In short
How conservative politics has rebranded “sexy” and lingerie as Republican-coded, replacing Bush-era modesty/purity culture with “hot” married-Christian sexuality and MAGA pinup imagery.
Guests
Jennifer Wilson, staff writer at The New Yorker; reported on the political implications of cleavage and conservative sex appeal.
Key claims
The right’s “Make America Hot Again” style is a repackaging of older conservative gender/sexuality ideas, accelerated after Me Too by corporate “tone it down” backlash and a vacuum in mainstream sex messaging. Conservatives now frame desire as shame-free and “woke is dead,” while still policing boundaries (e.g., sex only after marriage; limits on sex toys).
Notable examples
Stagecoach “Trumpchella” in Indio; Sidney Sweeney’s Siren lingerie pop-up (Siren Saloon; “titties/ass” tip jars; “tight jeans, loose morals” thongs); Victoria’s Secret pause after Ed Razek’s transgender/plus-size comments; 2024 CEO Hillary Super moderating diversity; conservative magazine Evie (raw milk, anti–COVID-vaccine sex advice); Christian “marriage-honoring” lingerie/sex-position sites; La Perla factory labor protests in Bologna.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOThe Politics of Breasts and Conservatism
0:58 to 1:26
Explore how breasts have become politically coded in recent discourse.
“Traditional home security only alerts you after a break-in.”
The Politics of Breasts and Conservatism
1:41 to 4:10
Explore how breasts have become politically coded in recent discourse.
“It's not often that I get to talk about lingerie on the podcast.”
Stagecoach Festival: A Conservative Coachella
4:10 to 6:05
Tyler discusses the Stagecoach festival's conservative atmosphere and its cultural implications.
“I'm Tyler Foggett, and I'm a senior editor at The New Yorker.”
Sidney Sweeney as a MAGA Icon
6:05 to 9:34
Investigate the complexities of Sidney Sweeney's political associations and her impact.
“She had a pop-up karaoke bar, the Siren Saloon, and it was very raunchy inside there.”
Victoria's Secret's Shift in Branding
9:34 to 12:08
Analyze Victoria's Secret's evolution amid changing societal views on sex and gender.
“And it's possible that she just, you know, has friends who are to her right, and she doesn't have a problem with, you know, performing alongside, you know, singing karaoke with them.”
Exploring Sexual Politics through Lingerie
14:01 to 18:21
Discussing how lingerie advertising reflects shifting narratives around Me Too and sexual politics.
“because to me, you know, I talked to Lauren Sherman, who co-wrote a book, Selling Sexy, about Victoria's Secret.”
Exploring Sexual Politics through Lingerie
19:18 to 19:41
Discussing how lingerie advertising reflects shifting narratives around Me Too and sexual politics.
“Your team just added its 67th AI tool and also your 67th security blind spot.”
Exploring Sexual Politics through Lingerie
19:44 to 20:10
Discussing how lingerie advertising reflects shifting narratives around Me Too and sexual politics.
“With Wayfair, one night of Halloween becomes a whole season at home.”
The Right's Evolution on Sexuality
20:10 to 28:00
Examining the shift in conservative views on sex and lingerie, and the emergence of a new narrative.
“I mean, I think, you know, and it's important to distinguish sort of ordinary people who vote Republican from kind of like the political establishment.”
Exploring Evie Magazine's Content
28:00 to 31:27
Learn about the themes and articles presented in Evie magazine and how they reflect conservative values.
“Like you move forward and there's backlash.”
Show all 15 chapters
The Impact of the Me Too Movement on Lingerie
32:42 to 37:50
Discuss how the Me Too movement reshaped the lingerie industry and conservative responses.
“They're 35 % of our audience and spend two hours building rituals and shaping culture with every stream.”
Labor Politics in Lingerie Production
37:50 to 42:08
Uncover the political and labor dynamics in the lingerie industry, including historical contexts.
“Yeah, and like often like empty political gestures that are easier to implement than actual fundamental changes, which I feel like, you know, we're talking about Victoria's Secret earlier.”
Exploring the Concept of Sexiness
42:08 to 45:06
Discussion on how different political sides perceive and use sexiness.
“There was this gender panic that the lingerie industry responded to.”
Cultural Icons and Racial Dynamics
45:06 to 46:42
Examining the racial aspects of beauty standards and public perceptions.
“kind of really uniform and nostalgic for a bygone era.”
The Difficulty of Discussing Sex
46:42 to 47:01
A reflection on the challenges both political sides have in discussing sexuality.
“I think that we all have difficulty talking about sex.”
Transcript
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1:36Hi, Jen. Hi, Tyler. Thanks so much for coming on the show to talk about this really fun piece. It's not often that I get to talk about lingerie on the podcast. On the political scene, you don't talk about lingerie that much. That's shocking. Yeah. So in your most recent piece for The New Yorker, you wrote that breasts have somehow become Republican-coded. When exactly do you think that this shift happened? I mean, it caught me by surprise. I mean, I think that we all remember this kind of moment when Sidney Sweeney was on Saturday Night Live wearing a dress, a low-cut dress, you know, as is her right.
2:12And I didn't think anything of it. You know, she's a glamorous, young Hollywood actress. Then all of a sudden, social media just seemed kind of flooded with these kind of conservative figures saying, you know, woke is dead. Actually, there was the, you know, writer for the National Post had an op-ed. You know, she said, are these double D harbingers of the death of woke? And I just thought, what are they talking about? You know, what does having big breasts have anything to do with being Republican or a Democrat? You know, it just, and that sort of was my clue that sort of something was going on.
2:46And, you know, and then the political right was trying to sort of claim Sidney Sweeney's body. But sort of like sexiness as it defines sexiness for itself. And that was interesting to me as someone who writes often about sex for The New Yorker.
3:05That's Jennifer Wilson, a staff writer at The New Yorker who recently investigated, in her words, the political implications of cleavage for a feature piece in The New Yorker's false style issue. While the left has been grappling with what sex and sexuality should look like in a more inclusive, post-MeToo world, parts of the conservative movement have started presenting the right as the place where it's okay to embrace beauty and desire, free of shame. Now we have conservative women's magazines offering detailed sex advice that could make a Cosmo reader blush, lingerie brands marketing themselves to a right-wing audience, and organizations with names like Make America Hot Again, making the case that being a Republican isn't just cool, but sexy.
3:46I wanted to talk with Jen about how this new strain of conservative sex appeal fits into the right's longer history with sex and sexuality. How much of this is actually new, and how much of it is just a repackaging of older conservative ideas about gender, relationships, and desirability? And if the right is starting to claim this territory, how does that affect the left, and the culture around sex and beauty more broadly? This is The Political Scene. I'm Tyler Foggett, and I'm a senior editor at The New Yorker.
4:18Let's start off with your trip to Indio, California, which is a city that hosts two different music festivals in April that seem to cater to opposite ends of the political spectrum. So the first one is Coachella, which is probably the biggest music festival in the U.S. And then the second is the country music festival Stagecoach. So can you talk a little bit about Stagecoach and what brought you there, aside from what must be an undying love of country music? I should say I do love country music. I'm not a diehard fan. But, you know, I was happy that this assignment took me to stagecoach. I had heard of it, and it had always been described as sort of the conservative Coachella, that sort of, you know, after the regular Coachella, like, the grounds were still there.
4:58But now suddenly everyone had a MAGA hat on and was wearing, like, kind of Marlboro Man kind of, you know, jackets. And you could take, you know, photos with the Budweiser Clydesdales. Yeah, I mean, I saw someone on Reddit called it Trumpchella. You know, they actually had to ban displays of the Confederate flag because at a certain point people were actually selling it in like Confederate flag bikinis. And, you know, in the piece I call it a kind of a safe space for these kind of, you know, uncritical displays of, you know, red-blooded American patriotism. And I was very surprised to learn that Sidney Sweeney was going to be launching a pop-up for her lingerie brand Siren there.
5:38just because she had been trying, to me it seemed, for about a year to kind of distance herself from politics on the whole, you know. And I thought maybe this was someone who had just kind of gotten caught up in sort of this kind of firestorm, and, you know, a lot of things had been projected onto her. But then I just thought, my gosh, this is such an interesting choice for someone, though, to become the official lingerie partner of Stagecoach. Yeah, so I went there. She had a pop-up karaoke bar, the Siren Saloon, and it was very raunchy inside there. You know, at the bar, I ordered a Made You Look Margarita, and there were two tip jars.
6:19One was labeled titties, the other ass. There was a dartboard, and on top of the dartboard was a neon sign that said, shoot your shot. And you could buy, like, some stuff from her special capsule collection for Stagecoach. So I bought a three-pack of thongs. They were part of the Hoedown Throwdown collection. And one of them said, tight jeans, loose morals. And then I think another one said, cowboys ride harder and stay on longer. And, you know, for me, it was just— I hope you expensed those. Oh, I definitely did. Yes. And then there was at one point when everyone was sort of singing along to the Shania Twain song, man, I feel like a woman.
7:00And, you know, that line when she's like, I'm going to act politically correct. I mean, just like the crowd went nuts. And I just remember thinking like, this is so crazy because I remember, you know, I was in high school for the Bush era and it was like abstinence only education, the Christian evangelical movement, you know, purity rings and there was the true love weights movement. You know, I think in the piece I say conservative have meant conservative. And, you know, Shania Twain, when she first kind of came onto the scene in Nashville, I mean, she got a lot of crap for just sort of burying her midriff.
7:38And, you know, and people were saying, you know, her hair looked a little too tousled. What has she been up to? And that was sort of like the country music scene, like, you know, the country music establishment, I should say. So for me, I was like, gosh, this is so different from the Republican Party from the end. I should say Sydney Sweeney is a registered Republican. And there were people performing there with her on stage doing karaoke who, you know, have been performers at the Turning Point USA Festival. But when she was singing I Got Friends in Low Places by Garth Brooks, it just felt like, you know, what's going on here?
8:14Is this provocation? Is this real? So Sweeney actually is a registered Republican because I thought that there was a lot of part of what has always confused me about the rights embrace of Sidney Sweeney, at least up until this point, is just that I feel like, as you mentioned earlier, she's, there have been some instances where she's basically said, you know, I don't really want to take a side. Like, she tells Cosmopolitan, I'm not here to speak on politics. There was the whole American Eagle jeans ad controversy where, you know, the tagline was Sidney Sweeney has good jeans, and it was supposed to be a pun on genes, you know, G-E-N-E-S, but then also J-E-A-N-S.
8:53But then I think a lot of people sort of use that to kind of launch into this discourse about the kinds of people who we think are beautiful and, you know, sort of taking the more like racialized understanding of that term, good genes. But I mean, I think what's funny is that at least for a while, it seemed like Sidney Sweeney was actually just kind of trying to have it both ways and not exactly saying that she's a Republican, but not saying that she isn't a Republican. I kind of thought that she wasn't necessarily openly MAGA, but she was still being anointed a MAGA sex icon in a way that was interesting.
9:25But it does seem like she's definitely a Republican, if not outright MAGA. Yes, it's worth distinguishing Republicans from MAGA. Not all Republicans are MAGA. And it's possible that she just, you know, has friends who are to her right, and she doesn't have a problem with, you know, performing alongside, you know, singing karaoke with them. But as I sort of say in the piece, if there has been a year-long campaign to kind of paint you as this kind of pinup whose beauty is kind of representative of, you know, a certain kind of like 1950s gender ideal and, you know, launching a lingerie brand, it's just kind of, it's her right to do that, but it just seemed like an interesting choice.
10:16And I went there with an open mind, more interested in sort of what the people there thought. But yeah, I mean, a number of people there, I said, what do you love about Sidney Sweeney? And, you know, I mean, one woman said, I love that she's a diehard Republican. And, you know, I asked these other guys, like, what do you love about her? And they're like, you know, she's got great genes. And for people in the MAGA space, they believe that she is on their side. Like, they have taken all of these things as cues. And, you know, I mean, the point of my piece was not to sort of get to the bottom of Sidney Sweeney's politics, but to just think, like, why, you know, there are so many attractive young actresses.
10:57You know, why did this person become so symbolic of what MAGA wants to be? you know, how are they thinking about this shift in their party? Many of them are the same, you know, they're old enough to remember, like I do, purity culture. How are they thinking about this huge cultural shift in their own party? You know, and that's one of the things I was using lingerie to think through. Yeah, I mean, I feel like there's a difference between Sydney Sweeney is hot and she's Republican, so we love her versus like Sydney Sweeney's hotness itself is the thing that is defeating wokeism as opposed to her just being like a hot MAGA person.
11:35So that's been interesting. In your piece, you also talk about other lingerie brands, and one that everyone listening to this podcast has heard of is Victoria's Secret. And you use them as a sort of case study in how the politics of lingerie and sex appeal have just shifted so dramatically over the past decade. Can you tell us a little bit about what we've seen from Victoria's Secret and how that brand has evolved and just how we might see what is happening with Victoria's Secret as being of a piece with other brands that one might think of as more conservative coded these days. Well, I mean, Victoria's Secret is not, there's not a lot about Victoria's Secret in the piece, but Victoria's Secret is why I wanted to do this story because I was really taken aback by some statements that the new CEO, Hillary Super, made.
12:22So it's important to know that in 2019, the Victoria's Secret kind of iconic fashion show was put on indefinite pause because Ed Razek, who's the chief marketing officer and the producer of the show, you know, in the kind of wake of Me Too, had just made these comments. Like, he had gotten criticized for the fact that there were no transgender models, that there were no plus-size models in the show. And he just said, this is, you know, they have no place here. He called transgender models, transsexuals. He said they have no place here because this is a fantasy. And there was huge pushback. So it was put on pause and the brand got rid of the angels.
13:03They're kind of iconic supermodel brand ambassadors. You know, that's the Gisele Bundchen, the Tyra Banks, the Gigi Hadid's. And they created something called the VS Collective, which was comprised of women who've been involved in progressive causes to varying degrees. So one of them is Megan Rapinoe, the soccer player. Another is Priyanka Chopra, the actress who's spoken out a lot about diversity in Hollywood. But then in 2024, you know, Hillary Super takes over and she makes these comments. You know, she says, you know, in the past we were operating out of fear. We were too afraid to offend people.
13:42You know, she said, you know, it's not that we're not going to continue to practice, you know, diversity, but we're not going to check off every box that someone could possibly think of, you know. And she also, she only really spoke to, you know, outlets like The Wall Street Journal and Fortune. And I was really taken aback by that because to me, you know, I talked to Lauren Sherman, who co-wrote a book, Selling Sexy, about Victoria's Secret. And she said to me, you know, Victoria's Secret is doing well. And she said, you know, super managed to kind of de-ick it. But, you know, and she kind of played a little bit into this kind of MAGA, kind of, you know, we went too far during Me Too.
14:25But she, you know, she didn't go all the way. She sort of like found this middle ground. You know, she's trying to kind of, I was just stunned that the head of a major, you know, underwear brand was saying things It just felt so clearly that they were kind of playing into this narrative that there had been kind of overreach during Me Too, that it had gone too far, that we needed that. And then also around the same time, Trump bought up to a million dollars worth of corporate bond, Victoria's Secret corporate bonds. You started seeing people like Michael Dell, Jeff Bezos, Lauren Sanchez investing through this venture capital firm.
15:04They all invested in Siren as well. And it's just – Lauren Sanchez also wore a bra to Trump swearing in. So, yeah, I just sort of – I started thinking, gosh, there's something really going on here with sexual politics since Me Too. And I was really kind of using lingerie and lingerie advertising to understand, you know, what are the stories that we're telling ourselves about Me Too, about the present moment, about what's happened in between. and, you know, I think for me, lingerie was such a powerful way to do that because, you know, in America, we don't have, like, a shared vocabulary to talk about sex.
15:44Like, we don't, you know, it's not really in movies as much anymore. It's not in TV shows as much anymore. So you're often, you don't have that many things that everyone can point to and start to have a conversation around sex. And I think Victoria's Secret advertising has been one of them. I think you see even in this kind of this current moment with Siren, you know, a number of people have been talking about the advertisements and the way they kind of play on kind of 1950s kind of housewife fantasies. I mean, this is like not even a question that's super related to the topic at hand. But I wonder with the advertising for a company like Siren, is the ideal lingerie customer a woman or is it a man who was buying lingerie for his girlfriend or wife?
16:32And I guess how much of this is about, you know, sort of catering to a way that the person wearing the lingerie might want to look and sort of like what their views about these things are versus just focused on the male gaze, essentially. You know, it's so funny. Whenever I would go, I went to, I visited various lingerie boutiques for this piece. I, you know, went to Agent Provocateur, Fleur Dumas. I went to this place called the Rack Shack in Bushwick, which sells bras. And one thing that everyone kept saying was that men don't really care. When they come in trying to buy a gift, they're pretty clueless.
17:08You know, their tastes are quite simple. One of the women that Rackshack said, it was so funny. She was just like, they just like crotch out, ass out, everything out. And I realized we're not really talking about them. You could say that women maybe have internalized some of their ideas about what they think men might want. But this came up a lot, you know, the male gaze. And, you know, I think during Me Too, a lot of lingerie brands, they felt like consumers were accusing them of catering too much to the male gaze and tried to sort of rethink some of their advertising accordingly. But, you know, that's just so tricky because I want to distinguish lingerie from just underwear in general.
17:49I mean, I really think of lingerie as something almost kind of a sexual aid, almost kind of a, you know, a sex toy. I do think people buy it to be gazed at, you know? And so I was interested in that as kind of a way to kind of test the limits of the male gaze as kind of a negative concept. I mean, some of this lingerie is quite expensive. I mean, you're going to buy a$300 bra and you don't want anyone to gaze at that. I don't know. He must be doing quite well. That's how I felt, yeah. So let's take a quick break. And then when we get back, I want to get into sort of what you were talking about earlier with the right being known at one point for purity and modesty culture and abstinence pledges and how that has changed.
18:34And also you're reporting on the emergence of a conservative cause. Oh, yes. This is the political scene from The New Yorker.
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20:17So Jen, before we get into the rights embrace of things like lingerie and sex appeal, I'm wondering if you can just kind of reiterate how the right used to relate to these things more broadly and when exactly that changed in your view. I mean, I think, you know, and it's important to distinguish sort of ordinary people who vote Republican from kind of like the political establishment. Right, yeah. Right, the right. Because people were probably doing what they've always been doing, you know, since the beginning of time. But I thought one thing that was really interesting is that, you know, I said earlier that I grew up in this era of, you know, abstinence-only education.
20:54You know, I was starting high school during the Bush era, and everyone was very worried about, well, what's going to happen in schools? What are high school students going to learn? Because, you know, it just seemed like the Christian evangelical movement had kind of taken over the Republican Party and was setting the agenda. And then I found out this year, the Trump administration had decided to pull funding from organizations that were, you know, designed to prevent teen pregnancy unless they emphasized abstinence only until marriage education. And that until marriage is a little different from abstinence only in the sense that Like what's going on now is that you have a lot of people on the right saying, no, like lots of sex when you're married.
21:41Like they're really trying to. Because also birth rates and stuff. Yes, yes, yes. Like they're trying to kind of rebrand as this kind of party of, no, don't think it's just sex in the city and women in Democratic parties who are, you know, wearing stilettos and drinking mimosas and moaning into the night. We do that too as soon as you're married. As soon as you're married and our sex is better. I mean, that's kind of the narrative that, you know, I was hearing particularly from a woman named Brittany Hoogaboom, who's the editor of a magazine called Evie, which is sort of billed as the conservative Cosmo, Evie as in Eve, the first woman.
22:18But yeah, I was sort of – I learned about this world of just hot and bothered married Christians on the internet. Like, so there's this website called ChristianFriendlySexPositions.com. Which I'm sure you visited on your work laptop. That has kind of, you know, marriage-honoring sex positions. There are lingerie brands for, you know, Christian wives. Like, there's Mentionables, the Mormon-owned underwear brand that doesn't use models. And, you know, on its website it says, this way your husband can look without feeling guilty for, you know, seeing pictures of other women. You know, they're— Is it like stick figures instead or—?
23:00It's just the underwear like kind of— I see. On like a table or a tray or something. Yeah, I find it unhelpful. But I don't know. So, and what else? Yeah, and there's also this phenomenon of Christian lingerie showers. There is this Christian writer who has a blog called Every Woman a Theologian, and she talks about, you know, having these lingerie showers where she and her other Christian friends would sort of go into the dressing room with the bride-to-be who's in her lingerie, and they would just kind of prey on her future sex life. And so, yeah, like there's this kind of new idea that they are the party of great sex.
23:48You just have to wait until you're married. And that's a little different from before. That's interesting because I was going to ask if you thought that evangelical Christians like and the religious right more generally, if they seem like they were on board for the goal of making America hot again. Or if what we're seeing is kind of another example of Trump's coalition just being so fractured where you have the make America hot again types and then you have the evangelical Christians who are really upset about the way that Sidney Sweeney is being treated as, you know, just the icon of all icons.
24:22But it does seem like there's actually a way that these two things have been kind of reconciled. Just sex but only after you're married and then you have a ton of it and it's super hot and you wear lingerie while you do it. Yes. And but you are not really supposed to use sex toys because you because they might embarrass your husband if they're too good. Like there's a lot of kind of, you know, they kind of one of the things I was really interested in the piece was also like the limits of their kind of reevaluation of purity culture. But, yeah, I mean, listen, I'm sure there are, you know, there are people who in the Republican Party who are critical of this, who prefer the kind of the modesty of the Bush era, you know, who vote for Trump but are sort of disgusted by him.
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25:06They hate the kind of like— Access Hollywood tape. Yeah, they hate the Access Hollywood tape. But, yeah, I do think that there is kind of a growing cohort who've said, okay, this is our leader now, and he seems to be having a lot of fun, and maybe there's a way we could have some fun, too, finding new interpretations of the scriptures to allow themselves that. So before we talk more about Evie, I just want to go back and clarify something with you. So would you say that before this recent embrace of sex appeal by the right that lingerie and brands that were kind of built around sexiness, even more heteronormative expressions of it, that those were actually left-wing coded once upon a time?
25:49Or was it more that they were politically neutral and then the rights reaction to things like immodesty or promiscuousness, that those things kind of injected politics into it? Like, was Victoria's Secret and were those brands, were they seen as lib-coded before they were right-coded? I mean, there is a, you know, part of the piece I go into, like, kind of the history of how underwear gets politicized. And, you know, it shifts all the time. You know, there was a time when, you know, bras were symbols of liberation. Like, I learned that the, like, one of the first modern bras was really invented on the French barricades.
26:24You know, it was a corset maker kind of cut the corset in half, you know, so that women could, like, sort of move around more freely and, you know, evade the police. But then, obviously, the feminists and, you know, the feminist movement in the 1960s, we get to kind of, you know, burning bras, you know. So things really change. I mean, I would say that probably like things like Agent, well, I don't know, like Agent Provocateur, to give an example, they really emerged in the kind of the early 90s in England. And I think they were labor-coded. I mean, it was kind of this kind of era of the Ladette movement in England, which was this kind of rejection of like Thatcherite kind of moralism.
27:05So Ladettes were kind of cursing, drinking in bars, like they were wearing their bras in bars. It was this kind of brash and bawdy kind of attitude. And agent provocateur was very much kind of the lingerie brand of that moment. And I would say that, you know, that was the case also in the U.S. I mean, when the Wonder bra, this kind of push-up bra that became really popular in 1994 with this, you know, really kind of iconic ad, Hello Boys, in London. I mean, yeah, I definitely think it felt similar. Like people were shaking off kind of the Reagan era and some of the kind of the sex negativity that emerged during the HIV AIDS crisis.
27:48It felt progressive to wear very ostentatiously provocative lingerie in that particular moment. So, you know, things really change. I mean, I think it's like, you know, it's this constant kind of back and forth. Like you move forward and there's backlash. You move forward and there's backlash. And so to me, this is just one moment in a longer history of just kind of underwear becoming this kind of proxy for, you know, what's going on in society, you know, around sex. So let's talk a little bit more about Evie magazine. Yes. Because that section of the piece is just so fascinating. Could you tell us a little bit more about just what the actual content and articles of Evie are like?
28:31Like, if it bills itself as a conservative version of Cosmo, then what is it exactly that you would find in Cosmo that you wouldn't find in Eevee or vice versa? Yeah, I mean, I actually think they are correct in calling it that because when you go on an Eevee website, I mean, it really looks like a women's glossy mag. Like, it's— I'm, like, Googling it. Yeah, yeah. Like, it's very, you know, there's pretty photo shoots. Oh, yeah. Yeah, it looks like – Regina George right on the front. Yeah, there's like, you know, like I think it's said in the – you know, like what all the it girls are wearing in Italy this summer, what all the it girls are wearing in Nantucket this summer.
29:11These are actually articles. Following Lindsay Clancy, moms go viral sharing their positive postpartum experiences. Okay, there you go. How I healed my eating disorder without SSRIs or therapy. Exactly. So you kind of – at first glance, you might think, oh, this is just another digital kind of news website geared towards women. And then you get to these articles like how I broke up with my birth control, kind of that kind of thing. Yes, like it's – Yes, there's a Maha element to this, right? It is a very strong Maha element. Like, I think in the piece I say that, like, the Evie reader is traded in the, you know, whatever, the Kool-Aid of have-it-all feminism for Maha-approved raw milk.
29:49And actually Evie sold a, quote, raw milkmaid dress last year that, of course, was very sexy, very low cut. I think, you know, I sort of say it's kind of like a saucy pirate costume you might buy from Halloween Adventure. At one point, it launched this app called 28, which is, you know, it says a menstrual wellness app. But it very, you know, I downloaded it. And it's just a bit creepy because, you know, you put in your cycle. And there were concerns in the very beginning, like what's going to happen with all of this data? And I very much feel like the app wants me to lose weight. Like it's very, yeah, like it's very, like it's just constantly telling me like kind of what kind of diet.
30:35it is best for this point in my cycle. It's like, I didn't ask for all this. Yeah. And so it's very into like, you know, the founder told me, you know, the male gaze, she said, you know, the male gaze is the basis for so many great works of art. So, you know, the... Probably true. Probably. And not. And for some very bad works of art. But yeah, no, all of the articles, the models featured are very, you know, are thin. I think are, I don't know if they're all white, but for the most part, they seem white, you know, traditionally kind of, you know, feminine. But yeah, it's very like Maha. Yeah, they really took a strong stance against the COVID vaccine.
31:20And they actually have articles discouraging women from having sex with men who've had the COVID vaccine. We're going to take another quick break. And then when we come back, I want to talk about the future of sexy. Another sentence I'm really excited to say because I don't get to say things like that normally on the show. This is the political scene from The New Yorker.
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33:06So, Jen, I'm curious. It seems like one of the arguments your piece is making and something that we've been talking about throughout this conversation is just this idea that after the Me Too movement, we saw lingerie brands sort of trying to correct for that. and changing some of the products they were putting out. I think there's a part in the piece where you mentioned this article from The Hollywood Reporter from 2018 about how push-up bra sales plummeted. And so we saw a lot of changes happen within this industry. And I think you have a few people in the piece who make the argument that that essentially created a vacuum that the conservatives were able to fill.
33:45It was like all of a sudden sexy was something that the conservatives could claim because the liberals were too busy arguing about feminism or whatever. And I'm wondering, like, if this is something that, if you talk to people in the lingerie industry, you know, even people who might have more liberal politics who kind of agree with this idea that the right was able to seize an opportunity and now has more ownership of this world. Like, is there a chance that liberals in the lingerie world or the fashion world more broadly are kind of going through their own version of woke one was crazy? Um, I've thought a lot about that kind of, you know, that concept, woke one was crazy.
34:26And I think this piece helped me, like, it kind of helped me arrive at what I think that term is really about. It's so important to distinguish movements from, like, the corporate capture of movements. Like, it's extremely important to distinguish, for instance, Black Lives Matter from Juneteenth napkins at Target.
34:49And yes, like, you know, I spoke to activists during the Me Too movement who said, you know, this was Me Too was about sexual harassment not being the price you had to pay to enter public life. It was not about wanting to see fewer bikinis on billboards. But I think, you know, corporations, certain, you know, sectors of government abroad. Like, in Paris, they, you know, appointed this director of kind of gender equity for the city. And she called for a billboard advertising a pair of panties to be taken down because the panties only showed the woman's, like, her butt in the panties and it didn't show her face.
35:34And she said, you know, like, this is dehumanizing. And, you know, the designer said, like, it's a pair of panties. Like, you know, we have to show her butt if we want to show how great these panties are at accentuating her assets. And I think that that's an important example because that position was created as kind of a Band-Aid, you know, right? It was kind of a public-facing thing to say, look, we're doing something. You don't really actually have to do anything. And I think that there was just kind of a proliferation of those roles happening at the time. There was a lot of kind of, you know, corporate kind of concern about social media, you know, kind of firestorms who were, yeah, they were saying things like we need to tone it down.
36:19I spoke to the creative director of Agent Provocateur and she said that, you know, people told her, you know, we can't be sexy right now. And so she kind of hired a, you have to understand, Agent Provocateur in, like, for instance, 2013, they had a commercial directed by Penelope Cruz that was set at, like, an upscale orgy. And then after Me Too, you know, the creative director hired a filmmaker to make a commercial of women, female athletes, just getting hot and sweaty from working out, you know, just from being on the exercise bike. That is such a huge shift. Um, and so I think that, and she says in the piece, like, she found this kind of, you know, frustrating.
37:02You know, and I try to be, you know, intentional in the piece about sort of saying, you know, these were, like, things that were happening in meetings. These were not, like, kind of movement leaders coming to agent provocateur and saying, if you don't stop selling push-up bras, we are going to have a huge sexual harassment problem. That did not happen. But I think that so often, again, I hate to be like, it's the phones, it's the phones. But, you know, we do interact with so much of the world through our phones, which are flooded with commercials and advertising. And I think, you know, it starts to get confusing, like what is what's real and what is, you know, the woke one was crazy.
37:40They're so often talking about empty political gestures. Like, you know, they're not talking about actual policies and actual demands, in my opinion. Yeah, and like often like empty political gestures that are easier to implement than actual fundamental changes, which I feel like, you know, we're talking about Victoria's Secret earlier. But as you talk about in the piece, it's like there was this changing of kind of the brand's external output. Like, you know, they all of a sudden are focusing less on the angels and more on the collective. But, like, and you can argue whether that was good or bad or whatever, performative.
38:15But, like, I feel like the real issue with Victoria's Secret in that period was, you know, the sexual harassment that I think you mentioned. And just the fact that, like, the company's owner was, like, BFFs with Epstein. And so— Who was bringing women to his hotel room pretending that it was in an audition to be, you know, a Victoria's Secret angel. Yeah, and a number of the women I spoke to in the lingerie industry said that they felt that they were paying for the mistakes of men. that this had nothing to do with lingerie. It had everything to do with bad behavior of men in the lingerie industry.
38:46I want to talk about, as we get toward the end of the conversation, I just want to make sure that we don't miss this, but your trip to Italy to visit the factory of another lingerie brand, which is La Perla, which has a really interesting history behind it. Can you tell us a little bit about that visit? Yes. So I felt like I needed to get out of the United States. I was like, is it possible that this is just kind of like our psychodrama, like our sexual baggage, and that when I leave, you know, I will find kind of the pure essence of lingerie and like kind of depoliticized. And yes, La Perla, I refer to La Perla in the pieces, the Vatican of lingerie, and it very much is, you know, it's just this kind of iconic luxury brand.
39:35But when I was, like, looking into La Perla, I found that they also were experiencing this incredible kind of political upheaval. The company went bankrupt, basically. The, you know, ownership changed hands. And so, you know, all of these women who had, you know, worked at La Perla for decades, and it's so important. It's, you know, it's handmade. It's not made by machine. This is real kind of, you know, women's entrepreneurship and handicraft was, you know, at risk of being gone forever. And it's important to note that La Perla is in Bologna, which has this long history as a kind of a leftist stronghold.
40:12The Italian Communist Party was in charge of the city for, you know, almost like five decades. So, you know, they were, these seamstresses were part of that tradition, part of that culture. So they organized, they created kind of a union organization and they protested. They went to the European Parliament, to Brussels. And it was incredible. You know, these were women in their 60s. And they got there, the Italian government, to negotiate a sale that would include the reinstatement of 200 workers. And so I went there to see the new line, of course, but also to meet the seamstresses who had been a part of that.
40:52So it seems like what you're saying sort of is that there is no place where lingerie is depoliticized. It's always going to be political, but there's just a difference between the kind of MAGA politics that it's become entrenched in the United States and then sort of the way that it's being talked about in a place like Bologna. Yeah, I mean, it's really important to just remember that, you know, labor is incredibly important when we're talking about the—we can't talk about the politics of lingerie without talking about labor. I mean, Victoria's Secret has a long history of getting in trouble for—you know, I think at one point they were selling kind of underwear made through sustainable cotton, and then it was found that the cotton was being picked by children forced into—yeah, I know.
41:37And so I think it's always important to remember there is the kind of like political branding and then there's like actually like, well, how are you treating the people who make it for you? And it's interesting to me that those don't always align. Like, there was kind of this post-war period in the 1940s where you saw a brief return of the corset and a return to kind of very traditional women's lingerie that emphasized, you know, breasts, like the bullet bra, like this almost kind of like exaggerated forms of femininity after, you know, kind of during the war there was a lot of women working. So there was kind of this panic.
42:15There was this gender panic that the lingerie industry responded to. But then I spoke to a historian and she said, you know, the thing is, there wasn't a single sweatshop in the U.S. at that time. Like, the women who made lingerie, and it's a female-dominated industry, were, you know, unionized and had incredible labor protections. And so that was also fascinating to me. Like, what, you know, messaging versus production. It was very complicated. Ethical consumption under capitalism is very hard. It's incredibly hard, and I don't think we're going to figure out the right balance to strike on this show necessarily.
42:50But just to conclude, I'm wondering if we can go back to the concept we were talking about at the very beginning, which is just this question of what hot or sexy looks like and which side of the political spectrum gets to be the one that embraces the word and kind of has the monopoly on it essentially. And I think it's interesting that even during this time where we're talking about how the right has embraced sex appeal and they have Sydney Sweeney, you know, we've seen things like hot girls for Zoran during the Mom Donnie campaign, which makes me think that hotness is still a concept that is either available to be used by liberals and progressives or maybe just by anyone who's trying to advertise for anything.
43:32Like in your piece you mentioned at Stagecoach, there's a man holding a sign that says, Hawkgirls eat Arby's. And of course, that is like in reference to the fact that Sophie Cunningham is a sort of the spokesperson now for Arby's or something. So I guess it's kind of tied in with what we're talking about. But at the same time, it's like the idea of, I feel like you could say Hawkgirls do blank, and that would be a successful advertisement for either a politician or for a company. And so I guess I'm just wondering after doing all this reporting and thinking on this subject, do you think the right is going to have a monopoly on sexy for the long term?
44:07Or do you think that we're always just going to be using hot and sexy and embracing women who are attractive to endorse literally whatever it is that we need to endorse at the time? The right does not have a monopoly on sexy now. They think they do. Um, and, um, but, you know, what is sexy is so particular to, you know, each and every one of us. We all find different things attractive. And that's kind of the fun, the fun of sort of, you know, having a kind of unique perspective on, um, you know, what's erotic. I think that's – it's really exciting when you find someone or something attractive that no one else does.
44:50And so I think to me one of the things that's so unattractive about the version of sexiness that the right is – has embraced is just kind of how cookie cutter it is and predictable and just kind of really uniform and nostalgic for a bygone era. Like, I don't know. Like, what about now? Like, I don't know. Now is—I want you now.
45:20Well, that actually explains a lot because I feel like there is this trend on Twitter, and I feel like it's still kind of a trend. But basically, it would be people sharing photos of Sydney Sweeney next to a photo of another celebrity. And often it's a black celebrity, whether it be Zendaya, who she starred in Euphoria with, or someone else. And the post would kind of be offended at the notion that anyone would think that someone else who isn't Sidney Sweeney would be hot or as hot as Sidney Sweeney. And it was kind of like it doesn't have to be an either or here. I mean, it does if you're racist.
45:54That is true. That's what's really going on there. You do see Sidney Sweeney versus Sabrina Carpenter, though, who's another kind of like all-American girl icon. Yeah, yeah. Yeah, I'm, you know, I mean, I think I wanted to go into this with an open mind. And, you know, I'm thinking about like Olivia Rodrigo and the reactions to her in the baby doll dress. Yeah. And I thought she had a really great response, you know, when she said like, I'm wearing a baby doll dress and you all, your ideas immediately went straight to sex. Like, you know, I think she said like this just shows you how normalized pedophilia is in this country.
46:29But, you know, it did strike me as like there I do think that there is I think that this is an American problem. And I don't think it's one part. It's not about who has monopoly on sexy or doesn't. I think that we all have difficulty talking about sex. And I think that that's something that both parties struggle with in different ways. Everyone has difficulty talking about sex except for you, Jen. You were fantastic. Seriously. Thank you. Thanks so much for being here, Jen. Thanks for having me. Jennifer Wilson is a staff writer for The New Yorker. You can find her latest piece, Have Conservatives Taken Sexy Back, at newyorker.com.
47:14This has been The Political Scene from The New Yorker. I'm Tyler Foggett. This episode was produced by John LeMay, with mixing by Mike Kutchman, and engineering by James Yost. Our executive producer is Stephen Valentino. Our theme music is by Alison Leighton Brown. Thanks so much for listening. We'll be back next Wednesday.
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48:31They're made all season long. Shop Halloween decor now at Wayfair.com. Wayfair, every style, every home. Hi, my name is Zach Barron. I'm the Senior Special Projects Editor at GQ and I am pleased to introduce One More Question, GQ's new weekly interview show. Over the years in the magazine, I've written dozens of cover stories and traveled the world to talk to and write about some of the most interesting people in the GQ universe. From Martin Scorsese to George Clooney and Brad Pitt to OutKast Andre 3000. And now I'll be doing it weekly. I'm going to sit down with some of the most interesting people in the world and figure out what makes them, well, them.
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From the publisher
The New Yorker staff writer Jennifer Wilson joins Tyler Foggatt to discuss how the right’s embrace of lingerie and cleavage signals the changing politics of sexuality. They talk about how the actress Sydney Sweeney’s appearance and political affiliation became a cause célèbre for a segment of the conservative movement, and how it reflects a broader right-wing backlash against more inclusive notions of beauty and body positivity. They also examine the rise of the magazine Evie, which has billed itself as the “conservative Cosmo,” and explore how the left has been grappling with the politics of sexuality and sex appeal in the wake of the #MeToo movement.
This week’s reading:
“Have Conservatives Taken Sexy Back?,” by Jennifer Wilson
“The Warning Benjamin Netanyahu Ignored,” by Ruth Margalit
“Remembrance of September 11th,” by Adam Gopnik
“The America That 9/11 Made,” by Jill Lepore
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
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