How Google's New AI Turns Anyone Into a Music Producer (Flow Music Demo)

29 Apr 2026 · 39 min · 16 chapters

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In short

Google Labs’ Flow Music (formerly “producer AI”) demoed as an agentic AI music platform that helps anyone create songs, music videos, and “spaces” (custom apps/instruments). It emphasizes iteration over perfection, granular controls (BPM/length), and human-in-the-loop workflows (sampling, DAW remixing, demos). It also covers attribution/watermarking via SynthID for Lyria 3 outputs and how music/video generation asks for creative direction.

Guest backgrounds

Kendall Rankin, left LinkedIn in 2024 to join producer AI; the startup was acquired by Google in Feb 2026. She now works on Flow Music/producer agent.

Key claims

“Built for anyone” including non-musicians; perfection less desirable than authentic/fun; artists use it to sample and iterate; it amplifies human creativity (not replacement); outputs are watermarked to protect creators.

Notable examples

generating a garage-rock song about “AI,” modifying lyrics/sound (e.g., fuzz guitar, background vocals); creating a mini keyboard and recording audio for DAW import; generating a ~60-second music video with prompts like humanoid robot and vintage French wine poster style; exploring trending feeds and featured “spaces.”

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Introduction to Flow Music

0:00 to 0:30

Learn how Flow Music empowers everyone to create music.

“It really gives everyone the ability to use our tool, make music, make music videos, make spaces.”

Target Audience of Flow Music

1:19 to 2:34

Discover who can benefit from using Flow Music's platform.

“And on that note, Kendall, welcome to the Neuron.”

End-to-End Process in Flow Music

2:34 to 4:24

Explore how users can create music with Flow Music from start to finish.

“other day I think it was the Chainsmokers and some others I was really impressed.”

Interactive Music Creation Demo

5:38 to 8:04

Experience the interactive process of creating a garage rock song about AI.

“So once you come to producer, this is the home screen.”

Iterating on the Song

8:04 to 10:40

See how the song evolves with user feedback and AI adjustments.

“Over in the compose tab, are we able to make changes right there?”

Exploring Spaces in Flow Music

10:40 to 14:09

Learn about custom apps and instruments that can be created in Flow Music.

“Now, that is a great call out and great point.”

Exploring Flow Music Features

14:09 to 16:50

Learn about the limitless creative possibilities of Flow Music.

“custom doll for yourself you can create synthesizers like honestly it's endless and here you have on the home page we have some of our featured spaces so as you'll see here I see drums.”

Creative Process with Flow Music

17:08 to 21:36

Understand how Flow Music enhances the creative process for artists of all levels.

“who's an emerging artist, or even, you know, you're a professional artist, like deep into the artist world.”

Human Interaction in Music Creation

21:36 to 24:21

Explore how artists integrate human creativity with AI tools.

“Where do you see people leaving the human in the loop?”

Innovative Uses of Flow Music

24:21 to 28:00

Discover innovative ways to use Flow Music in various creative contexts.

“And my buddies and I played Dungeons and Dragons on Friday nights.”
Show all 16 chapters

Understanding Copyright in Music AI

28:00 to 28:38

Learn about the complexities of copyright issues in music AI.

“Obviously, you can't hear anything, right?”

Flow Music: Creating Music Videos

28:38 to 30:09

Discover how to use Flow Music to create engaging music videos.

“So one of the things I understand and I'd love if you'd show us is I understand you can do music videos as well right there in flow music.”

Interactive Music Video Creation Process

30:09 to 34:24

Explore the interactive features for creating music videos with Flow Music.

“Is it doing this scene at a time, I assume, or is this just generating a full music video?”

Evolution of Music AI Technology

34:24 to 36:26

Understand the rapid advancements in music AI technology and its future.

“And also one thing I want to call out too is that on the homepage, so there are two things, right?”

Where to Try Flow Music

36:26 to 37:05

Find out where to access and experiment with Flow Music.

“So where can people go, say they've watched this video, they want to go try it out right now?”

AI as a Creative Partner

37:05 to 37:56

Reflect on how AI can empower new music creators and influence the future of music.

“And you can also go to Google Lab's homepage where you can test out or see our experiment and our project.”
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Transcript

Automatic transcript. May contain errors.

0:00It really gives everyone the ability to use our tool, make music, make music videos, make spaces. You can come to producer with nothing, so no idea, and ask producer to kind of help kick you off and be your true creative partner in the studio. Perfection is also like not as desirable, right? You want something that's a little fun, you and authentic. It actually blows my mind every time I think about it. I would just say five years, but I think five years it'll be just a completely different beast.

0:30Corey:Welcome, humans, to the Neuron AI Explained, the show that helps you understand what really matters in AI without needing a PhD or a venture fund to figure it out. I'm your host, Corey Knowles, and today we're talking about Flow Music, formerly producer AI, if that rings a bell. This is the new AI music platform inside Google Labs. We're going to talk about what it does, why Google brought it in, and whether tools like this make music more accessible to an entirely new audience. Joining me today is Kendall Rankin. Rankin left LinkedIn in 2024 to join the fledgling producer AI at that time and joined Google when the startup was acquired in February of 2026.

1:08Corey:Now we're here with Flow Music. But before we get started, I want to take just a moment to let you know that today's episode is sponsored by Dell Technologies and NVIDIA. And you'll hear more about that here in just a little bit. And on that note, Kendall, welcome to the Neuron. It's great to have you. Thanks so much for having me. Excited to have this conversation. Same, same. I guess let's start with the basics. Who is producer AI really for right now? Musicians, video creators, marketers, hobbyists, people who've never made music before? For sure. No, great question. And one of the things that's most interesting about Flow Music and our producer agent is that it's really built for anyone that loves music, loves to create music, and those who love to consume music, but that may have never had an opportunity to create previously.

2:01And so it really gives everyone the ability to use our tool, make music, make music videos, make spaces, which are our custom apps. And so the short answer is everyone, but we also work a lot with artists, producers, a lot of people that grew up playing instruments and now are refining this new hobby that they have now that they're able to kind of bring some of their old passions back to life with tools like Flow Music.

2:31Corey:I saw you have some big names attached to it along the way even I was looking at the other day I think it was the Chainsmokers and some others I was really impressed. Yes the The Chainsmokers were advisors for us when we were a startup. And so they obviously are staying close just to make sure that we're, again, building with artists in mind. And it's really important for us to do that from the beginning. That's really awesome. I guess, can you walk us through what a typical end-to-end session in producer AI looks like? You know, if I say I come in with a vague idea, how do I go from prompt to something maybe I'd publish or use in a project along the way?

3:12One of the actual best parts of producer to me is that we have what we call an agentic agent that works with you to create any music that you imagine. So what's cool is you can come to producer with nothing, so no idea, and ask producer to kind of help kick you off and be your true creative partner in the studio. or you can come to it and say you know I want an R &B song with heavy 808s and influences of country music in it right and it can you can get as granular or as vague as you want and the part about producer and working with producer within Flow Music Studio is that it will work with you to suggest new sounds or suggest new ways that you can iterate on the song to really push you in some interesting and creative directions, which I'm sure in the demo part we'll get into.

4:11But the end-to-end session, I wish I could tell you there's a, you know, here's how it goes and then it ends this way. But it really is so personalized to whoever uses it, which makes it the most fun.

4:22Corey:Well, you know, we mentioned a demo. How about if we just go ahead and dive in? Yes, of course. So let me go ahead and share my screen. So when we talk about AI in the enterprise, there's this huge wave of optimism. 84 % of business leaders say AI is going to transform their industry. And that's massive. But here's the reality. 93 % are struggling to actually make it work. And that's the gap. That's exactly what Dell AI Factory with NVIDIA is built to close. Dell calls it the world's broadest AI portfolio. And that's not marketing fluff. We're talking everything from AI-ready PCs to servers, storage, networking, and services, all designed to work together.

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5:44Yep. Perfect. So once you come to producer, this is the home screen. and of course you feel free to we can ask questions and I'll also get your feedback and your input on what we can create together but just to give an overview of the platform so this is flow music with the producer agent and so the first thing that you'll see here is that we have a chat box that allows for you to begin the session where you can say hey producer I'd love to create a song about x y and z or i'd love to create a song for that are on podcast and um see kind of where we right yeah we can we can do that we can do that let's do that while we go yeah no yeah let's let's okay let's start off with making a song and then after this i'll get into spaces which are our custom apps and music videos so i can make sure you kind of see all of it come together but yeah that'd be great yeah so i'm gonna ask you actually cory um what's your favorite genre or a genre that you would love to have be as part of the the the song for the podcast

6:51Corey:it's such a tough call because probably my favorite genre wouldn't fit like i'm a i like um i like like garage rock and oh that's we have a lot of people on our platform that make garage rock i see that quite a bit so yeah let's try it let's try okay garage rock song about what would you like for it to be about the neuron we can do the podcast or we can do something else let's uh you know what let's make it about wow I'm on the spot I'm trying to think um I feel like if we go to the podcast I'm going to wind up with it corny let's do something let's keep it fresh let's make a song about AI okay Okay, great.

7:43So make a garage song about AI. And so that's just, you know, the start. And as you can see here, it comes into this chat type feature. It begins crafting lyrics, which is really fun. And also it'll, on the back end, generate a sound prop. and one of the things I want to call out is that up here in the top right you'll see this compose icon here and so if you wanted to you know skip the agent part of it all and just go and compose your own song you could do that so I'll open it here and you can see the lyrics from that the agent or that producer created will populate here so you have the ability to edit you can you know change anything you want um maybe we'll get into that but i like how it's giving like uh

8:35Corey:cues for the music too drum start with a heavy driving beat aggressive guitar piercing organ yeah and it breaks it up into chorus and different verses it has an outro um and as you can see here hears the sound that it generated. So it looks like they've loved it. Okay, let's see what we've got. So should we hear one? Yeah, let's hear one. All right.

9:36Corey:I'm standing right here. Am I real? Am I real? Good thoughts, Corey. What do you think? Okay. It's all right. Right. It's pretty good. And the best part, though, is that, you know, if you hear anything within this song that you're like okay i want to add you know more uh roaring guitar or add any audio effect you can do that and so if there is something right we can let's just say more fuzz guitar yeah let's get and kind of see and see what what it generates there and as you can see there's kind of like this modify feature that we have which allows for you to exercise some control when using flow music and working with producer.

10:24Corey:Over in the compose tab, are we able to make changes right there? You absolutely are. If you go to compose, for example, we can change the lyrics, as you see here, or we can also change the sound. Is there anything in particular that you The biggest thing I would call out is that it seemed to fumble a little over like, I think the vocals in parentheses were intended to be like background, like maybe background vocals or something, maybe a little quieter behind, and it kind of gave it its own measure. Right, right. Now, that is a great call out and great point. And sometimes, you know, the model may not interpret it the best in the first iteration.

11:09But one thing that we can do is actually maybe even say that to producer. I was going to say that we could say it.

11:17Corey:We could even just delete that line probably. Yeah. for sure it's just a fraud we can delete that we can delete the am i the background in my reels yeah and then yeah and then let me see if there were other i'll bet there is in each each verse yeah yeah and then once we do that we can go ahead and actually generate the song okay i'll leave the last the last course one just for um but i'll generate yeah there we go leave it for effect at the end yeah yeah um but yeah so this is overall the experience and as you can see you can get as granular as you want with the compose section or you can just talk in a conversational language to the agent and producer being your creative partner will make the edits as best as possible um you know it's not always perfect but it definitely trends in the right direction it doesn't have to be perfect to be really impressive frankly exactly exactly and that's the best part it's like perfection isn't is also like not not as desirable right you want something that's a little fun you and inauthentic so yep exactly exactly okay cranking the fuzz to the mix yeah let's see what we got now okay

12:53Hey!

12:55Corey:You look at me Like I'm something strange I got two arms I got a face Yeah, he's got a face Why you turn away? I'm standing right here Am I real? Am I real? Yeah, that was good. And it did the background vocals, at least for the first part, and it added some layering. It felt much more right that time than it did on the first pass. And I think that's the beauty of working with producer, right? is you can just iterate and use the agent and work with it to create what you want or get something even more interesting. Yeah, that's awesome. That's awesome. Show me what else we have. I'm excited. Yes.

13:52Awesome. So one of the things that I think is really interesting and unique about flow music and working with the producer agent is this concept of spaces now spaces are custom apps that you are able to create that allow for you to make your own new instrument you can create a custom doll for yourself you can create synthesizers like honestly it's endless and here you have on the home page we have some of our featured spaces so as you'll see here

14:27Corey:I see drums. Yeah, we have a room sound even probably. Yes, yes. So it's honestly, the limits are in the sky, right? Like you can do so much with this. And especially if, you know, I know, Corey, that you are a musician yourself. if you ever are you know in the studio or creating music and you want a certain sound or you're missing a tool or a plugin and you want to build it in the way that's custom for you and your creative process you can use flow music to do that and producer to build what you want so honestly the it's endless here what you can build and I'm going to go ahead and maybe show you an example, we can do something simple for now, just the mini keyboard.

15:17I'm gonna share this tab here. Alright. Okay, so as you can see here, this is just a simple keyboard that you can create and produce. So let's click it.

15:37Okay, now you can see I don't play the piano, but, but what's also really interesting is that you can record directly, um, into producer or into flow music. And yeah, so let's say that I'm going to click this record button here. Now, anything that I create, I can stop and then it downloads that recording. And so I can use that and take that into a session with producer. Yeah.

16:08Corey:Or you can pull it into your Pro Tools or whatever if you want. No, exactly. Exactly. You can take it into any creative tool, integrate it into your workflow. And so... Are you hitting the limits of siloed AI? Just as humans once transformed society by sharing intent, knowledge, and innovation, AI faces a similar inflection point. To achieve distributed superintelligence, we must move beyond simply scaling up. we need to scale out to. OutShift by Cisco is building the Internet of Cognition, an open infrastructure enabling agents and humans to collaborate in real time. Visit outshift.com to learn more about the Internet of Cognition.

16:50You know, I think one of the things that's most interesting and exciting about the work we're doing with Flow Music is that we are really building this open, creative world where it's not just, you know, one-shotting a song. It's not, there are so many mediums and creative tools that you can use within Flow Music and work with producer to create that enhance the creative process for artists, no matter what stage you're at, whether you're a hobbyist, whether you are someone who's an emerging artist, or even, you know, you're a professional artist, like deep into the artist world. So that's one thing I find the most exciting about.

17:28Corey:I think something that really interests me is the parallel with how we use normal AI in our day-to-day, in work, in office stuff. Is that this idea that first it's important to understand that, you know, once you get on the first try, keep pushing. It'll get better. The other thing is that we've always seen really good results when you give the tool to someone who knows the right questions to ask. So like if someone knows, listen, I want this at like 92 beats per minute. I want you to use that old Ratko buzz from the distortion from the 80s. I want this sound. And someone who knows what they specifically want to ask for could probably really do a lot.

18:16So one of the things that's most interesting about this tool is that you actually can go into the advanced section within the compose tab. and specify BPM, length. And so it's really a great way to have some controllability. And, you know, we're also excited down the line to be adding a lot more controllability features that will really make the process easier for people that, as you said, do come into using a tool like Flow Music and working with producer. It makes it a lot more fun because, you know, just imagine you're tinkering with so many different controls and figuring out what you can create based off of that.

18:56So really exciting things to do.

18:58Corey:And maybe the ability to integrate with whatever you're using as well could be a cool thing. Yeah, yeah. And what we also have noticed is a lot of our users will come to Flow Music and they will create something as maybe inspiration, and then they'll take it into their DAW and they'll remix it. They'll figure out, you know, add different instruments or have people record their vocals over it and then kind of bring it back into flow music. And it becomes kind of this iterative process where it's, you know, it's really one of many tools that artists use to create their final output. If they're that advanced or if they, you know, just want to have fun with it, they can also just stay within the tool.

19:41Corey:So one of the things I like about this is that artists have had this big concern for years, not just artists in music, but in graphic design and in traditional painting and things like that. When it comes to image models, video models, music tools, is that there's this idea that it's here as a replacement. And I think you've done a really good job of showing this as a new medium on which they can work. Yeah, absolutely. I think what we have always said both before we joined Google and now that we are part of this Google ecosystem is that we are a tool to amplify human creativity. And it's actually interesting because the two co-founders and the founding team in general of producer Refusion at the time, we've gone through some reprints.

20:37They were actually bandmates in high school and in college. And so growing up, you know, everyone that has been working on this tool is a musician themselves. And so now that we are part of Google, we also, you know, decided to join forces because Google and YouTube have such deep connections in the music industry and are very trusted in the music industry. And so our goal is to make sure that we are always centering artists and not just, you know, showing them what we're building, but also having them at the table with us as we are thinking about building new products, new features and asking what is actually helpful in their workflow.

21:20and not just thinking about, you know, one-shot generation tools, but like what would be a meaningful step change for them and also just allow for them to make new, unimaginable experiences in music and ultimately amplify their creativity.

21:36Corey:Where do you see people leaving the human in the loop? Do you find people are coming in and full-on generating? Do you find they're coming in and making loops? Do you find maybe they're doing all kinds of things? Is there any mix to that that you see? I'm curious. Yeah, it's interesting because a lot of the artists that we have worked with are using it, for example, to sample or to create samples. And so they'll generate, you know, 80s gospel choir sounds with like lyrics that they have written themselves, that their team has written. And they use it to iterate on different sounds and versions of that.

22:17And then they take that into their workflow or to their DAW, and then they're able to mix it. They're able to, you know, use all the features and tools to change that and put it into the song they're creating. So I think that's one way. I think also, for example, like songwriters, when let's say songwriters are in a song camp or they, you know, are with other writers in the room and they're trying to ideate and come up with different, you know, Let's say they have a lyrics and they want to create a backing track behind that for demos to share and to socialize around within the industry. So that's one way that we see it kind of being a tool.

22:59And then also outside of that, I think even just for the hobbyists or the amateur artists, using it as a way when you're with your friends, right? If you're recording into producer or recording something into flow music and asking producer to help you create something based on that, there's just so many different ways that the human and the lyrics they create, the beat that they make are at the forefront, but just, you know, creating new versions or stylizing in a different way. So those are a couple examples, but there are so many or even actually one I want to bring up too is with like creative agencies or creators in general and how they are able to create more custom personalized music to use as part of their final assets.

23:51So there's so many different ways to use this tool. And I actually think it makes it even more fun to work with others because you have so many more ideas you have to sort through. And taste also becomes even more important when we're in a world where you can generate endlessly using tools like this. It's like, OK, how can we discern what should be included as part of this next song or, you know, just use it as a starting point for us?

24:16Corey:I think something that we have a lot of fun with these tools. And my buddies and I played Dungeons and Dragons on Friday nights. Nice. And one of the things that ever so often happens is somebody shows up with a new theme song for their character. Yes. You know, just some goofy stuff like that. It is so much fun. We have fun as a group with it. It's not like we're trying to, you know, overturn the music industry. It's much more like we're just being nerds, having a good time. Exactly. Exactly. And that is also a moment of connection that like creating your own music, expressing yourself through your character provides connection and community among your group of friends.

24:55So it's a perfect example.

24:57Corey:Exactly. And these are really interesting. And there are so many approaches to how someone can use it. Like one of the things that I find interesting is is taking things that don't belong together. like maybe those 808s with country music or maybe it's that gospel choir with garage rock or something and just kind of seeing what happens sometimes you'd be amazed when you when you put things that don't belong together you come up with something awesome yeah I'm glad you mentioned that because that's actually one of my favorite ways to use a tool like flow music and I think it's actually really good especially with creating instrumentals and putting together sounds that shouldn't, like I love weird music, things that scratch your brain a little bit.

25:39It's like, how did these even come together? And I think it's phenomenal at that for sure. And just so much fun, right?

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25:47Corey:Yeah, it is. It's a total blast. So how do you think about serving emerging creators while also offering, you know, premium capabilities for studios, power users, stuff like that? That's a great question. So actually, I think the largest contingent of people that use our tools probably falls likely in that emerging creator category or the emerging artists, especially when you think about like some of the resources it does take to get off the ground and really get your music out there. I think this allows for anyone to, as we mentioned, bring whatever idea is in their head to life and to create different iterations and versions of that.

26:35And so I think as we talked about earlier, the controllability of it all is also very interesting because a lot of our more pro or like professional artists really want to use it for the controllability, right? They want to get very granular and very deep. And the good thing is that producer can adapt to whatever the user is looking to accomplish in that session. And so it can go as deep or as narrow and wide as you like. But I would say it's overall, as I mentioned earlier, it's something that can be used for everybody, no matter what stage you're in. And also, I think, gives emerging artists a chance to really experiment and push the bounds of what's possible with their music.

27:19and hopefully as we just talked about, create new genres or new ways for people to experience and listen to your music.

27:26Corey:Nice. Nice. I have a question about Deliria 3 model. Nice. And I understand Google says that the outputs are watermarked and designed to avoid mimicking existing artists. Is that correct? And would you mind talking a little bit about how that works, where it's strong, maybe where there's still room to grow? Absolutely. So we have something called Synth ID, which with every output that is generated by the Lyria model, this actually is it's, you know, watermarked within there. Obviously, you can't hear anything, right? It's just something that exists so that we can always attribute that because we definitely want to make sure that we're protecting creators' outputs and that things that are used are used appropriately within the law and are not distributed if the user that creates it does not own that work.

28:20So we have a lot of efforts just across the Gen Media, YouTube, the company to ensure that we're protecting creators in that way. For sure.

28:28Corey:That's definitely been a complex problem in navigating music and image models and everything. It's like, how do we work around that? Do you think there's...

28:44Corey:Forget that. I kind of lost my train of thought. Sorry, I am way off my game today. No, you're doing great. All right. So one of the things I understand and I'd love if you'd show us is I understand you can do music videos as well right there in flow music. Yes, you can. So I'll go ahead and show you exactly how we do that. Now, music videos are a very close, close second. And so as you can see here in the explore page, I'm going to select videos. and before I kind of show you an example and click into one this is a place where you can kind of like one shot create a music video for any song that you create within producer and when I say one shot I don't mean it to this guy dancing I don't mean it to mean it's good it's just so funny every time I see the videos right um but I don't necessarily mean it to mean that you know you just say make a music video and then it just goes off the rails and does anything it actually works with you and I'll show an example um to ask like creative direction like what is the starter image you want to use what kind of aesthetic or vibe what dimensions do you want the video to be but it's but once you click that it takes about you know 10 minutes or so and actually generates up to a two minute music video that brings your music and creations to life And so it's just so much fun.

30:10We can kind of scroll through here. I will select this one and go play it.

30:21Oh, wow.

30:42So as you can see, it's pretty cool.

30:47Corey:Is it doing this scene at a time, I assume, or is this just generating a full music video? No, it generates a full music video. And so obviously powered by VO. Yeah. But it generates a full music video at once. And so actually, if you want, we can try to create a music video with, as we're talking, create one with our song. So I'm going to, and it may take a little while, so we may not have time to actually do it on the call, but I want to at least show you the process. But I'll bet you can send it and I could add it later. Exactly, exactly. Exactly. So I'm going to say make a music video using this song and then I'll add the link and then I'll say, you know, let's make it 30 seconds.

31:38Let's say 60 seconds. Let's give it a little. There we go. 60 seconds. Create the image. Actually, no, I'm just going to say that and then I want you to see what questions it asks.

31:49Corey:Let's see what it says. Yeah. Yeah, exactly. okay so then as you can see here right it's literally acting as like your partner in this creative experience um so it's asking about likeness and character i'll say they can let just use a humanoid robot okay great

32:12awesome style reference hmm do we have any visual like uh vintage french wine posters oh okay i like that it's gonna get interesting how are you envisioning the scene we can also tell it to like do what you think it's best here

32:33Corey:if you don't if you don't have let's do that do that here let's tell it do what you think is best okay and then all right and then you can do vertical or horizontal do you have a preference let's go let's go vertical okay vertical and then it also asks that to horizontal because we might plug it into this video yes yeah oh yeah good point a lot more sense awesome um and then also it asks what part of the song should we feature i'll say maybe the just first 60 seconds to make it yeah maybe through the first chorus okay let's say make the 60 seconds the first verse in chorus okay all right and so now we're gonna it's gonna be a bizarre mashup of things between the music and uh i don't know why i went to french wine posters no but that's what makes you know the style i'm thinking of though yeah no no i know what you're talking about yep yep so it's it's gonna be cool but this is also why it's so fun right like you can sit here and you can upload a picture of you and some folks and oh this is so fun oh wow yeah got it create yeah i can't wait you can also kind of see what the prompt is here and then it asks you one last time if you're comfortable with this based on the image and all the details.

34:02And then it says, are we ready to bring this roadblock to life? Yes. Let's do it. It will kick off and I'll make sure to send this so that you have it. But yeah, it'll take about 15 minutes or so.

34:13Corey:That's awesome. Yeah. I figured it'd take a little bit. Video is that way and that's okay. Exactly. Exactly. Not everything can be instant. Right. For sure. For sure. And also one thing I want to call out too is that on the homepage, so there are two things, right? You have the ability to use a starter. So if you wanted to make a space or a music video or a song and you don't have an idea where to start, you just click one of these. But then also in the explore tab down here, you can... Guy again. Yeah, right. It's a guy. You can see music videos as like they're created live. So this is what people are literally creating like right now on the platform.

34:58Oh, wow. And you can do the same. You can do the same for songs. Like a feed. Yeah, it's a feed, a live feed and also a trending feed. So if you select one of the time frames here, it'll show you what songs are trending this week. So you can also get inspiration or just have some fun listening.

35:20Corey:That's cool. Yeah. That is really cool. Inspiration on the platform overall. Based on where this has grown, how much difference is this from when you joined the team two years ago? It's incredible. It actually blows my mind every time I think about it. I remember when I first met the team and was testing out what was Refusion at the time for all our OG users that remembered those days. I was just blown away with the genre blending. And granted, the models were, you know, nowhere as good as they are now with like Elyria 3 Pro. But I just was blown away that we could do this. And then with every month after that and then now partnering with Google, it has just continued to blow my mind.

36:12And I'm so excited for where we will be even in six months. Right. Oh, my God.

36:18Corey:Right. I would just say five years, but I think five years it'll be just a completely different beast. And this space is just moving so fast. And I'm really, you know, my team and I are really grateful that now we're partnered with Google and have the opportunity to really just make a great impact in the creative world and bring more people the joy of making music and creative projects. That's so awesome. It's a beautiful tool. I'm really, really impressed. Kendall, thank you so much for joining. Thank you. I appreciate it. Absolutely. So where can people go, say they've watched this video, they want to go try it out right now?

36:58Corey:Where do they go? Yeah, so you can go to producer.ai right now to try it out. And you can also go to Google Lab's homepage where you can test out or see our experiment and our project. or not Experiment Project. It is an actual product out in the world, but where you can see that and so much more about what we're doing and learn more about Lyria 3 and the impact there. So check us out. Excellent. You know, one of the things I appreciate about conversations like this is that it makes clear that AI music isn't just about pushing a button, getting a song. It's about what kind of creative partner these systems can become, who they empower, who maybe wasn't able to make music on their own before.

37:45Corey:And what values get encoded into the future of music? And I think that's kind of the real tension of stories like this, that these tools can kind of lower barriers and unlock experimentation, but they also create new opportunities and creative venues for the experts in the space. And you've done a great job here. Thank you. No, we're excited and so much more to come. So stay tuned and really grateful for you allowing us to share this with your audience and your community. Well, that's it for today, everyone. Thanks again for joining us on the Neuron. I'd also like to thank Dell Technologies and NVIDIA for sponsoring today's episode.

38:23Corey:Go check them out and learn more at dell.com slash yourwaytoai. That's dell.com slash yourwaytoai. Please hit subscribe so you don't miss the next episode. And make sure to pop by the neuron.ai and sign up for our daily newsletter so you can stay in the loop about what's next in the AI space. But that's it for today. So farewell for now, humans.

38:46Oh

38:56It's

From the publisher

Google just acquired an AI startup that lets anyone create real music, music videos, and custom instruments — no experience required.


In this hands-on episode, Corey sits down with Kendall Rankin from Google to demo Flow Music (formerly Producer AI), the generative music tool now living inside Google Labs. They build a garage rock song about AI from scratch, generate a music video with VEO, and dig into what "amplifying human creativity" actually looks like when the tool can do most of the lifting.


Listeners walk away with a clear view of where AI music tools fit in an artist's workflow, why watermarking (SynthID) matters, and how to try it for free.


Try Flow Music: https://producer.ai

Google Labs: https://labs.google

SynthID (watermarking): https://deepmind.google/technologies/synthid/

Subscribe to The Neuron newsletter: https://theneuron.ai

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