met my dad. They got married in 1954. So then she started spending a lot more time in the US. Emma Rance also studied under another American dance pioneer, Martha Graham, and she went on to teach herself at prestigious universities, including the University of Puerto Rico.
9:15People never associate beauty with voodoo. People associate movies with voodoo and scary and all that. They never associate the amazing rhythms and the amazing culture. She legitimized Haitian creole, Haitian voodoo in the academic world. That's what she did. She brought Haitian voodoo to Yale University and to Harvard University and to Columbia University. So she legitimized this culture. People were able to see that what Hollywood was trying to present as Haitian voodoo isn't what the reality is. Alongside performing and teaching, Emma Rant also set up dance schools and worked with various dance troops.
10:00She eventually returned to live in Haiti with her family for good in the late 1980s. My mom's life was so extraordinary and yet she was always so calm about it. She didn't act like a superstar or anything. She was humble. My dad always said, you know, your mom is so special. So, you know, he was always glorifying her. My mom didn't know anything about soccer or baseball or football. So when I was a kid, I just didn't understand what my dad was saying. You know, she doesn't know all the people that I glorified, the athletes that I glorified. She doesn't know who Pele is. So how can my dad be saying that she's so special?
10:43And it wasn't until I went to Haiti and learned Creole and all that that I understood who she was and who she was to society and who she was to Haitian culture and what she did, the role she played. Throughout her life, Emma Rant continued to be an advocate for Haitian culture, building several schools and working to provide free arts education. She died in 2018, aged 99. My mom took the Haitian people and gave them strength and gave them legitimacy. The Haitian poor, they're the ones that know the history. They're the ones that know the culture. They're the ones that hand it down from generation to generation.
11:29That's where the strength lies. That's where the power lies, is with the Haitian poor. Her role in Haitian culture was to give it international legitimacy and a strong person, an amazing person.
11:50Richard Morse was speaking to Emma Ford. There were many changes in Haiti during Emirate Dupradin's life, with repeated bouts of political instability. Dr Kate Hodgson is from University College Cork in Ireland and is a specialist in the history of Haiti. So we've been loosely talking about voodoo, which is a big part of Emirate Dupradin's life, but how important more generally is voodoo to Haitian history and culture? It's really extremely important. So it's part of the history, the heritage, the culture. It has its roots in Africa. It was brought to the New World during the period of slavery.
12:27And it was a really important spiritual resource for the people of Haiti in surviving the brutality of slavery on the plantation. It's practiced and lived on a daily basis in Haiti. Music and dance are particularly important parts of voodoo practice. and it's very connected to the rural population of Haiti. It finds its roots in nature, in the rural part of the country and there has been, I suppose, a history of persecution of practitioners of voodoo both inside and outside Haiti reflecting prejudice, I suppose, against voodoo more generally which a religion has been stigmatised both in Haiti and outside, as they say.
13:12Music and dance is one thing, but what about politics? Does voodoo feed into the political upheavals that there were in the 1930s and 40s in Haiti? Yeah. So during this period, there were these very acute tensions, social tensions and political tensions. It was a moment of cultural revival based on Haiti's folk traditions. But there was also the US occupation and a period of repression of voodoo. And this all culminated in a student led rebellion, a revolt in 1946. 6. Alongside this, there was also a campaign to see women's rights recognised in Haiti. And there was a staging of a play based on Haiti's revolutionary history.
14:00And Emerante de Pradine actually played the title role in that play, Sanit Belair, who was one of Haiti's revolutionary, famous revolutionary women. And it was the first time that she sung a voodoo song on stage, which was very daring, given the repressive atmosphere, the climate at that time. So women's rights campaigns were really important in Haiti in the 1930s and 40s, but they ended up then being shut down, particularly with the rise of the dictator Francois Duvalier, who came to power in 1957. So when we had the Duvalier regimes of Papa Doc and Baby Doc, was Voodoo still repressed then? And did it play any part in the way in which those dictatorships might have been resisted?
14:43Yes and no. I think that voodoo was kind of divided during that period. Some voodoo practitioners were in favour of the regime and some continued to fight against it. Certainly in terms of women's rights in the country, they were brutally shut down and people that had been playing a role in Haiti and Haiti's political life ended up being silenced and being forced out of the country and high profile people were attacked and abducted. And many forms of resistance in Haiti were repressed during this time, including writing. So famous literary figures like the Haitian author Marie-Vieuse Chauvet, who wrote this incendiary book criticizing the dictatorship and ended up being forced into exile in New York, where she died.
15:31So a whole new generation of Haitians ended up growing up in the United States and in Canada. And Emma Wante Pradine herself moved to the US during this period. So throughout those upheavals of the 1930s and 40s and into the 1950s with the Papadoc and Baby Doc du Valier regimes, voodoo still played a part? Yeah, voodoo's always played a key part in Haitian history, especially for the majority of the people, the people that live in the rural areas. And voodoo even really began Haiti's revolutionary moment began with a voodoo ceremony in August 1791, subsequently been recognized as the date for commemorating slavery globally by the UN.
16:15And this was a ceremony in which enslaved people came together and swore that they would die and fighting rather than be enslaved any longer. That's Dr Kate Hodgson from University College Cork in Ireland. Our next story from the past is very close to my heart, literally. An estimated two million stents are implanted into people's hearts around the world each year, making it one of the key treatments for heart disease. I have four of the little marbles keeping me going. The treatment was first introduced by an Argentinian doctor, Julio Palmez. He's been speaking to Tim O 'Callaghan about his invention.
16:54This is the story of how a piece of metal left by a construction worker in a doctor's house led to its invention. That doctor was Julio Palmez. Inspiration for the stent had struck him at a conference in 1978. It was a lightning bolt. I started thinking about it right there and then, and I was already making on the way back home drawings on a napkin on an airplane. Julio was born in Argentina in 1945. When he became a physician in 1971, he found himself drawn to medical research. I was trying to find an orientation within my career. I discovered the American research machinery. And I thought that it was actually a dream that people actually got paid to do research, which to me was a privilege.
17:50Research was not a possibility in Argentina. So I knew that if I wanted to contribute and wanted to put my foot in the fresh cement or speak in the medical knowledge literature, I had to come to the US. Julio began working in the radiology department of a hospital in California. A year later, everything in his life changed. When I was first year resident in radiology, I already had the attitude of trying to do something and, you know, looking for an opportunity to make my imprint. And I did find I was in my first interventional vascular meeting in New Orleans in 78, I had the opportunity to listen to Andres Grunstig.
18:35Grunstig had done his first balloon angioplasty four months before I heard him personally. His presentation was so enlightening, and he was so honest about the limitations of balloon angioplasty that actually that elicited in my mind the idea of a scaffold, implantable scaffold. Then essentially that was the beginning about the stent idea. Let's get into the science here for a second. In 2023, the BBC's education unit Bankside made a podcast all about treating heart disease with Dr Alex Lafbridge. Coronary heart disease is a disease of, you guessed it, the coronary arteries. Those are the ones that supply the heart cells themselves with oxygen.
19:19They get blocked by fatty materials and so blood flow gets restricted. And that results in less oxygen reaching the heart, which can lead to a heart attack. Thankfully, there are options to help manage coronary heart disease. In the 1960s, the main way of doing this was with something called a heart bypass. A vein was taken from another part of the body and used to move blood around the blocked artery and into the heart. It was a big and invasive operation. The balloon angioplasty that Julio is talking about is when a tiny balloon is carefully guided through the artery to the blockage, then inflated to increase blood flow.
19:58Still with me? Good. Let's get back to Julio in 1978. His idea was to build a scaffold that could be placed on the balloon and then used to keep the artery open for longer. So he began to research ways that this could be achieved. At the beginning, I was trying to make very simple prototypes, trying to weave actual, you know, copper wire used for motor windings on top of essentially a pencil with pins and trying to create a lath. And pretty soon I realized that it had to be interwoven to be able to have some coherence. When I saw actually in my house there was a bit of construction going on and the workers had left a piece of metal lath on the floor.
20:51It's called expanded metal. And then I look at that and I said, maybe that is the answer.
21:04I grabbed a piece and I put it on a lathe and I closed the mesh and the staggered diamonds became staggered slots and that was the idea about to essentially not use a woven mesh of wire but rather using a solid tube with staggered slots. Just in case you didn't know, when Julio is talking about a lath it means a thin piece of material which is used to support a structure. The lathe he mentions is the tool which is used to shape the lath. So Julio had his design but now he needed a way to make it. He went to work at the University of Texas Health Science Centre in San Antonio because they had a specific machine that could make the structure that he needed.
21:51It was here that he collaborated with a US Army cardiologist called Dr Richard Schatz who introduced him to an unlikely investor, restaurateur Philip Romano, who owned a fast food chain. His money allowed Julio to intensify his efforts to develop the stent. But the big break for the team came when one of the pharmaceutical giants came calling. Well, that in itself was a miracle for me because, you know, I was in the right place at the right time. So many people had, you know, tremendous ideas and just never had the opportunity to get the interest or the backing from a big sponsor. I was tremendously lucky at that time that I, you know, was doing my active research.
22:33and the fact that they got interested in the stent and decided to put all these funds in developing. In the late 1980s, Julio started testing his invention in human clinical trials around the world. My life changed all of a sudden. I became a traveller. Once that got started, I started doing what I called my dog and pony show, which was essentially travel all over the world. You know, give lectures and train collaborators, then monitor the trials in each side. And they eventually, you know, publish the results. And actually being very pleasantly surprised with the results, everything went actually excellent in that respect.
23:25And patients were doing very well. And by 1990, the FDA approved the stent for use in the peripheral arteries, and that became the first implantable stent approved for vascular use in the U.S. What was that feeling like for you to see that something that you had put an awful lot of your life into was looking promising and looking like it was going to work in the way that you wanted it to? Well, at that point, fear and concern. You know, I couldn't really enjoy all that early success because I was always fearsome of late problems. And, you know, there are notable examples in medical history of people that started things that, you know, where the problems didn't appear until years later.
24:21Despite Julio's initial caution, his invention has been extremely successful and is now one of the most common treatments for heart attack patients around the world. I thought at the beginning that the stent was going to be of limited use and it was going to be a kind of a niche application. I never thought that was going to become this large as a medical resource and I'm still surprised that so many years later and still in use. I definitely feel very proud. I'm very happy and I have become a little bit of a teacher for young people to at least try to put your ideas forward and pursue the attitude of innovating and find new things where you can actually put your mark.
25:15Julio Palmas was talking to Tim O 'Callaghan. He's very proud and I'm very grateful. The cardiac stents he invented have kept me going for the past 14 years. I want to put all the issues on the table that keep me up at night. The interview brings you conversations with the people shaping our world. From global leaders. I've much more than fulfilled the promises that I've made. To cultural icons. I'm just interested in how it feels to be playing songs that are 50 odd years old. Songs are like children. They're with you forever. The interview from the BBC World Service. Listen now wherever you get your BBC podcasts.
25:56We focus on the part of the internet that most people don't know about. It's called the dark web. Undercover in the furthest corners of the dark web, US special agents are on a mission to locate and rescue children from abuse. Moving in now. From the BBC World Service, World of Secrets, the darkest web follows their shocking investigations. Listen on BBC.com or wherever you get your BBC podcasts.
26:29Still to come, a witness to the Srebrenica massacre in 1990s Bosnia and one of the most famous events in the history of radio, the War of the Worlds. And closed my eyes, put the pencil down, landed on Grover's Mills. I thought, well, there's a good sound, American and real. Before that, we're going to Central America during a turbulent time for the region. The murder in 1977 of Father Rutilio Grande sent shockwaves through El Salvador. He was one of the first priests to be killed by security forces in the years leading up to the bloody Salvadoran civil war. Mike Lanchin has been hearing from Gabina Dubon, who worked with Father Grande in his rural parish, and from the theologian and author Sister Ana Maria Pineda.
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27:28I couldn't believe that they had killed him. He was such a good man. And we said to each other, if they can kill a priest, what awaits us? Gabino Dubon was part of Father Rutillo's parish team in Aguilares, an impoverished town just outside the Salvadorian capital. We thought they could target us in the parish, but not Rutilio. They wouldn't dare. We saw him as a figurehead in the church with some power, and we trusted that God was on our side. In this devoutly Roman Catholic country, the 48-year-old Jesuit was one of the first priests to be murdered for speaking out against the military government.
28:12It led to a highly symbolic act of protest from the hierarchy of the church.
28:24On the first Sunday after the murder, the Archbishop of San Salvador, Oscar Romero, held just one single mass, ordering all other churches in his archdiocese to cancel theirs. In an emotional address to the tens of thousands of worshippers packed inside the cavernous cathedral and to the thousands more listening outside, the Archbishop said that anyone who attacks one of my priests attacks me.
28:57These were times of political and social turbulence across much of Latin America and challenging times for the Catholic Church, especially in increasingly polarised El Salvador. It was a very traditional church, connected in many ways to the aristocrats of the time, very conservative. Sister Ana Maria Pineda has written extensively about Rutilio Grande. He's also a distant relative. But what happens is that you have the Second Vatican Council between 1963 and 1965, and that introduced a new understanding of church. That new understanding included authorising that Mass be celebrated in local languages and that the laity should be able to participate more fully in the Mass.
29:53Born into a peasant family, Rutilio Grande had been ordained in El Salvador in 1959. After a spell studying abroad and then teaching at the Jesuit seminary in San Salvador, he was sent to the small town of Aguilaris, a poor rural parish dominated by large sugarcane plantations. He began a very innovative approach to parish ministry. He started to put together little teams, some of the team members with some of the people from the parish, and they would do an on-ground assessment of what was happening. but it was also not only a process of information but formation, preparing those that would have ministerial leadership positions in the parish.
30:43These were the building blocks of the so-called Christian-based communities, where lay preachers would gather local people together and help them interpret the teachings of the Bible in a new light, one that was more relevant to their lives. Gavina, with two small children at the time, became one of Rutilio Grande's delegates of the word.
31:07He was very inspiring, and he insisted that the reality we lived as peasants wasn't God's making. He said that we campesinos should have a better life. His message was very different to what we'd heard before. We would meet with Father Rutilio once a month and talk about the problems in the communities. He would give us the biblical passages and show us how to come up with questions to prompt discussions. This was liberation theology in practice. In 1970s El Salvador, it quickly drew the wrath of local landowners and the military.
31:49They began calling him a rebellious priest, a communist inciting the peasants. He said at mass that he was getting death threats. I know who's behind it, he said. I am here, come and get me, but do it with this community in front of me. He challenged them. He was like that. It was late afternoon on March 12th, 1977. Father Rutilio was heading for a nearby parish in his jeep, he had two passengers, his sacristan, Manuel Solorzano, and a 16-year-old assistant called Nelson Lemus. They stopped to give three local boys a lift. After passing a small village along the unmade dirt road, they were attacked by gunmen.
32:33Father Rutilio, his sacristan, and young Nelson were killed in a hail of bullets. The three youngsters escaped and raised the alarm.
32:50When I got back to Aguilares, I heard the bells ringing as if someone had died. I went to see my cousin Patricia and asked her, what's happening? She said, don't you know, they've killed Padre Rutilio. I felt shivers run down my spine. My legs trembled and my blood went cold. People were flocking to the town. there was an air of shock and disbelief, Gabina recalls. A stunned Archbishop Romero arrived.
33:22He came the same day and broke down crying when he saw the bodies. He was overwhelmed, I think, and terrified. They were great friends and Rutilio used to go and see Romero and ask for advice and tell him how things were in the parish. Not only did Romero cancel all Masses the following Sunday to hold one single Mass from the Cathedral, but he also refused to attend any official functions with the government. Almost exactly three years after Father Rutilio's murder, in March 1980, Archbishop Romero was himself shot dead at the altar by a right-wing death squad. In 2022, Pope Francis put Father Rutilio Grande, Manuel Solorzano and Nelson Lemus on the road to sainthood as martyrs of the faith.
34:16Gabina Dubon, like many Salvadorian Catholics, still marks each anniversary of the murder of Father Rutilio Grande. I meet people at these commemorations from Canada, Spain, Italy, from lots of countries. I'm still amazed how Rutillo is known around the world and how people are still following his legacy and his teachings.
34:44Gabina Dubon and sister Ana Maria Pineda were speaking to Mike Lanchon, recalling the 1977 murder in El Salvador of Father Rutillo Grande in that CTVC production for the BBC World Service. From civil war in Central America, we turn next to civil war in the Balkans. In 1995, Bosnian Serb troops murdered thousands of Bosnian Muslim men and boys in the worst atrocity in Europe since the Second World War. The men had taken refuge in the UN safe area of Srebrenica, but peacekeepers there were unable to protect them. In 2014, Luis Hidalgo spoke to Hasan Nuhanovic, whose brother, father and mother were among those killed.
35:32It's July 1995. For three years now, the world has watched in horror as the former Yugoslav Republic of Bosnia-Herzegovina tears itself apart along its ethnic fault lines. To try to stem the carnage, the United Nations had announced in 1993 that it was setting up safe havens where Bosnian Muslim refugees could come and be protected from attack by the Bosnian Serbs. One of those safe havens was the eastern town of Srebrenica. You are now under the protection of the UN forces. We were into the fourth year of the war and suffering and starvation and horror. Throughout that period, the local people would ask the UN representatives there, please tell us what is going to happen if the Serbs attacked again.
36:19Hassan Nuhanovic and his family were among the tens of thousands of Bosnian Muslims who'd taken refuge in Srebrenica. Hassan had a job as a translator for the UN. And these UN people would say, well, 24 hours a day there are NATO jets flying over Bosnia, maintaining the no-fly zone, and within 5, 10, 15 minutes upon our call, the NATO aircraft would arrive and destroy any attacking force. But by early July 1995, the Bosnian Serbs were closing in. The Bosnian Serbs have been told that NATO will launch airstrikes if their troops advance any further into the safe area around Srebrenica. But the NATO airstrikes didn't come.
37:02Inside the town, there was panic. The Bosnian Muslims knew what the Bosnian Serbs would do if they captured their men. The Serbs killed thousands of men and boys already in the spring and summer of 1992. So why would they do anything different with the men and the boys in July 1995?
37:22So, as the Serb forces closed in, some men and boys took to the hills. The rest, men, women and children, walked to the Dutch UN peacekeepers' headquarters in the nearby village of Potachari. There, overwhelmed, the Dutch peacekeepers let in 5 ,000 of the refugees, among them Hassan's younger brother, Mohammed, his mother and his father. The other 20 ,000 were told to stay outside. And then, on the afternoon of July 11th, came the sound that everyone had been waiting for. At last, NATO jets were bombing Bosnian Serb positions. When these two bombs exploded, the Serb troops were at the suburbs of the town already, and we were all thinking, yes, OK, finally NATO is going to do something.
38:05But later we learned that these bombs missed their targets. But, you know, that was not the main problem. The problem was that there were no more jets and no more bombs.
38:19Two hours later, the Bosnian Serb commander, General Ratko Mladic, entered a deserted Srebrenica. The town of Srebrenica has been overrun by the Bosnian Serbs. NATO airstrikes failed to stop the advance. The UN says 20 ,000 refugees are fleeing the area. The next morning, General Mladic summoned the Dutch peacekeepers to a meeting. The Dutch commander took three Srebrenica residents with him. One of them was Hassan's father, Ibro, a respected engineer. I was horrified. I thought that my father would not return alive. So when my father came back from this meeting, around noon of July 12th, I learned what happened at the meeting.
39:01What did he say? He was very nervous. He was very nervous. He knew that we were in a very, very serious situation. Later, Mladic and his men arrived at the UN base. General Mladic can be seen on film talking to a young boy among the sea of refugees. They brought buses and trucks, and I realised they were going to start deporting women and young children. And we were inside this UN base, and that was the only safe place in the whole region. The Bosnian Serbs began loading the refugees outside the UN base onto buses. Right outside the gates of the base, Hassan says, men and boys were being separated from the women.
39:43Hassan knew it was only a matter of time before the refugees inside the base were told to leave too. He knew it would be hard to save his parents, but he could at least maybe save his brother. Because I heard that translators like myself, the UN staff, would be allowed to stay on the base. OK, if I cannot save the lives of all three members of my family, then the life of my brother is the priority number one. And my parents agreed with that plan. Hassan pleaded with the Dutch peacekeepers to add his brother's name to the list of UN employees to keep him safe. They refused. The next day at noon, the peacekeepers came into the hall where the refugees were and handed Hassan and the other translators megaphones.
40:29And they told me, OK, translate to the people that they should start leaving the base in groups of five and the women who had their teenage daughters with them they were really scared because we heard that some of these girls were raped outside of the base there was a rumor and they were they were the ones who really panicked and they asked me hassan tell us what's going to happen and i i was telling everyone who asked me in that mass of people, they will probably kill all men and boys. And they will allow the women and the young children to be deported. This is what I was telling the people. Hassan doesn't know if they didn't believe him or if right up until the last moment they thought the UN peacekeepers must have some secret plan.
41:17But slowly the refugees walked in a long line out of the base to where the Bosnian Serb soldiers were waiting for them. Hassan's parents and brother were among the last to leave. There were almost no more refugees left inside the base. When the Dutch realised that I was still keeping them in the office of my colleagues, I worked with these UN military observers. There were three of them. So three of them and three Dutch soldiers with rifles told me, Hassan, tell your family to leave. These were my colleagues with whom I worked every day for the last six months. And you had to tell them? I told him, yes.
41:57But as Hassan's parents and brother walked towards the gate, the deputy Dutch commander, Colonel Franken, came up to them and told Hassan his father could stay. Franken said, you know, your father can stay because he was at the meeting with Mladic, so he has a special status. And my father said to Franken, but what about my younger son and my wife? And Franken said to me, well, tell your father if he doesn't want to stay, he can leave too. What did your father say when he said that? He just smiled at Franken. and shook hands with him and walked out. And I was crying. I said I was going to join the three of them to the gate and, you know, that I would join them.
42:39They turned around. They only had three, four seconds, five seconds. And they decided that somehow they must convince me to stay so that at least I, their elder son, survives. And they said to me, Hassan, don't worry, your brother will be with us, with his parents. You stay. And my brother also turned around. He screamed at me. He said, you are not coming with me. You are going to stay. And that was the last time I saw them. It has taken Hassan Hanovic years to piece together what happened to his family. When the buses finally arrived in Bosnian government-held territory, only women and children emerged.
43:19More than 7 ,000 Bosnian Muslim men and boys were killed by the Serbs in the five days after Srebrenica's fall. Hassan's brother and father were among them. His mother's burned remains were found in 2009 under a rubber sheep in a village near their old home. Luis Hidalgo was talking to Hassan Lohanovic. In 2017, the International Criminal Tribunal for the former Yugoslavia in The Hague sentenced Ratko Mladic, the Bosnian Serb commander, to life in prison. He'd been found guilty of genocide and crimes against humanity, charges which related to events including the Srebrenica massacre. Next, we've got our sporting witness for the week, and this takes us to the Australian racetrack.
44:03Ten years ago, Michelle Payne became the first and so far only female jockey to win the prestigious Melbourne Cup, and her horse, Prince of Penzance, was a 100-to-1 outsider. She's been talking to Uma Doriswamy. My name is Michelle Payne and I am a retired jockey now from Australia and the first female jockey to win the Melbourne Cup. And she started early. So the very first time I rode a horse I was four years old. I remember it so clearly because I fell off him. It was our little pony and he was very naughty and I remember so clearly my dad said you have to get back on or you'll never get back on, you'll be too frightened.
44:42So I hopped back on, I had a bit of a headache, I wasn't feeling very good about it. Whether that stuck with me growing up and going through the years and all of the falls, I'm not sure. I just was so lucky to have a job that I was passionate about and couldn't wait to try to prove myself and make the most of those opportunities that were coming my way. To be honest, being the youngest of 10 children, with her father being a trainer, she and her siblings were pretty much certain to become jockeys. Andrew. Jockey. Bernadette. Jockey. Therese. Jockey. Marie. Jockey. Kathy. Jockey. Patrick. Jockey.
45:17Stephen. Horse handler. Bridget. Jockey. Margaret. Accountant. And by the way, she's a very successful accountant as well. For one reason or another, we all just fell in love with horses and horse racing and the competitiveness of it. Probably just a competitive family at heart. I'd hate to see what family board game night is like at yours. We love a game of Pictionary and plenty of shouting and cheating going on, that's for sure. After her mother died in a car crash when Michelle was just six months old, her dad raised them all and she and her brothers and sisters had to step up. Once mum passed away, we all had to get in and work and stick together and just make sure that the household ran.
46:02Michelle quickly learnt from her siblings. I had some really good, strong older sisters who just got on with the job. It was very hard for them because women were certainly breaking in to the sport when they were riding and I think the no fuss attitude that they had really set me up to come into a world of male dominance and not have a worry. Obviously it was tough because we still had to fight for opportunities. I was very lucky to have the upbringing that I had. And the real competition started when she was 15. My very first ride in a race was a winner for my dad out here at Ballarat where we grew up.
46:38It sort of propelled me into getting a good start. But as a young kid, when you first start, you just need the experience and the opportunities to make the most of that. So it was just a lot of hard work, believing in yourself, brushing off anybody who was negative towards you. And from then, you still had to really prove yourself. Being a jockey is a dangerous job, and Michelle has had to come back from serious injuries. There were bad injuries. The very first one, I fractured my skull and had bleeding and bruising to the brain. I had to have seven months off. Following that I had fractures in my neck and another concussion and then more fractures in my back and dislocated ankles and wrists and stuff.
47:18So it was difficult but at the same time it was easy for me to continue a passion that I was just so eager to do welling. Michelle carried on riding and while she was winning she was also getting the attention of Australian owners and trainers who could get her a ride in the biggest race of them all. The Melbourne Cup in Australia, it's named our race that stops the nation because it's a public holiday. I remember as a young child in primary school, they would wheel the TV out. You would finish school late just to watch the race. Everybody would have a number. It's just huge. It's basically one of our biggest sporting events.
47:55As a jockey, it's the race that you want to compete in and that you want to try to win. In 2015, she competed in it for the first time, becoming only the fourth woman to do so. She was on the 101 Outsider, Prince of Penzance, and it was a family affair as always, as her brother Stevie was by her side. Stevie was nominated by the owner, so usually the owner of the horse will pick the barrier. The owner was just so excited to have Stevie a part of it. Stevie drew the barrier and he was the horse handler or strapper of Prince of Penzance on Melbourne Cup days. The best strapper in the business, Stevie Payne, is going to come forward and pick the barrier.
48:32Now, Steve told me he's after barrier one or two, and he's picked barrier one. Sure enough, he got barrier number one, which was what we were really hoping for, so it was really the start of the fairy tale. Having secured the inside track meant Michelle potentially had an easier route. Things went well on the starting line as well. In the barriers to the Melbourne Cup, normally I would be super focused, not speaking to any jockeys around you, just in the zone, ready to ride the race of your life. but I felt really calm, very ready for the occasion. And just so happened Frankie Dottori had drawn Barrier 2 beside me and he was just mucking around and joking around with me and he said, what are you doing tonight?
49:14You know, what are you doing after the race? And I said, well, I'm going to be celebrating so you can join me if you like. Finally, Michelle only had the 3 ,200 metres between her and the finish line. She thought she had the advantage of Barrier 1 but Prince of Penzance had other ideas. He began really slowly, missed the start. He just basically, the first step was a walkout and I was like, oh God, here we are in the Melbourne Cup, we've just missed the start. After that dodgy start, things began to settle down for Michelle. It's a very fine line, getting your horse into a position that you want without stirring them up and firing them up because they're very intuitive.
49:53So thankfully, we were able to get into the position that we wanted, which was following Frankie Dettori on Max Dynamite. From there, it's basically just you're pacing yourself. You're trying to get the horse into a rhythm, get them breathing. He was quite strong. He was wanting to get on with the job, and my job was just trying to keep him relaxed and not exerting himself. It turned out we were coming into the race beautifully around the 600, 700 metre mark, and I thought, oh, God, this is my chance. We could be about to win the Melbourne Cup, and it's at that point where you really have to stay focused and in the moment because I've seen so many races in the Melbourne Cup where jockeys have got excited and taken off too early or waited too long.
50:33It's really, you know, a fine line. It's a game of inches or millimetres, really. So as it turned out, we just got the most beautiful, smooth run into the race. And Prince of Penzance really had a really strong finish for me. And I just never forget that final 200 metres where it was like floating on air, realising that I was about to win our greatest race and a dream that I had had from a five-year-old. and in her post-race interview with ABC Michelle finally felt she could speak freely and say how hard it had sometimes been for her and other female jockeys It's such a chauvinistic sport I know some of the owners were keen to kick me off for instance, John Richards and Darren stuck really solid with me I put in all the effort I could, I galloped him every gallop he had and did everything I could to stay on him because I thought he had what it takes to run a race in the Melbourne Cup and I just can't say how grateful I am to them and I just want to say to everyone else who gets stuff because they think women aren't strong enough but we just beat the world.
51:34I think it was the perfect time to stand up and say something for all of the people who had basically put female riders down, said that we shouldn't be out there in the bigger races, we weren't good enough or whatever. There was just so many instances and times where you just had to brush that off and ignore people's opinions. It's about proving yourself and getting the opportunities. And at 100 to 1, Prince of Penzance won a lot of money for those who'd bet on such an outsider. It's incredible, like mind-blowing that the race that changed my life could change other people's lives as well. And a paramedic, she came up to me at a lunch one day and said, you know, I won£125 ,000, you changed my life, I paid off my loan.
52:16So many stories like that. I think the betting agencies in Ballarat didn't have enough money to pay out all of the people that had bet on him.
52:27The indomitable Michelle Payne was speaking to Uma Doriswamy. Finally this week, one of the great broadcasting stories of all time. In 1938, a young man and his theatre group performed a radio adaptation in the US of H.G. Wells' The War of the Worlds. The man was Orson Welles, and the play would become one of the most notorious events in the history of radio. Josephine McDermott tells the story with the aid of the BBC Archives. It's 8pm on 30 October 1938, the night before Halloween. Actors are standing gathered around microphones in a radio studio in New York City in the United States, scripts in hand.
53:10A 23-year-old Orson Welles, in a shirt and tie, begins telling a story. We know now that in the early years of the 20th century, this world was being watched closely by intelligences greater than man's, and yet as mortal as his own. They've performed a radio play every week since July, but this one is going to become perhaps the most famous of all time. Previous episodes from the low-budget Mercury Theatre on the Air for CBS, Columbia Broadcasting System, have included Treasure Island and The Count of Monte Cristo. The late 1930s are ripe with possibility for radio, as John Houseman, Orson Welles' theatrical partner and the producer, later described to the BBC.
54:01Suddenly you were able to hear drama and at the same time you had the knowledge that millions of other people were listening to this at exactly the same moment. That was absolutely unique. Nothing like it had ever happened to mankind. It was not only the explosion of radio that defined the era, but the rise of Adolf Hitler's Nazis and the threat of war. The fascists had invaded Czechoslovakia the month before this broadcast. A few days before Orson Welles took to the microphone, a young writer named Howard Koch was working on adapting H.G. Wells' book, War of the Worlds, for the radio. There was nothing left of the Welles short story, but the description of the creatures, their weapons, and, of course, the general idea that there was an invasion.
54:58It meant practically an original script and I had one week to do it. I tried to switch them to another story, but no, Orson wanted this one. But the first draft fell flat with producer John Houseman. It turned out to be a very boring show. Then the idea came to us that if we brought it up to date, it would suddenly become a very exciting show. In the science fiction story first published in 1897, metal cylinders from Mars fall to Earth in Surrey in the UK. The military is called to defend against these towering tripod fighting machines which have lethal rays. In updating the story, what was the harm in making the aliens land in New Jersey in the United States?
55:43I got a little fun out of planning a campaign like a drunken general between the Martians and us. I didn't have much time. And I spread the map out and closed my eyes, put the pencil down, landed on Grover's Mills. I thought, well, there's a good sound, American and real. and so I chose Grover's Mill as where the first Martian machine was to land. Four minutes after the start of the play, listeners tune in from another radio station where a programme has ended. They've missed the introduction and hear music being played by an orchestra but it's repeatedly interrupted with newsflashes about a supposedly developing situation.
56:32Professor Indelkoffer speaking at a dinner of the California Astronomical Society expressed the opinion that the explosions on Mars are undoubtedly nothing more than severe volcanic disturbances on the surface of the planet. We continue now with our piano interlude.
56:52Up to six million people tune in, and most don't realise what they're listening to is fictional. This is Orson Welles, interviewed on the BBC in 1970. What was the part of the War of the Worlds that really terrified people? I don't know many things, probably. We had an actor who did Roosevelt's voice terribly well. Citizens of the nation, I shall not try to conceal the gravity of the situation that confronts the country. We brought him on to assure everybody that there was no cause for alarm. I think that's when they really ran out in the streets.
57:32Then we had a thing, you know, where we had this... It didn't make any sense if anybody had analyzed it. We had a kind of ham radio, you know, amateur radio voice that would come in. This is, you know, identifying himself and trying to talk to other people about all this awful thing that was happening. We established him, and then we went to a CBS announcer on top of CBS who was describing the arrival of the Martians.
58:08and this dead silence the real trick we did was to hold dead silence on a full network with no sound at all yes and then you'd hear the microphone drop and then more silence and then this one little voice of the amateur radio saying this is such and such is there anybody on the air? Is there any more silence, you see? And that's, I guess, when they put the towels on their heads and ran out. I don't know why they put towels on their heads, but they did. Did they really do? I don't know what that was going to do. It was a sort of anti-Martian thing, particularly in the...
58:53And then there were all these traffic cops. It was Sunday night, you see. And all these guys out in Jersey on their motorbikes waiting, motorcycles waiting to, you know. And the people in the cars driving had the radio, but the cops didn't. And suddenly everybody started driving at 125 miles an hour. Pull over, now I'm going to the hills, you know. But it was no laughing matter for the terrified residents of Grovers Mill, New Jersey, that place randomly picked on a map by Howard Koch, as they described in a 1988 BBC radio programme. And they proceeded with this story about the marshes landing, and it was getting gruesome by the second.
59:38And we decided, maybe we'd better leave. So we got in the car, and I remember taking the kerosene light, because we had no electricity, and turning the real dim, and the most vivid recollection in my mind was I looked at this place and I said to myself, I wonder if I'll ever get back here again. I wonder if maybe some archaeological society will come and look at this and say, well, these people left because of the Martians. I don't know if it was eight cars or 13 cars, but I jumped into one, and we were all loaded to shoot something. And now we get up there by the lake at Grover's Mills, and there's nothing but a lot of people, no 100-foot Martians, this and that.
1:00:15We wondered at that point, where did they go? I don't know how long we stayed when I know we came back. And everybody was mad. And I mean angry. In 1974, on Day at Night on PBS, producer John Houseman told James Day what happened next. We were locked in a back room at CBS and there were a few accidents and there were panics. Certainly people rushed into the streets and rushed into churches and all kinds of things. But in fact, when all the hoopla had died down, there were actually, as far as we know, and certainly it would have been reflected in lawsuits, there were no fatalities. One lady broke her arm running out of her apartment.
1:00:56One broken arm. In many ways, that was a lucky escape for the producers of a drama which spooked half a nation. After the War of the Worlds was broadcast, US federal lawmakers ruled that radio stations should never again broadcast hoax information about a catastrophe or a crime. Josephine McDermott was our guide through one of the most amazing pieces of radio history. That's it for this week. We can't guarantee that we'll make you run for the hills in fear next time. But we will bring you more first-hand accounts of events from the past in the next History Hour. So until then, this is Max Pearson.
1:01:29From all of us here, thanks for listening. Goodbye. From the pioneers. We weren't going to ask mission. We were just going to do it. And the celebrations. You feel you have, you win. I feel it. I was first. I was furious. We were so proud of ourselves, and Cameron was proud of us too. I still cannot believe it. It was such an amazing feeling. It was incredible. To the humiliations. I did cry most of the half. Oh man, I'm failing. I'm failing this sport, and I love. Sporting Witness takes you to the events that have shaped the sports world through the eyes of the people who were there. It's not just about the sport.
1:02:10It's about all the other things that people with disabilities learn from each other. For nine minutes, you become a fan in the stands as we take you back in time to examine memorable moments from all over the world. There's a magic during those moments that carries your soul. We were truly blessed to be a part of history. Sporting Witness. Subscribe wherever you get your BBC podcasts.
1:02:34I want to put all the issues on the table that keep me up at night. The interview brings you conversations with the people shaping our world. From global leaders. I've much more than fulfilled the promises that I've made. To cultural icons. I'm just interested in how it feels to be playing songs that are 50 odd years old. Songs are like children. They're with you forever. The interview from the BBC World Service. Listen now wherever you get your BBC podcasts.
1:03:04We focus on the part of the internet that most people don't know about. It's called the dark web. Undercover in the furthest corners of the dark web, US special agents are on a mission to locate and rescue children from abuse. Move in now. From the BBC World Service, World of Secrets, the darkest web follows their shocking investigations. Listen on BBC.com or wherever you get your BBC podcasts.
From the publisher
Emerante de Pradines's son, Richard Morse, tells us about his mother’s life and her commitment to de-demonising vodou culture through her music. Haiti expert Kate Hodgson, from University College Cork in Ireland, expands on the history of the country in the 20th Century.
The story of how an Argentinian doctor was inspired to create a new treatment for heart disease and when the death of a Catholic priest sent shockwaves through El Salvador in 1977.
Plus, the memories of a survivor of the Srebrenica massacre in 1995, when thousands of Bosnian Muslims were killed by Bosnian Serb Soldiers thirty years ago.
The first female jockey to win the Melbourne Cup and Orson Welles’s famous re-telling of the War of the Worlds, which sparked mass panic in America.
Contributors:
Richard Morse – son of Haitian singer Emerante de Pradines
Kate Hodgson – lecturer in French at University College Cork in Ireland
Dr Julio Palmaz – the inventor of the balloon-expandable stent
Gabina Dubon – colleague of Father Rutilio Grande
Sister Ana Maria Pineda – theologian and author
Hasan Nuhanovic – survivor of the Srebrenica massacre
Michelle Payne – 2015 Melbourne Cup winner
Archive recordings of Orson Welles, his producer John Houseman and writer Howard Koch
Presenter: Max Pearson
(Photo: Orson Welles rehearsing a radio broadcast of H.G. Wells' classic, The War of the Worlds on 10 October, 1938. Credit: Photo12/Universal Images Group/Getty Images)
