Beckham's Nepo Baby Nightmare

11 May 2026 · 55 min · 19 chapters

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In short

Nepo babies and celebrity industry gatekeeping; plus fallout from the Blake Lively/Justin Baldoni pretrial settlement, ITV’s The Neighbourhood ratings, and brief celebrity fame reflections.

Guests/backgrounds

No episode guests named. Hosts are Marina Hyde and Richard Osman. A referenced interview segment features Paul McCartney (listener question about fame). Bryan Cranston is discussed via his comments about his daughter’s audition.

Key claims

Nepo status isn’t just “genes”; opportunity and getting “into the room” matters. Parents often choose publicity/industry access over normal development (e.g., tween skincare/influencing). In the Lively/Baldoni feud, the settlement is framed as career-protecting damage control, with Blake facing “commercial toxicity” risk while Justin’s behavior is judged creepy/detrimental.

Notable examples

Harper Beckham trademarking “Haiku by Harper” (age 14); North West’s EP; North West’s Met Gala appearances; extensive list of Oscar-winning acting dynasties; “Breaking Bad” casting story (Taylor Dearden); Sony executives’ leaked emails calling Lively a “fucking terrorist”; The Neighbourhood (Graham Norton, Peak District village, £250k prize) pulled from prime time after ~500k viewers.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

BAFTAs Recap and Reflection

1:54 to 3:00

Discussion about the recent BAFTAs and personal experiences.

“Another remorsely unsuccessful one for House of Games.”

Exploring Nepo Babies Phenomenon

3:00 to 4:21

An introduction to the concept of Nepo Babies and their implications.

“And I thought Greg Davis did a great job as well.”

North West's New Music EP

4:21 to 5:38

Discussion about North West's debut EP and its reception.

“In the last week or so, a bit longer, there have been a number of sort of Nepo announcements or pre-announcements, I would say.”

Harper Beckham's Skincare Brand

5:38 to 6:40

Exploring Harper Beckham's upcoming skincare line and its implications.

“Yes, which we didn't seem to used to need.”

The Impact of Celebrity Parenting

6:40 to 8:23

Debate on the effects of celebrity parenting on children's futures.

“I mean, as I like to say to them all, your skin will literally need never be better than it is right now if you do nothing.”

The Dark Side of Fame for Kids

8:23 to 10:26

A critical examination of the pressures faced by celebrity children.

“They've seen every single thing that can happen if you put your children through that kind of publicity mill.”

The Sociological Perspective on Nepo Babies

10:26 to 14:02

Analyzing the sociological aspects of Nepo Babies and their career paths.

“and maybe we'll talk about this, you know, maybe we might as well talk about Northwest as well.”

Nepo Babies in Entertainment and Sports

14:02 to 23:00

Exploring the influence of parentage in careers across entertainment and sports.

“You grow up seeing what your parent does.”

Fame: Then and Now

24:10 to 28:00

Discussion on how the experience of fame has changed from past to present.

“But we just want to say thank you to all the runners and thank you to Lloyds.”

Behind the Scenes of 'It Ends With Us'

28:00 to 29:12

Discussing the behind-the-scenes conflicts of the movie adaptation and its fallout.

“But I've never understood why it's paid so well.”
Show all 19 chapters

Justin Baldoni: From Tele-Novela to Controversy

29:12 to 30:38

Exploring Justin Baldoni's rise and the controversies surrounding him.

Blake Lively's Legal Drama and Career Implications

30:38 to 32:34

Analyzing Blake Lively's involvement in the case and its impact on her career.

“Blake Lively, this is, I mean, it's fascinating, you know, really big and gossip girl on TV, but this is her step and she's obviously married to a huge star who we're going to get to.”

Ryan Reynolds: Teflon A-Lister Under Scrutiny

32:34 to 34:25

Discussing Ryan Reynolds' persona and the public's reaction to recent revelations.

The Cotswolds Litigation and Media Reflection

34:25 to 37:40

Examining the implications of recent celebrity litigation cases and public perception.

“Because the whole business is a business of artifice and wonder.”

Assessing 'The Neighbourhood' Premiere

38:00 to 42:01

Analyzing viewer reactions and the show's early performance.

“that's all sort of in the tail of the comet that was The Traitors, which showed that you can go from a standing start and create this huge phenomenon which really kind of energises terrestrial television.”

The Challenges of New TV Formats

42:01 to 45:00

Explore the complexities and challenges of creating new television formats.

“which is whether it's casting or whether it's serendipity.”

Reunion Shows and Viewer Expectations

45:01 to 47:24

Discuss the evolution of reunion shows and their impact on viewer engagement.

“that is an old format we know very, very well.”

A New Quiz Show Experience

47:25 to 49:51

Get insights into the development of a new quiz show and its unique format.

“for£10 million for giving him a villain edit.”

Recommendations for Great New Shows

49:52 to 52:35

Discover exciting new shows to watch, including insights on their production.

“So I get to do that stuff, which I've done in run-throughs a million times for other people's shows, where you go, okay, you have said Anne of Cleves.”
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Transcript

Automatic transcript. May contain errors.

0:00The rest is entertainment is presented by Octopus Energy. Now, the moment someone becomes properly famous, they stop travelling as a person and they start travelling as a situation. And yes, I am talking about the world of entourages.

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1:48Hello, and welcome to this episode of The Rest is Entertainment with me, Marina Hyde.

1:52Richard Osman:And me, Richard Osman. Hello, everyone. Hey, Marina. How are you, Richard? I'm all right. It was the BAFTAs last night. Another remorsely unsuccessful one for House of Games. Your streak is now incredible. And sadly, it's your last... That's me done, yes. ...lost eligibility. I did think maybe a sympathy BAFTA, but nothing. You know, genuinely, this is how these award ceremonies work. I was giving out an award as well to... You presented an award. ...to Martin Lewis. And so when you do that, someone comes to get you from your seat, take you round to the back in advance of doing it. but the one I was giving out was quite soon after the daytime BAFTA and so she said oh and of course if you've won then actually I'll collect you from the side of the stage not from the audience and as we were getting closer to our award we hadn't been collected I thought oh my god this is it we've finally done it this team this wonderful team I can leave them with this BAFTA for nine years of this incredible work uh and uh no we still didn't win but there it is thank you for taking me inside of the action I'd like to say I'd like to say we had a fun evening but even then.

2:53Richard Osman:But do you know what, to be fair, Scam Interceptors have won it. I was delighted with that. I was delighted that Catherine Parkinson won. Oh, that was terrific. Delighted last one, Laughing won as well. And I thought Greg Davis did a great job as well. So that was my BAFTAs. Right. What are we talking about today, Richard? We've got a fun one today. We're talking about Nepo Babies in a very specific way. There's a couple of absolutely jaw-dropping bits of Nepo Babosity that have turned up in the last week or so. And I'm going to do a sociological deep dive into what it actually means being a Nepo babe.

3:24Richard Osman:Don't people just do what their parents do anyway? And don't we pass down our genes to our kids anyway? So I'm going to try and debunk a few of those myths. I am looking forward to that. We will be taking a look at the blast radius of the final settlement in the Blake Lively and Justin Baldoni pretrial settlement. That case has supposedly gone away, but we're going to be looking at who of those three principals, how their careers have been damaged. And when I'm talking about the three principals, I'm obviously talking about Blake, Justin and Ryan Reynolds. And of course, generationally, they're kids.

3:55Yeah.

3:56Richard Osman:Because, you know, it's going to affect their nepo careers in the future. It's getting the nepos in all the way through. And we're also going to have a little chat about ITV Entertainment. There's a new show called The Neighbourhood, which has become sort of a poster boy for TV flops. And we're going to talk about whether that's fair or not. And a little bit of inside gossip about all the I'm a Celebrity hoo-ha as well. And also, I've got a little ITV announcement of my own, which we'll put in there too. Right. Let's go on to the Nepos. Yeah, shall we? In the last week or so, a bit longer, there have been a number of sort of Nepo announcements or pre-announcements, I would say.

4:29North West. Yes. The 12-year-old daughter of Kim Kardashian and Kanye West has released an EP, the six tracks, and it's called North West Forever.

4:38Richard Osman:I'm just going to look at how many plays it's had on Spotify. It's been relatively well received, I should say. Do you know what? It's actually not bad. Yeah. It's actually not bad. But of course it's not bad because, you know, yeah 24 million uh likes for childlike things piercing on my hand three million listens i mean listen that's a song about piercing on her hand that'd do you at 12 years old wouldn't it i mean come on harper beckham is the beckhams are trademarking something called haiku by harper which is apparently going to be a skincare beauty brand she's 14 she is 14 so maybe we'll start with her shall we yeah shall we it's such a tricky one because we'll say a number of things which is well i'll say a couple of just a couple of provisos which make me more comfortable talking about it kids can do whatever they want at any time that's all fine and parents want the best for their children those are the two provisos everything else is on the table yeah um i would say that her mother's brand is doing very well actually weirdly victoria beckham's skincare and beauty does miles better than the fashion and is potentially her route into becoming a huge kind of sellable company now there's very strong rumors that harper is going to launch her own brand she's 14 and it's going to be called haiku by harper it's interesting that the beckham name isn't in there i think for a brand that tends to put its name in everything yeah you think people won't make the connection i i don't know it's interesting that it's not in there but whether or not it's happening i think for sure it's happening because victoria has already started sort of laying a backstory on the various things she's done to promote her own beauty brand saying she's been sitting on my knee for meetings ever since she was tiny oh like all tweens she ruined her skin by having skincare that wasn't ready for it and she wants to create something that's particularly in that age space as we know i mean we certainly covered on the podcast before although never enough the phenomenon of sort of tween skincare and tween obsession with extremely expensive of high-end skincare.

6:39Richard Osman:Yes, which we didn't seem to used to need. Which we didn't seem to used to need. I mean, as I like to say to them all, your skin will literally need never be better than it is right now if you do nothing. And she's made a number of public appearances. She presented an award to her mother at a Harper's event maybe a year or so ago. But recently she was sort of on hand for a beauty launch that Victoria did during the school term, which I don't know, in New York. Come on, guys. Yeah, I mean, I... You can't miss Double French for that. I mean, sadly, as I've said, there is a space for this. Brands are now targeting under 10s skincare brands.

7:15You see people putting their daughters as young as five or six influencers with their own daughters doing unboxing of products. I mean, it is incredibly bleak. Is she going to be a CEO at 14? I don't know.

7:29Richard Osman:Is she going to be a billionaire at 18? so if you if you own a skincare brand if you're victoria beckham let's say you're a normal skincare brand owner two decisions firstly do i launch a skincare brand aimed at teens who don't particularly need it okay so that's a choice that's a choice that capitalism always made and they'll always say at the end actually yes i do because my competitors will do this um so i need to do it as well and all i'm doing is serving a market that's all i'm doing i'm not i'm failing if i'm not growing i'm failing exactly so you know i i get that then do you think I've really really been in the news recently because I've really fallen out with one of our children because he's been in the public eye since he was a child please might quote the statement yes from Brooklyn my family values public promotion and endorsements above all else brand Beckham comes first family love is decided by how much you post on social media or how quickly you drop everything to show up and pose for a family photo op there'll be plenty of people listening to this in the car who will have 14 year olds in the back of the car and what an insane way to bring up a child it is insane there will be people that the last years of the apprentice the woman who won charisma who's absolutely brilliant and had exactly this story she had you know trouble with her skin when she was a teen nothing worked for her and so what she did she went and got a degree in in biochemistry and then has built a brand and then went on the apprentice and one-year apprentice and you know and is brilliant she's absolutely sensationally brilliant there are victoria beckham knows this very well swathes of 14 year olds who have issues with skincare products who are not launching lines because you can't that is not open to you you have a 14 year old who has these issues and you can find a way suddenly to put that child in every newspaper in the country should you choose to do no you shouldn't choose to do but it's what I genuinely, this is where I lose sympathy.

9:24Richard Osman:I really, really, really lose sympathy. It's a child. Some people never learn. I'm so sorry. Have we not just seen what's happened? Some people never learn. I find it absolutely extraordinary. If you're an influencer somewhere and you're a 14-year-old and you do Instagram and suddenly I 100 % get that because it's the giddy thrill of suddenly you are in the public eye and that's exciting and you're building something. That is not where Victoria Beckham is. It's not where the Beckhams are. The Beckhams already have an empire. They've seen every single thing that can happen if you put your children through that kind of publicity mill.

9:55Richard Osman:They've seen all of it. The darkest bits of it. I mean, what on earth are you thinking? And lots of people want to sit there and say, oh, it's lovely. She's interested or whatever. She's got ambition. No, this is just totally bleak in some horrible industry that is now catering to younger and younger and younger girls. And as I say, it's just the absolute jackboot of the patriarchy down on your neck from what? at the age of five or six, you're doing unboxing skincare videos. It's awful. And we shouldn't think it's wonderful. And the overarching thing often in these cases, and maybe we'll talk about this, you know, maybe we might as well talk about Northwest as well.

10:30I mean, again, look at the parents. Sorry, hate to say it. But the overarching thing here seems to be that these children can't have a normal life, which isn't the case. There are an abundance of celebrity children who do have a normal life.

10:45Richard Osman:Almost all of them. Almost all of them. and that they are only suited. And the Beckhams particularly have always felt this because you've seen what each of the children, I mean, there were moments where, is Romeo going to be a tennis star? No, he's not. Okay, I'm sure, you know, in the end, they'll end up doing modeling and brand work. But the sense that they are only suited for the public eye or branches of show business. And by the way, I think these influencer-led brands are a branch of show business. And even beauty or whatever, you know, you're not a CEO. You're not, as your apprentice winner, you're not building up from the ground up.

11:17It's not the same thing. And I think it is sort of extraordinary. And particularly given what's happened to them this year, the downside, the risk reward is so extraordinarily high on the risk side of it. And just saying that, you know, my child is driven, they know what they want. Well, I mean, just the word no is in the vocabulary. And until they're 18, why don't you use it?

11:40Richard Osman:Yeah, because also who knows what Harper would have grown up to do? Something interesting, something unusual, something helpful, it's possible. you know if a 14 year old say harper had just designed and invented a brand new stent which would revolutionize heart surgery and no one had seen before by all means by all means monetize that but not this you might as well say do you know what she couldn't find um a cigarette she liked and so she's created her own and so now yeah you know and i don't and i this is absolutely no shade at all on the child who like all 14 year old girls has got a number of views about all sorts of things.

12:13I did myself and so does lots of other people.

12:15Richard Osman:Every 14-year-old child would do what Harper is doing. It's not about her. But every parent of every 14-year-old child would do. In the same way, we might as well move on to her, to North West. Yes. It's not about her. She's had a social media account since she was very young. She was posting to her mother's account before that, to Kim Kardashian's account. Age 12 is extraordinarily young. But then, you know, you saw Beyonce and Jay-Z's daughter, Blue Ivy. She was, they have some rule that you're not allowed to go to the Met Gala, which was last week. You're not allowed to go to the Met Gala if you're under 18.

12:47But of course, she was there and Nicole Kidman's daughter was there. And I genuinely don't think it's the kindest thing in the world to do this to people. But it's almost as though there can be no other business than that family business.

13:01Richard Osman:It becomes sort of like the royal family, which is, you know, if you are born into the royal family, you do understand that you have a certain life ahead of you. There are no clothes. I've heard. I mean exactly a lot of people born into it they should have had an open audition process for Prince Harry but could they have got anyone that good there's a TV show he couldn't have got anyone that good that's the interesting thing about him is he probably would have won it anyway fair play to him but I get it if you're the royal you know so royal family you understand immediately you have to put your children on a certain track and teach them certain things and this is the way the world is going to be for you and this is how we deal with it and it seems there's certain show business families for whom they've gone well it's the same with us but they always have been to some extent They've been acting dynasties.

13:40Richard Osman:Yeah, not like this, though. I know. Why am I trying to make it sound like the Rust Belt? Shouldn't they not be automatically entitled to the job their daddy did? Sometimes it's a sawmill, sometimes it's a mine, and sometimes it's selling eyeliners. So here's the sociological thing. So Nepo babies, there's a lot of talk about it, and there are an awful lot of people in show business whose parents were in show business one way or another. And the two ways you can argue against it, one but lots of people do what their parents do and there's a huge amount of truth in that and actually a growing amount of truth in that the last labor survey which is like 19 which was um 2022 i think 20 of doctors had their main breadwinner parents uh growing up was a doctor so that's one in five doctors had a parent who's a doctor you sort of see that 28 of people working in agriculture had a main breadwinner parent who worked in agriculture even even teachers it's 10 percent 10 percent of teachers had parents who were teachers so i wonder what it is in investment banking because some unbelievable morons go into that and i'm seven figures it's one of my hot takes there's no easier way to make money than being in money oh my god yeah exactly some of the biggest morons i know probably yeah made a huge amount of money and they would really struggle elsewhere um construction 17 of people in construction their parent worked in construction so we do that and we all of us understand why we do that.

15:05Richard Osman:You grow up seeing what your parent does. It either appeals to you or it doesn't appeal to you. If it does appeal to you, you immediately have a mentor who can show you the ropes. Also, you know, can get your work on the site during the holiday. And so we get it that you can end up in the same job as your parent and that you might want to as well. Does it automatically mean that you are brilliant at the job that you are doing? And that's the tricky thing because we see it in TV all the time. TV and film, there are actors who have children who are actors and you kind of go, Yeah, but they're an amazing actor.

15:34Richard Osman:So, of course, they got there on their own merits. The only sociological kind of comparison I could make was with sport, because that seems to me to have a very similar skill set, which is if you're an amazing actor, do you pass on those amazing acting genes to your children and then they become an amazing actor and therefore they achieve because they have that personality type? So, sport you look into, and actually sport, far, far, far fewer. So many fewer, yes. Nepos. lots of siblings funnily enough which tells you a lot of it is nurture you know the the Williams sisters the Brownlee brothers the Klitschkos I mean an insane amount of siblings Nevels the Nevels all three of them exactly but if we get rid of the 1860s and the 1870s with old Tom Morris and young Tom Morris no father and son or mother and daughter have ever won a golf major ever so loads and loads and loads of kids go into golf and go into you know but none of them have ever matched what their parents did.

16:33Richard Osman:Likewise, there's lots of kids who had parents who were the sort of amateur golfers and stuff and they've absolutely massively done better than their parents. But there is absolutely no correlation. Same with tennis as well. There's not a single example apart from the Suttons again, which are many, many, many years ago, of a parent and a child both winning a Grandstand tournament. Sebastian Corden might do it at some point, but no examples of it at all. So absolutely lots of examples of kids who have the skill set, but they never quite match what their parent does. And that's the best way I can look at it.

17:09Richard Osman:There's fathers and sons as well. You know, look at, you know, Maradona's son never really sort of pulled up trees. You know, Erling Haaland, his dad was a footballer, but not kind of world-class, world-class footballer, you know. Whereas in acting, there are so many parents and children who have won or been nominated for Oscars. I mean, Henry Fonda, both of his kids. Jane and Peter Fonda John Voight and Angelina Jolie Liza Minnelli when she won her Oscar both of her parents have got Oscars Vincent Minnelli and Judy Garland Jamie Lee Curtis, Janet Leigh both nominated for Oscars Jamie Lee won one Walter Houston, John Hewson, Angelica Houston all Oscar winners The Copplers of course Laura Dern and Diane Ladd both nominated for the same film their mother and daughter and Bruce Stern as well Rambling Rose exactly and Bruce Stern as well was nominated for an Oscar kirk and michael douglas michael won of course kirk didn't isabella rossellini and ingrid bergman uh goldie horn and kate hudson both nominated i mean that's the highest level you can reach in your profession and it happens time and time and time and time again and no one is saying these are not talented actors because they definitely are what we're saying is are they more talented than people who didn't get their opportunities a really really really fascinating thing I saw the other day and this to me encapsulates the whole thing and it came from a guy I like very very much is Bryan Cranston so Bryan Cranston I think is I love Bryan Cranston I'll listen you know he's interesting whatever he talks about he was talking about his daughter Taylor Dearden who's in the pit and he was great genuinely great actor by the way there's lots of genuinely great actors who never ever got on a stage because they didn't have the opportunity he's talking about how she got her break and she got her break in and again this is zero shade on her zero shade on her because she works incredibly hard and all that stuff it's always which is always the case so that proviso she got her break with a speaking role on breaking bad an episode directed by brian cranston and brian cranston is asked about this and he says well it's interesting because this is sort of the opposite of a nepo baby thing because i knew this line was there and i said to taylor you could audition for that and she said i don't really want to he said well if you don't want you don't have to but you could do and he said and then he said she got really really brave and said you know i will i actually will audition for this he said at that point i said to the breaking bad people i won't be in the room when she auditions and you must only give her this job if she is the best you have to just as only if she is the best that she gets the job to repeat this is the show in which he is the leading man and is directing that and god bless him when he's saying this you can see he genuinely means it so i get it and every parent wants to do the best for their kids they absolutely 100 % do but the one key to any sort of social mobility the single key and I see it time and time again with the people I grew up with and the people you know who I then was in education with is you have to get into the room you have to get into the room and Brian Cranston got her into that room yeah and once she's in the room that's her business you know and she takes care of it but almost no one can get in that interview was really dad you're not helping you know it's really bad please don't say anything like that but you know and that's the key you have to be in the room and most people don't know where the room is they wouldn't have a clue about how to get into the room uh and if they did if every single person had the same opportunity that taylor did and did then the oscars of the last 60 years would look very different i agree i have to still say that we talk so much and you hear so much of people talking about nepo babies and shovas and i agree you know everything we've said today but let's be honest the worst nepo babies are like you know i don't know don jr or i don't know kim jong-un i mean you know the murdochs yeah but i mean it's always the new ayatollah i mean he's useless come on he was in the job two days he's one leg down but seriously okay these you know we never see him in public these kim kim jong-un yeah like yeah absolutely that guy and what's his name alief the one in Azerbaijan i mean there's some real horrors out there yeah and those are the worst nepo babies and we just it's we are an entertainment podcast so we talk about entertainment but don't think for one second that the entire history of capital is to do with nepo babies and to do with people ring fencing every single penny they ever stole from you and giving it to their children and their children and their children that's how that's how our world runs we're allowed to talk about the entertainment bit of it if we want to talk about some the socio-economics of how the whole world is put together um then we can do at a later date but it's um let's uh let's clean our house first but i if i just would say to anyone at home who's got a kid who wants to be in that is getting in the room is the key thing and to anyone who is a gatekeeper in any way whatsoever the amount of times even at endermole when someone say oh can my kid do work experience and we absolutely put a rule and said no your kid cannot do work experience work experience has to come from somewhere outside the building it can't be from someone else in the industry we cannot do that it has to be from open applications you have to open up industries to people because and classes we always say the hardest thing for them to do that with for definite of all of the different bits of it it's the hardest bit and it's the bit we have a big problem with in this country and probably the 10 greatest actors ever to live have never acted because they never got the chance and the 10 greatest writers ever to live never wrote because they didn't get the chance and you know it's all out there You just have to open doors in a slightly different way.

22:37Richard Osman:But yeah, listen, every parent wants to do the best for their kids, and that's why it happens. So there's no shade on the kids in any way whatsoever. But there is on the parents. Sometimes, yeah. Sometimes, on certain parents. I certainly think letting your 14-year-old have a skincare line. My God. Yeah. My God, which is where we came in. Shall we go to a break? Let's go to a break. Where our children will be reading the adverts.

23:06This episode is brought to you by Lloyds, who you can rely on to keep life running smoothly. Now, you know what isn't celebrated enough is the behind the scenes work that makes successful entertainment seem so smooth.

23:17Richard Osman:You know, you go onto any sort of set and there's the talent and everyone's having to run around after them. But the people having to run around after them are the runners. And there is not a single successful television show that isn't powered by brilliant runners. Whenever you hear a director or actor say, you know, we're all just one big happy family. I always think, yeah, and you're the children. And the people who are like running around are actually always the youngest people on set because runners are always really young. It's an absolute first job in the business. And the other key thing is if the runners are good, you don't notice them because nothing goes wrong.

23:49Richard Osman:And it's very similar to your bank. You just need them to be there when you need them. Well, like with the Lloyds app, you can check lots of handy things, little details, what payments you have coming up, what subscriptions you're paying for. It is this kind of helpful, smart stuff that makes 14 million people bank on Lloyds. And that's based on Lloyds internal customer data from March, 2026. But we just want to say thank you to all the runners and thank you to Lloyds.

24:16Richard Osman:Spring just slid into your DMs. Grab that boho look for that rooftop dinner, those sandals that can keep up with you and hang some string lights to give your patio a glow up. Spring's calling. Ross, work your magic.

24:39Richard Osman:I think this is a great question from Khalid Saeed. He says, as someone who's been extraordinarily famous for possibly the longest time of any famous person, can you describe how being famous has changed in your lifetime? What did it feel like to be famous in the 60s versus today? Yeah, I think the big difference is in yourself. When you're first famous, you love it. Because it's what you're trying to achieve. So you actually get a little hit or you, you know, something goes well and people in the street know you, you love it. There's never any of this sort of, oh, people are bothering me. You didn't have that?

25:22None of that. The modern affliction. Yeah, no, we loved it, you know. And you learn to deal with it. I remember going to a gig once and I took the train out of London to the station near this gig. And I walked in just on my own to the gig. And there's a little gang of girls found me. And they're all screaming around.

25:47Richard Osman:I'm going, girls, girls, calm down. Calm down. Now, listen, here's the deal, if you keep quiet, I'll do your autographs, we'll walk in and it would be great." So you learned how to deal with that and they got it and they were very good. Then you realized they'd get some special time, you know. As time's gone by, the times have changed. So now, phones. Phones. so if I meet someone it's like oh oh and they're reaching for their phone you know and I say I'm sorry I don't do pictures and that is like radical these days because I told that, I'm name dropping now I told that to Oprah she goes you don't do pictures?

26:38I said no she said why? I said I don't want to you know and it's like it's as simple as that. Welcome back everybody that was a small part of our interview with the legend Paul McCartney. Sir Paul McCartney. Sir Paul McCartney. We absolutely loved doing it. He was a complete joy. That is available for everybody on Thursday, but if you can't wait, it's available for members now.

27:03Richard Osman:It's so nice doing those interviews with listener questions rather than our own. It's a really nice vibe to doing an interview, I think. Yes. And so have others and see if your questions got through. You get to ask some quite cheeky ones, which I might have not actually. ask myself let us talk about blake lively um and justin baldoni settled their long-running feud which was in two weeks was going to come to trial yeah uh they settled it last uh monday and um she appeared at the met gala completely unexpectedly just a couple of hours later i don't think it was settled for any money there was a statement which i have to say i find completely hilarious i mean this is the defining without any question the defining hollywood feud of the era you love a statement as well okay well i love a statement this this is a statement the end product the movie it ends with us is a source of pride to all of us who work to bring it to life raising awareness and making a meaningful impact in the lives of domestic violence survivors and all survivors is a goal that we stand about it's like wait that's what this was about i'm so sorry because it didn't feel like that for a while but just as a reminder very very brief reminder started off with um behind the scenes conflict of it ends with us which was the 2024 movie adapted from the colleen hoover bestseller was a smash hit baldoni's a sort of male feminist who wrote and who wrote and directed it and starred in it blake lively who's a bigger star also starred in it very quickly escalated into suits of sexual harassment and countersuit smear campaigns and all this sort of stuff it will have taken eight figures in legal fees to get even before we started the trial being a lawyer is a grift, isn't it?

Read the full transcript

28:40Richard Osman:Oh my God, it's such a win, isn't it? Why is that paid so well? But genuinely, why is it? But I've never understood why it's paid so well. Don't you think that of all the jobs that is vulnerable to AI, it's surely one of these incredibly, you know, these incredibly expensive on-the-clock things that are, I don't know. I mean, I think that will be, it'd be interesting to see what happens there. If I was a lawyer, I would just start a law firm that charged half the money. Yeah. Because I still think you're making a lot of money. And you're making$5 million instead of temenine that's okay seven figures yeah today we're going to talk about how this has affected the careers of blake lively justin baldoni and in my view as i said the third principal ryan reynolds who's blake lively's husband should we do justin baldoni first please on the basis that it will still still still would not recognize him if i passed him in the street okay well that is that to me is the most interesting because it's one of those things where the case has been going on so what the movie was a hit whatever sorry who the hell is this guy he's like a clean skin he came from nowhere he played a sort of television tele-novela character from 2014 to 2019 he was a sort of male feminist he seemed to have done some ted talks i mean he proposed to his wife i discovered so much came out in this case it's just so detrimental to everyone he proposed to his wife in a 27 minute video which he put on his company's youtube page wow which i guess is a character note is that available um yeah yes you can see it i think i think it's still available as for what will happen to him i mean at the start of this i said bye bye justin i stand by that particular verdict um maybe he'll direct some low budget something or other i he's kind of an ick i have to say i read through it i think he behaved in a creepy way i read all of the stuff of this case over a long the long period of time it's been running yeah I think yes I think on my judgment some of the behaviour and his own messages and his emails gotcha yeah I don't I don't love it yeah so obviously the case was taken up bizarrely in the way that our cultural work now by sort of conservatives and alt-right figures so maybe he'll I don't think I don't see him as going in that kind of slight like oh Lawrence Fox this is the only place I can get work or like Kevin Sorbo former Hercules you know starring in those type movies I don't really see that so maybe he'll direct low budget things but I don't think we're going to be hearing a huge amount more from him.

30:56Blake Lively, this is, I mean, it's fascinating, you know, really big and gossip girl on TV, but this is her step and she's obviously married to a huge star who we're going to get to. This was her step up to, and to the top A-list, I think really, from the discovery, which is the legal process file, which we get all the emails related to this case. So before she even launched her actions and her sort of, her campaign against Justin Baldoni. We now know what the Sony executives were saying about her. The people who bankrolled the movie. The chair and CEO of Sony said she did bring it all on. This is before it's become Lively V Baldoni.

31:34They never think these emails will be made public. She did bring it all on herself by refusing to listen to advice and by selling her products. Remember, she used this movie about domestic violence to launch her new hair care range. The head of comms at Sony. She orchestrated all this drama in a totally unsavvy and amateur way and basically threatened Sony and now is mad that it backfired on her. Another Sony executive, this is my favourite one because this tells you everything about the entertainment industry, privately writes in emails describing her as a fucking terrorist. When the movie comes out, writes to Blake, Blake, 50 million, your blood, sweat, tears, brilliant smarts, heart and soul in every single frame.

32:10My God, it's incredible. Thank you 50 million times and it's only Saturday night.

32:16Richard Osman:Wow. Sony executives must really love seeing their emails in public. because how are people still writing things in emails remember again it's all before she launches the legal action action says it's quite ironic because she has a huge hit movie to head headed to 300 million plus and she'll probably never work again or not for a while although even hathaway recovered tom this is the tom the ceo of tom rotten's ceo at the time of sony pages tom thinks she's probably in bizarrely unhorrible right now this is before anything became public that hathaway reference is interesting that is a reference to anne hathaway at the time of the les miserables sort of oscar campaign which she eventually won the best supporting actress oscar there was a huge backlash public backlash internet-led backlash against anne hathaway i think that was probably just down to sort of misogyny she they thought she was too staged too ubiquitous too keen to please you know to something yeah yeah but there wasn't really anything that you could say she'd done so there's no particular reasons so to go back to Blake Lively and whether she could recover in that same way because Anne Hathaway obviously has recovered from that I do not think so she had a whole load of witnesses lined up so much had been struck out by this point what they were really going to say in the trial is Blake Lively is commercially toxic you're going to have a parade of people saying yeah no she can't get this work she can't get that work we've got a million units of our hair care unit that we can't shift are you really going to get up on the stand and say that I would launch a podcast called Blake Lively is commercially toxic if I were Blake Lively that's a really great name by the way we'll get some real numbers because people do not like her now so she's you know if you look at her upcoming projects there's a film in development directed by Paul Feig will that go forward I don't know there's a sort of element where you think you know like in Pratt Panto it happens and you know for a certain amount of years you play a woman plays the principal boy and then suddenly it's like oh now you're the wicked queen I don't know she graduates from nice girl to sort of villain roles yeah um because images do go through these cycles and backlashes and what have you okay now let's get on to the real degraded brand here because ryan reynolds now he was an absolutely teflon a-lister he is very clever he's successful he writes he performs he has a gin brand he is a co-owner of rexham he's got he's diversified in all the ways the modern celebrity must be and he's got a sort of guy next door sort of fun kids watch movies with him he's a kind of four quadrant guy basically now we've all now seen his texts which are so sort of withering and as to be brutal people now think people think they know stars they've got a certain persona but now we all know everyone knows stars act like this or they suspect they do but we now can see it by the way everyone in hollywood who has to work with talent doesn't love that even though he's not their client necessarily, no one loves that this has come out.

35:12Because the whole business is a business of artifice and wonder. Once you see that people who seem like so chill and really fun and just like a laugh a minute guy behave like this behind the scenes in a way that other people would perceive to be bullying or just like unbelievably the big I am persona, which I know I always bang on, but it's taken a beating for definite. I think that that settlement was to salvage him more than her because i think she's regarded as a busted flush now but you've got to protect that investment do you think taylor swift her formula former best friend forever all eyes on the taylor swift wedding because if those two aren't at it that's not going to really oh my gosh i mean that would be i mean i'm sure they will be but we're almost at move to the cotswolds territory if i can say i mean they'd be a lovely addition wouldn't they the scorched earth let's move to the cotswolds the poor old cotswolds never litigate unless it's I mean I've written about this so many times before but don't unless it's desperate don't litigate what you've seen here is at every single stage of this their talent representative should have said don't do this clearly what they have shown themselves to be by continuing with it are stars that are uncontrollable or have just not taken the advice and if there if the advice has not been at every stage let's exit this gracefully there's different ways we can go about this then the advice has been incredibly poor or maybe this is a hangover of people thinking that hollywood's old ways which is sort of legal firepower status firepower by saying well we'll get rid of you from our agency justin baldeny because obviously these two are more important to us that those ways would work and that actually the really uncontrollable thing in this case even though the stars might have seen uncontrollable is the internet and you cannot You can't predict where it will go and you can't predict backlashes.

37:01Maybe you can, who knows, synthetically stir them up, but you don't want to get into one of those cases because, again, the risk-reward is not a balance in your favour.

37:11Richard Osman:Because even 20 years ago, we never would have heard a whisper of this. No. Absolutely would have disappeared. A couple of lawsuits, blacklisting, everything dealt with. Certainly 40, 50 years ago, this stuff happened all the time, but now you can't hide anything. Everyone who has lost here, except potentially Cotswolds estate agents, who could be in for a big payday. They always win. Why not just be a lawyer or a Cotswolds estate agent? Estate agent, that's the thing to do, doesn't it? Just seems like that's the right move, yeah. Talking of estate agents, talking of lovely bucolic neighbourhoods, I want to talk about the new ITV show, The Neighbourhood.

37:42Richard Osman:The Neighbourhood. The reason we're talking about it is, so you may not have heard of it, you may have done. We've talked before about BBC ITV Channel 4 taking fewer swings but bigger these days. of far, far fewer shows in the mid-market and they're spending all their money on three or four really, really big swings each time. And at the moment, that's all sort of in the tail of the comet that was The Traitors, which showed that you can go from a standing start and create this huge phenomenon which really kind of energises terrestrial television. Almost always, these things fail. ITV's new version is called The Neighbourhood and for whatever reason, it's become a poster boy for how dare they.

38:18Can I quickly describe the premise of the show? Just because quite a lot of people haven't seen it. The premise is, it's set in this dedicated village, a holiday village, in fact, in the Peak District. And it's like a whole, it's almost like a 360 degree immersive set. Would you describe it as that? Six families move in. Some other families kind of come along the way. They do neighbourhood challenges. There are evictions in the form of something called removals. Removals, yeah. There's a£250 ,000 prize. And Graham Norton is the host. now obviously he is one of the biggest stars on tv um they've got everything in this you know there's a town square there's a pub there's a cafe all of that sort of stuff it's a prime time show yeah it's now already been pulled from prime time because it was doing so bad it got it was getting half a million viewers which is um not what you would wish for um and i mean it's replaced by things like you know speak the chasers celebrity versions and davina show on repeat which are getting higher viewers yeah it's very difficult because there and there've been a quite a few show we should say that by the way this is not alone and in the old days it would have failed with four million viewers it was still a failed i don't think it's but now it fails with half a million there are lots of shows like the fortune hotel or the inheritance rise and fall was that one yeah um that various shows these big swing shows that have not worked it's interesting i mean talking to people you know within that that business sort of saying well in it's easy to forget that sort of one in ten maybe works and becomes a big thing anyway and that nothing can have a chance really now beyond the first series which is something different than would have you know happened before it's no longer the case that people will turn up even if you've got one of the biggest names best loved names on tv graeme norton they don't feel they have to until people say have you seen that thing that's good until they've had a recommendation from someone or some thing, some outlet, something they trust, they don't actually turn up to look.

40:14Richard Osman:Well, there isn't any one way to draw people in that's to make a show that people want to watch. And, you know, you can start on 900 ,000 and then your second episode. I mean, don't forget when Traitor started, the overnights for the first couple of episodes were terrible. Yeah. I mean, really low and everyone was like, oh no, that's annoying. Bizarrely, it became a huge show catch-up even after the final had aired. But if people, it's like anything, it's like a book, it's like a song. If a few people watch it or listen to it and like it they'll recommend it and that's how that's how a show goes every single person making these things wants this to be yeah a hit the pedigree of the show it's not just graham hosting it and it's absolutely one of our best presenters it's it's lifted who make i'm a slave and all sorts of shows and the garden who make uh 24 hours in police custody i mean it's really amazing chops i think the format is perfectly acceptable it's sort of like big brother but for families i mean that's an interesting pitch and by the way we found this amazing location which already exists it's great it's a place called uh dermont lake holiday village you can rent it out if you want to on there if you look on their website at the moment it's like come where the tv stars are i think okay i didn't quite as well as you'd hoped but i think it's a great pitch it's a really interesting pitch there's wonderful things like with the removals things everyone's staying inside the house they're looking out of their window yeah just to see if they're about to get removed.

41:34Richard Osman:When you watch it, I hadn't watched the first couple. I watched it when everyone had said, oh my God, this is terrible. This is a disaster and et cetera, et cetera. And I watched it. I thought I'd really rather enjoyed it because in any other generation, it would have been a perfectly acceptable mid-sized hit. But because we've only got a couple of these a year now and there's a lot of pressure on them, it has to hit immediately. And it absolutely shows. There's like a certain little sprinkling of stardust on shows like this, which is whether it's casting or whether it's serendipity. But I think they set up everything they could set up to make this a hit.

42:07Richard Osman:I think it's a really interesting location. I think it's a perfectly acceptable idea for a show. Some good bits of casting. You know, I like how it looks. And the people behind it are super, super smart. Viewers, if they watch something and it's not for them, it's not for them. But I do think Traitor started exactly the same. Started very, very, very low and just grew and grew and grew and grew. and uh yeah this this one it it looks like it's not going to but it's the idea of saying oh my god who commissioned this i tell you commission it everyone every single person at home if they were working at itv would commission this if lifted and the garden came to you and said here's our location i said look it's it's an eviction show right people like eviction shows right yeah that's something that people like what's the twist the twist is oh it's family so it should receive family you know it's not just families but it's households yeah so there's like like a a house full of uni students um in there um and they're saying that graham's interested in doing it so you know you've got a big face and a big name who you know go on shows and and and puff it and they spent plenty of money on it almost impossible to have a successful television show i agree and i have to say that i think what people are doing now and i so many people now say much as you can see they have in hollywood maybe we just reboot something that there's some kind of residual memory of some ip that we do you know or we you bring hell's kitchen back because it's huge in america and now we do it you know the itv studios make that or you do people might turn up for that for the sort of some sort of stuff whereas i like i like that the channels are still taking things like this on new shows and it's so hard if i was making this show now if i was at the channel it's like it's so demoralizing and we're not no one feels sorry for anyone we get that but everyone is trying to have a hit with a new show here and you can say oh god it's so derivative every show you've ever enjoyed is derivative it's all gogobox well that's soccer saturday i mean it's everything is derivative even you literally it's impossible not to be derivative you want to be derivative but incredibly entertaining studio lambert who make the traitors who make gogobox who make race across the world three of the three ideas which are absolutely not original and what studio lambert do is they make them absolutely brilliantly yeah and you know all three of those shows are shows which absolutely could have failed absolutely but they made other things like rise and fall and they've done it brilliantly but it just it hasn't taken the inheritance that's one of theirs and you know the viewers just go this this one is it's still a fantastic hit rate by the way i mean please oh it's the best hit rate in the in the business absolutely greatest feeling in the business is when you have a hit and when you do something where the viewers go, this is the version of that that we wanted.

44:49Richard Osman:But no one beforehand is predicting that. You've just got to give good people time and money to make good ideas and you hope it lands. So I really enjoyed The Neighbour Dome. Something that landed with me, if I may say, on ITV, that is an old format we know very, very well. And this is even a sort of retread of that format, the I'm a Celeb All-Stars thing that took place a couple of weeks ago, the final. I'm only just going to talk about this really briefly because I think something quite interesting has happened within that the final was essentially a reunion show bear in mind they shot this show in South Africa in last September I want to say and yet the final took place live in London in April over a period of 28 minutes I can't believe it because it felt like 28 days but also like 28 seconds it was pure chaos and drama I loved it in my view in a good way these huge showdowns mainly between Jimmy Bullard the eventual winner Adam Thomas by the way when he's crowned the fact his face was just like I mean talk about the hollow crown it really was you've never seen more one anyone David David Hay who you know I mean it was a I didn't think any of those three gentlemen had covered themselves in glory if I may say so but obviously David Hay remains the worst always there was a huge amount of people shouting I take full responsibility for my actions while taking absolutely no responsibility for their actions.

46:15Sunita walks off at one point. Gemma Collins then thinks, hang on a second, she's walking. I mean, I should have been the one to walk off. And then this extraordinary green feather confection flounces off after Sunita. They were pursuing Ant and Dec into the car park afterwards. It was unclear who could go on any of the aftershows. In fact, even the King of the Jungle couldn't. Everyone has been on podcasts since telling their side of the story. The reason I'm going to say I love this, first of all, is because it was absolutely hysterical. But you see the afterlife of it rolling on. That is something quite new.

46:47That's something that is an old format. We know it's an old format. And this is very American, what's actually happened. This whole idea of effectively a reunion show, which is what the Housewives do. It's huge now in the States. These reunion shows are the biggest things. Everyone's waiting for the reunion show when they've all seen how they've been portrayed, which didn't used to exist. That's the key.

47:08Richard Osman:So normally on I'm a Celebrity, you'll have a reunion show. It'll be the next week and people haven't really been able to catch up with everything. This is months later, so everyone knows exactly how they've been portrayed. They've seen every single bit of social media comment and they are absolutely ready to go at each other. David Hay claims to be, well, it was claimed that he was suing ITV for£10 million for giving him a villain edit. He's now said, this is absolutely ridiculous. I would never sue for that little mummy. It's much, much more. the whole thing is just pure poetry um but it's very american that and to have done that until suddenly and when things escape the bounds of the show and then you realize that like oh my god this is sustaining about like almost you know two weeks on it's sustaining several of our leading podcasts the fallout from people turning up and and saying all sorts of things on it shows like this now have to leap out of the leap out of the confines of the you know the transmission slot and even on they sort of need to be happening and to be kicking off all the time.

48:03Richard Osman:I mean, you talk to everyone who's working on that show and it's literally hilarious, people who worked on that 28 minute thing just going, like the phone calls they're making, everyone going, is this okay? This seems like something terrible has happened. Remind me what our duty of care rules are. By the way, you can still watch this on ITVX. And as I say, how can it only be 28 minutes? It's hysterical. It's absolutely hysterical. Jimmy Bullard just shouting at the audience, you know that sorry for us this is just a job for us just he was on some point of celebrities and we'd go and talk to everyone beforehand jimmy bullard uh and i shook his hand i said uh hi jimmy um i'm a fulham fan and he goes oh really i used to play for fulham i said yeah that's that's why i told you exactly that um can i make an itv announcement i wanted to just say can you i can indeed uh so i've just i've obviously i've left the house of games and pointless and all of that you know i want to do a bit of tv and people pitch me various uh quizzes and and studio lambert funnily enough though that's not why we were big in the mucks we slugged them off as well didn't we talked about rise and fall as well uh they they have they came to me with a show called golden elevators uh which is an itv quiz which i'm going to be filming this autumn and i'm looking forward to it very very much indeed and with my i always think if if someone pitches me a quiz do i like it as a quiz our viewers going to enjoy it and then i think is there something i can do that would make this better.

49:27Richard Osman:And with Golden Elevators was the first one where I thought both of those things. It's super, super simple, but it takes a lot of skill to win it. And I can present it in a really interesting, slightly unusual way, not kind of shiny floor. And I can give away a big prize. Well, I was just going to say that your dream is always to give away a large amount of money on television with a sense of occasion. And I'm not talking about anyone who's failed to do that in the past, although you know my thoughts. Yeah, but it's got a£100 ,000 prize. So I get to do that stuff, which I've done in run-throughs a million times for other people's shows, where you go, okay, you have said Anne of Cleves.

50:04Richard Osman:Marina, if Anne of Cleves is correct, you're walking away with£100 ,000. If it's wrong, you walk away with nothing. Okay. I haven't breathed in that bit. You know? So that's the thing that I want to do. and this show gives me the opportunity to do that it's a really it's a really really fun show and you know everything fails etc etc but i'm i'm i'm looking forward to doing it very much autumn schedules richard um i don't know actually so we're filming in the autumn and it's it's again it's it's studio and amber and talpa the team behind um the traitors and so the americans and the brits and various other territories will do it at the at the same time um but really we've done loads we've been doing loads and loads of run-throughs the last couple of weeks and it's really fun every version of it has been oh this is completely different yeah i mean listen we shall see but it's nice for me and it's 8 episodes rather than 110 and I can do that and write as well it's a different number it is a different number exactly that any recommendations this week I am loving Legends oh that's what I was going to recommend I'm sorry I'm sorry why would we not now people are only going to get one recommendation well Legends is written by Neil Forsyth I love Neil Forsyth I love him so much did the gold if you love the gold and I certainly did and it's with the same team he did the gold with with objective um i was i was sat across the aisle from joshua maguire from the gold i was like oh my god i was so excited and anyway you don't need to know that well it's a fantastic cast um steve coogan's sort of the lead but it's long and strong this cast and it's about um undercover customs um operatives uh in the 80s going undercover to beat herring and smuggling rings and it's it's sort of based on something that's real but has never really been talked about and I just think Neil Forsyth is brilliant the way Objective makes it it's fantastic it's just a great crime story I love it it's like if Guy Ritchie had a sense of humour yeah but you know there's stuff in there really early on where you go it's just a great gag it's believable it comes from character there's still tension all of that but it's absolutely real people talking in a real way both series of the gold I just I loved and this is that was on BBC this one's on Netflix let's recommend both of those yes yeah that about wraps us up uh we will be back with something you all have heard of on thursday so paul mccartney we loved interviewing him if you want to listen to that beforehand it's um the rest is entertainment.com for membership and ad free listening otherwise and apologies once again for uh having uh no um visuals in this episode we are very sorry we have no video in this episode but lovely for people who only listen in an or they only ever listen because it's like everyone's on a level playing field.

52:52I just want to say I looked incredibly hot, maybe my best ever, but fine.

52:56Richard Osman:Yeah, I was wearing, you know what, I thought just for once I would wear a top hat. Yeah. But now I just, now I feel like it was a curse. Just wasted. Yeah. Next week, hatless. See you on Thursday. See you Thursday.

53:20To be continued...

From the publisher

Is Harper Beckham being forced to become a tween CEO? Who will survive the Lively vs Baldoni legal drama? Why has Graham Norton's new show completely failed?

Victoria and David Beckham have recently trademarked a skincare line in their 14-year-old daughter's name. Why are stars so hellbent on forcing their kids into the entertainment business? Richard Osman and Marina Hyde chat about the state of celebrity nepo-babies.

Justin Baldoni and Blake Lively have settled their lawsuits against one another out of court. Is this a victory for their careers, or has the damage already been done?

ITV's 'The Neighbourhood' has been moved out of its prime-time slot. Why is it so tough to launch new TV formats in the UK?

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