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Podcast Episode Summary: Boycotting Festivals & Forgiving Will Smith
Episode Overview In this episode of "The Rest Is Entertainment," Richard Osman and Marina Hyde delve into the ongoing boycotting of literary festivals in the UK due to the sponsorship by investment fund Baillie Gifford. They also discuss the surprising success of Will Smith's blockbuster "Bad Boys 4" and explore the secrets behind political TV debates.
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Key Topics Discussed
- Boycotting Literary Festivals
- Background: Authors and attendees are boycotting several literary festivals due to their sponsorship by Baillie Gifford, which has ties to fossil fuel investments.
- Fossil Free Books Campaign:
- A pressure group advocating against Baillie Gifford's investments in fossil fuels, genocide, and colonial violence.
- Authors are urged to either not attend the festivals or use their presence to protest.
- Impact on Festivals:
- Major festivals like Cheltenham and Hay are affected, struggling financially as they are often charity-run and rely heavily on sponsorship.
- Some festivals have already collapsed due to these pressures.
Key Takeaway: While the campaign aims to raise awareness about fossil fuels, it risks the sustainability of literary festivals that promote empathy and education.
- Will Smith's Redemption Arc
- Bad Boys 4 Success: The film defied expectations, performing well at the box office despite the controversy surrounding Smith's slap of Chris Rock at the Oscars.
- Public Relations Strategy: Discussion on how Smith's publicist has crafted a path for his redemption post-incident, highlighting the contrast between public perception and the entertainment industry’s view.
- Cultural Context:
- The episode reflects on the nature of celebrity personas and how public figures navigate scandals.
- Richard and Marina analyze Will Smith’s public statements and his attempts to regain favor with audiences.
Key Takeaway: Smith's significant box office success suggests that public forgiveness can be tied to financial success in Hollywood, as audiences may separate the artist from their misdeeds.
- Political TV Debates
- Current Political Landscape: Discussion of recent political debates featuring Rishi Sunak and Keir Starmer.
- Production Challenges: Richard elaborates on the difficulties producers face when working with candidates who are not natural television performers.
- Debate Dynamics:
- The structure and visual presentation of debates are crucial for viewer engagement.
- Observations on how body language and media training impact a candidate's performance on screen.
Key Takeaway: The effectiveness of political debates is hampered by the candidates' lack of charisma and the formats used, which may not resonate with viewers accustomed to more dynamic television.
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Memorable Quotes
- "Things must be allowed to exist in and of themselves and not have to be politicized."
- "If Bad Boys 4 had done 20 million less, it would be a very different story."
Closing Thoughts The episode encapsulates the complex interplay between art, politics, and public perception. Richard and Marina's insightful analysis sheds light on the ramifications of boycotts in the cultural sector, the nuances of celebrity redemption, and the strategies behind political communications.
For more insights and to stay updated, listeners can sign up for "The Rest Is Entertainment" newsletter at [therestisentertainment.com](http://therestisentertainment.com).
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Social Media Links
- Twitter: [@restisents](https://twitter.com/restisents)
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- YouTube: [The Rest Is Entertainment](https://www.youtube.com/@therestisentertainment)
Additional Information
- Producers: Neil Fearn + Joey McCarthy
- Executive Producers: Tony Pastor + Jack Davenport
--- This summary provides an insightful look into the discussions presented in the podcast, allowing readers to grasp the main arguments and themes even if they have not listened to the episode.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
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1:25Hello and welcome to another edition of The Rest is Entertainment with me Marina Hyde. And me Richard Osmond. Hi Marina. Hello Richard, how are you? Yes, I'm not too bad. Since we last spoke, you've been to New York for a week and you're only just back and I've recorded 30 episodes of House of Games. So if either of us falls asleep... Or any of the listeners. I am jet lagged. You are games lagged, I think is the official term. Oh my god, I am House of Games lagged. I don't know what time it is. Is it a Tuesday? Is it a Wednesday? Are you Sonia? Well, I think I know now I'm one of the guests. Okay, so this week, what are we going to talk about?
1:54We're talking about redemption. We're talking about Will Smith's movie, Bad Boys 4. Bad Boys Ride or Die, to give it his official title. I'm so sorry, Will. We're talking about whether he has re-entered the acceptable pantheon. We're talking about Bailey Gifford. There's an awful lot of book festivals which have had to cut their ties with an investment company called Bailey Gifford because of a campaign. So there's huge problems in the book festival industry. we'll talk about that. We're also going to talk about political TV debates. Maybe you've seen a couple of them now and there's more to come.
2:29So we'll talk about the format, how people behave within those and what you might expect in the coming ones if you can better tune in. Yeah and as a TV producer I'm going to talk about who I would consider to be a good booking from the people we've seen. Let us begin with Bad Boys. Bad Boys Ride or Die, the fourth installment in the Bad Boys franchise, which honestly, I'm shocked. The first one was in 1995. It was a really long time ago, Bad Boys. Yeah. It has been a box office smash. Finally. Finally, after a really bad, disappointing May for tentpole movies. Tentpoles, by the way, which you probably all already know, are the big, big movies designed to hold up the rest of the schedule.
3:07Now, Bad Boys, for reasons, was not regarded as a tentpole. In fact, people were very unsure how it would do because as we all know, Will Smith slapped Chris Rock at the Oscars. It was a slap heard around the world. And it was unclear really whether someone who, despite going on to win an Oscar later that evening, we're going to talk about how the whole thing has unfolded. Talk about redemption. That was quick. That was quick. This was by no means guaranteed. It's a real surprise to some people that this movie's done so well. And it's done so much better than a lot of things that were expected to do far bigger business.
3:38So we're not really talking about business this week. We're talking really about the route that his publicist has crafted back from that moment can i just mention as a sidebar though having talked about the movie opening do you know i was in new york last week of as we've discussed in the bronx there is now only one movie theater no way in total nearly one and a half million people live in the bronx wow i was going to watch it before we went to the yankees game and i was thinking maybe i'll catch it up there and there is only one movie theater in the bronx That's crazy. This publicist, is that a publicist who stuck with Will all the way through?
4:14Yes. Now, we saw her on the night. Well, we didn't see her, but she was there on the night. Meredith O'Sullivan Wasson. Wow. All right, Meredith. Remember where he was sitting? Names much. Yeah. He was sitting within slapping distance, clearly, of the stage. Yeah. So everyone in that theatre after the incident happened, first of all, you know, why was it such a horrible moment? Obviously, it's an unbelievably weird and ridiculous thing to do. after all these years. He was finally going to break his best Oscar drought and he was going to win it. But I think part of it is it's so complete, the destruction of everything, because I know I talk about persona a lot, but we like to think of our leading actors, not our character actors, but as versions of the characters they play.
4:55We want them sort of to come bring that same persona out every time. And Will Smith's persona was that he was breezy, he was charming, you know, he refused to swear in any of his rap songs. Yeah, to me, he's like a kind of a fresh prince. Yeah. And I suppose the other thing you'd think is in the more serious end of the roles he played, obviously there's a continuum of that kind of persona, is that he was very disciplined. So he gets on stage and says, get my wife's name out of your fucking mouth. You're swearing now. Okay. And it's like the sort of live abortion of all of it. But then this publicist, all the way through in every commercial break after this had happened, could be seen by everyone else in the theatre going up and having sort of a huddle with him.
5:38And every publicist you will talk to will say, thank God that is not my client. It's essentially exactly what Rishi Sunak's publicist was doing the day after D-Day. Yeah. It's that level of terror. What on earth? Crucially, neither his agent nor his publicist got rid of him. but it was a moment of shell shock I also think what was quite funny that night was that the rest of the audience how they behave when they don't have their publicist with them to tell them what to do because don't forget he gave some ridiculous speech when he won the Oscar in which he didn't apologize to Chris Rock and everybody stood up and gave him a standing ovation it's like guys this is by the way just to let you know this is gonna look really bad tomorrow it's tricky if you are an A-lister because your instinct of course is when someone else wins an Oscar you've been taught over the years the thing not to do is be angry yeah not to do is stay sat down and look like you're cross and so that's the only thing that's been drummed into them over hundreds of years so suddenly Will Smith's up they go hold on when someone hits someone I have to look cross oh when someone wins an Oscar I have to look happy and it just couldn't compute I'm going to go happy I'm going to choose happy because actually I look better happy also a two hour redemption arc story is the other thing they've only been in those sort of things so they know that act three is redemption so they think I've been sitting here about two hours now and he seems to be saying sorry so I guess this is the moment where we all just say Yes, amazing.
6:57Congratulations. The apology should be very, very quick in these situations. I'm sort of talking now through the publicist's tool, but apology should be very quick. His was not really quick enough. His publicist said to him, don't go to the Vanity Fair party, which is the famous big party after Oscars. He went to the Vanity Fair party. Oh no, he was dancing to getting jiggy with it with his Oscar. And it's like, again, this is going to look very bad tomorrow. For me, honestly, the one good thing about if I was Will Smith there would be thinking, oh great, I don't have to go to the party. Yeah, exactly.
7:26Just go home and have it. Anyway, they get through the immediate period of it. He's banned by the Academy and also says, I've resigned from the Academy. And everyone tries to make it better. But the period of silence follows. Then what happens is that later that year, a movie comes out, but they already had it in the can before, which is a slave movie called Emancipation. And he does one interview, I think, with The Daily Show, which was presented, I think, by Trevor Noah at the time. It's quite difficult doing an interview because you know you're going to be asked about the thing. Yeah, except again, it's very Rishi.
7:58Now, the wife, who is obviously Jada, who is obviously involved in all of this, the next sort of big thing to happen in the redemption arc, which I think this is a bit of a misstep for me, she says in 2023, oh, by the way, we've been separated since 2016. There are a whole load of plot lines as to why this thing happened. A lot of people, and I must say that, of course, the Smiths deny it, think that there's some sort of coercion angle and that because she gave him a really dirty look that he's really under her thumb. This was, for me, a bit of a deviation from the old Redemption arc because it just makes you think, yeah, these guys are weird, aren't they?
8:30I mean, we like kooky people, but this is weird, you know. Yes, be kooky. Be kooky, be unusual. Like if you're our neighbours, they are a lot of fun. Not, oh my God, our neighbours are an absolute bin fire. They literally set the bins on fire the last recycling day. So at this point, Netflix said that they were going to pause a movie they had with Will Smith and they would wait to see what Sony did with Bad Boys. But anyway, Sony do go ahead with bad boys. But I should say that King Richard, by the way, the movie where he played Richard Williams, Venus and Serena's father, was a flop. Remember, the money is always, sadly, when we talk about Hollywood, that as long as he keeps making money for them, as has happened this most recent weekend, it will be all right.
9:09So we don't hear from him again for a while. But then there's this thing, which I think we talked about before on the podcast, called the Red Sea Film Festival, which is in Saudi Arabia. and Will Smith got paid about a million dollars to go to the Red Sea Film Festival. That's essentially like the movie star version of being paid to go on Celebrity Big Brother. Yeah, but much easier. And paid a million and he had to have an interview but with a very sort of tame Saudi journalist. I think I would be tame. Oh, I'd be super tame. I don't want to leave in several body bags. So he did this interview in which he was asked all the questions.
9:42You mentioned legends who still love you. There was a quote. Quincy Jones has always made himself available. He wants me to win as a human. He has devoted me as a human, not just as an artist. And then you have to sort of create a... I don't want to say be humble because I don't think he's humble. You have to create a sort of simulacrum of humility. So he said, I love puzzles. I love problems. Yeah, I started making my own problems. Life was going too well. So you said essentially the slap was like a Sudoku? Yeah, or like when Dave Stewart had his appendix taken out. He had that thing, paradise syndrome, you know.
10:17Only celebrities get it. I think he didn't need his appendix out. And he had it taken out because everything was sort of too perfect. So he could feel something. Yeah, maybe. I mean, I don't want to speculate on it. But it's called paradise syndrome. So anyway, he says, I don't need others to applaud me for me to stay focused on my mission. I want you to feel good. And at the same time, I am deeply human. And I am in the process of perfecting my virtue. I love the way celebrities talk. It's just fantastic. He's in the process of perfecting his virtue. Yeah. If he was on any American interviewer, by the way, they'd be like, sorry, I don't know what that means.
10:48The audience, someone in the audience, you know, what do you want to do next? And someone in the audience shouted out, a movie with Denzel. And he said, yeah, a movie with Denzel in Saudi. So, yeah, I know. So he's talking about having a mission, blah, blah, blah. All of that is water testing. Yes. So if that goes wrong in Saudi Arabia, if he can't make it there, then maybe he can't make it anywhere. This is his kind of town. But his publicist is thinking, he sort of got away with that. Obviously, we have the internet, so we all know what he said, and it's reported in all the trade papers. And is his publicist still behind all of this?
11:19So his publicist is all the same campaign. They're building the path back. So they're in tandem, the two of them here. Yeah. Then he performed Men in Black at Coachella. So what he's really saying, I know, he really is that bad, that festival. I sound like the most cursed place on earth. Anyway, so what he's saying is, I'm still the same guy. I'm still the same guy. So in a weird way, bad boys, ride or die is the crucial bit because that persona thing. Yeah, colon, ride or die. Yeah, colon, ride or die. In this movie, he has to become an outsider again. Him and Martin Lawrence are outsiders again, almost outlaws.
11:53Oh, that's clever. Yeah, and they have to work out what really matters and to kind of make their way back. So in a funny kind of way, he can say, I'm still playing that guy. And in case you didn't get it, he says things like, my fans are ride or die. and then the Sony My fans are ride or die Yeah, they're my ride or dies Is that two people? Yeah Which one are you? Are you ride or you die? Sony Chief Tom Rothman is a real life ride or die he says He was messing with me when nobody was messing with me That's my dude Yeah, he's so corporate He is so corporate Sony Chief Tom Rothman is my ride or die He was messing with me I don't think what head of the studio messes with one I just had to do my acknowledgements for the new novel and I mentioned and they're absolute heads of Penguin Random House.
12:38They're lovely. But now I wish I'd said they're my ride or die. Yeah, you should say these are my ride or die. Well, it's all right. You've got something in the can for next time. And his other upcoming projects are hilarious. He is trekking to the North Pole for Disney. Is he? Yeah, for a document. Okay. I mean, yeah. But, you know, again, this is a form of persona thing. I am doing an almost literal penance. I'm making some kind of pilgrimage. What can't be fixed? This is what's worth talking about. because I've made it sound like, yeah, they've plotted, and they have done well here. You can never say in any trailer, Academy Award winner Will Smith, because every one time Tacey says a word thing, oh, yeah, that was the thing we slapped Chris Rock.
13:17So sadly, you lose that. The weirdness is out now, but it didn't harm Tom Cruise that much when we found out that Tom Cruise was mega, mega weird. Although that same management company, that same sort of publicist, they also represent Higher Ground, Obama's production company. He's always really wanted to play Obama. I feel like that's still not going to happen. That may not happen. That may not happen. Another part of that persona, probably the final part I'm going to mention, which was very successful in his biggest movies, is that he was a guy who kind of got knocked down in this game. Even the knockout, yeah.
13:55But he was able to deal with setbacks. You know, if you look at things like, I don't know, the pursuit of happiness. and so he can still retain that little bit of it to say, even though the setback was entirely, rather than, oh, I'm the last person who survived an apocalypse. Yeah, you created the apocalypse, okay? So, yeah, well done for surviving yourself. If we could sum it up, I would sum it up by saying, Faisal Smith, this is a story all about how my life got flipped, turned upside down. Am I right? I mean, it was that the clues were all there from the beginning. You see, well, then there you go.
14:24It sort of still fits, albeit in a kind of wonky and weird way. Now, my part in the Chris Rock debacle, my major, I was saying, go on, Will. He's got your wife's name in his mouth. No, when I was, I went on Graham Norton. And on Graham Norton, you never know who else is going to be on. So you're sort of sitting there going, I wonder who's going to be on. And then literally the day before, they go, oh, Will Smith is on. And you're like, oh, Will Smith. So this is pre-slap. Yeah. Okay, so he was. One of the biggest tells in the world. Untouchable. Yeah. And then right at the last minute, you find out where you're seated.
14:55And I was sat next to Will Smith. so I sat next to Will Smith not only that he is not one of those people who just sits there does his bit and you know just kind of leans back he was so engaged with everyone backstage on stage telling stories laughing Chris and Rosie Ramsey were on as well we were all like kids in a sweet shop like we'd tell stories and Will Smith would be like really laughing and we'd go oh my god Will Smith really thinks we're funny and he was very giving in that way and I thought well this is amazing I'm mates with Will Smith now and it was I think two weeks later that he went and slapped Chris Rock I thought well we literally just met, I cannot believe it You bought at the very top of the market there Exactly I hadn't realised it was a doer-upper I thought it was a turnkey Turnkey friendship A turnkey friendship and yeah two weeks later there he went You were having to distance yourself from him Yeah I was going to go listen we were friends for sure we were developing a relationship but I haven't spoken to him in like ten days He's perfecting his virtue.
15:58Yeah. So I had two weeks of being incredibly excited. I had to rap in front of him. Had to? Had to. Yeah, it's strong. I chose to. I did, like, when I was at school in our assembly, I did a rap version of the Nativity. I wrote it and performed it. Yeah. Yeah. And so I told the Graham Norton people that, and they were like, oh, well, we got Will Smith on. And so, yeah, I had to wrap the Christmas nativity in front of Will Smith. Perhaps actually that's what finally flipped him. Yeah. Perhaps he was fine. And then he listened to me talking about my rap version of the nativity. And he went, do you know what?
16:36I've just got to lash out. I can't lash out here. He kept a lid on it for so long. Two weeks later, he's going to blow. Yeah. Honestly, as he was stepping up to Chris Rock, I bet he was thinking about my line about Pontius Pilate being a publisher. because he got crucified by the press, Jesus in My Story. Yes. Oh, did he? Very good. How brilliant. I'm afraid we might have to do a special on it one day. To sum up, I suppose, some things have been lost, but the crucial thing is he's making them lots of money. So that's the thing. If Bad Boys 4 had done 20 million less, it would be a very different story.
17:10So actually, and the reason it's done a lot... Even 20 million less, by the way. I don't think it would be that bad. It cost 100 million. Obviously, the marketing, they've spent a lot on. But it's interesting why it did well. And it's interesting that when someone is disgraced in the public eye, a couple of things happen. He was disgraced, not cancelled. I think that's crucial. He was in a liminal, the liminal area. I think that. And whatever the noise around it is, somewhere in the back of things is what actual people think and what, you know, people who go to movies think. And I think perhaps they didn't think his crime was quite as big as the culture at large.
17:45Maybe, Richard, they can separate the art, bad boys four, ride or die. From the artist, the Fresh Prince of Bel-Air. Yeah. Yeah. But the other thing that's interesting when you're talking about his agent and his publicist staying with him, which has obviously been a big deal, is quite often when people are cancelled, certainly in the industry, I'm in television. If the people in the industry think it's a slightly unfair cancellation, then actually their road back is slightly quicker. if there's you know a cancellation and people in the industry go even if someone's not prosecuted or anything and people in the industry go that's about time then that road to redemption is impossible so i suspect if you if the professionals drop you if the professionals just go do you know what this has been you know they're absolutely right we don't like working with this person anyway this is absolute just desserts we are not going to fight for this person whereas perhaps will have people around him where they were going look what he did was terrible we've worked with them a long time we sort of understand where it came from um we love him we respect him and he'll have to sit on the benches for a little while but we'll look after him and support him i think sometimes that's the difference between yes why some people are redeemed because people think they're worth redeeming and why some people aren't redeemed which is people are going good riddance to bad rubbish and with that shall we proceed into a break richard yes we should do can i point out that quincy jones also still turns up for me yeah he likes he was a human as well as a House of Games presenter, author, multi-hyphenate.
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21:09Welcome back. Welcome back. We are going to now talk about book festivals, which are in peril in lots of ways after Bailey Gifford, who's one of their major sponsors, about eight book festivals, also many art galleries, and the biggest non-fiction prize in the UK have either cut ties with the festivals or the festivals have been forced to cut ties. Can you tell us a bit more about why? I don't know how much cut through this has had in other industries, but it's huge in the book world. Now, around the country, we have these book festivals. Cheltenham is a big one. The Hay Festival is a big one.
21:41Edinburgh Festival. They don't make a huge amount of money for anybody. Almost all of them are run as charities. Just quickly, what happens at a book festival? There will be events. Authors will be interviewed on stage. There'll be lots of panel discussions. There will be lots of children's outreach programmes. And obviously the big names, if you go to a book festival, you're going to sell out your whole tent and everyone's going to be dying to get a ticket. It's fairly delightful, is the truth, a book festival. If you've got one in a local town, people really treasure them. As you say, you go along, there's sort of tented villages, there's five or six different venues.
22:15There's almost always outreach programmes where local schools come in in the week before and people come and speak to them. Loads of panels where new authors can come along and talk about stuff. There's signings. There's all sorts going on, outreach, education. And, you know, they're little kind of grenades of empathy, which is sort of dropped in the countryside every now and again. And festivals of ideas, because inevitably you're talking about lots of things that are involved in sort of non-fiction topics, as well as people talking about stuff, you know, just the creative art. Yeah, and there's always some mad thing that you never would have thought of when you go along and see, like, something about the geography of the brain.
22:49And you're like, oh, my God, that's the best hour I spent for people talking about it. So those have always gone on. They need sponsorship, of course, because they do deficit fund. They do make sure they've got outreach. They do make sure that some tickets are cheaper and more available. And as you say, if you're in Rankin and people like that, you go along and do these festivals. One, because they're fun and they're nourishing. But two, because you know that's a good way of that festival making a lot of money. Because they can sell out a big tent for good money and that money then funds everyone else coming to that festival.
23:21So these are wonderful things now. Now, Bailey Gifford is an investment company. There's a pressure group called Fossil Free Books, and they targeted Bailey Gifford, because Bailey Gifford has some investments in fossil fuels. A very small percentage, by the way, compared to most other investment funds. I should say that every person who I spoke to who works in book festivals has loved their partnerships with Bailey Gifford and think they're so engaged. Yeah, Fossil Free Books are saying, well, they do have some money, 2 % of the money that they invest is in fossil fuel companies. so they launched a campaign to boycott Bailey Gifford and to say to authors you must either A boycott these festivals and not turn up or B if you do go there to use it as an opportunity to protest and they also wrote to lots of other authors and said just so you know if you do speak at this festival we can't guarantee there won't be a protest at your event I should say that the things they're against are sorry just to get back to the Omni cause for a second fossil fuels, genocide and colonial violence I mean, you know, saying to a author, are you for or against genocide?
24:26I'm actually, I'm going to break news to you. I'm against it. They are. And they also criticize Bailey Gifford for investing in various companies like NVIDIA, Amazon. NVIDIA make the chips. The chips are the biggest company in the world now. Exactly. Biggest firm in the world. And they say that the Israeli military uses some of these services. Well, I mean, some of these authors, you know, your books are all on Amazon. You're invested in these things. But anyway, fossil fuels, genocide and colonial violence is what they're against. So what happened is, of course, they targeted Bailey Gifford. They targeted these festivals and they said, no, Bailey Gifford must talk to us.
25:04And what Bailey Gifford said was, no, we're going to pull out of every single one of these festivals. And some of the other festivals said, no, we're pulling out of dealing with Bailey Gifford. But they all issued these incredibly regretful statements saying, we don't want to do this. we feel and I have seen a lot of criticism of the festivals for not standing up to these this sort of collective that no one really knows who they are and by the way I haven't heard of any of the people involved in them it's quite difficult if you are trying to say well no authors will come and we're going to collapse with that it's better that we still continue to exist but that's how far they push them to a sort of existential point yes and festivals we should say have already collapsed other ones have gone there was one in Bristol called Ideas there was one in Glasgow, I write.
25:45Yeah, they're all operating on a shoestring. So here's the thing. I'm very comfortable with people campaigning against fossil fuels. Okay, and I think everyone is fairly comfortable with that. What the fossil fuels people were saying was a couple of things. They're saying, the idea of this is, is we're raising the issue. And therefore, Bailey Gifford will have to come and talk to us. And we can talk to them about divesting, which means, you know, taking their money out of fossil fuels. So that was their strategy. The strategy is not, let's collapse these festivals. Their strategy is we need to get the attention of Bailey Gifford.
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26:17We can then negotiate with Bailey Gifford. Bailey Gifford, of course, they said, in fact, Andres Odorico, who's one of the guys, said, the aim has never been to target festivals. It has been about using these festivals, very unique relationship with this investor. Festivals do not have a unique relationship with this investor. Bailey Gifford pulled out, said there's no money left. And fossil free books are saying, oh, I mean, they must be rubbing their hands with glee. They've just walked away without answering any questions. You that's what they were going to do. I mean, there's absolutely no way that wasn't what's going to happen.
26:49And another fossil free books thing is saying, this is not about purity, it's about strategy. Okay. Now, by the way, if it was... Wow, what a great strategy. If it was about purity, I'm all behind it. We have that discussion. If it's about purity and this is what you're saying, then I'm all behind it. If it's about strategy, it's a terrible strategy because these festivals need Bailey Gifford a huge amount more than Bailey Gifford. I'm not behind it if it's about purity. Well, the purity thing is interesting because if it is about purity, you have to follow that through. And if you're against Bailey Gifford, there's a number of other organizations you do have to be against.
27:20By the way, you know me, I will never see a fence without wanting to sit on it, okay? I'm happy to listen to all sides of this. But all of the people I've seen talking about it all have their books on Amazon. I've checked all of it this week, every single one of them. Amazon, by the way, is one of the companies they want Bailey Gifford to divest from. And I haven't yet seen, I'm sure there will be an argument they have, I haven't yet seen what their argument is for it being okay that their books are on Amazon. Or made with paper, which is, of course, a fossil fuel product. Books are a fossil fuel product.
27:53But Andreas Odorica, who's an Edinburgh-based writer, who's got a new book out, but he's doing a reading at Waterstones. Oh, right. Waterstones are owned by Elliott Investment Management, or Lajian, which is a big hedge fund, who, if you want to look into their accounts, you'll find them very similar to Bailey Gifford. Oh, they've got a lot more than 2 % in these things. I'm trying to be even-handed. So, you know, if you do want to have some sort of purity of thought about fossil fuels and genocide, you have to take your books off Amazon if that's what you're asking Bailey Gifford to do. You can't go to Waterstones.
28:30You know, the world of authors is quite a thoughtful bunch. It's quite a non-confrontational bunch, I would say. and the one reason that I do sit and listen to fossil free books is I think probably the world of literature probably doesn't do enough you know because we we sort of have our cake and eat it a little bit which we're seeing as lovely and artsy and lefty and you know everything's great with the world and actually working in an industry you know HarperCollins where lots of people are that's you know owned by the same people that own the Fox Corporation uh you know lots of people go out to the book festivals in the UAE now I know enough authors to know that everyone has their own individual morality and they have reasons why they would do those things and that's you have to respect people's you know i'm going up to do the edinburgh book festival the most interesting person i spoke to was someone who had signed the fossil free books declaration this person said yeah i i signed up to it because i've heard of it i thought this sounded good the more i looked into it the more i understood what their tactics were and the more i looked at what they were saying i took my name off that list and that person said to me bailey gifford and this i think chimes with my view to me bailey gifford sponsoring these festivals is like our very own personal windfall tax that's essentially saying i understand capitalism exists i understand hedge funders exist i understand there's a world out there which i have very little control over the world of money if there's any way i can get some of that money and use it to spread empathy and i can use it to spread ideas and i can use it to get kids reading then that's the thing i'm comfortable with and And that's a morality.
30:01It's a morality that I share. And I think fossil free books genuinely admire the passion of it. I genuinely admire this thought that, you know, the world is burning. We need to do something about it. I think it's the wrong way to go about it. I think almost every single writer thinks that as well. But it does mean, I think, that next year, almost all of these festivals will probably die. Well, I'm sorry. I don't admire anything about it. I don't admire anything about them. And one of the things that I particularly don't admire is the suggestion that everything is politics and that art is the same as politics.
30:38By the way, some art is political and much art is born of its time and therefore can have that sort of relationship to politics. Art and politics are not the same. And if you insist that all art must be politicized and all artists must make statements all the time, then what you are essentially wishing for is a contraction of the human experience, a contraction of human possibility. because you're saying these things essentially semantically map onto each other. This is nonsense, OK? Art can exist just for its own sake. The pleasure of these things just for their own sake must be allowed to exist.
31:10When I think of these people, they're the sort of people who had been saying to Shakespeare, do you, William Shakespeare, condemn Elizabeth I's brutal suppression of the uprisings in Ireland? Do you? Why haven't you said anything? Why haven't you signed a letter saying anything? If you don't sign it, William Shakespeare, then this new play of yours, The Taming of the Shrew, we're going to protest this you know is any good and i just feel that not everything has to involve someone saying they say oh you've got the luxury of that because you don't live in gaza or whatever this is i'm afraid throughout the whole of human history awful things have been happening but it is art must be allowed to exist in and of itself and it doesn't have to answer any questions and people should be allowed to come and listen to the by the way anyone you talk to these book festivals So if you want to hear people talking about these issues, the best place to hear them is at these festivals.
32:00The thing that Bailey Gifford's funding at something like the Cheltenham Festival was being primarily directed towards now is the outreach programs for children. They will now go. So these people have not thought anything through and it is a contraction of the mind. Things must be allowed to exist in and of themselves and not have to be politicized. Well, it's well said. But, you know, also they're saying, well, one way of replacing this funding would be we can push for more public funding of the arts. And you think, well, good luck. Good luck with that. I mean, have you not seen that horse bolting down the road a long time ago?
32:32And what people don't realise is that the costs of these things since the pandemic have gone up 40 percent. I've spoken to people a lot about costs this week, so I think it's quite interesting. And sadly, because so many sort of, I don't know, lighting and tech and marquee companies went out of business during the pandemic. the cost of the ones that remain are 40 % higher. Now, these festivals have not passed that on in ticket pricing because they are acutely aware that there's a cost of living crisis. So they are now cut to the very, very bone, even with this funding. Without it, they are all immediately in crisis.
33:01And that has been the effect of this. And it is the most stupid and, I hope, a galvanising campaign because a lot of people can see how completely self-defeating this was. And I tell you something about those fossil free books, people. They've seen what happened. But because they're so indulged and so spoiled and so weak, they will not apologize for what they've done. They've tried to put it on to Bailey Gifford. No, these are the consequences of your actions and you should face them. If you haven't got the strength to face that, then I don't know what they're talking about, any form of resistance on anything else.
33:34It's interesting because, you know, I was I thought it's a useful place here because, you know, the sort of people that listen to this. If there's people, I was going to say, who are high up at big companies, companies who do spend money on the arts or spend money on charities, then there's a space here that you can spend some money and do an enormous amount of good. However, I don't know that I would recommend it in the current climate. Who would be pure enough? Because they're going to say, well, we'll say it, and then someone will be rooting through our accounts. They'll find out. I mean, a lot of people's pensions are handled by Bailey Gifford.
34:04You really want to dig down. And also, they're putting things on Twitter. They're putting things on Instagram. and you think, look, I get it and I know they will have worked out a way of saying yes, but, yes, but. But that yes, but is not coming across in their public pronouncements. And other people get to say yes, but. Yeah, exactly. You're not the only people who get to say yes, but. Well, I'm certainly saying yes, but I'll be going to Edinburgh and I'll always go and do these festivals and if companies do want to come in, there's an enormous amount of artists and writers who will support you and will come over the top and support you as well.
34:35I should also say that almost all the people from all the different festivals that I spoke to said if there would be a way found for Bailey Gifford to come back into partnership. And maybe Bailey Gifford have been quite surprised by the reaction to this, which has been pretty strong in their favour. So maybe there is a way back. Maybe there can be some sort of diplomatic solution. I don't know. But it would be good to think that something could be salvaged. The interesting thing to watch this week, if you're listening to this, is there's an awful lot of pressure on Latitude and artists playing Latitude because of their ties to Barclays.
35:07so for exactly the same reason people are being asked to boycott and people I spoke to in the last week they're all talking amongst themselves saying I don't really want to boycott in this way I understand what's happening but it feels like this isn't the best thing to do so it'd be fascinating to see what happens with that but it's one of those stories that definitely watch this space Watch these Puritans because that's what they are they hate culture really they really do hate culture I don't believe they've got any particular ties to it and what they really like is to tear things down let me see you build something because I don't think they build anything they're wreckers these people they're Puritans and wreckers so what you're saying is take Bailey Gifford's name out of your mouth out of my fucking mouth for a bit of light relief shall we talk about the general election yes the general election, the TV debate we've now had two one between Rishi Sunak and Kirstana and one of those weird seven person and ones where Sunak and Starmer had their proxies.
36:07But we are going to see another between Sunak and Starmer. Now, historically, the audience really drops for the second one of these, which I think we've all got a huge amount of sympathy for. It's a bit like me when a new Star Wars series comes out. I'm like, okay, you know, book a Boba Fett. I'm one and done. I see what that is. Yeah, I don't need to see the rest of it. But it's like in boxing, if there's a fight and it's really boring, people don't go, we need a rematch. Like, never. It's only if a fight is great. And it was a very, very boring piece of television by design, really. There's nothing there, is there?
36:40You've got two people who are not there. Neither of their strength is as an on-screen performer, really, Sunak and Starmer. It is not a fun watch. I quite enjoyed the seven-person one, which we'll get on to. But it's a hiding to nothing for both of them being in that studio. Neither of them wants to be there on stage with each other. I mean, Sunak doesn't want to be in this election at all. He doesn't want to be anywhere. We know that. He just wants to fly home from wherever he is at any given time. So, you know, I always watch. It's terrible, really, because I, listen, I'll put it on the table.
37:11I care about the future of our country. But I really, really care about television. And all I'm thinking when I'm watching those debates is, oh, my God, the poor producers. I actually met the producer of the Sunak Starmer one in the Lyft in the studios in Manchester because we're filming House of Games just around the corner. And I was thinking, man, I wouldn't want your job today. Nobody is going to give you any credit for anything you're doing. You're working with two bits of talent who, if you were making a TV show, you would not work with. You've got nothing, really. And it's a huge gig. And I thought they did a perfectly good job.
37:49The set looked nice. It's two Barney Walsh's. It's two Barney Walsh's. And that's the trouble. Okay. But that's why. And the one thing you can do is try and make it look interesting. I'm always really interested in the visual grammar in terms of the shots they use in this. And they can be incredibly stipulative if they understand the media, the parties. In America, oh, my God, they're like, you can't do a split screen with our candidate. They've got a load of different ways. And the shots are quite interesting. They didn't do any of that for the ITV debate. So they let them do what they like. What you really want in those is, like, people think, oh, you want close-ups.
38:28Close-ups are fine and the wides are fine. But what you really want is the two-shot because the two-shot, you can see how people relate to each other. If there's a cutaway, in some of the big debates, they have to do it in cutaways so you see the reactions. And that makes it much more like a play. You have to really quite ham up your reaction. That's why someone like Donald Trump is very good because he was a reality TV star. He understood that he needed to make big gestures and then the camera would come to him. And Clinton, actually Bill rather than Hillary, really got this. I mean, he was one of the first people to do this.
39:00When he had a debate with George Daddy Bush, George Bush Sr., he understood how the cameras were placed. He kept manoeuvring himself. So in the background of the shot would be George Bush Sr. And George Bush Sr. didn't get this. So he was often shown in the background looking kind of disengaged or like slightly, you know, just looking at his notes or whatever. One of the other funny things is he bought his own stools. His team, he bought his own stools. Yeah. Sorry. I mean, it wasn't the worst of Clinton's crimes in the end, was it? I'm so sorry. I didn't fully explain that. The sort of Westlife bar stools that they have.
39:37Gotcha, yeah. His team swapped in the stools that they'd been practising with, their own ones. Oh, that's clever. So Ross Perot was tiny and couldn't even get on the stool. Yeah. And it was sort of unwieldy. But Clinton was sort of fully relaxed. They've kind of made it his environment. That's quite hard to do. And I think most producers would be like, sorry, we didn't... Sorry, those are not our stools. We didn't light for these. Yeah. Yeah. Anyhow, so I think those are quite interesting. But basically the non-verbal of it is really interesting. You can see when people really hate each other.
40:04It's very, very interesting because it's with both of them. Here's the problem. We were in the same studios and Sunak and Starmer were both in dressing rooms on my, dressing rooms, you know what I mean? Yeah. On my corridor with their teams. And Labour had three rooms. The Chorys had three rooms. And all day there were people with guns walking up and down the corridor. There were sniffer dogs. Honestly, it's been my favourite day ever in the TV studio. I got to stroke a sniffer dog. Amazing. Which I didn't think you were supposed to do. No. So I was like, the dog came out and the guys with the dog.
40:36And I was like, oh, that's a cute one. And I was like, he goes, do you want to stroke him? I was like, yeah, I really do. I said, no, I got to stroke a sniffer dog. Again, that's not anything to do with the election. It could have been if something had gone wrong later. You put him off with Vice touching. Yeah. Yeah. Well, let's just say it was a lucky escape. Yeah, it was a lucky escape. But there'll be more about the sniffer dogs on the rest is politics, I'm sure. But we're going to deal with the action. But anyway, there were people all day locked away in rooms talking. And you think, right, what were they planning for?
41:08And I know you know plenty of people who planned for debates with candidates. And it's interesting when you've got someone like Starmer or Sunak who, and this is no shade whatsoever, who are not natural charismatic television performers. by the way and some of the worst people in the world are natural charismatic television performers so it's absolutely no shade but if you are not one of those then you sort of have to be trained to be one which you never can be and so what it does mean when you talk about those two shots and things like that you are second guessing the way you're reacting all the time because so many people in the last two hours have said oh no thing you must do if he says something you must like not just don't move your hands too much um make sure if he says something that uh you know you're allowed to smile make sure you're the first to leave the podium at the end to shake hands that's your brain is completely full of that stuff whereas you have someone like you know watching the seven person thing i thought there were three people on there as a tv producer if i was watching there's three people i think oh well you can come back we'll book you again on the show faraj we talked about him on i'm a celebrity where he's far and away the least charismatic person and on this stage he's the most charismatic person stephen flynn i thought he did was good on camera as charismatic and daisy cooper as well the three of them as a producer you're thinking oh you can come back on the show you know every time i got you you can come on because i know i'm going to get stuff uh out of you but that thing that people have to be good on television and therefore we train them up to be good on television it so rarely works that's the big problem if you can work on television without someone telling you how to do it yeah you're at a huge advantage but most people who can do that are not the people you want running the country and the people who can't do it are trained with an inch of their life and it makes them worse, I think.
42:52Yeah, it makes them buttoned up and hard. You can almost watch the clouds scudding across the face and try and work it out. Yeah, and you're watching Sue Neck-Starma. Those are both bright guys, you know, but we watch a lot of TV. We are used to watching really, really great sparky people on television. You know, we're used to fluency. we are used to wit, we're used to humour we're used to body language that feels natural, you know, that's in our DNA as viewers and we don't get it from those debates and it does everyone a disservice I think. What I find the most odious part of all of it, because we've got such a hard on for American things, is the spin room afterwards.
43:32I have been in the spin room since 2010 and it's the worst people in the world telling you that what you've just seen on TV didn't happen and you didn't actually see it and actually something different happened and this is what it all means. What a lot we've covered today. We have. We've covered a huge amount, passionately and dispassionately, I hope. Yeah, haven't we just? Thank you so much for listening, and we'll see everyone for our question and answer session on Thursday. See you there. Bye.
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From the publisher
The boycotting by authors and attendees at literary festivals across the UK has taken hold due to sponsorship by investment fund Baillie Gifford. Will the boycotts do more harm than good to the overall literary world?
Bad Boys 4 has been a surprise box office success. Is this the final piece of Will Smith's redemption puzzle?
Lastly, what are the secrets of political TV debates and how can our leaders make themselves look their best?
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