In short
Episode Notes: Mike Tyson, Bluesky & Christmas Adverts
Podcast Title
The Rest Is Entertainment Hosts: Richard Osman, Marina Hyde Episode Date: [Date not provided in transcript] Episode Duration: [Duration not provided in transcript]
Episode Summary In this episode of *The Rest Is Entertainment*, Richard Osman and Marina Hyde delve into several hot topics in the entertainment world, including:
- The online boxing match between Jake Paul and Mike Tyson
- The migration of media outlets from Twitter to Bluesky
- The impact and effectiveness of Christmas advertisements from major retailers
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Key Discussions
Jake Paul vs. Mike Tyson Fight
- Event Overview:
- Jake Paul, a popular YouTuber turned boxer, faced off against legendary boxer Mike Tyson in a Netflix broadcasted event.
- Discussions centered on the spectacle of the fight, which many found disappointing due to its lack of action—Tyson threw only 18 punches.
- Different Perspectives:
- Richard's View: Sees the event as a good business move for Netflix, Tyson, and Paul, emphasizing the show's entertainment value rather than its boxing legitimacy.
- Marina's View: Describes the fight as a bleak spectacle, highlighting Tyson's age and health issues and expressing concern over the nature of entertainment that exploits aging sports figures.
- Cultural Commentary:
- The fight represents a broader trend of sports and entertainment merging, as traditional boxing evolves to attract new audiences, including younger viewers via platforms like YouTube.
Migration to Bluesky
- Current Trends:
- The Guardian and other media outlets have begun moving away from Twitter to Bluesky, seeking a more positive online environment.
- Discussion Points:
- Marina and Richard express skepticism about whether Bluesky can maintain a healthy online community without the pitfalls of previous platforms.
- The conversation touches on the nostalgia for earlier, less stressful social media experiences and the elusive nature of genuine online discourse.
Christmas Advertisements
- Retail Landscape:
- The hosts discuss the significance of Christmas advertisements for retailers, noting that they are essential for sales during the "golden quarter" of retail.
- Notable Campaigns:
- John Lewis’ ads, starting from 2009, have become iconic, with various brands employing creative storytelling that resonates with audiences.
- Viewer Engagement:
- Ads are evaluated for emotional impact and public reception, with a scoring system used to measure effectiveness.
- The Coca-Cola AI ad stands out by using AI technology to recreate past popular campaigns, generating significant media attention as a result.
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Key Takeaways
- Cultural Shifts in Sports: The integration of social media personalities into traditional sports events exemplifies the changing landscape of entertainment.
- Social Media Migration: The search for healthier online spaces continues, with users wary of repeating past mistakes from platforms like Twitter.
- Commercial Impact of Holiday Advertising: The effectiveness of Christmas ads is debated, but they remain a crucial aspect of retail strategy during the holiday season.
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Recommendations from Hosts
- Richard Osman: A three-part documentary on BBC iPlayer about the search for Lord Lucan, offering a unique narrative perspective.
- Marina Hyde: A compelling YouTube channel (Keeson Stats) that visualizes historical data and trends in an engaging format.
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Closing Remarks
- The episode concludes with a tease of a forthcoming Q&A episode, suggesting that listener engagement will continue in future broadcasts.
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Connect with The Rest Is Entertainment
- Website: [therestisentertainment.com](http://therestisentertainment.com)
- Social Media:
- Twitter: [@restisents](https://twitter.com/restisents)
- Instagram: [@restisentertainment](https://www.instagram.com/restisentertainment/)
- YouTube: [The Rest Is Entertainment](https://www.youtube.com/@therestisentertainment)
- Contact: therestisentertainment@gmail.com
Producers: Neil Fearn, Joey McCarthy Executive Producers: Tony Pastor, Jack Davenport
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*Note: This markdown file captures the essence and main points discussed in the podcast episode, providing a structured overview for easy consumption and reference.*
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:29This episode is brought to you by State Farm. making plans get this complicated. It's time to streamline with WhatsApp, the secure messaging app that brings the whole group together. Use polls to settle dinner plans, send event invites and pin messages so no one forgets mom's 60th, and never miss a meme or milestone, all protected with end-to-end encryption. It's time for WhatsApp. Message privately with everyone. Learn more at whatsapp.com. I'm Scott Hansen, host of NFL Red Zone. Lowe's knows Sundays are for football. That's why we're here to help you get your next DIY project done, even when the clock isn't on your side.
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1:27Hello and welcome to this episode of The Rest is Entertainment with me Marina Hyde And me Richard Osman, hello Marina Hello Richard, how are you? I'm really well, lovely to see you, good week? Very good week, thank you Although I must say, the discourse on the bookshelf stacking and how people organise their bookshelves after our question and answers episode has kicked off It's taken up a lot of time, a lot of admin We will be dealing with some of that admin on our questions and answers edition A lot Listen, there are a lot of arguments, there's some cute stuff, a lot of arguments, but a lot to talk about.
1:58But on today's show, we're talking about... We're talking about the fight that was on Netflix on Friday night between YouTuber Jake Paul and actual boxer and unwell man Mike Tyson. Which I think we have different opinions on, which we will get to. We're going to talk about Blue Sky, the exodus to Blue Sky from Twitter. What's happening there, does it matter? And we're also going to talk about all the retailers' Christmas TV ads and whether they work and why people do them. Where they go next, exactly. Now, this fight, Paul against Tyson, people have spoken about little else on various forums for a very long time.
2:30Jake Paul, who is a YouTuber, used to do pranks, sort of became a boxer, called out various YouTubers, fought Tommy Fury, all sorts of things. So he's built this career. He was the world's best paid sportsman in 2022, Jake Paul. And he's a limited boxer. He's beefed up, but he's a limited boxer. He called out Iron Mike Tyson, probably the most famous boxer of all time, but an old man. I don't think he's the most famous boxer of all time. Oh, no. Muhammad Ali is the most famous. Do you know what? You're absolutely right. The second most famous boxer of all time, arguably. And called him out. Mike Tyson, of course, did yes, because there's a lot of money in it for both of them.
3:08Netflix said, of course, we will show this. The fight was on the early hours of Saturday morning over here, Friday evening in the US. Arlington, Texas. In Arlington, Texas, Jake Paul won over one of the most stultifyingly boring contests of boxing you could ever see. Tyson threw 18 punches in the entire fight and probably made about a million dollars per punch. And the fallout has been, was this the worst spectacle we've ever seen in our lives, which we'll talk about, but also did it work for Netflix? Did it work for Mike Tyson? Did it work for Jake Paul? Did it work for viewers? okay so again you know sport is content and we've said this they keep saying we're not going to do any live sports and we're doing sports adjacent events like the beckham documentary or drive to survive but they've also got two big nfl games for christmas day and we're going to come to that's a much bigger deal however big we think jake paulvie mike tyson is that's that's the that's that's the real one but sport is content um to them and they got a whole week out of this as you can see, because you've got all this stuff going up in the build-up.
4:09And, you know, it's bizarre. It was the biggest crowd of Mike Tyson's career. So go figure. Yeah, biggest ever box office gate outside Las Vegas. Yeah. In boxing history. Yes. I'm going to be controversial, and I say I think it's quite a good idea, isn't it? I genuinely know you said it didn't really work for Netflix. I think it probably worked for them okay. I think it works for Tyson because, you know, they've got some money. It certainly works for Jake Paul. It kind of works for the audience. Can we just make it clear what we're watching here? Because I think some people won't have realized, okay, we're talking about a YouTuber who has become a boxer after a fashion.
4:43Yeah. Who's got a 31-year-old age difference with this guy who's 58. He's got a stomach ulcer. He's seen him hospitalized quite a few times in the last few months. Arthritis and a weed farm. Okay. So, you know, it was, I found it a really sad spectacle and it was totally bleak. there were elements of sort of you know savage fast to it all a lot of this is like what we've said about so many times before all these kinds of things are about sports having to reach beyond their traditional fans maybe their failure you know maybe their traditional fan base is dwindling whatever it is you've got to go after fans who don't like your sport so if you see what's you know as we talked about in a kind of quite a simplistic way but sort of women coming into formula one via drive to survive youtubers so the there was a moment when before the fight where um a 14 year old youtuber called jasmine guerra in interviews tyson and this is my this was my absolute favorite bit of the whole thing yeah and sums up everything and this honestly i think this is the reason you find it so bleak this is the reason i absolutely love this as a as as a phenomenon Well, there we go.
5:53There's a difference between us. Okay, so she's 14 years old. She's got something called Jazzy's World TV. And she said to him, ask him a question like, you know, what would you leave behind as your legacy? And he says, well, I don't believe in the word legacy. I think that's just another word for ego. Legacy means nothing to me. I'm just passing through. I'm going to die and it's going to be over. Who cares about legacy after that? We're nothing. We're dead. We're dust. she says thank you so much for sharing that that's something i've not heard before and then he says can you really imagine me saying i want my legacy to be this way or that you're dead what audacity is that to want people to care about me when i'm gone who the fuck cares about me okay mike she's 14 but i mean this is the world's colliding of you know trying to bring in these young youtubers and we have to say for jake paul that he's done an amazing thing for lots of women boxers by really promoting them the taylor versus serrano fight one of the great women's boxing fight of all time on the undercard to this absolute farrago but that's why i don't mind it no one is pretending no one is pretending that jake paul versus mike tyson is a boxing match no one is pretending that it's it's the ultimate sort of youtube prank uh you know if you said 10 years ago you know all the kind of things that people do the biggest thing that said you could possibly do you could get in the ring with iron mike tyson that's what jake paul has done at absolutely no risk to himself because as you say Mike Tyson is 58 years old um he's made a lot of money he's he says he's made 40 million I don't think it's that much I would I would think it's I mean it's a lot still it's 30 million odd but it's certainly not 40 million Tyson's made 10 million you know and uh that's nice I mean he hasn't had to do anything he's just had a sort of guy who's not that good at boxing throwing punches at him occasionally Netflix have got a whole group of people who just want to watch this because they understand it as a spectacle they understand it as a sort of ridiculous WWE fight.
7:40And fans have got something they want, which is a couple of weeks worth of entertainment, wanting Jake Paul to get beaten. They know he's not going to be. But people who say it besmirches boxing, it makes boxing look bad. That is ridiculous. Have you ever seen boxing? Boxing has such a long history of this. This is just the latest. I agree. None of what I was saying was meant to deny that at all. Boxing is like, it only ever is morally complex at best. And it always has been. and it's like saying this has besmirched the reputation of war. It's not very nice anyway. However, I do think there's something very bleak about watching that and it's a sort of sad spectacle watching careers kind of end like that.
8:21And if it's just about money... What's bleak? Yeah. Because he's an amazing boxer. He was a great boxer and it's just really sad seeing that. It's actually the plot this of Rocky Balboa, do I want to say, which is like Rocky VI and then he gets back in the ring and he's about 60. Stallone. It's sort of the plot of that. Yeah, but did you not just hear what Mike Tyson said to Jazzy? Yeah, I know. He said he doesn't care about his legacy. What he cares is about tomorrow. He just got 10 million quid. You know, he's just become relevant to a whole new generation of people. He doesn't care. Relevant?
8:50No, he's not living in the moment. This is a bleak vision. And also, if you could see it, you were lucky at the start because they had Netflix. It was beset by so many problems which I've thought Netflix might be the first to get punched in the mouth and they duly were because as we were going through the undercard, people's things were buffering. Everything was being reduced to those kind of big pixel boxes and it was trending that people couldn't see it. I think at least 100 ,000 people definitely had problems. Now, Netflix have done relatively few big live events. There's a Chris Rock special they did.
9:23The disastrous Love is Blind reunion show, which was billed as like a big live event. You're going to be able to watch the Love is Blind reunion show. That went so wrong. There were so many technical glitches for that. Now, anyway, you'll have people saying, well, I mean, oh, my God, I'm so crushed I couldn't watch the Lovers Blind reunion live. By the way, some people were. But your NFL games on Christmas Day, they better have it right for that. Because if they don't, I can't even imagine. WWE Raw, which they're taking, I think they'll have it sorted by the time they've got that on. And, you know, arguably that matters slightly less, but maybe not.
9:54But the NFL games on Christmas Day, if they don't get that absolutely perfect, people will go nuts. It's interesting why they're doing this as well. I think we should talk about that because there are lots of things they said they'd never do. They said they'd never do sports. They said they'd never do adverts. But as we now know, they do do adverts. Half of new subscribers are to the ad tier. And if you are selling ads, you need people to be watching something altogether live because then you can sell the ads for more. It's sort of basic. Well, I mean, it's basically what we used to do in what we used to call normal television.
10:27I remember normal television. In America, they would call it cable. And, you know, one of the main reasons people don't leave cable, as they call it in America, is because it's for sport and news. So 90 of the top 100 rated shows in America on cable last year were NFL games. 90 of the top 100. If you want to sell ads all the time, they want lots of new viewers at once. And in lots of ways, Netflix is becoming like cable, as they used to call it, because they've got lots of live events. the prices are going up and up and there are many more adverts because even if you pay for no ad, Netflix you get ads in NFL games and wrestling you're going to have ads in WWE and the Paul Tyson match was heavily sponsored all of that kind of stuff I genuinely, I'm going to get back on the hobby horse and say I don't share this vision that it was anything other than some showboating some sort of P.T.
11:25Barnum greatest show on earth stuff I think it's easy to remember that, you know, whatever the hype around it, almost everyone in the world didn't watch it. Yeah. 99.999 % of the world did not watch it and did not care. But, you know, the people who did made a lot of noise about it. It is in a sport which cannot in any way stand on any sort of high horse. I mean, the fact that this wasn't in Saudi Arabia was a shock. It's amazing, really. Well done, Texas. I think that's about the only state that would have certified it was about. Oh, and it was genuinely certified as well. But you can go boxing, 1896, Bob Fitzsimmons, who was the great Cornish heavyweight, was fighting Tom Sharkey in San Francisco.
12:03Do you know who the referee was for that match, who they got in? They said no one can referee this match, it's too much of a grudge match. 1896. Charles Dickens. Not Charles Dickens, Wyatt Earp, the most famous sheriff of all time, O.K. Corral, all of that sort of stuff. The most feared lawman in the West, played by Kevin Costner in the movie Wyatt Earp. Brilliant. So Wyatt Earp comes in to referee this fight. Bob Fitzsimmons is a big favourite. He's a better boxer than Tom Sharkey. Sharkey gets knocked down. Wyatt Earp sees some sort of infraction while he's being knocked down, disqualifies Bob Simmons and gives the title to Tom Sharkey.
12:39And in America, Wyatt Earp was remembered for many, many years for being a bent boxing referee more than for being, you know, the OK Corral or anything like that. Boxing is a circus. It's always been a circus. Now, people listening at home who don't like boxing have every right to say this Tyson versus Paul thing is disgusting. Anyone who does watch boxing, and I watch boxing, I like it. We're reaping what we sowed. This is boxing, and it works for everybody. But to take one of your great stars for that, to allow that to happen. Yeah. Tyson is responsible for himself. Tyson has made a series of decisions over his life, some of which went wrong, some of which didn't.
13:15I'm aware he's made some poor decisions. But, you know, he has got agency. And he's got plenty of money now, by the way. His weed farm is very, very profitable. Do you know what his biggest selling weed gummy line is? It's severed ears. Of course. After the Holyfield thing. And Holyfield shares, by the way, in the profits from those weed gummies. So Tyson is in a place where finally he's got some money having been ripped off for his entire life. He's making plenty of money from this, which I think is good. But the whole history of heavyweight boxing is people being ripped off. And if Tyson wants to make£10 million to fight someone who's not going to hurt him, then why not?
13:52Well, Katie Taylor said it really mattered to people in boxing. Who was the amazing Irish boxer who won on the undercard. Who won on the undercard. That was a great fight. She said that it really mattered to people in boxing that Tyson did well. Obviously, you saw Tony Bellew in the run-up to it all sort of trying to cause problems in all these 27 ,000 press conferences they had in the week before because it's all content. Yeah. I think that actually you have to offer a slightly more shaded view, which is that when people see one of the great people in their sport or whatever, allowing themselves, yes, completely allowing that to happen to themselves, they didn't have to love it.
14:25I disagree. Genuinely, I think, honestly, Tyson has told us his view. He told it to Jazzy. He says, when we're done, we are nothing, we're dead, we're dust. He doesn't care about legacy. He knows that that's ego. Legacy is this obsession with sport. and you think, no one really cares. You know, no one really cares about the legacy. There might be about three sports people ever, but it doesn't matter. You know, sport is so popular. You know, there's going to be a new EMB or sooner or later. You know, these things are cyclical and Tyson just, he doesn't care. And I quite like it because for years and years and years, people have told him to care.
14:58He doesn't anymore. Tony Bellew doesn't really care either. You know, and Katie Taylor doesn't really care. He cares about getting some clicks at the press conference. Of course he does. However, no, I'm not sure. I thought it was a pretty bleak spectacle and I'm going to have to stick with that. But I'm glad you thought something different. Well, I just think it was what it was, I think. Because I was saying that thing about news and sport being the thing that keep people attached to, you know, not becoming call cutters, as they call it, and not leaving cable. I do wonder whether Netflix, given I know they've said they're never going to do news, but it does make me think, I wonder if you will try news because news is a really great way of keeping people watching adverts in real time altogether.
15:41The topicality of the thing. It's a big lie. I mean, it's grim, and you could probably switch off the notifications like this if they ever existed, but you could imagine push notifications coming on people's screens saying, Donald Trump guilty verdict or whatever, because they'll always go back to whatever show they were watching while you push that notification. And huge amounts of the big network news talent in the States now are being fired or have had their pay hugely cut, and they're all sort of setting up their own news organisation. So there are plenty of trusted anchors who would be happy to step straight into Netflix and be a sort of emergency response unit.
16:16Yeah, it's hard because clearly they're leaving those established players because the established players are not being able to make news work as a business. It's tricky to be involved in news. And, you know, Facebook, that's part of the reason Facebook's withdrawn from it. But that's a different thing in social media. I have to say that even though Netflix have said publicly they're not thinking of doing news, I know that internally they've talked about it. and you know it is a way of not getting people to leave the platform i would be shocked if they didn't do news at some point i think um you know the great disruptor netflix has stolen the clothes of traditional tv you know time after time after time you know they came in a suit of armor and bit by bit they stole on the socks of terrestrial tv and the pants of terrestrial tv and the hats of terrestrial tv they just because that's what people like and you know netflix now has the uh the eyeballs to be able to do that um and as you say they said they weren't going to do sport i I mean, this wasn't sport particularly.
17:08Well, I mean, honestly, they haven't. Paul versus Tyson. If it was sport, it would have been on pay-per-view. And Jake Paul is smart enough not to put that on pay-per-view because firstly, you'd see the numbers and they wouldn't be amazing. And secondly, people would want their money back. With Netflix, they've already paid. So who's losing? Nobody's losing. Yeah, so I didn't mind it and Netflix are going to do news. Those are the two headlines there. Now, after that condemnation of rampant commercialism, shall we have some adverts? Please, for goodness sake, let's have a palate cleanser. Eczema isn't always obvious, but it's real.
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19:37Now, talking about the great fights of our time, we've had Paul versus Tyson, Twitter versus Blue Sky. That's what we're talking about now. I mean, this is an even more depressing spectacle. Let me say that right from the get-go. Stay with us, listeners, but... This is one of those things I don't know my view on, so I'm going to talk to you about it and then consider my view in opposition to whatever yours is. Okay, obviously people have got lots of issues with Twitter now, and various people have left. The Guardian, where I wrote newspaper columns, announced that it was no longer going to post its stuff on Twitter, which was massively supported by readers.
20:08I don't know. I mean, I noticed that the Clifton Suspension Bridge, that account has stopped posting. Yeah, there's quite a few. How am I going to, so now I've got to get a blue sky. He said, for all your suspension bridge, I don't say he, maybe it's a lady. Maybe she's a lady, the old Clifton Suspension Bridge. Elaine Clifton, my full name, Elaine Clifton. Sorry, that's my mother-in-law's name. Elaine Clifton? Yeah. Does she spam the Bristol channel? I'm not sure she's been to Bristol. Okay, so Clifton Suspension Bridge. Yeah, anyway, the Clifton Suspension Bridge, right? The Clifton Suspension Bridge has stopped posting, The Guardian has stopped posting, all sorts of people have stopped posting and saying, I'm going to Blue Skype, right?
20:44I find it quite odd that people have spent a long time howling about social media, always on social media, by the way, and the evils of it and the iniquities. And now they're just going to start the whole depressing journey all over again that's the worry well i yeah i mean i think that the journey is on so many platforms and by the way before there were platforms this was the way with like even you know usenet groups and things like you know internet communities yeah you get this thing and it's really fun at first then there's a sort of development of a what i would call a blue skyocracy you know the the sort of elite posters who does and then it becomes i see that people are already chiding people for not being nice enough on blue sky so that's they've already got some policing happening and then there will be all the purity spirals and then you know purity spiral is a new one i love it there will be purity spirals and then like the worst people sort of move in you know and it becomes that sort of like slight survival of the shittest really isn't it and that's what i mean look at twitter now that's what you're sort of left with and i suppose the question is do you want to start the whole journey all over again I just feel like I'm not going to lie on my deathbed thinking oh my god I wish I'd been on blue sky more so maybe why not not even begin the journey that's the interesting thing isn't it and you know since since the Trump election I think it's really gathered a pace and it's 1.5 million people joined blue sky since the Trump election and Twitter a certain sphere of Twitter is full of people leaving and I absolutely get what you're saying.
22:12I think anybody who's not of our generation, anyone from a younger generation finds it genuinely incomprehensible. They do not understand what the discussion is that, you know, people of our age are having and what upsets them quite so much about Twitter and what they're looking for in Blue Sky. And I do think that it comes, can I be sociological just for a moment? I really want you to. You know, the boomers who get a very hard time of it for buying cheap houses and all this, they did at least grow up in an era that was, it was post-war, something was being built you know they genuinely came from something built something up and you know created something and they they had a sense of purpose now our generation you know that post-war consensus broke down in the 80s as a thatcher and reagan and you know and then in the 90s suddenly we had blair and clinton and suddenly this liberal progressive idea that actually the post-war consensus could be put back together and we we were building a world and building a world that that progressed and was moving towards liberal democracy it became a very real thing at the end of the 90s genuinely there's a group of people who had hope like proper hope my daughter said to me the other day she said i'd only i only realized about a year ago that actually your generation you you actually had some optimism she said because we have never had any of it but we had it we had that hope in the late 90s and we thought the idea of the end of history all of that sort of stuff there's a whole generation thinking perhaps our generation's battle is to include the excluded is to progress politics is to you know make the world a happier better place and twitter started almost exactly when the credit crunch happened so 2009 credit crunch happens and the end of that sort of global liberal you know progressiveness was just about starting twitter started and everyone thought oh this is the place we can build again we can build this beautiful liberal democracy where everyone's kind to each other we can look after each other you might say it's naive but it's a real thing it's a real thing inside people and it was that for a few years i think for those people and then the real world comes knocking and i think psychologically it's very difficult for people and they're searching for that thing again they're searching for the thing they had in the late 90s which is hope and optimism and people are good and also we can reach people but actually the more people you meet through social media the more you realize that almost everyone is different to you there's that and then there's also the fact that some people found it very economically useful to have twitter there's no question of that i do think that's very difficult and for had to have that and lots of people writers and things were found by their twitter accounts yeah i actually found the way that people talk on social media and i think it's really deceptive and i think it's i actually think there are only about 10 approved joke formats yeah in circulation at any one time and so you'll see people just there's you just see 400 versions a day of someone saying no notes or whatever it is whatever the little buzz phrase it is and i find it incredibly limiting i think it's incredibly easy to think you're being productive and all it is is a massive time suck and you can easily spend hours on it and just get absolutely nowhere from it well i think i think sometimes we conflate twitter with our phones yeah we're like i was spending all my time on my phone what you're actually spending all your time on twitter you chasing after a high that you had a while ago that's never going to come back, so you need more and more and more of it, and it's an addiction.
25:27But the economic side of it, and it was incredibly useful for lots of people, and people say, but it was so great here because I could promote my business, people were genuinely interested in stuff, and it was useful for me. And you think, well, yeah, but it was free. That's the point. I don't mean to be a curmudgeon about it, but it was free. Somebody was paying for that, and like an awful lot of art entertainment in the first two decades of the 21st century, it was paid for by venture capitalists. It was paid for by people taking a punt at a time at very low interest rates. And so you were able to promote your business and you were able to grow your business and you were able to meet people and you were able to fall in love with people all for nothing because somebody, almost always in California, was paying for that.
26:07And at some point, when interest rates go up, they stop paying for it. You can't have this perfect thing of, it's free and it's making me money. I agree with that. And I also, one of the things I thought was very interesting last week is that report that came out just saying that the rise of boredom amongst people. That it was, as you say, all of these things of idealism, you know, you've got the world, you've got a computer in your pocket, you've got, you should never technically be bored. People have never been so bored. People have never been so bored. And I don't think. That's a great trailer for this podcast.
26:38The reviews are in. Yeah, and people have never been so bored. Tickets, tickets available. Royal Albert Hall. 4th of December. now um yeah so i think i think the sort of i do think it is an unbelievable time suck and i think people lie to themselves like all addictions that they don't spend that long on it that it's actually you know they can stop whenever they want and it's and it's actually helping them in x y you know i would never you know it's it's like addictions to anything and people say but it helped me grow my business it's like yeah but it also kept you on there for four hours a day so that can't help you grow your business much can it why don't you actually spend time in your core business your business yeah that but the the hope thing is interesting though and the idea that genuinely i just as i say to any younger generation who thinks we've all gone mad i i think that's where its roots are that we generally thought that we were we had won a certain battle but the interesting thing about twitter is because it makes you a broadcaster it gave the illusion of influence as well and that's the real danger of something like twitter is you think that something bad happens you can see that someone's been hypocritical i'm gonna i'm gonna point that out we'll fix that we'll fix that straight away everybody became their own individual instant rebuttal units everyone became a spin doctor everyone became a knock everybody became their own spin doctor and everyone had this illusion of power and that's such a dangerous thing to have because the world is spiraling out of control and you think well maybe one tweet at a time i can do something about this i can change this and it's become apparent for a very long time that you can't this blue sky thing i get it i really get it it's but it but i think it's it's the fumes of an old hope.
28:08Totally. And all the narcs are already telling you you can't talk in a certain way. They love it. Get more followers. It's surreal. Just do the whole thing again. I am not going to do that particular rerun. So you're not going to please Sky. I can't. At the moment, I just think, am I going to lie? Honestly, at my age, am I honestly... At my age? With these knees. I would rather fight Jake Paul. You're a long time... That would be content, at least. You versus Jake Paul. That would be business. I think I'm on your podcast episodes we get out of it. Oh my God, you should do that. I know. There's some bonus episodes there, aren't there?
28:41Don't want to fight Casey Taylor, let me tell you that much. No. Right. No, I just think you're a long time dead and you're just simply not going to lie on your deathbed thinking, why didn't I spend more time on social media? You simply aren't. And any of the supposedly accrued benefits, I think more and more the time suck and the kind of nonsense of it all and actually the creative limitation to it, as I say, there's only a few number of joke formats in circulation at any one time, those outweigh in my view the positives and we've also spent like how long explaining that social media is terrible and we all know this and blah blah blah i mean people talk about it all the time as i say always on social media but you know when are we going to wake up it's just you know i think i perhaps the addiction cycle should be broken they're trying to rebuild the thing i saw a tweet from so george mombiot who's the the sort of um he's like a environmentalist I'm never quite sure what he is, but he's certainly, he's very Twitter visible.
29:36But he's saying he's gone to Blue Sky. You'll be shocked to hear. And this, again, I genuinely understand why people are trying to do what they're trying to do. It's genuinely they're trying to keep themselves safe and other people safe. So I completely get it. He says, one thing I'm very much appreciating on Blue Sky is what we once had on Twitter. Reasoned disagreement as opposed to the tsunami of willful idiocy here, which crushes real debate. I don't want an echo chamber, but nor do I want this bedlam. and that's at the heart of it because every single word he says there is true of course it's true but there's there's no forum forgetting it because the world is bedlam and all social media does is show you that you know that if you if you said anything you said out loud in a pub and i had everyone to talk to him he would he would see bedlam and it's i just don't know how they can rebuild that world because i don't think that that world existed in the first place i don't think that world existed in the first place i think that is definitely true i think that all of these platforms and forums and whatever there's been so much research and it degenerates in the same way and i can promise you that at some point lots of people will be saying i'm going to be leaving blue sky because it's really horrible and it's now full of awful people and i don't like the way what it didn't used to be like this and they'll be going somewhere else and it's just how long you want to continue the great migration i think i'm getting off well they said there's it there's the the sort of optimum number for any community or any organization i think it's 150 They always say there's various reports that say it's 150.
30:59And beyond that, the centre cannot hold. And that's when things become factional. And that's where, you know, sex develop, but CTS develop. And, you know, that's when everyone tries to bring things back to where they started and where they belonged. You know, you see it in big businesses all the time. It's where you have to hive off various different bits of your business when you get too big. And you certainly see it in, you know, villages that turn into towns that turn into cities. And it's the same thing. I know it feels like it's digital, but it's people. yeah i mean a lot of it yes not people it's a human impulse yeah exactly it's a human impulse and it gets too big and the center can't hold but people have lost something you know genuinely and i i get it i get the grief for what it was and what it gave people over the years i see it and you know i'm not saying i would go i am going to go to blue sky i'm okay on twitter at the moment it's not i'm not making money for elon musk he's losing money but you are working for him for free elon musk yeah sure you're working for a loss-making tyrant for free i work for gary lineker for free mate that's what i do that's how i live my life but um you know i find that there are interesting people still there i've never had you know i've blocked so many words and so many people and stuff over the years that i try and i've never blocked or muted anybody on twitter well like you know the the algorithm is is what's changed and that's why people are seeing different things you can bypass the algorithm by you know just you know so i just look at it for fulham news and friends of mine and it still works for me because i never wanted it to be anything else but yeah I think they're chasing a high that um is not going to be reached again I think and it's bad for them in the first place and lots of people again lots of businesses are leaving Twitter and I get that because that is you do have to be very careful what you're um you know what you're alongside on on a feed but lots of the social media managers are saying oh I want to leave Twitter and you go why why are you leaving Twitter good well it's just one less thing I have to do isn't it one less thing I have to post you so you know plays into other people's hands as well Okay, let's end on and up because all the big TV Christmas ads by the retailers have come out.
Read the full transcript
32:57And, you know, the John Lewis one is always the big one. But, you know, Morrison, Sainsbury's, Coke, Gregg's have got one this year. We'll come to that one. And Iceland, you know, all of these ones, whether they do them or they don't do them, it is now a huge part of the calendar. But it feels like it's been around forever. And really, if we can trace back an origin story, it's probably 2009. I think it's 2007 that they do the first John Lewis Christmas ad. But the first John Lewis Christmas ad that we really think of. It's 2009, which is a new agency who did that one. Adam and Eve. And they came up with the one where the parents are creeping upstairs to leave the present for the kid, whilst the kid is creeping downstairs to leave a present for the dog.
33:37And that's the first. And it had a lovely sort of emo version of Sweet Child of Mine on the soundtrack. And I think that's what we think of when we think of the big John Lewis Christmas adverts. I think 2009. So it's like 50. It's about the same age as Twitter. Yeah. If you remember. Yes. Remember Twitter? Yes. And these adverts have become huge things. Your normal ad, say you've got the, I don't know, the John Lewis account or the Waitrose account. Your normal ad agency does them. But a big part of their pitch to the retailers is, you know, what you would do at Christmas. Now, someone I talked to about this who's really interesting is a guy called George Knott who works at the Grocer magazine.
34:18Now, like all trade publications, the Grocer covers like grocery sales, like all those kind of niche publications. It's totally fascinating. If ever there's like, again, like a tweet from the Grocer, you're kind of going, what did you just say about crunchies? Yeah, it's really interesting. Okay, so George is really interesting talking to him about it. And he said, look, all of these retailers, it's so obviously this quarter, they call it the golden quarter. are okay so it's the biggest thing and it has to work their sales really really matter we're spending about 14 billion in the in the run-up to christmas in the four weeks before christmas i mean if if you have a good christmas as a retailer your year is made if you have a bad christmas trouble absolutely now um so some years that the retailers have sort of made a big thing like iceland made a big deal of saying we're not going to do one last year of these christmas we're going to put the money on to sort of cost savings instead it's like yeah okay thanks my 0.001p of a box of mince pies.
35:11But in general, these big, big ads have become part of the Christmas furniture. Now, what's fascinating is, is that no one is really clear at all whether the stuff moves the dialogue. Like, it's really interesting. It's a real arms race. Yeah, it's an arms race. But it reminds me a lot of, actually, it reminds me a lot of, I was reading a political paper last week, a kind of obscure political paper, about saying how leaders' campaign visits in politics, which, by the way, is the entire general election campaign, as the leader is somewhere every day. They don't think it makes such a negative difference, or it's like a nothing.
35:47And it costs so much money. It's like you're endlessly travelling all these places. It's why I say all the time to my publishers, stop putting up billboards. They cost an absolute fortune, and nobody is looking at them. Yeah. Absolutely nobody. It's sort of vibes-based. Yes, it's vibes-based. They don't understand whether it's kind of causally related or it's just correlated. They just don't understand. But anyway, but what they are is signals of intent. By the way, if you work at an advertising agency and we look back at some of the great adverts and we look at things in the 90s and 80s that were really artistic and we loved them.
36:17And, you know, this is the whole and going further beyond that, the whole Mad Men era. Advertising is now relatively boring compared to what it used to be. There's so much less scope to do arty things. They're so it's just all different. So much less money to do. There's so much less money. but this is a thing where you know they're going to spend a lot of money and say go on have fun and do something weird so one of the things we're starting to see are like characters that are returning so you've got like what's that one kevin the carrot the morrison's oven gloves are back that was widely morrison's how is a carrot returning by the way the one thing famously about carrots is that they don't last long well the oven gloves that morrison did last year um are back this year few um yeah well no but they would that was everyone thought that was the best advert last year so you've got these like returning characters it's kind of crazy it's sort of like a Christmas special there is another very interesting company can I please talk about System One now System One is a marketing research and effectiveness company right so they and I System One yeah System One I know they get together ordinary people and they've already started doing this this year so I can tell you some of the scores for these adverts they make them watch the ads they have a methodology via which they observe their facial movements their emotional queues and you get a test your ad score which is from one star to 5.9 so 5.9 is the maximum 5.9 i know listen there'll be a reason for it yeah well it's like the east german figure skating judge in the cold war you're never getting six okay that's just not happening okay it's like craig it's like craig on strictly okay now only one percent of normal ads are in the five star range but it's really common at christmas to get in five star range because brands save all their big spends for this okay so we've already got 5.9s this year for like aldi sainsbury's little cadbury amazon m &s food all of those ones they keep coming back and retesting them with people people love these adverts yeah now something like nigella gregs have done an advert this year which again is like a bit of a breakthrough and nigella has because they they did a few years ago they they did the sausage roll nativity scene didn't they yeah which uh which i listen let's say broke breakthrough yeah it broke through nigella's done this one now they've got a 4.4 score for that now if that that might you might think oh but they're not in the fives that's unbelievable as a breakthrough ad where you haven't got this thing so she's done really well there same with david beckham for ninja now for ninja is that like the food it's an it's an appliances thing isn't it ninja yeah like it chops up your food yeah yeah it does those sort of things yeah yeah uh well david beckham's done very well for that that's like up in the fours so these adverts really kind of have a breakthrough which brings us to an advert which has scored 5.9 no and is the coke ai advert and i don't know if you've seen this the coke have done an ai advert you might have heard about this because it's basically a sort of recreation of many previous campaigns all done by ai it's scored exactly as highly as previous campaigns which were not done by ai okay huge positive emotions almost zero negative emotions okay and coke have been really clever with that i mean in a sort of grim way which is that they've thought okay we're going to announce that our ad is purely ai yeah that means everyone is going to do a news story saying oh coke have done their ai so everyone's going to show it everyone's going to show it you've got free advertising on all the news pages because everyone will write a story about saying coke have done their whole first advert by ai okay that's what you always want with anything is that people end up writing even if you're like it's a tv program anything like that if people are writing news stories or features that are off the back of it you are constantly having your program advertised in a really organic kind of engaging way not it doesn't seem like an advert it's not it's not just in the ad breaks no newspapers have essentially been running adverts for the coke advert now and people love it and they don't think it's any different and i think it is eerie and weird but maybe it's because i already know well and also it's one of those interesting things you know our fear of ai which we've talked about before but i think this is where ai is really going to go in the creative industries and i suspect we'll talk about this next year which is coke have ai'd their own material so they've allowed ai to use their own archive and to produce something based on their own material and by the way there would have been a lot of hands across it as well they can say it was all ai all they want but it would have had an enormous amount of human prompts and all of the big ai partnerships with hollywood but television companies are essentially saying, can we use AI on, say, Back to the Future?
40:40Yes, you can. Let's sign a deal. Everything you do, though, is ring-fenced to the Back to the Future universe. You can't use anything outside Back to the Future, but you still have to pay us, you know,£30 million or whatever it is. And Coca-Cola are saying, of course, AI, you can use the Coke advert, but it is owned by Coca-Cola and it doesn't go anywhere else. and we get a cheap advert but it's based on the fact that we spent an awful lot of money and creativity on these adverts over the previous years so in a way you kind of go a coat can do what they want because it's theirs and you know they've already paid for it and it's their stuff but there's loads of humans behind all these ai things and there are going to be for so many years to come because it's kind of you can have fun with ai and it can do certain things and do it quicker but it's not working without the prompts it is not working without being given a target and the target that's been given is always by the humans.
41:28So I think interesting that AI ad is a sign of things to come, which is companies can use it on IP they already own rather than just say, just create me a brand new ad out of nothing. That's why people love the ad because they know all the imagery in the ad. You know, they get it all already and it makes them feel something. And Coca-Cola, I think, probably within their rights to do whatever they want with it. Sure, but all of those creatives who are involved in those will never see another. You know, you do sign a contract saying you own my work, but then, and I'm afraid that all those people over all those years will have their work taken and they're not going to see anything.
42:01I'm sure it makes great sense for the Coca-Cola company. Yeah, but don't forget that it's being run by ad execs who had this idea. And they're just using, you know, any type, every TV show I've ever done, House of Games, I never get another penny after I walk off set. People can do whatever they want with it forever and ever and ever. but you know the whole point i talked to um ross neill he was at vccp a creative director there who whenever i talked to him i said but surely what's happening with adverts though because surely there's less money and he goes no there's not less money there's less money for tv adverts he said but i've literally never been busier and he says even at christmas companies of course want to have these ads that you know run in coronation street and i'm a celebrity but they need so many different variations of that ad to run on socials and to run in the cinema and to run on digital radio he said that you know it's become a much more fragmented thing but having that vision at the core of it waitrose this year has got like a big sort of almost like a mystery thing with as a detective which can be chopped up into five seconds 10 seconds 15 seconds 20 you know can go sort of anywhere and the whole thing it goes across all these different media when we've talked about the advertising problem the advertising problem is for a terrestrial tv actual advertisers there's plenty of money coming in but i you know i do think that uh in the same way that tv companies and advertisers use AI when they're pitching and when they're putting decks together.
43:19I think if they own something already that they paid for and they paid good money to people, I think they're probably allowed to sort of have a bit of fun with AI on IP they already own. Well, one thing, speaking of humans at the end, that George Knott pointed out to me when I was talking to him, George Knott from The Grocer, was that actually a huge part of these adverts are almost a morale based to do with the company's own staff yeah and it makes has a huge impact because you're going into the golden quarter it is totally exhausting obviously and so having something the staff feel like is behind that and that they really like is actually a big part of it because they are huge huge employers as we know and if you go into waitrose at the moment the staff are wearing t-shirts of the different people in the who I think whoever did it.
44:07By the way, whichever advertising agency is behind that, I would have been available. Yeah, I can't believe they didn't ask you. I mean, hi, Mr. Waitrose was right there. Or will he be revealed at something later on in the campaign? I wish he would be. That's clever. But Asda's adverts got just two staff who have to call on an A-team of gnomes to help them. Now, plot lines, plot lines, because they've just cut 500 staff at head office and people are saying more cuts are coming. so people are like huh well that's quite ironic isn't it there are only two staff left to do it so there's a whole there are whole other things that we're not necessarily think about but they are really important for staff morale so given how important that golden quarter is you can see that these adverts whilst not being particularly quantifiable in terms of um actual effects on the bottom line yeah of have huge sort of vibes based importance they do have huge vibes but i I mean, that's the whole of advertising.
45:01It's a huge vibe-based importance. The John Lewis one this year, I think it's the first time ever they're actually inside a John Lewis store. Yeah. Which is new. Best Christmas ever. Can I tell you my favourite one? You just tell me yours. The most expensive one was the Man in the Moon one. Oh, yeah. You know, with the telescope, which cost$7 million, I think. And then the one the year after, the dog on the trampoline, cost$1 million. So they save$6 million in a year. I think the best one ever is the one, the John Lewis from 2022, I think. with the guy you see practicing skateboard tricks and getting them wrong.
45:34Yeah. And then the girl comes through with her skateboard at the end. I'd be watching that the 50th time and still crying. They're fun to work on. Yeah, exactly that. But yes, so it's a celebration of an industry that actually appears to be in rude health in some ways. But it's nice to see them flex their muscles every now and again. Right then. Any recommendations, Richard? Yes. On iPlayer, there's a three-part documentary about the search for Lord Lucan. And if you think, oh, my God, I've seen that story a million times before, it is told in such a completely different way. It starts off as quite a traditional, this is the story, this is the man, where is he?
46:10But you follow one man's search for Lord Lucan, and that man has a particularly strong reason for wanting to find Lord Lucan. And the documentary becomes his story. And it's sort of very moving in a really, really interesting, very unusual way. It's three parts. It's on iPlayer and I really recommend it. That's good. I'm going to recommend something that I found incredibly compelling and watched so many of you. It's a YouTube data visualization by this guy called Keeson Stats. He'll cover things like size of individual countries, economies, rankings of them as well from, say, 1600 to 2024. I mean, it's amazing, you know, watching the East India Company.
46:49what's like the bar charts of the different things they're done as bar charts and you sit in front of these things for a long time as you're just thinking oh my god look at the East India company go oh look it's merged with the British Empire yeah look at it go back down again now all the way that's really interesting there was another one I was watching of I don't know if your children play Roblox I found this really compelling I mean my children are in their 20s not yours as in the listener I'm so sorry I'm using a you plural do forgive me it's not all about you singular I am going to go on Blue Sky and have a go at you about that now Why don't you police me?
47:22That's what it's going to be Go on, knock on me Anyway, so yes, the games on Roblox that became dominant And, oh my god, the hegemony of Adopt Me And if you know that game, you know it I thought Roblox was a game No, no, Roblox is a platform There you go And what else? Oh yeah, you know, YouTubers So you watch who are the biggest YouTubers in the world And then you're just like, Mr. Beast Just start to go So it's just entertaining data visualization. It's literally watching a bar chart, but it's so compelling. And what's the name of the… Keeson Stats. Keeson. Keeson. K-E-Y-S-O-N. Anyway, really interesting.
47:57And it's very compelling if you just want to sort of sit. Amazing. Now, listen, we're going to do a question and answer edition on Thursday, and we're going to talk about bookshelves. We will talk about other things as well. We will talk about other things. I will begin with a legal statement from my own husband. Oh, excellent. We've disagreed a lot in this episode. Yeah. I quite like it. That's showbiz. Yeah, that is show business, isn't it? See you on Thursday. See you on Thursday.
48:45Hundreds with Liberty Mutual. Fascinating. It's accompanied by his natural ally, Doug. Uh, Lemu? Is that guy with the binoculars watching us? Cut the camera. They see us. Only pay for what you need at libertymutual.com. Liberty, Liberty, Liberty, Liberty. Savings vary. Unwritten by Liberty Mutual Insurance Company and affiliates. Excludes Massachusetts. Your sausage McMuffin with egg didn't change. Your receipt did. The sausage McMuffin with egg extra value meal includes a hash brown and a small coffee for just$5. Only at McDonald's for a limited time. Prices and participation may vary.
From the publisher
It was the event *few* were talking about yet they were talking loudly. Jake Paul took on Mike Tyson live on Netflix. Who were the big winners and losers of the night?
The Guardian and others have said they'll no longer post on Twitter / X and more are moving over to Bluesky. Is this a false dawn of a peaceful online place of hope that can no longer realistically exist?
And, we need to mention the C-word again. The big retailers have rolled out their Christmas adverts. Which are good? Which are bad? Do they make any difference to where you choose to spend your all important Christmas pound?
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