In short
The episode is a wide-ranging BBC History Hour episode on how popular culture and politics shape public life. It opens with cultural history: Bernie Bubniss, a teenager in 1964, and friends Len Wein and Ron Fragkin organized the first official New York Comic-Con in Greenwich Village, initially planning “Tri-State Convention” for $1.50 badges.
Key claims
the convention’s scale grew because they secured dealers, promised original art giveaways, and (crucially) Steve Ditko appeared after he initially canceled.
Notable examples
George R.R. Martin was the first attendee; the event later became a global, costume-driven, multi-million-dollar industry. The episode then shifts to music history: Oasis’s “Wonderwall” (1995).
Guest
Nick Brine, the recording engineer at Rockfield Studios, says the band recorded guide tracks on an outdoor wall, and the song’s “imaginary friend” meaning was later distorted by media rumors. It also covers Auschwitz cellist Anita Lasker-Wolfisch, Franco-era garrotte execution victim Salvador Puig Antic, and Sweden’s 1970s law guaranteeing long paid summer holidays.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOThe First Comic Con: Origins
1:39 to 2:48
Exploring the inception of the first Comic Con in 1964.
“Hello and welcome to the History Hour with me, Max Pearson, the past brought to life by those who were there.”
Bernie's Journey: From Fan to Organizer
2:48 to 4:28
Bernie Bubniss shares his story of organizing Comic Con as a teenager.
“But as a teenager, he helped kickstart what became a cultural phenomenon around the world and a billion dollar industry.”
Challenges in Organizing Comic Con
4:28 to 6:44
Details the hurdles faced by Bernie and his team in organizing the event.
“that fans would do to talk to other fans.”
The First Comic Con Event
6:44 to 10:20
The excitement and success of the first Comic Con convention.
“And besides, Bernie's been using his own money to fund the plans.”
Evolution of Comic Conventions
10:20 to 11:34
Discussion on how comic conventions have evolved since 1964.
“Today, millions of fans attend conventions around the world, mostly in costume.”
Global Comic Culture
11:34 to 14:00
Exploring the popularity of comics and conventions globally.
“Barbara Pustamer is a lecturer in the English programme at the University of Grunegang in the Netherlands, and is an expert on comic history.”
The Allure of Comics Across Generations
14:00 to 16:00
Exploring why comics attract readers of all ages and their cultural impact.
“And it's interesting because it seems that the iconography of comic books has leached into the real world.”
Oasis and the Birth of Wonderwall
16:00 to 19:47
A look into the recording process of Oasis's iconic song Wonderwall.
“Barbara Postumer from the University of Groningen in the Netherlands.”
Behind the Scenes: Recording Challenges
19:47 to 22:48
An inside view of the struggles and dynamics during the recording of the album.
“So up he went, so I had to get him a stepladder and I put him up on the wall.”
The Legacy of Wonderwall
22:48 to 24:18
Understanding the cultural significance and enduring popularity of Wonderwall.
“But a week later, the brothers had made up and they were back at Rockfield to finish the album, which goes straight to number one on its release in October 1995.”
Show all 18 chapters
Upcoming Historical Segments
25:54 to 28:00
Introduction to future historical topics including Swedish holidays and WWII.
“and an execution in Franco's Spain that left its mark on history.”
Anita's Survival Through Music in Auschwitz
28:00 to 34:10
Discover how music offered a means of survival for Anita during her time in Auschwitz.
“And I didn't really know whether this was a prisoner or not.”
The Tragic Fate of Alma and the Orchestra
34:10 to 41:40
Learn about the impact of Alma's death on the women's orchestra and the fate of its members.
“That music is not in any way tainted for you by the circumstances in which you play.”
Salvador Puich Antic: A Symbol of Resistance
41:40 to 42:00
Explore the story of Salvador Puich Antic and his significance as a symbol of resistance against Franco's regime.
“In 1974, we couldn't say goodbye, or kiss, or hug.”
Political Overtones of Executions
42:00 to 43:47
Explore the significant historical context surrounding the political executions in Spain.
“The execution of Pooch was the first with political overtones, and the first by Geratin, since two anarchists were put to death in 1963.”
Heart of Midlothian's 1986 Season
43:47 to 52:03
Delve into the remarkable yet heartbreaking 1986 season of the Hearts football club.
“Reena Stanton-Sharmer tells the Hearts story through BBC Archive interviews with midfielder Gary Mackay and striker John Robbo-Robertson as they remember the joy, pressure and heartbreak of a remarkable season.”
Summer Holidays for Swedish Workers
52:15 to 56:00
Learn about the impact of Sweden's changes in holiday laws during the 1970s.
“gave the nation a longer mandated break from the office or the factory.”
Impact of Expanded Holiday Rights in Sweden
56:00 to 1:00:42
Learn how Sweden's five-week vacation policy transformed family life and business.
“This is Tage Lander speaking on Swedish public service television in the 1960s.”
Transcript
Automatic transcript. May contain errors.0:00This BBC podcast is supported by ads outside the UK. Pop quiz. What's in your kid's lunchbox? At Whole Foods Market, they've already done the studying. Over 300 food ingredients are banned from their shelves. No hydronated fats in the peanut butter and no high fructose corn syrup in the cookies. And for sandwiches, there are no synthetic nitrates or nitrites in any of their deli meat. So you can pack lunchboxes with peace of mind. Get back to school ready at Whole Foods Market.
0:59That's where your story starts.
1:04Sporting Witness takes you to the events that have shaped the sports world through the eyes of the people who were there. We weren't going to ask permission. We were just going to do it. It was such an amazing feeling. It was incredible. He started to write a story about how he came up with the idea for the red and yellow cars. I got to go. We cried a bit. We laughed a bit. It was wonderful. There's a magic during those moments that carries your soul. we were truly blessed to be a part of history. Sporting Witness. Subscribe wherever you get your BBC podcasts.
1:39Hello and welcome to the History Hour with me, Max Pearson, the past brought to life by those who were there. Today, the poignant memories of the cellist of Auschwitz. What did you do before the war? I said, well, I used to play the cello. It wasn't the right place to even mention the cello. So she said, fantastic, you'll be saved. Also, the garotte, how Franco's Spanish regime was still using a brutal method of execution well into the 1970s, and how Sweden passed a law entitling all citizens to take the whole summer off. It was almost like we had won the lottery. We felt free, and it was wonderful.
2:21That's all coming up later. But we're going to begin with some cultural history, not necessarily what you might call high art. This is very much at the popular culture end of the scale. In 1964, a group of teenage boys organized a convention in New York. It became known as the first official Comic Con. It turned out to be the genesis of something which has spread around the world. Jane Milkinson has been hearing from the person who made it happen. This is the only time I've ever spoken to anybody about this in this way. Oh, thank you, Bernie. You said to me, why did you do it? And that really caught my attention.
2:59Meet Bernie Bubniss. He's in his late 70s now. But as a teenager, he helped kickstart what became a cultural phenomenon around the world and a billion dollar industry. Here's CBS News. First day of New York Comic Con. A celebration of comics, TV, movies, gaming and more. In 1964, in New York, Bernie and a group of his mates organised the first official Comic-Con. And they were just 16. We were kids. And what seemed like a great idea the moment we said, let's do it, when you then put yourself out there, boy, oh boy, that's scary. And for many years, it was almost forgotten that we even did it. First, let's go back a little further.
3:46It's Long Island, New York, and Bernie is having a tough time. I hid in my room at an early age to be away from my father, who was scary. Well, he'd drink, and for a while, I would hide. And I enjoyed comic books. I guess I just wanted to get as far away from the reality that I had when I opened that door. I wanted to become a professional artist. I wanted to draw comic books, but that wasn't going to be. My father passed away, left us a lot of bills, and my mother gave me the mortgage to pay, just keeping a roof over our heads. Bernie gets a job selling coats, but he hasn't forgotten his love of comics, a world where good battles evil.
4:27I published my own fanzine being a small, self-produced little booklet that fans would do to talk to other fans. So in the first issue of that, I wrote an article about what the first comic convention would be like. And in 1964, there's a real-life backdrop to Bernie's dream. All's fair but the skies in Flushing Meadow for the opening of the New York World's Fair. The steel unisphere, 12 stories high and light as lace, is the focal point of the great international exposition. People would be coming to New York because of the World's Fair, and I thought that would be the perfect time for this thing to happen.
5:05But making the idea a reality proves difficult, at least for the adults. It turned out nobody could really pull it together. So I just said, hey, we should do this ourselves. This is ridiculous. And that's it. At that moment, we became a team of three. Our comic book heroes, Bernie and his fanzine friends, Len Wein and Ron Fragkin. We weren't 18. We couldn't sign a contract, but I always looked a little older than I should. And plus we had cash. We were looking for places for it to be. And they say, you can have a room at a YMCA in Newark, New Jersey. So we gave him 25 bucks. And from that moment, I started putting ads into fanzines that this Comic-Con was going to happen.
5:52So they've got a venue. Now they have to fill it. My only thought was that we had to have dealers, people who were in the business of selling older comic books. And we wanted to give away original art, artwork before it becomes a comic book. We also had told everybody that a certain person was going to be there, a fellow called Steve Ditko. Steve is a legendary American comic book artist, best known as co-creator of Spider-Man and Doctor Strange. He's also notoriously reclusive. So I'm in his office. I go in and he says, boy, I got a deadline. I'm not going to be able to make it. Jane, I'm telling you, to this day, I can remember just falling apart.
6:33I'm dead. You can't do this to me. You can't do this to me. I left his office. I must have been in tears at that point. But the boys can't back out now. And besides, Bernie's been using his own money to fund the plans. I would work till 7, 8 o 'clock at night, come home and I'd work for another four hours, five hours. The mail was like three or four cents per letter. And I was mailing out 150, 200 of these things. I actually drew maps, hand-drawn maps of Newark, how to get there. What insanity did I think this was going to work. Because so far, they don't know who's coming, they've not fixed a date, and their star guest has just pulled out.
7:17But at least they've got their venue sorted. So then I got a call from a guy called Ethan Roberts, one year younger than we were. His father was in a union and they had a building called Workman's Circle in New York City, in Greenwich Village. And he said that we could use that for the convention. So here we are, maybe a month or so from when we said we were going to do this thing. And I said, OK, but the craziest part is that we had already telling everybody we're going to be in New Jersey and we didn't even give them the exact date. So the venue moves to New York and our heroes get more help.
7:56As well as Ethan, there's Art Trip. At 19, a little older than the others, they nail down their plans. The date will be in late July. Admission$1.50. And ticket holders will get a badge, or as Americans call them, buttons. We were calling ourselves Tri-State Convention. They had to fit it on this two and a half inch button. And the original Tri-State Convention was too big. So when Tripp told us that we can't do this, oh great, I'm glad, I don't want to do it anyway. But Ron said, no, no, we'll do it. Comic-Con 1964 and that'll be it. And you know what? 60 years later, it's so iconic. And I almost trampled on that.
8:39The day finally arrives. The boys are in a large hall on the third floor of Ethan Stadd's union building in Greenwich Village. How are you feeling in the morning? Because are you absolutely terrified? There's no question. We really didn't know how many people were going to come. The doors open and people begin to arrive. including one excited 15-year-old. I am the first person ever to attend New York Comic Con. I was writing for comic fanzines and, of course, I was a comic fan. So I sent in my$1.50 and then when they printed, it had my name published. It was number one, George Martin. That was pretty cool.
9:16You might not recognise the name in that 2025 interview with events organiser ReadPop, But decades later, George R.R. Martin would write a fantasy epic called Game of Thrones. Yeah, he's that George. Meanwhile... We have the introduction that we're here, everybody's sitting down, 50, 60 people, whatever it is. It just seemed like a million people to me at that time. And everybody's asking questions. And the door of this old building, it slams open. And who walks in but Steve Ditko? You never saw it. 60 heads turn around this quick in your life. Everybody knew what he looked like. Nobody sees him, never shows up anywhere.
10:01It was an amazing moment. We wouldn't be talking today if he didn't show up because it couldn't possibly have been the first convention unless somebody of that stature showed up. Five hours later, the first Comic-Con is over. It's a success. And since then, the idea has grown. Today, millions of fans attend conventions around the world, mostly in costume. Where else but Comic-Con can you stand at the feet of a 20-foot tall transformer named Optimus Prime? Or see a grown man dressed as Kung Fu Panda? This event is geek-powered and proud. Have you ever dressed up? Oh, no, no. It never dawned on that we should be dressing up.
10:45But you can see what's happened to Comic-Cons way beyond what was a little dopey idea. It's amazing what's happened. When you reflect back, a 16-year-old boy, are you amazed that you had the courage to do what you did? Yeah, I guess somewhere inside of me. I think my father's passing relieved me of tension that I had. If you're brought up in a low-end part of life, You learn a lot about standing up straight, and that's why. I guess I had to finish what I started.
11:21Well, that's like a little life lesson from the pages of a comic book in itself. Bernie Budness was speaking to Jane Wilkinson. And as we heard, there are now comic conventions around the world, with thousands attending them. Dr. Barbara Pustamer is a lecturer in the English programme at the University of Grunegang in the Netherlands, and is an expert on comic history. So how have conventions, comic book conventions, developed since Bernie gathered those fans in New York back in 1964? He was talking about being a fan and getting this organised out of his personal passion, his friends, and through using his fanzine.
11:58And since then, for many cons, it's become a huge commercial enterprise. So there's specific businesses that focus on organising these cons and travelling with them around the countries. But the fact that they are so popular around the world does speak to the way in which comic books connect with people. Yeah, absolutely. People are very passionate. So fans will pay lots of money to go and see the artists that they love, get books signed. But of course, also these commercial conventions aren't just comics anymore. They're also popular culture in general. also games, movies, in some cases, films that are based on comic books, but not necessarily.
12:40I guess you could say the comics world has expanded, but it's also conventions have expanded so much because popular culture has all these other sides that are being celebrated there too. We often think of the popular comic superhero genre as starting in America in the 1930s or thereabouts. But where else in the world have they become as popular? Well, in France, for example, comics are extremely popular. I think most people will be familiar with Tintin, with Asterix. And there's many more comic book heroes, not so much superheroes, but certainly adventurers who are very well known in France and celebrated there, and Belgium as well.
13:22and in Japan of course there's also a huge comics world with manga which is published there and celebrated there with Comiket as one of the main and I think maybe the largest comics convention in the world. And you're hinting at this but in different parts of the world the average comic book reader and fan who would attend these sorts of conventions does vary as to which country they're in? Yeah, I think people often associate comics with children, but in reality, I think many of the most passionate fans are not children at all. Comics conventions in the United States really tend towards an older male audience.
14:03In France, if you go to the Angoulême Festival, you see a complete cross-section of society from children to their grandparents, and everyone is excited about the comics and I'm less knowledgeable about Japan but I think there again it is much more of a grown-up pastime. What do you think it is about comics that attracts people to them not just when they're children but when they're when they are older the I'm thinking of maybe the the good versus evil aspect but also there are complex layers that can be put into that storyline. They combine visual art as well as written art in most cases so you have text and image together it doesn't move like it does with film so it's not immersive in the same way that film or tv would be but on the other hand i think it's very absorbing because as a reader you get to make perhaps more active decisions when you're reading in how you scan a page which images you choose to look at more and so maybe because there's a sense that you're you're almost participating in putting to gather the story in your mind, people do get very involved with it.
15:12They feel invested. And it's interesting because it seems that the iconography of comic books has leached into the real world. If you think of, for example, the murals on the walls of Tehran these days, or indeed the way in which people like Donald Trump and Pete Hegseth present themselves to the world. Yeah, there's these poses that are, you know, straight out of superhero books. I mean, I think that's sort of the downside of of comics is because they are so iconic, they capture an image feeling in a very brief image, and that's something that can then be emulated. But on the other hand, you also see a lot, you know, the word balloon, for example, is something that's now used in many different ways in many different places as well.
15:55So yeah, that the iconography of comics is certainly traveling beyond just comics. That's Dr. Barbara Postumer from the University of Groningen in the Netherlands. Staying with popular culture, next we're heading back to 1995 and the height of the Britpop era. The song Wonderwall was a departure for the usual music of the British band Oasis, but it became one of the biggest hits from their album What's the Story Morning Glory. Tim O 'Callaghan has been hearing from the sound engineer who worked on the recording of Wonderwall.
16:32I mean obviously I work with hundreds of bands each year and they all want to know about it you know they all want to talk about they want to talk about Oasis they all want to know about Liam so yeah I talk about it a lot. Nick Brine was the sound engineer who worked on Oasis's album at the legendary Rockfield Studios in Wales when he was just 18 years old. To be that age and on an album of that magnitude of a band who were doing amazing things just incredible just hearing songs like wonder war like champagne supernova coming back stupidly loud through the speakers you were just like this is something else this is you know gonna change everyone's lives and music really oasis had formed in manchester in northern england in the early 1990s with brothers Noel and Liam Gallagher at the centre.
17:19For the most part, Noel wrote the songs and played lead guitar and Liam was the band's lead singer and frontman. They had rocketed to success in 1994 when their album, Definitely Maybe, became the fastest selling debut album in UK history, going straight to number one. But things were not harmonious between the brothers. During a performance in Los Angeles in 1994, but Liam threw a tambourine at Noel on stage, causing him to storm off and temporarily quit the band. But in the summer of 1995, they were back together and ready to make their second album. Noel would play a few at the start. That was the first time I'd heard anything from that album.
18:00He'd pick up an acoustic and say, we're going to do this one and we'll start with this one. Started with Roll With It, so he'd play that on acoustic. There were no demos, etc. It was all just Noel sat in the control room with an acoustic. Owen Morris was the album's producer. He spoke to the BBC about making the record in 2007. They were so lovely on that session. It was just so funny. And everyone wanted to be there. It was a beautiful time of the year. It was May. The sun was shining. We were in Rockfield Studios. It was fantastic and really easy. I mean, we recorded and finished in that week.
18:36Hello, Roll With It, Wonderwall, Don't Look Back in Anger and Champagne Soup and Over. And if you aren't an Oasis fan, those are some of the band's biggest hits. It was a very, very creative week. It was great. We were getting on well then, and everyone was on the same page, and everybody wanted to be there. Yeah, there was like a routine. We would get up in the morning and set up for the track. I'd get all the sounds going and then get ready to go, and then Noel would put the guides down, and then we just built the track up, so by the evening, it was ready for Liam to do the vocals on, and he would come in, not that many takes, and by the end of the day this track would exist, this piece of art that very quickly came together and that was the routine, the next day onto the next song, the next day onto the next song and it was just one after another.
19:20They were just on a roll at that point. Oasis' songs were typically what you would describe as indie rock music but the song Wonderwall was a departure from that with a much more acoustic tone. It was an odd song for them at the time and when he first played it there was kind of a bit of what's this kind of thing about it. Liam called it the reggae song as it developed you realise this was just an amazing song yeah it wasn't very Oasis like compared to what they'd done before but it was just a great song and I think once the vocal was on there and the vocal's really loud in the mix and it's got just that sing along kind of thing about it To record Wonderwall Noel and Owen decided to do part of the recording outside on an actual wall There's this wall that happens to be right outside the studio and Owen Morris said, well, you should record it on the wall.
20:12That's the Wonderwall right there. So up he went, so I had to get him a stepladder and I put him up on the wall. He sat on a chair on the wall as well and then I set the microphones up. We recorded it, yeah, on the wall. So that was the original guide tracks for the song were all done up there. So you can hear at the start of the album, you can hear the birds and the kind of atmosphere. That's all flown in from the outtakes of Wonderwall from Noel sat on top of the wall there. But what was the inspiration for the song? Well, maybe, because of lyrics like You're going to be the one that saves me The rumour at the time was that it was about Noel's then-girlfriend Meg Matthews Something he denied years later to the BBC The meaning of that song was taken away from me by the media Who jumped on it and said, it's about Meg, isn't it?
20:54And I was like, well, how do you tell your missus that it's not about her once she's read it is? So that went on and it's a song about an imaginary friend Who's going to come and save you from yourself The song was named after the psychedelic 1968 film of the same name for which George Harrison of the Beatles wrote the soundtrack. Everything was going so well with recording the album. Until it wasn't.
21:20Noel Gallagher has stormed out of recording sessions with Oasis in Wales following another punch-up with brother Liam. Noel made his way back to London following the fight which happened last week. Me and Owen had worked sort of 15 hours a day and because the rest of them sort of put their stuff on last they just tended to go down to the pub but one night they brought half of South Wales back with them and there was all these sort of kids running around the grounds of the studio and somebody smashed a window in the studio and all the rest of it got a bit out of order. Liam's side of the story was...
21:52He had a row with me about his ignorance towards people who he don't know and that he told someone to shut up and walk home because they asked him for another taxi and that person was my mate. And I said, yeah, don't talk to people like that, because you don't know, because I've slapped you all around miles. So we had a fight, and that was it. So, yeah, the big fight happened, and I'm trying my best to lock the studio up, get everyone out of there and kind of clean up and all that, and it's all kicking off, and it's all going off on the lawn, which is the Rockfield Battlefield. And, yeah, it was a pretty epic fight, really.
22:24At that point, Nick worried that all the work on songs like Wonderwall would go to waste. Because I remember Owen getting up in the morning, he'd slept through the whole thing, so I had no idea what had happened. And then he came in and asked where everybody was and what's gone on here, and I kind of explained to him. And I said, they've gone, you know, that's it, I think it's over. Yeah, there was that worry. There was that one point where we thought, well, that's it, the band's finished, this is never going to see the light of day, that's a very short career, they made one great album. But a week later, the brothers had made up and they were back at Rockfield to finish the album, which goes straight to number one on its release in October 1995.
22:59Well, all of a sudden you become that guy who's involved in that. There's a very small amount of people involved in that. Privileged to be involved in it. Because I was a big fan of Definitely Maybe and all my mates were as well. Then all of a sudden, to all my mates, I'm involved in it. And I'm in the mix, I'm in the middle of, right in the middle of the storm. I mean, it's great. You can't ask to experience better things than that really at the start of your career. Wonderwall was released as a single at the end of October 1995, but amazingly it only went to number two in the UK, although it did top charts in Australia and New Zealand and was a top ten hit in 15 countries.
23:36It has since gone on to become the band's best-selling and most-streamed song and has become an anthem for the British public, including for England football fans and players, with the likes of Harry Kane and Jude Bellingham belting out the song on the pitch after World Cup matches. Nick isn't surprised that the song still resonates with the British public. The lyrics are easy, the melody is easy, but it does just mean so much to people and it kind of defines the band, doesn't it, really, wherever they go. It's the one song everyone always asks about, and wherever you go in the world, everybody knows.
24:07It just took on a life of its own. But when we were first doing it, did we think that? Probably not. But, you know, the label convinced it was a single, and then that became a single, and the rest is history. Anyway, to finish off, here's Wonderwall. And after all, you're my Wonderwall.
24:33Nick Brine, recording engineer on Wonderwall back in 1995, was speaking to Tim O 'Callaghan. In a sense, history has repeated itself. The 2025 Oasis World Tour proved the band's continued popularity, generating gross income of more than$400 million. Pop quiz. What's in your kids' lunchbox? At Whole Foods Market, they've already done the studying. Over 300 food ingredients are banned from their shelves. No hydronated fats in the peanut butter and no high fructose corn syrup in the cookies. And for sandwiches, there are no synthetic nitrates or nitrites in any of their deli meat. So you can pack lunchboxes with peace of mind.
25:17Get back to school ready at Whole Foods Market. Where your story starts. The Summer Savings Event is here at Apple Vacations. It's the perfect time to bring everyone together for the getaway you've been dreaming about. Book between July 24th and August 27th and enjoy up to 55 % instant savings. From relaxing beach days to unforgettable moments with the people who matter most, your next vacation starts here. Travel through July 31st, 2027. Start your vacation today at AppleVacations.com or through your travel advisor. Apple Vacations, where your story starts.
25:53Still to come, from the 1970s, the change in the law that gave all Swedish citizens the right to a long summer holiday, and an execution in Franco's Spain that left its mark on history. We couldn't say goodbye or kiss or hug. We just couldn't admit we wouldn't see each other again. No, we just said, see you outside. But first, we return to some of the darkest moments of the Second World War. In 1943, Anita Lashke-Wolfisch was sent to Auschwitz. She expected to be killed in the Nazi gas chambers. But a talent for music saved her life. She was recruited to play in an orchestra set up by the women prisoners.
Read the full transcript
26:36In 2015, she spoke to Simon Watts about her experience. The sort of ceremony started, you know, your hair is shaved and you get a number tattooed. And this is all done by prisoners. And these prisoners, of course, conversation starts, and who are you, what's your name, and I don't know, like an idiot, but what did you do before the war? I said, well, I used to play the cello. It wasn't the right place to even mention the cello, you know. So she said, fantastic, you'll be saved. And she said, you stand here and don't move.
27:14Amid the horror of the Nazi concentration camps, music had a special place. The SS encouraged prisoners to set up makeshift orchestras for entertainment and as a propaganda tool to dupe visitors into thinking all was well. By 1943, Auschwitz-Birkenau already had a remarkable male orchestra full of virtuosos. Now a Jewish violinist called Alma Rosé was planning something similar for the women. She was the niece of the great composer Gustav Mahler. By that time I was naked, without hair, with a number on my arm. Alma being, because the whole orchestra was a sort of showpiece, was a very reasonably dressed, I remember a camel hair coat she was wearing.
28:01And I didn't really know whether this was a prisoner or not. But then she introduced herself, you know, Alma would say. Yeah, she was trying to get this orchestra together. You'd arrived at the place where you were fully expecting that you would be killed. I know. You happened to mention that you play the cello, and then someone says there happens to be an orchestra. I mean, it must have been impossible to take in. It was impossible to take in. And, yeah, lucky me. A few days later, Ama Rosé summoned Anita to an audition. It was a formality for Anita, who'd grown up in a very musical German family, dreaming of a career as a cellist.
28:40I was taken to the music block, and there was a music block. You know, I mean, completely crazy. And so she just tucked a cello into my hand and said, play something. Of course, I hadn't touched a cello for two years by then. I could only play something slow. You know, I hadn't touched a cello. But I mean, it wasn't like giving an audition, you know, which I might not pass. She was completely delighted because I came at a time when they didn't have a cello in the orchestra. So I came as a sort of lifesaver.
29:16Anybody who could play anything tried to get into this orchestra. Of course, Alma took everybody. It was a sort of possible survival. There were people who could own who played the mandolin or something, or flute. A very impossible collection of instruments actually to do anything with. But Alma knew she had to make the orchestra good. If she didn't, the players might have been sent to the gas chamber. We didn't particularly like her because she was so strict, and Alma really had to drill people, you know, from nothing, to play. You know, some people couldn't read music. The frustration she must have gone through.
29:59She was trying to make something that we could possibly survive. Apparently we sounded quite reasonable in the end.
30:12On Sundays we had concerts, sometimes in the hospital and sometimes outside. We played, you know, light music.
30:26But marches, that was our main occupation. Every morning, every evening we played marches at the gate for the people who marched out to work in the factories because you know that Auschwitz was surrounded by factories.
30:43You know what could happen during the day that any body of the higher officers could come into the block and wanted to hear some music? Because I suppose they were exhausted from sending people to the gas chamber. One of the visitors was the Auschwitz doctor, Josef Mengele, known as the Angel of Death. He wanted to hear the Träumerei, and I was the one who could play the Träumerei, so I played the Träumerei to Mengele.
31:14It felt like nothing. I thought, here's this guy. I play it as fast as I can. I don't even look at him and I hope he goes out quickly. That was all my thoughts as far as I remember.
31:34It seems incredible that music had this role in a place of unconceivable horror. Yeah, it is inconceivable. It's also inconceivable that a man like Mengele even knew that there was a piece called The Träumerei. You said that a lot of the music playing, you blanked things out. Was it soothing to be able to play and indeed hear music in those circumstances? Definitely. First of all, the way we had to make music and play well, etc., has already made you concentrate on your music more than on what was going on outside. And then the wonderful thing about music is that you can have it in your head without anybody else even knowing about it, you know.
32:17I mean, you can retreat on a sort of island and play a daughter concerto or something in my brain where the filth of what was going on won't reach you.
32:45Thanks to music, Anita survived a year in Auschwitz-Birkenau. But tragically, the founder of the women's orchestra didn't survive herself. Alma appeared, I can see it now, for the rehearsal with terrible, terrible headache. And she was taken to the hospital. and died a few days later. It was never, ever explained. And we were actually taken to see her. We could walk around her. I mean, it was very unusual. You know, in a place where millions of people are killed, you're suddenly making a performance about one person. Everything was completely mad, really. I mean, even the Germans were very upset.
33:30They cherished that famous Alma. After Alma's death, the orchestra was dismantled. Anita Lasker, like most of its members, was sent to Belsen. She was liberated there in April 1945. Anita then moved to England, where she had a successful career as a cellist and co-founded the English Chamber Orchestra.
33:56I wondered, the music that you played there, Is that music still inextricably linked up with where you once played it? People think that I'm going to have a nervous breakdown. No. I've heard that before somewhere else. That music is not in any way tainted for you by the circumstances in which you play. You can't taint music. You can't. Actually, music is untouchable. I mean, that is a wonderful thing. Yeah, the Germans tainted themselves, but music? No, you can't. Nobody is that powerful.
34:39Anita Lashka-Wolfisch was speaking to Simon Watts back in 2050. The intentional and calculated death of an individual is the subject of our next item. In 1974, an execution method known as the garrotte was used for the last time in Francisco Franco's Fascist Spain. It involved the condemned person being strapped to a chair with a metal collar tightened by a screw to break the neck. The regime used it to execute two young men on the same day. The last was Salvador Puich Antic, a 25-year-old Catalan member of an anarchist group. Stefania Gozza has been speaking to his sister, Carme Puich Antic, about her brother's death and why more than 50 years later he remains a symbol of resistance to Franco's rule.
35:27This story contains strong language.
35:38It's what they call the final vigil. It's a night when, unlike during normal visiting hours, you can touch him. There are no bars between you. That's Karma Puchantic, one of Salvador's sisters. She's here to tell us how her brother became a symbol of resistance to Francisco Franco's regime. The new ruler of Spain rides into the city of his conquest. Behind him is moors, his army lines the route.
36:11Generalissimo Franco became a dictator in 1939 when the Spanish Civil War ended. He wanted everyone to submit to his authority or they would be taken to jail or a police station where everyone was tortured.
36:28There were six of us, my eldest brother in the U.S., then came my sister Irma, Salvador, my sister Monse, me, and my younger sister Marzona. My parents were Republicans. They had opposed Franco in the war. My father was first in a concentration camp in France and then in a prison in Spain. He was also sentenced to death, but later pardoned. So in our house, we never discussed these things out of fear. And although Salvador kept that silence at home, outside, he wasn't afraid to speak out. Salvador hated injustice. He couldn't stand it. When he was at school, he used to tutor a boy with learning disabilities.
37:15One day, he heard a teacher call the boy a retard. He stood up and punched the teacher. As he grew older, this defiant streak led him to join an anarchist group. It was called the Iberian Liberation Movement. They robbed banks and then gave the stolen money to working-class people. It was a tiny, short-lived group with no more than a dozen members. He didn't want us to know. But the family began to notice changes in his behaviour. We would never see him. And when my mother died, he came home to say goodbye with glasses that had no lenses and a suit instead of the jeans he always wore. He had gone on the ground.
38:04He'd say, relax girls, it's going to be okay. He was 25. We're now in September 1973, when Karma and one of her sisters were passing a newsstand. We saw his face in a newspaper and read there had been a shooting and that he was in hospital. He had been shot in the shoulder and the mouth, so he couldn't speak. Salvador had been detained when he was meeting members of his group. The circumstances have never been clear, but he was accused of resisting the arrest. There was a struggle and shots. Some of them injured Salvador. Others killed a young police officer whose death was blamed on Salvador.
38:52Because Salvador's father was very ill, it was his four sisters, aged 12 to 27, who visited him in prison twice a week. We thought he'd be locked in for a while. But the death penalty?
39:09Spain was plunged into political turmoil following the assassination of the nation's second most important man, Admiral Elise Carrero Blanco, President of the Government and General Franco's most trusted lieutenant. The 70-year-old admiral was blown up by, it is believed, left-wing terrorists who planted a bomb either under a drain cover or beneath the presidential car... The attack had been carried out by the Bosque separatist movement, ETA. Even though Salvador had no ties to this militant group, many in Spain, including Salvador and his sisters, believed the regime wanted to revenge the assassination of President Luis Carrero Blanco and that Salvador would be the target.
39:52A military court tried Salvador and handed him not one but two death sentences. Every Friday we had to tell the lawyer where we would be in case the minister decided at their weekly meeting to carry out Salvador's sentence. He called us Friday the 1st of March 1974. We went to the prison without our younger sister because she was 12. They set four chairs and we sat with Salvador for 11 hours. Salvador's lawyers spent the night in a frantic bid for clemency. Every time we saw the lawyer, his face looked worse than the time before. But 5 a.m., we knew it was bad. But the worst news was to come. My siblings went to the toilet and I came out to the corridor.
40:45A prison officer asked me, do you know what that garrote is? And I said no. And he explained. My face must have been a picture. I didn't say a word to Salvador. So I refused to believe it was true. The sisters weren't allowed to stay for the execution. They were dismissed at 6am. Three hours later, Salvador was taken to the mail room where the executioner was waiting. The garot hadn't been used in almost a decade, so like everyone else, he was expecting a firing squad. He walked in, saw the garot, and... he swore. He used a Spanish word with no real equivalent in English, something you say when someone, or life, has played a dirty trick on you.
41:39We were stunned. Like a road? Like in the Inquisition? It's completely barbaric. In 1974,
41:52we couldn't say goodbye, or kiss, or hug. We just couldn't admit we wouldn't see each other again. Nope. We just said, see you outside. The news crossed the globe. Here's a New York Times report. The execution of Pooch was the first with political overtones, and the first by Geratin, since two anarchists were put to death in 1963. But as if to emphasize that politics had nothing to do with the case, the government this morning also executed a 33-year-old stateless person behind She in the prison in Tarragona, south of Barcelona. She shot a security guard for no apparent reason in a cafe near Tarragona in December 1972.
42:34That was the last day the garotte was used. Only a year later, Franco died and his regime with him.
42:46Today, Salvador's death has become a symbol of the regime's cruelty and the resistance that was crushed beneath it. People still remember. When I go to a place like the bank, I try to only say my father's surname, Pooch. But then they ask for my mother's, and when I say Antic, they remember. They grab my hand and say they're so sorry, or they give me a hug. It's mind-blowing. It's alucinante.
43:46Premier League has always been dominated by the Glasgow rivals Celtic and Rangers, the old firm. Reena Stanton-Sharmer tells the Hearts story through BBC Archive interviews with midfielder Gary Mackay and striker John Robbo-Robertson as they remember the joy, pressure and heartbreak of a remarkable season. We've taken the supporters along this road where we're all looking to succeed together to give Hart and the Golden Football Club pride back because it had lost a lot over the previous 20, 30 years and unfortunately we weren't able to deliver and that's something we live with. That's midfielder Gary Mackay from the 2006 BBC documentary That Was The Team That Was Hearts.
44:34Heart of Midlothian only needed one point in the final match of the season against Dundee to be crowned champions. A meteoric rise for a team which just a few years earlier had been within days of closure. So let's head to 1981 to find out how they got there. Businessman Wallace Mercer had just bought a stake in the club and they had a new manager, Alex MacDonald, and he was not impressed with what he was seeing. I just couldn't believe it. There were boys come in with bleached denims and string vests and it's unbelievable. When the wireless was gone, it was like a disco. It was out with the bleached denims and disco music and in with a gruelling fitness regime.
45:22But first, he got to work assembling his new team, including youngsters Gary Mackay and John Robertson. Everybody spoke to each other, everybody got on with each other. There wasn't anything you didn't know about anybody and there was a real happy atmosphere there. and it's important in any football club. But at that time, as I said, we had a monopoly on it. That's Robertson, or Robbo, who's the club's all-time leading goalscorer. Hearts were third from bottom and they didn't exactly have a reputation as the fittest team. Their new training schedule would take some getting used to as manager Alex MacDonald reminisced with the players John Cahoon and Henry Smith.
46:01Murder. Absolute murder. you are being sick and being sick again We did pre-season that made you sick and then made you sick on top of you sick All I kept shouting was It's okay lads, there's plenty of soup ready for you I feel sick in there myself It was starting to pay off Hearts had leapt up the league and ended 1985 on a massive high right at the top With confidence growing they were dreaming of pushing all the way for the title winning game after game. This streak had stretched to 20 matches. With eight left to go, it was time for the boys to swap their football boots for the mic and re-record an old Hearts classic.
46:54Striker Sandy Clark remembered the unusual sponsors of that version of the Hearts song, which was updated by singer Colin Chisholm in 1986. So bad is the only way to describe it. Not the song. The song in itself is brilliant. But Marshall's, the Funky Chicken Champions, I think, was the line. Before we go any further, let's have a word from our sponsors. Marshall's, the Junky Chicken Champions. There'd be this bonus depending on how many records we sold. We've got a chicken each, and that was the reward. I should have got more than one chicken because I knew all the words. So I don't know if somebody along the line, maybe after witnessing this programme, somebody at Marshall's Chunky Chickens will give me the other two or three chickens that I think I'm due for how much I put into singing that song that day.
47:43Gary Mackay still waiting for his chickens. They'd got to a record undefeated 22 league games in a row. It was a home fixture against Aberdeen in April 1986. Gary Mackay remembered that big moment. It was the focus of attention all over Britain because Aberdeen were a hugely respected club under Alec Ferguson, great players on their side, and we were what you would term the young upstarts. It ended as a one-all draw. John Cahoon scoring a late equaliser in the 87th minute. Going into that final day on May 3rd, Hearts were top of the table leading Celtic by two points Now in those days teams would get two points for a win So to win the league Hearts needed at least a draw and for Celtic to lose against St Mirren Their biggest match in decades was around the corner but all was not going to plan Four players had to be sent home with the flu The team travelled up to Dens Park to face Dundee With more than 19 ,500 supporters joining them Donning maroon sweaters and cheering them on As Mackay and Robbo recounted We felt the league was ours And it was ours It was ours for the taking A point wins us the Premier League And we started very, very well And then we felt we had a very, very strong penalty claim But they didn't get that penalty And it was Neil-Neil at half-time Here's Robbo and Mackay Recording that nail-biting second half That stage, as we said We looked good for the point If not winning the match But unfortunately I didn't even know about the kids And really the last ten minutes Eight minutes, six minutes Whatever it was Is something that will live with Any heart support that was there Any heart support that was there For the rest of their lives Albert Kidd, who Robbo mentioned there, came on as a sub and scored two goals for Dundee within the final seven minutes of the match, denying Hearts the point they needed to pip Celtic to the title on goal difference.
50:02Both Celtic and Hearts had gained 50 points across this season, but thanks to the 5-0 win against St Mirren, Celtic went on to win the league. It was gutting. Hearts had lost the league on goal difference. The players and their fans were in agony, tears streaming down faces, heads in hands. It hit Robbo really hard. How low, how drained, how empty, how flat he felt. And as I say, he felt like he'd let every single fan that's ever supported Hearts down. To have gone so long and so far and have it snatched away to death It's probably one of the cruelest things that can happen. The dream double was over and it was devastating.
50:49But Hart still had a chance of glory at the Scottish Cup final, just a week later against Aberdeen. We lost a very early goal in the second half again, but we kept pouring forward. Neil Berry hit the crossbar and it just wasn't to be. And Aberdeen completed the scoring with a goal, I think, from Billy Stark late on. And then the frustrations came out while our kid got sent off late in the match for throwing a ball at one Aberdeen players. The team by that team had gone, the legs had gone, the spirit had gone and we knew that it was going to be a season that ultimately would end up with nothing.
51:203-0. It was well and truly over. The team travelled back to Edinburgh and they were given a hero's welcome. Players were carried into the Caledonian Hotel on the shoulders of supporters. Mackay was deeply moved. I don't think any of us could have foreseen the swell of support that would be outside the hotel. I don't think any of us are ashamed to say, I mean, I know myself, that emotionally I just lost it. And you think, how many of these people still love or have loved in their time what Hart of Midlothian Football Club has brought to their lives? And that'll never leave us.
52:02Rina Stanton-Sharma with the story of the oh-so-close 1986 season for Hearts in the Scottish Premier League. Finally this week, we remember a welcome summer holiday for Swedish workers. A change in the law in the 1970s covering paid annual leave for everyone gave the nation a longer mandated break from the office or the factory. It left Sweden with some of the longest paid holidays in the world. Here's Matilda Wellen. It's July 1978. Inger Persson is 29, and she and her husband have just bought a new camper van.
52:44Back then, I was a typical Swedish woman who had children and had got married young. It was a pretty happy life. The family has already enjoyed several holidays in the Swedish countryside, which is full of forests and lakes. The first camper one was a homemade one that looked like an egg. Oh wow! And how big or small was it? It was small, but it was really great. But the summer of 1978 is different. Now the couple both have the right to five weeks of paid holiday for the first time. So we decided to go all in. We went ahead and bought a bigger camper van. It was fantastic because then we had the possibility to take ourselves off even further away.
53:43A new version of the Swedish Annual Leave Act, or Semesterlagen as it's called in Swedish, has just been passed. The 1977 law also includes the right for all workers to take four of their five weeks of vacation back to back during the warmest months between June and August. It was almost like we had won the lottery. We felt free, and it was wonderful. In the late 1970s, many other Europeans were also entitled to at least 20 days off a year. But the right to so many consecutive weeks, and up to five weeks in total, was rare. So why did Sweden decide it was so important for everyone to have long holidays?
54:36Sweden is cold and very dark in winter, and flocking to the countryside in summer became a tradition for wealthier residents back in the 1800s. Many decamped the second homes for months. By the early 1900s, growing numbers of public sector and white-collar workers were also given paid time off. The first Swedish Annual Leave Act was passed in 1938, And it was designed to create a fairer system with all workers guaranteed at least two weeks of paid vacation, including those in blue collar or industrial jobs. In the 1950s and 1960s, Sweden's longest-running prime minister, Tage Lander, expanded their rights to three and later four weeks off.
55:25He decided that now we are going to build Sweden into the best country in the world and he didn't want families to be poor, but rather they should be able to manage well. Elander was leader of the Social Democrat Party, which embraced a concept called Folkhemmet, or the people's home. The idea was that Sweden should be a safe, democratic home that embraced equality.
56:00This is Tage Lander speaking on Swedish public service television in the 1960s. He's talking about expanding free adult education and sickness insurance. There were many, many new laws. Child care, for example, was expanded, and women entered the workforce in huge numbers in the 60s. And that was new. That was completely new. Inger took jobs in health care, retail and manufacturing. She later worked for LO, a confederation of blue-collar unions, at the core of the Swedish labor movement. It strongly welcomed the Social Democrat government's plans to increase the country's holiday allowance to five weeks and guaranteed the right to four of those weeks to be back-to-back.
56:55In the late 1970s, a centre-right coalition government came into power. Some employer organisations called on these more conservative decision-makers to tone down the planned legislation, which they argued would increase costs for businesses and reduce flexibility. Some centre-right politicians agreed and even put forward a motion to adjust the plans so that companies didn't have to offer workers consecutive weeks off. But Sweden's employment minister argued that it was important to give employees long breaks for rest and relaxation. And the law was still passed. I don't remember that there was a lot of tension.
57:39From my own perspective, when we got five weeks of vacation, it was definitely long-awaited.
57:51Sweden's expanding holiday rights didn't just have an impact on family life, they also transformed business. Many factories chose to give their employees time off at the same time, and often shut down for all of July. Since I lived in a working-class town, you noticed it a lot. It was dead. There was very little going on. Today, even in big cities like Stockholm, you can still spot signs outside bars and cafes indicating that they've closed for staff holidays. But most major companies don't shut down completely now. They usually operate with skeleton staffing. Many offer temporary summer jobs, which are popular with students and others trying to get a foot in the door.
58:41There's also plenty of seasonal work around Sweden's lakes, mountains and coastlines, where tourism has expanded.
58:51Since the 1980s, many Swedes have also used their holidays to travel further afield. thanks to cheaper flights and a relatively strong economy. A recent study by the Pew Research Center found that 57 % of Swedes have been to at least 10 countries. Even Inger has enjoyed vacations abroad, without her treasured campervan. With my friends, we were a group who used to get together to sit and knit and sew. But suddenly we just said, let's head to Mallorca instead. As you can hear from us giggling, Inge found that trip more fun than sitting around with her knitting needles. But long holidays on home soil remain popular in Sweden too.
59:39However, not everyone gets a totally work-free summer these days. Growing numbers of employees now log on to check emails and messages during their vacations.
59:56Inger is retired now. She doesn't take it for granted that she was among the first Swedes to enjoy long, paid, uninterrupted summers. Do you think it would have made a big difference to your life if you hadn't had so much time off? It's hard to say, but it was cozy to have a long vacation with a family. If it had only been two weeks, for example, one wouldn't have been able to go this far or that far. And it would have ended up being very stressful and irritating. And instead, it was quite calm.
1:00:42Inga Persson was speaking to Matilda Willen in that bespoken media production for the BBC World Service produced by Maddy Savage. It's perhaps no surprise that Sweden is consistently in the top five countries in the world when ranked by happiness. That's it for this edition of the History Hour. Join us again next week as we journey back through time in the company of those who have lived through the drama of the past. This is Max Pearson from all of us here. Thanks for listening. Goodbye. We did something that no one else had ever done. There was such an excitement and energy about this moment.
1:01:16It opened the door for everything that rapidly followed. Witness history. History as told by the people who were there. I was walking in space, the first man ever to do so. I felt almost insignificant, like a tiny ant compared to the immensity of the universe. Witness history from the BBC World Service. Listen now. Search for Witness History wherever you get your BBC podcasts.
1:02:06And that's with Kyle Smith-Bino joining us. And then we'll be learning about Francis Galton and the racist, discredited pseudoscience of eugenics with Desiree Birch. We'll meet many medieval saints in their bone boxes with Rachel Parrott. So if that sounds like your sort of thing, listen to You're Dead to Me wherever you get your podcasts. Thank you. Bye. I'm Simon Jack. I'm Zing Zing. And on Good Bad Billionaire, we're exploring the life and fortune of music megastar Sir Paul McCartney. Macca. As one of the primary songwriters in The Beatles. And with an extensive solo career. His work generates vast and continuous royalty streams.
1:02:45But were song royalties alone enough to break the billion? And earn him the title of the first British billionaire rock star? Find out in Good Bad Billionaire from the BBC World Service. Listen now, search for Good Bad Billionaire wherever you get your BBC podcasts. Thank you.
From the publisher
Max Pearson presents a collection of the week's Witness History interviews from the BBC World Service.
We hear how a comic book fan and his friends began the very first comic convention in New York in 1964.
Our guest is comic book expert Dr Barbara Postema, from the University Groningen in the Netherlands.
Next, we hear how Oasis 1995 hit Wonderwall was made with the man who was the sound engineer on the record.
Plus, the memories of the cellist of Auschwitz in World War Two and the final use of a barbaric execution method in Franco’s Spain.
Sporting Witness takes us back to Hearts of Midlothian’s heartbreaking season of 1986.
And finally, we learn how Sweden gave its workers some of the longest paid holidays in the world in 1970.
Contributors:
Bernie Bubnis – organiser of the first Comic Con
Dr Barbara Postema - lecturer in the English programme at the University of Groningen
Nick Brine – sound engineer on Oasis’ song Wonderwall
Anita Lasker-Wallfisch – the cellist of Auschwitz
Carme Puig Antich – brother of Salvador Puig Antich
Gary Mackay and striker John ‘Robbo’ Robertson – former Hearts players
Inga Persson - beneficiary of Sweden’s long summers
(Photo: Oasis performing in 1996. Credit: Bernd Mueller/ Redferns via Getty)
