In short
Podcast Summary: The Rest Is Entertainment - "Bond and Meghan Markle’s Big Gamble"
Podcast Overview Hosts: Richard Osman & Marina Hyde Episode Title: Bond and Meghan Markle’s Big Gamble Episode Description: This episode dives into the recent changes surrounding the James Bond franchise and Meghan Markle's upcoming Netflix project. Richard and Marina discuss the implications of these developments on the entertainment landscape.
Key Themes and Discussions
James Bond Franchise Update
- Significant Announcement: Barbara Broccoli and Michael G. Wilson, the long-time custodians of the James Bond brand, have announced they are stepping down.
- New Ownership: The future of Bond is now under Amazon's control following their acquisition of MGM.
- Creative Control: The transition has raised questions about the creative direction of the franchise, especially after recent criticisms about Amazon's content-driven approach.
- Character Evolution: Discussion on the impact of Bond being killed off in "No Time to Die" and the challenges this creates for future installments. There's speculation on whether future films will explore younger iterations of Bond or potential spin-offs.
Meghan Markle's New Netflix Show
- Show Launch: Meghan Markle's Netflix show, titled "With Love, Meghan," is set to debut soon, with a focus on lifestyle content aiming to elevate everyday experiences.
- Rebranding Efforts: This project is viewed as Markle's chance to solidify her brand akin to Gwyneth Paltrow’s Goop, following a series of unsuccessful ventures.
- Cultural Commentary: The hosts analyze the potential success of Markle’s show and the polarized public perception surrounding her, questioning whether viewers will tune in out of genuine interest or to engage in "hate-watching."
- Controversies: Markle faces scrutiny for allegedly mimicking existing lifestyle brands and shows, drawing comparisons with established figures like Martha Stewart.
Audience Engagement and Hate-Watching
- Hate-Watching Phenomenon: The discussion touches on hate-watching trends, citing a survey indicating that hate-watched dramas have increased viewership significantly.
- Cultural Relevance: The hosts debate whether Markle's polarizing public persona will encourage more viewers to engage with her show, despite initial disdain.
Recommendations
- Richard's Pick: "Balatro" - an addictive mobile game combining elements of poker.
- Marina's Pick: "Joan Rivers Fashion Police" on YouTube - a retrospective look at Rivers’ iconic fashion critiques.
Conclusion The episode provides a deep dive into the evolving narratives surrounding two major figures in the entertainment industry—James Bond and Meghan Markle. Through expert insights and lively discussions, Richard and Marina explore the complexities of branding, audience reception, and the shifting dynamics within the realm of entertainment.
Additional Notes
- Podcast Membership: Listeners can join The Rest Is Entertainment Club for ad-free content, early access to episodes, and more exclusive perks.
- Social Media Links:
- Twitter: [@restisents](https://twitter.com/restisents)
- Instagram: [@restisentertainment](https://instagram.com/restisentertainment)
- YouTube: [The Rest Is Entertainment](https://www.youtube.com/@therestisentertainment)
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This summary captures the central themes, discussions, and key takeaways from the podcast episode, while also providing recommendations and additional resources for the audience.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:00Tron Ares has arrived. I would like you to meet Ares, the ultimate AI soldier. He is biblically strong and supremely intelligent. You think you're in control of this? You're not. On October 10th. What are you? My world is coming to destroy yours, but I can help you. The war for our world begins in IMAX. Tron Ares. Rated PG-13. May be inappropriate for children under 13. Only in theaters October 10th. Get tickets now. Hello and welcome to this episode of The Rest is Entertainment with me Marina High. And me Richard Osmond, hi Marina. Hello Richard, how are you? I'm really well, it's lovely to see you.
0:41It's very nice to see you. I've been squirrelling away this week. I've nearly, nearly, nearly finished the new Thursday Murder Club book. I can't believe it. You have really put some pace on in the last few weeks. I'm over 90 ,000 words, so I could stop now. Just put the handbrake on. But it hasn't finished. I could just leave it where it is. But we've got a title as well now, which I'm not allowed to say, but I'm hoping maybe we could exclusively reveal on the podcast at some point. I'm going to force you to do that. Excellent. Yes. And your week? Yeah, it was quite strangely quiet, but I'm looking forward to a rambunctious morning.
1:15Yes. Because what are we talking about? Oh, if you're looking for rambunction, you've come to the right place. We're talking about Megan's new show on Netflix with Love, Megan. Yes, we are. We are also, as you know, we talked about James Bond last week and there have been significant developments. Haven't there, Jess? Almost within minutes of the podcast dropping. Of minutes of the podcast dropping, but I have a lot of insider stuff on that, which I think is really interesting and quite sad in some ways. But also, by the way, we're not ignoring the whole what's cool and what's not cool for Argo that happened after our Questions and Answers edition.
1:48But we are going to talk about that in our Questions and Answers edition this week. We can't do it now. Oh, we're talking about it. It would take up the whole thing, but I have things to add. Oh, my God, really? How brave of you. Right. Anyway, after its debut is delayed for the LA Wildfires, next week is going to see Megan's show, a sort of lifestyle show, launch on Netflix. And actually, last week, she did a little sort of Instagram video explaining that her brand, that What Three Words brand... American Riviera Orchard. Every time I have to think about it, American Riviera Orchard, is sadly no more.
2:23That brand is now As Ever. As Ever. As Ever. Now, I tell you what, that is a great name for the fragrance that you know I believe she will at some point launch, As Ever. Megan, As Ever. She claimed in that little Instagram video that in that sort of, I'm so excited to share this with you. I always feel when people say, I'm so excited to share this with you, that whatever's coming next will be appalling. Anyway. If you have to say, I'm excited, you know you're not, because you show you're excited. I mean, just talking, you could see, oh my God, she looks really excited. Whereas if you're going, me, I am excited.
2:52Do you think, well, tell your face, love? I'm so excited to share it with you. Anyway, she says that Netflix are my business partners. That's a real citation needed. I would love to know more about that particular deal. So when they stepped away from their royal duties, Meghan and Harry signed various deals. One was for him to do this book with Penguin Random House. One was with Netflix, which was sort of 100 million. And one was with Spotify, which I think was in that kind of overall creator thing. Maybe they were around$20 million. Yeah, and the story of it all is you start off doing the projects you want to do.
3:21and then when no one watches them you do the projects that the people pay and you want to do. Well Netflix managed to get them and that was the biggest ever debut that the Meghan and Harry documentary that was I think their biggest ever documentary debut at the time I don't know if it's been surpassed by Beckham but it's only something like that would have surpassed it. It was huge. They came out of the traps quite quickly with that because that was watched everywhere and it was number one all around the world and that's what they don't forget that's what they want Netflix. They want globally appealing shows.
3:45As we know they paid Meghan and Harry like$100 million for sort of overall production deal. She does say they're going to sell her products in whatever those may be, in their bricks and mortar stores, which is a whole separate item. And we're going to come to that on a different episode of the podcast, because it's very interesting what Netflix are doing, moving into these kind of bricks and mortar things. But there is a trailer for the Netflix show, which actually dropped a while ago. I mean, you know, it's lifestyle. She's picking some flowers. Some celebrity friends are dropping over. Mindy Kaling, there's a chef.
4:17She wants to create, as she says, she wants to create joy in every moment. What would create joy for me is people stop talking about creating joy. There's something so sort of extreme and religious about that. But also in every moment. In every moment. Honestly, you can have too much joy. Don't you think? She says she's always loved taking the idea, taking something pretty ordinary and elevating it. Like Harry. I was just, oh, you beat me to it. Sorry. But also, of course, we don't actually think that. I'm joking. No. But Netflix says this is going to reimagine the genre of lifestyle programming.
4:51At this point, they've just got to say anything because they're$100 million in the hole for these people. OK, so I think we should start by talking about what type of show she's fronting to achieve this. Can she do it? Can she become a guru? That's the interesting thing because actually the prize is enormous. If you can become a Paltrow or a Martha Stewart, then the money is sort of endless. And it's possible that she can do. Certainly, you know, everything you see looks great and the celebrities look great. And, you know, she's chicken roasted chicken. Yeah, but that's what people like. People like Instagram.
5:25That's really interesting because you see, I'll tell you what, I know that Netflix is looking for that kind of programming where people just say you can have it on. I will come to whether I think you can have Megan just sort of randomly on as a form of wallpaper because she's so polarizing. But anyway. But she's not polarizing if you like her. If you like her, then you want to watch it. It doesn't, the lovely thing about TV ratings is it doesn't matter that people don't like you because they just don't watch. You know, you don't need most people to watch a TV show. I'm true. And I'm going to come to that at the end of this whole thing because I really want to talk about hate watching.
5:55You know what? I'd be fascinated because I don't buy that hate watching thing apart from the first half an hour or something. And apart from your Instagram clip, I don't buy it in terms of if you, you know, Megan wants to have that show running for 10 seasons. Right. And that's a, that's not a hate watch thing. That's a lot of people. Well, I agree, and there's lots to talk about. We'll get there, we'll get there. But let's look at what the show is. There's a lot of, there appears to be what I would call a lot of farm-to-table bullshit. It's the kind of rosemary cocktail garnish of it all. They should have called it that.
6:24You know, that slightly religious way of talking about, you know, laying the table, tablescaping in the parlance of the NAF. Tablescaping? Yeah, oh my God, it's, you know, this whole. And so the aesthetic is somewhat trad wife, somewhat luxury would-be mogul, because it's very expensive. It's that sort of... Listen, by the way, maybe it turns into brilliant sass halfway through. We should say it hasn't fully dropped and we don't know. Maybe it's just like an absolutely groundbreaking programme. Maybe it's a sitcom. Yeah. That would be a hell of a way to launch a sitcom. To be honest... She's an actor.
6:57Yeah. Could be. That would be great. It would be absolutely brilliant if it just became like a carburement enthusiasm actually ripping the whole format apart. And you can never make proper sitcoms after this. Yeah, amazing. And Prince Harry plays Jeff. Which is Prince Jeff. Yeah, Prince Jeff. Which is a great idea. But anyway, I don't think we're going to see that. I have to say that sort of dollar for dollar, the deal that Penguin Random House did is much better than the Netflix deal. But remember, they both did deals at the sort of time when they sort of stepped away from Royal Duties. And that book, his book sold so unbelievably.
7:29Insanely well. And I think they paid 16.5 million or something like that. They were made out like bandits on that. That made a huge amount. And also the documentary they did for Netflix did good money. Everything else Netflix has invested in them has not really paid off. The polo series that Harry did, for example. So this is a big swing. And if it works, then actually that 100 million will look like good business. But it's all she's got to go with. The TV they've made is like TV that they think people should be watching rather than what people want to watch. You know, there was some series called Live to Lead, which was about global justice activists.
8:03Yeah, no thanks. That's not going to be a rating smash. I'm sorry to break it to you, but, you know, the polo documentary. Yeah. All of that's just been a washout. The story is themselves, and it only ever has been, but they can't continue to complain about their terrible treatment at the hands of the royal family because they don't appear to have any contact with them to speak of. They live in the lap of luxury. They've got Netflix money. Yeah, they've got Netflix money. Which is even more than queen money. So they cannot whinge anymore. So they've got to find a new thing to do. Well, I think they've got to find joy in every moment.
8:34Yeah, they've got to create. No, create. I'm so sorry. No, she is the presiding intelligence. She's not foraging for joy. No, no, no. She's the godhead. You're the person, you know, you're supposed to be the worshipper. It's difficult because in the type of show this is, all these kind of shows, she's had to return to social media, which, by the way, she spent a huge amount of time slagging off and how toxic it is. But then she's had to come back on it. So there are people who are native to those, particularly like Instagram and that kind of platform, the Kardashians. And you can see those kind of plot lines and it sort of works.
9:03But I think that because of her position and because of what's happened to them and who they are, they have to be more buttoned up. And they can't surrender. You're never going to see, you might see her crying in the Meghan and Harry documentary about this or that. But they can never do that again now because it's over and that plot line is finished. And they can't really do the extended universe in the same way the Kardashians because their extended universe very quickly is King Charles. And people who are not going to appear on this program. Imagine how much of a hit this would have to be before King Charles went, do you know what?
9:32I actually... I need this more. I might go down there and cook a roast chicken. Can she become... The question of whether she can become a guru is interesting. There are like housewife influencers, tradwife people. There's people like Nara Smith, Hannah Neilman. But they're on TikTok and they're on Instagram. This is not Netflix. It's weird. This sort of feels like looking at it. It feels like something that should be on social media rather than a platform. Even Gwyneth Paltrow, when she went on Netflix, and I've watched every episode of The Goop Lab, She knew that what that show had to be was not like all the rest of her lifestyle stuff that she does on Goop.
10:08It had to be the absolute fringe woo woo. You know, they had to be going with Wim Hof. They had to be doing the like psychedelics and all of that stuff. And it had to be really out there. So you think Megan might have might do psychedelics. No, that's a headline. Yeah. I mean, no, I don't think she can do. As I say, she's too buttoned up. She can't be that sort of person. But the big gurus are clearly no one is as big as Martha Stewart. Gwyneth, for a time, was a sort of Gen X Martha. Meghan clearly wants to be a millennial Martha. Goop was, and I say that, was the lodestar for celebrity brands.
10:44You get to be that thing that they all want to be when they start wanting to be just celebrities. They want to be a tastemaker and they want to be a revered CEO. And whatever you think about Gwyneth Paltrow, she really did a nice job with that. Yeah, it's interesting. She did a nice job. She created a brand around her personality, but it's very coherent. She has got very good taste. She is incredible at drawing eyebrows. She's incredible at drawing eyeballs. Which are harder. I find eyebrows easier to draw. As soon as you get to eyeballs, I'm like, honestly, I'm just going to colour this in black.
11:18But eyebrows, I can do. She's very incredible at drawing eyebrows. But Goop is really faltering. I think in the last year, you know, it's not a start-up anymore. It hasn't ever made a profit, which isn't unusual in a startup. But how can you call it a startup anymore? It basically started in 2008. So it's been going a long time. And that thing that they always talk about, you know, it's going to get bought, there's going to be IPO or whatever. It's sort of always receding. I think they had three rounds of layoffs in the second half of 2024 alone. Yeah, but beautifully scented. Yeah, amazingly.
11:48But I struggle to think how Megan can actually do it. We do live in slightly different times now. I think so. If I were being cynical, I would say that the brands that really work in that area come from the ground up and have an authenticity to it. And, you know, I'm sure that people are playing a part, but you believe that someone is in their own house doing their own things and you attach yourself to the one who you most feel like. This feels like there's a path Megan could have taken where she starts this from the ground up with no money, films it herself and, you know, gets an organic audience who fall in love with her.
12:21Organic in all sense. Organic in all senses. But Netflix is one of the few places who will give you 100 million. You're not going to get that from Instagram or TikTok. There isn't the money there. So she has front-loaded the success of this. And if it fails, it's hard to think she'll make an awful lot more money than the first bit of money that she got. But if it succeeds and it does become a goop, then great. I think it's hard. If I were her and Harry, this is a deal I would have done. This is the program I would make if I were Meghan. If that's her lifestyle and these are her people, But it gives her, as you say, the things she's done before, you know, the podcast with archetypes, which again is about who you are as a human being.
12:58Again, it's what she feels we ought to be listening to rather than what we want to listen to. Exactly. They've gone through that period. I imagine she'll be able to pepper some of that stuff into what she's doing. I imagine if she's got people around for dinner, she could have interesting people around for dinner. I mean, we're focusing on the roast chicken, but at the same time we find out something about being a social justice warrior. That, I imagine, is what they want to do. But this is the way around to do it. If you're going to do something... Well, this is the last throw of the dice for Netflix with these two.
13:24Oh, for sure. They're coming to the end of the deal. They're like, this is it. We don't want any more of the worthy documentaries. It doesn't feel unreasonable, though, as a throw of the dice. It doesn't seem crazy. Well, I also agree. And if I may now begin to talk to you about hate-watching. Yes, of course. Okay, hate-watching. Variety, which is the sort of magazine that covers Hollywood, they did a survey with this... It was actually run by a sort of polling company called Canvas, and they did it in 2016. and it suggested then their figures that hate watch dramas increased viewership at twice the rate that love watched dramas did.
13:57And they did this, they cross-referenced tweets, positive and negative, with Nielsen ratings, which is the US TV rating system. But they did it again in 2023, seven years later, and they found it had an increased 79 % hate watching just in the previous year alone. Netflix accounted for 50 % of all hate watching comments, all of them saying, I'm hate watching. I agree, maybe people lie about why they're actually watching it. But also, as you know, comments are absolutely, I mean, that's not a polling organisation's job to look at comments. But it is popular. What's the show, a worldwide smash, that is a worldwide smash because people don't like it?
14:33They say, people will always tell you, Emily in Paris, and people say, I hate watching it. Everyone says it. I think they love it, but they can't say it out loud. I agree. Having said that, it helps when these shows come and they're bingeable. So you've got Hangover and you'll watch like four hours of it. it's like a four hour doom scroll or whatever and you'll get completely involved in it an eyeball is an eyeball as we've said before an eyebrow is an eyebrow we all know one when we see one and hate watching it causes release of dopamine adrenaline, serotonin so I do think that chemically Megan's show could have a whole lot going for it maybe not the psychedelics I think people sometimes hate watch the first episode of something certainly in the old days appointment to television you would do it I don't buy it.
15:19Of course it adds some things and it makes a noise, but you cannot have a career in television, you cannot have a career in any of the creative arts without connecting with an audience who love what you do. You can't do it. I agree with that, but there are certain shows that don't... We do know that social media has, to a large extent, changed sometimes the way we watch television and that people want to be part of various conversations, they want to second screen it, they want to be... So it has changed, not in all cases, but in some cases. And there are certain shows that are sort of lightning rods for that.
15:52And often, you know, a show that, there's many shows that come out on like New Year's Day and everyone's like, I watched it when I was hungover on New Year's Day. I hated it. But of course I watched the whole thing. And there is a lot of that sort of stuff about and people like go into a frenzy of being part of the conversation. I think it is actually a thing and I do think it makes a difference. I think it's guilt watch, not hate watch. That's what I think. I think people feel, yeah. I know what you mean, but I think they enjoy being part of a negative conversation. Sorry to say, people enjoy being part of a pylon.
16:20Otherwise, it wouldn't keep happening. And Megan is an absolute lightning rod for that. I was reading there's one of the... I think this might be the worst article I've ever read in a national newspaper. I've got a third worst I've ever read. So I was reading this article. It was about Megan and it's about her. Everything she ever does, she copies. So it's saying, oh my gosh, she's not got an original thought in her head. By the way, the secret of all creativity is nobody has an original thought in their head. That's the point. It's how you package your unoriginality. But can I just go through some of the things that they accused her of?
16:51She wrote a book called The Bench and there was another book called The Boy on the Bench and it said both of these books explore themes of father-son relationships. They feature similar titles. Yeah, it's got bench and colour illustrations. Most books have the same colour illustrations. But the author of The Boy on the Bench addressed the allegations and she said, this is not the same story or the same theme as The Boy on the Bench. I don't see any similarities. But still they put it in the article. I mean, literally the author of the other one herself I said, no, no, I know it says bench. I have to get to 40 paragraphs.
17:19That's three. And then the archetypes podcast, of course, we talked about. They were saying, oh, interestingly, just six years earlier, there was a book called Archetypes. And both of these works delve into the concept of archetypes and their influence on personal identity. Yeah, that's what everything does that all the time. And also, yeah, that's a word in the English language. So people are going to use it. So that's not so. I'm not saying it's original, but she hasn't directly gone. Ah, a book called Archetypes, you say. Let me look into what that word means. I am interested in that. I'm going to do that.
17:46That's not what happened there. The initial launch of American Riviera Orchard, Megan faced allegations, air quotes again, because that's how they always write, which means one person on Twitter said, of mimicking Goop. A promotional video showcased Megan preparing a roast chicken, which is very reminiscent of Goop's early content. Yeah, people cook roast chicken. Critics, again in air quotes, one person on Twitter, pointed out the parallels which extended beyond content with both brands. I mean, if this isn't a rip-off, then this is how you can tell that she's ripped it off. Both brands focusing on wellness, lifestyle tips, and personal growth.
18:20Yeah, again, I think maybe she hasn't gone, lifestyle tips and personal growth. That's interesting. I could deal with that. The logo of As Ever has come under fire. Okay, so the logo of As Ever. Oh, I saw this bit. This is such bullshit. It's a palm tree flanked by hummingbirds. And that has drawn, air quotes again, immediate criticism, immediate criticism. Do you know who from? I love this. It's drawn immediate criticism for its striking resemblance to the coat of arms of Pereira's, a small town in Mallorca. The town's emblem, dating back to 1370, is a palm tree between two birds. The mayor, Shiske Mora, said, we don't want our coat of arms being perverted and urged Meghan to reconsider because of the distress caused to residents.
18:58I can tell you exactly what happened there. The news editor's like, right, what does this look like? Get on a plane to Mallorca now. I want you to hear, I want to get the mayor, I want as many people saying that they are up in arms about this. Take a picture, say she's going to be in the paper if she just gives us a quote. Just saying that, you know, it's had a long history, this thing, and, you know, she shouldn't be cashing in. And then whoever wrote this article has surely delivered. And then the name, as ever, they're saying an Arizona-based photographer called Jen voiced her frustration, air quotes, as her photography business, named in honour of her late grandmother, is also called as ever.
19:32She tagged Megan and Netflix into her posts and said, this, by the way, I quite admire Jen because she's shooting her shot here. She's like, she's called it as ever, and that's fine. And she knows, you know, Megan's allowed to call it as ever. She says, when the most famous people in the world start using your business name of over 12 years, that you named in honour of your grandmother, seems like they could throw me a little bone. Yeah, Gem. By little bone, what do you mean? Do you mean a little parcel of cash? I'm not living in your pool house. Yeah, come on, man. Let me live in your pool house.
19:58I don't want to be in the main house. Could I have a pool house? The best rabbit hole I went down, though, is this. It says, with Love, Megan, viewers, quickly drew comparisons. By the way, no one's seen With Love, Megan yet. So viewers, again, has to be in air quotes. Quickly, air quotes, drew comparisons to Emma's Kitchen, a series by Emma Weymouth, the Marchioness of Bath, established in 2015. I probably went down a rabbit hole. It says, again, I'm quoting this terrible article, both shows feature similar formats, with hosts sharing personal recipes and lifestyle tips from their respective homes.
20:25Critics, air quotes, highlighted not only the structural similarities, structural similarities, someone cooking in their house, come on, you know, seen James Martin, but also Meghan's choice of attire and set design, looks like a kitchen, which appeared to mirror elements of the previous show. Now, Emma's Kitchen, listen, I'm sure it's terrific, I've seen loads of it. There was literally one person on Instagram whose entire account is anti-Megan saying, look at this show. And it's a little Instagram thing. She's done like 150 posts in nine years, Emma's Kitchen. This is not a thing. It's a thing that someone's found on Instagram.
20:56This entire article, I won't even say what newspaper it's in, every single bit of it, every single paragraph just drips with disdain for Megan. There's nothing that stands up here. I think if I was Megan, I'd be doing this show. If I was Netflix, I'd be doing this show. I wouldn't have given them 100 million in the first place. It might work. I can say chemically, I think it has a lot going for it. I think it's going to hit a lot of people's releases. Yes. I think, as you say, a lot of people will... It's a real farm to cortex show. Yes. Listen, whether it's hate watch or whatever it is, a lot of people will want to have an opinion on it and will want to have watched it.
Read the full transcript
21:31We'll certainly be watching it. Oh, yeah. and discussing whether Meghan and Harry are cool or not. Shall we go for a break? And after that, you have a lot of insider info about the Bond situation as it is now. See you after the break.
21:51Welcome back, everybody. Now, James Bond, what a saga. Big, big developments last week. Why don't you fill us in on exactly what has happened? Well, I think it was two days after. Maybe in response? Yeah. It's possible? Well, it's very interesting talking to people within sort of the Eon, the Bond set up, and also within Amazon. We talked about this last week. We said that despite the Bond mark effectively having come under Amazon's control when they bought MGM in 2020, she still had creative control. Barbara Broccoli. Barbara Broccoli and her father, the legendary Cadbury Broccoli, who originally got the Bond film rights.
22:28And she's been stewarding it basically since the middle of the Pierce Brosnan era. Yeah, and stewarding rather well. Brilliantly. Yeah. And by all accounts, she is a fantastic person. People really, you know, but she had, there was this very well-sourced story in the Wall Street Journal that she was sort of surrounded by idiots at Amazon and that Jen Salker, the head of Amazon Studios, had referred to it as content and she'd been resistant to all this franchising, blah, blah. Anyway, there is now, they've taken a reported billion and Amazon have creative control and it's a joint venture, but it's quite clear that he's...
23:02So they paid Barbara Broccoli and Michael D. Wilson a billion? Reportedly. Reportedly. It is a very big number. Critics are saying. So many people, even within their set-up, were completely blindsided by it. And it came as a bit... She phoned round the sort of wider Bond family on Thursday morning telling them. And, you know, she's very loved and people think she's a sort of great human being, as I say. But Amazon... And then it was press release, Amazon, and with all these things, everything to do with Bond leaks, so they want to get it out and own it very, very quickly. Yeah, it came out very quickly, didn't it?
23:35Anyway, so trying to work out what happened, I must say that what is going to follow contains spoilers for things that happened in the last three Bond movies. That's Skyfall, Spectre, and No Time to Die. And if you don't want, if you don't know what happens in those, therefore, you know... That's a small group of people who were trying to avoid Skyfall spoilers. Yeah, okay. Well, there we go. I once got in trouble for giving away the plot of Great Expectations on Pointless. Oh, no, that's amazing. I thought surely the statute of limitations has gone. So a lot of people think that this is a bit of a smokescreen, her saying that, you know, that quote you keep seeing from her father in all the coverage of this, don't let temporary people make permanent decisions.
24:18Actually, what happened is that she was in a funk. And since the end of No Time to Die, here is the spoiler, where Bond is killed, killed off. She didn't know what to do. And all this goes back to the relationship between her and Daniel Craig. As I say, she took over midway through the Pierce Brosnan era. But Daniel Craig was her pick. And it was a big swing and it came off utterly amazingly. They have five incredibly successful, critically acclaimed films. Or four. Four on Quantum of Solace. And Quantum of Solace. But that made a lot of money, Richard. Oh, yeah. I'm the only person in the world who quite enjoyed Quantum of Solace.
24:54Well, yeah, I mean, I think there might be a few more, but it's not the, you know, it's not the brand leader, let's put it that way. But he was her sort of platonic ideal of what Bond was. And she had an incredibly intense relationship with him. Not a relationship, quite obviously, but he meant a huge amount to her. And it was a very kind of close, creative one, as does the character of James Bond, by the way. so for that last movie in order to discuss this properly we have to discuss something quite weird and quite which you'll love which is time in the Bond universe yes okay because it exists in this kind of rolling present and if you God if you want to get into like incredible subreddits on people trying to work out they spend hours or days or weeks thinking about this and how things fit in okay but it is all there for you if you want to have a look it will fry your brain in Nick Harkaway who wrote the latest John le Carré novel who's John John Le Carre's son said I literally had reread every single George Smiley thing just to work out the timeline.
25:53He said I realised quite quickly that the timeline was absolutely all over the place. That's hilarious. He said I can't either you know so I've sort of put it in a gap somewhere but you know he's been various different ages at various different times. And so I just I've chosen just to sort of play along. Yeah. So Daniel Craig's era, his bond, if you try and link it up with other events within the universe, was born in 1971, which is, by the way, not like nine years after the release of Doctor No. Don't think about it too hard. It's going to send your brain out. OK, but a key thing happens, which is in Skyfall, the death of M, Judi Dench.
26:32Now, that, of course, like everything, you have to sort of petition for it and it happened. and but that was and it was obviously it's an incredible moment but Daniel Craig lots of people will tell you that he saw that and he wanted a big moment for himself he wanted a huge moment and don't forget how hard it was always to keep him involved how many interviews every time he did it he'd say I'm never going out there again I'm not doing it again and so it's really I know it sounds like fun to be James Bond but it's it's tough I mean it's it's a huge commitment the filming is crazy you know the fitness every just everything especially if you're an actor like Daniel Craig, who can sort of do anything.
27:08You know, he's got other opportunities. But it's not going down a mine, is it? Let's be honest. Oh, for sure. I'm just saying. The end. Yeah. The end. I mean, really. Some of the interviews became ridiculous. Please, let me slit my wrist. Let you slit your wrist if you ever take 15 million pounds to do X, Y, Z. Have lots of sex with lots of people in six-star hotels. Boo-hoo. Okay. In some films, he goes down the mine, to be fair. Yeah. Or volcano. More volcanoes, yeah. Okay. But there should perhaps have been, and you could see how difficult this was. There should really have been a film, as you suggested, between Spectre and No Time to Die.
27:39But he was very powerful creatively, too. He got a producer credit. He, when No Time to Die eventually came, you know, he was the one saying, I want Phoebe Waller-Bridge to punch this up, the script. He wanted a huge moment because it was definitely his last movie. And the condition for his return was that he had this huge thing, this huge moment. And originally Danny Boyle was going to direct this, don't forget. and it's not correct that Danny Boyle left because he was going to have to kill off Bond and he didn't want to do that. In fact, Danny Boyle wanted to do all sorts of kind of subversive things with the character as he's talked about a lot and Barbara Broccoli, who has a lot of ideas of what you cannot see a James Bond doing, didn't want to do it.
28:18So it was creative sort of differences there. Danny Boyle, I think, wanted Bond to do a lifestyle show on Netflix from his home. I have heard some things that I thought, okay, yeah, it's fine that you can't see James Bond doing things like that. But it's obviously a different order of magnitude to kill off M, who is a desk-bound state functionary and the title character. And so many people connected with Bondworld could not believe that she was doing this and that she had allowed this to happen. They thought it was crazy that her dad would just be completely appalled because she had all these great instincts.
28:52But it sort of creates beyond a temporal paradox, whatever. but the maddest thing that people couldn't understand is okay if you are going to do it before you even do it and before you even green light that decision you've got to know how you're going to get out of it for the next movie after No Time To Die kick around the ideas at the time before you okay this because it's such a huge thing to do and they didn't and more to the point they still hadn't for the last five years bear in mind they filmed this before the pandemic she didn't know how to get out of it if you do that if you take that character and you kill that character there is only one place to go and that's spin-offs.
29:30That is going back to when he was younger. That's sort of doing, you know, that's the thing to do. And that's the thing that she was resistant to. The one thing that's hard to do is keep doing these big tentpole movies with the same character when you've just done what you've done. And so actually the Amazon thing of this is content, how do we spin this off? There has never been a better time in the Bond universe to do that. Yeah. I spoke to someone at Amazon, by the way, who also said how we talked about it last year, Please don't solely believe that everyone at Amazon is this kind of, you know, awful kind of content driven, whatever, rapacious.
30:04I don't think that's awful. That's what I would be doing. Many creatives, creative executives, creative people also thought that in the world we live in now that you could franchise this more. And it wasn't just, you know, it wasn't just like there's some accountant at Amazon telling you you've got to do this. But anyway, what they didn't do, so she was completely stuck in the terms of like, where does this, how does this go forward? What you could have done is say, right, okay, let's get Britain's best writers. Let's get Stephen Knight, you know, Jesse Armstrong, Phoebe Waller-Bridge, back up the money chart and they can sit in a room for three days and see.
30:39And you think, okay, scheduling that might be a bit of a nightmare, but they're writers. They're just in bed with their laptop anyway. So it's totally... When they're doing something, they're busy. When they're not doing something, they're doing nothing. Yeah, and it's quite fun. You're never going to work together. You don't have to write the script. Just work out how you come back for that before you allow it to happen. But it didn't happen. Anyway, after No Time to Die, so she was stuck and there were meetings had or whatever of bringing people in. A lot of people said this to me, that she's pioneering creatively for him, for Daniel Craig, who's obviously sort of moved on with his career and is doing what you would expect.
31:15Knives out. Yeah. Yeah, queer, whatever. I mean, he's doing lots of interesting movies. He's having hits and he's doing unusual indie movies. And it's freeing and you can look kind of crazy on the red carpet and grow your hair out and just be a different kind of person. Yeah, let yourself go a bit. Well, let your hair go a bit. So now she's walking away. So now people are saying, well, what type of deal is this? It's not specifically like what George Lucas did when he sold Star Wars to Disney, when he just basically completely walked away and they've done whatever they like with it. It is supposed to be a joint venture.
31:49However, they have creative control. So we'll see. So a joint venture in financial terms rather than in creative terms. Yes. And the finances are so key because people in Amazon would point out, say, look, the last movie cost 300 million. I, by the way, personally, I definitely think it costs more than that. They built a load of Danny Boyle sets that they never even used. Really. Really expensive stuff. And they never even used it. Megan's Kitchen, for example. Megan's Kitchen Island. That was 100. If you're having a movie like that every sort of five years and it's a huge amount of money to spend, like do a do a spin off movie that make a Q movie for 90 million or do something that's different that will make a series for 100.
32:28But you've got lots of, you know, you've got eight one hours or whatever it is. Now, it's not clear whether, you know, they'll even in terms of what to do next. My view is if they get Christopher Nolan, it will be great. He will. He wants to direct a Bond film. He's always wanted. He's doing the Odyssey at the moment. But rather than like, let's have a cameo in Reacher for one of these characters, it's best if they start off saying we remain at this main prestige, even if they do something else before they do the whatever. But you want to, Chris Nolan does want to do a Bond at some point. He's doing the Odyssey at the moment, so he couldn't, you know, and that comes out, I can't, it's like July 26th or something.
33:07It's famously long. Yeah, famously very long. You know, they need some form of content, oh dear me, before then. But you can see he would be drawn to being the first director of a new Bond's life cycle. He would obviously have a lot of input in the casting or whatever and rebuilding the world. Go back to the 60s. Yeah, whatever you do. I think one of the key things is that there's lots of actors who were told they were too young for Bond. I think that's out the window now. They probably do want a young Bond. Definitely. Because you want someone who can still be doing it in 10 years' time. If it's not all these tentpole things all the time, but there are fun little things you can do every now and again, it's good news for some of the younger people on the list.
33:49I think it's interesting, though, in terms of whether Marvel changed everything, even though they've kind of pulled back now and they're not having so many releases a year, whether audience expectations sort of changed and people say you can't just parcel out like one thing from the character every five years. But one of the key things will be, by the way, if Christopher Nolan does a James Bond film, then he always wants his three months theatrical release window. So that's when the movie can be seen in cinemas and nowhere else. Amazon, I mean, some of their stuff is like a 21 day. Yeah, 21 minutes.
34:24Yeah, 21 minute theatrical release window. I do think for definite that it is the end of Bond as we know it, this, for definite. and talking to people on both sides of the setup, you know, particularly on one side of it, it's another sort of family business swallowed by big tech. A guy who, I mean, you know, it's owned by a somewhat preposterous bald villain, Amazon, you know, even though he's married to someone who in my view should be the next Bond girl. Oh, Lauren Sanchez, I was thinking about Bezos owning the whole thing. The thing is, if you've killed 007, then you just leave everything behind the bins at 009.
35:03Does that work? I love, yeah, there's something there definitely Can I pitch a couple of things if the Amazon people are listening it's not drama stuff, it's more entertainment spin-offs that you could do Green Finger, which is Titchmarsh playing Bond a remake of Embarrassing Bodies which is Thunderball another remake of Embarrassing Bodies which is Doctor, no You Only Live Twice This Is Your Life, but only for people who've been on This Is Your Life before Or a dating show called The Spy Who Loved Me. There's genuinely something in that. Or you just meet up on benches. Wait, hang on. The dating show?
35:40Okay, right. All right. You've got my attention. Yes, that's good, right? The Spy Who Loved Me. A dating show called The Spy Who Loved Me. Yeah. Containing real-life former people who worked in the security services. This is like a real noughties reality. But you're dating like you would date a spy. Like, at first it's all coded. And then you meet for, like, five seconds on a bench. And then you meet, like, in a warehouse, but it's completely dark. If you were also a spy. Otherwise, if you were normally a spy, presumably wouldn't take you over. No, you're someone who's been drawn into that world.
36:07Into the web. Because the spy who loved me is meaningless if you're already a spy. Because that would be like my colleague who loves me. Like, someone you see every lunchtime. I've seen that bomb movie a couple of times. But yeah. What would it be like to date a spy? Yeah. That's a show. Okay. That's the spy who loved me. That's the only one that isn't just a pun. Diamonds are forever. That's competitive bridge. Military antique show, The Man with the Olden Gun. For Your Eyes Only. Oh no, that's my favourite. Yeah, The Man with the Olden Gun. Military Antiques, I think, is maybe the next huge vertical.
36:37That could work. And you bring back a hologramic M. I love it. Yeah, and Q. M and Q are both on that. Okay. For Your Eyes Only, that's their version of Gogglebox. Their version of Great Pottery Throwdown, A View to a Kiln. Like a charity thing, their version of Comet Relief. It's like Movember, but it's Octopussy. I won't say how that works. A hairdressing competition. a hairdressing competition called Die Another Day and then the same hairdressing competition but shorter which is No Time To Die there's some stuff there right? oh my god and you've given it all away for free like you always say if you have great ideas tell everyone tell everybody tell everyone and that is a primo example of it yeah exactly but I think maybe the spy who loved me Amazon Let's Talk have the rest for free that one that one what you're just shouting copyright and that counts I'm just shouting copyright exactly But yeah, I think that interesting times for Bond.
37:33But I think you're absolutely right. This idea that Amazon are rapacious and are going to do 50 different spin-offs, I don't think they will. I think they'd rather have something that works for 10, 15, 20 years than something that works for five years. And that means being very smart about their choices. Because there's so many people. You can see when they do the Bond novels, everyone wants to have a go at it. The fact that Christopher Nolan wants to do one. People want to be involved in that Bond universe. really great people, really great actors. And if you can give them a gentle in, then, you know.
38:02But they've got a huge problem with what they did at the end of that movie. They have a really big problem. I don't think so. You just go back to the 60s. Is that what you think? Yeah, of course. That's what I would do. And then you just start the continuous again. Well, no, and then, you know, in the 60s, like, there's a scene where he finally gets someone pregnant and, you know, there's a young James Bond. Finally. I mean, presumably you've got quite a few people. But we never see it. But then suddenly you've got his son and blah, blah, blah. I mean, come on. No, but it's not rocket science.
38:33You can pretty much get it. Quite a lot of the movies is rocket science, in fairness. Actually, in Bond, yeah, there's a lot of rocket science. But if you're making great stuff, so long as in the first couple of minutes you go, oh, by the way, this happened, people are like, yeah, okay. They'll go, okay, I'll watch. I think you miss something through not being able to have him in the contemporary. Yeah, but I think you can have him in the contemporary. I just think there's ways and means. You just go, oh no, did you not see at the end that he had like a special rocket pill? You know, and so, sorry, we didn't see it.
39:03Yeah, I know. It is still tricky, I think. I think they can probably do it, but it's interesting that she couldn't see her way past it and perhaps past that incredibly intense and amazing sort of creative relationship. I feel bad that I didn't pitch The Spy Who Loved Me to Barbara Broccoli now. She might still be on board. Well, pitch it to Amazon because they greenlit that, what was it called? The 007 Race to a Million. Crikey, that's got a second series. Seriously, they'll... That's the side of it. Honestly, if Amazon are listening, there are people out there who can... There's... Come on. You can do better than that.
39:31Come on with that. It looks amazing. It genuinely does. But it isn't. But it... You know that, too. It is a bit more... Listen, it's hard to make a television programme. But it's certainly... Can that be our tagline? There could be stickier parts of that format, I think. For sure. She really had the power to kill Bond in the way that Agatha Christie was the only one with the power to kill Poirot. and absolutely did it. And there was a bit of you that thinks, well, this feels like my life's work, so I should be the one who's allowed to, you know, shut it down. But it came from him. It came from the actor.
40:04And that is, so she, I think, overrode all those incredible instincts that we talked about a lot as to what should and shouldn't happen with a character and what you could see him doing, et cetera. It came from the actor. Well, then I would do a film where we portray Daniel Craig and Barbara Broccoli, where we talk about exactly that and we realised the whole thing was a fiction and that the real life of James Bond continues. That's what I would do. I'd stick No Time to Die in the meta unit. Yeah, like a Frost Nixon. Yeah. Craig Broccoli. Yeah. And suddenly you realise, oh, those things were films.
40:35Those things were films about a real character who's still with us. And then we'd watch films about the real Bond, not the one who's been put on screen. Incredible. Done. I mean... Sold. There you go, that works. Thank you once again to the format king of West London. and then hello it's Alan Titchmarsh here any recommendations yes I have got some ahead of the Oscars on Sunday I've been watching so many old just clips of Joan Rivers just destroying dresses on or on the on the red carpet and also just her and fashion police in the years after she's so iconic it's so hilarious I mean some of the almost all of the things are quite unrepeatable hugely of colour it's amazing watching her doing it and it was amazing when she died how many women really huge celebrities came out and said I just can't believe she'll never trash my outfit again I really can't believe it and it was anyway I think she's incredible I know there are people like Nicky Campbell who does it not that Nicky Campbell another one who does it on TikTok but I it would if Nicky Campbell did it yeah there's another Nicky Campbell who does it on TikTok just really quickly goes through people's outfits but there's something so brilliant about her.
41:45These jokes that she's doing are incredible. They are absolutely brilliant. I just enjoy it. She once came on 8 Out of 10 Cats and she was wonderful, as you'd expect. But one of the writers she really took a shine to, the least likely Joan Rivers writer, just, you know, like a typical sort of man in his mid-twenties, slightly diffident guy. And she was just going, this stuff is great. He said, you have to come over to LA and work for me. And he's like, oh, I wouldn't have anywhere to live. She goes, you will live in my pool house. He didn't do it. He didn't do it. But what fun if he had. Oh, my God, I would have loved to have lived in her pool house.
42:19I would have done anything to live in her pool house. I think she's amazing. Absolutely amazing. Anyway, that's my recommendation. What about you? I'll recommend a game on your phone. It costs a tenner, but I've literally played nothing else for about a month, last month or so. It's called Balatro. And it's sort of a poker type game with jokers and you have to build up scores. It's one of those things that you think I've seen this a million times before, but it's so utterly addictive. I'm making it in a crazy way. So if you have, say you've got a long-term stay at a hospital or something up ahead, something or a long flight, Balatro, I would really, really recommend because it is currently ruining my life.
42:52So why shouldn't it ruin yours as well? Just share that ruination. Wonderful. And it's B-A-L-A-T-R-O. Our bonus episode this week is we're going to do a two-parter on Ryan Murphy. On Ryan Murphy, the creator, the presiding intelligence over many, many huge hit shows, starting with Nick Tuck, going through Glee, American Crime Story, and all sorts of true crime things. He's become sort of more and more controversial, strangely, the bigger he's got. He's an amazing character. I'm looking forward very much to sitting and listening to you talk about his successes. But before that, questions and answers.
43:29See you on Thursday. See you on Thursday.
43:46Attention law enforcement. You took an oath to protect and serve. To keep your family, your neighborhood safe. But in too many cities, dangerous illegals walk free as police are forced to stand down. Join ICE and help us catch the worst of the worst. drug traffickers, gang members, predators. Join the mission to protect America with bonuses up to$50 ,000 and generous benefits. Apply now. Join.ice.gov and fulfill your mission.
From the publisher
After Richard & Marina asked if Bond was in crisis on last week’s show, longtime custodians of ‘brand Bond’ Barbara Broccoli and Michael G Wilson announced they are stepping down.
Who will next play the role of Bond, and the likelihood of future films or spinoffs, are now in Amazon’s hands. Following this bombshell announcement Marina takes us inside the bombshell story and why they’re stepping back now.
Meghan Markle has had yet another rebrand. Ahead of her Netflix lifestyle series drops on Netflix on March 4th - Marina and Richard ask if this is the final chance for the Duchess of Sussex to launch the next Goop?
Recommendations:
Richard - Blatro (iPhone App)
Marina - Joan Rivers Fashion Police (YouTube)
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