Where does The Late Late Show go from here?

16 May 2026 · 1 h 7 min · 35 chapters

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In short

The Late Late Show’s decline and what it would take to restore its “glory days,” arguing it’s been neutered by political correctness, fear of backlash, legal risk, and a lack of editorial conviction.

Guests (backgrounds)

  • Larissa Nolan: Former journalist; has written extensively about The Late Late Show.
  • Paddy Cullivan: Musician; was in the Late Late house band Camembert Quartet (2009–2019, 10 years). Also worked with Ryan Tubridy’s earlier show as house band.

Key claims

  • The show has shifted from a live “town hall” with rows and jokes to safe, repetitive “specials about specials.”
  • Editorial leadership and risk-taking have fallen; guests are “surgically vetted” and controversial topics are avoided.
  • A “loud minority” and social-media fear (Twitter/X) suppress national conversation; financial/legal caution reinforces it.
  • COVID-era changes and a more lecture-like tone damaged momentum.

Notable examples

  • Calls for figures like Enoch Burke and Nell McCafferty to be invited; mentions Twink offering herself for interviews.
  • Critiques avoiding Israel/Palestine discussion; references a controversy involving Boy George and Patrick Keelty.
  • Cites ratings drops (e.g., ~273,000 viewers recently vs. ~1 million historically) and competition from Dancing with the Stars.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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The State of The Late Late Show

0:45 to 2:59

Discussion on the relevance and challenges faced by The Late Late Show.

“and we're all suffering from that grip of political correctness that it has entangled itself in.”

Guest Introductions and Insights

2:59 to 4:27

Introducing guests Larissa Nolan and Paddy Cullivan to discuss The Late Late Show.

“And they're still not watching the Late Late.”

Reflections on The Late Late Show's Past

4:27 to 5:41

Exploring the highs and lows of The Late Late Show's history.

“looking for a bit more of the Tubbs magic back on Friday nights.”

Censorship and Comedy on The Late Late Show

5:41 to 6:50

Discussion on censorship and the challenges comedians face on the show.

“And again, we're delighted to have Hum on board as sponsors of the Mario Rosenstock podcast.”

The Evolution of Guest Interactions

6:50 to 9:16

Exploring how guest interactions changed over the years on The Late Late Show.

“Well, my name is Paddy Cullivan and I'm a recovering RTE person.”

Cultural Reflections on Political Correctness

9:16 to 11:24

Analyzing the influence of political correctness on The Late Late Show's content.

“Material, especially new material or stuff that you haven't done before or little bits of new things or let's say the fuel protests or something and I want to do that.”

The Impact of Political Correctness

14:01 to 14:59

Explore how political correctness affects broadcasting and public discourse.

“And I don't know because I'm not in his head, but I imagine that there must have been some restrictions or limitations on, you know, where it was going or what you could do.”

The Significance of The Late Late Show

15:00 to 17:50

Discuss why The Late Late Show was crucial in shaping Irish culture and conversations.

“You know, two hours of broadcasting on a Saturday night or a Friday night as it became.”

Challenges in Modern Broadcasting

17:51 to 19:59

Examine the struggles faced by current producers in breaking new ground on television.

“One of the things that it was during the 70s and 80s and 90s was it was an effective town hall.”

The Role of Iconic Guests

20:00 to 22:35

Highlight the importance of diverse and dynamic guests for engaging television.

“At the same time, I'd talk to a producer and I'd say, why don't we have, you know, the likes of Peter Ustinov?”
Show all 35 chapters

Gatekeeping the National Conversation

22:36 to 24:41

Analyze the gatekeeping of voices in media and its effects on national discourse.

“She's like, whenever she's there, her little hair is down there like this and the other fella, the brother, is nodding beside her.”

The Need for Conviction in Broadcasting

24:42 to 28:00

Discuss the necessity of conviction and vision in producing compelling television.

“Twink wrote a while ago to the Director General and said, why aren't you having me on the Late Late Show?”

The Weight of The Late Late Show

28:00 to 28:58

Discussion on the challenges and expectations of hosting The Late Late Show.

“Because if we'd be stupid not to do the elephant, go, forget the elephant, we're doing, you know, the health.”

Conviction in Programming

28:58 to 30:15

Exploration of the importance of conviction in television programming and content creation.

“Because if you say Israel They'll give out And if I say Palestine They'll give out So don't say that at all Yeah Stay away from it And that's why Patrick Got into such trouble last week For what?”

Navigating Sensitive Topics

30:15 to 31:29

The discussion focuses on the difficulties of addressing controversial subjects on television.

The Future of The Late Late Show

31:29 to 32:00

Suggestions for fresh and innovative content ideas for The Late Late Show.

“It's not even, they wouldn't get the Carlo Weather guy.”

The Role of Public Opinion

32:00 to 32:59

A discussion on how public opinion and social media shape programming decisions.

“Does anybody want to pick up on anything I'm saying?”

Reflections on Audience Dynamics

32:59 to 33:51

Examination of the changing audience dynamics and their impact on viewership.

“the easy option is instead to go, let's park all that and do this instead, because that is too much of a pain in the arse.”

Comparing Ratings and Competition

33:51 to 35:04

Analyzing the ratings of The Late Late Show in comparison to other popular shows.

“progressives think that they're doing the right thing, that produces a reaction.”

The Cultural Landscape Shift

35:04 to 36:15

Discussion on how cultural shifts affect the content and viewership of The Late Late Show.

Conversations vs. Scripted Content

36:15 to 37:21

The need for authentic conversations in media, contrasting scripted interviews.

“And then the rest of us are all going, Jesus, just give us normal conversation.”

Intellectualism in Media

37:21 to 38:36

Critique of the anti-intellectualism trend in media, particularly on The Late Late Show.

“So, I mean, we need to be having these conversations but also we need the Stardust.”

Historical Context and Media Evolution

38:36 to 40:17

Reflecting on historical moments in Irish media that shaped current content.

“Frank McCord was challenged by a member of the audience or even the politician P.”

The Nature of Conversations

42:00 to 43:20

Explore the differences between scripted and unscripted conversations in talk shows.

“All conversations on The Late Late Show are non-conversations.”

Critique of Current Talk Shows

43:20 to 45:32

Discuss the perceived shortcomings of popular talk shows, emphasizing their lack of unpredictability and diversity.

The Role of Humor and Chaos

45:32 to 47:38

Examine how humor, chaos, and unexpected moments contribute to engaging television.

Self-Censorship in Media

47:38 to 49:56

Analyze the issues of self-censorship and the impact of political correctness on media discussions.

“I'm not doing it as a kind of a, I wonder, should I do that now?”

The Future of Talk Shows

49:56 to 52:02

Discuss the challenges and potential changes facing the future of talk shows and media.

“That that is, you know, that is the swerve that it's gone on and that needs to be rooted out.”

Freedom of Expression in Society

52:02 to 54:24

Debate the state of freedom of expression and the societal impacts of censorship and fear.

“you could have just the late late toy show.”

The Legacy of Jonathan Swift

54:24 to 56:00

Reflect on the impact of Jonathan Swift as a satirist and his contributions to mental health awareness.

“We must rage against the dying of the light, Mario.”

Exploring Jonathan Swift's Legacy

56:00 to 56:54

Discover the intriguing contributions of Jonathan Swift to mental health and satire.

“and he emailed me and went, you don't know me.”

The Role of Media in Modern Discourse

56:54 to 57:47

Discuss the challenges and responsibilities of media producers in shaping conversations.

Couch Dynamics in Talk Shows

57:47 to 58:55

Examine the significance of keeping guests on the couch during talk shows for engagement.

“Well, I didn't jump at it because look, I mean, a lot of the people in there are still pals of mine and again, none of this is to denigrate the researchers, even the producers and especially the presenters.”

Evaluating Patrick Kielty's Hosting

58:55 to 1:00:19

Reflect on Patrick Kielty's tenure as host and the challenges he faced.

“and the crack that happens is a pure late, late show idea which they mysteriously got rid of with Ryan's tenure.”

Ideal Candidates for The Late Late Show

1:00:19 to 1:02:30

Explore potential hosts who could revitalize The Late Late Show format.

“has gone off him I think he was phoning it in for the last couple of weeks and he's dying for his summer and he'll never come back.”
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Transcript

Automatic transcript. May contain errors.

0:00The Mario Rosenstock podcast. Thanks to home. Finance made easy when you shop tech, electrical, appliances, kitchens and much more. Flexify Europe Limited. Trading is home is regulated by the Central Bank of Ireland. Coming up on this episode of the Mario Rosenstock podcast. People talk about woke, right? And, you know, woke is blah, blah, blah. But at least woke is active. At least woke is people doing stuff and it's transparent and they're calling for this and they're doing that and they want to cancel everyone and punish everyone and everyone should be killed forever off and never seen again, right?

0:30And this should be rule and that should be rule and everyone should be segregated. But actually what's worse than woke is political correctness. And I think that what has happened with the late, late, it has been the victim of political correctness, which presents itself as a virtue, but is some kind of weird vice. and we're all suffering from that grip of political correctness that it has entangled itself in.

1:01The Late Late Show has been an institution in Ireland for over six decades now. It's actually the longest running TV chat show in history, would you believe? But it's fair to say that it's now at something of a crossroads, a crisis point, as some might say. There is a far more competition than ever before. Numbers are falling and arguably it doesn't feel as relevant as it once did. It used to be the nation's town hall. We used to have fantastic discussions on the Late Late Show. Nowadays, they just seem to veer towards fairly anodyne specials, sometimes specials about specials, country music specials, Euro specials, Euro song specials and all sorts of specials.

1:38On top of that, there's a big question mark over who will be the host of the next series, as Patrick Keelty has not yet signed a contract to do it as we go to air. And we're not sure if he will either. I've been on The Late Late Show tons of times, as many of you know, and I'm really interested in its past, present and future. And so we invited two guests onto this episode who are equally as interested as I and who know a lot about the show, its insides, its outsides and etc. And TV entertainment formats in general. Former journalist Larissa Nolan Has been a guest on the show And has written a lot about it herself And Paddy Cullivan was a weekly fixture On The Late Late for 10 years During Ryan Tuberty's tenure Fronting up the house band The Camembert Quartet Larissa, Paddy and I reflect on the highs And lows of The Late Late over the years We try to figure out what's gone wrong What's gone right And what it's going to take To save The Late Late Show If it can be saved And get it back to the glory days I can tell you this Every editor in the country is chasing after Twink for an interview and she won't give it.

2:39She's offering herself to the Late Late Show and they don't take up the offer. It is bonkers. Honestly, you talk about box office. Weirdly, Twink is the box office. So I have this theory. Only Twink can save it now. We had trained people during COVID to sit at home, not go out and drink below-cost wine. And they still have them trapped at home now, most of them. And they're still not watching the Late Late. And this is a problem. No, no, Mario, that's a great point because there you have a global story in front of you and it is completely not just ignored but deliberately ignored and I know Enoch Burke has been on the Joe Rogan podcast he hasn't been on the Late Later come on I mean look you can just let it's incredible that's all coming up very shortly but when I put it out there on my social channels that we were going to be chatting about the Late Late and its future a few very well known people got in touch and it seems they have their eye on the big job on the show too Hi you've reached the Mario Rosenstock podcast please leave a message How are you Mario this is Tommy Tiernan here I hear they might be looking for a new presenter For the Late Late Show Listen, just throwing me hat Into the ring Forgive the pun It's exhausting doing my show Trying to come up with questions For a complete fucking stranger I can't stand this show anymore It's like meeting some idiot on a bus And I don't know who they are I'd love to have a research team 47 people around me putting together briefs For the likes of Daniel O'Donnell Not to get stuck into him.

4:07Then I'd like to have a crack at the toy show as well. Steer the kids away from society's rampant consumerism and get them thinking more about tickets for Tommy T - I mean, the deeper things in life. Do you know? Ha ha ha! Mario! It's Tubbs! Ha ha ha! Oh! RTE have been in touch. They've been tickling my, you know what? Showing me their panties, if you will. Opening their kimono. looking for a bit more of the Tubbs magic back on Friday nights. But lads, 250 grand? Not on your nelly. We'll need to talk turkey. A big fat turkey at that. Coming up to Christmas, you guys have to start paying your license fees again, okay?

4:46Let's make it happen, guys! Mario! Derek Mooney here! Wow, it should be me, the next late, late presenter! I've got the payment scandal to go along with it! Bye!

5:05and exclusive new comedy every week on the mario rosenstock podcast so the weather's getting better they say there's going to be a cracker next week the days are getting longer and you might want to be out there you're feeling good looking good and keeping track of your health and fitness and so if you're in the market for some fitness gear wearables or beauty products you should know that hum has got you covered hum is the sponsor of this product podcast and i'm delighted that hum have not only got involved in podcasting but also have partnered up with the mario rosenstock podcast thank you Hum.

5:32Hum is a finance company who provide flexible payment solutions for customers of some of Ireland's most popular retailers. They can help you make your purchases and pay back in bite size, easy payments. It really couldn't be easier. And again, we're delighted to have Hum on board as sponsors of the Mario Rosenstock podcast. And if you want to be sure to get new episodes straight into your inbox, well then please press the follow on button on Apple and Spotify or whatever platform you're listening on. It's just a click of a button for you, but it's a big deal for us as it really helps us to grow the show and get it out there remember we don't charge for this podcast a lot of podcasts out there now charging premium rates and getting you to uh to hand over your monthly subscription we don't do that all we want is a click from you and that really helps um thank you and thank you to hum so let's crack on with our chat about the past and future of the late late show it's a complete institution not just in ireland but in tv chat show history internationally and so what happens to it next is genuinely important and who better to talk about it, then Larissa Nolan and Paddy Cullivan.

6:32And here they are. We're here to talk about The Late Late Show. And both of you, we asked both of you to come on, myself and Patrick, because both of you have a distinct but convincing interest, full disclosure in here. So Paddy, tell our audience what your interest in this Late Late Show thing is. Well, my name is Paddy Cullivan and I'm a recovering RTE person. I'm joking. I was in the house band on The Late Late Show between 2009 and 2019 for 10 years the Camembert Quartet so that was my interest with Ryan when Ryan took over five years before that we'd done Tuberty Tonight as his house band from 2004 and even before that I had experiences being in a house band in 1996 on the one season of a show called Good Grief Moncrief Yes I barely remember the name you said Notorious you said Well it's look 90s RTE is so different to 2000s RTE is all I can say it's like the 90s in general Mario if you can remember it you weren't really there But all I know, it was quite insane.

7:31And kind of anything went. And it was a dangerous time in broadcasting. It was very like the word almost, Good Grief Moncrief. And like the word, we had a guest called Oliver Reed, who was coming on to sing a song with Hurricane Higgins. They were going to do Wild Thing together. Imagine having those two guests on your show. Those two guests on the show. Like the very first show, we sang a song with Chris Penn. You know what I mean? But the whole place was so alcohol-sozzled back then. I mean, Ireland. I'm not talking about RTE specifically but the producer had said look Oliver Reed lives in West Cork so he sent a researcher I won't tell you who it is but you know him and he said look just go down and get Oliver Reed out of his house in West Cork get him on the train and make sure he comes to Dublin and doesn't drink okay and the taxi arrived into RTE eight hours later and both of them fell out of the taxi the researcher was pissed oh the researcher I thought you said the taxi driver Oliver Reed said I'm going nowhere if you don't drink with me.

8:26So we had to match him drink for drink and then the whole night was insane. So that was a great time. So RT was a mad manic place in the 90s. 2000s gets a bit safer but that's my experience of the Late Late Show specifically is the tenure of 2009 to 2019. Great, I'll follow your lead and go my name is Mario Rosenstock and I'm a recovering Late Late Show veteran. The reason I'm involved in this is not just because I'm a license fee paying customer is because Dermot Bannon who I interviewed last week told me that apparently I hold the if not the record nearly the record for the most appearances on the Late Late Show 24 is my current number You were very good on it Thank you 24 times the Late Late more than you Paddy Well no I've done it hundreds of times I was on it so many times I've been on it so many times that Paddy's Camembert Portrait ran out of songs to bring me on to so he'd start with Who are you Do do do do do and all sorts of things but they ran out of songs basically What else did you do for Mario I'm really curious Just anything to do with the who basically Who are you Or anything to do with characters But that's where I met you That's right And so That's where my interest is Because I have An extensive experience Oh we did John Farnham You're the voice trying Oh that's good So I would have An extensive experience Of what it's like To be a guest On The Late Late Show From the outside To be vetted When Patrick Keelty said For example Don't forget You can say Whatever you want On The Late Late Show It was in the face Of the Jimmy Kimmel stuff And you can't Say what you want On The Late Late Show You were surgically vetted Wow Before going on At least comedians are In what way?

10:00You are asked For starters You're asked What would you like to do On the late show And then you go away And in my case I go away Like I would do In any gift group meeting I go away and I think Of seven or eight things I'd like to do Then they come back to you And they go Yeah Listen And there's a space for that Because they could go We think that's a bit Outre or a bit mad And I accept direction So I'm not going to go You know I'm happy to take direction but they might say could you not do Micheál Martin and I go why and they go we're hoping to get him on next week oh my god alright okay and they did it to me with Michael Flatley as well now Michael Flatley is not a political character no and not a controversial character if you exclude flutes and and they went we want to try and get him on next week would you leave it out this time and I go that's a bit unfair on a comedian who's just trying to be you know you know material is hard to come up with.

10:53Material, especially new material or stuff that you haven't done before or little bits of new things or let's say the fuel protests or something and I want to do that. You know, I'm not saying they did, but they might go, it's a bit touchy at the moment. I'm not touchy. Well, that's what I'm here for. I'm Mr. Touchy. You know, and it's up to me to judge the line. But like, that's like, that is a soft censorship. Now, it's not for maybe reasons that, you know, are, you know, some sort of conspiracy theory. But at the same time, you're being shut down on what you should be able to talk about and it's also stupid can I say because do you really think Micheál Martin or you know someone will go oh I'm not going on that show now because Mario Rosen took the piss out of me they're actually going to love that you did that because it makes them a national figure and in fairness to Mario you never do it in a way that comes across ever as nasty while you skewer the satire you never it's never like where you go oh that was a bit low ever I mean I'd be honest I like to go I don't always skewer the satire I do I'm a little gentle what I do is I point somebody in a direction of something.

11:50Even if I did the fuel blow test, they're going, ooh, he brought up the fuel blow test. But that to me is skewering the matter. Yeah, exactly, which is showing people that you're not afraid to go there and showing people you should be looking at this maybe. But I'm not necessarily telling them what to think. I'm hammering it into their thing. Never tell them what to think. Yeah, but anyway, so that's just my perspective. So Larissa, your perspective is? So we have a recovering person from the late, late and a recovering guest from the late, late and I would be a recovering fan of the late, late.

12:16So we're all recovering. We need to go into recovery together. yeah, so I think my glory days of The Late Late is actually Pat Kenny years and I didn't really watch it Gayburn I tuned in like, you know kind of the odd time but like, I was a bit dare I say it too young for that so really it was Pat Kenny when I got into it because I was working for the Sunday Independent at the time and back then you had to watch The Late Late because something would always kick off and you couldn't watch it back in the player and there was no Twitter and all that stuff thank God so you had to watch it someone had to watch it and then come in in the morning and you would always get a story out of it.

12:50Something would happen, you never knew what it was. And that was kind of the fun bit because if you were there to actually see that happen or some row kicked off in a panel or, you know, Pat tearing up the late, late tickets. Remember he did that? Someone wanted tickets for the toy show or they didn't want them was the point. And Pat got a bit angry, which was funny. And then there was the greatest moment on the late, late, in my view, which was when somebody broke into the studio and came up to Pat and called him an insufferable arsehole. And Pat is not an insufferable arsehole, but it was comedy gold in my view and still the best moment in The Late Late.

13:19But I would watch it for weeks for something like that to happen and then I'd be like, yes, this is brilliant. This is why we have The Late Late. And it wasn't afraid to do normal stuff. So what has happened since then, I think, is he Tuberty took it over and what I liked about the Tuberty years was he got good celebs on it. He had Russell Crowe on with Paddy. He always had on people like Shane McGowan. He always had on Sinead O 'Connor. He got good guests and he was a good interviewer and he listened to people. And he responded to their, he didn't just ask the next question, he responded to their answer with a different question and got more out of them.

13:54You know, he's a real people person, Ryan, so he was really good at that. But even Ryan got sick of it and got tired of it. And I don't know because I'm not in his head, but I imagine that there must have been some restrictions or limitations on, you know, where it was going or what you could do. and for me I think that is actually more to do with culture and society and broadcasters pandering to that than anything else like it's to do with like people talk about woke right and you know woke is blah blah blah but at least woke is active at least woke is people doing stuff and it's transparent and they're calling for this and they're doing that and they want to cancel everyone and punish everyone and everyone should be killed forever off and never seen again right and you know and this should be rule and that should be rule and everyone should be segregated but actually what's worse than woke is political correctness And I think that what has happened with, sorry, with the late late is it has been the victim of political correctness, which presents itself as a virtue, but is some kind of weird vice.

14:52And we're all suffering from that grip of political correctness that it has entangled itself in. I can only assume that it's an environmental, cultural thing. Too many oversights. People afraid of Twitter. We better not go there. It causes too much hassle. We'll have to deal with the aftermath. afraid of backlash and so we don't have dissenting voices we don't have panel discussions we don't have national conversation and for me that's what's lost Okay Paddy why was The Late Late Show so important what made it good in the sense that why isn't it the same so what made it why did it have a certain secret sauce or did it Well look I mean as far as I'm concerned The Late Late is just a blob that emerged that was kind of directed by Gay Byrne into being.

15:41You know, two hours of broadcasting on a Saturday night or a Friday night as it became. How do you fill that time? You know, and someone like Gay Byrne, you know, everybody has to remember that Gay Byrne was as hated as Pat Kenny, as Patrick Kildee, as Ryan Tuberty. You know, I remember, you know, my dad's generation wanting to put their foot through the television screen because it was this weird combination of, you know, very statist, Very government friendly You know But also very progressive Very anti-Republican Kind of pro-church He was a mix of all these different things Plus Yeah A lot Just the hatred point A lot of men Subconsciously felt That Byrne Was robbing their wives off him Really?

16:26Yes Well Every morning He had the women's The women of Ireland Yeah One on one with him Yes And they listened religiously to Gay Byrne and men got jealous of this what they would go your man and is that why women are like that today now Mario is that why women are like that today what do they like there's no excuse for them today there's no excuse for them today I'm kidding but do you know in other words yeah the women of Ireland spent two hours in the morning every morning with Gay without their help yeah well like we forget the radio influence maybe they were happy with that though so first of all well first of all this guy is highly influential like on society you know again no Netflix no nothing There's a million people a night listening to him once a week.

17:09There's a million people a day listening to him on the radio. You know, hugely influential. And he's directing the culture. This man is hugely powerful. But at the same time, he had the brilliant instinct of a newshound. You know what I mean? And you'd know what this means, Larissa. Like, he would see something like the riots two weeks ago, the protests. And he would go, I want the head guy from the tractor on the Strait of Hormuz that is the M50. And I want him directly against Jim O 'Callaghan on the couch tonight. and we're having a massive Donnybrook as we Donnybrook means a fight actually but it also means where RTE is and and he would do that and you get the audience involved and there'd be a massive national conversation about the fuel protests where was that two weeks ago?

17:48Nowhere 100 % Nowhere to be found I have to say I agree with you completely and I don't think You can't pretend you're the government the world's living room or Ireland's living room and not talk about the big thing in the room The most important thing that was happening in the country wasn't reflected in the live the most important live television show in the country. Yeah. One of the things that it was during the 70s and 80s and 90s was it was an effective town hall. It was an end of week gathering. Yeah. Sometimes the RTE people called some of their things the gathering. It was an end of week.

18:18What the hell is going on? We have a couple of drinks and as Larry Masterson I think said John Masterson Larry Masterson one of them he said the Late Late Show should be a song a joke and a row. Perfect. Right? Yeah. And that's what a night out is. Yeah. And it's live. And one of the other things that we remember as well, which maybe we don't know now, is they used to say who's going to be on. Oh, yeah. So you wouldn't know who's going to be on. So my point is, I suppose I echo what Paddy said, that it's a totally different landscape now at the moment. But at the same time, it made a difference.

18:53And it made a difference because you didn't know what was going to happen. And it had a row and a joke. And the other one that Larry Masterson said was a sprinkle of stardust, which is hard to come by. so but having said that Tom Cruise appears on the Late Late Show Well I remember saying to someone and by the way this is not to critique because I was friends with all of these people the producers and everybody else researchers they're wonderful people they're very nice people in RTE but there was a kind of a fear and I used to say so what's why is that person on and someone go because they're box office and I go grand but you have to also create box office and I would find myself seeing the same 11 people showing up all of the time.

19:33At one point towards the end, I realised that there was a whole line-up on the show that was exactly the same as the line-up the year before. Was it? Not only the same... Same week. But in the same order. In the same order? Yeah. And I was just there going... Deja vu. Yeah, deja vu. It was deja vu all over again. And I was there going... I had suggested great singers, people I knew, amazing speakers, because I'd met a lot of people through Dave McWilliams and Leviathan and all this, and saying, bring those guys on. You'll have a great Barney with this person. Nothing. I remember Kevin MacLeod came on remember everybody was watching Grand Designs and obsessed with houses back in the day so I had this idea I said look let's have a bit of a crack with him because none of the researchers seemed to know who he was and weren't watching the show Are you saying you were inputting into meeting?

20:14Not into meeting but just it would be a suggestion you know what I mean because we'd all be brainstorming we'd be hanging out for hours you know and I'd say listen why don't we have a game called Asher to be Grand Designs and we take the three ugliest bungalows in Ireland and he has to speak beautifully about them which is what Kevin MacLeod does even if he was a horrible building you know and they were like no I don't think that no because none of them had actually watched the show and I was there going this is really strange and I'm not talking out of turn here these are good people they're busy they have to fill two hours a week which is believe it or not quite a lot on TV it's different with radio because radio you can you know rustle up whatever you can but to get somebody physically into the TV studio physically doing this not calling it in is big I get it but and yet there was this lack of wanting to break new things and I always thought that Gabo regardless kept breaking new stuff.

21:01At the same time, I'd talk to a producer and I'd say, why don't we have, you know, the likes of Peter Ustinov? And he said, look, in 18 years, we had Peter Ustinov on three times. 100 % correct. It's a complete myth. Yeah, three times. But everybody thinks Peter Ustinov was on every single week. Yeah. Rubbish. The thing is about Gay Byrne was that he would have been, I think everyone in the newspaper says he would have made a great tabloid editor. He was brilliant at skewering what everyone's talking about now. What's driving everybody mad now? What is the issue of the day? but like I mean I think either that you know you either have to be sort of funny and crazy or you have to be controversial I think what was your formula again joke song and row and a sprinkle of stardust if possible and that's the thing and I think like you know that's kind of that's the way that it should be but I was just I was thinking like two points I wanted to make on that one Pat Kenny was on I keep telling my Pat I love Pat I just really love Pat as the Late Late Show host and I loved that he came back on the Late Late recently I don't know if you guys saw him I did I saw him and he was quite critical Yes he was yeah and he was right and he said it directly and he said to Patrick Keelty you know we had on he was talking about the Joe O 'Reilly murder case and Keelty immediately came in and said oh we can't do that now for legal reasons but you could have done that you can do it for legal reasons the guy wasn't arrested he was on the Late Late Show talking about it there was nothing to stop but it's not legal reasons it's the issue it's editorial lines that are the issue but Pat was brilliant and he said a bit like what you were saying he said I would have Enoch Burke on here I would bring him on and let the nation decide let the nation decide why are people deciding that we can't listen to these views just jump in there for a second I want you to continue well done Sonny I want you to continue I'm on a roll now why am I doing jokes about Enoch Burke on my live show why have I got pictures of Enoch Burke I have I've gone so deep into Enoch Burke I don't even find Enoch Burke funny do you know who's funny with the Burks the mothers and the enablers the sisters and the brothers they're the funny ones yeah it's true She looks like a little spider.

22:58She's like, whenever she's there, her little hair is down there like this and the other fella, the brother, is nodding beside her. She's going, you are evil, evil, the whole lot of you. He's a man, not a woman. And your man is going, like this. And they're funny because they're the kind of, almost the disciples who go around causing the trouble. Enoch's in jail the whole time. But Enoch's funny. They're funny. I'm a person who does comedy and satire. Why isn't Enoch Burke on The Late Late Show? Yeah. You know, it's one of the, not only one of the things that has been ever present in Irish society for about two or three years now, the whole world is talking about it, particularly on the Musk-amplified, you know, platforms and stuff.

23:36But go on. No, no, Mario, that's a great point because there you have a global story in front of you and it is completely, not just ignored, but deliberately ignored, like willfully ignored. I mean, the other thing is, and I know... Enoch Burke has been on the Joe Rogan podcast. He hasn't been on the Late Later. Come on. I mean, look, you can just... It's incredible. But what are they afraid of? This is what I'm wondering is that like what is the fear here and like I feel like there's an element of sort of gatekeeping the national conversation as well to it but like I mean even things like there's so many people who are persona non grata and they're all the most interesting people in Ireland they seem to be persona non grata on the Late Late Show Nell McCafferty for example I always mention her the best feminist that this country ever produced absolutely brilliant woman really lively dynamic great ideas brilliant journalist well able to talk didn't see her tragically on the Late Late in the years before she died and she should have been on because they would have known that was a better.

24:27And Gay loved her. Gay loved her for that very reason because she is an interesting voice and any interesting voice now socially or culturally seems to be silently shelved off. But I have to say one more point because this is really important to me. Not necessarily a cultural voice but a cultural institution is Twink. Twink wrote a while ago. No, I'm serious about Twink. Twink wrote a while ago to the Director General and said, why aren't you having me on the Late Late Show? I haven't seen her on the Late Late Show since. why is she not in the Late Late Show if she wants to come in the Late Late Show I can tell you this every editor in the country is chasing after Twink for an interview and she won't give it she's offering herself to the Late Late Show and they don't take up the offer it is bonkers honestly you talk about box office weirdly Twink is the box office so I have this theory only Twink can save it now it's like only Johnny Logan can save the Eurovision yeah but actually Twink was on the Ryan Tupperly Late Late she was on She was on the Ryan Tuberty one but she wasn't on in recent years.

25:25You know when she was last on? Something like 2011. So Alison O 'Connor is a lovely person and a good professional. Alison. Alison O 'Connor. Or why is she the only go-to human being in Ireland? AOC. Alison Alexandra Cortez. Cortez. Well because Mario I'm very, very reasonable. I'm a reasonable person. I'm middle class. Yes, middle class Irish journalist Don't really know What to be saying A brilliant impression I listen to your podcast Do your Sarah Carey Quickly by the way Sarah Mario What are you talking about No go away Mario Stop now I don't know What you're like at all I'll stick now I'm going to get In myself in trouble here They'll all be given out to me Now I'm afraid Not at all Don't edit yourself Go on Paddy Do you want to say something So where are we Where are we now We are Well look Look, to be fair to the late ladies, and I will give them this, that, you know, when Gable was having the national conversation, we didn't have like Katie Hannan's front line, prime time twice a week, 678 hours of current affairs on the radio every single day.

26:32So literally by the time Friday comes along, the whole national conversation has been had in and out and up and down. Just one thing, just to interrupt you there for a second. You've walked into the exact thing that Gable would have disagreed with. Good. Do you know what Gable always used to say? What? He used to go, I'll tell you what we're doing. We're doing the National Health We're doing the health service On Friday And they go Gay It's been on all week Okay It hasn't been done Until the late late do it There we go I like it There we go That's what's called Bollocks Well there we go Okay Well then you're right And I'm wrong No you're not It's not a question of being wrong I'm saying it's called It's It's called Having A conviction Yeah And this For me is the problem Please jump in anytime you want But it's like not having Vincent Brown around What the hell's going on there Can I know I want you to continue That's true why don't you continue that because you're right it lacks conviction yes it lacks conviction it lacks vision comes from usually one to two people and they spread the vision yeah leadership and you go I'm going to do this we're going to do it yeah one of the things that we haven't mentioned so far is that Gabe Orne was executive producer of The Late Late Show yes that means he called the shots yeah when Ryan was producer of The Late Late Show I'm presuming that Ryan would sit into a meeting where the executive producer and the production team told him broadly what we were doing.

27:47Well, I don't think Ryan was even producer. No, presenter, I think. Presenter. They tell him what we're doing. Same with Pat, although I'd say Pat had more of an editorial input considering his interest in current affairs. Yeah. But Gabo was executive producer, which meant if they said, we've got to do the elephant on Friday. Yeah, yeah. Because if we'd be stupid not to do the elephant, go, forget the elephant, we're doing, you know, the health. Exactly. And also, but also, I mean, and it's not to take away from Ryan because I did five years with Ryan on Tuberty Tonight, which was a pure entertainment show.

28:16which had a little bit of current affairs. He was brilliant. He was absolutely amazing as an entertainer, presenter. And it was great fun. I adored it. I got a duet with David Hasselhoff. Particularly on Turbordy Tonight, he set up that kind of free and easy, Rat Pack-y vibe. Yeah. And so he proved himself an adept and continued on The Late Late Show. To a degree. But the problem is, the minute we hit The Late Late in 2009, I could just feel this kind of weight coming down on us. It was this kind of, you are The Late Late. This is the national conversation. And yet, I found that it's that weight kind of took away from the content in a bit Let me finish the thing about conviction because I know Larissa would like this So you need vision you need a conviction Conviction means the ability to make a mistake see it through to the end Yeah Build it and they will come You've got to say I'm the programme maker Yeah You know you don't put a a poll out to people going What would you like to see Would you like to see a C-list English entertainer who was on I'm a celebrity you'd recognise his face would you like to see that?

29:19Or would you like to just shut up about that and we're going to make the programme thanks you're the watcher I'm the maker I'll make the programme you watch it that's what I'm paid for and that's what you're paying me for let me do my job so they seem to lack conviction and they seem to lack courage and balls why is the thing my problem with it is that I keep on coming back to money they are financially behoven Onto the state And they are Terrified Of Getting sued And they're also terrified Of Twitter X And the platforms So for example If you say Israel Palestine They can't win Israel Palestine Don't Don't mention it Why?

30:02Because if you say Israel They'll give out And if I say Palestine They'll give out So don't say that at all Yeah Stay away from it And that's why Patrick Got into such trouble last week For what? he got into such trouble for the gentleman who was on the late late and Boy George Boy George and talking about the two the two Israelis or the Jews who were attacked in Golders Green and Patrick jumped in and went and he said just for context that's in the backdrop of the attacks in Gaza and everybody went how dare Keelty link the attacks in Gaza with the attacks on the Jews in Golders Green absolutely slaughtered he was but he was both sides he was both sides Exactly but you can So instead of both sides Where you get equally slaughtered Yeah Sorry for the inappropriate Use of that word They're decided to No sides in it Yeah No sides in it So that applies to everything then No sides this No sides that Yeah So what does it all come down to then Let's get the guy Who finished 9th On I'm a Celebrity Yeah Or do a country special Because Do you know what Or a country special With the guy who finished 9th on Celebrity I did a sketch I've been doing sketches And we did A late late show Special special all-Ireland country show all-Ireland country show all-Ireland country western show toy special rain and then we said it's a weather special as well I'd love that the only special they haven't done is the weather special we're joined tonight by all our greatest weather people Martin King who are you we're going to have Daniel O'Donnell singing It's Rain and Men and we're going to be you know so it's just a weather special that's going to happen now you know they'll have a weather special that's actually a really great idea for the current Late Late Show that's right up their street if you went to but first we have a man on who met Carlo Weather.

31:44It's not even, they wouldn't get the Carlo Weather guy. He would be unavailable. No. Probably too risky. He'd be doing a friend in O 'Connor instead. He'd be a plowing special. You can't be my friend in O 'Connor. Somebody, you know, like somebody might disagree with him or say, oh, how dare he have a view on weather? He's not a weatherman. And then they go, oh no, that's terrible. We have to shut it down. Does anybody want to pick up on anything I'm saying? I mean, I do, I do, right? Because I think really what it comes down to, it's easier. let's do this because it's easier and there's a second thing that's been happening in society and culture for the last 10 years which is letting a loud minority decide what the rest of us think, do, discuss right, so it's like oh no you can't do that so there's this loud minority, so what if people disagree, so what if they go mad on Twitter, so what if they criticise you, you say okay grand I took that on board, moving on, next show like so what, if you have if you have carried out basic journalistic you know procedures and ethics, that's fine.

32:39Once you're, like, I mean, I do think that we're under the cosh of too many of these sort of press complaints. Of course I would, you know, as a person who worked in media for so long. But at the same time, you can navigate those and you can walk the tightrope of those and you still can have a national conversation. But it takes more work and it takes more energy and effort and it takes more intellectual rigour. And I think the easy option is instead to go, let's park all that and do this instead, because that is too much of a pain in the arse. And as Paddy said we're scared of our shites yeah they're scared of their shite and also burn the Rolodex just burn the Rolodex stop the big butterfly nets going through the canteen gathering up guests the great canteen sweep of 2010 the canteen sweeps you know which is help which is fine don't stop don't stop the old butterfly nets but you know fair enough I get it but like there are so many talented brilliant people out there there's great speakers one in three people in Ireland is conservative okay just one in three one in every three people you meet on the street everywhere you go is a conservative.

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33:35Okay? Voted against gay marriage. Voted against abortion. Voted against the two stupid referendums. Well, that was 75%. Ah, there you go. That's more than you think. So reflect that. You have to reflect that in your show. You can't just see the world through a progressive prism because even though progressives think that they're doing the right thing, that produces a reaction. And the reaction is, what are the ratings now? What are the ratings, Mario? So I was going to bring this up actually. So I'm doing another thing at the moment so I was plugged into a few ratings Just to check that you were number one No, 25 years ago Glenrow finished and I was in the last episode of Glenrow and Glenrow finished and it had 1.5 million ratings not for just the end during I remember because I was concerned about myself about my bits in it and I remember when Biddy Miley went for a roll in the hay with my wife and I knew then my career as a matinee idol was over 1.5 million people watched it.

34:34Other occasions 1.5 million people watched it. Another occasions 1.2 million people watched it. Late Late Show used to be watched by a million people then during Ryan's it used to be watched by seven. I have checked this, I have an email from Ryan going you know, fantastic stuff last Saturday, great to see you, let's go out for a pint. We had 750, 800, absolutely we're delighted in here. Last week it had 273 ,000 listeners, watchers and you could say that's because the landscape has changed not quite Dancing with the Stars gets 550 yeah now there was no hope in hell that the dance that Gabo would be beaten by Dancing with the Stars no he just wouldn't accept it or Pat Kenny no no they wouldn't have it but Late Late Show is getting tarred and feathered by Dancing with the Stars and would you like me to put a nice window in there Dermot yes yeah People are still obsessed About their house Yeah they are And I love Dermot And he's a very intelligent guy And all that sort of stuff And he's bringing in the ratings Yes So But you shouldn't be beaten The Late Show Should be beating these And like We had trained people During Covid To sit at home Not go out And drink below cost wine And drink themselves And they still have them Trapped at home now Most of them Because I know from doing gigs it's hard to get them out and they're still not watching the late late and this is a problem but again like I'm saying if you turn off the third of the country that are conservative because everything you do is from one political or progressive perspective I'm not saying I don't even think it's that Paddy I think it's not because what do you think it is because that fear of bringing people on is part of that progressive outlook no no it doesn't matter how many people are conservative or not conservative or not taking in anyone else's opinion that's what I mean it's not like you know it's more like listening to the loud minority as opposed to saying hang on And most people are in the middle because honestly, you know, I think there's studies done in this that like 80 percent of people are what's called just the frustrated middle who are like, you know, there's 10 percent on one side and 10 percent on the other side who are wacko.

36:41And then the rest of us are all going, Jesus, just give us normal conversation. Most people are intelligent enough to understand a conversation is a conversation. A discussion is discussion. Someone will have this point. Someone else will have that point. Someone else will drive you mad. And you turn off and you go, I have to think of it and I come to my own conclusion. and I think it's an insult to the audience to say oh we better safeguard them from that it's part of the whole safetyism and it's very very convenient for programme makers and you know whoever else to say oh we better veer on this side we'll make it the Rosa Tralee basically the Late Late Now is the Rosa Tralee chat show it's like the Rosa Tralee that's the audience and there's a whole other open audience out there who aren't getting any of this debate which I think would actually be really really helpful to Ireland as a country because things that aren't discussed you know this is a slightly excitable comment but countries that where discussion is repressed turn to violence now I don't mean we're all going to go around killing each other but you see it there with say the frustration of the fuel protests all these issues are just not being discussed they're just being sidelined and pushed aside and I mean like if I was to the late, late show now I'd have a panel on government waste the absolute madness of the latest bike shed down in Kerry on top of the other one and the children's hospital and all that kind of stuff.

37:54So, I mean, we need to be having these conversations but also we need the Stardust. You know, it's just not there. It's not there. Okay. Two more points if you wanted to jump on these. There is, in society in general and as reflected through the Late Late Show, what I might call an anti-intellectualism. That's it. It's the unwillingness to get intelligent, thoughtful, quasi-philosophical people on to the show. these people are thriving in podcasts all over the world these are the people that people are graduating to people with sentient thoughts people with something to say Eulich O 'Connor back in the 70s Nell McCafferty as you say you brought up Pat Kenny Eulich is another one of my favourite people ever to be produced in Ireland amazing man amazing man amazing pole vaulter oh yeah and amazing he was Olympic wasn't he and boxer yeah brilliant guy but you mentioned Pat Kenny Pat Kenny I remember I was watching back on a brilliant one where they had the wolf tones on and they had wolf tones on the panel sitting beside Fintan O2 and Fintan laying into the wolf tones and he said the wolf tones you don't get it do you Fintan you don't get it and I refuse to partake in you you know Fintan was almost turning into Christy Brown so he was so gnarled with that and then just to add a little intellectual spice into it that okay we're joined now as if that isn't hot enough for you we're joined by Ian O'Doherty in the audience I've been to a I've been to a Wolf Tones gig how did you find it Ian?

39:34I got beaten up that's how I found it I got clattered that's what I'm saying and so this is the kind of moments we love yeah you know let's talk about the Wolf Tones the Republicanism the Wolf Tones should be on now but not to go hello whoa whoa whoa yeah Or the Angela's Ashes debate is another one of those. Do you remember that one? Frank McCord was challenged by a member of the audience or even the politician P. Flynn when he was asked about how... It was lovely. Yeah, but you know like what was it again? Oh, you try it sometime about running the three houses. Oh, brilliant. I mean, that kind of audience thing.

40:07I have a house in Mayo. I have a house in Brutsels and I have a house in Dublin. Yeah. You throw in a maid in each one. Three cars, three Mercedes and a tent outside and I'll tell you try it sometime. Yeah. And do you know something? That should become a self-help book for young people to tell them how to save get a deposit for a house instead of complaining the whole time. P. Flayne Manual. Yeah, it's my new book Try It Sometime. Try It Sometime. No, absolutely. It's Trumpian. But I've told you Trump is finna fall all the way. He has to get a mention of Trumpian somewhere. But poor Flynne and Trump are the same person.

40:36But anyway, I think, yeah, I know what you're saying but I also believe that the late, late, like if you announced Enoch Burke was coming on on Wednesday you would have 600 ,000 and people watching on Friday just for the curiosity value. Why not just throw it in? Why not just do it? And I'm not saying it all has to be conservative and it has to be this and it has to be that. But you have to reflect people's opinions. And if you're constantly lecturing them that this is the way to be and this is how life should be. But then again, as Larissa remembers, like, you know, I just left in 2019 fortuitously just in time to start doing my shows, you know, just before COVID happened.

41:12And then COVID transformed the late late into something completely different. Yeah. Oh, Brian was the nation's curate. That was a really strange, weird time. And I always say like the Amy Huberman, I don't know, someone should look back on the Amy Huberman interview there, which seemed to go on for years and years. They were just dragging it down. I think actually that's probably when it began to be sort of killed off. You know, it became a sort of a lectury, sort of boring. And then it never really recovered, I don't think. I think they should have pulled the plug during the COVID years and it never really recovered from then.

41:45One further thing, or another further thing is just the anti-intellectual as it might mention jump in on this as well and it's pertinent because of something else that's going on on RTE and that is the unwillingness of people to have a and listen to the word a conversation conversation is are things that aren't scripted conversations are things that have pauses unexpected interchange changes of subject surprises the thing about conversations are they can be risky and I'd say that in the best possible way because you are moving into a place you don't necessarily what's going to go against. That's the fun of it.

42:18All conversations on The Late Late Show are non-conversations. They're fully scripted interactions. Yeah. That's why people are enjoying The Tommy Tiernan Show because at least it's a conversation. It's a conversation where it's unscripted. You don't know where it'll go. He doesn't know who's coming on. Yeah. And so on. Well, I just call it The Late Late Show without research. Yeah. And I'm not being mean. I just think The Tommy Tiernan Show gets an awful lot of Rope Yes because Tommy's Very good And because it is That kind of unplanned thing But it's still Within that stricture I still see a lot Of the same faces Going on I still But not a lot Of unfamiliar faces I'm not speaking Out of bitterness here Mario But I've done two Sold out tours Of America With my show The Murder Michael Collins You'd think from 2022 Till 2026 Somebody might have me on For 10 minutes To talk about it Yes You know it's a very Important subject I'm not Just for myself I mean I'm just I'm not saying that Everybody deserves To go on the lay late Or Well I've had you on through this is your third time on this podcast but I do I deserve to go on so you know agreed so there you go full of interesting I think Tommy Tiernan's show is deadly boring and I actually think it's even more boring now than the late late but you addressed my point though no no totally no you're completely totally right on your point and it is unscripted I think it's so unscripted it's kind of veering into like when he doesn't know who Gilbert O'Sullivan really is and tell us again remind me who you are and what and I'm there this is one of the greatest musicians that Ireland's ever produced and you should know that and from Waterford yeah and from Waterford like all good people like yourself Keith Barry and Gilbert O'Sullivan and Kate Bush yes so anyway but can I just say it's something that is worth mentioning is that okay yeah Tommy it's unscripted at least a bit different but it's still boring and it still has safe people on it but I mean they've removed everything that's good The Cutting Edge was also a great show that I was on numerous times but that was also brilliant you had lively controversial conversation and you were on it No my point is it links another thing I was going to say and that is Cutting Edge was an interesting show right and the last interesting chat show that was on RT was Brendan O 'Connor's chat show yeah and it was a shit show sometimes yeah but that's what made it interesting that's true joined now by Pussy Riot can't even speak English so what are we going to say now I can't I don't understand what you're saying and they're like hello Putin Putin and they're like what's going on now okay listen let's go to Linda Martin who's going to sing I'm staying all up all night to get lucky and you're there what the fucking fever dream am I in I need subtitles when I'm listening to him on the radio on Sundays but no but it had it had it had the unexpected yeah even down to his opening monologue which was cringe inducing yes him delivering jokes he actually after a while going so a man walks into the fuel protest and says give that wasn't very good was it but anyway at least they're going Jesus because there is a kind of there's a kind of a cathartic thrill in watching somebody deliver that's what I'm saying Grief Moncrief was the same It's like you didn't know What was going to happen It was electric You could go Oh God what's happening now But these people have Something in common They're funny They're engaged with Ireland And they're interesting And intelligent people Right And that's why And that comes out In a conversation And that comes out In who you And you're risk taking And you know that other people Need to share all these things That you have in your head So I think that's why Actually I would say I really like his show On the radio every Sunday But I mean Max Savage You could name any amount Of things that have been Removed from Or to to Irish audiences and will never seem to will never come back again It's a mystery to me right as a satirist right a person who writes comedy and satire how you wouldn't like want Max Savage on your show Yeah who you know who at least you know first of all he's got you don't know what's going to happen Yeah Second of all he's always got his finger somewhat near the pulse because that's kind of what he deals with he's going you know he eventually kind of hovers around it and then he'll come to it you know and you'll get something moving you know but I mean that's exactly what you want that's exactly what you want you know also he speaks really well he's articulate he's a tremendous impressionist you know which people forget he's a brilliant impressionist and a great actor so you can talk to him about all that stuff as well but just make him feel welcome stop making him feel like a pariah he's not a pariah and he didn't get his show cancelled by RTE even if he wants to say so for you know for a thing nobody cancelled him he's not a pariah he's a really talented fella give him let him on he got five seasons actually and they were brilliant weirdly you know I wish RT would re-show these things they have plenty of this stuff in the vaults just show it again if there's a whiff of danger off anyone they run a mile that's essentially it yeah but I mean the funny thing is when we were the band on the show we were about the only people who could create a whiff of danger which was like you know when Russell said I'm not doing this song on the couch I'm going to go up and be with the band or when let's say Peter Kay comes out and instead of going over to Ryan he goes and sings the entire Amarillo one that's right so there was You had a bit of chaos going on But the chaos came from our end It wasn't coming from The production end In fact Well I do remember I was told not to do this And I just decided I'm doing it anyway I was Honest Daniel And I ended up crawling Up onto the desk And on my hands and knees And I did that And I was told Not to do that beforehand And I think that just created A great moment of You're just breaching Physical boundaries here And it's like John Cleese Walking in and doing The funny walks behind Gay You know that that's What makes the night And that's what actually Makes people enjoy it It's also what I do.

47:38Yeah. I'm not doing it as a kind of a, I wonder, should I do that now? I'm doing it because it comes from my heart. I have a mischief bone in my body. Let the person who wants to do it, do it. And we call that free expression. And that's part of, not only is there a constriction on speech, but there's also constriction on expression. And that's what you were talking about earlier on, to be brought in and asked in and then told, oh, we better not talk about this because this might offend that. And I mean, it never ends. Where does the list end? You're going to think of who you might offend if you say something.

48:05Yeah, but look, and I just want to qualify something here Mario when I say when I complain about not being asked to these shows to do my show I've done two solo shows in America I don't need these shows okay but what I'm telling you is that there there's other opportunities lost like there was a big debate two or three months ago about the Irish flag people flying the Irish flag are far right and all of this right and it's funny because I was there going this is the perfect thing get in people who are pro the Irish flag get in the other side and have a massive argument about Ireland as well about what it means and then like what did the Irish flag mean up till 1990 when suddenly we were all flying it for Italia 90 and was life better then and all the rest of the stuff but it was funny because I was listening to a podcast Andrew Gold's Heretics which is really good and he had Dom Jolie on and Dom Jolie was coming out with the classic you know all that bunch of flag shaggers about obviously the English waving the St George cross flag everywhere and Andrew Gold had a great observation he just said well there's flag shaggers on the other side isn't there loads of them like there's a completely polyamorous flag shagging going on on the progressive side of things so that could have been the argument that could have been had brilliantly.

49:07And Banksy's new statue, and I'm not really a Banksy fan, but the one with the flag flying in front of the guy's face that he's put up, you know, kind of slagging everybody who's walking behind flags. That's a great opportunity to chat about stuff like that. Why didn't we have that chat? And when you don't chat about that, you create a vacuum where people go, nobody wants it. Well, the Late Late Show is a vacuum now. It's a vacuum that was the Late Late Show. But just earlier on, I'm just after I come in the course of conversation, you see, because people can change their minds. I've now come around a little bit to what you were saying earlier on about the Conservative of it being a bit of an issue.

49:37Because it seems like as if they're afraid that if anything gives a voice to some sort of conservatism or people might get a foothold or maybe they might be influenced by that, that that is immediately off the table. And there's no doubt that within RTE, there is, like most people in it are liberal labour, you know, types. Like there's not, it's like in academia or it's like in probably most of politics now. That that is, you know, that is the swerve that it's gone on and that needs to be rooted out. If that actually, do you know, which I think it is the case that needs to be rooted out there needs to be impartiality in relation to left, right, conservative progressive whatever For instance by Gable having these massive end of the week conversations did he help the situation?

50:20Did he damp it down? Because I tell you one thing by not talking about the stuff you're creating total division That's what I was saying total division Yeah and also you create violence and I mean like violence not in physical necessarily but you create these uprisings and these anger and these things. Case in point, I would argue by Gabe Byrne physically demonstrating how to use a condom that it probably helped people to buy, use condoms. By used condoms. To buy and use more condoms. Yes. Thereby helping, you know, the... And even when he surrounded Gerry Adams with five guys who were totally anti-Gerry Adams, which is a very unfair debate, but it actually was the first time Adams had been on TV and it kind of it allowed people to finally you know it led to it might have helped towards a peace process dare I say it is it just from a person who knows how RTE works Paddy I think it's fair to say you've been around there a lot and Larissa as well is there any chance it'll be done that'll cut it personally I would say what do you think I would say not a chance in hell yeah I'd say it'd probably be too much of a juggernaut still but if the numbers are coming down though to such a degree what do you think then well I mean there is a a strain of thought that would go you'd sit in a room with a bunch of finance people and they'd go are you joking me?

51:39Right? First of all and this is I'm sorry to say this a load of people would go are you saying we're going to have to work for something else? To get something else done? Yeah. You'd have to do some work. Yeah. They won't want that. It's back to that though. Second of all they'd go the late late toy show alone is worth the entire season perhaps or at least a chunk of the season. So the income from the late late toy show alone my argument to that be is it could be you could have just the late late toy show. That's what I think But my point is So I don't think they'll cut it Do you? Well five specials a year Well look at it this way Mario They've ended the Late Late Haven't they?

52:12In May That's never happened before And there's been fewer episodes Than ever before It used to end in June Yeah We would go right up till June And we'd come back The first of September Or the first Friday in September I think As Larissa was suggesting At one point You know Five specials a year One would be a Yeah One would be a country special want to be a toy show toy show is you know a perennial I think just in general the chat show is in trouble I think I think it's it's the chat show the world over is in trouble and I think again it's because of dogged ideological pursuit you know what I mean I think there's two things I think people are sick of watching rich people tell them they have it so good and then secondly I think like there's barely an American comedy there's barely an American late night show that I can watch now.

53:05It's so bad. Like I mean Jimmy Kimmel comes over like a bag of cold sick you know despite what your recent guest said he's no Jonathan Swift. You know what I mean and laughing about assassinations or expectant widows doesn't cut it with a lot of people. You know. Have you been doing your research now there on Mario? Well I have. Well no but the only people Have you now? I've researched you. I've listened to your last show. You was on Alison O 'Connor voice. That's it now. AOC. I'm a journalist now 30 years and I can tell you No but also like I can still listen to Bill Maher I can still listen to a bit of John Stewart because again they allow all opinions and that's it that's what makes them fun to watch so it's very simple for the late late just change the formula you know reduce we always said reduce it to 90 minutes it's way too long and it's a thing called journalism which is where you listen to both sides you know outie ultra impartum which is one of the first things we learned I feel I feel you know I honestly feel we're not living in a very very free society I think that there are a lot of freedoms curtailed in this society and it's curtailed not by law or by it's curtailed by the chilling effect of what would happen if you said anything It's self-censorship It's self-censorship and that's the worst kind because that's Animal Farm that's Orwellian Insidious That's when we're doing it to each other Yeah and the people not the people I'm not a believer in them or anything but people who want the people the people whose interest it is in not to have anything change want people to be fighting with each other and also not to be and to be afraid of saying anything and they want you cowering and cowed and so and so that's the way it is at the moment but your point I think one of the best points I've taken away from what you've both said is that into a lack of discussion come into that vacuum and that vacuum comes actually violence and anger yep you know so I think that's one thing I've taken.

55:00We must rage against the dying of the light, Mario. Don't mind this curtailment of liberties. One must fight against it. It's more than that. It's more than kind of rage and anger. It's more of a withdrawal, Mario. It's a withdrawing. So what you're seeing now is not people getting angry or whatever else, but you're seeing a withdrawal that people are going nah, that's not my Ireland, that's not my TV. But then it bursts out. It will burst out, but what I'm saying, it happened in America, it's happening here, it's like not dealing with that anymore. Like, I won't even watch the 6.1 news anymore because it's so skewed a certain way.

55:30I agree. I agree. So they kind of go into their own hermetic little bubble of what's safe. And that's replaced by YouTube videos and podcasts and all the rest of it which is fine because I trust them as much as I can trust any national broadcaster now anywhere in the world. Speaking of which you just mentioned my satire podcast and thanks for listening. It was a guy actually how something interesting might happen, right? So he emailed me to mariorosenstock at gmail.com which I give out every time. Anybody can email me anything and he emailed me and went, you don't know me. I've done this, this, this.

56:03I'm doing a show around the country about Swift. It's a musical. Okay. And I thought, as you as a kind of guy who does this sort of stuff, I like your stuff. Would you like to talk about Swift? And I go, I'd love to. Do you know loads about him? He knows loads about him. He came on and he told me loads about Swift. Ireland's original satirist. Yes. So it turns out, the things you can discover about your own country. It turns out, Jonathan Swift was one of the first, if not the most brilliant and early propounder of mental health to the extent that he started founded St. Pat's Hospital yeah when his will yeah father of satire and starter of St.

56:38Pat's I mean how amazing psychiatric hospital amazing is that man yeah absolutely a man who lived till 78 years of age in which at a time when the average age was 35 yeah by doing revolutionary things like exercise which was frowned upon and eating vegetables yes but he wouldn't be allowed in the late late now because he's a priest but I'm saying you could have had let's say Gerry Mullins who was on my podcast yeah nobody knows him kicking off about Jonathan Swift then you could have had Max Savage then you could have had me then you could have had you Paddy and you could have had another perspective as well a media perspective maybe you could have had the most stimulating discussion throw in a few clips of stuff that we've done on TV over the years Jack Black in Gulliver's Travels come on there's loads of that stuff loads of kids love this as he said the biggest selling book of all time Irish book of all time so there's nothing that teenagers love more than satire yeah but again as an editorial person Mario you produce as a producer of this show you said oh I like the sound of that let's do it instead of going oh is he on Dancing with the Stars because if he's not if he's not part of the umbrella organisation we're not having him on it wasn't even that it was better than that of course because I was listening to other people it was my producer in the breakfast show Charlie who went we were talking about the late show it's the end of the season you should do that in your podcast and I went yeah that's exactly right can I take the idea for myself and he went yeah and that's exactly you're listening around your antenna are open you're going I want to talk about the late show and you guys jumped at it because you're very good about it.

57:59Well, I didn't jump at it because look, I mean, a lot of the people in there are still pals of mine and again, none of this is to denigrate the researchers, even the producers and especially the presenters. Patrick Hilty is one of the greatest comedians on the island. It's not that. It's somehow whatever happens when the whole circus comes together that a fear kicks in and that's my issue with it and they'll all know what I'm talking about. Does it need leadership? Does it need somebody like Vincent Brown? I'm seriously I'm writing something about him at the moment and well I've had him you know the way American chat shows have a foil you know the way you know you have the presenter and then they've got the foil sitting on the couch I put Vincent Brown on the couch for the whole thing and here's another thing the removal of the couch who's one of the most successful chat show hosts who's robbed an idea from the late late and just gone with it Graham Norton he simply has a very simple thing I get the most famous people in the world I put them on a couch and they stay on the couch until the end of the show and the crack that happens is a pure late, late show idea which they mysteriously got rid of with Ryan's tenure.

59:02And I always used to say, why aren't you keeping them on the couch? You could have great crack with these guys. Well, you've just put a hugely beautiful scene into my mind now. So next year's late, late show. And Patrick Keelty goes, Welcome back to the show. Am I being serious or am I being having the crack? Nobody knows by the tone of my voice. Would you welcome, please? He came ninth on I'm a Celebrity. Get me out of here. Don Don Delewey Doomba. and then you have Vincent Brown going hold on what are you doing having him on we have him on he's a get no you're not you should be talking about the fuel protests get Enoch Burke on sorry forget him Enoch Burke brilliant so he actually just changes the show I love it but again Graham Norton very simple premise no politics no current affairs celebrities but on the couch bring back the couch Vincent on the end of the couch finally do you think Patrick will come back no no I think Patrick never really gelled as the host and as Paddy says he's probably a brilliant performer and brilliant host and all the rest we didn't get to know him enough I think that's really sort of the part there's a sort of a shield before him he lives in London I think we don't get to know him he's not part of the furniture there was this there was this remove with Patrick and also I thought he cried too much really annoyed me but I think that he's probably just maybe the need or the novelty he had to come over here and work for a while has gone off him I think he was phoning it in for the last couple of weeks and he's dying for his summer and he'll never come back.

1:00:24Paddy, do you think he'll come back? I don't know. All I know is that, you know, when a wheelchair, when a wheelbarrow full of money is wheeled up to your door, it's very hard to say no. But you think so? In his case? He could make loads, tons more of that than if he was working at home in London. I get the impression that from the stuff that's been published about his companies and everything in the papers that he seems to be financially very comfortable. And I don't think$250 ,000 before tax. No. Well, look, okay, okay. I'll do it then I'll do it I'll do it for one season Who should do it We should say that actually Who do we think should do it Paddy Welcome everybody To the Michael Collins special Actually Yeah I don't agree with you Get off Get out Paddy Listen Great to see you again Actually if you had Vincent Brennan and me We could call it Grumple, Silskine and Frankenstein Before we go Can we just say Who we think should do it Has anyone got any ideas For who might do The late late That would energise it I think Mario would be great at it Yes Mario would be amazing at it Dahy O'Shea I think Would be brilliant at it maybe Mario as Dahi O'Shea could be an idea to answer Dahi O'Shea I think he's much underrated talent he's brilliant somebody who actually has a bit of soul culture intellect fun mischief great fun and gorgeous I think by the way here's a kicker for you right but it wouldn't probably work because he's probably a bit sort of done but you need somebody who you need somebody Ian and I often talk about this forget about telegeneity and good voice by the way one of the things I think the television requires more than anything else sometimes is a good voice.

1:01:55Yeah. It's a peculiar medium. You need a good voice for telly, I think. Yes. You can do it without it, but it's a funny thing. People think, oh, you look good. You'd be good on TV. Not necessarily. You need to have something in your delivery that attracts people. Well, anyway, I always thought you need somebody who can put their foot in it. Yeah. And Derek Mooney used to always put his foot in it. and he'd just go he'd say something and go what the fuck have you just said there and you need somebody because basically somebody putting their foot on it actually opens the door Totally I love that That's box office I love that I mean Kenny Kenny used to do partridge moments as well I mean Kenny Kenny used to go he'd have a fella let's say a famous joined by a man who climbed Everest twice and then came back and climbed Matt Fuji and so your man would go so tell us what happened then so then Pat what happened was after I scaled Everest the second time I was coming back to my home in Hampstead at the time so my head fell off and but tell us about the time you climbed Man Fuji you're going the viewers there go the head the head the head fell off he just skipped yeah and I'm sorry but he did because although he is brilliant on although he is brilliant on radio and and you know he's forensic and I think he made all his great big ratings thing through the COVID with Luke O 'Neill especially because people trusted Kenny's forensic scientific mind and that they they went he's authentic at least he's trying he did get in he did bluster a bit on TV at times with the Brigitte Neidson thing and all that sort of stuff and trying to do the Late Late Show and you know just I mean it's unfair a bit to say that it's not it was one of the best things about Pat and that's what I was saying earlier on it makes good TV that's why I loved him that's why I watch it every week and he's real he's human he says things like we all say sometimes wrong And actually I think that's part of Pat's strength He isn't sort of going He isn't sort of going I can handle anything Yeah You know he's quite clearly better at some things Than he was better at other things Yeah I think that was fair enough And to be honest Like it does require someone Who's able to deal with lots of different things Like someone did actually say to me once Would you ever think of What would you think of a present delay later I said oh I'd love all the fun stuff The serious sad stuff All that emotional stuff Very very difficult I also think not only difficult Very emotionally draining Draining If you involve yourself So to be fair to Ryan And Pat and all You know Who didn't end up crying It's a tough job It's a very tough thing To go from that Horrendous Seriousness To then high entertainment It's schizophrenic It's very tough You know What about somebody Like Marty Whelan Would he be I mean does Marty I love Marty Yeah I love Marty Would it suit him now I think Marty I think Marty could do anything You know But he would come on And he'd go There's no beginning To the excitement He's very surreal I do a lot of work With Marty He's a bit surreal Yeah he's a very Spike Milligan fan you know but I think he'd be great at everything I mean bring back winning streak for a start come on that was the best crack yeah is Kevin McGarron the new Marty Whelan he's the image of him he looks exactly like Marty Whelan do you ever notice that he could be anyway the last thing I want to say is I would think that Jennifer Zamparelli would be very good at it she seems to be an all rounder she's great fun she has that touch of mischief and she's highly intelligent without that being obvious and I think one of the funniest funniest women in Ireland yes definitely funniest professional women in Ireland she's got funny bone and it's that thing that you just have it she does that thing with her eyes and you know she's just a funny person Yeah and she's down to earth and she's in touch with people she's brilliant I think she'd be very good If you want a female presenter for the Late Late Show I say Kate O 'Connell just to put a complete lunatic in there A politician Oh put her in there lash it in It'd be box a million people a week Late Late Show presenter Alison O 'Connor She says welcome Well she'd say well now Mario sorry for a minute there I was thinking in Kate O 'Connell terms because I do her as well but Alison would be great because you know now Mario she has 30 years experience as a journalist in this country.

1:05:51Okay, I'm going to have to cut you off there. Camille, did you have mental health problems recently? No, it was COVID. It was COVID. It was Hantavirus. Okay, Stephen McLoone, thanks. You were on sound. Paddy Cullivan, thanks very much. Join us next week with Alice O 'Connor, AOC, and Alessandro Asocio-Cortez, and Vincent Brown is on the couch saying no. Okay, good luck. And my thanks to Larissa and Paddy for talking to me about The Late Late Show, especially in this week with the controversy surrounding the new payment scandal with Derek Mooney and Ray Darcy and Claire Byrne and everything. My thanks, of course, to Hum Finance, Hum, who are now our exclusive partners on the Mario Rosenstock podcast.

1:06:28Hum is a finance company who provide flexible payment solutions for customers of some of Ireland's most popular retailers. Look them up. Okay, thank you. You can get in touch with me, mariorosenstock at gmail.com. And thank you for listening. same time same place of course next week see you then folks the mario roselstock podcast thanks to home finance made easy when you shop tech electrical appliances kitchens and much more flexify europe limited trading as home is regulated by the central bank of ireland

From the publisher

Did you know that RTE’s Late Late Show is longest running chat show in TV history? For over 60 years it has been an institution in Ireland - entertaining huge audiences, reflecting societal changes, challenging the status quo, and setting the news agenda.

But the show now seems to have reached something of a turning point – there are a lot more TV shows competing for our attention, numbers are falling, and some say that its not as as relevant as it once was. On top of all that there’s a big question mark over who will be the host of the next series, as Patrick Kielty has not signed a contract to do it, and we’re not sure if he will.

I’ve been on the Late Late many times and I’m really interested in its past, present and future, and so we invited two guests on to this episode who are equally as interested and who know a lot about the show and TV entertainment formats in general.

Former journalist Larissa Nolan has been a guest on the show and has written a lot about it, and Paddy Cullivan was a weekly fixture on the Late Late for 10 years during Ryan Tubridy’s tenure, fronting up the house band the Camembert Quartet.

Larissa, Paddy and I reflect on the highs and lows of the late late over the years, we try to figure out what’s gone wrong, whats gone right, and what its going to take to save the Late Late and get it back to its glory days…

COMEDY - when I put it out there on my social channels that we were going to be chatting about the Late Late its future, a few well-known people got in touch, and it seems they have their eye on the big job on the show..

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