In short
Ryan Tubridy’s long relationship with The Late Late Show and Mario Rosenstock’s podcast, including the 2023 RTE controversy, why Tubridy left, his mental health/therapy, and how broadcasting (TV/radio/podcasts) has changed. They also discuss authenticity in interviews, the “town hall”/topical direction for the Late Late, and media nastiness (including coverage of Meghan Markle and a suicide case involving Jason Arday).
Guest backgrounds
Ryan Tubridy is a veteran Irish broadcaster and former Late Late Show presenter. Mario Rosenstock is a comedian/impressionist and long-time Late Late Show guest/performer.
Key claims
Tubridy says he should have been “louder” about problematic RTE business practices; the controversy became “Kafka-esque” and “deeply upsetting.” He credits therapy (after a prior attempt that didn’t click) for helping him cope. He believes TV is in trouble, radio is steadier, and long-form podcast conversations support intelligent audiences.
Notable examples
the “RTE controversy” (2023), Tubridy’s therapy helping before/around major life decisions, a satirical sketch about modernizing the Late Late Show (clips/memes/hot ones/fights), and discussion of Meghan Markle media coverage and Jason Arday’s treatment.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOReflecting on The Late Late Show
0:15 to 1:31
Mario shares his fond memories of Ryan Tubridy's humor on the show.
“I used to always love when you came on The Late Late Show because I think you made me laugh more than anyone else that came through the door over the years.”
The RTE Controversy
1:31 to 2:20
Discussion about Ryan's candid thoughts on the RTE controversy and personal experiences.
“I haven't seen him for ages, but like you, I've been keeping an eye on what he's been doing, and I had loads of questions for him, including some elephants in some rooms.”
Life After The Late Late Show
2:20 to 4:15
Exploration of Ryan's new life in London and his reflections on leaving the show.
“yeah I do but they're wrong right I looked in the mirror and I said I think I'm done here Really?”
Modernizing The Late Late Show
4:15 to 6:45
Sketch discussing ideas about how to modernize the Late Late Show format.
“Did you see it the other night, for God's sake?”
Interview with Ryan Tubridy
9:24 to 14:01
Mario welcomes Ryan Tubridy and discusses their experiences and memories.
“I hadn't seen him since, oh, since the scandal broke in 2023.”
The Art of Authentic Broadcasting
14:01 to 17:00
Learn about the nuances of authenticity in broadcasting and comedy.
“And because he knows how to do that in a very effortless way.”
Reflections on Late Late Show
17:01 to 21:19
Insight into the history and impact of the Late Late Show in Irish media.
“And as you know, the world of broadcasting has changed.”
The Future of Television and Media
21:20 to 28:00
Discussion on the challenges facing traditional media and the rise of podcasts.
“a little more longer in the nightclub of Clubberdy Tonight and held my horses and matured a bit as a broadcaster and then gone into the Late Late Show.”
The Role of Intelligence in Media
28:00 to 29:10
Exploring the fear of complexity in media and its impact on audience engagement.
“of quality conversation is being debased a little bit by goofy questions about Ireland.”
Long-Form Conversations in Podcasting
29:10 to 31:00
Discussing the appetite for long-form content and its benefits over short interviews.
“I mean, this is like very highbrow sort of.”
Show all 22 chapters
Current Affairs in the UK and Ireland
31:00 to 34:10
A deep dive into the political climates of the UK and Ireland, highlighting key events.
“Yeah just Everything can be communicated just through a couple of blustering.”
Media Treatment of Public Figures
34:10 to 36:20
Examining the harsh media scrutiny on public figures and its societal implications.
“And then one of my colleagues in the Late Late at the time when she later ended up with Harry got the picture put on a mug with our picture together with myself and Megan and the love heart, the happy couple.”
The Impact of the Late Late Show Scandal
36:20 to 39:20
Reflecting on the personal and public fallout from the Late Late Show incident.
“as just an absolute fucking pile-on on you.”
Therapy and Personal Growth
39:20 to 42:01
Discussing the role of therapy in navigating personal challenges and decision-making.
“But the thing turned into an utterly Kafka-esque situation.”
Life Decisions and Late Late Show Reflections
42:01 to 45:36
Ryan discusses significant life changes, including his departure from the Late Late Show.
“Yeah, because I was making decisions, big life decisions at the time, including giving up the Late Late Show.”
The Impact of COVID and Career Changes
46:21 to 49:05
Ryan elaborates on the effects of COVID on his career and his feelings about leaving the Late Late Show.
“Well, I looked in the mirror in March in the dressing room and I said, I think I'm done here.”
A New Direction in Documentary Making
49:05 to 51:46
Ryan shares his aspirations for documentary making and the importance of authenticity in entertainment.
“I do, I do, but I don't miss TVs that much.”
Characters and Impressions on Radio
51:46 to 56:00
Discussion of Ryan's impressions of various characters and their reception on radio shows.
“That's why Agatha Christie sold so many books back in wartime because people had no, nothing to rely on.”
Memorable Encounters with Russell Crowe and Sinead O'Connor
56:00 to 58:50
Learn about the heartwarming and unexpected encounter shared by Ryan Tubridy with Sinead O'Connor and Russell Crowe.
“And we meet in London sometimes and we stay in touch.”
Reflections on Running and Personal Well-Being
58:51 to 1:00:03
Discover Ryan Tubridy’s thoughts on health, running, and how it impacts his life and appearance.
“Yeah, I think it was well, well, well reviewed as well.”
Thoughts on Piers Morgan and Media Dynamics
1:00:04 to 1:02:49
Explore Ryan's views on Piers Morgan and his unique position in the media landscape.
“There's only two ways to do it running and haake.”
Upcoming Live Show and Audience Engagement
1:02:50 to 1:03:56
Get insights into Ryan’s upcoming live show format and the interactive experiences for the audience.
“And then the guest comes out and also questions come from the audience.”
Transcript
Automatic transcript. May contain errors.0:00The Mario Rosenstock podcast. Thanks to home. Finance made easy when you shop tech, electrical, appliances, kitchens and much more. Flexify Europe Limited trading as home is regulated by the Central Bank of Ireland. Coming up on this episode of the Mario Rosenstock podcast. I used to always love when you came on The Late Late Show because I think you made me laugh more than anyone else that came through the door over the years. Because you know when your interlocutor on a show is genuinely laughing. Yeah. Genuinely. Or is laughing out of politeness and professionalism. But with you, it was the former.
0:38And you knew that because sometimes you'd go completely off-piste because you knew that you were on a roll and I was losing my reason. and you realised now we were the bold boys at the back of the class. The audience were kind of the teacher saying, all right, boys, enough. But you couldn't let it go because you knew you had me.
1:05So full disclosure, Ryan Tuberty and I go back quite a long way. I appeared as a guest multiple times on The Late Late Show and I had enormous fun doing it. He clearly seemed to enjoy it as well, and I have to say that for a comedian, he is a great interviewer, because he was able to openly enjoy himself and laugh out loud. In the 20 or so years that I've known him, I've always found him to be a fundamentally decent person, old school, sound, polite and loyal. I haven't seen him for ages, but like you, I've been keeping an eye on what he's been doing, and I had loads of questions for him, including some elephants in some rooms.
1:39so I was absolutely delighted that after a little gentle persuasion I finally managed to get him onto this podcast and would you believe this very podcast was launched on the Late Late Show on St. Patrick's Day five years ago as you might expect there was obviously one subject we had to talk about and Ryan speaks very candidly and openly about it we get properly stuck into the RTE controversy the extraordinary media storm that followed what he thinks he could have done differently and just how difficult that period became for him personally but there's an awful lot more to this conversation than that we talk about why he really left the Late Late Show whether he misses it what he thinks its role should be now his new life in London therapy the changing world of broadcasting and where he wants to go next and because we've known each other for years there's plenty of messing around too old Late Late Memories Gabe Byrne Russell Crowe Michael Flatley Peter Brandon O 'Connor and lots lots more do you not think that to some people it sounds unbelievable?
2:33yeah I do but they're wrong right I looked in the mirror and I said I think I'm done here Really? Yeah and then I went to a meeting with my agent and we sat in his office and I said lads I don't have another season in me Did they say you're mad? They said you're mad yeah I've never sat in the audience for the Rosa Trillie so I've never seen it The interval act was Riverdance and it was the famous diddly diddly ding ding ding and as soon as the head started doing the pointing all I saw was you all I saw was you as Fatly When they say they don't agree with it what do you think they're saying? I think they're saying that I should have been a little louder in my objections to the way things were done.
3:14I agree. And there's truth in that too. They had a Byzantine way of doing business. They did. And you know I probably should have shouted louder about that. Your Brendon O 'Connor is eerily good. So when you're coming on the show, would you like to talk about your mental health problems Ryan? We know you took therapy. Did you get really really dark? Was there something on the night about you? And this is a Paul Simon song you picked as well, is it? Hello, darkness, my old friend. Okay, very good. Yeah, yeah, yeah. And because I suppose a lot of our discussion concerns the Late Late Show, I wanted to play you a little sketch I did some while ago about how RTE executives are planning or had planned or were planning to modernize the Late Late Show.
4:00What would they do to make the Late Late Show work? This was from my sketch on the Ian Dempsey Breakfast Show in April. RTE brainstorming meeting, April 2026. Present myself, Fionnán Macdada O 'Fáhrta and... Moirish Macaníase. Right, the late, late show, Moirish. It's not working. No, it needs modernising. Did you see it the other night, for God's sake? Jesus, no, I haven't seen it in years. Why? What happened? Well, no, I didn't see it either, but I wasn't watching it. You see, there's the problem right there, Moirish. What's the problem, Fionnán? Nobody's watching it. Jesus, fair play. That's a good observation now, I'll tell you.
4:32See, the chat show has changed, hasn't it? The whole interview format situation is gone now. I mean, it's all about clips and clicks. Clips and memes. What are memes? Memes. They're that yoke that go viral kind of thing. What do you mean viral? Like your man, James Corden, you know, that carpool karaoke. Oh, yeah, that's a new thing now. Yeah, I've seen that. Yeah, write it down, write it down. That's what the Late Late Show needs now, Marish. They should be doing clicks and memes. What else? Have you heard of this thing, Hot Ones? Hot Ones. Go on, go on. They get a celebrity, right? And they don't do an interview at all.
5:01They talk about Chagall They just get the celebrity They eat the hot sauce What's the point of that? There's no point But the young people love it These young people Write it down Write it down What else? What else? What do the kids want? Have you heard of this thing Lux maxing at all Fiona? No what's that? It's like When men are maximising Their appearance sort of thing You know They're doing steroids Hormones Plastic surgery What? There's a fella called What's his name? Clavoy It doesn't matter There's clicks in it Oh Jesus yeah There's clicks and memes Memes yeah What else? What else? What else?
5:30People don't want to hear the same old anecdotes from the same celebrities 20 different times on the go. No, what do they want? Right? Fights. That's what they want. Far right, far left, UFC, KFC, fighting, banging, shouting, raging. Clicks. Tons of clicks. And memes, great. Send them in. I want this all sent over to the Late Late Show. I want it on TV on Friday night. Oh, Colin Kielty now. Welcome back to the Late Late Show. We have a great show for you tonight. Would you welcome, please, first of all, Marty Morrissey and Francis Brandon. How are you, Marty? How are you doing? I'm primed for the new GAA season.
6:00How are you, Francis? How are you, Patrick? I can't wait to talk to you about Dunn's stores tonight. Well, forget about Dunn's and the GAA because... What? Have you tried a hot sauce, lads? No, Patrick. It's Supermax's new Ring of Fire. Wow. Francis, you first. Get that idea. Sorry, what am I meant to do? Just swallow the sauce. You too, Marty. All right. How are you doing? Get an idea. Oh, Jesus Christ. Oh, Jesus Christ. Oh, that's hot. Oh, God. Oh, God. Oh, God. Oh, God. Oh, God. Oh, God. Oh, God. Oh, God. Oh, God. Oh, God. I can't call him anything. Marty's on the floor. Call a doctor for Marty, OK?
6:35Patrick, I think you've got to die. And Francis thinks he might be dying, but that's OK. It's all up on TikTok, folks. Everyone's talking about the fuel protests. Taoiseach Micheál Martin is here, but not in studio to talk a boring interview and answer any questions. We went out earlier today in a car looking for fuel. We call it Car Fueliokey. Well, Micheál, we've been driving around Dublin now in a car looking for fuel. Ah, yeah, singing a few songs as well, you know, go for it. Do you know this one on the radio? Ah, of course I do. I don't want to talk down on your lover. I don't want to be a home wrecker.
7:10I just know I can be better, be better, be better. Here's a fuel station now. How are you? Any fuel going at all? Any fuel going? I know. Go off. We'll push on, son. We'll push on. Good luck. Be better, be better. That's Car Fuel Eoki, folks. OK, join us after the break where Daniel O'Donnell will be telling us about his looks-maxing journey, how he's on a course of steroids to gain an eight-pack and how he's broken his own jaw to try and realign it. And join us for Tommy Tiernan and Michael Harding live in studio where they'll be beating the shit out of each other after the break. We're running out of fuel rapidly, Mayhall.
7:49Pull over into the forecourt in Blanchestown. OK. Do you know this one at all? Of course I do. Give it a go. Baby, where the hell is my diesel? Where the hell is my diesel? Where the hell is my fuel? gone. Where's the hell is my field gone?
8:03And that sketch first aired in April 2026 on the Ian Dempsey Breakfast Show and actually it's because the Late Late Show is starting up in a couple of weeks. It's very pertinent for not only today's podcast but for this month. And before we get into the show, first of all if you want to contact me, you can mariorosenstock at gmail.com Contact me about anything. New guests that I should have on, new comedy characters I could be doing sketches you would like me to do anything at all give me a blast and of course the reason we are here and the reason we are free to you is because we have a fantastic partner a quick word of thanks to HUM proud sponsors of the Mario Rosenstock podcast HUM is all about giving you a bit more flexibility when you're buying the things you need or the things you simply want their flexible payment solutions lets you spread the cost of your purchases into smaller manageable payments rather than having to pay everything in one go they've got over 30 years of experience folks globally and they work with a huge range of retailers here in Ireland helping customers make everything from those bigger once-in-a-while purchases to the smaller things that make life that little bit nicer.
9:04And of course, as I said, they're helping us too. HUM's support means we can keep bringing you the Mario Rosenstock podcast for free, no premium to be paid with the interviews, the characters and comedy every week. And if you like what you hear, please just tell one other person about this podcast. That's all I like. That's all I ask. So a big thank you to HUM for supporting the show. We're delighted to have them on board. Well, let's not keep Ryan Tuberty waiting any longer. It was a long time coming. I hadn't seen him since, oh, since the scandal broke in 2023. But we finally got him into the studio chair and it was most definitely worth it.
9:36Enjoy the interview. Wow. Welcome. Thanks, Mario. We landed the whale. The whale was evasive and you were Ahab. And I was not avoiding the spears or the harpoons. It was just the waters were peculiar. And eventually I got whacked in the back with one. And I said, great, Mario. I used to always love when you came on The Late Late Show because... I think you made me laugh more than anyone else that came through the door over the years, as you know, because you know, sorry, do you mind if I jump in here? You know, when your interlocutor on a show is genuinely laughing. Yeah, genuinely. Or is laughing out of politeness and professionalism.
10:17But with you, it was the former. And you knew that because sometimes you'd go completely off piste because you knew that you were on a roll. and I was losing my reason and you realised now we were the bold boys at the back of the class. The audience were kind of the teacher saying, all right, boys, enough. But you couldn't let it go because you knew you had me. I thoroughly enjoyed it, all of those performances. And Ryan would always meet you before the show beforehand and kind of just get a look in your eye and look at the whites in your eyes and go, are you up for this? And we'd see if we're up for the mischief.
10:48And it always used to calm me down. And I remember looking back at, you know, when I was growing up, I was watching Gay Burn and I remember going, God, he is a perfect audience to be interviewed by because he had that thing when comedians were on. He was brilliant for comedians. He had that fantastic thing of that wonderful, wholesome laugh that he used to do. He was engaged with the comedian. Yes. And in fairness, you did that as well. Well, you have to... But you even went further. You actually entered into the complete madness of the whole thing. Yes. You have to be a straight man interviewing a comedian and just let them off.
11:19You know, you have to be the Dean Martin to their Jerry Lewis and never try to compete because that's not your job. You have to facilitate the comic and the comedy. And I loved that because I always loved comedians. So many highlights from my own last 20 years from The Late Late Show. People come up to me all the time and say it. But first of all, just a couple of minor things. Blondon, my wife, says hello. You know, I bump into her maybe in Super Value or along the street or whatever. She's one of the golden people. She's got the kindest eyes. I've always felt that. My daughter describe somebody as having he's got kind eyes and ever since then I see them they're 1 in 10 maybe 1 in 50 but she's 1 she's kind and Ian Dempsey says you know this is all coming back to you Ryan Dempsey's dead and now you know do you know what I still laugh about is the the exchange you had with Ian who I've always loved incidentally I know you have and his wife and you love Tony Fenton as well we can go into all of that now if you like but with Ian and yourself you were talking about the the Yeah.
12:24Do you remember that? I do. Who was it? Was it Bertie talking about the band? It was Bertie. And Ian lost his reason too. Ian had this thing called pharyngitis. It's where an air conditioner can give you a bad voice, but it can make you sound as if you've been on the tear for two days. So Ian sounded particularly rough on the radio for no particular reason. He was down there somewhere. Yeah, yeah. And Friday, it was Friday. We were all going out for the weekend and happy. And Top of the Pops had had their 30th. It was ending. And Ian said, well, let's do Bertie on Top of the Pops or something.
12:53and I went, okay, I'll just do a couple of notes on that and Ian asked a question to Bertie and he said, Bertie, what do you think about Top of the Pops or whatever? What would be your favourite band? And like a typical Bertie Hearn question, how would he answer that? He'd never pick a favourite. He'd go, well, there were a lot of great bands, approximately 10 ,000 bands on Top of the Pops and Ian went, well, name one. Well, name one artist. We were off script here. Name one artist and I said, well, Kim Wildean for starters and he just burst out laughing like why did I pick Kim Wilde and he went forget about singers what about bands I just this came into my mind what is the one band that would be a nightmare for Bertie to pronounce and I went well I always enjoyed da da da da da da da da and he went he didn't hear it at the beginning he went what I went da da da da and then he lost it I lost it he lost it and the listeners lost it and the listeners lost it because they knew it was real it was real because when it's fake people know that's okay let's talk about that for a sec because And Ian Dempsey is just what we were talking about at the start of our chat.
13:55He's a great straight man for you. Yeah. Because he's us. Yeah. That's what makes him so popular. And that's why he's been there for so long. And because he knows how to do that in a very effortless way. And when you say effortless in this business, it's actually effortful, but you don't see it. That's the nice thing about it. So that's that. But authenticity is the answer to everything. to, so when people were listening to you guys letting loose and kind of losing the, your, you know, train of thought and actually going off script and so on, then it's dangerous. Yeah. And who doesn't love a bit of danger?
14:31Yeah. So, that's the fun stuff and people know that you're laughing and that's great. And we would never do it unless it's real. So, it's only happened about three times over the last 28 years. That you what? That we've corpsed. Corpsed, I love a good corpse. Three times it's happened, two times it's happened, when I first did Michael Flatley on the radio for him. You know how I feel about that. And he knew that I had this Michael Flatley in my pocket, but he didn't know all the stuff about the Blarney I was going to say. Blarney is gold. And he started laughing as soon as I did it. But I had about another page of it left, which meant he knew he'd have to go through all of this.
15:07So I was talking about how I had two dogs and everything. Or Moya had two dogs called Fíknán Fáknán or I had two dogs called Moia or something and she was a bitch and all this sort of stuff and he lost it and everything. Because you were getting into the politics. Exactly. As all great satire dogs. Yeah, yeah, yeah. So it was mad. So I was at the Rose of Tralee last week. Yes. First time in 20 years. Yes. And the Interval Act. I've never sat in the audience for the Rose of Tralee. So I've never seen it. Yes. You know, weirdly. Yeah. So I was watching it unfold and I was so, because I presented it for two years in 03 and 04.
15:45And I was watching it. Anyway, the interval act was Riverdance and it was the famous diddly diddly ding ding ding the big act, the Eurovision moment that changed the pop cultural landscape in Ireland, arguably. And as soon as the head started doing the pointing, all I saw was you. All I saw was you as flatly the point. Because you came on the show one night and you were in full regalia. And as soon as you'd have pointed, I don't know what he's pointing at or to whom or why and neither does he and neither does he and you're pointing there and then you point that way and I thought you are Mario is so embodying this character exactly in character that Mario Rosenthal is at home and he's brought you know Flatley 2.0 with him and taken out of a bag like like Jim Henson would produce Kermit you know that's you're kind of that's the big reliquism but Kamir do you know you say that Flatley coming onto the show because I did Flatley on your show in 2021, right?
16:43And it was one of the COVID shows where we had no audience, right? And I danced on it flatly. And that was the night, it was March 17th, that you, in a sense, launched our podcast. Was that that night? This podcast. This podcast that you're sitting on. The first night, first day of the podcast was that day. And now it's five years later. And here you are, round circle. Round circle, whale landed. Whale landed. Thank you for having me on your show. And it's going so well. I mean, this is... It's good. It's fantastic, Ryan. And as you know, the world of broadcasting has changed. Nobody knows better than you.
17:15But what I'm saying is, I suppose, in so many ways, the world of broadcasting has changed that you could be sitting here doing a podcast. I remember when I was doing a podcast years ago, it was so low key and so low fi and so under the radar. Everybody was doing a podcast. Anybody who did a podcast, it would go to number one in Ireland for the first week. Everyone. Everyone went to number one. And then you go, I'm number one in the podcast. Then the next week, where are you? Number 148. and somebody else was number one then you sort of discovered there was no money in podcasting and then you go but I love it so I'm going to do it anyway and it's a different side to yourself and you're developing and then finally in the last two years it's suddenly there is money in podcasting and people they're circling the brands and all these people are circling and then they're jumping in so that world has changed and it's changed to the extent that like this is in a way and you're part of this world this is the new world now it's what I think What I think about a lot is what's going to happen to radio and TV as we know it, as we grew up with it.
18:17Because they're under serious threat. Terrestrial television is in trouble. Big time. Dare I say it, terrestrial radio, it's not in trouble, but steady as you go. And you need to start, you know, watching. I think the liveness of radio. It's going to help. There's no doubt about it. But you have to, it's a protected species nearly. And you need to be treading carefully with what you have. I do think television is in trouble. TV is definitely and it was when I was there I'm not saying that as a sort of oh look what's happening now it was always no you're not you're not doing it well now that I'm not it's not the same as it was that is the most lazy intellectually you know it used to be good it used to be good when I was there not in the slightest it was going this way because of technology and the way I was asking somebody I said what radio do you listen to he goes radio I said I only listen to podcasts if that counts so and this was somebody who would have been a radio head once upon a time You are a radio head.
19:10I mean, I just have a couple of things. I mean, I go back with you from the very beginning. I mean, you did a show called Morning, wasn't it Morning Glory? It was a radio show called Morning Glory and then we did all kinds of everything. Yeah, so you did a morning show called Morning Glory, which was kind of your big start in radio and RTE. And then I remember you did a TV show called All Kinds of Everything and I was drafted in to do a little comedy bit. Just to explain, that was my first taste of TV primer and it was a guy called John O 'Regan who was responsible for real years. Total legend.
19:38Complete legend, lovely man. And he had said, so we'd do this quiz. And part of it was where you'd have the face of somebody famous and the mouth moved. Yes. And you were the mouth doing the voice. It was like a little American television. Precisely. We used to borrow it from Conan. Conan was doing it or whatever. And the mouth would be doing things. And that was a great old quiz. Yeah. It was smart. And somebody had come into the quiz. One of the producers and said, saw me talking to the audience and said, you should be doing something else. It's already nice. Well, actually, it was Rosa Tralee for two years, which I did.
20:12And then they saw me doing that and they said, actually, you should be doing a chat show. Tubber Day Tonight. And Tubber Day Tonight has kind of stood the test in time because that had a kind of a vibe on it. It did, yeah. It had kind of a rat packy late night. It did. A bit of a mischievous vibe. Yeah, it was the... You could see that the people who were on Tubber Day Tonight were definitely going out afterwards. There's definitely a sense that this was the show where, you know, you were just short of having the whiskey and ashtrays on the set. Yes. All of the 50s. Yes. And the look of it and the live band, which I always wanted, the Cumberbatch Quartet.
20:45Yes. The brass, the sass. Yes. You know, it did feel like a nightclub with some guests. And I really, really enjoyed it. In fact, we all enjoyed that. And it was a bit, subversive, I should say, is too much. It wasn't that. It was on RT, for God's sake. It couldn't. A little bit cheeky. But it was a bit cheeky and it held its own and it would have survived longer had I not been offered the Late Late Show. And I do, in some ways, regret not having stayed on a bit longer, but I felt this is an opportunity I couldn't let go. When someone offers you to present the Late Late Show, you can't not take it.
21:17But I do, in hindsight, wish I had spent a little more longer in the nightclub of Clubberdy Tonight and held my horses and matured a bit as a broadcaster and then gone into the Late Late Show. And you were so right about the producer of that, John O 'Regan, because there was actually, funny enough, an article about John last week in the paper. Yes. And it was the guy who could have been or should have been the DG. Did they say that? Yeah, this was a picture of John and he'd be mortified because he's so private. Yeah, he is, yeah. And it's the guy who could have been, should have been the next DG.
21:44Yeah, there's sense in that. Oh, there is. Because not only did he do reeling in the years, but John used to control the entire political election. Election 2020. John would be controlling the entire thing from the Longford constituencies to Waterford to this Miriam in the studio. Cool head. Cool cat. He's so cool. Yeah, a very good egg. A huge time for him and just a good person. I think he's gone now but I'm sure I wish him well anyway. When we say gone we don't mean it in the good fella's way. He's gone. What can I say? He's gone. Oh Mario, we don't have to worry about John anymore. He's gone.
22:19He's gone. He's gone. What do you mean he's gone? He's gone. There was nothing we could do. He's just gone. There ain't nothing we could do. He's gone. And we mentioned the late, late there right so let's talk about the late, late because I remember you were on something and you were talking about how you would have wanted to bring it down. You were hoping maybe to bring it down the road of being maybe more of like the old style kitchen parlor, the National Forum place where we would. Because I had Larissa and Paddy Cullivan on the podcast actually and we talked for 45 minutes just about this subject.
22:49We talked about Gay, we talked about you, we talked about Pat, we talked about Keelty, we talked about the expectation from the public, what the late late expects, what the public might expect. We talked about what it delivers and what it doesn't deliver. We talked about, you know, the idea does really the Irish, are the Irish public really interested in, let's be honest, a C-list British celebrity who you'd know his face and he's just done a kind of little children's book or something. Are we really, really interested in that? Or should we use the late late show as a kind of something more important?
23:27I worked on it for 14 years. And, you know, as you characterized it there, like all the heads I worked with, it would be really upset to hear you say that because they'd say it's not like that. You know, we'd have bigger guests than that and better guests than that. But there's a perception just because we might have the occasional bad guest. Now, look, I've gone from it for, I think, three years now. So I'm out of the loop. I don't know what's happening on the show. And I don't have any bad vibes about it. I wish them well. but I did hear Patrick Keelty saying and I don't know Patrick from Adam other than occasionally having said hello but I did hear I read something that he said he wants to go down what you just said down the road back to the the town hall vibe on a Friday and I think that he's right that it should I go back to its roots where you did have probably a lot more challenging stuff a lot more maybe topical things yeah but I think my difficulty here is that I don't know enough about the show as it is anymore.
24:25So I'm probably talking through my hat. But if he's saying that, that's very telling that clearly he wants the show to be more. A minute ago, you talked about the difficulties with terrestrial television. Yeah. And I actually think, funnily enough, and ironically enough, there was an opening for that. I agree with you. So instead of kind of almost trying to reproduce what everybody else is doing, go, no, use this hallowed place, 9.15, 9.30 on a Friday night. 9.35. 9.35. Let's get it right. On a Friday night. You can hear the music already. To actually talk about what's mattered to the people of the country this week.
24:57Well, I think that's what he's been, that's what he's saying. And I think that to, you know, people talk about Graham Norton's show. Look, Graham Norton's show is, you've got to understand, it does so well, largely because it's recorded on a Thursday evening. Within an inch of its life, three, four hours. And cut and edited down, which is a credit to everyone involved. I'm not having a go. I'm just saying that this is the different type of show. The La La show is, when I was doing it, it was two hours. It's now an hour and a half. so that's a nice neat time which I would have loved probably would have stayed on if they'd cut it down to that but anyway neither here nor there so but it's live life and what Patrick appears to be saying is he doesn't want it to go down the kind of the Norton route he'd rather went back to what other people were doing Gabe was doing Pat was doing I was doing which is you know one of my favourite I've said this on my when I was doing the show around the country people were asking you know who did you love on the show and whatever I keep talking about Vicky Phelan and I talk about Catherine Corliss and the heavy stuff.
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25:54Then you talk about the showbiz stuff. Of course, that's there. But the heavy stuff resonates all the time. So the idea, I think you've just nailed it, actually, where the idea that we all want to gather somewhere at the end of the week to say, what was that? And I think the Late Late Show always had that and can have it if it wants it. and live sorry last point is that terrestrial TV is going to be saved largely by big event moments on TV whether that's a sports event or a general election or whatever but a chat show has to sustain itself week in week out now it's a shorter run which is of benefit as well and that makes sense but by the way when I said C-list British guests yeah that was very offensive yeah but actually but well I'll extra I'm having a pop at you no no but I will drag more out of that I would also say I would also say that like even Tom Cruise or Will Ferrell who both were on the show when I was there of course they were I would even go like you know they're available so often so many different places that I would for example would you prefer Will Ferrell or would you prefer let's say an absolute big Barney about the M9 motorway crash I know which one would rate yeah well which one It's not Will Ferrell.
27:13Exactly. It's not Will Ferrell. And I wouldn't do it just for the rating. I do it because people would go, I can't get this debate anywhere else, but I can get Will Ferrell everywhere else. That's it. That's exactly it. The problem, it's not a problem, but the reality is once upon a time, you could only see Will Ferrell on a chat show, be it in the States, in the UK or in Ireland. Now Will Ferrell might have an Instagram account. You see them every day, everywhere, all the time being interviewed. There's nothing new in it. Yes, he'll come to Ireland and it is getting a little bit, you know, what's your favourite, Taito?
27:45And we need to watch that, you know, where's the best Guinness and chicken roll. And that's all good. And it's funny, but it's getting a little repetitive and 55 influencers asking them about crisps. Correct. We need to hold our horses there because the currency of quality conversation is being debased a little bit by goofy questions about Ireland. So I've asked them, I'm guilty and I'm saying it to myself. I think they have a place. They have a place. So we'll say that. But sorry, back to your point. A debate on the M50 versus Will Ferrell. I think you're right. This is our USP and that's what always rated.
28:20I remember the night we had Tom Cruise on. I think he was outrated by something more local. Agreed. And that's how it works. Agreed. And people would be surprised to hear that, maybe. And also, Ryan, I said this as well on the podcast with Paddy and Larissa. It was, if you could get to a stage where you're not being afraid of being intelligent. All right? What do you mean by that? he says asking somebody to explain something about intelligence. A lot of people in TV and in media these days are afraid of being complex or being intelligent. They're afraid their audience won't get it. Well, that's a great mistake.
28:55It is a huge mistake because... Intelligence of an audience. Exactly. Yeah. I believe that if you make something that's smart and if you have intelligent contributors on something, your audience will find you. So, for example, of all the people... I remember Gay Byrne making Eulich O 'Connor absolutely famous on the Late Late Show years ago. Hewlett O 'Connor. Yeah. I mean, this is like very highbrow sort of. It's like, you know, Dick Cavett, who was a famous presenter in the States, who would have had, you know. Smart. Yeah, he'd have Bobby Kennedy, John Lennon, and Norman Mailer for an hour and a half and 20 cigarettes and three bottles of wine.
29:32Now, I have to say that, I would love a show like that. I'd love to bring it back. It may be a little healthier, but yes. Yeah. So, I think what, To go back to what you were saying a bit earlier on, Mario, the idea of the podcast, people said, oh, TikTok generation, we don't have the appetite for three seconds. Hold on a second. The greatest, the most consumed podcasts in the world at the moment are long-form conversations, which chimes with what you were saying. People have an appetite, they have an ability, an aptitude, and an interest in intelligent conversation. And that's why I don't miss The Late Late Show, largely because The 10, 12 minute interviews were starting to drive me mad.
30:12Now I can do a bookshelf podcast, have somebody on for 45 minutes. Actually, very little editing because I want a natural flow conversation. And mistakes and imperfections are good. Precisely. And it breathes. And I think that the audience are ready for that. I agree with you. And I think that's what Patrick Keelty was saying was, can we go back a little bit back to the basics? I don't know if it's right but I'd be inclined to agree with him And radio do you listen to RT radio or anything? Not as much if no in fact no I don't Very honest answer Well it's honest only because I might listen to Shea Byrne or Marty I love Marty and Shea their shows are so Marty Whelan Sorry Marty Whelan I love Lyrica Marty I do him as a character on the radio who doesn't talk Yeah just Everything can be communicated just through a couple of blustering.
31:08Which he does. He does. Yeah, I'm sceptical now. I listen to those. I listen to those guys. And it's largely, I tell you, that's not out of any animosity either because that is because I now work in British radio, largely, and it's current affairs radio. And the station I work for is called Times Radio, which is linked in with the Times newspaper and Sunday Times newspaper. And it is really intense even though I only do one show from London Bridge every Sunday Three hours Three hours one to four but like this week for example when we're recording our chat I'm doing a show on Friday morning Saturday afternoon and Sunday afternoon three hours each on my own talking about the you know Andy Burnham in Kiev as he was this week I'll be talking about homelessness in the UK and if I'm not listening to all of that all the time I'm not I'm not going to be a good presenter Exactly So I'm embedded in UK I read their papers Do you listen to the stuff that I was telling you off air that I did a lot of listening to James O 'Brien and stuff I listen to LBC quite a bit Well I listen to it occasionally but I tend to be more like a company man because they're my colleagues Listen to your own stuff and there's a lot of content on your own Huge and it's a lovely station because I'm a news hound so if you listen to say BBC Four you might get The Archers or something actually I just want to hear news so you know you're going to get news so it's not that BBC Four is fine of course but it's I just love the archers just brings me back to when are you sitting comfortably then let us begin listen with mother did you listen to all that stuff see my grandmother who I based my Michael D Higgins impression on brilliant my grandmother talked like that and although she was from County Waterford she was something of a hyacinth bouquet in the sense that she believed she wasn't meant to be here yes and she used to tell me about all these people who Dirk Bogard Dirk Bogard the actor Hermione Gingold John Gielgud Yes Now Mario you listen to Radio 4 Alistair Cook's Letter from America Nice So I grew up I was like 7 and 8 going into school in Waterford going Anybody hear Alistair Cook's Letter from America there last night by are the Archers and the people in Waterford going who the fuck are the Archers are they living up in Grange Yeah yeah yeah or is it a pub where's the Archers and is that near the mental hospital because it was called the mental and hospitals, you know, mental institutions were called de mental.
33:34But anyway, so I grew up listening to Radio 4, Ryan. But yeah, so yeah, so Times Radio. So I listen to them and read the UK papers. What's, I kind of have passing. England, UK is in a funny place, I think. Yeah, it's a fascinating place to be. I think it's, you know, I do follow Irish politics obviously still and it's actually quite calm here compared to over in the UK. Quite feral over there. it had seven prime ministers in ten years I mean it's it's really interesting place to be it's House of Cards and Wolf Hall writ large 2026 all together and Burnham was the king of the north and he made his way south I mean the drama is amazing and then only recently you had Wallace and Simpson you had Meghan coming home with Harry and that has the place abuzz they are obsessed with Meghan Markle now I met Meghan for 30 seconds you did actually that's well known and we got a picture to take it together.
34:29And then one of my colleagues in the Late Late at the time when she later ended up with Harry got the picture put on a mug with our picture together with myself and Megan and the love heart, the happy couple. So I still have that cup. But the point is I find myself on the radio saying over there when we're doing newspaper panels we're saying why do you hate her so much? And there's a serious point to be made here which I'll say briefly. There was a guy, an academic you probably heard about who died by suicide recently. Jason Arday. Jason Arday. And there was a terrible pylon on him for one week.
35:01One week, he was being hounded and hounded because he was plagiarizing and he was a bit of a fabulist. And he was somebody who kind of made his way to the top with peculiar means. And he had a difficult relationship with the truth by the sounds of things. Either way, no one should die for those reasons. But the pylon was pretty grotesque. and my feeling is that the way they talk about Meghan Markle I don't care if you like her or not don't stop like just leave her you don't have to take to the keyboard or write a really horrible headline you know if you don't like somebody I just don't like the the meanness of of the media coverage it's still got a culture of which goes all the way back to Fleet Street in the 60s, 70s and 80s it's still got a culture of of nastiness in it they will go personal they'll go after you whereas in Ireland I mean I'm talking to the wrong guy here well you are a little bit because I'm talking to the wrong guy here who's taken an absolute baiting yeah but yeah for months and months in a row yeah yeah but to tend not to actually I'm looking at the wrong guy I'm still looking at the wrong guy yeah yeah yeah regardless of what side of my own do you feel resent just jump in here now yeah yeah do you feel and I know you'll be honest with me do you feel any resentment towards the Irish media for what many people would perceive as just an absolute fucking pile-on on you.
36:23I would say the misfortune in my case was that it happened in August. Like the story broke in June and it was a summer story. So it was easier to cover relentlessly. Also, I think that there was people do like to see the big fish in the pond taken out. So there's a kind of peculiar joy to that for some people. Wasn't it the fact that there was an anger as well at the institution and that they just used you as the kind of... Well, I would characterize it along those lines. But it's funny. Is that a scapegoat? I think that's what I hear on the street all the time. That's what I think, yeah. Well, that's what I hear on the street all the time.
37:01And there'll be others who don't agree with that. That's the site panification of it. When they say they don't agree with it, what do you think they're saying? I think they're saying that I should have been a little louder in my objections to the way things were done. I agree. And there's truth in that too. and that's I feel bad about that Having said that it's not easy for you to be a little louder about the things so for example They had a Byzantine way of doing business They did and you know I probably should have shouted louder about that Like anybody else anybody who works in entertainment or even any business sometimes you do a gig or sometimes you do a job and they go so what we're going to do is we're going to pay you we're going to pay you this and we're going to pay you through this this way and we're going to pay you through the third bit this way and you're there okay it sounds a bit like okay right but is it all above board?
37:49Yeah. Are we paying tax? Is everyone happy? Now in fairness you're not a chartered accountant. I can't add. Are you meant to monitor them for their own payment methods? My feeling was always I was fortunate enough to have people to look after that so I just focused on presenting shows and then I was a bit taken aback by it. But that was my naivety and stupidity in some ways. What could you have done differently then if you're saying it's your naivety and stupidity if it happened to you again now? I should have been more attentive to it. How could you have been attentive? I should have read everything looked at everything taken out a calculator and then and ultimately said to them this doesn't look right yeah I don't like the look of that or something like that they would have said to you you leave us do our job Brian and you do your job yeah yeah they would have and they're your goose either way but I saw one head the ball writing recently saying I wish he'd stopped talking about all of that and I do I don't talk about it it's only because I'm asked about it I don't get any great joy about going back talking about that time because it was very dark and unpleasant but you know if you look at my for example my Instagram account it's never mentioned so I'm not going around talking about it it's just when I do an interview unfortunately it's going to be one of those things that will follow me for a while and I'm only answering because I'm out of politeness I presume you are and I presume you understand that there are a lot of people a lot of people out there who would think pretty much what I'm thinking that that this utterly utterly bizarre situation for somebody to find themselves in yeah it was bizarre and it is because you're part of a state organisation or a semi-state organisation that people feel they have a right to weigh in.
39:22But the thing turned into an utterly Kafka-esque situation. You must have been wondering at some stage. You must have been wondering often. Because I was wondering on your behalf, and that's not just because I know you. I know people who didn't know you must have been wondering on your behalf in the maybe five or six minutes they might have given to you on a day to think about it or two minutes. What the hell is going on here? Hang on, am I Liam Lawler? Am I Ray Burke? What the f... What am I being made out to be here? Yeah. I mean, this has to have been going on in your brain where you felt, am I living in the real world here?
39:58Yeah, well, I was in the middle of it and it was just very... It was deeply upsetting. And yeah, I was bewildered and puzzled. My son gets... He's done his leaving. Yeah. And in the last couple of years, of course, they're also active on the stuff they see coming in the TikTok. But because I knew you and everything, he'd shown me stuff at night, you know, just a dad. Listen to this. What's happening to what? It's Tubbs. What's going on with Tubbs? And he'd shown me this video, right, of you going into a spa. Oh, yeah. That was before all of this. That was the guys with the vaccine. Yeah. Well, you going into a spa and then you're on your way, presumably, because I know you.
40:37You know where I was going? Donahoo's. Oh, Donahoo's. Oh, Donahoo's. You're going over to Donahoo's to meet people for a quiet pint. And this fella's there, Ryan Torberti, you have a lot to answer for, you scrub. There was two of them, by the way. Right. And they were probably in their 30s. I'd say a lot of time in the gym, beards, and they just saw me walking past them on the street and followed me into the shop. Yeah. Recorded. I didn't speak to them because they were so angry and about the vaccinations. And that happened after COVID. I became Johnny Vax and as far as they were concerned. So it comes back to that.
41:12like even when the big RT thing happened people who didn't who maybe didn't like what I did anyway just went oh now we have a real quality reason to dislike him or whatever so lots of people you know even before anything like before COVID people half the people thought you're a pain in the arse RT thing half the people think you're right so and then the other half are people on the street saying where are you come back we miss you you know and it's really lovely must have really the public are amazing it must have been thrown it must have thrown you into mentally a very hard place It was tricky, yeah.
41:43I had to read up a little bit about you, even though I know a good bit about you, but I still had to read up a bit about you. And I believe that you did take therapy before any of this happened. Oh yeah, that's right. You had engaged in therapy. I had, yeah, really good guy. And you found it clicked with you, it worked. Hugely so. Yeah, I'd had to go at it about 10 years previously and it didn't click. And then I met somebody and it did click and that was tremendously helpful. Yeah. Yeah, because I was making decisions, big life decisions at the time, including giving up the Late Late Show. Yeah.
42:09And that happened then. and I just wanted to talk it all through. And yeah, that was great. Really great. And did you continue after the... I continued for a while. The RTE thing. Yeah, I did. And now, not so much now because I'm very happy and settled and the world is a good place again. Yeah. I used to watch, when I used to come in to the Late Late Show, I used to meet you beforehand, as I said, and I'd do a few impressions for you. I'd always do Gay Burn for you. Yeah. And all, and sometimes... Well, when you did the... when Gay went off on his little Americanisms on the slide that always he you know he'd do the kind of 40s villain yeah and this is an unfortunate little behind the scenes story I remember going to you once because I'm always trying to think of new things and you said how are you fixed tonight how are you doing and you know I go I'm great I actually have a little idea for you Ryan and he went what is it and I went I think there because Gay had died recently and I said I think there are three gay burns and he went go on tell us tell us and I was saying there was the original gay burn which was a bit like Eamon Andrews and it was would you welcome please the Beatles That's right That little BBC Slight little BBC thing But it's also trying to maintain The Dublin thing Yes And it's a little bit like that I'm not leaving Dublin behind But I'm also doing Slight received Slight received presentation John George Ringo And Paul The Beatles Yes Right And then in the American In the early 70s then He went into Obviously American TV Was massive And he went Okay let's have it going here We're going to have A little rattle tattle That'll do He's going to do A little diddly idle doodle dance Then Hal Roach Is going to be on Do a little bit of Ha ha ha and then after that we're going to talk to Peter Euston off tofferoonie tofferoonie tofferoonie and then in the I don't know where it comes from but it's there you've got it right and then what's the last one and the last one the last one is the hooded eyes the meaning of life this is do you believe in Satan are you Satan Bono you are Satan you wore the horns if you meet Satan at the gate what do you say to him howdy doody buddy the hooded eyes the hooded eyes and everything so it all went wise and hooded yes it went Yoda Yodafication you fell around the corridor laughing at this and you went let's do it tonight please and then the producers went no can't do it bid soon so it was always a bit like yeah big big very careful you know who has that is do you remember Wurzel Gummidge yeah and do you remember Tom Pertwee yeah exactly and do you remember he'd go into the shed and he'd have all the heads yeah that's right so he'd have a cake eating head or he'd have the posh head or the intellectual head yes yes I think Tommy Tommy Tiernan's like Wurzel Gummidge.
44:38As in? As in, in his shed he's got the diff, he's got philosopher Tommy Head. Okay. He's got goof back of the class head. He's got... Tinker Tommy. Yeah, precisely. He's got all those different elements to it and, you know, he was a great guest for us on the podcast and we did a live show in Galway. Yes. And we got, I was saying, which head is coming in? Yes. And actually we got a weird licorice all sorts of a mix of all the best of him. Great. We got his greatest hits in a head. Great, great. He was brilliant, yeah. The bookshelf, those sold out very well. Yeah, that was a great... And you've got another one coming up on Friday the 11th of December in the pavilion.
45:16I've got two... Plug-a-rooney. We've got... Look at that, total pro. Washed him down, turned him around, put him through the car wash, out he came. Plug-a-rooney, 11th of December. Get on the tickety-wickety, master. We have... We're doing... Actually, we're going to do a matinee show for kids that day. Yeah. Well, so it's four o 'clock and eight o 'clock because a friend of mine's daughter said, why don't you do one for us? I said, that's a good idea. Let's do one for that. So I'm looking forward to that. Kind of kids and reading. They're all the rage now, do you know, the matinees? Are they?
45:45Yeah. So I'm going to do them as well. Are you? Yeah. So here's the deal, right? So the world has changed. The world of live entertainment has changed. So the first person I saw doing it around this neck of the woods was Jimmy Carr. Jimmy Carr will come into Dublin and he'll do three nights at the Olympia, but he'll also do Saturday afternoon and Sunday afternoon. That's so clever. for childminding and people don't want to get drunk all the time correct so some people go do you know what I like Jimmy Carr but I want to I want to see him in the afternoon I don't want to drink I want to go home in the evening and I want to go out to do something else in the evening do whatever yeah that's really clever so matinees are now in so they'll go well for you I'm an accidental zeitgeist yeah that could be a chapter title but anyway anyway back to the late late just for a minute because can I can I you'll have to sort me out on this one go on I feel like Columbo here right because you're going to have to get that later just one more thing okay just one more thing okay the whole thing about the late late I buy it I understand believe it but what the one thing I can't understand you're going to have to sort me out I'll try now how did you give up the late late and then just a few months later all this stuff happened do you not think that is the most staggering coincidence in the world yeah I do yeah do you yeah do you not think that to some people it sounds unbelievable Yeah, I do.
47:02Okay. But they're wrong. Right. Perverse. Well, I looked in the mirror in March in the dressing room and I said, I think I'm done here. Really? Yeah. And then I went to a meeting with my agent and his number two. And we sat in his office. I said, lads, I don't have another season in me. Did they say you're mad? They said you're mad, yeah. They said, you've got another year in your contract. You've got to finish it out. and I said, I don't think I physically, mentally have it in me. I know this sounds bonkers, but it's true. I believe it. And you have to, because it's true. And they said, Jesus, okay.
47:40And they looked me in the eyes and I was kind of getting upset and they were saying, is it that bad? I said, yeah, I think COVID sucked the life out of me doing that show. You were on it for two or three years and I think I want to go exploring things and if I could finish it before my 50th birthday, it just feels right. So on the day before my 50th birthday, I did my last Late Late Show. There was a message from Paul McCartney, all of my colleagues and staff came out on the show. There was no hint of anything. I went to Connemara the next, I was madly in love with my relatively new girlfriend partner at that stage, Claire, now my wife.
48:15And about two weeks after I finished, I said, great. And I was kind of plotting and scheming, where to next from here? I was really excited about the world opening up and going okay I'll go to London and I might do my books podcast which I've been dying to do I felt this great relief and this great sense of now what's next and it was lovely it just it was a lot of I just I loved it I loved that I'd given it up in good time I felt it felt like a right decision despite what I'd been advised and then I got a phone call to say there's something brewing and I said well I don't know what you're talking about and that's what happened so yeah yeah um flipping hell yeah I know it's a bit mad isn't it it is I have nothing more to say about that yeah I think yeah what can I say that's just you asked me for an undiluted truthful answer and there you go and no regrets leaving it you made the right decision did you I made the right decision I think if they had if they had agreed to make some changes but that's what yeah you know I thought the length of the show the length of the run I was saying could we have a look at that and there was no shifting on that and I said fair enough well if you can't well then I really don't have that in me and then that was the end of that so no I don't regret it at all I don't miss it at all I loved it but I don't miss it yeah you know I miss probably the radio side of things a little bit I like I love where I am now but I did love my audience and the listeners and the conversation yeah a lot of it you were very suited for because you you are a kind of I was very much myself you come alive at night and you're able to get up for the show yeah you're able to get up for a show you're a showbiz kind of person I have a showbiz And I don't mean that in a bad way, but there are some people who are, some people are good at what they do, but they're not necessarily showbiz.
49:54Yeah. You like showbiz. I love it. I love meeting the people. You love the smell of grease paint. I do, I do, but I don't miss TVs that much. I think I'm going to get into some documentary making now, and that's really more where I'm at. I don't want a TV show as such. Documentary making is, I was saying to somebody, I'd love theirs. It's a pretty cool place to be. Well, I hope so. I mean, I've got my love of books and history. History, yeah. You know, it lends itself to it, you know so you know and so that's probably the next plan and of a book or two floating around the back of my head too so it's all it's always plotting and yeah I describe it as being like for 20 years plus I had you know six pack of Myers bars and they were tasty and but it was getting a little samey now I have a selection box so I have a different bar of chocolate What about the 9 to 10 in the morning did you enjoy did you miss that?
50:46Yeah I did miss that I thought it was a great slot. And did you like that particular hour? I did like that hour and I thought I was very good at it. Did you ever think I would have wanted two hours? No. And it was often talked about. I felt it was a very neat hour that we nailed. So we'd open with the monologue. Generally one interview. And one interview and then audience coming. I just felt a lovely connection with the audience. Like really nice vibe. That radio gold where you form a club like you have with Ian where you know your listeners and they know you and there's great trust and you say don't go to that film or do read that book.
51:18And, you know, and I really enjoyed that connection. Consistency as well is important. Ian's always talking about that, consistency. Yeah. Like we got, for example, not to blow our own trumpet, but we got good numbers the last time. Big ones. Yeah, big ones. But we kind of go, gee, this is great news altogether. We're texting each other and this is, is it ever going to stop? This is fantastic. Up and up you go. And Ian just went, look, maybe in a world gone mad, consistency is where people are coming back to. Yeah. Back to, you have a very authentic show as well. And I think that's really important.
51:47that authenticity. But yeah, consistency is a good word. People just, there's so little. That's why Agatha Christie sold so many books back in wartime because people had no, nothing to rely on. They had no consistency. But these books in the course of 200 pages said, here's the problem, here's the solution, here's resolution. And at last, they had this in little books that they could read. So that's what people like that, whether it's a radio show or a book. Very good. And you were very nice, actually. Sorry, this is meant to be about you, but you did say, that you did say that you're enjoying some of the new characters that I've been producing on the radio.
52:20Yeah, I think you're Ivan Yates. You've now, you've honed in on Ivan brilliantly. When you bring, this is how, when you can pirouette from Ivan to Matt without, you know, batting an eyelid. That's part of your... Oh, I love that. So Matt became a popular character recently as well and it was just, it's just a high-pitched thing. I used to do him as a pigeon years ago. I remember. So I used to always just go, Yoo-hoo, woo-hoo. And now I just talk about Saturday and what we're going to do. And Ivan, Ivan, Ivan, why would you say that? Well, Matt, here's the thing. Everything I say, Matt, is important.
52:59And Paddy Power have the odds out now. The big question is, will Ryan Tubber-Dee grow a beard? and people are saying that this beard could be personally catastrophic for Tupperty this is so good but I find it I love the personally catastrophic bit like why would a beard be personally but the way you say my name as Ivan is really good Tupperty you know whatever way you did it there and the other one you were liking was Brendan your Brendan O 'Connor is eerie eerily good so when you're coming on the show would you like to talk about your mental health problems, Ryan. We know you took therapy. You know, you love Connemara.
53:45But, like, what I want to talk about is how dark did you get? Like, you know, did you get really dark? Or just dark, you know, the light before the fall or the dawn? The dawn before the dusk or darkness? How dark did it get? You know, the band called the darkness? I believe anything called love. Did you get really, really dark? Was there something on the night about you? I mean, did you ever think about it, Ryan? No, no, don't go there. Okay, we won't go there now. but actually I'd like you to go there because we're all thinking about the ratings now and I'm thinking about the front page as well tomorrow I haven't written it yet but you could do that for me maybe you could scrim a load of you dark, dark, very dark or really dark Ryan don't you like your costume?
54:24okay and this is a Paul Simon song you picked as well is it? hello dark, this is my old friend okay very good I just made that up on the spot it's good you're just riffing I'm just riffing yeah it's great so you like Brendan I think you do great Brendan I think you do great Ivan Okay Couple of friends of yours Russell Crowe Oh Russell yes That's hilarious Love that Tennis with Russell Crowe Ah yeah I know you like your tennis don't you and that became I mean you alluded to earlier on how there was a bit of a touch of the kind of where are we going after the show about our late lates and regularly we'd go out on the tear and Russell and myself went out one night with a few of the team and he was kind of chatting away and we were getting on fine until I said that I had written a letter to a former Australian Prime Minister called Gough Whitlam who was sacked by the Governor General in the 1970s.
55:17And he said, you're out of Gough Whitlam? I said, yeah. He was really popular for the Liberals. And I was in college studying history and I did Australian history. And little did they think it would come back because you'd say, why the hell am I studying history? Well, because one day you'll be talking to Australian Prime Minister. Oh, hilarious, yeah. You know what I mean? And I was saying to him... He must have been so blown away with that. He was blown away. Do you know the name of that Prime Minister? Yeah. And I said, and Mr. Whitlam wrote back to me a beautiful letter with some documents that he was working on and he said mate we've got to sit down so we sat down we had pints now he was having he likes tequila tequila so he was having tequila I can't drink I love my pints but I can only have a few and I was having pints of Guinness and my team were seeing me getting a little bit you know going and I also like and what they were doing is I'd get to the half a pint and they'd reach in take out half the pint put a fresh one in so I wasn't drinking so it was a never ending pint but just kind of to temper me they were brilliant and then so we stayed in touch and then he was over filming The Pope's Exorcist in Dublin and I met him and he said will you come up and play tennis up in the house it was the house that Matt Damon with his yeah bag of cans yeah yeah bag of cans and so for about eight weeks eight Sundays in a row with myself and Russell and his partner and some pals would play tennis I've seen good few interviews with him and he's a very interesting fella bright and well informed and curious He's very well informed and he's very curious and he's very loyal and he's got a great kind streak to him.
56:45And we meet in London sometimes and we stay in touch. He's a great supporter of a brilliant guy who I now love called Dave Lofts, a singer. He's going to go, I think, all the way. So that's kind of nice. And he's invited me out to his place a few times now in Australia, but I haven't had the chance to go. But I'll just finish this Russell bit by saying I was sitting outside a pub in Dorky as it happens one night with him with a couple of pals and a little person was walking along by the pub the place was empty and I said lads I think that's Sinead O 'Connor and I said bear with me and I went up and she was very small and I said Sinead and she said Ryan I said how are you she said come here I said we were hugging as we were hugging I heard the footsteps and I look over my shoulder and it's Russell and he goes can I meet Sinead?
57:38I said yeah of course Sinead this is Russell, Russell this is Sinead this is a bizarre story and they hugged and she disappeared into his gladiatorial arms but it was very warm and sincere and I said would you like to join us, we were having a pint she said yeah yeah I'd love to so she came down, she had a coffee and a couple of smokes and we were talking and suddenly Russell had been holding court and Sinead then became the lion you know and we became the mice and she held court even with her diminished you know not diminished but diminutive and she held court and we were all blown away and you know we had a lovely conversation and off we went and the next day Russell sent me a text saying that was just so lovely to meet Sinead I really enjoyed that and Sinead sent me a text going oh my god Russell Crowe is he single and what Aftershave does was he was very and I said I said no and I'll find out for you but yeah and then and then she passed away probably about a year or so not long after that but yeah it was it was one of those weird encounters yeah yeah yeah a nice encounter actually and he was a happy one sounds brilliant it's a good picture you picked painted as well but his depiction I saw when he saw clips of it I didn't see them of Herman Goering yeah saw that yeah it's good wasn't it yeah it's good yeah it's really good really good really good good job in that he had the the build for it in the steely stare.
59:06Yeah, I think it was well, well, well reviewed as well. Yeah, I enjoyed it. Terrific, terrific actor. What was it, The Insider as well? Was he in The Insider? The Insider. Yeah, it's terrific in The Insider. Back in the day. Beautiful Mind, yeah, and the one, obviously, I think Denzel. Oh, yeah. Now, gosh. I can't remember, but he's brilliant in that as well. Yeah, really good. And so, like, you look for, you know, you're on camera, but you're also on audio. You look well I feel good Yeah you do look well Yeah well I'm Because you know what I'd sometimes meet you At the Late Late Show Right years ago I'd be looked fucked I'd be Banjax Oh yeah Because you'd had a hard week Yeah It's a late night TV It was really It was Adrenaline is flying And you would You would sometimes look Now your energy would be great But you would be tired looking But I'd be tired looking As I was Banjax You're fresh looking now Yeah no I feel better now Also I started running A few years ago Okay But I'm not going to talk about it Because it's so boring But I really enjoy that Do a little bit of that What do you mean it's boring Running isn't boring Hake is boring and I eat haake.
1:00:06Do you eat haake? There's only two ways to do it running and haake. No, no I don't. Well done. And in fairness he was running a long time before. How about we start a podcast XRT Legends. Yeah, yeah, yeah. Ray and Ryan. Ray and Ryan. Ray and Ryan. Run with Ray and Ryan. Run with Ray and Ryan. Let's do it. Anyway, fair play. So, and Piers Morgan. Yeah. Friends with him. Well I don't know I'll overstate the case. He's like myself a curate's egg or at least he describes himself as being quite like Marmite and I know that's what happens when you're in the public eye One of the biggest journalists in the world now He is and he's you know I know you had a great conversation with my pal Mark Little on this podcast Yes and he was talking about you described as being ahead of the curve actually Piers Morgan is ahead of the curve he gets a bad press but sometimes from people who I think don't listen closely enough to what he has to say because actually he's more reasonable than one might think or has been.
1:01:06Do you know what a common do you know what a common comment you see on about Piers Morgan on the internet? No I don't. Hate Piers Morgan but couldn't agree with him more about this. What a thing to say. Isn't that a funny one? It is a funny one. So in other words he does actually land he does actually land at reasonable positions on a lot of big issues. I think there's possibly some historical issues with Piers as well. Maybe there's the historical stuff and that's fine. You don't need to go into it. I only know him as somebody who I've met a few times socially and he's been extremely welcoming to me in London really really kind and he sees himself as Irish well his dad was Irish I know but well that's his dad he almost identifies as Irish he died when he was one so he was yeah but he does love his Irishness but yeah he's a good guy are you all well?
1:01:54yeah really good I mean I'm heading off to London now after this evening I've got interviews tomorrow with Mark Gatiss of Doctor Who and Sherlock fame and with Robert Harris, one of my favourite authors, a new book out called Agrippa. So I'm going to be chatting with them and meeting some interesting people over the next few days and by the time this broadcast goes out I'll probably be on my holidays. I'm taking a couple of days off in a week or two off in September. So that's much needed. Well, thank you. And from a personal perspective I think it's absolutely great to see you. Thank you. It's good to see you.
1:02:29It's a funny kind of relationship because we had a lot in common. we have a lot in common and we go back a long way and you know jeepers just watching from the outside some of that stuff I think you're a bit flabbergasted by it I am flabbergasted by it and it's the most bizarre situation it was very peculiar I've ever experienced but I've tried to but on we go on you go completely yeah I just wanted to try and see it from maybe a hypothetical outsider's point of view as well who might have been asking questions but we got through that so that's fantastic so thank you and it's brilliant to see you healthy and well and in all sorts of areas thriving this okay plug-a-rooney again Friday the 11th Friday December the 11th yes matinee at 4 and so bookshelf podcast live me and a guest I do the first 20 minutes is showbiz stories like the when I just told like a gay used to do that just like that and there's stories about different shows and different guests good and questions are beamed up from the audience on a bar.
1:03:35Brilliant. So that's quite an QR code. And so that's quite nice. It makes it quite interactive. And then the guest comes out and also questions come from the audience. So it's in the round in that sense. And it's lovely. And the pavilion in Dunleary in Dublin is a beautiful venue. It's just a nice size and it's just a real lovely human connection, as you well know, on the stage. I do, yeah. It's lovely. You can reach out. Lovely stage. And lovely raked seating. Yeah. Hey, thanks for having me on your show. Thank you. It's really good to see you. Thank you for spending. so giving of your time being so generous with your time as always thank you personally brilliant to see you you look great and let's stay in touch onwards definitely
1:04:12and my thanks to Tubbs for coming in and talking to me and good luck in everything he's doing and at the end of the interview we said let's stay in touch and hopefully we will my thanks to you the listener the most important element of this podcast for listening tell one other person about this podcast mariorosenstock at gmail.com Thank you to Hum, our great sponsor, for getting involved. And I'll see you, same time, same place, next week.
From the publisher
Ryan Tubridy and I go back quite a long way. I appeared as his guest many times on The Late Late Show; I had enormous fun doing it and, as he admits on this episode, so did he. And as it happens, this very podcast was launched on the Late Late, just over five years ago!
I haven't seen Ryan for ages but, like you, I've been keeping an eye on what he's been up to and had loads of questions for him, including some elephants in some rooms. So I was delighted that I finally managed to get him onto this podcast to have a proper catch up and get stuck into areas like the RTE controversy, reforming the Late Late, his new life in London, therapy, the changing world of broadcasting, and where he wants to go next.
There’s also old Late Late memories, Gay Byrne, Russell Crowe, Tommy Tiernan, Sinead O’Connor, Michael Flatley, Brendan O'Connor, and lots of other areas that we strayed into. It was great to have a proper catch up with Ryan and I hope you enjoy the conversation.
COMEDY – for the episode that’s in it, we replay a classic Gift Grub from earlier this year about how RTE executives are planning to modernise The Late Late Show.
Ryan has a couple of ‘Book Shelf Live’ shows coming up in the Pavilion Theatre this December. Check out paviliontheatre.ie for all the details
Produced by Patrick Haughey, AudioBrand
