Frances Black on family, fighting injustice, and memories of Glen Hansard

8 Aug 2026 · 58 min · 27 chapters

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In short

Tribute to Glenn Hansard and discussion with Irish singer/senator Frances Black about family, fighting injustice, and her upbringing in inner-city Dublin; plus her political work in the Seanad on addiction, mental health, social justice, and Palestine.

Guest backgrounds

Frances Black is a well-known Irish singer from a major musical family (sister Mary Black; nephew Danny O’Reilly of The Coronas; niece Roisin O; other brothers are performers). She later became an independent senator, known for advocacy on addiction, mental health, and social justice. Glenn Hansard is remembered as a warm, down-to-earth musician with a history of activism and inclusive performances.

Key claims

Hansard’s authenticity (smiles, hugs, no “airs and graces”) and his role speaking for vulnerable people, including homelessness. Black argues Israel’s actions in the West Bank are war crimes and illegal under international law, and she supports her Occupy Territories Bill to ban goods/services from occupied territories.

Notable examples

Her personal text from Hansard praising “Woman’s Heart” documentary work; her childhood on Charlemange Street tenements; her account of “Woman’s Heart” inspiring the Spice Girls; her Occupy Territories Bill details (goods done; services via platforms like Airbnb/Booking.com).

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Remembering Glenn Hansard

0:15 to 2:00

Discussion about Glenn Hansard's impact and personal anecdotes.

“And I remember when we did the documentary on the woman's heart a few years ago, the first text I got was from Glenn saying that was really beautiful.”

Frances Black's Background

2:00 to 3:30

Exploration of Frances Black's family and her career as a singer and senator.

“When we were over in London, a woman's heart performed in, I don't know what the venue was.”

Glenn's Legacy and the Response

3:30 to 5:45

Frances reflects on Glenn Hansard's legacy and the national reaction to his passing.

“It's a beautiful day here in Goweran Park.”

The Importance of Music and Storytelling

5:45 to 7:10

Discussion on the importance of music and storytelling in Irish culture.

“And that sketch was first heard on the Ian Dempsey Breakfast Show just last week.”

Loss of Iconic Figures

7:10 to 9:50

Conversation about the recent losses of iconic Irish musicians and their impact.

“I think the shock anyway for me is just, you know, I think that's the most difficult piece for me is the shock because he's such, He was such a vibrant kind of magnetic soul that brought people together.”

Personal Connections to Legends

9:50 to 11:40

Frances shares personal memories of iconic figures in Irish music.

“You know, I would have known him and he's done, I've done charity things with him and I've, you know, we would have sang songs together at sessions and at parties.”

Reflecting on Musical Influence

11:40 to 14:01

Frances reflects on the influence of musicians like Glenn Hansard in her life.

“You know, why are these amazing, you know, legends, legendary people?”

Reflections on Music and Memories

14:01 to 17:40

Frances shares nostalgic memories of musicians and personal experiences.

“I would have met Shane that time at that festival.”

Frances Black's Political Journey

17:41 to 19:54

Frances discusses her experience in the Shannad and her work on social justice.

“Is it anything like you thought it would be?”

The Occupied Territories Bill

19:55 to 21:48

Frances explains the Occupied Territories Bill and its implications.

“They're, you know, and it's all war crimes under international law.”
Show all 27 chapters

Social Justice Issues in Ireland

21:49 to 24:10

Frances highlights the government's role in addressing homelessness and housing.

“And what's the status with the occupied territories bill?”

Childhood Memories and Community

24:11 to 28:01

Exploring Frances's upbringing in Charlemagne Street and the sense of community.

“They got houses in Crumlin or Drimna or, you know, that's that doesn't happen anymore.”

Reflections on Childhood and Community

28:01 to 30:01

Explore how early life experiences shaped Frances Black's emotional outlook.

“Does that affect your emotional state of being?”

The Role of Mothers in Family Dynamics

30:01 to 31:35

Discuss the influence and resilience of mothers in shaping family identity.

“It was happy enough apart from the anxiety that I know my mother used to have.”

Musical Heritage and Family Influence

31:35 to 35:15

Learn about the musical backgrounds that shaped Frances and her family.

“And then my father would sing all the old.”

Discovering the Singer Within

35:15 to 37:59

Frances shares her journey from being the 'runt' to finding her voice as a singer.

“No, my brothers, like the black family, we made two black family albums or three black family albums.”

Voices of the Black Family

37:59 to 40:31

Explore the vocal talents of Frances's family and their impact on her career.

“So because I was quiet there are songs for quiet sweet voices.”

The Connection of Family and Identity

40:31 to 42:00

Frances reflects on the deep ties of family and how they shape identity.

“Mary is like the matriarch of our family.”

Family and Heritage Reflections

42:00 to 44:25

Frances shares insights about her family's appearance and heritage, discussing traits and cultural influences.

“Then Michael has red hair and freckles, right?”

Frances Black's Current Gigs

44:25 to 45:43

Frances talks about her current singing engagements and collaborations with fellow artists.

“I have it on, say, I've, you know, put it on some, I have a guy who does my website and I've given him the dates so he puts them on the website.”

The Impact of 'A Woman's Heart'

45:43 to 48:29

Discussion on the significance of the album 'A Woman's Heart' and its cultural impact in Ireland.

“And of course, the other thing that I wrote down on my thing is the never to be forgotten woman's heart.”

Women's Rights in Music

48:29 to 49:52

Frances discusses the broader social context during the release of 'A Woman's Heart' and the fight for women's rights.

“You know, so each one of the songs, it became then caught a wave.”

Inspiration for the Spice Girls

49:52 to 51:13

A lighthearted conversation about the possible influence of 'A Woman's Heart' on the Spice Girls.

“See, five or six women, birds, on stage.”

Connection to Glen Hansard

51:13 to 54:49

Frances reflects on her connection to Glen Hansard and the joy of performing regardless of audience size.

“I have enjoyed it And I really appreciate you taking the time out to meet with me.”

Legacy of Compassion and Social Justice

54:49 to 56:00

Frances emphasizes the importance of compassion and social justice, sharing insights into her personal values and family.

“But it reminds me of what Glenn Cancert was doing.”

Social Justice and Compassion

56:00 to 57:04

Frances Black discusses the importance of social justice and compassion in our lives.

Thank You and Reflections

57:04 to 57:20

Mario reflects on his conversation with Frances and expresses gratitude.

“And my thanks to Frances Black for coming in to me and talking to me about her fascinating life to date.”
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Transcript

Automatic transcript. May contain errors.

0:00The Mario Rosenstock podcast. Thanks to home. Finance made easy when you shop tech, electrical, appliances, kitchens and much more. Flexify Europe Limited trading as home is regulated by the Central Bank of Ireland. Coming up on this episode of the Mario Rosenstock podcast. He was just warm and welcoming. And I remember when we did the documentary on the woman's heart a few years ago, the first text I got was from Glenn saying that was really beautiful. Really? You know, and I was, you know, chuffed that it was Glenn. Do you know that way? You were kind of, oh God, Glenn Hansard texted me. You know, I would have known him and I've done charity things with him and we would have sang songs together at sessions and at parties.

0:38But it was just to get that lovely personal thing that I just thought was so lovely. You know, he's a lovely man and I just can't believe, I just cannot believe he's gone.

0:57Frances Black is one of Ireland's best-known singers, born into one of Ireland's best-known musical dynasties. Her sister is Mary Black. Her nephew is Danny O 'Reilly from the Coronas. Her niece is Roisin O, and all of her brothers are great performers too. She also successfully reinvented herself as an independent senator, building a reputation as one of the Shannons' strongest advocates on addiction, mental health and social justice. So we had invited Frances onto the show to talk about her fascinating life and career, But the day before this recording, we learned of the tragic passing of Glenn Hansard.

1:30And Glenn, of course, had a very close association with Today FM over the years with all his live performances and his special, exuberant, inclusive and magnetic personality. Frances knew Glenn well and was naturally reeling from the news, but she still wanted to come in and record this episode and take the opportunity to pay tribute to someone that had made such a deep impression not only on her, but also on the rest of the country, judging by the national reaction to this tragic news. This is a really lovely conversation in which Frances tells me all about Glenn Hansard, what a special person he was, her upbringing in the tenements of inner-city Dublin, using her position as a senator to fight for social justice, and why she thinks that a woman's heart was the inspiration behind, would you believe it, the Spice Girls.

2:18When we were over in London, a woman's heart performed in, I don't know what the venue was. I can never remember the name of the venue. Big venue anyway, a woman's heart was there. And Simon Fuller was there. Yeah. And a year later then with the Spice Girls. So I still think we were the inspiration for the Spice Girls. My father was a plasterer. He was a brilliant plasterer. He used to do all the wonderful, you know, the real articulate kind of cornices and stuff. I do, yeah. So he was a great plasterer, But he couldn't get work. There wasn't. I just don't remember a huge amount of money. And I remember her worrying about the dinner and making sure, you know, making sure she had dinner and she would make food out of anything.

2:53They built this factory on stolen Palestinian land. It's illegal. And then they're selling these little bottle of these creams for like$400 to all of these tourists who are coming in on buses. It's all illegal under international law. And this went on to be the biggest selling album That ever came out of Ireland Bigger than even White Ladder By David Grey And I remember when I was told that the album was number one I'm going Am I on that? And they went yeah you're on that My full chat with singer and senator Frances Black Coming up in just a couple of minutes time But first it's been an amazing summer For sport, festivals And things like horse racing And we believe for the first time on this podcast, we can go over live now to Goweran Park and join Des Scahill for today's featured race.

3:46Des. Thanks, Mario. It's a pleasure to be on your podcast. No problem. It's a beautiful day here in Goweran Park. Looks lovely. And it is time for the first race of the day. It's the kids are driving us absolutely mental in the house. Handicap hurdle. I get you. Non-runner here is number six school uniform. Okay. School uniform out till September. They're coming into line. Okay. Over to you, Diss. They're under starter's orders. And they're off. Woo! And the kids are driving us absolutely mental in the house. Handicap hurdle. And first to show is I'm bored. I'm bored, followed by ask your mother.

4:24Ask your mother, I'm bored. Ask your mother, being joined by the stablemate. Ask your father. Ask your father. Can you revolute me eight euro? Trying to get into it on the outside. Can you revolute me 8 euro? I'm bored. Ask your mother, ask your father. Go on, I'm bored. I'm not a taxi trying to get into it. Go on, I'm bored. I'm not a taxi. I'm bored. Go on, I'm bored. Here comes the favorite. He hit me first. He hit me first. Ask your mother. I'm bored. And now on the outside. You had ice cream yesterday. You had ice cream yesterday. I'm bored. Go on, I'm bored. I'm not a taxi trying to get into it.

5:00Can we stay up late having a look on the inside? Can we stay up late? I'm bored. You had ice cream yesterday. I'm on my board. And on the outside, would you ever read a feckin' book? Would you ever read a feckin' book? There's still a month to go in this seemingly never-ending race. Yeah. I'm bored. I'm not a taxi. He hit me first. You had ice cream yesterday. I'll pay you to empty the dishwasher. I'll pay you to empty the dishwasher. Would you not read a feckin' book? I'm bored. He hit me first. Can you revolute me eight euro? I'm bored, takes it. I'm bored. I'm bored. God, I'm bored. Um, they're doing my head in in the house mentality, whatever you call it, my brain's fried.

5:40Back to you, Mario. Thanks, Des Scahill. And that sketch was first heard on the Ian Dempsey Breakfast Show just last week. Thank you to everybody for listening to this podcast. We can only do it because we get support from the likes of our fantastic partner Hum. Thank you, Hum, for supporting the Mario Rosenstock podcast. Hum is a finance company who provide flexible payment solutions for customers of some of Ireland's most popular retailers and they can help you make your purchases and pay them back in bite-sized easy payments. Hum makes it easy for you to shop and they also make it easy for you to listen to this show because with their support we can continue to bring you this podcast for free.

6:17You don't have to pay for it every week. If you like it all we ask is that you press the follow button on Apple or Spotify whatever platform you're listening on and spread the word by telling one other person about the show. Maybe you'll tell them about a recent interview with Craig Doyle or Lucy Kennedy or Dermot Bannon or perhaps it was one of the new and exclusive comedy sketches that you get every week at the start of the show. Okay, over to Frances Black. Senator Frances Black. There was so much to chat with Frances about her life and career in music and politics, etc. But we had to start by remembering the great Glenn Hansard who had passed away in such tragic, shocking circumstances just the day before we met.

6:52So Frances, I'm delighted to have you on the podcast and we had you booked in and then this really, really tragic news happened about Glenn yesterday. and I think a lot of us are not surprised but kind of a lot of us are taken aback by the extent of the reaction. Well, I think shock. I think the shock anyway for me is just, you know, I think that's the most difficult piece for me is the shock because he's such, He was such a vibrant kind of magnetic soul that brought people together. And, you know, he kind of led, you know, he was kind of a leader in the sense of just music. And I don't mean that as in the music industry.

7:46I'm just talking about in the world because he could be playing to a huge, big stadium of a thousand people or five thousand people. But then the next night he could be sitting in a pub down in the local and he would be doing the exact same thing. But he would be bringing people together, you know, and I think that's what he was just so down to earth. There was no airs and graces about him. And he was just a beautiful soul. And it's just devastating for his family, his partner, his wife, his beautiful little boy, Christy, all his friends, his family, extended family, all the people that loved him.

8:24You know, the frames, the crew, you know, his management, like, you know, the people who were in the pub with him the other night. You know, I mean, it's just there. There are a lot of people, rock stars and comedians and musicians and stuff who kind of try to curate their public image to try and make you think that they're down to earth or that they're relatively down to earth. They're very careful about that. And it's hard. It's like it's people can't be fooled that easily. And you can kind of see through it. People don't really remark about it. They just kind of know. They kind of know that person's grand.

9:00They're grand, but they're not like, they're pretending they're a bit more down to earth. They're not authentic. They're not authentic. You know what I mean? But that's fine. Yeah, that's fine too. There's nothing wrong with that. He was genuinely authentic. Anytime you met him, he always had a smile. He always had a hug, you know, and he was never precious, if you know what I mean. He never looked down on anybody else's music. And I thought that's very special. He wasn't a musical snob. Exactly. That's what I was trying to kind of explain. So he'd never, you know, you know, he never looked down on the likes of me because, you know, I brought out music 40 years ago or whatever.

9:33You know, he was he was just warm and welcoming. And, you know, I remember when we did the documentary on the woman's heart a few years ago, the first text I got was from Glenn saying that was really beautiful. Really? You know, and like, and I was, you know, chuffed that it was Glenn. Do you know that way? You were kind of, oh God, Glenn Hansford texted me. You know, I would have known him and he's done, I've done charity things with him and I've, you know, we would have sang songs together at sessions and at parties. But it was just to get that lovely personal thing that I just thought was so lovely.

10:01You know, he's a lovely man and I just can't believe, I just cannot believe he's gone. Cannot believe. So there was a warmth really about him, wasn't there? Yeah, and a magnetic thing. Yeah, and a leader. He had a, he was, he'd stand out front because he'd go and I don't mean that just about music in relation to the homelessness thing as well Brendan Ogle was on his activism he was very passionate and Brendan Ogle was on with Matt Cooper yesterday and he talked about his activism yeah with Apollo and everything and I would have been down there around that time and he was so he played such an important role in that you know what I mean because you know he was he was the one that got hurt do you know what I mean and I know Christy Moore was there as well There was a few others, but they're the voices that get heard in that in that story.

10:46You know, it's not sometimes the activists don't get heard, but are the homeless people who don't? They don't certainly don't get heard. But Glenn was always out there, you know, speaking on behalf of those, the vulnerable. He was. And do you know what? I was just coming in this morning and I was thinking, I mean, what a tragic death. But also what's going on, Francis? Like in the last few couple of years, right, we've lost Sinead O 'Connor, right? we've lost Dolores O 'Riordan I know Christy Dignam Shane McGowan Dolores Kane I know I know Maya Brennan Maya Brennan dammit you know Maya Brennan what an unbelievable God I knew Maya that was just that was another huge arc Dolores you know like yeah it's just terrible I mean too many of these too many and too young too young do you know what I mean way too young Sinead O 'Connor as well I'm sure you mentioned Sinead like just way too young And it's like, what's going on?

11:41Why? You know, why are these amazing, you know, legends, legendary people? Yeah. Allowed to leave us? It's like, don't go. Don't go. Please don't go. We are a country that we are a country that cares about storytelling and ballads and we're very proud of our music and we're very proud of. And it's these very people who represent Ireland. They're all in the same on the world stage. They're all in the same. Yeah. Genre. Yeah. All of these. Yeah, that's right. These are not like, let's say, your typical total rock and rollers. These are like storytellers. Yeah. You know, but that's Ireland as well for you.

12:20I mean, anybody that I think a lot of Irish people who are on the world stage, it comes from the soul. I mean, that's Irish music, I think, isn't it? In general, you know, we know how to do it from the heart, you know. And I think all of those people that you mentioned who have gone, it all came from there. They were full of soul. And so many of them women. Yeah, I know. Like not to be slightly maudlin about it, but women live way longer. Women live longer than men. I know. Your average lifespan for a woman in Ireland is 87, 88. Yeah, I know. It's just, yeah. These beautiful, great women. Beautiful, beautiful legends, you know, that are now gone, gone before us.

13:01and what they have left unbelievable. It must have affected you in your mind hearing when Sinead O 'Connor and. Of course. Dolores and Dolores and Maya. They were all people that would have been in my kind of, you know, I would have met Dolores O 'Rear many years ago at a festival. And I think it was their first festival. And I was singing with a group called the Fallen Angels, like five, you know, women singers. We were just doing unaccompanied stuff. So we were like, oh, my God, like there, you know, there's Dolores. And, you know, and it was so that would have been my only time that I would have met with Dolores.

13:36Of course, I would have known Christy Dignam as well. You know, I mean, we would have recorded myself, Christy and Glenn, I think, recorded a charity single many years ago for Homelessness. You know, so all of those people, Maya was doing a gig in January. My daughter was doing a trad fest gig and she would bring in people to sing. And Maya was one of those people. And I had arranged to meet Maya actually next weekend up in Gridor in Donegal. all and like like I knew she had to wear the oxygen mask but I never ever realized and she got up and she sang with her lovely you know son and daughter that night and I never ever realized how bad it was yeah you know what a beautiful woman she was oh my god there's another magnet of love I've only I've only with all these people I've only like one or two little I mean I remember I remember um Glenn would be coming in and out of today FM doing his sessions and stuff his memorable sessions these great sessions he did I was listening to him yesterday singing an acoustic version of Britney Spears Spears' song every time he totally changed this pop song and just stripped it down made it beautiful more beautiful than it already is but he'd be in you know just exchange but I remember once I was out on the lash and you know the way you'd go to this place and you'd go to this kind of these kind of she beans in Dublin back in the day now Frances oh I know well before back in the day when it was okay to go to She Beans no they'd serve food but the only reason you'd go there is to get the bottle of wine and they'd be packed and you'd see some of the heads in you know and I remember exchanging mischievous glances from one table to another between me and Glenn you know and that kind of really mischievous look in his eye you know and Moya I remember then once I was doing the Late Late Show and I did she was doing the Late Late Show as well and I was doing Flatly and I came up to the green room afterwards and we were watching in the Late Late Show on the telly or both of our faces looking up at the telly and she's just looking up and she says to me you know he hates it don't you and I went what flatly oh my god and I went does he yeah he hates it he hates it me doing the flatly oh yeah and she just lied she was just looking at the TV grinning that should be an honour oh yeah when you're taking off people that's an honour And did you know Shane and McGowan or did you?

15:58I would have met Shane that time at that festival. I met Shane McGowan and the Pogues at that festival that Dolores O 'Reardon was playing at. I can't remember. It was somewhere in Switzerland. It was some big festival. I can't even remember the name, but I'm hopeless. What was Dolores like? She was lovely. She was kind of shy. She was a little bit self-conscious, if I remember rightly. Now, they were only kind of starting off. So she was very young. She was only, I'd say, probably. She could have been late teens, early 20s. So she was very young. And of course, we were all sitting having a sing song and Shane.

16:30It was like a session after we all did our gig. We were doing support. Me and the fallen angels were doing support to the Pogues. Oh, my God. And we were so the opposite to the Pogues, like five women singing own accompanied songs. You know, acapella like was like, oh, here, how did we how did we even get here? And actually, Eilish Moore, who was she was in it. I don't know if you know, she was Christie's sister. I shouldn't be describing it that way, but she would have been a very good friend of mine. She's passed away as well. another icon and another legend let me add and a very dear friend of mine she was at that festival as well we'd never laughed as much in all our living long days five women on the road couldn't believe or looked that we were at this festival with all these amazing mega stars and we just laughed we were up till six o 'clock in the morning you know at that time and how are you Frances you look amazing I'm good I'm okay you look great yeah no I'm okay I'm very sad today now I have to say about Glenn but I'm generally I'm okay I'm in a good space We, you know, I'm kind of, as you know, I'm in the Leinster house and we're kind of on recess, even though I'm back and forth and still in the office.

17:32Yeah, it's not as busy. So that's really nice. I'm in the Shannad. So you've been in the Shannad now for what, 10 years? 10 years. Yeah, 10 years this year. How have you found that? It's been challenging. I would say I'm in a great group. Is it anything like you thought it would be? You work much harder than people think you do. I didn't think that people in the Shannad worked hard. but I certainly I know me and the group I'm in with the civil engagement group we work really hard we're very very obviously very passionate about social justice issues and we're all kind of on the same page with regards to even though we're all independents for independent women there's myself Alice Mary Higgins Lynn Ruan Eileen Flynn and we're very we're very much on the same page but we've tried to the nail for what are your top concerns at the moment well obviously Palestine would be a big one from my perspective I know Lynn is very passionate about drugs decriminalisation Alice Mary is just passionate about so many social justice issues she is a legend that woman and then Eileen would be very much fighting for traveller issues and stuff like that and from your perspective are you kind of a little mini group then?

18:43we're just the four of us work together you have to kind of form a group when you go in there otherwise you don't get speaking rights exactly so from your perspective let's say four of you right how would you mark the government on these issues we challenge them how would you mark them how would I mark them now on which issues are you talking about so for example let's talk about social justice and let's talk about Palestine for example yeah what grade would you give them should and can do a lot more like a lot more like full sanctions is what I'd love to see but obviously I introduced the Occupy Territories Bill almost 10 years ago, maybe nine years ago now.

19:24That should have been passed nine years ago. And at the last general election, it was promised by the government, by the two leading parties at the time, Michal Martin and Simon Harris. What is the Occupy Territories Bill? Well, the Occupy Territories Bill is a bill to ban goods and services from the Occupy Territories. OK, so what Israel are, they're in the West Bank, right? And they're actually, it's war crimes, what they're doing there. And they're robbing people's land. They're taking people's homes. They're, you know, and it's all war crimes under international law. They're breaking the law.

19:59OK, and there's no consequences. So what they're doing is they're terrorizing people. They have moved people out of their homes and put them into kind of camps. And the world is watching. The international community is watching. So what I what I want to do with this bill was to ban any goods or services that come from the West, that come from the West Bank where at the occupied illegal, illegal occupied territories in the West Bank, I want to ban all goods and services from there because that's a consequence of them breaking the law, of Israel breaking the law and committing war crimes. Sorry, just to be clear about that, when you say the goods coming from the occupied territories, is that not affecting the people that are already living there?

20:42No, no, no, because their goods and services from stolen land. All right, okay. So they've stolen the land. You're saying that the goods and services that Israel are selling from stolen land. Yeah, they're stolen land. For example, vegetables, you know, a lot of vegetables. And then you have this unbelievable cosmetic factory down just off the Red Sea, down kind of down at the end of the West Bank. And I went into their factory and they're selling like they're there. This is like they built this factory on stolen Palestinian land. It's illegal. and all of the stuff that they're using for their cosmetics comes from, you know, again, from the Red Sea.

21:25And, you know, so it all comes from around that area. And then they're selling these little bottle of these creams for like$400 to all of these tourists who are coming in on buses. And it's all illegal what they're doing under international law because it's on stolen land and stolen property. And yet it's still being sold. So what we're trying to do is just ban all that kind of stuff. And what's the status with the occupied territories bill? Well, we got the goods. Thankfully, we got the goods done. So that's done. So now we have to do services. Yeah. So what are services? Services are like, for example, you have the likes of Airbnb or Booking.com who are going, you know, how they do it is, say, a settler could go in, take somebody's Palestinian home, right?

22:17Set it up as an Airbnb and you could go on Airbnb and rent out that home and go and spend your holiday in the West Bank, wherever it might be. And that Palestinian person wouldn't be able to do that because of the apartheid regime, because they're not allowed to go down certain roads. They're not allowed to drive on certain roads. They have to go all the back ways, you know. I understand you. It's an apartheid regime. So the Palestinian people are treated like horrifically. So if I'm following. And it's getting worse, might I add. The settler violence are now armed and they're terrorizing the people in the West Bank.

22:54It's off the Richter scale, Mario. It's off the Richter scale. And if I'm following you correctly, so you would say that the government has done something. They have done good. And now my job and I took me 10 years to get there or nine years to get there, almost 10 years. So now my job is to start up the campaign. and I've been working on this campaign for a long time and now it's to do services. And what about social justice issues? What kind of issues do you think the government, how are they doing on those issues? What issues are most concerning? I feel homelessness is huge and I think definitely there has to be more done around homelessness and they just need to build houses.

23:29They just need to build houses for people who can't afford. We all know every single family in this country is impacted. You know, I mean, I have, you know, my daughter, it's not possible for her to buy a house certainly in Dublin. Do you think it's their fault or do you think it's a problem of our system? It's definitely, I think we just need to build more houses. The government need to build more houses. Like I remember when I was growing up, of course they have lots of money, they have lots of, they have a lot of money in reserve that they could build houses. There's no reason for them not to.

24:04But what they have is kind of, they, you know, they want to kind of support the private companies and well there's no problem them supporting private companies and private builders and all of that but there has to be a balance you know they need to go in and build you know definitely build more council homes for people like they did you know if you remember when well in my day you were a bit young but like you know we lived we were born and we're not too far from here in charlemagne street we all lived in the tenements you know there was at the house next door to us there was about 10 families and in each family you know there were very big families back then you know but a lot of those families would have got moved up.

24:41They got houses in Crumlin or Drimna or, you know, that's that doesn't happen anymore. Those houses are not being built. Where is the new era of social housing? Where is the new era of real social council housing? And why are they not looking after the people who are vulnerable in that area? So there's a lot of people who can't, people who are living on minimum wage. How do people live in Dublin on a minimum wage? I don't know how you. Minimum wage? Yeah. There's a new report out this week saying a couple on 113 ,000 a year can't afford a house. Exactly. That's what I'm saying. That's a long way from minimum wage.

25:15My daughter works like a Trojan and so does her partner, her husband. And neither of them are going to be able to buy a house. Certainly, not even in the country, if you know what I mean. You know, because... Where do you come from? Like you mentioned tenements there. Yeah. I mean, what was your upbringing like? We lived in Charlemagne Street, a wonderful place to be born and reared. It's gone now. I mean it's all you know very highfalutin it's all big fancy apartments and it's lovely like it's all very nice but we lived in Charlemagne Street very working class you know tenement houses you know and that's everybody lived in tenement houses it was no big deal I was the youngest of five Can I just sound I don't want to sound ridiculous here right so I'll just I'll let myself sound ridiculous I'll just I'll throw myself Okay What the hell is a tenement house?

26:03Like what's a tenement house? You say tenement right? So there were like What is a tenement house? Is it a you know is it a four story house like at Henrietta Street where there's like 70 people living in there yes exactly is that what you mean by tenement exactly but there wasn't having been 70 people living in the house we lived in there was probably about two or three families so there was like there was the bottom floor yeah I'm trying to think now and then there was the middle floor and then there was three stories but in the house next door it was much bigger more dense so there would have been four stories in the house next door but there was a lot more families so were you very squashed in Well, we were, I don't remember being squashed in because there wasn't that many families living.

26:42So there was an old woman living down next door, Mrs. Brady. And then Mr. and Mrs. Goss lived on Mr. and Mrs. Goss lived on the next floor. Right. But then my mother and father had the kitchen here. And then there was the Smiths who lived upstairs. But I think mommy and daddy had one bedroom upstairs as well. So there was three rooms upstairs. Do you know what I'm saying? So the Smiths. So did you share bedrooms and everything? Yes, but when I was growing up, I don't remember what, because I'm the youngest of five. So they obviously would have rented out more bedrooms as we got older and as people got houses.

27:14Because my parents were offered a house in Crumlin, but my mother didn't want to go. And do you know why she didn't want to go? Because her mother lived in Dolphins Barn, right in Cork Street. She was from the Liberties and there was no buses up to Crumlin. But there was a bus from Kelly's Corner down to where her mother lived. But Crumlin was like kind of out the country. It truly was. I remember that. Like when you think of it, it was only up over the bridge. It was. Really like. But there was no infrastructure, yeah. There was no infrastructure. So she wanted to be near her mummy. How would I get to see my mother every weekend?

27:42Right. She used to have to go and mind her mother and that was what happened every Saturday and Sunday. She'd have to go down and visit Granny and we'd all go down with her and we'd all play, you know. So are your memories of childhood happy? I had nice memories. I know that. I mean, do you remember, like for example, when you say poor and working class. Yeah. Does that. I remember. Does that affect your emotional state of being? Did you feel poor? Did you feel oppressed? No. Or did you feel, you know what, there was community. There was community. There was no, no, I didn't feel poor. Now I'm sure I have no doubt my mother used to worry.

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28:15I know she did, especially when my father couldn't get work. My father was a plasterer. He was a brilliant plasterer. He used to do all the wonderful, you know, the real articulate kind of cornices and stuff. I do, yeah. So he was a great plasterer, but there was time. Architraves and things. Yeah. Those things. But he couldn't get work. and sometimes you'd have to go down the country and there wasn't, I just don't remember a huge amount of money and I remember her worrying I remember her worrying about the dinner and making sure you know, making sure she had dinner and she would make food out of anything you know, there were, you know, she'd get a bit of bacon and it could be very fatty bacon and she'd throw in potatoes and onion and a bit of cornflour and that was her dinner, loads of salt do you know what I mean, it was delicious but like, I know that there was times but she eventually then went out to work herself and she would clean schools and she wouldn't be kind of she was a very independent tough tough cookie and took great pride in the fact she was she healthy and strong she was and she she used to work up in carols a cigarette factory up in the canal and i'd come home from school and i'd drop off my bag and go up and sit outside waiting for her she smoke she was a smoker yeah was she able to smoke the carol cigarettes i I don't know if she got them for free.

29:26I wonder, yeah. I don't. I don't think so. She was kind of a players, Wales smoker. She loved the players. And then she went down to Sweet Afton for a while. Jeez. The bullets we used to call them. I know. They were the, they had sawn off, sawn off shotguns. She lasted until she was 86, like, which is amazing. 86? 86 for a smoker. Now she stopped smoking. He had turned, just turned 80 or he would have been maybe 81. Still a good age. Yeah. Good age. Both of them big, serious smokers. Okay. And would have been players and all of that. Yeah. But yeah. So it was like, you know. Was your home a happy enough home?

30:02It was happy enough apart from the anxiety that I know my mother used to have. I knew she had she struggled with a bit of anxiety and I worried about that. I worried about her anxiety and I tried to fix things for her. Do you know what I mean? I was always kind of trying to make sure. And how many of you were there? There was five of us, but I was the youngest. Me and Martin were the youngest, me and my brother. There was like two different families. I don't know if you know, but there was five of us in the family. but the eldest three were in that gang and then me and Martin were in this gang remember my left foot yeah that was that style there of the family yeah there were a few grown up ones yeah Christy was grown up yeah and there were a few younger ones yeah Frankie I knew Frankie they'd had an afterthought they'd had an accident that's right and I remember Frankie he was a really good friend of mine Frankie Brown he was a very dear friend of mine Frankie Brown Frankie Brown he was Christy's brother is that right yeah and that's amazing that I just mentioned he lived in the original house Let Christy take it.

30:56Yeah, that was probably Frankie. Let Christy take it. My son, Christy Brown. Genius. Come here, Brenda Fricker as well was another woman we lost recently, by the way, we never mentioned. Brenda Fricker, God love her. What a beautiful actress. Beautiful woman. What a heart and soul. Again, the heart of a storyteller. And reminded me of my mother. The women were amazing back then. they were amazing she had a bottle yeah and nobody was going to touch their child she'd stand up for her oh my mother used to be obviously and I'd go up and tear the veil off they were the family my mother used to talk about the nuns God forgive me right and I'm so sorry was your mother like Brenda Fricker in my left foot in the sense that she was the backbone of the family backbone the heart and soul of the family the heart and soul and all the women were as far as I could see back then all the women back in the day and did your dad like a pint he loved his pint right he was up in the he would go always went up And less so the mother.

31:53Oh, mommy never drank. She never drank. At Christmas time. What was the thing they used to have? Sherry or a brandy. It was a baby chamois. What was the yellow thing? But it wasn't. The snowball. Snowball. Let Christy take it. It's gas, isn't it? Ah, God. It was good times, Mario. It was good times. We did have lovely times. You did. So the memories are good. We had sing songs, you know. But the sing songs were like. Was your mother able to sing? or your dad listen to me where do you want me to start on my mother my father my father came from Rattlin Island now people have heard this story so many times in the north strange little island that is beautiful beautiful little island it's mad isn't it it's the only island in the six counties but it's a little L shape I go up I'll be going up there now next week I'm up there nearly as much as I'm in Dublin as soon as I can get out of Dublin I'm up there a few people live there yeah there's a hundred and seven my cousins grew up there and my you know and do you go out in a boat you go out in a boat the ferry kind of crossing is about 40 minutes and then you can get a fast boat which is a half an hour but in rough seas I mean 160 ships went down around Rattlin because of the rough seas but anyway my father came from Rattlin Island he was a banjo player all the blacks in Rattlin played music right traditional music my mother who came from inner city Dublin Cork Street she was the old music hall type singer So she had the old music hall songs, right?

33:23And they were her party piece. And then my father would sing all the old. Can you think of a music hall song? Well, After the Ball Is Over. After the Ball Is Over. That was one of hers. She had a few funny ones. Then there was Bird in a Gilded Cage. Now I Have to Call Him Father, which is about. I sing that on my gig sometimes. Just in, you know, just in remembrance of her. and it's about a young woman who brings her lovely boyfriend home to meet the mother and he falls in love with the mother and ends up running off the mother. This is an old musical song. Talk about Jerry Springer. Like this was like stuff that...

34:00Yeah, I married a horse. Yeah. Bring him out. She's from Charlemagne Street in Dublin. She brought him home to meet the daughter. She ended up marrying the mother.

34:14that's what my mother used to sing I swear to God and there was other ones as well other kind of funny ones that she used to sing but she'd hundreds hundreds of songs hundreds of them and she was able to belt it out she would when I say belt it out like if my mother went out for a night later on in her life not when she was younger because they never went out but later on if there wasn't a sing song then it was brutal night it was terrible that was a terrible night if she didn't get to sing a song Where would she sing a song? Anywhere. But where would they be? In a pub. In a pub, but she wouldn't be drinking.

34:46No, she never drank. But say if she came to a gig and we all went to a bar afterwards, right? And she was after, we were at Mary or me, it would be in the Olympia or something, right? And we'd go into the bar afterwards. And unless there was a sing song, she wouldn't have enjoyed the night. Do you know what I mean? So the sing song was the night. She had to have the sing song. She had to have the sing song. And she had to entertain, you know. So you and Mary, when like you became singers. So, yeah, like were you the only two singers in the house then? No, my brothers, like the black family, we made two black family albums or three black family albums.

35:21So Shay is the eldest, right? Shay would have been a song collector from the time he was 13. And he saved up to buy a guitar when he was 13. And he got the guitar and then he started to sing and play songs. It was all around the folk kind of scene, like Donalunny was in, you know, there was Scarra Bray. There was, you know, the Dinnie Gonals and there was the Bati Band and the Chieftains. There was all that kind of era and they were all starting out and it was really cool. And then he picked up the guitar. My brother picked up the banjo, Michael, and Mary was singing from the time she was in the pram.

35:58I mean, our Mary has the most incredible voice, power, unbelievable. like she was a soloist in the choir. So she was just not unlike Glenn Hansford for singing, if you know what I mean. Do you know what I mean by that? Passion, just pure passion for singing. Then my next brother was Martin and he played the fiddle. But then I was the kind of runt of the litter because I didn't play any instruments or anything. And I wasn't really a singer, if you know what I mean, or I wasn't certainly wasn't considered a singer. So it was only they had all gone off to America and I was left behind because I was going to school.

36:34And when they came back, they were going to do a little folk club tour around Ireland. And only that I pleaded with Shay, the eldest brother, to go. And I didn't even want to go and sing. I just wanted to go and hang out with them all because they were so cool. Like they were all hippies, do you know what I mean? And they were all really cool. And, you know, Shay had the Afro and the flares and, you know, they were all like my idols. so they brought me along and Shea got me to sing then you know you'd sing two songs on the night but you only had to sing a couple of verses and then they'd all sing with you on the chorus So you felt protected So I didn't feel nervous with them or But did you grow as a singer or develop into a singer or did you do you know what I mean did they as you say you were the runt so like Yeah I was the runt Did you kind of like start out just kind of giving it a little bit of a lash and grow from there Oh definitely I think what happened So you developed your confidence as a singer is that what you're saying?

37:30Well I think I only developed confidence later on in my life I really struggled with my own self confidence with regards to be a singer because you know all my family were incredible singers do you know what I mean? I do every single one of them had amazing voices so you felt to yourself I'm not even the fourth best singer in my own house I didn't I didn't have a strong voice I had a kind of But Nancy Griffith said she said you have the sweetest voice of Ireland I know I definitely had a sweeter voice but I was quiet if you know what I mean. So because I was quiet there are songs for quiet sweet voices.

38:03Yeah and this is what I didn't. I thought if you sang in a session you would you know to be a good singer you had to be able to sing enough to shut people down. People would stop talking. And is Mary's voice would you so you have let's say a quiet sweet voice. I've quiet. Is Mary's voice totally different to yours? Mary's voice is Mary can sing anything. Okay. So Mary can be sweet but she can also she has power so she was and she's great control of her power you know Roisin is the same Roisin has a really big really powerful voice Roisin my daughter got married last weekend and Roisin sang Celine Dion's home and I'm not telling you a word of a lie Mario she was better she was as good as if not better yeah it was I was crying listening to her literally but anyway I was watching sorry just to interrupt there for a second because about Mary's voice I was watching there's a seminal episode of Reeling in the Years.

38:59Oh, yeah. And I can't remember which year the year is, but it's the 80s and it's either 80s, it could be 86. Yeah. Right. And the last clip is of a fella with an old mustache on him and he looks much older than he is. They all did back then. We all did back then. He was probably 27. We all looked older. About 40. Yeah. And he went, I don't know, I don't know, nothing for me here. So I think I'll just get out of the country. And it was sad. Oh, yeah. It's sad. Oh, he's been interviewed. Yeah. And he's just on the street, Fox Pop. And he's gone. There's nothing for me here. Oh, yeah. It was a very sad time.

39:37I'd love to stay here, but there's nothing for me here. I just have to go away. Yeah. And he has to go away. And it's the end of the episode. And you just see an Aer Lingus jet taking off. And it brings tears to your eyes. What really brings tears to your eyes is Mary Black's voice singing. As I leave behind Nadine. Yeah. Oh, my God. such sweet beautiful vocals on that Jimmy McCarthy oh my god Jimmy McCarthy and she her voice in that is so plaintiff yeah it's but it's a beautiful song it's a beautiful song but Mary has a beautiful voice and I know I'm a bit biased but really and truly like and have you always been have you did you ever feel a sibling rivalry with her I never felt a sibling rivalry because to me Mary was my hero and still is to be honest with you and Mary's a goddess in Ireland Yeah, not because of her voice and her singing.

40:29There was obviously that and she was cool and all of that. And, you know, but for me, it was her. Mary is like the matriarch of our family. So she's like she bit like what we were saying about Glenn. She has this ability to just bring people together, but particularly family. Mary adores family. She's one of the kindest, you know, most compassionate of people I know and her Mary on my word of honor she'd invite up to the house and she would she knows how to entertain and cook at the same time I can't get my head around that I couldn't do that if I'm cooking I'm cooking but I can't talk to people and be a wonderful hostess and go around give people drinks and all you know that's not I just I'm not that doesn't come natural to me whatsoever if I'm cooking the dinner I'm cooking the dinner if I'm sitting talking to somebody I'm talking to somebody.

41:21Do you know what I mean? Or in boring drinks. But she can do all of that without even you noticing. Do you know that way? And she can mine babies in the middle of it all and she could probably do a painting or something. What about, sorry, again, I'm just looking at your eyes and I was thinking about Mary's eyes there. Yeah. She has these, and you kind of have it as well, you have these kind of luminous blue eyes. Mary's green eyes. Yeah, sorry, it's luminous, there's a luminosity to it. Yeah. And you can see it pop out through the television for all the years. Yeah. Where does the look come from?

41:49because she was very dark. Yeah. And these kind of green eyes. It's just peculiar, strange. So there's, so Shay is kind of, Shay is my colour and has the lightest blue eyes I've ever seen in my life. Then Michael has red hair and freckles, right? And then Mary and Martin are like something from a Greek island. I know, it's Raven. Martin is like a Greek god. Mary is like a Greek goddess. Yes, they're so, I'm both of green eyes and then I'm kind of, I'm light with bright blue eyes. Bright blue eyes, yeah. You know, so like. It's funny. So my father would have been very dark, the Ratlin. So there were definitely Mary and Martin.

42:33Spaniards. Yeah, I'd say so. That's Spanish coming around the top of Ireland. Yeah, absolutely. A hundred percent. They did that a lot. You see them in Limerick as well. Yeah, and then down in Tork. And then the Vikings, we were the other side of the Vikings, like with the, you know, with the deities. That's me. you know so my mother was a deity so yeah we're all probably on my mother's side definitely the other three are on the mother's side and and you're in the Shannon for the last 10 years yeah and it's harder work than you said it would be and and have you been able to keep singing and have you wished to keep singing and how do you keep singing and where do you keep singing oh me and and Mary Coughlin and Sharon Shannon are on the road all the time now you know in between our own solo gigs so So, yeah, we're in Castle Bar this Saturday night.

43:19Where? The Traveler's Friend. Yeah. The theatre. Yeah. Patch Ennings. Yeah. And that's where we're going to be on Saturday night. And then we're. And who's there? That's you and Sharon. Me, Mary and Sharon. Wow. It's a great gig. Yeah. Mary is something else. Oh, my God. The two of them are like, I can't describe, talk about legends. like Sharon is the most beautiful human being you could ever meet and she's genuine and happy and and then Mary is this unbelievably powerhouse a goddess type if you know what I mean like from the west from the west of Ireland I don't know Mary well I've interviewed Mary a few times and she's been on The Breakfast Show a good few times and we've always loved her like I mean well have you ever gone to her gigs yeah I've been on several of Mary's gigs yeah and then and then Sharon is Sharon and then I'm me I'm kind of in the middle you know so so what do you do at the gigs so say Mary goes on first right Mary does sometimes I'll go on first depends on if one of us will be late or whatever so and then either myself or Mary will go on first or second then there's a break then Sharon comes on and then at the end we all come on together and then all hell breaks loose yeah we don't know what we're going to do good nights mental yeah absolutely crazy stuff but anyway where could I find out information about it?

44:41Is it online and stuff? I think it does be online. I mean, Mary, I don't know. We're terrible. I'm not very good at the online stuff. I have it on, say, I've, you know, put it on some, I have a guy who does my website and I've given him the dates so he puts them on the website. What's your website? Just FrancisBlack.ie. Okay, great. I think that's what it is anyway. FrancisBlack.ie. But then, but then I'm doing gigs then in, say, in Belfast and Derry in September. I'm doing Limerick. I'm doing Dolan's in Limerick. Oh, yeah. And then I'm doing, do you know what I'm really looking forward to? I'm going over to Enniskrown sometime.

45:13In Sligo. Yeah. I'm really looking forward to that gig because I've always wanted, you know, to go. I've, you know, and I think I might have heard this man talking about having a plane on a beach. Oh, yeah. Enniskrown. That's right. And I remember thinking, I really want to go there. And then I was offered to do a gig there. But then I'm doing the Civic Theatre in Tallaght for Tradfest in the new year as well. Great. So like there's lots of lovely things. And then we have loads of gigs next year with Mary and Sharon. So there's loads of lovely things happening. Mary and Sharon. Yeah. And of course, the other thing that I wrote down on my thing is the never to be forgotten woman's heart.

45:49I know. Yeah. So you were a part of that. Yeah. And that was what? 92, was it? Yeah, it was 92. I would say how that all came about was just, you know. Why did that strike such a chord? So Dara Records, who was Mary's husband's record company, if you know what I mean, they're like him and Paul O 'Reilly. Joe and Paul O 'Reilly were two brothers and Mary's married to Joe. And they had a record company called Dara Records. And Paul and Joe were always putting compilation, loads of compilation albums. They did it all the time in between. You know, I brought out an album with Dara. Mary brought out albums, other people, Paddy Riley, loads of people.

46:28But in between that, then they bring out compilations. so one of them suggested that we bring out a compilation with women so obviously Mary was going to be on it I was delighted because I had recorded with Ciarán Goss an album with Ciarán Goss and then I'd recorded with a band called Arcady and I had so I was part of two albums and when you say Ciarán Goss right that isn't the same Goss that you said the family was in no that was no that was no that was no Ciarán comes from Warren Mayo Bridge up in Nuri and he's a brilliant singer songwriter you have to listen to his album Brand New Star but anyway he's loads of albums since then but me and Ciarán brought out an album then I had an album with Arcady then there was two tracks taken one was taken off the Francis Black here and Goss and one was taken off the Arcady album and placed on this compilation album and there was Sharon had an album so there was two tracks taken off or more O 'Connell everybody went oh yeah Grant yeah take it do it we didn't even some of us didn't even know it was going to happen we didn't even know like and so then Mary recorded just the names excuse me so Mary you Mary my sister Sharon Dolores Eleanor McAvoy Mary and Eleanor recorded the song a woman's heart Dolores and myself so there were six of us am I forgetting anybody so Mary Dolores Eleanor Maura Maura myself and Sharon okay six of us yeah and And I remember the song.

48:00I remember the song, Woman's Heart. I remember thinking because it was played off the radio. It was, yeah. Thinking, wow, you know, it's such a great song, but still not connecting the dots that it was actually that I was on the compilation. Do you know, I knew that Mary had recorded this song with Eleanor and Eleanor wrote the song, but I didn't connect the dots that that was the album I was on because you just didn't, you weren't told. and and this went on to be the biggest selling album that ever came out of Ireland it ever came out of Ireland bigger than even White Ladder by David Gray and I remember when I was told that the album was number one I'm going am I on that yeah and they went yeah you're on that oh god and then all of a sudden one of the tracks Wall of Tears started to get played on the radio you know all of the tracks started to get played on the radio and Sharon was getting played and Maura was getting played and Dolores was getting played so All the other tracks were getting played.

48:55You know, so each one of the songs, it became then caught a wave. Yeah. Yeah. It was an amazing time. And it was all around the time that, you know, Mary Robinson got elected and women were kind of starting to kind of, you know, look at, you know, you know, contraception was always an issue. And, you know, all that kind of stuff, divorce and marriage. And, you know, women were always kind of like fighting for their rights at the time. You know what I mean? Yeah. And it was starting to like really come to the fore. And yeah, it was amazing. Sisters are doing it for themselves. Exactly. We actually sang that on one of the Women's Heart tours.

49:30And that was amazing. I still think to this day. And I said this tongue in cheek on a radio program a few weeks ago. I said it tongue in cheek. But when we were over in London, Women's Heart performed. And I don't know what the venue was. I can never remember the name of the venue. It was a big venue anyway. The Women's Heart was there. And Simon Fuller was there. Yeah. And a year later then with the Spice Girls. So I still think we were the inspiration for the Spice Girls. Yeah, right. Take credit for that. See, five or six women, birds, on stage. Please. Simon, it's Simon. Hello, Simon. Simon, it's Simon.

50:02Hello, Simon. What about this? Six birds on stage singing about bird stuff. What are you talking about? What about boy bands? Forget this. It's like a boy band, except it's birds. It's bird band. Bird band. Well, we call it bird band. No, no, mate. They won't go for that. Bird band, right? So things like women's rights, contraception. Yeah, power. Yeah, but we can't just say contraception, surely. No, we just call it zippy yippy-ki-yay-yay-a, whatever. Yeah. That will stand in for contraception, will it? Yeah, whatever, mate. Birds on band stage. I've seen this bird. Oh, my God. Francis Keane.

50:41Stop. Another bird, McAvoy, singing about women's art. Birds with arts, mate. yeah so that's you were the inspiration thank you well done on starting the Spice Girls oh my god almighty you know I'm not able can you imagine like you and Mary Coughlin going Mary Coughlin was on the second album by the way because she was really rage and she was she wasn't able to get on the first one and I don't know why she was away she says she was away in treatment or something at the time so she didn't get on the first one but thankfully Mary got on the second one what's the first Spice Girls song that came out

51:20what was the songs tell you what I want what I really really want yeah yeah Mary Coughlin doing zigger zigger zigger zigger ziggies I yeah zigger zigger zigger's a feck off oh lot of you ziggy ziggy ziggy ziggy she'll kill you there we go feck off we had a I used to there's a girl superb she does a superb impression of Mary called Paula and she does an amazing impression of Mary and I met her and I used to put her on some of the sketches Right yeah The Mary we had was that she was obsessed with hoovering that's all she wanted to do so she'd come into a sketch get out of the fecking way will you I'm trying to hoover the place That's all she wanted to do hoover the place but anyway yeah so well done on starting the Spice Curly Thanks very much Mario It's amazing That's brilliant Frances have you enjoyed this chat?

52:12I have enjoyed it And I really appreciate you taking the time out to meet with me. Not at all. You're a legend. I really enjoyed it. You're a legend as well. And your family. Your family are legends. And that's it. And for Mary, that's it, is it? Unfortunately, yeah. She sort of said that's quits time. She's finished, yeah. I couldn't believe it. I met her for coffee like a few months before the big tour ended. And I said, Mary, please tell me you're like, not really, really, like going to do it. No, I'm definitely, definitely going. She just wants to put a cap on it now, yeah? Yeah, she's finished.

52:40The last tour she did, it really did sell amazing, didn't it? People were screaming for tickets. Oh yeah, we sang the last night with her. Where? Black family in Vicar Street. The whole, no, I was at two of her gigs. I was at the stadium one as well. Because they sold like hotcakes. Everywhere, everywhere was sold out, completely sold out very quickly. She did the stadium as well, did she? She did the stadium, she did Vicar Street, she did Olympia. And did all the gigs go well? Everything sold out completely. And did they go well though? Oh, she was outstanding. I said for me, why are you stopping?

53:09Because she was back to her, the way she was you know and now she's oh she's never gone off point but she was like oh my god did she sing Nadine and all that she sang all the old I think she even sang Anarchy Gordon and you know I don't know she sang Nadine that's a really interesting one she might have sang Nadine in one of them it's because of really in the years it just always gets me it makes me cry did you ever hear Song for Ireland Song for Ireland oh you have to hear Song for Ireland I'll put it in oh definitely yeah definitely she sang that's really now that's her biggest hit in the US in particular okay Song for Ireland and when you how is your voice at the moment my voice is good it went off for a while I'm interested in how singers voices go I struggled many years ago I got a bruising on the vocal cords do you know how did that happen I don't I'd say I just strained it or I probably was you know not minding my voice but it was a really really tough time I mean because I was still singing but I wasn't able to sing terrible yeah oh listen to me but my voice is back the best thing for the voice is the rest you need to rest your voice I actually think since COVID, I have, you know, I'm singing a million times better.

54:16Great. Because I wasn't gigging. So you're in good voice. Yeah. So your voice had a chance to. Thankfully, I'm back. So you're something like Tom Jones in his 80s and his voice is in such good nick. Oh my God. There's some brilliant like. Genetics, obviously. Yeah. Yeah. No, he, I think he just has. Yeah. He's a man that just never wants to stop singing. No, he doesn't. He never wants to stop singing. He still has such a powerful voice. I don't think I ever want to stop singing either. And I don't mean that I want to be gigging all the time. No. But I just it's a very nice way of releasing, you know, tension and getting rid of all your anxieties.

54:47And it is what you do. It's a form of therapy. But it reminds me of what Glenn Cancert was doing. Yeah. In the sense that it's been made very clear by the way people have responded online and everything and what the stories about him. Yeah. Is that it didn't really matter whether he was singing with 5000 people or three people. He's still putting the same. Yeah. Energy. Yeah. Exactly. Which means he just loved doing it. It was just passion. He just loved doing it. And I think that really came across. That's what you're talking about. That's where the authenticity comes in. He didn't care where he was.

55:17He just wanted to sing. My mother was like that too. And I think my family are kind of like that. It's like your mother said she just wanted to sing songs. She would have sang for you. You bumped into my mother in the supermarket and said Mrs. Black gives us a song. She would have not only sang, she would have danced as well. Oh my God. She would have done a little one, two, three, one, two, three. What was her first name? Patty. Patty. Patty. Patty Black. Patty Daly. Patricia. Patricia, yeah. Patricia Black. And my father called her Patsy. Patsy. And everybody else called her Patsy. The Dublin way was Patsy.

55:43The Northern way was Patsy. Yeah. Hey Patsy. Patsy. Hey Patsy. Hey betcha Patsy. Don't be calling her Patsy. It's Patsy right. And there's no double T. It's Patsy. P-A-Y. Sounds like P but there's no T's. Patsy. Patsy. Right. Now. Hey Patsy. Shut your mouth. Brit's out.

56:09listen brilliant Francis long may you reign and I hope you know social justice is an important part of who we are and we need to be kind to people and we need to be compassionate with people and I think people were saying Glenn was a very compassionate person as well and you obviously are and we need to take care of each other we need to look after our vulnerable we really do need to look after our vulnerable and wherever we can say that whatever forums we can say that let's do that we need to look after our congratulations on the Rise Foundation oh thanks a million and addiction counselling yeah and all of that and you know you're leading a good life yeah no I'm living I am and I have two amazing grandchildren by the way who I adore and they keep me going you know and that's the best thing ever my kids and my grandkids are the best thing that's ever happened to me so I'm blessed you keep it going Frances I will thank you for coming in

57:07And my thanks to Frances Black for coming in to me and talking to me about her fascinating life to date. My thanks also to Hum Finance for getting involved in the Mario Rosenstock podcast and becoming a partner in it. But my main thanks, of course, to you as ever. Get in touch with me if you like, mariorosenstock at gmail.com. Spread the word, press the follow button, and tell one other person you enjoyed the podcast if you did. See you same time, same place next week. The Maria Roselstock podcast. Thanks to HUM. Finance made easy when you shop tech, electrical, appliances, kitchens and much more.

57:43Flexify Europe Limited. Trading as HUM is regulated by the Central Bank of Ireland.

From the publisher

Frances Black  is one of Ireland’s best-known singers, born into one of Ireland’s best-known musical dynasties. Nanci Griffith famously called her  ‘the sweetest voice of Ireland. Frances also successfully reinvented herself as an Independent Senator, building a reputation as one of the Seanad's strongest advocates on addiction, mental health and social justice.

We recorded this episode just one day after the tragic and untimely passing of  Glen Hansard, and in our chat we pay tribute to Glen and Frances shares some lovely stories about him. She also talks about her upbringing in the tenements of inner city Dublin, using her position as a senator to fight for social justice, and why she thinks that a woman’s heart may have been the inspiration for the Spice Girls!

COMEDY – it’s ‘'The Kids Are Driving Us Absolutely Mental In The House Handicap Hurdle'!

Produced by Patrick Haughey, AudioBrand

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