The 'trial of the juntas' and Evita’s missing body

12 Jul 2025 · 51 min · 16 chapters

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In short

Argentina’s 20th-century upheavals—1985 Trial of the Juntas for Dirty War crimes; the Abuelas de Plaza de Mayo campaign using genetics to identify stolen grandchildren; the disappearance and movements of Eva Perón’s body; and (in the same episode) the Ni Una Menos anti–gender violence march and Quirino Cristiani’s early animation.

Guests and backgrounds

  • Luis Moreno Ocampo: Argentine lawyer/prosecutor for the Trial of the Juntas; later first prosecutor for the International Criminal Court.
  • Dr. Vittoria Basualdo: lecturer in Argentine/Latin American modern history (FLACSO, Buenos Aires).
  • Dr. Victor Penchisare: Argentine geneticist who worked with Abuelas and Mary-Claire King; later leads a genetics/human rights program.
  • Agustina Paz-Frontera: Ni Una Menos organizer; became feminist after friend Florencia Penacci disappeared.
  • Josephine McDermott: journalist reporting on Ni Una Menos.
  • Linda Presley: journalist investigating Evita’s missing body.
  • Stefania Gotza: interviewer/producer on Quirino Cristiani’s animation legacy; Héctor Cristiani (Quirino’s grandson) is quoted.

Key claims + examples

  • Dirty War: 30,000 disappeared/murdered; victims included trade unionists, students, teachers, churchgoers, and teenagers (e.g., Pablo, abducted for demanding cheaper bus tickets).
  • Trial of the Juntas: 800+ testimonies; convictions for Videla and others; “Nunca más.”
  • Abuelas genetics: grandparent HLA “Grandparent Index” led to identifying the 140th grandchild (brother of Adriana Metz Romero).
  • Ni Una Menos: June 3, 2015 mass protests after cases like Chiara Pius (14, pregnant; killed after attempting an abortion).
  • Evita: body moved after 1955 coup; embalmed by Dr. Pedro Ara; allegedly transported by a group of 20; stored in Buenos Aires waterworks; later moved to Italy, returned to Juan Perón in Madrid (1971), then repatriated again after Montoneros kidnapped Aramburu.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Argentina's Military Dictatorships

0:30 to 2:24

An overview of Argentina's military dictatorships and their lasting effects.

“What if I told you that most of history's underwear wasn't remotely close to the underwear you're wearing right now?”

The Trial of the Juntas

2:24 to 4:28

Exploration of the Trial of the Juntas, a landmark war crimes trial.

“One of the most extraordinary trials in modern history is about to begin in Buenos Aires.”

Witness Testimonies and Evidence

4:28 to 7:18

Detailed accounts of witness testimonies during the trial revealing atrocities.

“And I think the problem was many prosecutors were afraid to do it.”

The Impact and Outcome of the Trial

7:18 to 10:50

Discussion on the trial's outcomes and its significance in Argentina's history.

“Tied up and blindfolded, a toenail was pulled out with pliers.”

Context of Repression in Argentina

10:50 to 14:01

Understanding the broader context of repression and the beneficiaries of the dictatorship.

“Vittoria Basualdo, who lectures in Argentinian and Latin American modern history at FLAXO, the Latin American School of Social Sciences in Buenos Aires.”

The Targets of Repression in Argentina

14:01 to 15:40

Explore the wide range of individuals targeted during Argentina's military dictatorship.

“But at the same time, students, teachers, workers, trade unionists, churchgoers were also targets of this repression.”

The Abuelas and Genetic Science

15:41 to 18:00

Learn about the Abuelas de Plaza de Mayo and their use of genetics to find lost grandchildren.

“in the 1980s, a group of grandmothers, the Abuelas, found themselves the unlikely champions of genetic science.”

Victor Penchisade's Encounter with the Abuelas

18:01 to 21:01

Discover the emotional meeting between a geneticist and the Abuelas seeking answers.

“an Argentine geneticist who had fled the country in 1976 to avoid being kidnapped.”

Establishment of the Genetic Data Bank

21:02 to 22:38

Understand the significance of the national genetic data bank set up in Argentina.

“A few months later, Victor gets the call from Dr King.”

Reunification of Families Torn Apart

22:39 to 24:34

Hear about the emotional reunification of families separated during the dictatorship.

“With the backing of President Alfonsine, a national genetic data bank is being established at the Durand Hospital.”
Show all 16 chapters

The Ni Una Menos Movement

25:06 to 28:00

Explore the origins and impact of the Ni Una Menos movement against gender-based violence.

“remotely close to the underwear you're wearing right now?”

The Ni Una Menos Movement: Origins and Impact

28:00 to 34:04

Explore the origins and significance of the Ni Una Menos movement in Argentina.

“I couldn't help but dedicate my life to that, to that process.”

The Mysterious Journey of Evita's Remains

34:04 to 42:00

Uncover the strange and tumultuous history of Eva Perón's body after her death.

“Agostina Paz-Fontera was speaking to Josephine McDermott.”

Evita's Disappearing Body

42:00 to 43:06

Learn about the mysterious journey of Eva Perón's remains post-coup.

“because the corpse was hidden in a standing position.”

Quirino Cristiani and Animation's Roots

43:06 to 49:24

Discover the story of Quirino Cristiani and his pioneering animated films.

“In 1941, two pioneers of the animation industry met in Buenos Aires.”

Legacy of Quirino Cristiani

49:24 to 51:29

Explore the impact of Quirino Cristiani's work and his rejection of Disney.

“But a decade later, a segment of it was played for a special visitor from the United States.”
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Transcript

Automatic transcript. May contain errors.

0:00This BBC podcast is supported by ads outside the UK.

0:30What if I told you that most of history's underwear wasn't remotely close to the underwear you're wearing right now? Hi, I'm Greg Jenner, host of the You're Dead to Me podcast, and we're back with a brand new season. And if you're a fan of fashion trends of the past, you'll love our newest episode on the history of underwear. We explore how our underwear has changed throughout history, and whether TV depictions of Regency-era ladies in their lacy underwear are truly accurate. Listen on BBC.com or wherever you get your podcasts.

1:28had to prove that they were our grandchildren. And that's where we ask for the help of science, to be able to locate and prove that the children were ours despite the absence of their parents. Also, the man behind the first ever animated feature film and the Buenos Aires marchers fighting violence against women. There were many testimonies from people who for the first time could say out loud that they had been abused. They were saying it in a square where there were one many people who were willing to believe them. Plus the bizarre story of Ewe Perón's disappearing corpse. This is the room where Dr Pedro Ara embalmed Ewe Perón's body.

2:07This group of 20 people took the body and put it in the van and took the body all over the city through different places. But first, Argentina's 20th century history is overshadowed by a sequence of military dictatorships, the consequences of which continue to be felt to this day. But there have been attempts to confront the past, And that's where we're going first, to a courtroom in 1985, where the country's former military leaders are standing trial, accused of kidnapping, torturing and murdering thousands of Argentines. One of the most extraordinary trials in modern history is about to begin in Buenos Aires.

2:44Three presidents face charges connected with the military's notorious dirty war against its own people. With them in the dock will stand the other six members of the military junters who ruled Argentina from 1976 to 1982. Nearly every major human rights abuse there is will feature on the charge list. It was a case against the top people and no one else because armies are trained to obey. So the most responsible are the commanders. That's Luis Moreno Acampo, a lawyer who helped prosecute what became known as the Trial of the Junters, the first major prosecution of war crimes since World War II and the Nuremberg Trials.

3:2630 ,000 people disappeared or were murdered in Argentina during the so-called Dirty War. Military leaders claimed the victims were left-wing guerrillas, plotting terrorist attacks against the regime. The cruel reality, only uncovered after the present democratic government had taken power, was that the great majority of the thousands who were kidnapped, tortured and murdered weren't terrorists at all. Many were trade unionists or else just suspected of being opposed to the military dictatorship. The opportunity for justice came in 1983, when the new democratically elected president, Raúl Alfonsín, promised a trial.

4:05But when the chief prosecutor, Julio Césaire Strassera, asked for help, Luis wasn't the obvious first choice. For me it was honour, but I told the prosecutor I never did a criminal case in my life. And he told me, I know that, and it's better. Because if I have a normal prosecutor here, we never will do it. Because it's impossible. So your lack of experience will force you to invent something new. And I think the problem was many prosecutors were afraid to do it. They think it was dangerous. And that wasn't the only challenge the lawyers faced. We had to investigate these massive crimes in five months.

4:43But we cannot use the police because the crimes were committed by the state, by the police, so we cannot do it in a formal, normal, bureaucratic way. Led by Julio and Luis, the legal team set to work. They re-interviewed witnesses, took new statements, gathered more documents and selected the strongest cases to take to court. There was a huge, massive case and all of us, we were doing something historically important, so important. But not everyone was supportive. During the dictatorship, there was a total censorship. And they convinced the entire country that the regime was courageous and great.

5:28So my mother loved General Videla, the main defendant, because she said, I was with him in church. I cannot believe what you say is true. So from that day, one of my goals was, OK, we need to win this case, not just before the judges, but people like my mother, normal people, had to understand what happened in Argentina. The trial began in April 1985. Among the defendants were three former presidents, Generals George Videla, Roberto Viola and Leopoldo Galtieri. We basically charged them with three crimes, abductions, torture and killing. We had more than 800 testimonies in court. So each day people were learning something new about it.

6:15The cruel evidence of what had happened began to be discovered in cemeteries all over Argentina. It was no longer possible to deny that thousands of murders had taken place. Day after day, stories of torture and abuse were revealed, including one that resonated around the world. Pablo was only 17 when he and several high school classmates were abducted by the military. Their crime? They were demanding cheaper tickets for the bus. We told him, OK, we'll have to go to court with your case. Can you be a witness? I said, no, I cannot be a witness. I never told my story because as soon as I say I was abducted and in jail, people believe I was a guerrilla member and therefore I cannot study, I cannot job, so I always refused to talk about it.

7:04So we told him, please, we need you. Two weeks later, he called us and said, look, I talked to my family, I will present my testimony. In court, Pablo told how he'd been dragged from home, stripped, beaten, starved and given electric shocks. Tied up and blindfolded, a toenail was pulled out with pliers. And he explained to us, he was in jail with his eyes covered and in the other cell was a friend of him, a girl, who was crying all the time. One day, the guardian allowed him to go to the other cell, and he tried to hug this girl, and she said, Please don't touch me. Don't touch me. They hurt me all the time.

7:50I cannot do that. So he said, The day I was leaving jail, I told her, You also will leave in a few days. And she said, No, they will kill me. The only thing I can ask you is, each end of the year, razor glass to the heaven, I will watch you from there. And when Pablo finished, even the judges were trying to control the crime. And then he hugged me and said, I was waiting nine years to tell this story. But the military leaders remained defiant. Outside the courtroom, one of the generals accused told me, you got to understand, We're trying to protect freedom and democracy. And I said, General, you cannot convince me that you torture and you kill to protect freedom and democracy.

8:45And he said, Prosecutor, those are our values. They were the enemy. I understood then in war, you believe your enemy is no one. You can kill him, torture, no problem. And that convinced me the importance to stop wars and replace it for justice. Does it become more of a crusade than a trial for you? No, never a crusade. My responsibility was we do a perfect professional job. So I had to ignore those who were supporting and clapping and those who were insulting me. And after eight months, an evidence from more than 800 witnesses. The chief executor said, to end, I will use an expression that now belongs to Argentina.

9:36Nunca más. Your honours, never again. And all the calls start to clap. Very emotional moment. From Argentina, we've had results within the last few minutes in the trial of nine military rulers accused of mass human rights violations. They were five convictions, two of them life. ...life imprisonment to the two key figures of military repression, General Jorge Videla and Admiral Emilio Macera. Four of the commanders, those who were commanding after 1980, were acquitted. The four men acquitted include ex-president Leopoldo Galtieri and his fellow junta members who launched the Falklands War. With the five convictions, did he feel justice had been done?

10:20And it's never enough. But for Argentina, it was a learning lesson. And I was so proud because 10 days after the beginning of the trial, my mother called me and said, you are right, General Videla, he had to go to jail. And that for me was a big impact. So Argentina is an example for the world.

10:44That's Luis Moreno Ocampo, who went on to become the first prosecutor for the International Criminal Court. He was speaking to Jane Wilkinson. With us now is Dr. Vittoria Basualdo, who lectures in Argentinian and Latin American modern history at FLAXO, the Latin American School of Social Sciences in Buenos Aires. So we've just heard about those trials of the former dictators. But what were the events that led up to the repeated imposition of military dictatorships in Argentina? Well, the Argentine dictatorship is part of a regional process of dictatorships in the 60s and 70s. And I think the trial is talking about one phase of those dictatorships, which is repression, but they also meant huge economic and social transformations and loss of labour rights.

11:33The wider context would also be that of the Cold War in the middle of the last century. What role did that play in that the US was, I guess, desperate not to have left-wing governments in Latin America and so tolerated or indeed encouraged the dictators? Yes, of course, the geopolitical factors were really, really important and there were differences between the dictatorships. But at the same time, there was something in common, as you say. There was the concern about the radicalization in terms of politics, but also the role of the working class and the trade union movements at that period. So we have differences in dictatorships, but at the same time, we have common points.

12:11And the repression policies were closely linked to this offensive against the working class and the trade union movement. The dictatorship's pitch to the common person in Argentina was a populist one. I mean, there were several different juntas, but did they actually make any difference to the life or the lives of ordinary Argentinians? Yeah, the dictatorship in 1976 implied a turning point. Maybe this was not evident from the beginning, because as you said, there had been many dictatorships in Argentina from the 1930s onwards. But soon it became very clear that life changed very much. It was a project of structural transformation.

12:50So it meant a huge offensive in cultural terms, persecution of artists, of educators, of workers. All of the places were searched and ordinary life changed a lot. So repression was felt in the streets. Were there any who benefited, apart from those who were directly associated with the military? Yeah, that's very interesting because the trial of the Juntas opened not only the responsibility of the military sectors, the armed forces, but they also showed that there were specific sectors, in particular corporate sectors, business sectors, that greatly benefited from the dictatorship and that became involved in them.

13:32So the trail of the juntas not only opened the participation of military sectors, but also allowed later on, in fact, until today, that some of these other participants in processes of repression were judged. So corporate Argentina might have been, if you like, in favour of the military dictatorships, but those who are on the receiving end of the repression, as we've heard, it's estimated 30 ,000 people disappeared. But who were they? Well, initially, the dictatorship tried to show that the only ones targeted were those being part of the guerrilla organizations or political organizations. And of course, they were targeted.

14:13But at the same time, students, teachers, workers, trade unionists, churchgoers were also targets of this repression. Even kids at school, 16 years old, 17 years old, fighting for basic rights. So we're talking about a huge repression. And it was a feature of the years of military rule that the children, babies even, of the regime's opponents, those who became known as the disappeared, were effectively stolen. And we're going to look at one story to illustrate that in a moment. But this very week, there's been a milestone in the attempts to reunite those now grown up children with their real families.

14:49What's happened? Yes, this week we had wonderful news by the Abuelas de Plaza de Mayo. Some of the women that were kidnapped were pregnant and they had these babies in concentration camps. And these babies, they were relocated to other families and sometimes military families. So it was impossible then to find them. The abuelas are the group that searches for these grandchildren that were stolen. And with science, it was possible to develop a way, a scientific way to locate them. And this week, Abuelas announced that they found the 140th grandchild. He's the brother of Adriana Metz Romero that searched for him her whole life.

15:35And, well, the whole country is celebrating. That was Dr. Victoria Basualdo. And with more on that campaign to reunite families torn apart by the military in Argentina, in the 1980s, a group of grandmothers, the Abuelas, found themselves the unlikely champions of genetic science. Their efforts led to the creation of the world's first national bank of genetic data, as Vicky Farncombe explains. In a given moment, we considered that in addition to finding the children, we had to prove that they were our grandchildren. And that's where we ask for the help of science. We travel the world looking for answers to be able to locate and prove that the children were ours despite the absence of their parents.

16:23This is the late Chicha Mariani speaking to a BBC science programme in 1987. She was one of the founding members of the grandmothers of the Plaza de Mayo in Argentina who championed the study of genetics in their quest to find their lost grandchildren. In this programme, you'll hear them referred to as the abuelas, meaning grandmothers. Between 1976 and 1983, the military ruled Argentina and thousands of mainly young left-wing people went missing. Known as the disappeared, they were taken to detention centres where they were tortured and often killed. Hundreds of babies were born in captivity and their mothers assassinated.

17:15The children were often given to families who supported the regime and never told their true identities. This crime against children as a group is very well known here. And if a child learns, as a young adult, that they've been living all this time with people who were involved indirectly, or in some cases directly, in the murders of their parents, and furthermore that they had grandparents who knew that had happened and didn't look for them. To the minds of the abuelas, that will be far more traumatic for that child than learning the truth. American geneticist Dr Mary Claire King, also speaking in that BBC programme.

17:56More on her later. Our story starts with Victor Penchisare, an Argentine geneticist who had fled the country in 1976 to avoid being kidnapped. In 1982, he's working in New York when he gets a call. Two of the abuelas want to meet him, Ciccia Mariani, who you heard from at the start of this programme, and Estella De Carlotto. So this encounter happened in the room of the hotel they were staying in. And they were middle-aged women, very well educated, but very anxious. I could sense the anxiety in their postures and their questions. We were not successful in previous travels. The Abuelas had been all over the world, desperately asking scientists one question.

18:51Without the presence of a parent, could their blood be used to identify their lost grandchildren? I was prepared for that question, of course. So I told them that I could not see any reason why not, because by then, paternity testing was something that was done very commonly. They kept insisting that how come we had gotten so many negative answers to this question elsewhere. It's an emotional meeting on both sides. For the Abuelas, it's the first time that they hear the impossible might be possible. For Victor... I saw this as an opportunity for me as a geneticist, like a watershed in my life.

19:39Why? Because genetics was tied to a lot of violations of human rights, from eugenics to forced sterilizations to even genocide, as the Nazis did in World War II. And I said, well, this is my opportunity to redeem genetics of this terrible past. Before leaving the New York Hotel, the Abuelas demand quick action from Victor. And they said, well, you are Argentine, you are a geneticist, you are very well known, you live in the centre of the world. So what task can be more important for you than to find a way we can identify our grandchildren? And I was taken aback because I said, well, they gave no alternative.

20:29How did I proceed? Well, very simple. I called Dr. Mary Claire King, which is world famous by now. She was already a very big shot in genetics. Dr King had a lab and an international team, including a mathematician from France, a population geneticist from Italy and a molecular geneticist from Chile. Actually, she was even more optimistic than I that this indeed could be done. First of all, we worked out the theory that was involved. A few months later, Victor gets the call from Dr King. She's cracked it. Extending paternity testing to grandparents, in fact, is a perfectly natural and rigorous procedure to undertake.

21:18You have to remember that this was in the days before DNA testing. Here's how the BBC explained it in 1987. Grand paternity testing begins with a blood sample from the grandparents and the possible grandchild. Each sample is analysed to compare the gene types. Everyone inherits these types from their parents and grandparents. The most important genetic comparisons can be made using highly specific proteins found on white blood cells. They're called HLA types. Because many combinations of different protein markers exist, they can also be used to determine whether one person is related to another.

21:57The science is ready and so is Argentina. Democracy has returned and the perpetrators of human rights abuses are finally being brought to trial. In 1984, the first disappeared grandchild, Paola Locares, is identified using Dr. King's so-called Grandparent Index. Well, can you imagine I was thrilled? Finally, I was able to contribute to the redemption of genetics. One by one, all the grandparents and families of the missing children are being gene-typed. An official of the court is always present to enable the results of the blood tests to be used as evidence. With the backing of President Alfonsine, a national genetic data bank is being established at the Durand Hospital.

22:48It would enable comparative typing to be done even after the grandparents have died. Nearly a thousand samples will be stored, frozen messages to grandchildren they may never meet. Over the five decades of the databank's existence, thousands of people have come forward for testing, wondering if they are one of the missing ones. So far, 139 have been given their true identities. For Victor, the biggest moment comes in August 2014, when the grandson of Estella de Carlotto, the abuela who had visited him in New York all those years ago, is discovered.

23:35The empty chair is now going to be taken by him. The empty picture frames that were waiting to be filled are now going to have his image. I have already been able to see him. He's beautiful. He's an artist. He's a good guy. And he looked. He looked for me. The thing that we abuelas used to say happened. They are going to look for us as we continue to look for them. We have to continue looking for those who are missing because other grandmothers have to have the chance to feel what I feel today. I know exactly which kilometer in the road I was, but the particulars of that particular special moment I can never forget.

24:19Dr. Victor Penchisade now lives in Buenos Aires where he leads a graduate program on genetics, human rights and society. He was talking to Vicky Farncombe, the grandchildren of the victims of Argentina's military rulers reunited with their true families. Now, in total, 140 individuals.

24:56pastas and seafood everyone loves. Their build your own family meals feeds four for just$35. Stock up at Whole Foods Market. What if I told you that most of history's underwear wasn't remotely close to the underwear you're wearing right now? Hi, I'm Greg Jenner, host of the You're Dead to Me podcast, and we're back with a brand new season. And if you're a fan of fashion trends of the past, you'll love our newest episode on the history of underwear. We explore how our underwear has changed throughout history and whether TV depictions of Regency-era ladies in their lacy underwear are truly accurate.

25:32Listen on BBC.com or wherever you get your podcasts.

25:40Still to come, the Argentine animator who Walt Disney wanted to hire. He drew a character on cardboard and then cut down the arms, legs and head. That way, he could move them. All this was 10 years before Walt Disney came up with Mickey Mouse. But first we're going back just 10 years to the moment when a hugely significant march was held on the streets of Buenos Aires. The aim of those taking part was simple, to highlight the shocking number of women being killed by men in Argentina. Josephine McDermott has the story.

26:22I remember the smell, the scent of some foods that were cooked on the street. In Argentina, when there are large gatherings of people, they cook something that looks like popcorn, it's sugary. They cook choripanes that are like pork sausages that are sold on the street, especially at popular demonstrations. Niuna Menos, on June 3, 2015, was a meeting to denounce, to demand another world. Agustina Paz Frontera was part of the collective that started the fight back. It's the largest march against gender-based violence in the history of Argentina. But how did it begin? Agustina can pinpoint when she became a feminist.

27:00In my personal case, I didn't experience gender-based violence to my own body. I mean, of course, I know about gender-based violence because I'm a woman, because I have friends, because I have family members, I have a sister. But my first encounter with a situation of gender-based violence was the disappearance of a friend of mine in 2005. We had both traveled from our home province to Buenos Aires to study, and she disappeared in 2005. Her name is Florencia Penacci, and we still don't know what happened to her. I wasn't a feminist at the time. I knew very little about feminism, and it was thanks to the work of mutual friends trying to understand what could have happened to Florencia that we recognise that there is gender inequality, that there is a specific type of violence that is exercised against female bodies and in that search for our friend, we became feminists.

27:58That's why when Ni Una Menos appeared 10 years later in 2015, I couldn't help but dedicate my life to that, to that process. Ni Una Menos, meaning not one less, began in March 2015 at an event where writers, poets, musicians and the relatives of women who had been murdered gathered in solidarity to share their written thoughts and feelings. Agostina designed the flyers for the event. They showed a nondescript patch of wasteland, the image of murder scenes often appearing in the media. It was reported that a woman died a violent death every 30 hours. The group decided on a mass protest, as reported on the BBC World Service.

Read the full transcript

28:42So many murders could have sparked this protest. It could have been that of 19-year-old Diana Garcia, found by the roadside in a rubbish bag. Or Angelus Roussen, aged 16, discovered inside a rubbish compacting machine. Or a kindergarten teacher whose husband cut her throat in front of her class. But it was this one that brought so many out onto the streets. Chiara Pius was just 14 years old and a few weeks pregnant. Her body was found in May after a three-day search, buried in the garden at her boyfriend's house. He was 16. He confessed to the crime. Chiara had been beaten to death after taking drugs to abort her baby.

29:27A female journalist tweeted, They are killing us. Aren't we going to do something? They did something. My role in the organization had been to generate links from the social networks, particularly Facebook. It was very impressive. Requests arrived from the smallest towns in Argentina saying, we can organize a Ni Una Menos on June 3rd in our own town. I answered those messages daily for a month. Ese 3 de junio, yo estaba muy nerviosa. That 3rd of June, I was very nervous. I felt very honoured to participate in that process that from that moment on felt historic. It felt like 10 years later we were going to be still talking about this as we're talking now.

30:14So now I guess it's a case of painting a picture for the radio audience. We always ask witnesses to take us back to the moment.

30:25I'm going to do an exercise. But Agustina is really transported with her vivid memories. I am closing my eyes. and I'm going to try to do a memory exercise to remember sensorially what I experienced at the time. It was a winter day. It was a cold winter day, but with a lot of sun, which meant that while it was cold, it didn't bother us. There was a lot of murmuring, many people who walked around hugging or holding hands. There was also the sound of drums banging as the women walked. There was also laughter, although it was a mourning for the dead, was an encounter of many, many women. And when you first experience that, when you find that all the faces around you are women, you smile.

31:11I remember being on stage in the Plaza de los Dos Congresos before the words of the main speech were read, and seeing the flood of people that were coming to the square. And I had never seen such a large demonstration. And in Argentina, there are very large mobilizations. Women, girls, ladies, great-grandmothers, groups of schoolmates, people who came out of work. There were a lot of banners with photos. Photos of girls who had been victims of femicide. Some very blurry photos which made us think they were taken long ago, or perhaps in poorer families who don't usually take photos. It felt like a place of listening, of togetherness.

31:50There were many testimonies that I collected that day, from people who for the first time could say out loud that they had been abused. And they weren't saying it in a private setting, drinking with a friend. They were saying it in a square where there were one many people who were willing to believe them, to listen to them. So now remember that and I thank you for the question because my body is electrified when I think that we achieve that. As well as the demonstration in Buenos Aires, people protested in smaller towns and cities across the country and in the capitals of Chile and Uruguay. And the power of social media meant the group found out their message had landed with President Cristina Fernández de Quichna, as well as with footballing royalty.

32:37I remember perfectly well when Cristina, who was a president, spoke out publicly. We started shouting like crazy because that meant that we had reached the top of power. We were sharing with each other. Look who posted something. Look at the photo that they sent me. And it was impressive that Lionel Messi had a sign that said Ni Una Menos. It meant that we were reaching places that were impossible to reach without the help of those famous faces. One of the key demands of the movement was to have a register of femicides, defined as the intentional killing of a woman with gender-related motive, which is different from homicide which may not be gender-related.

33:17After Niuna Menos, it will take them many years to get rid of the idea that we have rights, or that we are equal, or that we want equality. We achieved something that the Niuna Menos movement asked for, which was to have a record of femicides. And having that record allows us to make appropriate public policies. Then, also in legislative terms or in institutional terms, there were a number of laws in the last 10 years that were very important to transform and democratize Argentine society. For example, the law of the Parity Act, which states that 50 % of the House of Deputies and the Senate must be represented by women.

33:52And of course, the Voluntary Termination of Pregnancy Act. And there is a very strong cultural change, that there must always be women in roles of power. Agostina Paz-Fontera was speaking to Josephine McDermott. And a Ni Una Menos march is held in Buenos Aires each June as the group continues to fight for equal rights. Next, a story which is probably one of the strangest from Argentina's history and one of the most underreported. It's about the physical remains of Eva Perón, which went missing for nearly two decades, inspiring wild rumours about her supernatural powers. In 2013, Linda Presley travelled to Buenos Aires to investigate.

34:36It's September 1955, and the Argentinian military seized power in a coup against President Juan Perón.

34:50But the head of the new junta, General Pedro Eugenio Aramburu, had a problem. What to do with the body of the deposed president's wife, Eva Perón? Evita had been dead for three years, but she was still revered by millions and the military wanted this important symbol of Peronism gone. The idea was to bury her body and once the country was pacified to give back her remains to her family. General Aramburu's son, Eugenio Aramburu. I think that the main worry of my father was that any harm that Eva Peron may suffer would harm the reputation of the militaries but also the tranquility of the country.

35:36He wanted to protect her. And protect the honour of the Argentine Republic. We are not cannibals or savages. This was the beginning of the fantastic odyssey of Evita's remains.

35:56In life, Eva Perón had risen from humble beginnings to become the president's wife. The former nightclub singer inspired devotion among the poor by building schools, homes and hospitals.

36:12Millions attended Evita's funeral, but there was no burial. Juan Perón wanted to preserve her body, and Pedro Ara, a Spanish doctor, embalmed her at the headquarters of the main Peronist trade union, the CGT. Gustavo Espinera showed me round.

36:32This is the room where Dr. Pedroara embalmed Evita's body. And now there's like an altar to Evita, her picture, the Argentinian flag, a very beautiful table with a cross and a rosary on. And Gustavo, I read a version by Dr. Ada, and he said that maybe 20 people were here and helped take her body away. What do you think? Dr. Pedro Ara's version is probably true that this group of 20 people took the body and put it in the van and took the body all over the city through different places. One of the many places Evita's body may have been stored was the huge waterworks in downtown Buenos Aires. Carlos Tartarini was my guide.

37:19So this is a very narrow corridor. You've got brick on one side, an iron wall on the other. very dark I mean you can just about walk through without your shoulders touching either side but if you're a big bloke you might have problems and if you're carrying a coffin you definitely have problems We made it So this is just a tiny corner of this huge building It's right next to one of the water tanks If you wanted to hire something in the 50th this was a very good choice because very few people knew in those days what was inside of this building. Colonel Carlos Eugenio Mori Koenig was tasked with disappearing the precious corpse.

38:05Apart from the waterworks, he allegedly kept the body in a packing box in his office and behind a cinema screen. There are suggestions he became erotically obsessed with his charge. True? Possibly. But in 1957, General Aramburu decided the military needed a long-term solution for Evita's body. And with the secret help of the Vatican, she was moved to Italy. His son Eugenio again. My father was not a caretaker. He just gave the order to bury her in a similar person and that's it. Because I've also read that your father was a very Catholic man and that some people wanted to get rid of her body. They wanted to drop it into the river plate.

38:45And your father said, no, we have to give her a question. Yes, of course. He was a man of honour. Something like that is an horror. Evita's body rested peacefully in Italy.

39:07But in Argentina, by the 1960s, a new generation inspired by the Cuban Revolution took Evita as their heroine. Among them, a Peronist guerrilla group called the Montaneros. These young radicals wanted the return of Evita's body, and they wanted to see her husband, Juan Perón, exiled in Spain with his new wife, Isabelita, returned to power. Faced with mounting violence and disharmony in Argentina, the military agreed, as a first step, to return Evita's remains to her husband. Carlos Peroni was there when the body arrived at Juan Perón's villa in Madrid in 1971. There was a large living room there, and the coffin was on a table.

39:51General Perron, the gardener and I, took the body out of the coffin. We lay it on a marble top table and our hands got all dirty with earth so the body had to be cleaned. Isabel took care of that. How did she clean the body? With a cotton cloth and water, very carefully. Isabel combed the hair, blonde hair, it was long and she cleaned it bit by bit. and then blow-dried it. According to Carlos Beroni, Isabelita and her spiritual advisor, José López Rega, were obsessed with Evita. They were also devotees of the occult. One of the things he told me was that he was a spiritualist and that he was absorbing the body of Evita so he could pass it on to Isabel.

40:41I told her, that's madness. And Isabel said to me, I'm a spiritualist too. There's this story that López Orega wanted, he used to get Isabelita to lie beside the body of Eva Perón. Is that true then? I went to Argentina for ten days. When I got back to Madrid, Evita's body wasn't on the table anymore. It had been moved upstairs to Isabel's bedroom. Isabel slept in there, and the body was there too. But I never saw the two together, so I don't know.

41:19In 1973, Perón returned to Argentina and was re-elected. When he died suddenly, Isabel became president. But Evita remained in Madrid. The Montaneros guerrilla group had murdered General Aramburu in 1970. Now they kidnapped the general's body from the mausoleum where it lay and demanded the repatriation of Evita. This grisly stunt worked, and Buenos Aires art restorer Domingo Telechea found himself tasked with restoring the remains. They needed a lot of work. We made this up first, a prosthesis for her nose. And the feet. And the feet were in a very bad way because the corpse was hidden in a standing position.

42:05She had one part where there was a wound. I couldn't say if it was made by a weapon, but it was caused by something. With the restoration work complete, Evita was put on display and the Peronist faithful queued to see their heroine. Photos show her resting peacefully, a rosary clasped loosely in her hands.

42:31In March 1976, Isabel Perón was deposed in a coup. As Argentina sunk into a mire of bloody violence, the military moved Eva Perón's body to her family's mausoleum in Recoleta Cemetery. She was buried five metres underground in a crypt reinforced with iron. No one would ever steal her again.

42:56Linda Presley with the remarkable story of Eva Perón's disappearing body. Finally, in this journey through moments from Argentina's past, an event which has had a lasting impact on the world's cultural history. In 1941, two pioneers of the animation industry met in Buenos Aires. One of them was Walt Disney, the creator of Mickey Mouse. The other was an Italian immigrant called Quirino Cristiani, a man who seems to have been largely forgotten by history, but not by Stefania Gotza.

43:31Disney's film Snow White premiered in 1937, and even nowadays, many believe it was the first animated feature film, which is defined by the British Film Institute as a movie longer than 40 minutes. But actually, two decades earlier, in 1917, an hour and 10 minute long animation had packed movie theaters across Argentina. It was a silent film called El Apostol, The Apostle, and it was the creation of 21-year-old Kirino Cristiani. My grandfather was born in 1896 in Santa Giulietta, Pavia, northern Italy, and moved to Argentina when he was four. This is Héctor Cristiani, Quirino's oldest grandson.

44:23By 1915, he was a cartoonist in magazines and newspapers. He then met Federico Valli, who had been a cameraman with the Lumiere brothers, the founders of cinema. Valli had his own production company here in Argentina, where he produced a local news bulletin that was projected in the cinemas right after the movies ended. The bulletin always finished with a cartoon, so he hired my grandfather to draw these cartoons. This was at the beginning of film history, so the reception was good. But Valia said, look, Quirino, cartoons are fine, but cinema is about motion. We see your hand drawing, but we also need the drawing to move.

45:10A few animated shorts were already being produced in different parts of the world. Quirino had to devise himself how to make images move, which happened after he watched a short made by the French animator, Emile Coll. He realised Emil Col had filmed frame by frame, what we now know as stop motion. At that time, movies were shot at 16 frames per second, so you had to take 16 pictures to film a movement. That meant he had to draw a lot, so he invented his own technique. He drew a character on cardboard and then cut down the arms, legs and head. He tied them to the body with black thread. That way he could move them without having to draw different versions of the same character.

46:02All this was 10 years before Walt Disney came up with Mickey Mouse.

46:10Unlike Walt Disney, Kirino's target audience wasn't children. Back then, there weren't any cartoons for children, only jokes about politics. So my grandfather made a one-minute short film called Intervention of the Province of Buenos Aires.

46:32The then-president Hipólito Yrigoyen and the governor of Buenos Aires belonged to the same party but weren't on good terms. The governor was very short, so he used a top hat and a frock to look taller. In the film, you could see the governor and a huge hand with a wooden mallet that said, intervention of the province of Buenos Aires. Then the mallet would fall on the governor and sink his top hat on his chest.

47:03People had never seen something like that, so it was a success. It had to be shown several times in cinemas. This cost Valle to propose a more ambitious project to Quirino, a feature-length film. The script was written by famous Argentinian writer Alfonso de la Ferrer, and the main character was, again, Argentina's president, Hipólito Irigoyen. The film was called The Apostle. Irigoyen was the apostle, and in the movie things weren't working out for him. So he lies down and dreams that he ascends to heaven.

47:46There, the Roman god Jupiter gives Irigoyen rays to purify Buenos Aires so that a better place can flourish An architect built a balsa wood model of all the buildings of the port of Buenos Aires It was about 10 meters long Then they set the camera to film the city on fire They burnt the model for real, so they had to do it in one take The film was a box office hit. The experience led Quirino to produce two other movies, but this time on his own. The first was Sin Dejar Rastro, Without a Trace, and it was also a political satire of President Irigoyen, who banned the movie. The second film was Peludopolis.

48:33That was a sound film. It was a political satire of Irigoyen's second turn. The plot was that Irrigochen was surrounded by ministers and officials who didn't do as he told them. There was cheese land, an island made of cheese, and all the mice would come to eat, which was his way of saying officials were stealing. But when the movie was almost ready, things changed. A sudden revolution has overthrown the rule of Hippolyto Iridoyan. The first military coup in the country happened. So my grandfather had to remake the movie and include the new president, Uriburu, and show him as the person who had come to fix everything.

49:19Kirino removed Pelutopolis from cinemas out of respect after President Irigoyen's death in 1933. But a decade later, a segment of it was played for a special visitor from the United States. My grandfather was about to retire when Disney came on a South American tour in 1941. Disney wanted to see some of my grandfather's work. Disney didn't speak Spanish. It was one of his staff, Ted Tomás, who translated. He told my grandfather, Walt wants to know how many people took part in the making of Perudópolis. My grandfather said, one. Who? He asked, me. He made 58 ,000 cutouts. Disney couldn't believe it.

50:05How can this be? We need 60 or 70 people for one animated movie. My grandfather's method was still very artisanal. Disney was impressed and made Quirino a job offer. He wanted to take my grandfather to the US to join his staff, but he refused. I always asked him, no, no, why didn't you go? He said he had never flown on a plane and he didn't want to. But no, that was a lie. Except for his first movie, he had always worked independently and did as he pleased. However, with Disney, even if he had been given a top position, he would always have someone above him. And my grandfather wasn't going to put up with that.

50:50Héctor says Quirino rejected Disney's offer and never regretted it. Not even when years later, two fires in his studio destroyed everything he had there, including all his feature films. Since then, a couple of short films have been rediscovered in an antique fair and in an old prison in the remote southern city of Ushuaia. Héctor hopes that someday his grandfather's full-length films will also appear.

51:25Until then, they live only in his memory, like this song of Peludopolis that he still manages to remember.

51:43Hector Cristiani, Quirino Cristiani's grandson, talking and indeed singing to Stefania Gota and remembering Argentina's role in the history of cinema, specifically animation. And that brings the curtain down on this History Hour, which has focused on Argentina's past. We'll aim our lens at different targets next week when we bring you more stories from the past as told by those who were there. I hope you'll join us again then, but for now, this is Max Pearson from all of us here. Thanks for listening. Goodbye.

52:23to do now. This was really my worst fear. He found 100 % horse meat that was labelled as beef. Witness the stories that have shaped our world, told by the people who were there. When he went to the factory, the poodle went in front of him, so the workers only, oh, the boss is here. Many people had many things to lose by our victory. The future was not so bright. Witness history. We had a designer. He brought in a fully storyboarded idea about how the Queen would arrive by jumping out of a helicopter. And we all said, that's brilliant, but it's never going to happen. Witness History at bbcworldservice.com slash witnesshistory or wherever you get your podcasts.

53:10What if I told you that most of history's underwear wasn't remotely close to the underwear you're wearing right now? Hi, I'm Greg Jenner, host of the You're Dead to Me podcast, and we're back with a brand new season. And if you're a fan of fashion trends of the past, you'll love our newest episode on the history of underwear. We explore how our underwear has changed throughout history and whether TV depictions of Regency-era ladies in their lacy underwear are truly accurate. Listen on BBC.com or wherever you get your podcasts.

From the publisher

Max Pearson presents a collection of the week’s Witness History episodes, all with an Argentine theme.

We find out more about the 1985 ‘trial of the juntas’ when the country’s former military leaders stood accused of torturing and murdering thousands of their own people. And we hear from historian Dr Victoria Basualdo about life in Argentina, both before and after the trial.

Also, the story of the grandmothers who championed the study of genetics to find their missing loved ones. And why tens of thousands of protesters took to the streets of Buenos Aires in 2015. Plus, the bizarre story of Eva Peron's disappearing corpse. And finally, more on the Argentine animator who Walt Disney wanted to hire.

Contributors: Luis Moreno Ocampo - prosecutor Dr Victoria Basualdo – historian, FLACSO, the Latín American School of Social Sciences Dr Victor Penchaszadeh – geneticist Agustina Paz Frontera – journalist and writer Domingo Tellechea – art restorer and embalmer Hector Cristiani – grandson of Quirino Cristiani

(Photo: Forensic anthropologist Clyde Snow giving testimony to the trial, 1985. Credit: Daniel Muzio/AFP via Getty Images)

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