The Weeknd’s big streaming milestone; ABBA Gold’s long chart run; Ready for friends to slide into your Spotify DMs?; Apple Music Radio expands; and Radiohead’s ‘Let Down’ gets a TikTok boost.Th

3 Sep 2025 · 35 min · 10 chapters

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In short

Music-industry weekly roundup covering ABBA Gold’s record chart longevity, The Weeknd’s Spotify milestone and reported financing plans, Spotify’s return of in-app messaging, Apple Music Radio’s expansion via TuneIn, Radiohead’s “Let Down” TikTok-driven streaming/chart surge, plus Bandcamp’s new “Clubs” subscription feature and a debate about The Smiths’ “The Queen Is Dead” track order.

Guest backgrounds

No guests. Hosted by Steve Lamaque and Stuart Dredge.

Key claims

ABBA Gold has spent 1,216 weeks in the album chart (~23 years). The Weeknd’s “Blinding Lights” hit 5B Spotify streams; Bloomberg reports he’s seeking ~$1B using rights as collateral. Spotify messaging is limited (phone-only, certain countries, 16+). TuneIn will carry Apple Music Radio stations for free. “Let Down” has been used in 464k+ TikToks in a month, driving Spotify playlist growth. Bandcamp “Clubs” cost $13/month with curator-led listening parties and owned monthly records.

Notable examples

Queen greatest hits, Oasis (Time Flies), Fleetwood Mac rumors, Eminem “Curtain Call,” Arctic Monkeys “Whatever People Say I Am,” Spotify playlists “Big on the Internet” and “Sad Indie,” and the “Queen Is Dead” running-order critique (e.g., “Let Down” closing track).

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

ABBA Gold's Chart Milestone

0:45 to 3:56

Discussion on ABBA Gold's impressive chart presence over 1,216 weeks.

“and I can't believe I'm saying this out loud, but something about Apple Radio as well.”

The Weeknd's Streaming Success

3:56 to 9:30

Exploring The Weeknd's achievements with Blinding Lights and financial speculations.

“There's a waiting, I think, if they're older or been around for a while.”

Spotify's Messaging Feature Return

9:30 to 14:00

Discussion about Spotify reintroducing its messaging feature and its implications.

“Because Spotify, talking of Spotify, Spotify thinks you do, because it's reintroducing a messaging feature.”

Apple Music Radio's New Partnership

14:00 to 18:00

Learn about Apple Music's radio expansion and new partnership with TuneIn.

“Yeah, this is why I almost want to pick your brains about Apple Music Radio because I suspect you've got much more of the gossip than I have.”

Radiohead's 'Let Down' Goes Viral

18:00 to 19:50

Discover how Radiohead's song 'Let Down' experienced a resurgence on TikTok.

“So they've always had artists interviews.”

Bandcamp's New Subscription Feature

19:50 to 27:40

Explore Bandcamp's new feature allowing fans to subscribe to curated music clubs.

“Do you know, the thing that really shocked me is this came to my attention when Letdown went into Billboard's Hot 100 chart in the US, so the singles chart there.”

Discussion on Badly Sequenced Albums

27:40 to 28:00

Engage in a debate about the running order of classic albums, focusing on The Smiths.

“I think, which again, I teased this in our last episode, this adding to our thread about badly track-listed albums.”

Analyzing The Queen Is Dead's Track Order

28:00 to 29:50

Explore the controversial track order of The Smiths' album and its implications.

“I don't know how contentious this might be.”

Innovative Rocket Fuel Tank Speakers

29:50 to 33:00

Discover a unique speaker concept made from rocket fuel tanks and their potential market.

Show Closing and Listener Engagement

33:00 to 35:16

Wrap-up of the episode with listener interaction and upcoming Patreon benefits.

“If you are enjoying what we're trying to do here, please do spread the word, tell your friends or leave us a review online if you get a chance.”
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Transcript

Automatic transcript. May contain errors.

0:07Steve:Hello and welcome to the Price of Music brought to you by Music Ally, the show that's fascinated by all the fun and games and finances of the music world. As explained each week by me, Steve Lamaque, and him, Stuart Dredge. If you want an easy guide to what's going on in the music biz and how it all works with one or two revealing stats along the way, then here we are every week, back this week after a late summer holiday week off, but with, amongst other things, the relentless streaming success of the weekend and their future world domination plans, a surprise hit for Radiohead, new user features on both Spotify and Bandcamp, and I can't believe I'm saying this out loud, but something about Apple Radio as well.

0:51Steve:But first, this week's big figure, now we're reversing the usual roles for this for a week. I've got a big number for you, Stuart, which is 1 ,216.

1:06Stuart:Yeah, I mean, given some of the shade that's come in my direction for small, big numbers in the past. But OK, this must be an impressive one. What is 1 ,216?

1:15Steve:1 ,216 is the number of weeks that ABBA Gold, the best of ABBA, has been in the album chart. Or if you want that figure in a more stark and manageable way, that's 23 years ABBA Gold has been on the chart. Obviously not continuously for 23 years because it came out in September 1992, I think. so unbelievably there was a time when abagold wasn't in the top 100 but in total it spent 23 years in the album chart as abagold and if you want to dig a little further into this uh i went down i went through the top 100 which they publish every week uh 11 of the albums in the top 30 have been in the chart for more than 200 weeks i see 11 of the top third of the top 30 has been there, well, in the chart at least for 200 weeks.

2:17Steve:38 of the top 100 albums this week have been in the chart for four years or more, and 10 of them, so 10 % of the top 100 this week, 10 of those albums have been in the chart for more than 500 weeks. Do you want to speculate as to what they may be? There's a lot of hits albums, I can tell you that.

2:39Stuart:okay is it like uh pink floyd queen uh queen you're right queen greatest hits you're right um who else has had greatest hits um i mean there's one or two others which you know inevitably have hung around and one but what's the oasis yes yes quite quite right so the 10

3:03Steve:are time flies from oasis then what's the story uh and definitely maybe so there's three oasis albums rumors by fleetwood mac of course uh abba gold eminem's curtain call queen's greatest hits bob marley's legend and the arctic monkeys whatever people say i am and the arctic monkeys am album both of those have been in the chart for more than 500 weeks and i don't know what the you know what this says or what we conclude that these stats signify about the era we live in and maybe I guess how much you know the impact of streaming familiar songs in recent times has to do with all this but there you go make of that what you will I mean while there is while there's a Mamma Mia stage show and the virtual ABBA experience I can't their run will never end will it they'll be there forever I was thinking maybe we should get in contact with our friend Martin Tolbert of the official charts company and and suggest that once an album gets to a thousand weeks just stop counting i mean just just just take them out of the top 100 because you don't need them we'll just take it as read that abogold is one of the top 100 selling albums of the week and then let someone else have

4:20Stuart:a go because they do penalize singles they're not penalized but they wait singles don't they so if you're mariah carey a christmas it's actually a bit harder for you to get to number one than it is for a brand new song. I didn't know that.

4:31Steve:Really?

4:31Stuart:There's a waiting, I think, if they're older or been around for a while. But yeah, but it's weird, isn't it? Because I suppose Abba Gold, what, 20 years ago, Abba Gold would be in the chart because it was selling loads of copies every single week, wouldn't it? But now it's plays. And like you say, people aren't going to suddenly, unless Bjorn from Abba does something terrible to get them cancelled, no one's going to just stop listening to Abba suddenly.

4:55Steve:No. So I can't. Yeah, I'm just going to be there forever until we do something about it. Anyway, our top three stories for this week. Let's start with this one about the weekend. So the weekend's blinding lights has become the first track, talking of streaming, the first track to reach five billion streams on Spotify. And in the same week that that happens, So reportedly now, the weekend, are they trying to raise like a billion pounds of financing off the back, using obviously the catalogue as collateral to do what with? That's the bit of the story I haven't got to.

5:37Stuart:No, well, that's the kind of fascinating bit that I'm going to basically randomly speculate about because no one knows. Right. Yeah, I mean, so this follows on quite nicely from ABBA because Blinding Lights is, I guess, one of the single examples from the recent age that's equivalent of what ABBA did for the last 30 years. So Blinding Lights came out in November 2019, I think, so nearly six years old. And it's got to five billion streams. and to give you a context of the long lasting nature in 2020 so the year after it came out it was the biggest single track in the world on the IFPI's chart and then in 2021 the next year it was the seventh biggest track in the world and in 2022 so two years after it came out it was the 14th biggest track in the world so it basically hung around for ages and it's carried on and yeah and it's like some distance ahead so on Spotify the biggest track is this some weather weekend blind lights um ed sheeran's shape of view is second with just over four and a half billion right and then third is the weekend's again with star boy which is over four billion so this one bloke has two of the three biggest songs on spotify with nine billion streams collect me it's kind of kind of insane when you think about it yeah i mean things i mean that's you could sit at home and

6:53Steve:just i mean every second the royalties are just ticking over rather that's it he doesn't have to

6:59Stuart:making new music he could just sit on his floor when he's not he's got new music coming out so almost crazy because i would be at home watching kind of match of the day reruns from 1990s you know while watching the money flowing but yeah but so this thing this is going to be making him

7:12Steve:a lot of money like this is passive income yeah but as you said there was this report the same week saying he's trying to raise a billion dollars um and and do we know what for then

7:22Stuart:we don't what so what this is from bloomberg so a fairly good source and it said he's using his share of his recording and publishing rights because he owns a part share of them um as collateral so it's one of those where he puts up that and then they'll give him a million a billion dollars and then they'll make money back from the royalties from his future there's a company called lyric capital group who are one of these financial investment firms that are interested in lyrics but yeah i mean there was nothing nothing on that he's not announced it so he hasn't talked about why he's doing it before but i mean he's he's kind of this interesting guy so obviously his real name's abel he's talked about he's retiring the weekend persona after this current album so he's obviously having a moment in his career where he's thinking i'm going to do something else um like he's not retiring from music but he's retiring that whole era that whole persona and he's already like he co-founded a label back in 2011 he's done like partnerships in e-sports and tech he's launched like he launched an entrepreneurship scheme in canada a few years ago for your sort of young entrepreneurs.

8:20Stuart:He's done philanthropy. He's made a TV show. I don't know if you saw this, The Idol last year.

8:24Steve:No, I didn't.

8:25Stuart:I think it's fair to say he kind of starred in it and it had mixed critical response, it's fair to say. I'm being very polite there. He's got a new film out that's equally. So he's kind of got his finger in a lot of pies already. And a lot of those pies could be baked up quite bigger with a billion dollars.

8:43Steve:Well, yeah, I mean, a billion dollars, what's he going to do? Run for president.

8:48Stuart:oh god i mean that'd be can he he's canadian though isn't he can't run for president president yeah um but i mean if you think about like imagine if you were starting up a new record label how much money you might have to do it and now imagine the weekend if you fancy doing you fancy doing like a creating a brand new label and signing people and going he could do lots with that money but i don't know he might he might just use it to kind of buy loads of property or he might use it to, I don't know, he might make the most amazing folly of an album. You know, people make those albums where they spend loads of money, you know, like 400 grand on a timpani solo.

9:23Stuart:It isn't quite right. He might do that, and that would be wonderful to go and watch. But, yeah, he hasn't said.

9:28Steve:We'll see. Do you want another inbox to check? Because Spotify, talking of Spotify, Spotify thinks you do, because it's reintroducing a messaging feature. I don't think, I mean, obviously, I've never really engaged in Spotify on any level apart from, you know, selecting a song and pressing play. So what was the messaging feature? Why did it disappear? Why is it coming back?

9:56Stuart:Yeah, well, this goes back to the early days of Spotify when it had this inbox and you could message people and you could send tracks to people. And, you know, it was kind of like a little, you know, a sort of a social element. And they got rid of it in 2017. And I remember the announcement, I looked it up recently when I was writing this story. And they basically said, this feature has very low engagement. Like, no one's using it. It's a lot of manpower to run it. So we're getting rid of it. And then here we are in what's this sort of eight years later. They're like, we've got a messaging again.

10:26Stuart:And it's a big, but it's only on phones. It's only in certain countries. And you have to be older than 16 to do it. And they've obviously been thinking a lot about what's the worst thing that could happen here where people could start messaging kids, which is something that's happening on other platforms. So they've been very careful, very limited. But the idea is the pitch, and you can, I'll judge your face on whether this pitch is good. It's a way to share songs, podcasts, and audio books with your friends and family. And so when you log in, it will show you people you've already connected with on Spotify.

10:57Stuart:So for example, if you're on a family plan, it will show you other family members. If you've created a playlist with someone else. And I don't know about you, I mean, like the cynic in me says, if I want to share music with people, i will ping them on whatsapp or i'll put it on a social network or i'll tell them i mean god forbid i'll talk to them i don't know if i need another way i don't know if i need i don't know if having it within spotify i'm not sure how that helps me because actually if you use spotify there's a little button under every song and album an artist to share it via whatsapp instagram all those things yeah so i don't know but how about you i mean i mean i mean you could fall out with people so

11:34Steve:very easily couldn't you because um doesn't it so if it shows does it show you what you know friends or contacts have been listening to no so they have it's very much them saying i want to

11:46Stuart:share this song with you here it is it's right okay because they used to have that too you supposed to see what everyone was listening to and then they got that's that's incredibly

11:53Steve:dangerous though isn't it you're listening to what i'm under i'm unfriending you you're the reason abba gold is still in the album chart are you okay yeah it's explicit so it's like i mean so

12:07Stuart:for people i mean i don't know maybe people do it but i feel like if you are someone who loves telling your friends to listen to this track you probably have ways to do it already and i'm not

12:17Steve:sure this offers enough to make you change does this do anything for artists would artists be able to essentially set themselves up as a friend of yours and send you music is this another way of distributing a new artist's music, for instance.

12:34Stuart:Well, this is a thing, I think, because if this catches on and there is an inbox as part of Spotify and people are using it and people are used to checking their inbox in Spotify, it could be really powerful for music marketing. It could be a place where artists say, I've got a new release out, I've got some tickets going on sale, I've got whatever's happening, and they could ping you. And I think that hasn't been talked about. I don't think that's part of the launch. And I wonder if one reason for that is you have to do this really carefully to avoid it becoming spammy or overwhelming. Like I don't want an artist I listened to once six years ago to be messaging me every day about their new single.

13:08Stuart:So there has to be some kind of checks and balances in who can use it and how. But I remember I went to this talk, it was last year, I think, by Instagram. And Instagram has this thing called broadcast channels where you can say, I like this person on Instagram. I'm signing up to their broadcast channel. And then they can send you messages saying, hi, I've got this new thing. and the guy at Instagram was saying this is a really powerful feature this is how you reach your super fans without any algorithm filtering you out if they've signed up to you they'll get your message it's like building a mailing list inside that yeah I mean Spotify could do that here it could make this inbox a place where you're the artist you genuinely love could ping you without running the kind of the gamut of the algorithm saying well I'm not going to show it to these people but that's all entirely me speculating because they haven't talked about that it's very much about people sharing songs and podcasts and stuff with each other at the moment but and the other thing is would you charge artists to use that feature because spotify does have a bunch of tools that it charges artists and labels to use and i suspect if they were going to let anyone any artist ping listeners there might be a case for them saying well you

14:16Steve:have to pay us to do that so we'll see okay uh our third story this week apple music's six radio radio stations may now possibly be reaching a few more listeners thanks to a new partnership which they signed last week.

14:34Stuart:Yeah, this is why I almost want to pick your brains about Apple Music Radio because I suspect you've got much more of the gossip than I have. But I mean, should I give the background for people who haven't listened to it?

14:44Steve:Yeah, I think so. Yeah, yeah, definitely.

14:46Stuart:I mean, it goes back a decade, doesn't it? To the early days of Apple Music, it launched with a live radio station as part of it this is one of the surprises was it was a streaming service but it had live radio and and over that sort of 10 years it's added five more so it's like there's now apple music hits there's a country one a latin american dance and chill out so it has these six stations and they're all live round the clock radio with djs and interviews and stuff and they've never really put out any figures like i went digging there was a press release about three years ago saying they had tens of millions of listeners across the whole network and that's

15:19Steve:the only figure that's came out ever since this is what has always amused people in the radio industry i think particularly when it's particularly when uh beats launched and everyone said well this is the death for radio because you know apple have so much power within the music industry that they'll get all the exclusive first plays and people will flock to it for ease of use and And for a while, for the first six months, maybe, sure enough, you know, record labels were putting, were sending a lot of their big artists and their, you know, exclusive first plays and using that all went to Apple for a while.

15:57Steve:And then I think they started to realize that maybe not as many people as expected were listening to it. and since then yeah we've never it's not like they have to um file any figures for they don't come out with the ray jars which is when you know every quarter there um there are stats for how many listeners are listening to radio stations normal you know old school radio stations doesn't apply to apple so we've never really known really and i'd sort of i mean apart from that um speculative bigger um or the figure which they've uh they want you to believe i would have thought they'd have made more of the fact that they had a lot of listeners publicly um if they actually had a lot of listeners but i'm you know that might be the cynic in me well apple keep things closed they

16:44Stuart:haven't announced a figure for apple music for a long time so but yes i think the thing i suppose the thing about it is it's always been part of apple music and so if you didn't pay for apple music you probably weren't listening to it aware of it really it's been part of that and so what's happened this week is this app called tune in i don't know if you've ever used it or seen it no it's like a it's a radio aggregator basically it collects radio streams from around the world and puts in one place so i can go on there and i can listen to uk radio stations but i can also listen to i don't know some of the big american independent college stations or i can find something from australia or you can basically go around the world and find radio broadcasting live right and it's got like 75 million users so it's kind of quite big yeah and now it will have those apple music radio stations sitting alongside those traditional radio stations so right it's kind of the first time you've had apple apple's radio sitting side by side with the kind of the

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17:34Steve:traditional yeah and do you have to pay for tune in i think you can pay to get extra features but it's also there's a it's free right so so in so in a way after so this is the change is that uh Rather than having to be a subscriber or essentially having to pay then to listen to the radio stations, you can get these radio stations for free.

17:55Stuart:Yeah. So it should boost their footprint. I mean, it's weird because, you know, I've noticed something recently that Apple, they're putting a bit more, I guess, promotional welly behind the radio station. So they've always had artists interviews. They've always had people coming in. And now they do a good job of putting the key quotes out to journalists. So often when I see a story now saying Cardi B said this about her new album, it's come from an Apple Music Radio interview. And they're sort of trying to make it like, right, this is a place where artists are talking and things happen. But it's, I think it's weird because like, in a way, I think as Brits, we maybe kind of have a different view of it because I think we're used to the stations we have on the BBC in the UK where there's no ads and there's a lot of music specific shows.

18:37Stuart:Whereas people around the world who only have commercial radio, look at this and go, wow, there's no ads. And I remember when they were like, we've got artists doing shows. And I remember thinking, but we do have that on Six Music. like you know many of your colleagues are actually musicians but so i think globally maybe it feels more different to what's locally available than maybe in the uk here but yeah but the other thing i was thinking was it's quite a fun contrast because apple's got live radio and it's making a bigger deal of it and it's kind of still supporting it and you know spotify has its ai dj where you can put that on and have the ai dj talk to you yeah so like and i'm oversimplifying it because spotify has a lot of humans doing cool stuff and apple has a lot of clever algorithms too but it is these almost these two visions of how radio fits into streaming in the future so apple is like we're going to build amazing studios hire loads of djs and artists and do live radio and spotify saying we we can use ai alongside this to kind of make uh so i'm kind of fascinated by like i don't know i suppose if radio's got a place within streaming there were these two quite different attitudes of what it might be from the two of the biggest companies so yeah it's interesting uh that's the three stories for this week the three which we

19:46Steve:picked out as being possibly the most interesting having said that though um any other business uh because that actually there was one which we nearly did as one of our three big stories which is um which is interesting because it's it's a it's a massive band who are having a big single which was never really a big single and of course where do we trace this back to tiktok but let down from Radiohead's OK Computer album is having something of, how would you describe it? A streaming moment.

20:19Stuart:It is. A chart moment. Do you know, the thing that really shocked me is this came to my attention when Letdown went into Billboard's Hot 100 chart in the US, so the singles chart there. And it's only Radiohead's fourth ever song to reach the top 100 singles chart in the US.

20:35Steve:Really? Is that right? Wow. Yeah.

20:37Stuart:Like, I suppose in a way they were an album span, over there and and singles weren't quite as big as they were here like yeah but yeah so so let down when was okay computer was it 20 1996 no you know i can't do years release dates out of out of the

20:59Steve:sky me that's that's what i do you know it was it was the 90s i mean that's that's enough that's that's all you need to know that you weren't there yeah yeah yeah um when i wrote about it i i

21:09Stuart:miscalculated how long it had been out by 10 years because i just my brain refused to believe it was that but yeah so what happened basically so it was never a single it was never one of the big songs it's a lovely song but it was never one of the big kind of you know songs but someone on tiktok as far as i can make out someone on tiktok posted a clip of it and almost issued a challenge saying make the saddest edit that ever exists with it because it's quite good for soundtracking sad videos and people have been doing that like i dug some stats out from a company called chartmetric who kind of analyze everything, TikTok, Spotify.

21:40Stuart:Apparently, Letdown's been used in more than 464 ,000 TikTok posts in the last month alone. And they've been seen nearly 256 million times. So that gives you a sense of the scale once something blows up on TikTok. There's this culture, I think, of when something's going viral, everyone jumps on that band and goes, well, I've got to use this song in one of my videos now. And that's what's been happening. So everyone's been rushing. And then what happens, and this is like a, happens over and over again with different songs um that crosses over to streaming so now on spotify there's this whole subculture of spotify playlists i hadn't heard of before so there's one called big on the internet which i guess is just what's going viral now here's a playlist there's like 4.2 million people following this playlist and obviously let down is quite high up it there's a playlist called sad indie on spotify that has two million followers and that sounds like such a niche but it's not obviously i mean it's not a niche because sanded music has always had lots listeners but again this track got put on there once it started blowing up on tiktok and then that's so now it has like i think it's got is it 390 million streams on spotify now which is and i can't do it's more than paranoid android it's more than exit music it's not more than karma police which has 737 million streams and it's not more than no surprises which has a billion streams on spotify but let down is suddenly in the upper echelon of radiohead streaming hits

23:03Steve:because because it's the soundtrack to people's sadness well do you know it's also like i think

23:10Stuart:people who don't really know tiktok have this view of it as somewhere people just doing happy dances to big upbeat dance songs you know that's like that whole thing of dance challenges how many but it turns out people are also being sad on there to radiohead which maybe maybe like everything changes if it stays the same like people have been being having sad moments to radiohead for a long time they're one of those bands that unlock your emotions yeah and that's true as true of tiktokers now as it was of people in their bedrooms in the night yeah yeah um we

23:37Steve:mentioned this uh the the spotify reintroducing the messaging feature we also last week we talked about um uh well the week before we talked about band camp um preparing to announce a new feature which is called clubs and i think we've got some more details on that now haven't we we have i like

23:55Stuart:this kind of cadence where we mentioned something and then before we've forgotten about it they announced it so yeah so this came out so basically this is this is clubs as in like um you know fan clubs or like money clubs so the idea is you subscribe to a club and each one of these is for the starting is curated by a dj or a journalist so actually one of your six music colleagues jam supernova is one of the first to do it right um and so you pay 13 a month and for that you get you get a monthly record recommended by the curator and you get you get that you own it you get a listening party to kind of you and the other subscribers can tune in and kind of chat about the record listen to it together um you get an exclusive interview with the artist behind the record and the curator is going to post throughout the month hopefully giving you other recommendations and talking about you know the stuff they're doing okay so it's it's kind of a it's weird it's like what you're what you're the fan of is the person who's curating the the club um although they kind of have like a couple of them have like genre so one is about jazz one is about heavy music heavy rock metal um i think jam supernova is more about eclectic kind of stuff from around the world but it's all driven by these humans choosing it and that that's quite a big part of this of the the pitch is like it's not algorithms it's humans choosing stuff for you that you may love yeah it's worth paying for that seems that's an interesting theme then isn't it going back to

25:19Steve:what you're saying about the difference between apple's vision of radio and spotify's vision of radio is that apples is about people choosing what you would hope the djs are choosing their own records um and here you know it's the curator as you say it's the curator again it's it all comes back to whether you believe in gatekeepers i suppose and also do you prefer the personal touch but actually i mean actually that engagement is quite good though isn't it if you're particularly i like that i like the idea of listening parties i like the idea of people being able to share their thoughts about a record.

25:52Steve:Or when it comes to someone who knows their stuff, offering insight into a record. That, I think, is interesting. Whether I'd pay, what was it,$13? $13. $13, I don't know. But having said that, would you pay$13 to sit down with, I don't know, pluck any name out of the air, with Grian Chatton from Frontanes DC, would you buy him two pints, almost two pints, depending on where you live? Would you buy Grian a pint and a half to sit in a pub and listen to him tell you about the music that he likes? Yes, actually, you might.

26:36Stuart:So it's, I don't know. I think that there's relatively few people in the scheme of things who have that level of trust in a way. I mean, artists, like DJs, journalists, and weird because i mean you're probably in similar networks to me like i see a lot of the music journalists who i grew up reading posting online about how they're kind of struggling a bit because the the market has gone for the things they wrote for and it's quite tough isn't it but those people are still around and i'm always quite excited to see something that can support people who know their know their shit about music and and so yeah i mean i kind of the one thing i was thinking was i i kind of want more than just one recommendation a month like i I love the idea that they recommend an album and you own it and you can, then you have no barrier to listen to it.

27:19Stuart:But I hope they're also pointing you to lots of other things. Cause I want to, if it's someone I'm surprised, I would like to know a bunch of things they're liking. Yeah. So I hope that's out. And that seems to be the idea. But I think, yeah, Bandcamp, I mean, we talked about them being good eggs in the past, but I think this is, I like the idea they're saying, this is not only a cool thing, but we think it's worth paying for. And that's, that's one thing about Bandcamp. People do pay for stuff.

27:41Steve:One last piece of other business. I think, which again, I teased this in our last episode, this adding to our thread about badly track-listed albums. We are indebted to Ben Cardew, who got in touch among other people. But Ben has, I think, has raised the bar here somewhat. I don't know how contentious this might be. I mean, we have already challenged one or two big artists over their ability to get an album, you know, track, all the tracks on the album in the right order. But in this case, I mentioned Blur's Great Escape, but we're taking it up a notch here. This offending, badly sequenced album is, according to Ben, The Queen Is Dead by The Smiths.

28:27Steve:If you'd like to see his full argument, he's written a piece about what's wrong with the running order, which you can find online, hopefully. But for our purposes, what's wrong with the running order of The Queen Is Dead? well first two tracks fine then it all goes to pot uh i know it's over never had no one ever shouldn't says ben should not be side to side because side by side because too similar same time signature same pace also both of them too early in the album so suggests ben cemetery gates should be in fact track three followed by big mouse strikes again uh and then there are one or two minor changes to follow but the biggest mistake the smiths there is a light that never goes out should be the closing song it's a classic album closer says ben uh and that i'm actually not going to argue with um but if you'd like to dear listeners agree or disagree with us or ben uh do let us know and any other albums that i mean are clearly to to misquote uh some famous comedians they're clearly all the right songs just not necessarily in the right order uh the price of music podcast at gmail.com and finally this week uh music speakers um how do you fancy a pair of speakers made out of something uh out of this world stewart yeah rocket fuel tanks actual space rocket fuel tanks so what is this who's i mean this this for collectors only uh i

30:17Stuart:can't imagine this comes cheap no no this is like a japanese company called and space project i'd never heard them before but they made this speaker called debris which i think is a nice touch uh made out a tank of of test fuel tanks of rockets in in toki which is like the home of japan space industry so this company is based there and they're like these these big long canisters with like a floating golden planet shaped sphere on top so they look quite spectacular um i might i really want to know how much they cost that's the obvious question yeah i think they're a concept for now but i do suspect like you it's elon musk style money well he could probably make them for free couldn't he just grab a canister from his nearby rocket and how big how big are they kind of like you know they look person-sized although i haven't seen a person next to them but they're like they're they're like you say statement speakers like you have them in the room and people come in and go wow look at your speakers with the floating sphere so it's kind of you you just know who the clientele is for this i mean you said you know they're made from rocket it's every marketing company or ads

31:20Steve:you know ad company or something when you walk into their foyer they'll be the two statement speakers that's the people who are going to buy this it's going to be in office receptions and stuff all the reception to a to a building in you know new york which is full of creatives that's

31:38Stuart:where those speakers are going oh i mean this world of high-end speakers is really fascinating to me like so like a long time ago i used to work for a gadget magazine and we we talked we wrote about speakers and i once went for this almost like a primer they sent me on it saying you need to go and learn about speakers because i knew nothing right i had this demo that started with like 250 quid speakers and then went up to 500 a thousand i think it ended in like 20 grand speakers so you could hear the difference all the way and i went home to my less you know much less than two

32:07Steve:i was like oh god my speakers are terrible how much how much music though stewart which you had in your collection at the time would have actually sounded better on 20 000 pound speakers though well that's a lot of the music i like i mean you know there's there's what are you going to hear more more hiss and crackle when you're going to hear you're going to hear the drummer's heavy breathing what could what is going to improve your average indie record between the price range of

32:33Stuart:500 and 20 000 i think maybe exposes the flaws which maybe is good or bad i want the other thing when those days i once went to a thing in japan where i had a demo of it was dvd audio which was at the time was that format that came out like this is going to be the new cd and it wasn't right okay and they play this as that it was surround sound they played this album called i think the band were called bass bass bass bass and bass and so this was five double bass players twanging all around you and it was the like the quality of the audio was i can't i couldn't fault it but the music was terrible because it was just people but it's just like people twanging bases in different ears but this is the only thing they had to show off this system because they didn't have any of the new music in it at the time which kind of speaks your point you know you can yeah Anyway, but rocket speakers, if anyone, can we have like a wish list or, you know, we should put a thing out saying if you want to buy us a Christmas present, rocket fuel tank speakers would do, thanks.

33:31Steve:We'll get we'll sort something out. We're out of time for this week. Thank you very much for listening. If you are enjoying what we're trying to do here, please do spread the word, tell your friends or leave us a review online if you get a chance. That would also help and would be much appreciated. alternatively you can support us via patreon in fact if you sign up to be a super fan you get an extra i don't know 15 minutes or so of us pontificating over various music related matters that's coming up next for you uh subscribers and will include a discussion about a different sort of speak speakers for kids i think is one of the topics which we'll be touching on this week oh and queuing how long have you spent in a queue uh well a music related queue we'll get to that in just a second subscribers if you'd like to join us and become a super fan of the show patreon.com slash the price of music you can also get in touch with us via our socials or drop us a line including as i always say any questions or advice that we might be able to offer you which we can do in the next week or so we're going to do an all questions special again i think possibly next week so anything you don't understand about how the industry works that you think we might be able to make sense of for you the price of music podcast at gmail.com until next time take care of yourselves bye for now

35:13Thank you.

From the publisher

Your weekly guide to the music biz and how it all works. In this week’s The Price of Music:

  • Steve takes over Big Number duties to reveal how many weeks ‘ABBA Gold’ has been in the UK’s album chart

  • The Weeknd’s ‘Blinding Light’ hits 5bn Spotify streams – but what is he raising $1bn for?

  • Why has Spotify reintroduced messaging inside its app, and would Steve or Stuart use it?

  • Apple Music’s radio stations are expanding beyond their parent service

  • Sad TikTokers have given Radiohead a new chart hit in the US with an old song

  • Bandcamp is enlisting DJs and journalists to curate $13-a-month clubs for music and community.

  • More shade for The Smiths’ tracklisting skills.

  • Plus music speakers made out of rocket-fuel tanks, which we almost certainly can’t afford.

And in the special post-show lock-in section just for our Patreon Superfans, Steve and Stuart prop themselves at the bar to chat about:

  • Why Stuart never liked The Smiths – and Steve’s recommendation of the perfect song to explain that

  • How Steve and family arrived three hours early to queue for a Conan Grey gig – and still found hundreds of people ahead of them

  • The tale of Stuart accidentally queuing for a selfie with Grumpy Cat in the days of Peak YouTube Cat Videos

As ever, we welcome your feedback, emails and – in particular – any questions you might have about how the music biz works!

Email us: thepriceofmusicpodcast@gmail.com

More from The Price of Music

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The Weeknd’s big streaming milestone; ABBA Gold’s long chart run; Ready for friends to slide into your Spotify DMs?; Apple Music Radio expands; and Radiohead’s ‘Let Down’ gets a TikTok boost.ThThe Price of Music · 35 min
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