Marina Is Wrong About The Best Bond Theme

20 May 2026 · 36 min · 11 chapters

Ask about this episode

Ask anything about it. ChatGPT or Claude reads this page and answers with the times it was said.

Connect VO and ask about every podcast you hear, including the moments you saved. Add to ChatGPT · Add to Claude

In short

The Rest is Entertainment (Q&A) covers: (1) why Americans love celebrity roasts, using the Netflix Kevin Hart roast as the main example; Marina and Richard argue roasts work when cruelty is balanced by sharp comedy, and that “everyone agreed” to the contract-like permission makes them feel unsanitized. They compare with Comedy Central roasts (e.g., Charlie Sheen) and newer Netflix ones (e.g., Tom Brady roast). (2) why Jimmy Fallon’s Wordle-based game show is filmed in Manchester/Salford: UK production hubs and lower costs, with American contestants and crews flown in. (3) Bond music: Lana Del Rey’s “First Light” for 007 First Light (game) and whether she could later do a Bond film song; they debate top Bond themes (Skyfall, “Nobody Does It Better,” “Live and Let Die”). (4) Great British Menu: filming takes a full day per episode; judges taste multiple dishes quickly; food is served hot and filming uses a separate serving for graphic shots. (5) celebrity dating “soft launch” via Instagram (Kim Kardashian/Lewis Hamilton discussed).

Guests

none in-studio; questions are from audience members (Bridget Meyer, David Richard, Jake Magary, Helen Smith, Tasha) and producers/figures mentioned include Sarah Eglin (Great British Menu exec producer), Tom Hanks (future guest), and Michelle Woods (producer).

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

The Concept of the Rider

0:03 to 0:43

Explore how celebrity culture influences personal preferences.

“Yeah, it's like the first time you ever go on a show and you say, oh, I could have some sparkling water.”

Understanding Comedy Roasts

3:00 to 4:52

Analyze the dynamics and appeal of comedy roasts in America.

“It's sort of the comedy of awkwardness as well as the comedy of insults.”

Cultural Differences in Humor

4:52 to 7:27

Examine how different cultures approach humor and insults.

“You can see what fans do like and they do like deadly precision, as you say, not cruelty.”

Game Shows Filmed in the UK

7:27 to 9:21

Discover why American game shows are being filmed in the UK.

“Everyone on stage has agreed that they're going to do that.”

The International Nature of Television

9:21 to 13:07

Explore the reasons behind filming American shows in the UK.

“I've read that Jimmy Fallon is going to be producing a new game show based on the Wordle puzzle game and due to air on NBC.”

Lana Del Rey and Bond Themes

13:07 to 14:01

Discuss Lana Del Rey's involvement with Bond themes and preferences.

“Okay, with Lana Del Rey she is very very great and smart, various people who know her dummy, she has got a very fascinating mind so you can be sure that she knew exactly what she was doing.”

Debate on Bond Themes

14:01 to 18:45

A lively discussion on various Bond themes and personal preferences.

“I prefer my Bond themes to be sung by women.”

Insights on The Great British Menu

22:34 to 28:01

Discussion about the filming process and behind-the-scenes of The Great British Menu.

“Tom Kerridge actually goes to a nearby gym and has time to do a full workout and shower before returning.”

The Evolution of Celebrity Relationships

28:01 to 29:52

Explore how modern celebrities manage their relationships in the public eye, using branding and social media.

“But, you know, how does that physically work?”

From Tabloids to Digital Soap Operas

29:53 to 32:02

Learn how the narrative of celebrity relationships has shifted from tabloids to digital storytelling.

“They look like they're 30-year-old guys.”
Show all 11 chapters

The Influence of Social Media on Relationships

32:03 to 33:18

Understand how social media creates ongoing narratives in celebrity relationships, resembling soap operas.

“the silent unfollow or the breakup statement.”
Hear the part that matters, and keep it.Open this episode in VO. Double tap your headphones to save a moment as you listen.
Get VO free

Transcript

Automatic transcript. May contain errors.

0:00The rest is entertainment is presented by Octopus Energy. Now, celebrity culture has a way of taking very small preferences and promoting them until they require a lot of paperwork.

0:09Richard Osman:Yeah, it's like the first time you ever go on a show and you say, oh, I could have some sparkling water. And then like forever, it's like, oh, you have to have sparkling water. You must have sparkling water. It's very, very important. And that's what we call the rider. The rider. Right. In some cases, the rider didn't stay sort of practical for long. You know, it started as a wish list and then it sort of strayed into a kind of a hostage note from the ego. There was a point in JLo's ego where she was having like, you know, the white drapes, the white candles, the white, absolutely everything, white flowers, white, you know, sofas, everything.

0:36Most people don't actually need a rider in this life of ours, however, but there is something reassuring about not having to specify everything twice or more.

0:43Richard Osman:One of my absolute favorite things about Octopus Energy, if you ring them about anything, your number is recognized and you'll go through to a team who deals with you and have dealt with you before. So, yeah, you have a team, they recognize your number and you go through to people who you don't have to explain the same thing to 15 times.

1:26Richard Osman:Visit Sephora to shop now. I sold my car in Carvana last night. Well, that's cool. No, you don't understand. It went perfectly. Real offer, down to the penny. They're picking it up tomorrow. Nothing went wrong. So, what's the problem? That is the problem. Nothing in my life goes to smoothie. I'm waiting for the catch. Maybe there's no catch. That's exactly what a catch would want me to think. Wow, you need to relax. I need to knock on wood. Do we have wood? Is this table wood? I think it's laminate. Okay, yeah, that's good. That's close enough. Car selling without a catch. Sell your car today on Carvana.

1:58Pick up fees may apply.

2:02Hello and welcome to this episode of The Rest is Entertainment, questions and answers edition. I'm Marina Hyde.

2:08Richard Osman:And I'm Richard Osman. Hello Marina. Hello Richard, how are you? I'm very well, looking forward to answering questions. Soon we're going to do an episode where we're not answering questions, so we are again on the lookout for questions from our audience, this time for... Tom Hanks. Heard of him? Yes, Cinemas Tom Hanks. yeah from the movies the guy from Big you know Tom Hanks smash yeah Tom Hanks they got him he has had a long and amazing career and we are taking any and all of your questions and we're going to be talking to him fairly soon so get them in please to the rest is entertainment at goalhanger.com that's such a question I love the way we always have to look at Jerry we've done this so long I'm really it is he's given us a thumbs up the rest is entertainment at goalhanger.com any question you've ever wanted to ask Tom Hanks you never ever let us down with those things so um looking forward to that but shall we get on with our questions now please do Bridget Mayer or Bridget Meyer has a question for you about the roast of Kevin Hart which is on Netflix why are Americans obsessed with roasts it seems quite an arcane format but the Kevin Hart roast on Netflix looks like it has been a great success it has been a success the roast format is basically comedians taking the piss out of somebody else in this case also a comedian but not always it's funny we think of them as I don't know whether it's just that our whole British culture is like this so we don't actually feel we're always taking the piss out of everyone and putting them down so we don't really feel the need to have a dedicated thing whereas they're always building everyone up but every now and then they like to have a sort of a safe space a safe space where they can say the worst things imaginable but they really are I mean genuinely shocking you know I mean Kevin Hart is sitting there listening to all of his infidelities being listed yeah people like insults comedy they really like it the reason I like them is because I think I just really like jokes and if people have crafted a beauty because you know you don't have long lots of people come into the microphone you've got a short space of time so and it's kind of a it's a competition it's like sport but amongst comedians you can say the worst possible thing here but but it's still be funny yes you really look awful if your thing is cruel funnily enough you actually everyone just thinks or if it's interesting there's sort of a if x then y that you have to absolutely balance it that if it is incredibly cruel it has to be incredibly funny it has to be what always has to be one degree funnier than it is cruel and then you get away with it i agree with you and there are lots of so what's nice about it is that there's that sharp writing there are callbacks there's it's only one night i mean it's like a million we live in a kind of reaction gifs thing of we've discovered and people like watching people's reactions to things.

4:45Will the target take it? That's the thing. It's sort of the comedy of awkwardness as well as the comedy of insults. You can see what fans do like and they do like deadly precision, as you say, not cruelty. It used to be always a Comedy Central thing. Comedy Central used to have this thing entirely sewn up and actually the biggest rating ones and the most memorable kind of cultural moments were Charlie Sheen. That is the number one. now that was because he was he he had that extended pub he has had a number of public meltdowns but this was the really extended one it was totally unpredictable and it was before audiences actually became fragmented in the way that they are now with streaming and also as a

5:26Richard Osman:comic there are four or five different angles you can come up yeah and it's happening now it's like a live news story um the justin bieber one is is a huge kind of this is probably the next down from that there's a trump one and then some are not successful and people it just it feels off for some reason it never quite catches fun there's a james franco and a bruce willis one but they've now sort of gone to netflix they don't happen that often yeah because it's quite it's quite a lot the tom brady is immense it's far it did far better than the kevin hart one even tom brady in america is so famous over here you have to love the sort of you know the iconic quarterback he's like Beckham for America exactly and it's there's something about sports audience they brought that brought in a sports audience maybe something slightly different he is huge as you say there were really uncomfortable moments in that I mean there's a bit when he says don't say that shit again but that has those elements that as I say that you know it is unpredictable you know that Kevin Hart is not really going to he's going to be able to handle it because that's his job he's had a million worse things shouted at him maybe less artfully but he has in a weird way i found it was quite a it was a bit of a marmalade dropper when tom brady comes on in the in the kevin hart one because the tom brady one is the more iconic one but i do think that people do think the world is sanitized and lots of and perhaps the reason it maybe has kind of cross-cultural appeal if i can put that in a kind of politically neutral way even though i am really talking about politics is because people think, oh, hang on, anything goes here.

7:06This isn't being censored. It's not a sanitized world.

7:10Richard Osman:This is very, very unsanitized. But because you are in an American tradition that you know that there are no rules and the gloves are off, culturally they get away with it, which is why I found it really, really interesting because there's stuff, there's material there that you would not see anywhere else. Everyone has agreed. Everyone on stage has agreed that they're going to do that. Everyone watching signs a contract. that is oh it's a roast so we are all in this space where we go oh we can literally say any joke we want and they really do say any joke they want i yeah so i like i like it and it's all on one it's on one it's one person but actually there was a lot there's a lot against other comedians those riyadh comedians got took quite a haste yes the ones who went to the riyadh comedy festival but you know i do have a sort of weakness for those sorts of things and i think that in the culture when they're super revered i always loved ricky gervais's opening monologues at the golden globes which were so brutal and um they and they just didn't really know how to deal and also you never know who's coming for next in that so you're just people sitting there having to smile glassily while he's saying you work for the most disgusting companies in the world you work for apple you are for amazon and they all just have to sit there on their artistic night so i like all those things But actually what I really like of those things is the craft, is that there's such few words in a way.

8:31And just to kind of make it funny, but also incredibly vicious. I think they're great, but I think it's just in our culture. Just we do it all the time. So maybe we would.

8:40Richard Osman:That's exactly it. You know, we're used to doing those jokes. I mean, these go further. It's definitely, I've said before, I'm sure that the readiest joke I ever heard on television was aimed at Joan Rivers in her roast. I mean, something absolutely extraordinary. But it is, yeah, there, of course, you know, what you can joke about on terrestrial television when, you know, you've got responsibility to an audience is sort of ring fenced. And this is one of the few occasions where you are outside of that ring fence and everyone agrees. So we just say, look, we're just going to do it for tonight.

9:12Richard Osman:Do not watch if you are offended at all by anything, for sure. But I thought it was a very interesting watch for lots of reasons. A question from David Richard. I've read that Jimmy Fallon is going to be producing a new game show based on the Wordle puzzle game and due to air on NBC. The detail that caught my eye was that it will be filmed in Manchester, England. Do they really film American game shows in the UK? What's the attraction? Yes, they do. We'll get on to what the attraction is. It probably won't shock you, but we will get on to that. Yes, so Wordle they're doing over here with Jimmy Fallon, which feels weird to me because one of the biggest game shows in the world is Lingo, which is sort of a TV version of Wordle but whenever we announce any TV show people go, oh that's just like that and you go, no, we thought of that, I promise you that's just, you know so I imagine it won't be the same as Lingo so they're filming that in Manchester it has become a much more common thing recently there's a couple of reasons you'll do certain shows like this Golden Elevator show I'm doing where every territory in the world comes to the same place that happens to be in Belgium just because that's where the set is.

10:21Richard Osman:That's where the production hub is as well. So that's often the thing that happens. But more recently, Americans have started taking their really high volume series to the UK. So recently, I was talking to a brilliant producer who I've worked for years and years, Michelle Woods, who's just done Trivial Pursuit and Scrabble in the UK. They're both American. I mean, they're absolutely nothing to do with the UK at all. They're both for American networks. Craig Ferguson did Scrabble and LeVar Burton did Trivial Pursuit. They, again, filmed that in Manchester. Manchester, England. Manchester, England.

10:59Richard Osman:Yeah, I don't know if you've heard of it. Funnily enough, this always happens. It's probably Salford. Yeah. Because that's where the studios are. It will be Salford, yeah. It'll be Salford. But I guess the Americans think that they can say Manchester and people would have heard of it. So they'll film those things in Salford. the reason for doing it and by the way this is not a sort of oh let's find some Americans who live in Cheshire and bring them in, all of the contestants come from America as well, you get the odd one who's from the UK because that's a bit cheaper but it is cheaper for the Americans to fly over members of their public every single contestant every single executive every single person from the channel every single member of a production team it's cheaper to fly them over to the uk have a uk production team make it they know that the uk production team will make it you know michelle and her team they can make these shows they're brilliant at it they know it will be brilliantly made and they know it will be cheaper and it is i mean it's a union thing i mean it is just an awful lot cheaper to do it over here it is cheaper to fly every single person over here film for a five a day in saulford fly everyone back home and then put it out than it would be to do the whole thing in america and it's yeah it's this is quite this is actually quite quite a recent thing that that thing of having a production hub like doing total wipe out in buenos aires that's been going for years and years and years and years and that's when you've got a big set but the set of scrabble or trivial pursuit or this is i mean you could literally put that anywhere just but this idea that you know you're going to shoot 100 shows and you're going to go over to salford to do it because it's just going to be cheaper for you in production terms and in labor cost to do that that's a sort of new thing as always as a great supporter of the uk entertainment industry i'm all for it i suspect if i was a an american entertainment ap or researcher i'd be less for it it's good business for uk production teams and it's good business for american networks as well and there'll be more and more and more of it but it is weird yeah it is weird you know there it is that's the international nature of television now question for you Marina from Jake Magary, big fan of the pod that's how he gets your question, in fact that's all he says, sorry big fan of the pod, question mark, big fan of the pod ahead of its May release the title song for 007 First Light by Lana Del Rey has been released, my question is what is the likelihood Lana Del Rey thinks she made the song for a Bond film rather than for a game?

13:28Okay, with Lana Del Rey she is very very great and smart, various people who know her dummy, she has got a very fascinating mind so you can be sure that she knew exactly what she was doing. She has submitted a Bond song before and she wrote a song for Spectre and they didn't use it as they used that Sam Smith Writings on the Wall which I think is the only Bond song that ever went to number one maybe. Yeah. You'd know more than me. And Lana Del Rey she's got that voice hasn't she? She'd be great. She's a great Bond voice. I have a weakness for the Bond I prefer my Bond themes to be sung by women.

14:03There's something about it I don't know why it is what it is. I prefer the Bond to be a man.

14:10Richard Osman:It's so weird that you didn't say that to Paul McCartney. But anyway. Well, I mean, that's not one of the great Bond themes and I didn't bring it up. Whoa. Sorry, you don't think Live and Let Die is one of the great Bond themes? No, I don't. I prefer the ones that are women singing in that kind of slightly kind of moody, noir-ish, ethereal way. Have you lost your mind? No, I haven't. You don't think, wow, you don't think Live and Let Die is one of the great Bond themes? It's a very, very good Bond theme, but I prefer, if you think I think it's as good as Skyfall, don't be stupid. I like Skyfall.

14:44Skyfall is brilliant. Skyfall is everything about, the movie is brilliant, everything about it, the tone of the movie, the whole sort of story of what's happening, and Adele is so perfect.

14:55Richard Osman:yeah three best bond themes are in my opinion skyfall of course live and let die and nobody does it better i was against i knew you're gonna say nobody does it better you're correct on skyfall and um oh god what um i don't see like diamonds are forever or something don't go obvious no i'm gonna sheena easton all is it all time high no that was rita coolidge all time high sorry all time high is great but it's too up okay let's just leave it with me i'll come back at the end the Irish no I love it but no anyway sorry can we get back to Lana Del Rey for just a minute well no because my mind has slightly been blown by this anti Paul McCartney rant right it's a friend of ours he's a friend of the pod it's not an anti Paul McCartney rant I just prefer is it pro Paul McCartney I just prefer when women sing them okay for some reason understandable it's James Bond not Jane Bond love you know what I mean okay so this Lana Del Rey one who I think this one that she's done for the game is written by David Arnold who's the original composer of Bond he scored I think not the original no no but he's an original composer and I think he scored four or five films and they're really good people involved with all these games now it's like extraordinary what do we know that has happened it has been acquired by Amazon fully they have control we know they're going to be building it out into a universe I would say that doing that song and the song is great by the way if you listen to the song it's called First Light as well and it's really good if you listen to it.

16:24But again, this can be a springboard. She doesn't really need to get in with them because she's already done things for them. But you can definitely see Lana Daray doing a Bond track at some point. And also, there will be more Bond tracks, as you can see. Obviously, we're not going to be just seeing one film however long. There's going to be many different parts of this universe. There's going to be series. There'll be TV stuff. There'll be all sorts of things. And that's not to say that they're going to completely overflog it and overfarm it and whatever. I'm not suggesting that I know a lot of people worry about that they haven't done it so far we'll see but there will be many more opportunities and I 100 % think her vocal is very suited to it

17:01Richard Osman:and also you'd imagine the house style would be they would have original songs even for the spin-offs because that's something that keeps of course it's part of the whole it's part of the furniture of who they are and how they do it and all of that so yes so the good news is Lana Del Rey knows what she's done and she knows what she's doing but what about hang on what about Gladys Knight yeah I agree with you. It's all time high. I didn't say all time high. What did I say? I said, A Spy Who Loved Me. Nobody Does It Better. Nobody Does It Better is an absolute, and it's also an absolute classic Carly Simon song.

17:34Richard Osman:Agreed. Sky 4 without any question. Agreed. We need a terrible choice for number three. Are you not just going with something like Licence to Kill? Me? No. Are you not just going with Gladys Knight, the two-time singing Licence to Kill? No? I don't think so I think that Chris Cornell and Morton Harkett would like a word Okay If you had to have a man in there Well it would be that Oh hang on, what about, I mean Louis Armstrong Yeah that wasn't an official I mean it's not Duran Duran let's face it Okay That's fair enough We can agree on some things Yeah okay Alright let's just put it to a vote What is Top three of our listeners top three of our listeners we will send it out to our members okay members you'll be able to reply to that we'll we'll email you and then you can vote on your top three so that will actually be quite interesting yeah i think i'm forgetting things in the moment i'm forgetting songs but we also there's a lot of work for our listeners to do because on tuesday's episode they have to answer the question of have you heard of a phenotype or have you heard a big break that's not what the question is you'll see what you're doing that's a form of false polling it just depends entirely how you answer the question anyway let's go to a break now

18:54this episode is brought to you by Lloyds now I love it when characters are part of the club you wouldn't know anything about that would you Richard the Thursday murder club in some ways reminds me of the A-team I now would like to map each of those characters onto the A-team and feel I probably could I mean Elizabeth is Hannibal and it's not even close yeah that's exactly right and Ron is howling mad Murdoch well there are definite perks to being in a club just ask the members of Club Lloyds because with Club Lloyds you can bank on Lloyds to give you more wherever you are.

19:21Richard Osman:If you join Club Lloyds there's all sorts of benefits you can choose between. There's for example six free cinema tickets. They've got an annual coffee club and gourmet society membership which would be mine. And also something that the Thursday Motor Club would enjoy very very much indeed. To top it all off you have fee-free spending abroad which means wherever you are you won't be charged by Lloyds to use your debit card when you're traveling. Now joining this club costs£5 per month, but that is refunded in any month that you pay£2 ,000 into your account. Now that is a club that's worth being part of.

19:51Check out Club Lloyd's today. You'll need to be a UK resident and aged 18 or over to apply.

19:56Richard Osman:Why did we really go to war with Iraq? And did Saddam Hussein really have weapons of mass destruction? I'm Gordon Carrera, national security journalist. And I'm David McCloskey, author and former CIA analyst. We are the hosts of The Rest is Classified And in our latest series, we are telling the true story of one of history's biggest intelligence failures, Iraq WMD. In 2003, the US and UK told the world that Saddam Hussein had weapons of mass destruction, but they were wrong. This wasn't a simple lie. It was something far more complicated, far more interesting, and far more dangerous. Spies who believed their sources, politicians who wanted the public to believe in the threat, and a dictator who couldn't prove he'd already destroyed the weapons.

20:46Richard Osman:In this series, we go deep inside the CIA and MI6, go into the rooms where decisions were made, and look at the sources who fabricated the intelligence that took us to war. The Iraq war reshaped the Middle East and permanently weakened public trust in governments and intelligence agencies, and its consequences are still playing out today. Plus, in a declassified club exclusive, that we are joined by three people who are at the heart of the decision to go to war. Former head of MI6, Richard Deerlove, Tony Blair's former communications director, Alistair Campbell, and former acting head of the CIA, Michael Morell.

21:22Richard Osman:So get the full story by listening to The Rest is Classified and subscribing to The Declassified Club wherever you get your podcasts. Let's talk about a condition many people haven't heard of, and it turns out it's more common than you'd think. Peyronie's disease, or PD for short. PD can happen when scar tissue builds up under the skin of the penis. This can cause a curve or the bump during an erection and, for some men, lead to pain during intimacy and may impact mental health. It may also lead to anger and frustration, depression, lower self-esteem, and even withdrawal from sexual activity and physical intimacy.

22:00Richard Osman:Because of this, some men could feel embarrassed or reluctant to talk about PD. The actual cause of PD isn't always known. In some cases, it may be linked to a minor injury or repeated injuries during sex or other physical activity. The good news is PD is treatable. If you notice a curve with a bump, a trusted urology specialist can help diagnose it and walk you through your options, including non-surgical treatment. To learn more about Peyronie's disease, visit talkaboutpd.com.

22:34Richard Osman:welcome back everybody don't pretend we haven't been arguing through the efforts welcome back everybody helen smith has got a question save us helen my husband and i love the great british menu she says but we're baffled by judging day how long does it take to film and how do the judges manage to taste so many dishes in a single day eight mains or desserts in one day seems almost impossible i love that question helen thank you because it is there's a there's a lot going on in the great british menu by the way that's very quietly been built into such an important franchise for the bbc it's incredibly impressive what they've done so i asked sarah eglin who's the executive producer of great british menu helen and i'm just going to read out what she says verbatim because i love it when producers tell you about how they put their shows together sarah thanks you for your question helen she says it takes a whole day to film each episode with four chefs cooking in the morning and four chefs cooking in the afternoon.

23:27Richard Osman:Tom Kerridge actually goes to a nearby gym and has time to do a full workout and shower before returning. Wow. So in the middle of the day, that's his secret to making more space for the calories. Our food is served hot, which is not always the case on these shows. So once the chefs say the food is ready, it takes under a minute for the food to leave the kitchen and arrive with the judges. One of the challenges for the crew is filming Tom's plate before he finishes eating as he is an extraordinarily fast eater. No judge has to finish their plate, but most plates return to the pot wash empty. We have a separate serving which is used for filming the graphic shot of the dish and the crew take it in turns to eat this afterwards.

24:01Richard Osman:So that is quite often you have a lovely cutaway of the dish and they'll do a lovely shot of that. That will be done like Race Across the World when the crew go back to the route and do lovely GVs and everything. Although one time Andy Oliver accidentally ate the remaining pieces of a beautiful sharing loaf before it had been filmed. Andy. During dessert finals, we have cheese and biscuits on standby to help with all the sugar. And this is the one lunch break where the judges might join the crew for lunch to get more savoury food into their system. I could do dessert day without. I wouldn't need a single bit of non-sugar.

24:35You've trained yourself. Yeah, I really have.

24:36Richard Osman:You're a professional. That I could do, Sarah, if you're ever looking for anyone. The mains final. I love this. The mains final is not for the faint-hearted. That's Marine. I think I could, yeah. In fact, look, here's a friend of yours who's on it. I was momentarily worried we might kill National Treasurer Sir Stephen Frears, who judged eight main courses with us. None of the chefs buy their ingredients. They submit the recipes in advance, and our home economics team supplies all the food within our budget. Some chefs do use their own money on presentation props, but spending a fortune is discouraged, as if that chef wins, we won't be able to replicate it at the banquet finale episode when the production supplies all the presentation for 80-plus guests.

25:13Richard Osman:The Great British Menu moved production to the Midlands over seven years ago, so we rely on persuading famous people to come to Stratford-upon-Avon for the whole day. I didn't know it was in Stratford-upon-Avon. I didn't either. I love Stratford-upon-Avon. Yes, I know you do. Yeah. You'll be visiting relatively soon, I believe. Yes, we're going to see Mark Gatiss's play. I really want to see that. Yes. Anyway, that's absolutely by the by. We're talking about Great British Menu. And our studio, Sarah says, is the old Teletubby studio. I still remember Peter Hook, the bassist from New Order, being a fantastic and hilariously entertaining guest judge during the music-themed year for dessert finals some years ago.

25:48Richard Osman:Dessert finals. I mean, I would just watch that. He explained he'd be able to eat every last crumb of his eight desserts, as sugar was now his acceptable drug of choice. But he was done for speeding on the way back home on the M6, and it might have had something to do with all that sugar. That is fantastic, Sarah. Thank you so much for those. She sort of answered about four different questions there, but I loved all of them. Marina, a question for you from Tasha. Tasha asks, when two high-profile celebrities start dating, do their respective managers or agents team up to agree on how and when they'll go public with their relationship.

26:21Richard Osman:I'm thinking of Kim Kardashian and Lewis Hamilton. Is Insta official now old hat? Okay, that's interesting. First of all, I mean, those two, I don't think he would think about things like that in quite the same way. She would think absolutely with a team about almost how everything she does, but that's just perhaps the nature of the person. In the old days, you know, it would be quite simple. You'd be photographed together. maybe then people started doing joint magazine features about their love paid for. The Beckhams had a press conference to announce their engagement. It's really weird watching that take that documentary that was released on Netflix, which is really good.

Read the full transcript

26:56They just did press conferences for everything. And you suddenly thought, I forgot that actually, rather than having a way that they could instantly do something and it could look really good online and all of this, they would sit at a sort of long table with a tablecloth on it. And it didn't matter whether you were engaged or Robbie had left the band or whatever it was it was done in this one way in a hall yeah you know it's really weird looking back at it it suddenly seems such a period piece even though it was kind of recent so yes there was a whole vocabulary for all of this as you know like the soft launch now the soft launch of a relationship of a relationship the soft launch you know the sort of breadcrumb reveals so you might see someone's shadow in a picture or crop photos or you know been quite obvious so that you'll say, oh my God, but who's been cropped out of this picture of Paul Mescal as an example.

27:43There's a whole relationship theatre to Instagram, isn't there? And the way that people talk about it, you see them using these terms in real life. I remember Taylor Swift talking about people saying, oh, how ridiculous that people would think we were hard launching our relationship. But this vocabulary has just become completely normal now. Again, we talk about this all the time, but it's like the whole decoding culture, the kind of open source intelligence thing where your life is a curated public narrative it does increase engagement so you can see why kipm kardashian would really string out the amount of time before she did something formal so and it also shows just i think how much the platforms have inserted themselves into all of our interactions modern celebrities can treat these moments as branding events and as um fashion editorial moments i wouldn't be surprised if her and lewis hamilton definitely do something together how do you think that works

28:35Richard Osman:inside a relationship? Like if you're literally, if you're two single people and you start going, oh, you know, you've had a date and then you go, oh, you know that film you were talking about, you know it's on next week, do you fancy going to see it and you have another date and then you kind of go, oh, we're sort of hanging out a bit more and you kind of think, oh, maybe we're going out with each other. But, you know, how does that physically work? Then you go, well, we need to talk to my manager about that. I think they talk all the time about that they, well they just they spend a long time trying not to be photographed when they don't particularly want to at the start of things for definite because that's just well i guess if they're and nobody wants and if they're both famous they both know yes yes they both know and then they you know often they're very successful in keeping it completely away i mean every now but eventually and in the old days people used to tip people off yeah so they would get the first photos would not be high on the front of okay magazine we're going out with each other it would be paparazzi features but every now and then it is a bolt from the blue like we had to do a whole item on it when it happen because it was so funny liz hurley and billy ray sirius every now and then you're like excuse me what still going as well right yeah that was the everything launch all at once all all the launches all at once but and it's hard to explain to like um gen z or gen a that this didn't used to happen and to the as i say the platforms are so inserted in life that even brooklyn beckham who's constantly talking about wanting privacy and to be away from it posts incredibly frequent updates and pictures of his relationship all the time have you seen that amazing um listen this again i'm going off on the tangent but the brilliant comedian al green on um instagram this week has launched his character who's called uh jackson benson uh and he's sort of pretending to do his who am i thing for vanity fair and it's it's so funny but it's very very beckham adjacent but he's also got an indie rock band called jackson benson and the boners uh and it's really it's very very i'm obsessed with cruise beckham and the breakers I just want to know who's in the breakers.

30:32They look like they're 30-year-old guys.

30:40Any information on the breakers, I want to know more about the breakers. But anyway, so basically, just to summarise, relationships used to be revealed by the tabloids. Now they are serialised by the participants themselves, basically. So there might be, first thing that might happen, there might be rumours. then you might have grainy accidental sightings or people in the back of other people's pictures who took them off or who really didn't control it on purpose. Then there's all the sort of social media breadcrumbs. But this is a form of fan engagement. And even if they don't say it out loud, this is about being always on.

31:16If you're a female pop star and you don't have to release something, you're just sort of always there. Things are happening. There are plot lines. The series is continuing.

31:27Richard Osman:But you used to be able to see it on Twitter, didn't you, when you'd see couples sort of forming to go, he comments a lot on, oh, now she's commenting on his. Do you think, oh, that's nice? Yes. But non-celebrities. Yes. And now it's a much more, but when they're both big stars, this is how, and then I think you have the soft launch, then the hard launch, then the joint branding. As I say, I think Lewis Hamilton and Kim Kardashian will definitely like, you'll see them together for like Montclair or something like that. And they'll do an ad campaign probably at some point, who knows, maybe. or they'll do something, maybe not an ad, they won't do an ad campaign, but they'll do something perhaps together.

32:00And then, you know, when it all goes wrong, the silent unfollow or the breakup statement. And that, this is the new theatre of it all. And if you look at someone like the Biebers, Hayley Bieber and Justin Bieber, it's almost has all been done via their Instagrams. They are married. They have a child. She's got, she had about eight products in her Rhodes Skin Color. They launched with eight products. It became a billion dollar brand. They sometimes do things together. He's had a, finally, he's had an IRL appearance at Coachella and it's gone absolutely massive. But really the entire thing has sort of been sustained off.

32:40Is their relationship working out? Is it not? Or almost entirely a digital fabrication, a digital soap opera. I assume so. And then he's had this thing and then he managed to sell absolutely masses of units of his various products at the time and that is a kind of quite a sort of classic template now which as i say would have seemed completely nuts a few years ago imagine

33:03Richard Osman:jane austen writing a novel about it i would read that that'd be amazing well i mean lots of had you know a lot of things like letters i mean it's like epistolary novels she would she would decode that stuff in a heartbeat what's dangerous liaisons if the book if not if not you know an epistolary novel about people scheming and plotting and you know trying to influence each other reader ian follows him yeah that's us done i think please please please if you have questions for tom hanks do send them into the wrestlers entertainment at goal hanger.com as you know it's fun when you get your questions asked to uh these it's it's it's a really lovely thing so if you if you have anything you've always wanted to ask Tom Hanks that you haven't heard him be asked before, then please do.

33:48Richard Osman:You always come up with a good, so thank you for that. Your wonderful bonus episode with James Kangasorium came out yesterday about Tradwives. I recommend everyone listen to that. The first episode of that, there'll be bonus episodes from here on in, but the first one is free for everyone. Strongly, strongly recommend that. He is mega interesting, and I am interested. Yeah, how is that, sitting across from someone that you find interesting? You know, I never don't sit next to someone I've obviously someone I found interesting but it was really but this was actually really interesting it was different because it was he was able to poll people on I know you wanted to get some polling always done live just my earlier this week you wanted to get polling done live in the episode he would have been able to do that yeah god he sounds amazing wow anyway listen to it it's really interesting on Tradwives and Tradwife content yeah listen to that send in your questions for Tom Hanks and otherwise we will see you next Tuesday.

34:45See you next Tuesday.

From the publisher

Why should Bond themes always be performed by women? What are the new rules on celebrities going #InstaOfficial? And which 80s indie icon was caught speeding after a few too many puddings at Great British Menu?

Richard Osman and Marina Hyde answer your questions on the world of celebrity, television and Bond in this week's episode.

The Rest is Entertainment is brought to you by Octopus Energy, Britain's most awarded energy supplier.

Lloyds. 250 years on and still backing the nation's aspirations.

Join The Rest Is Entertainment Club: Unlock the full experience of the show – with exclusive bonus content, ad-free listening, early access to Q&A episodes, access to our newsletter archive, discounted book prices with our partners at Coles Books, early ticket access to live events, and access to our chat community. Sign up directly at ⁠therestisentertainment.com ⁠

For more Goalhanger Podcasts, head to ⁠www.goalhanger.com⁠

Video Editor: Imee Marriott & Joey McCarthy

Assistant Producer: Imee Marriott

Senior Producer: Joey McCarthy

Social Producer: Bex Tyrrell

Exec Producer: Neil Fearn & Samantha Psyk
Learn more about your ad choices. Visit podcastchoices.com/adchoices

More from The Rest Is Entertainment

All 311 episodes
Marina Is Wrong About The Best Bond ThemeThe Rest Is Entertainment · 36 min
Listen in VO