'The Chair Company’ Season 1 Recap: A Season to Cherish

3 Dec 2025 · 1 h 5 min

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The Prestige TV Podcast: 'The Chair Company' Season 1 Recap - A Season to Cherish

Episode Overview In this episode, hosts Rob Mahoney and Jodi Walker reflect on Season 1 of HBO’s *The Chair Company*, discussing its unique blend of comedy and absurdity. They cover various aspects of the show, from character dynamics to the reception of the finale.

Hosts

  • Rob Mahoney
  • Jodi Walker

Producer

  • Donnie Beacham Jr.

Key Points Covered

  • Introduction and Tone (0:00)
  • The hosts discuss their love/hate relationship with the show.
  • Both express excitement while also acknowledging the discomfort that comes from its unique humor.
  • Season Finale Discussion (5:52)
  • Key events from the finale are recapped, highlighting the bizarre narrative twists.
  • Introduction of significant characters, such as Mike and the broader conspiracy surrounding the chair company.
  • Character Analysis
  • Tim Robinson’s Comedy Cadence (11:22)
  • The hosts analyze Robinson's distinctive comedic style, which balances absurdity and relatable situations.
  • Favorite Side Characters (26:08)
  • Discussion of various memorable side characters and their impact on the main narrative.
  • Least Favorite Side Characters (39:17)
  • Critiques of certain characters that felt less impactful or more grotesque than humorous.
  • Key Revelations (44:58)
  • Discussion around the character Mike and the nuanced portrayal of his relationships.
  • Potential implications of his actions revealed in the finale.

Themes and Concepts

  • Workplace Comedy and Absurdity (32:32)
  • Exploration of how the show uses workplace dynamics to amplify its comedic moments.
  • Contrast between Ron’s chaotic professional life and his attempts to maintain a semblance of family life.
  • Character Development (47:14)
  • Insights into the family dynamics of Ron and how they are portrayed throughout the season.
  • The balance of humor and emotional depth in character interactions.
  • Underlying Messages
  • The show's exploration of legacy, ambition, and personal fulfillment.
  • The notion that the pursuit of greatness might detract from appreciating simple joys in life.

Audience Engagement

  • Call for Feedback
  • Hosts encourage listeners to email with their thoughts and experiences watching the show.

Conclusion

  • The episode wraps up with reflections on the unpredictability of *The Chair Company* and speculation about the future direction of the series in its upcoming second season.

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Key Takeaways

  • *The Chair Company* merges absurd comedy with sharp commentary on modern life and workplace dynamics.
  • The finale’s cliffhanger leaves audiences eager for more, despite some discomfort experienced during the season.
  • The complexity of characters and their relationships provide depth, even amidst the show's inherent silliness.
  • The hosts convey a deep appreciation for the uniqueness of the show, highlighting its ability to evoke a range of emotions from laughter to discomfort.

Email for Listener Interaction

  • Email: prestigetv@spotify.com or lickingthedonut@gmail.com

Subscribe for More

  • Check out the Ringer TV YouTube channel for full episodes and additional content from *The Prestige TV Podcast*.

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Transcript

Automatic transcript. May contain errors.

0:18Welcome to the Prestige TV podcast. I am Rob Mahoney and I come to your feet today with great news because we are going to be talking about the thrilling first season of The Chair Company and a truly strange season finale on top of it. And at the risk of violating my own personal NDA, I have brought in the perfect co-host, the Wendy of Wendy's Carvers herself, is Jodi Walker. Jodi, how are you? I'm actually going to have to end the podcast because you're not allowed to talk about that. You've broken my boundaries. I don't trust you anymore. I'm so sorry. Look, it was right there for the taking.

0:50How could I simply refuse it? And you know, you came in with a perfect joke. I meant to come in with some prop comedy. I was going to wear a green bracelet to say that I was down to make mistakes. But I've actually worn a red shirt, which I guess means like no mistakes. Honestly, safer. I think the green bracelet is the bigger HR infringement as these things go. Like Spotify HQ would not love a green bracelet coded podcast. No, I think that they would like for us to be open to mistakes in the style of yellow. Yes. But maybe not actually going into an environment, hoping to make mistakes because we're kind of in a weird time in our lives right now.

1:27These look like headphones, but they're a bubble necklace. I'm glad that you're bringing the appropriate whimsy to this podcast because this is a show. Look, how else could you feel but whimsical and also kind of terrified? I feel like the tonal balance of the chair company is quite something to behold. What is your experience been with the show and just kind of like the day to day, week to week experience of watching it? I truly I was like, I'm getting on this pod to talk with Rob. I'm so excited. And I was like, what's what are you going to say about how you feel about this show? And the only thing that I could think was like, Rob, I love this show.

2:02I hate this show. And I love this show. Like, I have so much fun watching it. You know, I covered the rehearsal with Charles on Prestige TV. And obviously, I think we have to get into like some of the facts and figures of how these two shows relate and relate in getting a second season and relate in their auteurs and the genius that fuels them. But I find the chair company to be much easier to watch. It doesn't sort of, um, the, it is not to me as uncomfortable as the rehearsal. And obviously these are like totally different kinds of comedy. I don't find it as uncomfortable, but I do dislike it more.

2:47but I also kind of love it. I love watching it more. Like I don't, I used to fear watching the show Parenthood because I knew how much I would cry. I fear watching the rehearsal because I know how uncomfortable it will make me. I do not, I go into the chair company with like an open heart, a girded loin, just ready to like be intense. I think that I actually, another show that I cover on Prestige, I sort of watch it like industry, which is like, your Apple Watch is going to think you exercised after this. It is so intense. But I love it so much. And I also hate what Ron is doing to himself at all times.

3:30Most times. At most times. I hate what he's doing to himself. I hate what he's doing to everyone around him. And yet it is propulsive in a way that not that many things have been on TV this year. I felt really pulled into this world. And a show that, to be totally honest, for all the reasons you just described should not work like yeah the balance of what they're trying to pull off of kind of like if you want to compare it to the tim robinson verse it is like they go 30 as far as they would on like and i think you should leave sketch you know you don't get to the full completely insane conclusion of every little situational joke they bring up but then the show is also over exclusion is episode five which was really difficult for me in terms of like grotesquerie but agree.

4:15No, speak on it. What was it that grossed you out? Oh, every single part. Probably when that guy kept putting his elbow in that soup and then Tim Robinson punched him in the dent in his head. Then next to that probably is when Tim Robinson and I'm just calling him that found himself in that room where a man was cheating on his wife and thought Tim Robinson had been sent there by his wife and said the only way to settle this score is for you to cheat on your wife too and me to film it and then he made him kiss that woman. And they certainly did it and they filmed it. See, for me, I would say my...

4:42And he said, yep, that's cheating and then he hit stop record. I'm glad we had confirmation. You know, like you only want to do one take for these things. And it was helpful for me to know what counts as cheating. Like that's what gets you to cheating. I do find that this show overall has a really strict morality. You know, it's really trying to set us straight in these uncertain times and put us on the right path as a country, as a people. I appreciate that about The Chair Company. If you are not familiar with the show at all, this is a series from Tim Robinson, as we've alluded to, and HBO. It's about a suburban dad who is like attempting to unravel an office chair oriented conspiracy.

5:18Is that a fair description? Yeah. Vast criminal conspiracy may be conducted by a major pharmaceutical company via a sort of small city government via a chair company. As as simply as such chair companies are want to do. As you might be able to tell, it is unlike anything you will see on TV this year. And for that reason alone, I think you should go watch it if you haven't. We are about to spoil basically the entire first season, especially the season finale, Jodi. Just to make sure we're all on the same page, I would just like to list some things that happened in the Chair Company season one finale.

5:58Oh, that would be great. It feels like a nightmare dream to me. To me, too. And I'm sure to many of the people involved in making it, starting with the fact that we learn a lot more about our friend Mike, who became so obsessed with his organ donor that he first wanted to be a father to his organ donor's daughter and then also made a move on said daughter. We learned that the puppet masters - I mean, she was younger. It's actually even better because she's younger. You're absolutely right. I shouldn't have skirted past that part. It's very important. The age is important. It is an important part of the story.

6:30To me, falling out of love with Mike, actually looking that in the face of what he did to that family is important for me. letting loose my grip of how attached I had become to Mike. This show's ability to make Mike an incredibly sympathetic character for like half its run should be studied. I don't know by what courses in what colleges, but like there's an educational value to this process. Rob, he had been looking at this chocolate Kong for a year and he just needed a reason to buy it. It's so sweet. Until it's colored very darkly by that reason was the son of a man that he is involved in a vast criminal conspiracy with and just wants to get inside his house like a vampire.

7:13All extremely normal stuff happening up and down this show. We did learn that the puppet masters behind Tekka are apparently this dude named Stacy Crystals who was assassinated by a kid with no explanation holding a 3D printed gun. Who ruined his father's life. Again, I have no explanation for any of this. Oh no. Why did it have to be 3D printed? Couldn't tell you. Couldn't tell you what's happening with most of this show most of the time. And yet I am delighted consistently by all of it. Oh, same. I mean, you know, I the news came out that the show had been picked up for a season two, along with these sort of Easter egg news that this is HBO's top freshman comedy in the platform.

8:03platform history. Yes. All at the same time, I think, ahead of the penultimate episode. And it's like, surely with this ending and the initial reception, HBO and Tim Robinson maybe knew this was being picked up for a second season much earlier than we did. That could be part of the reason it ends that way. I think he'd also be perfectly happy for it to end that way and for everyone to be like, what? But it certainly colored the way I watched the last two episodes of like, how do we extend this universe? And what do we extend? Do we extend the universe? Do we extend the mystery? Do we extend Tim Robinson's devolvement into it?

8:47And oh, I do not have an answer to be very clear. I am presenting a series of questions because per the finale i do not know but i liked it i did too i like it i have to say like this is not a show i go to for answers necessarily and so the idea that we are ending a season one finale on this incredible cliffhanger that i'm just gonna spell it out like apparently this whole story might have been amanda's psychosexual revenge fantasy and also she might be telekinetic to be continued hard stop for season one. I remember when those paperclips moved when that other woman in the office thought that she had metal inside her body and we thought it was because of that, but maybe it was Amanda.

9:30You know what? I completely blocked that from my mind. I'm so glad you're here to illuminate really the pertinent details that could bust this whole case wide open, Jodi. I think there's metal inside my body. What if I came into your office and was like, hey, could we move the podcast up? I have got to get to the doctor. I think there's metal inside my body. like Ron I don't know how I would respond to that and I have to say you Rob you would respond well I was gonna you would respond as sweetly as the Ron that we met in the story you would not respond like the Ron that we left the story with well again can you blame him given the lengths that Ron has gone through to try to uncover this conspiracy only to find at the end of the day his boss is partly responsible, you know, Lou Diamond Phillips in this incredible, like, goatee-twirling villainous performance by the end, combined with everything that's going on with Amanda and maybe her telekinetic powers to say nothing of all of the completely insane shit that has happened in the interim, who wouldn't be a man or woman on the brink by the end of all that?

10:30And to think that I believe original music is being brought into the mix and that maybe that's something that we'll be hearing next season is a lot more of Lou Diamond Phillips and that other guy. When Stacey Crystals is like, Sabrina, think about Sabrina Carpenter. They're making these songs. What is anyone ever talking about? But, you know, I was doing kind of a full rewatch of the season to tune in here with you. Well, let's clarify there, Jodi, because you were doing a full rewatch. You can expose me like this when I have metal in my body. Well, at two times speed, which is a choice for any show.

11:14But for this show, I think is clinically problematic. Oh, yeah. I think if you can see my pupils right now, they don't look right. I knew going into it that it wasn't a good idea. But I simply had to do it for time's sake. I've been watching live. And here we were about to talk about the whole season. I said, I want to see it as a package. But with the timing that I had, it kind of needed to be two times speed, one and a half if I was treating myself. And that was anxiety inducing. But it really worked because like what it pointed. And I was like, am I going to lose some of the humor? I am not advising anyone to do this.

11:51This is not an artistic practice. This is I watched it at one time. Then I watched it at two times later. And I wondered like what the joke cadence would be like because these jokes are so strange. and I think that something that people love about Tim Robinson's comedy, I think something men really love about Tim Robinson's comedy and sometimes can't believe that women love it too, is that it is so weird and so strange that it feels like only you could be finding it funny. Like when you receive it, it feels like who, what other freaks out there could think that him just saying this in this, cadence or him just saying, um, or like a guy just being like, yeah, I saw some bugs I'd never seen before could be so funny.

12:42I, it is, it is true artistry to be able to make comedy like that. I know that I, I feel so confident I couldn't do it cause I don't understand it, but like he understands and his, you know, longtime writing partners understand in some way how to keep repeating this comedy. And what I was noticing on my Superfast rewatch was it is in the way that I think people used to talk about how Veep is like joke for joke, one of the most packed shows of all time. Just absolutely joke after joke after joke is like that's what Tim Robinson does with weirdness. It is just weird after weird after weird. And like they are jokes.

13:23They're not technically jokes. Actually, a lot of times they're just saying the weirdest thing you can imagine. And what I really noticed is like, and for me, I think my favorite episodes are where those lines are just packed in, like in the penultimate episode, when he brings the dog baby home, it is one thing after another. It is, you know, oh, baby got into the rat poison. And I don't know if he bit the rat or if he bit the poison. And also I pushed my boss. And so now I'm on leave like just it's just it's so much um that these 30 minute episodes in their normal one-time speed watching live on hbo felt much longer they actually do they do feel longer i think if you push past 30 you risk that assault feeling overwhelming and to be honest with you that was kind of my experience watching tim robinson's movie friendship as well which was like it just kind of pushed past a point where I was like having fun and comfortable and on the edge of my seat and into just like, I'm just like a little too put off by everything that's happening in all of these scenarios.

14:27And so somehow the chair company, despite overall being longer, breaks it up and parcels it out in a way that like makes a long form version of this thing that should not be able to sustain long form. Totally. I do. I re I liked friendship. I didn't love it. I really think that the chair company kind of course corrects what he was doing there. It's a different story. He is doing a different thing. But in terms of being able to sustain Tim Robinson comedy with a narrative and a serialized structure, I think he's really found the puzzle that fits together just right in the form of the chair company.

15:07I guess we'll see about that being a multi-season show. I think being like what felt like a limited series show, the shorter episodes with the ultimately longer run gives a lot of moments for things to amp up way too crazy, like way out of control and what it can do in 30 minutes. And then it just gives you one or two moments of showing what he's like as a family man. And I think I really bought into that a lot more in the chair company than I did into friendship. My editor was like, when the chair company was coming out, he had watched some of it. He was like, hey, do you think that you would want to write about how Tim Robinson is always dating or married to these really hot, really cool, incredible women in these shows and how unlikely that is?

15:57And I was like, kind of. But I feel like when we meet him in the chair company, you see how she could have fallen in love with his whimsy. And you see, but also his secure, like his stableness a lot of the time. But then you also see how he goes down these paths and you see how his children love him. And I sort of marvel at like how the show could do that with just really little things like Seth putting the tiny hat on his backpack or loving the Pee Wee Herman dance or being able to talk to his dad about drinking. Well, we really know like very little about Seth, except that he did play basketball and now he wants to do stop motion animation.

16:43You know, we don't know that much about like the inner workings of these characters, but we know how they all relate to each other. And that really provides a lot. That little warmth goes a really long way. And you're right, like having the family structure as kind of the anchor of the show And the thing that Ron is ostensibly like fighting for amid his job travails and failed Jeep businesses and this big like conspiracy he's trying to uncover via spreadsheet. Look, we all have to have a dream. And I support him in chasing his. Clearly, that one was not the dream for Canton, Ohio. But you can't blame a guy for trying.

17:18Well, you know, something that I have been caught saying at a couple of Ringer events with basically like no context is that men are obsessed with legacy. And I do think that this TV show is a lot about how like an obsession with something bigger robs you of all the good small things. Yes. And attempting to strike the balance of feeling important and a feeling like you make your mark on the world while also actually making your mark on the world in the form of what is what like what is almost the like, you know, most automatic legacy to achieve a family. But we catch this man in the midst of and I really loved those moments when we would sort of like dive back and find out how they the family got to that place and like how, you know, they both wanted to do something different, do something more important.

18:20And that in that way for Ron and Barb, like it's not, there's not the gender divide. Barb also wants to do something bigger. Seems like she's handling it a little better. But like that, that the way that they support each other in this mission, but that like it has to be balanced and that this is not a balanced person. No, very few characters in the story are balanced, but I would say the family is, and that we Lake Bell being the improbably hot wife in question in this case, who is just hilarious in these sorts of comedies. And this reminded me a lot of the sorts of roles she plays in Children's Hospital specifically of being almost like a trampoline for Tim Robinson to launch him into orbit.

19:03The more and more insane he gets, the more and more dry and unaffected she gets. Yes. I do think, though, over the course of the season, as we're straddling this, like, is this a comedy is this a weird thriller sort of divide the characters around ron do start to respond to him as if this were an actual human being have some of having some of these outbursts whereas in episode one we're doing sketches almost and by episode eight it's like dad why are you being so weird uh like just consistently he's getting that kind of feedback from basically everyone in his life in a way that like makes the show feel not real because it's still in a heightened space of some kind of reality, but it makes it feel more like of a world with itself.

19:43But also in episode eight, there's the bounce back to the bounce back where suddenly everyone's kind of being like, wait, why are you stopping doing this? I think that maybe you're actually onto something and that all of your weirdness maybe amounts to something. And I think that that's I just love how many times especially in the premiere he exclaims like that's so weird don't you think that's weird this is so weird because what they do with that character is that he is often capable of seeing when other people are strange are behaving strangely or when a situation is strange or a circumstance is strange, but he can't see when he is being strange.

20:36He kind of can. And also when he will sort of like relate to someone who's being extremely weird when his phone gets like wiped and then reuploaded and all of the text from the shirt, the shirt, the shirt company. Yes. Whole other conspiracy. I know. what season two should be. When the Shirt Company techs start rolling in and he starts seeing the vast criminal conspiracy at the Shirt Company and it triggers for him, they're replacing the parts. And he recognizes that guy as being insane, but he also recognizes himself in that guy. And what can you do with recognition except follow it? And I think that's where the show really goes off the rails in the best possible way is following all of those weird instincts and recognitions and frankly like structuring the show so it is what could be a throwaway joke in any other program something like the Lou Diamond like we don't know it's Lou Diamond Phillips yet but like the hold music that he has to listen to for five hours and we have to listen to for like three scenes it honestly is quite catchy uh becoming a critical plot point like that is the kind of economy it was like as soon as he walked in that office I was like that's why Lou Diamond Phillips said that super weird thing to him about the wall.

21:53And it actually in that way does it does work well as a mystery, like as a mystery that you're following, because any one of these weird things that anyone said that woman having metal in her body could come back up. It might come back up in season two. Amanda might have put it there like it could it could be anything and I'd buy it. I think I would like totally respect the criticism that the finale kind of flew off the ramp finally in terms of absurdity. But I think that I really just buy into that absurdity. And I think that what reminds me most about season one of the rehearsal for season one of The Chair Company is how it really just made me like trust this artist in terms of like where he's leading me and how he can complete a story and also leave it open to build on.

22:54I think like with Nathan Fielder, I never could have imagined what he was going to do with season two of the rehearsal. And my hope is also actually like that. I can't imagine what Tim Robinson is going to do with season two, and that it kind of won't be the things that I don't want it to be, that it will actually be something that I just couldn't imagine. You could never dream it. And I do think that the show and the rehearsal do have that in common. I do think as a broader HBO comedy lineup, I would also put The Righteous Gemstones in that group as well, as far as a show that went to really unexpected places.

23:32And also, again, I don't want to like overprescribe a comedy in which, as you alluded to, a guy dunks his elbow repeatedly into a bowl of soup as being like pregnant with meaning. But this is a show that is kind of about some stuff. And like some of that stuff is like. Speak on it. I mean, like trying to undercover a vast criminal conspiracy to deal with your feelings of inadequacy at work for one. or like even as as Ron like puts like kind of blazes out like on the nose this idea that people are just like making garbage and as a consumer you cannot find anyone to complain to about the garbage like it is grabbing something that's like a very real human feeling in 2025 and taking it to ridiculous places but like I think there is actual commentary here it's just kind of buried in all the soup.

24:21I agree. I think I read a really, a really great like piece in the New Yorker that I, I really liked by Molly Fisher. That's called Tim Robinson finds humanity and test it in the chair company. And she sort of posited that like where she said, where Fielder's efforts at expansion went deeper, Robinson has chosen to go wider rather than plumbing the internal lives of his trademark weirdos. He imagines a world teeming with them. And I think that's absolutely true, but I also think there's depth to wideness and like what width allows you to do is to kind of place yourself within a wider world. And he really has painted this incredibly wide world.

25:03I mean, right down to like that moment. And I think the finale, when he taps his phone onto the computer and it puts the pictures in. It's so fucking funny. And I can't tell you why I could not begin And it's like, well, that's not real. It's not exactly the world that I know, but it's close. And these characters aren't exactly the people I know, but they're close. They're just stranger and widely drawn. But if I zeroed in, I'd see something. And yes, like relating to spinning. I mean, listen, has my therapist told me that I use data collection as a form of control? Yes, she has. And I do think that in this situation, Ron is attempting to use data collection to gain a sense of control in his life that he does not otherwise feel.

25:56And that's not like explained or drawn out on the page. It's just kind of evident in his wild actions. Absolutely wild.

26:37But as you laid out, not only are his actions wild, but in kind of creating this broad universe of across the board insanity. I mean, one of my favorite things about the show, Jodi, and we talked about this some is just like all of the random side characters who are popping up for sometimes one scene, sometimes one minute. And it's just like, there is an indelible thing about this person. Like you came off the top with the woman who thinks she has metal in her body. I would up you with like the guy who brought the Ziploc full of pepper patty balls to the dinner party. It's just like, you don't need to worry about him.

27:10It doesn't matter if he doesn't like the dinner because he's set. So don't worry. But who else stuck with you? Who else jumped off the screen to you? I mean, my first thought of like favorite side characters. And of course, I would also love to elaborate on favorite more like supporting characters. But in terms of like one to two appearances, I was so absolutely obsessed with that janitor in the very first episode who is obsessed with his wheelbarrow and who the indoor wheelbarrow, we should say. Well, the in the indoor wheelbarrow and allegedly he feels very protective of his wheelbarrow. And he says, are you the guy that's been saying I'm not allowed to have a wheelbarrow in the office?

27:53Why would anybody care? It never goes outside. It's an inside wheelbarrow. I could understand if it was an outside wheelbarrow. And I loved him because that is just like objectively hilarious, but also because in that, that's one of those moments where you see Ron observing his own behavior. Like that man is a mirror in the same workplace. It's kind of an upstairs, downstairs situation acting exactly as erratic, but kind of logical. Like there's a logic to his argument and the thread that he's pulling. It is erratic. And also he does take the wheelbarrow outside and he was right ultimately it was suspicious i think not to be the guy on a podcast explaining like this is why comedy works but this is kind of also what we're trying to do here aside from just chris farley showing like wasn't it funny when this happened i think a lot of the jokes we're describing and the bits that like really just stick with you from a show like this are the ones that kind of scratch our itch to like have lore and so it's like when you hear something like the indoor outdoor wheelbarrow it's like this guy has a whole history of wheelbarrow paranoia when you see the woman who's been like taking stock photos at the life of the party class and she's been told she can't get past level five because she's too dumb like i just want to know her whole story and it's like every every character who appears in this show has that effect on you and it's sometimes it like they'll just scream so much they kind of knock the memory out for five seconds so that they can move on but ultimately like that is a that's quite a magic trick to have that many kind of what i say well conceived but just insanely conceived supporting characters totally and then sometimes like when you find out their lore you're like oh no thanks um actually it was too much you know when you the the guy who runs out of the uh wait what is the class called where she can't get to level five that's the life of the party the life of the party class when the guy runs out and ultimately he is actually connected and he is like the nephew um of the assistant director and you find out that the lines on his arm they really do mean something they do represent all of the women that he's had sex with and the black one is the woman he married and that's his life structure and that's why he designed those websites like that it's like oh no thanks um you can keep that i didn't i didn't like hearing that at all um whereas maybe i'm good wanting to know that Mike doesn't want to turn out to be Ebeneezer Scrooge.

30:19You and I have been talking a lot about Scrooge lately for reasons that are beyond my comprehension. I could not believe that we were coming here today to talk about another Christmas Carol allegory. Tune in to Benjmas on the Ringer Dish feed to hear Rob and I talking about a little Hallmark film called Christmas Above the Clouds, where the main character's name is Elenizer. And yes, it is a direct take on the Christmas Carol. Also a work of brilliance. And I would say, by comparison, much more chaste than the portrayals of Ebenezer Scrooge. And also really about men being obsessed with legacy, but go on.

30:54You know, it all ties into itself. But yeah, I think you're so right that there are certain guardrails of some of these characters that are urging us to move on and kind of nudging you back towards the plot. And ultimately, I think what keeps this thing on the rails and kind of turns what could be a sketch show or just like all of these bits into something resembling a plot is they have just chosen to shoot it and score it as if it's the parallax view. But everyone is yelling all the time. And as we were talking about kind of the way that nothing is spared in this show, it kind of is like the breaking bad of comedies in a certain sense.

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31:27Like there is no crumb left on the table. Everything is kind of coming back telekinetically or not. I'm just, I remain incredibly impressed with the structural obsessions of what it is that's going on in the show and why I can't begin to wrap my head around it. Yeah, I think that's why I keep going back to that the best thing season one has done is teach me to trust it because I don't totally understand how this is a functioning ecosystem. I don't totally understand how they're making it work. And there were low points for me in the season. Like I did really find episode five very difficult when I knew that I was going to be rewatching it at two times speed.

32:12I was also thinking, oh, no, thank you so much. But I did. And I noticed some things I missed. So I was glad that I did. You're a professional. I'm a professional. I'm going to I'm going to watch it all, you know, two and a half times.

32:27I I think that like there there were some times maybe where it didn't work for me perfectly. but maybe like there are some people where like episode five is their favorite style of Tim Robinson comedy. I told you this offline, like my favorite thing to track throughout the season and like my favorite Tim Robinson comedy is all of the little ways that he lies when he is like caught in a situation. And that really, I think it's almost always at work. And I do think that points to, for me, this is not exactly a, like, workplace comedy, but it is a lot about work. And a lot of Tim Robinson's comedy is a lot about work.

33:11Like, I really loved The Detroiters. It is designed in a different way. It's much more episodic than serialized. But that is like another another show about ambition and and real talent at times. I mean, I think I like I love that we meet Ron absolutely knocking it out of the park. Like when he gets up before the inciting event, when he gets up on that stage and he gives his speech, does he repeat certain words like 17 times? Yeah, he's not a professional speech giver. And it's really rousing and it's really good. And these people at work trust him like the people at home do. And he's a really capable person who is maybe capable of greatness.

33:58But what if the greatness he's capable of doesn't bring something better to his life? What if the like regularness that he's capable of is what actually brings something to their life? Like not all people, a lot of people are probably capable of greatness, but they're not capable of managing it. and so I really Jodi that's fucking deep I gotta say and as I said it I was like where do I fall on the scale oh no something to think about no you are both great and managing it beautifully I can attest to that I mean I do have a podcast about Hallmark movies so I think you know the greatness is there so I love the workplace stuff the strangeness that it brings I love the show's commitment to basically everyone else at work being happy like yeah everyone is sometimes like he will walk into an office and everyone is just laughing it is they they're not they are exploiting the weirdness of other characters but not exactly the discontent of other characters and that literally makes for a really fun time when there are kind of these like one-dimensional weird people and this two-dimensional weird person and what that leads to is as I was saying like my favorite part my favorite thing that he does is tell these insane, unbelievable, or insanely minute lies to cover up the weird things that he's doing.

35:26Do you have a favorite one of these? Mine is more a big lingering one. And I don't even know if it's a lie so much as just something he hid but did not need to hide, which is when he finally does get this burner phone to communicate with Mike and he puts it in a water bottle for absolutely no reason. The noisiest water bottle in the world. it just I mean it creates the like just the hilarious like audio cue every time it goes off that then sets every scene it's involved in into overdrive but it's just like there are things like that that are happening for no conceivable explanation other than it aids the bit it makes everyone in the scene more on edge it forces him to like try to get in and out of conversations where as a boss like he should be listening to the fact that the people around him are having a tough day or working through this or that or maybe he abandoned them to get into a car accident.

36:13And yet he's just got to take that call because this is what drives him. It's so incredibly specific, the humor. My favorite little, I have so many, but my favorite little lie that he tells is when he is like rooting around under the car, I think to find the pipe that Mike hit him with. And someone asks him like, Ron, what are you doing? He says, I dropped a fricking Hershey's hug somewhere. He's like, do they even make Hershey's hugs anymore? And then he goes on this whole elaborate thing of like, and I'm going to need something sweet later. Like I pack spaghetti for lunch. I'm going to need something sweet later.

36:48I got to find this Hershey's hug. That is a beautiful mind that could be used in many beautiful ways. And the question is, is he using it in the right ways? When the weird HR guy who keeps hanging around the office later catches him in his new office before he's outfitted it with like Persian rugs and gorgeous, you know mid-century modern uh like record cabinets um he catches him in there with a with a full chair on his lap and a screwdriver upside down upside down on his lap and he says what are you doing and he says he says just call on my mom relaxing both of those things simultaneously just call my mom relaxing with this chair in my lap I just love him.

37:34It's truly an unhinged show for an exactly that kind of way and that they're able to replicate it and replicate it. And I agree with you, there's ways in which your mileage may vary. There's going to be things that are like a little too weird or not quite your brand of humor. But that office stuff, I think is so comfortable. I think the stuff at home is just like a nice place the show can return to as we address. And if anything, I will say that's the moment I knew this show had me is when Ron is having a heart-to-heart with his daughter, Natalie. and she grabs his phone for a second and seems to be typing into it and i honestly reacted oh no natalie is in on it with teka oh no what is wrong with my brain that this show has convinced me that a shadow chair corporation is guilty of a level of conspiracy that would infiltrate this man's family watch honestly you know tough but fair it's like there were a lot of moles in task I actually do not begrudge you thinking Natalie might be in on it.

38:35There were so many moles. But ultimately, it was just the well-meaning concern of a daughter who's seeing her dad go off the deep end, investigating something that, like, yeah, may be a little corrupt, but ultimately is not corrupt in quite the way he envisioned. But then, Rob, correct me if I'm wrong. I did get a little lost in the Natalie stuff. She's ultimately, she is worried about him, but then she gets pretty into it. in a sort of real way and doesn't want him to stop. I think she eventually comes around to the idea that he's making some good points, whether it's about pharmaceutical drug smuggling or not.

39:11But it's also like, this is one of the constant themes of this show is like, what do Ron and his kids kind of have in common? What do they share? What are they doing? And it's like, you know, it's a daddy daughter project ultimately. It's a heartwarming thing where he's just leaving his son to flounder around failing to explore his artistic dreams. With an alcohol addiction. Like isn't being fully supported in his stop motion dreams. And a middle-aged man in the basement. That's what I'm saying. If you as a father don't support your son and his stop motion animation, a surrogate father will. You know, another middle-aged man will stumble into your home and into your fridge and do that for you.

39:47Where does Tara, the maybe-to-be daughter-in-law, fall in terms of side characters? Because I would say I also had some like least favorite side characters which again are like in the grotesquerie are sort of difficult for me like steven the guy who is like a big part of like episode four and five where things really start to get unhinged she was the guy who did work at teka and was working in the nude he was kind of forgive me if i'm wrong it's it's his mom in the hoarder house that is screaming for popcorn that's right um and that was that was my red line for me yeah i didn't like that could not deal i didn't like that at all that was like a little too i did like every time though that um ron would walk into like a very disgusting house and be like oh oh it's so dirty in here except like he did it in that in that in that house but when he walked into mike's house he was clearly kind of appalled but like he can ignore it there because Mike is briefly his family and when Mike goes over to the sink and he's like ah there's barf in here and then goes in the refrigerator to it's just it's so much but yeah like didn't love I think like those characters are a little harder for me but Tara who is an unlikable character yes oh man she just cracked me up and like that's like so strange so weird um who is that actor grease writer it's just so so funny in that role of having like these really specific these really specific things that she bears down on and like that she knew she wasn't going to be able to get her leg on yellow and twist her because she knew her knee would give out and they made her do it anyway and then even like that her dad is kind of the specific brand of awful too where he keeps like testing all the stones being like this one's loose this one's loose too also loose and ron's like stop testing the stones he's dissing their dead dog repeatedly for not being well behaved like well if you didn't know him not great you you can absolutely see where tara gets it i think the line that tara had about how she's essentially eating alive pickles that are giving her incredibly vivid dreams which is like i could just run back on loop i think and she's so important because she is a character who even all of our other insane characters are sort of rolling their eyes at and they're all saying god tara's the worst isn't she because of all of these things and they are right and that endears us to these insane-os so much and yet what do we know about tara that she seems incredibly content and happy with her job yes as a food photographer for wendy's i believe very rom-com ass job if i have ever heard one i would love to see more food photographers in movies i think too many podcasters in movies right now too many influencers let's get some food photographers in the mix please well and like when I was younger like when I was a teenager we were all like I want to be like the person who names OPI nail polish because they all have these like very punny names and that's also one where you're like I want to be the person who like photographs you know fast food food like what a what a strange job to have and I'm sure little Rob Mahoney was like I want to be a podcaster I bet you knew about it even back then i was ahead of the game i was just talking into a you know a hairbrush in my bathroom just being like here are my nba takes let me tell you about wilson chandler i love imagining it um but yeah like we know that she is weird but she is passionate and what we also know is that that old man in the basement who becomes friends with seth is her friend who is teaching seth his new passion stop motion animation yes there's like this very like light undercurrent of, and I mean, this is another thing that I talk about as someone, you know, like who, and I assume you're the same.

43:41I work in my passion. Like I love writing. That's something I would do anyways. And I happen to have turned it into a job and not everyone can do that or should do that. And it's not exactly like necessarily great to do. It also means that I don't have an outside passion. It's all right here, baby. And there is some part of this show that is about that. Can you balance living in a capitalist society with having a passion? Can you combine them? Can you balance them? What can you do to be happy? What I'm hearing is, is a man allowed to have a hobby? He's just trying to blow off some steam after work breaking into various factories and offices like is that so wrong and a man is allowed to have a hobby and that hobby is reddit and i think that he could find a real true crime community on there if he just stopped trying to do this all by himself he really could honestly if he just translated there's one scene where ron rather than screaming repeatedly is just typing fuck fuck fuck fuck into his computer if he just did that on reddit instead i suspect he would get some very well-meaning dms being like dude are you okay you know yeah and like i don't want to direct him to read it.

44:55I think there's a lot of darkness he could find there, but maybe he could find a community that's like, yeah, but let's knock this out. And they get to the bottom of it. And either there is something there or there isn't, but he doesn't have to feel so isolated and he doesn't have to get wrapped up with Mike who I'm still holding out. Hope could be okay. Except for that whole try to kiss his heart daughter thing. Yeah. What is it that makes you think he could be okay? I just it was really sweet how he gave Seth the Kong and how he wanted to. Oh, man. But so many of the things I thought were endearing are really recolored by that reveal because there's a moment where we see Ron observing a save the date that's still on his refrigerator.

45:40And what I now know is that was the save the date for. And it was kind of like, oh, this man's been invited to like one wedding. And it really means something to him. His desire for relating to other humans, his desire for companionship is very endearing and is very compelling. It seems that he is not capable of going about getting those things or showing interest in those things in a healthy way. I don't feel great admitting this, but I started to find it very endearing the way he was always so enraptured by women's beauty. there were like several different moments where like when he saw all the headshots yeah where he was like oh she's gorgeous she couldn't be a part of this she's gorgeous and then when they start seeing all the like photos in the games he's like ron you gotta look at these girls they're gorgeous and i just i thought that like his blanket like finding of beauty was kind of lovely and now i feel differently about that i mean is he still an ally question mark you know i don't know we'll Do you think he ever watched a version of The Christmas Carol that wasn't the porn?

46:48I really hope so. I really hope that's not where he's getting his Dickensian information about the story structure there. I don't know. Maybe there's more going on in the porn parody than we've been led to believe. Well, you know, he mostly just listens. But that one he watched. He mostly does just listen. But yes, I think ultimately that juggle and balancing act of like Mike is the guy who chases Ron down in a parking lot and beats him in the head with a pipe. And then we come to really feel for that guy and bond with that character. And then you are forced to reconsider everything he's ever said and every detail and every story.

47:22He had that story about how his ex-wife had been like feeding him sexual stamina pills that made him smell like a duck. And I'm like. And then she'd get mad at him for smelling like a duck. And he'd say, it's the pills. It was the pills. Was any of that true? Was anything Mike ever told us ever true? I just feel so betrayed. I think it's his version of true. Rob, I also think that like legally doing this chair company podcast, if we don't talk about in terms of our favorite random side characters. Yes. The man at the shirt store who keeps saying it because it made me think of it chasing down. I mean, I can't believe like that happened in the first episode, chasing him down with the pole.

48:05So then Ron gets his shirt because any good con man knows if a guy's coming for you and you're wearing a short sleeve button down, you unbutton that shirt. he's going to grab a shirt he can't get you. When he puts the pictures into his phone with the tap, backtracks the pictures, finds out where that shirt was bought, arrives at the shirt store. I have never seen a more immediately compelling performance than that man at the shirt store who's like, oh yeah, he's at his limit. I know a guy who's at his limit. I was like, Like, where did they find this alien? Like, if I just looked at those lines on a page, they would be so normal.

48:50And the absolute strangeness. I was the week that episode came out. I was quoting that all weekend long. Oh, yeah. He's at his limit. Look at these buttons. You see these buttons and he puts it over the ball was dead. I don't know how they turn these people up for all of these shows, for everything Tim Robinson does. And this is sort of the parallel, right? If the friendship version of the dynamic is like Paul Rudd is the normal guy, and then Tim Robinson is coming in as just like something very of a different universe. if you make Tim Robinson the normal guy anyone by comparison has to be just completely off the deep end bizarre in their delivery and their acting in their makeup styling like the guy who turned out to be Amanda's boyfriend who was demasked at the end I don't know what they did with his makeup but it was truly terrifying and that's one of those things where it's like we have done this physical beat and it will not be explained no maybe no explanation he was gonna take off a second mask.

49:49Um, but he's just Amanda's boyfriend and he seems to have gone to Dr. Miami and had a few tweaks. He had that Canton, Ohio, Dr. Miami experience, Dr. Ohio, Dr. Canton. Um, yes. I mean, his assistant who is just so like, and so delightful and so pleasant and he just hates her um glow tabarez like just so funny um and when she says like i went to a new church this morning and i want you to come with me every like the the lines get colored in so quickly it is a really it's an efficient use of time and energy and again the mind goes back to like how do you do a long distance run with a series of sprints.

50:42I don't know. And I'm like, do I want completely new strange side characters? I don't know if the lady with metal in her body. I don't know if I need to find out more about. I do need more Douglas. I'll tell you that much. I mean, he just wants to have a good time. He just wants to have the mistakes party. He wants to dress like a chicken sometimes. He seems to be supportive of mostly everyone around him. he wants you to know that even though he wasn't able to choose the food he got out of the freezer when he was trapped under the refrigerator which is clearly sort of a stressor point like the way that douglas um victimizes himself i find so fascinating like he actually is a victim from having been trapped under a refrigerator but the thing he finds most offensive is that he couldn't choose his food but but he does you're telling me that wouldn't be horrible that would be awful if you didn't get to choose your food out of the freezer.

51:36I think it would be awful to be trapped under the refrigerator, but I don't know. And then he becomes so obsessed with like ADA compliance, which, you know, well, he should be, but his, that was a, that was like a perfect example of using a perfect strange character, like just the right amount. Oh yeah. And in, in that kind of modulation, I do understand how you can fill out the office with enough of these performers who just give it a very distinct look and feel. I think Joseph Tudisco, who plays Mike, I mean, it's basically like a two-hander of a season, ultimately. It's a buddy cop dynamic that they've created and I say stumbled into, but the show is so deliberate.

52:15That performance to me is on another level that you can get that much screen time and usage and laughs and terror out of an actor that people have probably never seen before outside of like being a random bus driver or delivery man on blue bloods yeah totally yeah i saw someone know this on twitter like i it's not my original observation but when you look at his imdb page it is like cleaner delivery man bus driver taxi driver and those are all i'm sure i bet you anything that he brought a lot of color to those small roles too because he jumps off the screen but like to get to watch him in this extended format in this and i wonder what his you know what character background work he did if he all if he believes this man to ultimately be like capable of of goodness or if he does see him as a madman i am so curious to see what season two looks like and feels like as you said like the the legs on this thing are so hard to anticipate what are like appetite for exactly this kind of comedy and exactly the sort of cadence is going to be i do feel like the formula though is sort of infinitely repeatable you go to canton you go to delaware city like there's always a new place you could just pop up in and find more of these people and these characters but in that case like is the main is is ron the same or do you well he seems like changed forever by his experience in the first season how could he be the same is tim robinson ron in the second season or is this like, you know, an anthology series, or do we take Ron to his limit?

53:55Like, he's already there. The buttons are busting. And now is next season about Amanda's telekinesis. I believe that that really could be pulled off. But I also, I'm just like, I'm not sure what I want. I think I want to go into season two with a yellow bracelet, like open to making mistakes, but maybe not looking to make mistakes. I think that's the right mentality. And if you watch the season and enjoyed it, email us at prestigetv at spotify.com. If you do have like a specific idea of what you want from this show, I like I find the mystery of it and just like being like blindsided by a lead pipe every episode to be the joy of watching it.

54:41But I'm curious if people have a different experience, Jody. Maybe maybe there is a viewer of The Chair Company. And it's like, I need to see Tim Robinson do X. Yeah. And I'm curious if there are people who love, I think you should leave who this didn't work for, like who didn't, who didn't enjoy the serialized format. And in that case, what it was, because it really did work so well. And I like, I really cherish having both things, you know, like getting, getting to do, getting to see what Tim Robinson does with some time on his hands and the ability to like, you know, forge a family structure.

55:23And, um, you know, I just, I really, yeah, like that's, I'm realizing now that it's a pun, but that is the word that came to mind is I really cherished this season. Look at that. I think we just wrote the headline of this, this episode. Thank you so much, Jodi, for that. Once again, I love it and I hate it. This is who we are at this point. Is there anything else about this season of this finale you want to shout out you want to recall your favorite bits that we didn't get to recount in glorious details or anything else that comes to mind for you I think um the look in Joseph Tedesco's eyes when he grabs the steering wheel to pull a little prank on Ron is like one of the funniest things I've seen on television this year um just like that You also have to imagine it's a light nod to the steering wheel flying off from I Think You Should Leave.

56:17Yes. What if the steering wheel just flies off? I'm trying to think if there are any other side. That also feels a light nod to the show itself. Like the show feels like literally anyone could grab the steering wheel at any time. And they like it. And it's a joke. And it's like it's a prank. It's a joke. It's not insidious, or is it? Or is this guy a monster? I think it's all a little insidious at the end of the day, unless it is wholesome family time or just office mates looking out for each other. Everything out there in the world is scary. You just don't know when a guy is going to stumble into your garage and just slowly knock over a cardboard box because he has the power to do it.

56:58The small man showing back up. LT, I think, later to ask Ron for a job. job at where at the professor's office where he works just so good the woman at the um I'm just naming people now but the woman at like the county clerk's office or whatever where he I love all those misdirects where he thinks like oh Douglas isn't there because he got him in trouble but actually he was trapped under a refrigerator eating foods that he only kind of wanted um when he thinks that he got that clerk in trouble because he was asking for this particular deed but actually her boss was telling her that she needed to go home and take a shower because, um, she smells bad.

57:40And then it becomes like increasingly pressing that she, that she leaves to take a shower. I really felt for her. I did too. Again, instant empathy for that character. And she appreciated having Ron in that moment who like was a place of sympathy. And he says like, your, your boss really shouldn't talk to you that way when he has been out there just leading his employees into car wrecks. and then abandoning them and then gaslighting them about it. And I just, that is the stressor of the show is that like he really, he is, Rob, he is capable of greatness. He was a really good boss. Which part of that is greatness, do you think?

58:19Not that part. The part before where Jamie loved him, like he was a good boss. He was a really good dad. And he can still be those things, but the greatness that he is seeking is not the greatness that he is capable of. I think this is the problem with the greatness in all of us. You know, that same ambition that is reaching for the shovel to build the mall that will define our legacy is the same hand that reaches for the last half of the deviled egg when we know that it's not good for us. And yet, like, what are we to do but reach for it? So I wonder if you had any moment in this season of insane television where you recognized yourself in it.

58:59I don't think there is a lightness in you that I don't think that you could have. But the way that he got about the about that being taken from him and then taking it home. I saw myself in that moment. Jody doesn't waste food and it's I'll eat it. I will eat it. I'll eat it if it's just a defiant practice. And it will ideally not make me sick in an abandoned warehouse with a big ball in it. But I like and also I also loved I mean, that's the opening scene of the show. Right. Is where is Lake Bell attempting to give that toast and the and the waitresses hovering around and it starts distracting him so much that he just can't take it.

59:42And he interrupts the toast to say, like, do you need something? And then she does, which is like to express admiration for his son. But it completely derails the dinner in the way that, you know, this cheerbreaking completely derails his life. And it also, I don't know if it's a nod to this, but I appreciated the light insight into Tim Robinson, who a clip that sort of like goes viral on TikTok pretty often is him on the Seth Meyers show talking about a time that they were at dinner and a waiter told a joke that he didn't find funny. And it was like lightly at his expense about being a vegetarian and the whole table of like Seth Meyers and like comedy writers laughed a lot.

1:00:22and Seth Meyers is like and you didn't think that joke was funny and he was like it wasn't money I don't know why you laughed like it it wasn't a great it wasn't an impressive joke and thinking about the push and pull that someone like that might have with someone who is briefly allowed to enter their life in an intimate way yes uh I just thought was a great way to kick off the show it is it's a masterful first episode and I like I think for what this show is they didn't land the plane in the finale because they basically, if not crashed it, like flew it into the Bermuda Triangle or something like it's going into a totally different place.

1:00:58They did a Yellow Jackets like it's just it's crash landed and there are survivors and we'll see who eats who next. That's exactly what I want to see. And I'm thrilled to be along for that particular ride. I'm thrilled to do this pod with you, Jodi. Thank you so much for doing this. Where can people find you other than teaching the life of the party class? Oh, well, and actually, I will go ahead and tell you up front that it's kind of a scam. and you'll never get to level six because you're too dumb. But other than teaching life of the party class, you can find me co-hosting We're Obsessed with Nora Princiati on the Ringer Dish feed.

1:01:31And right now you can find my very special holiday podcast breaking down, honestly, like a similar level of insanity of the, you know, 100 plus original holiday movies that come out every holiday season on a little podcast called Binge Miss. also on the Ringer Dish feed where you can find Rob, you can find Joanna, you can find so many other amazing Ringer friends and it's just so fun. Would you say any of those Christmas movies of this year's lot have approached the level of darkness of the chair company? Is there a sinister underbelly to any of them? Oh, we did. I feel like Kate Hallowell and I talked about Merry Little Xmas on Netflix and that is really like about the dissolution of heterosexual monogamy and marriage in our current society, ultimately.

1:02:28And so that's pretty dark. Next week coming up on Binge Miss is Time Travel Week. Both films about time travel. And I think if you'd like to see Charles Holmes spin into a level of darkness, that would probably be where. Honestly, one of my great hobbies is watching Charles slowly devolve in Tim Robinsonian fashion. So I look forward to that. I'm going to be back here on this feed with Joanna a few times this week. We have our usual pluribus coverage coming up later. We're going to be around to talk about a few of the greatest TV episodes of the century as part of our coverage here at TheRinger.com of the great TV episodes since the year 2000.

1:03:07So stick around. We'll be right back.

1:03:17you

From the publisher

Rob and Jodi are still on hold with Red Ball Market Global, but took the time to look back at Season 1 of HBO’s ‘The Chair Company.'

(0:00) Intro

(1:49:00) Love/hate relationship with the show

(5:52) What happened in the finale?

(11:22) Tim Robinson’s comedy cadence

(26:08) Favorite side characters

(32:32) Comedy of the workplace

(39:17) Least favorite side characters

(44:58) The Mike reveal

(47:14) So many great characters

Email us! prestigetv@spotify.com or lickingthedonut@gmail.com

Subscribe to the Ringer TV YouTube channel here for full episodes of The Prestige TV Podcast and so much more!

Hosts: Rob Mahoney and Jodi Walker

Producer: Donnie Beacham Jr.

Additional Production Support: Justin Sayles
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