In short
Podcast Summary: The Prof G Pod with Scott Galloway – Episode: No Mercy / No Malice: Smaller
Episode Overview In this episode, Scott Galloway reflects on the changing nature of the Olympics and its perception in modern culture. He explores the evolution of the Games, the impact of social media, and the significance of personal stories within the broader Olympic narrative.
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Key Themes
- Changing Nature of the Olympics
- The Olympics are no longer the monumental quadrennial event they once were, losing much of their exclusivity and grandeur.
- Historical significance has shifted from a channel to showcase national pride, especially during the Cold War, to a more diluted experience in present times.
- Scarcity vs. Abundance
- Illusion of Scarcity: The Olympic brand relies heavily on scarcity; however, the frequency of events has increased with the alternation of Summer and Winter Games every two years.
- Professionalism Diluting Authenticity: The inclusion of professional athletes has altered the original allure of the Games, which celebrated amateurism.
- Evolving Audience Engagement
- Traditional TV viewership is declining, with an audience of 28.6 million for the U.S. opening ceremony, down from 40.7 million in 2012.
- Streaming platforms like Peacock have become crucial in engaging audiences, providing greater access to events and a more personalized viewing experience.
- Digital Transformation
- The shift towards digital consumption has transformed how Olympic content is produced and distributed.
- NBC has partnered with various platforms (Meta, TikTok, etc.) to enhance viewer engagement and capitalize on digital advertising.
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Notable Discussions
Cultural Moments and Emotional Impact
- Galloway highlights the emotional power of personal stories from the Olympics, such as:
- Filipino weightlifter Hidlin Diaz winning the first gold for her country.
- Ukrainian fencer Olga Karlan dedicating her medal to servicemen.
- The spirited interactions among athletes, which resonate well in the digital landscape.
Reflections on Nationalism
- The fierce nationalism that characterized past Olympics has faded, leading to a different atmosphere where athletes compete for personal and national pride without the same intensity of "us vs. them."
The Role of Streaming and Social Media
- Streaming fosters a more engaged audience, allowing viewers to curate their experiences rather than relying on a broadcaster's choice.
- The Olympics are now viewed in "smaller bites," aligning with contemporary viewing habits driven by social media and digital content consumption.
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Key Takeaways
- Shift in Perception: The Olympics feel smaller and less significant than in previous decades, largely due to changes in how they are consumed and the increase in event frequency.
- Cultural Relevance: Despite changes, the Olympics continue to inspire and evoke strong emotions through personal athlete stories and performances.
- Future of Viewing: The transition to digital platforms marks a significant evolution in how audiences engage with the Olympics, making it more accessible and tailored to personal preferences.
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Conclusion Scott Galloway’s episode encapsulates the shifting dynamics of the Olympics, emphasizing the importance of emotional narratives amidst changes in viewership and societal context. He highlights the Games' role in showcasing human resilience and achievement, despite the transformation of their traditional image.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:00Support for this show comes from Strawberry.me. Be honest. Are you happy with your job? Or are you stuck in one you've outgrown? Or never wanted in the first place? Sure, you can probably list the reasons for staying, but are they actually just excuses for not leaving? Let a career coach from strawberry.me help you get unstuck. Discover the benefits of having a dedicated career coach in your corner. Go to strawberry.me slash unstuck to claim a special offer. From Pushkin Industries, I'm Jonathan Goldstein, and Heavyweight is back. The new season is bigger than ever. Bigger hopes. I keep waiting for this moment when he says, Mom, I get it.
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1:13I'm Scott Galloway, and this is No Mercy, No Malice. The Olympics used to be a slab of television content. The internet is grounded into social media moments. Smaller, as read by George Hahn.
1:32Things change. When I was a kid, the Summer Olympics were an iconic quadrennial opportunity to re-watch the moon landing. Another chance to beat the Russians, this time in the medal count. But despite still commanding huge audiences, the five rings feel like a shadow of their former selves. The Olympics have lost much of what made them the paramount sporting event. The key to an aspirational luxury brand is the illusion of scarcity, and the Olympics feel less scarce. You no longer have to wait four years now that the summer and winter games alternate every two years. In 21 months, Comcast will begin marketing the winter games in Cortina D 'Ampezzo.
2:21Awesome name. A brand based on scarcity has effectively doubled its supply. Also, while likely unavoidable, the presence of professionals in almost every sport has diluted the brand and the authenticity amateur athletes brought. The youth-focused events added in recent years, including skateboarding and BMX freestyle, cool as they are, don't have the mystique of classic Olympic sports such as track and field. It feels as if the Olympics, like the rest of us, are desperately trying to look younger. To be fair, the games have a history of adding and dropping new and or weird sports going back to the first modern event in 1896.
3:08Firefighting, ballooning, and life-saving were events in the early days. Finally, the good guys versus bad guys rush inspired by the Cold War has faded, and not just for us Americans. Athletes and fans are still proud to represent their countries, of course, but the nationalism seems less ferocious. The whole thing feels smaller. Just before the start of the Games, the International Olympic Committee said it was on track to hit its target of$1.2 billion in corporate sponsorships. The IOC says about 30 % of its revenue comes from sponsorships. The rest comes from TV rights and licensing. LVMH paid about$163 million to be what the company calls a creative partner.
4:02Watching the opening ceremony, two things struck me. First, Paris isn't a city. It's the premier backdrop for any person, place, event, trying to create a sense of elegance, sophistication, and exclusivity. The Olympics is the gangster travel ad for the host city, and no tourist destination is an easier sell than Paris. The second thing? I'm a Celine Dion fan. I'd always dismissed her out of hand, but she gave what may be the performance of 2024.
4:47I just read that last sentence and realized I have officially become a senior citizen. Anyway, it was impossible to see her performing solo under the Eiffel Tower, despite the neurological problems that have derailed her career, without thinking of another Olympics moment. A Parkinson's-racked Muhammad Ali lighting the cauldron at the 1996 Atlanta Games. The Olympics are, and always have been, about big emotional moments. What's changing is how we watch them. The TV audience has been shrinking for years. The opening ceremony this year brought a U.S. audience of 28.6 million viewers to NBC and its Peacock streaming service.
5:36That was significantly more than the 17.9 million who watched the COVID-hobbled 2020 Tokyo opening ceremony, but a steep drop from the peak 40.7 million who watched the London opening in 2012. NBC paid$7.65 billion in 2014 for broadcast rights through 2032 And looking at the TV viewership numbers, the IOC is on the better end of the deal NBC, however, claims it booked$1.2 billion in Olympic ad revenue before the Games And says it believes Paris will set a new ad revenue record A big engine of that ad revenue is streaming and other online distribution. While the overall viewership numbers are down, the digital share of Olympic viewership is up.
6:31NBC is using the games to jumpstart Peacock and also ran in the streaming wars. 33 million subscribers versus Netflix's 277 million. For the first time, Peacock plans to stream all 329 metal events. 5 ,000 hours worth of content, live. Streaming coverage of previous games was clunky. NBC also wants to lock in a piece of the action on other digital platforms, specifically social media it doesn't own. For the Paris Games, NBC has done digital partnership deals with Meta, Overtime, Roblox, Snapchat, YouTube, and TikTok, with which it is producing a daily one-hour TikTok live show, Spotlight on Paris.
7:23On its own, the network itself doesn't seem to add much value. Watching the games on linear broadcast TV is frustrating. Somebody else is deciding what you're going to watch. A producer decides you're going to see racewalking instead of surfing. On Peacock, you can be your own producer. This year, the technology caught up with the content. The shift towards streaming has cultivated more engaged audiences. Viewers actively choosing what and when to watch has led to greater engagement and more targeted advertising opportunities. I'd rather sit on the couch, let someone else decide, complain about it, and be pelted by ads about my restless legs or opioid-induced constipation, but I digress.
8:12Linear TV used to be the entire story. Now it's just one of three ways to watch. Broadcast, streaming, and social media. Increasingly, it's becoming less of a distribution channel and more of a content generator that feeds video to the insatiable streaming and social media platforms. Every sports organization on the planet, from Formula One to the National Football League, has turned its attention to digital distribution. The Olympics, though, may be better suited to the Internet than any other sporting event. Unlike the Super Bowl or the World Cup final, the Olympics is not an event people will watch from beginning to end.
8:56It is instead a huge collection of little stories, human moments. We've watched best friends, Sarah Bacon and Cassidy Cook, win a medal in synchronized diving, and Simone Biles take flight. We've watched the emotional TikTok of Filipino weightlifter Hidlin Diaz winning her country's first ever gold medal. Actually, this is from the 2020 Games, but never mind. Go watch it. Other Paris moments. Ukrainian fencer Olga Karlan dedicating her bronze medal to her country's servicemen and women. French swimmer Leon Marchand crushing the competition in front of a huge crowd. Brazilian surfer Gabriel Medina seeming to walk on air after an epic wave off Tahiti.
9:47The good-natured trash talk between members of the U.S. table tennis team and basketball star Anthony Edwards, Edwards refused to believe he wouldn't win a single point, has been shared nearly 16 million times on X. I was, no joke, the worst D1 athlete in UCLA's history, Crew. However, several friends went to the Olympics. These athletes put their life on hold to represent their country at the Games and, outside the romance sports, made huge sacrifices economically to be the best in the world at something at that moment. Greatness is in the agency of others, and at the Olympics, athletes are competing for something bigger.
10:35National pride The Olympics do feel smaller than in the 1980s. It may be because we are consuming them now in smaller bites. Some of what made them feel important in the past, particularly the intense us-versus-them nationalism of the Reagan era, is gone. What is still there is the primal drive to compete and the hunger to feel something. In a world increasingly run by old people, it's inspiring to watch young people pursue excellence for the sake of something bigger than themselves, one another and their countries. I like Celine Dion and the Olympics. Life is so rich.
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From the publisher
As read by George Hahn.
https://www.profgalloway.com/olympic-moments/
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