Sydney Sweeney's Bathwater Bonanza

9 Jun 2025 · 46 min

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In short

Podcast Episode Summary: Sydney Sweeney's Bathwater Bonanza Podcast Title: The Rest Is Entertainment Hosts: Richard Osman & Marina Hyde Episode Title: Sydney Sweeney's Bathwater Bonanza Episode Description: A discussion on Sydney Sweeney selling her bathwater, the potential success of the Nintendo Switch 2, and the trend of fewer 'real' humans in blockbuster films.

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Episode Highlights

Sydney Sweeney's Bathwater Soap

  • Overview: Sydney Sweeney launched a soap containing her bathwater, sparking debate about feminism and celebrity culture.
  • Discussion Points:
  • Cultural Backlash: Critics argue the product objectifies Sweeney.
  • Empowerment or Exploitation? The hosts explore whether this move is savvy marketing or a step back for feminist representation.
  • Sweeney's Control: Noted for her business acumen, Sweeney is positioned as a self-made star, controlling her narrative in a way that contrasts with historical female celebrities.

The Nintendo Switch 2

  • Overview: Richard Osman shares insights on the recently released Nintendo Switch 2.
  • Key Features:
  • Improved specs but retains the core gameplay mechanics that make it user-friendly.
  • Launches with Mario Kart World, a staple for Nintendo and a key title driving sales.
  • Cultural Impact: The success of Nintendo is attributed to their focus on fun and accessibility for all ages, creating games that foster family interaction.

The Decline of Human Protagonists in Blockbusters

  • Observation: A trend where animated characters, superheroes, and fantasy creatures dominate the box office, while films centered on humans struggle for success.
  • Key Examples:
  • Analysis of upcoming 2024 films shows that the majority lack human protagonists.
  • Commentary on how international markets influence the absence of human stories in favor of universally recognizable characters (e.g., animated films, superhero franchises).
  • Expert Insights: Peter Bradshaw from The Guardian comments on the practicality of this trend in the context of global sales.

A Recommendation for Human-Centered Cinema

  • Film Highlight: *The Ballad of Wallace Island*, described as a heartwarming, human story that resonates with audiences.
  • Cast Performance: Outstanding performances from Kerry Mulligan and others bring authenticity to the narrative, contrasting sharply with the previously discussed trends.

Key Takeaways

  • Cultural Commentary:
  • The episode raises questions about the evolution of celebrity culture, particularly around female empowerment.
  • A critical look at the gaming industry emphasizes the importance of community-driven experiences that bring families together.
  • Industry Trends:
  • The striking absence of human characters in big-budget films highlights shifting market demands and the changing landscape of entertainment.
  • Cinematic Recommendations:
  • Suggestions for films that embrace human stories and the potential for a return to character-driven cinema.

Conclusion This episode of *The Rest Is Entertainment* provides a thoughtful exploration of contemporary issues in the entertainment industry, from celebrity branding to the future of film narratives, urging listeners to reflect on the direction of popular culture and its implications for storytelling.

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Transcript

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1:41Diet Coke. Make time for you time.

1:50Hello and welcome to this episode of The Rest is Entertainment with me, Marina Hyde. And me, Richard Osmond. Hello, everybody. Hello, Richard. Hello. I'm very pleased we're together. We're in the same room. Thank God. Long may this continue. After years apart. Yeah. It's felt like a long time. Has felt like a long time. How's your week been? It's been a brilliant... I've been in New York. I went to New York. You went to New York City? I've been in New York City, which I believe you've heard of. Yeah. And I've had a brilliant time. I've seen... I've taken one of my children and I've seen every possible tourist attraction, every museum, every kind of major site, and it was brilliant.

2:28Did you have a cronut? I did have a cronut. Yes, I did have a cronut. I had many different items of food at a considerably higher price than the UK. And yeah, I had a brilliant time. It was wonderful. I've been having, because as we approach the longest day of the year, I've been having what is traditionally in British television, it's Christmas week. so I did oh my god you're doing Christmas right now I did the Christmas wheel which is great fun which I'll talk about more nearer the time suffice to say somebody fell asleep during the recording that's all you need to know about that and tomorrow it's the House of Games Christmas special oh this is just so seasonal and it's great because everyone's got their Christmas jumpers all the crew are talking about the earliest so I think Catchphrase went earliest this year I think Catchphrase went in May Catchphrase Christmas but no it's absolute Christmas season Well, pour yourself a glass of eggnog and, you know, light the fire, because this week we're going to be talking about Sydney Sweeney, who I have a huge amount of time for.

3:31She is the star of our era and she's launched a new bath soap, which contains elements of her own bathwater residue. I don't know what to say. More on that later. We're going to talk about arguably the greatest video games console in history, the Switch. And the Switch 2 came out this week and has been a huge phenomenon. And again, it's eating up an enormous amount of hours that traditionally would have been spent watching television. We're also going to pose the question, where are all the humans in movies? I'll just leave that one and explain it once we get to it. But also during that thing, I think we've both been to see a particular movie this week.

4:06I think it might be one of the best movies of the last 10 years, certainly one of the best British movies. and that's going to be my big recommendation for the week. An amazing movie, which I think 95 % of our listeners would love to see. Absolutely. I agree with that. Let us begin, Richard, with Sydney Sweeney. Sydney Sweeney. She's a TV star. She made her big break in Euphoria playing Cassie. There's something about her which is she's treading her own path in many ways, which I think is quite interesting. In quite an impressive way, I think. Actually, she was in New York. I didn't see her. I should have just found out what hotel she was because I tell you, every day she came out of that hotel, it was like a catwalk.

4:44She had a whole look. She was in New York. There was the premiere of a new film that's coming out, which has got her, Julianne Moore and Kyle McLaughlin. And honestly, they're standing on either side of her at the premiere, just like spare parts. She's in this unbelievable red dress. It's just a sort of throwback to complete glamour. and she sort of, in the dread parlance of our times, broke the internet because she released... Dr. Squatch, the sort of affordable men's grooming brand, released a soap that they said contained traces of her bath water because I think she'd done a photo shoot for them before.

5:26She had it in a bath, yes. Yes. Which broke the internet beforehand. Now she's broken it again. We've literally only just fixed it. Now she's broken it again. Oh, you haven't. That's so frustrating, is it? Sydney, I have. Oh, my God. I swear to God. If you break it one more time. One more time. I'm taking it away from you. And anyhow, so there was a sort of, there was an immediate backlash and people said, this is completely unfeminist. This is what I don't even know. She said, what are your fans for in your bathwater? Can't keep asking for your bathwater. What are you supposed to do? I mean, it's not so much how she, it is obviously she's got a particular look, but it's more the things that she says or does that grab headlines.

6:06And I think she's interesting because I think that her and her people are positioning her in a very, very particular way. She also, by the way, seems to be someone very much in control of her own image and in control of her own business interests. We were always told years ago that certain high-profile women were businesswomen and they were in charge. And actually, you look back and there were various shady men. But Sydney Sweeney seems to have, right from the, straight out the gate, seems to have had some control over what she does. Very interesting human being. Although part of her sort of origin story is I didn't have any control and people sexualised me and said whatever they liked about my body and now kind of I have monetised it and I'm doing it and now I'm in control.

6:51But stardom has always been about telegraphing who you are and before we had managers and brand managers and all those sorts of things. you know we had the studios who decided who a star would be um what their screen persona would be and how they were going to be presented to the outside world um and actually it's funny you know when they when they deviate from that often it's sort of ridiculous the only sort of ridiculous thing I can think that she's done recently is when they cast her in Madame Web which is you know I sat through um and Sidney Sweeney in that movie plays a nerd and there were so many people in the industry I spoke to who said, sorry, I don't understand.

7:30Sydney Sweeney is hot. Why have you put her in a pair of thick glasses? This is, no. Did she not even play hot nerd? So like later on, she took, like plain Jane. No, there was no like, why you're lovely. In Neighbours, who was clearly beautiful, but wearing glasses. And like, then Guy Pearce took her glasses off and went, whoa. You're not playing Jane the Superboy. Yeah. Okay. Sorry. That's a quite ancient reference for those who are 27 years old, like Sydney Sweeney. But I like that. It's like watching The Simpsons and they mention something you don't know. I'm like, oh, I wonder what that is.

8:01So I listen. Yes, absolutely. I'm always very comfortable throwing in... And I think they all came back for the final episode of Neighbours. Neighbours, yeah. Plain Jane Superbrane. In the hiatus, in fact, of Neighbours for about 15 minutes. Yeah, Guy Pearce. Anyway, that really is a sidebar. That really is a sidebar. Anyway, but she's a sort of... She's had lots of backlash and people... She seems to sort of welcome backlash. I've seen pictures of her. She put a picture out of herself not that long ago wearing a sweatshirt saying sorry for having great tits and correct opinions. There's something very, I don't care what you say about me, about her.

8:39But equally, she's very, very careful about talking to you about her origin story. As we say, she says she's working class, she's five generations. Rural. Yes. Rural. Key. Makes a difference. I was on every sports team, those sort of things. She's like a rocket scientist. She was on the maths team. She speaks Russian and Spanish, I think, something like that. She was absolutely accomplished. But she wants to tell you about her financial anxiety. And she spoke a lot saying, I don't even know if I can, you know, it's very different once I pay my manager and all those people. For a long time, she said, you know, I can't really, I don't have any connections in the business.

9:14This is a very important part of the sort of story. I'm an outsider, you know, I don't have any connections. It turned out she bought a$13.5 million house in Florida on a private island. She's got a wine cellar, an aquarium. She's actually got a$6 million house in Bella. I think she's got sort of much upward of$20 million. Well, I was reading, I was reading, there's a lovely story that said that her family had grown up in the same house for generations, some rural house. And there's a lovely story on one of the American chat shows saying that they had to give up this house. They couldn't afford it anymore.

9:47And that the moment she became successful, she went to the new owners and bought it back. And I thought, well, that's genuinely a lovely story. because that's the dream. But then you start looking into it and you go, I think it was quite a nice house. And her mum still lived next door to that house. And it had been in the family for generations, which is not the sort of thing that happened. Maybe in America that happens. But yeah, I started thinking, oh, I wonder if your origin is slightly less. It's quite what it was. Sure. But if you want to be a star of the time, and I think she 100 % wants to be a star of the time, we'll come to that in a minute.

10:22telling a story about financial precariousness to modern America is clearly, has been quite successful in the field of politics. My struggle. And perhaps of showbiz. And I think it's interesting. She's got huge commercial instincts. So much of politics or whatever in this polarised world has been how we see stars like, you know, either you're Kid Rock or you're George Clooney, even the stars who for a long time didn't really like to talk about politics. and that's the sort of history of entertainment. We didn't... Over the past decade, pretty much everybody polarised or it became quite obvious.

10:59There was a party she threw for her mother where people were wearing MAGA-ish hats. I think they were saying make 60 great again and there was someone in a Blue Lives Matter T-shirt. Blue Lives Matter. Blue Lives Matter. It's a sort of police thing. I thought it was an avatar thing.

11:20And so there's someone like Jennifer Lawrence who grew up in a conservative family and is one of those stars who's not a lot older than Sidney Sweeney, but has said, oh, I can't really talk to them. You know, it's a huge riff. We can't really discuss politics anymore. And we all know, like, you've read a million of those articles, particularly in US publications, those kind of slightly pathetic, now seem incredibly dated articles about, like, you know, how to survive Thanksgiving with your politically diverse family. and Sidney Sweeney's not really about that at all and I think that she has scented something wherever she sits politically, she's scented something on the wind that we've all felt since the Trump victory, which by the way wasn't the cause of it but reflected it, everything's changed and the rules are not the same and five years ago a very commercially instinctive Sidney Sweeney would not have sold soap with her own bathwater.

12:09She would have done some sort of feminist stunt because that was where the eyeballs were. And it's interesting. Did you see that story about, there was a film producer called Carol Bam who was a sort of famous development executive and developed things like Working Girl, Officer and a Gentleman. She produced Father of the Bride, Dead Ringers. And she made some public comment on stage saying, oh, you know, I watched this movie with her and Glenn Powell and I don't understand why everyone, she can't act and she's not hot. Now, Sydney Sweeney came out and said that it was really disappointing. But then she did a full interview saying that Hollywood feminism is bullshit and women supporting and empowering other women in the industry is fake.

12:52I mean, I slightly agree with her. She said this entire industry, all people say is women empowering other women. None of it's happening. All of it is a fake and a front for all the other stuff they say behind everyone's back. I think you're probably right. Yeah, there's some truth in that. But another product she's done is she likes to tinker with cars, okay? Oh, yeah. What could be hotter? And the other thing she did, apart from the bathwater soap, was a limited edition Ford Mustang. Now, it was so limited that I think she had one and one was on display at some sort of Ford showroom. That's very, very limited.

13:28Yeah. But the point is, it's a sort of whole big branding exercise and it's very much the Sydney Sweeney vibe. But obviously what we've seen since the Trump victory is all these entertainment studios making a big play of having had a big wake up and saying, oh no, they're going to row back on what's perceived as extreme wokery or whatever it is of the last 10 years. And so her positioning herself as this type of person, I mean, who is going to get the big roles in the franchises? Are you going to hire her or are you going to hire Rachel Zegler? I mean, it's not really out there, is it? It's not a decision.

14:07She really wants it. There's something about watching someone just come out in the big red dress, coming down the hotel steps every single day like it's a catwalk with a whole different look. She really, really wants it. The return of stars. Yes, but she wants to be a star and she wants to be a particular kind of star and she wants to appeal to people who lots of other people might have thought appealing to them was slightly beneath them or whatever over the past decade of cultural philosophy. And she has positioned herself squarely in the market to appeal to them. And as a result, I think she's going to get huge numbers of roles.

14:46Yeah, I agree. And it's interesting, the idea of now you have to be in a slightly different political space as an actor, culturally political. And we talked last week about the cultural becoming very, very political. And, you know, Hollywood's always going to be a politically progressive place just because the talent pool of writers and producers tend to come more from the left than from the right. Although loads of executives vote Trump. Oh yeah, of course they do. But it would be interesting. My view on these things has always been if you want to use art to further progressive politics, don't tell anyone, just do it.

15:24And the last 30s of actors constantly telling us what they're doing and why they're doing it, You think that's the thing that people, you know, just do it, just show it. You know, the first rule of Hollywood, show, don't tell. Always, always, always. So do that with your politics. Show, don't tell. Just do the stuff you believe in. Make the projects that you believe in. You don't have to spend your entire time telling the whole of America what they should be doing and what they should be thinking. You can telegraph your own place in the firmament, though, and I think that's what Sydney Sweeney does very well.

15:53She hasn't told anyone anything, but she is. She is showing, not telling. Yeah, I agree. Absolutely the key thing. And, you know, as you say, she makes an interesting pairing with Glenn Powell too. And, you know, we've talked about there being no stars left. And it feels like almost week by week, those two are becoming, you know, Burton and Taylor all of a sudden. You know, a Burton and Taylor for our time. I can't take it seriously. I can't take him seriously. But he wants it so much. No, no, no, I know. I know, I know. If we were doing the rest of his... A Burton and Taylor for our times. If we were doing the rest of his entertainment when Liz Taylor was just breaking out on the scene, we wouldn't be saying, oh my God, she's iconic.

16:31Oh my God, she's incredible. The things she's doing, we'd be like going, okay, who's this? We wouldn't go 50 years later. I would immediately be, like, Sydney Sweeney is iconic. And I think we would have clocked Taylor pretty fast. But obviously she'd started as a child. But yes, I think they're not the stars in the same way that they used to be. Stars aren't the same at all. And, you know, part of this is a hankering for a time that you can never get back to. Yeah, like a monoculture. Yes, and a huge part of Glenn Powell's career is like people saying to him, is going on films with people like The Expendables or whatever, which one he was in.

17:05I can't remember which iteration of that particular endless franchise he was in. But where Harrison Ford and all those people said to him, oh, it was amazing, you know, we were the biggest stars. And he wants to kind of tunnel his way back into a world where, you know, a Glenn Powell movie opening is the only thing that anyone in the culture is talking about. I absolutely see it. I see it in television as well. You know, I'm from a generation that grew up with, you know, if you had a hit, that was a show that everybody was watching. And you can see the whole of television really hankering to get back to that.

17:33And you can't. I mean, you can have a Strictly and stuff like that. But even that is incredibly siloed. It's the same with books. Books, people say, you know, if you listen to people like Brett Easton Ellis or Jay McEnany talking about when they had a book out in the 80s, it was like the most enormous sort of cultural event. it would happen and you'd have this sense that everyone was reading it whether or not that was actually true it felt that to them that everyone mattered and it was like having a giant movie opening or something like that which of course is not the case anymore i often think i i talk to all sorts of creators about this and no one has yet disagreed with me when i have like a new book out there is a large bit of me that thinks right could everyone else not have a book out for the next two weeks yes no one else should be allowed to have a book out or a film out the thing when my thing is out this year we just have two weeks where we everyone can focus everyone can focus i feel like we do have that with your books but it's amazing you want more but everyone wants more that's the point you know you talked to yeah i was talking to someone who's in a very very very big band about this and he was saying yeah when our new album's out i want every i want the clocks to stop i want everyone else to go no no one else is like the radio is not allowed to play anything else you know no one else is allowed to release a record there are no everyone goes you know what we're not going to do gigs for a few weeks because this new thing is out so that's all i want yeah i i can understand that and i it you can never have stars like that again because the culture has become so much more atomized and that people can't be although we hang on we've said that before and then i think taylor swift is bigger than anybody um and she's bigger than maybe even madonna was at the time it's hard to well that's it you're either everything or you're a small yeah yeah but this is sydney swiney wants to be everything and i'm here and i'm here for it She wants to be the Walmart of actors.

19:15Yes. Now, after the break, we're going to talk about the switch too. I'm going to ask you questions about it. Yeah. And you're going to answer them. And we're also going to recommend a film which everybody who hasn't already seen it is going to enjoy. Which I love. Yeah. All right. Shall we go to a break? Let's do that.

19:36This podcast is brought to you by Sky, where you can watch season three of And Just Like That, the next chapter in the Sex and the City story. What is Carrie Bradshaw up to now, Marina? Well, she has said goodbye to her beloved apartment. She's moved into a townhouse in Gramercy Park. New chapter, new book. She is writing, you'll love this, she's writing romanticcy, Richard. Yes, that genre we have already pretended to understand for this podcast. Just romance and fantasy. Listen, it's what I'm doing next. The Thursday Romanticcy Club. Now, Miranda's adjusting to post-shay life. Charlotte is navigating family life while reliving her 30s alongside younger colleagues.

20:11and Carrie, she is still catastrophically allergic to stability, but trying. Watch the brand new season of And Just Like That, available 30th of May on Sky.

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21:23Welcome back, everybody. Now, we're going to talk about the Nintendo Switch 2, which was after a very long way, I think about eight years, was released last week. And this is the sort of home console, but it's also portable. So it's both. Richard, you have one. Yes, I do. Why is it important, you ask? I think Nintendo might be the great geniuses of our time in the world of entertainment. I know we talk about Netflix and YouTube, but Nintendo are so incredibly brilliant at what they do. And for a very specific reason, which we'll get to, which is something that we talk about an awful lot. So the original Switch has sold 150 million.

21:58We have one of those. Yeah, exactly. And listen, it's great, right? It's terrific. The only consoles in the whole of history of video games that have sold more are the PlayStation 2, that's how long ago that was, and the Nintendo DS. So Nintendo have very, very few rivals. So it's come out this week, the Switch 2. It's not enormously different to Switch 1. It's bigger, the technical specifications are better. It's got live chat, but any big gamer can do live chat anyway. So it's not hugely different, but it's just an update on what they do. and most importantly, it launches with Mario Kart World.

22:32And Mario Kart and the Switch are almost interchangeable in some ways. There's loads of other great games, but Mario Kart is always the launch game. And in fact, it's one of the few Nintendo titles that actually is available for this new Switch. And Mario Kart is one of the great pieces of art of the 20th and 21st century. And the reason it's one of the great pieces of art of the 20th and 21st century is the thing we bang on about a lot, which is it's just fun. It isn't anything other than what would people like to play. I taught my son, he's the one who's got the Switch 2 and he absolutely understands video games in the way that hopefully I understand TV.

23:11And he said, well, look, the reason that people go crazy for Nintendo is they're not doing some big blockbuster game that eight years ago they say they're going to do and bit by bit it comes out and then it's a year late. They're not doing some open world that's stuffed with micro transactions. they're just doing a great version of a game you've already played and they just make it a little bit better you know increase the playability um you know the new mario world you can that you can play with more players there's elimination modes there's all sorts of things but it is just a great playable game that hardcore gamers love because you can go really really in depth like if you're a chess player and that you can pick up with any member of your family who wanders around everyone can play mario kart immediately and nintendo have consistently done that this new Switch that's come out is£395, I think, over here, which is an awful lot of money.

24:01And I think a lot of people will hold off buying one because, weirdly, the Switch 1 still works so brilliantly that it will take a while to invest in a Switch 2, even though Walmart in the States had to change their opening hours last week. Well, they did some of that, which you don't see anymore, which was a real, since everyone's gone over to, well, not completely, but to digital games, those big openings you used to get for a new game where people used to queue at midnight and it was kind of like a real gamer thing to do don't really happen in the same way anymore. Those kind of huge hype things where they dress the outside of the store or whatever because people have transitioned to buying digital games.

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24:36But there were people queuing. They had lots of midnight openings. Because they're buying the hardware, which is the one thing you do have to go to a shop to buy. I mean, you can buy them online, of course. Well, actually, yeah, the pre-orders was interesting because I was reading how the pre-orders, they had to apologise, didn't they, saying, oh, we're not actually going to be able to meet all the pre-orders. But in store, if you did queue and you could be part of that visual, which was obviously shared millions of times on social media, then you were more likely to get one in a funny kind of way.

25:03So that old sort of bricks and mortar thing and that way of doing a form of hype. Talking about old school, Curry's sold 30 ,000 of them at midnight, and that's 400 quid a pop. So you immediately sort of see that there's an awful lot of money in this. But actually the consoles, and it's always been the history of consoles, are not the thing that's making the money. The console, in some ways, is a loss leader because once you have the console, it's about buying the games. And that's the key thing. And the second you're on the Switch, you can buy games from there. You can download games. If you buy an independent game, Nintendo are taking 30 % of the money from that.

25:41If you buy a Nintendo game, so they develop everything in-house, they're taking 100 % of that money. No shop, no cover, no art. You know, there's no case for the CD to go into. It's big, big, big business, and they sell huge amounts of software. But you only do it if consistently over years and years and years, you just do it right. And again, my son was saying that Nintendo keeps so many of their developers. Their developers, some of them have been around since the NES days. You know, they've been there for so long. And even if they're not the ones at the forefront of what's happening now, they are training the people who are at the forefront.

26:15But all they've done all the way through is say, We make games for families. We make games you can play together. We make party games. Then they'll make Legend of Zelda and have these incredible sort of worlds. But the absolute entry route into Nintendo and into the Switch and things like that is you can sit down with your family. Everyone can pick this controller up. Everyone can play a game. And you can take it with you. We grew up in an era where you could take around computer games a lot. And now, you know, that's sort of Xbox, PlayStation. You're not taking around. It's interesting where it falls in the life cycle of those.

26:50They're both about halfway in their life cycle, aren't they? Whenever the PlayStation 6 we don't know is coming out and whenever the next Xbox version is coming out. There's a lot of cross-ownership. I mean, I have a PlayStation and also a Switch because of the different things they do. Is the hardware advance enough? You'd think, oh, like, this is a, sorry, this is going to sound crap, but, you know, like a game changer. Not really, not anymore is the truth. You even look at the Switch, and as you say, it's been a number of years since the first one came out. I mean, it kind of looks better graphically, it looks better, but that's the sort of thing that gamer nerds absolutely obsess about, which is great because you have to get them on board.

27:29But in terms of the playability, nothing's changed since the Sega Mega Drive. If you play Super Tennis on the SNES, it's still one of the most playable video games of all time. It's playability. It's playable with other people is the key there, And that's the key to getting a big mass audience into video games. You'll always get hardcore gamers because it's the thing that they love and that they breathe. But if you want to be making$12 billion from software, you're making$12 billion by having something that two people can sit down together and play against each other or you play against someone from across the world.

28:01That's how you get that much money. That's how you get a big family audience into these things. And that's the thing that Nintendo has always been incredibly good at. They are a hardcore gaming company that in every possible way presents itself as not a hardcore gaming company. As a, oh, this is a bit of fun. Oh, you'll enjoy this. But behind it, every single decision they make means every single one of their games, there are exceptions, are incredibly playable and incredibly playable whatever level of player you are. They really last. I mean, my children spent, we went to save some people at half term, and they spent a huge amount of time playing like Wii Golf.

28:37Yeah. Which is so basic, so basic. They absolutely just kind of completely love it. And it's just fun. And it was social and it's fun. It's basic to, you know, play football with a goal drawn on a brick wall. You know, so you could play in Wembley Stadium with loads of people, but it's the same game. You know, there's no difference to the fun that you are having. And Nintendo understand that in a way that certain film companies and certain TV companies do, which is the customer is everything. You have to give people something that they are going to love to do. And they've done it forever. And I just think it's hard to think of another success story in any other realm of the arts that matches Nintendo's success story.

29:19The run of success, the lack of failure that they've had over many, many years. And all the big... Over decades. I mean, it's genuinely extraordinary what they've done. And what's Mario, right? Mario, you know, he's started in Donkey Kong and he was a collection of pixels. so it was something that was very easy to put together. And, you know, then you look at Super Smash Bros, you look at Mario World, all of these things, you know, this incredible universe they've created around... Around something that was in a game and watch. Yeah, and it's just, oh, he's a plumber. Oh, yeah. And no one might, yeah, everyone's, you know, okay, he's a plumber.

29:53And they have built an empire which feels like it's going to last an enormous amount of time. And I think most importantly, has brought a huge amount of pleasure to people. I agree. Do you think that thing is still true, which I do still think, which is that it's hard to replicate, to see that success replicated anywhere else in the arts. But we still have that thing where video games are not particularly taken seriously and they're siloed off and people, they don't seem, even though they are beyond mainstream, they're not treated by kind of legacy media outlets in that way. I remember a really long time ago, maybe even 20 years ago, reading someone saying, oh, we need to find the Pauline Kyle video games criticism.

30:31Pauline Kyle being the famous film critic who was a huge part of the new cinema, people like Spielberg, Coppola, de Palma, all those people coming through Scorsese and wrote about their films in a way and even as the critic was a big part of that kind of movement in film. There's never been that kind of breakout way of talking or writing about them. There has been, obviously, on dedicated sites, but it hasn't sort of crossed over. It's written about as a kind of hype story, like, oh, look, you know, finally Grand Theft Auto's come out and, oh, dear, this bit's really violent or whatever your particular outlet likes to kind of seize on as its particular thing.

31:08But it's not written about culturally in the same way as other branches of the arts. I think that's right. I think it came of age at a time when things were becoming siloed anyway is probably the truth. But it's interesting how an instructive, whenever we talk in terrestrial TV about the threat of Netflix and the threat of YouTube, and we talked last week about Netflix being threatened by YouTube, this is almost as big. You know, if you're playing Mario Kart and if you want to play something like Legend of Zelda and Elden Ring is going to be out on the Switch as well now because the technology is slightly better.

31:43This is hundreds and hundreds and hundreds of hours where you are consuming content. And you can't think of anything else. You're playing like Ghost of Tsushima. You need to go all the way through it and you're not going to be watching TV during that time. Exactly that. The eyeballs, the hours, they're all gone. and of course then add to the fact that the second you finish all you want to do is watch people on twitch playing that game as well and seeing how they did it is this industry takes a huge amount and by the way rightly takes away a huge amount of eyeballs away from television years ago at endermot I was saying you know television people play is more powerful than television people watch you know there's something about being in involved in something and you have to have one or the other and there's a generation of people this is the thing that that they do instead of television so forget netflix when they're on youtube they're watching stuff about games and it is an enormous amount of people and we can see how it does lead the culture yeah that that's the whole business of like watching people play video games which you might start watching mr beast and his friends or you're watching twitch things or whatever it may be that is now being pulled from that and i'm i noticed people talking about oh you know youtube's going to get into sports by getting people to watch along games um or matches or whatever sporting event it is and they're pulling all of that from the way that gaming is covered on these particular platforms and neil mohan the ceo of youtube is talking a lot about that it's like starting to build those things around sporting events where people are watching along with whatever commentators they particularly want yeah which is of course soccer saturday yeah that's what you know which to my mind is still the uh the single greatest innovation in television in the last 30 years it's the only i think it's the only original idea anyone's had in television in 30 years is soccer saturday oh so compelling people watching the football and just talking to you about it and you can't see it do you actually think that jeff and the guys were the pioneers for i do the gaming community yeah i think i think jeff stelling when that when when the annals are written he doesn't like to talk cover he'll be the he'll be the guy i know parents particularly worry about video games and my kids are spending too long playing video games and my view would be you don't need to worry if they are mindlessly playing video games i get it it's quite hard these days with the quality of what's out there to mindlessly play a video game you know there was a lot going on there's a lot of um problem solving there's a lot of decision making there's a lot of sociability or can be a lot of sociability and in the same you know i grew up i did nothing but watch television but i was interested i cared about i was interested in who was making it why they were making a huge amount of everything i've learned off the television from that and if your child is playing a lot of video games but is engaging in those video games firstly they're learning quite a lot but secondly that's the world they're going to grow up into you can send your kid to piano lessons they're probably not going to end up a concert pianist however they probably will work in a video games adjacent industry like an industry where those skills are needed and coding is needed and all those things so I personally think if your kid loves video games I think it's probably a net positive a video game and people don't really say that but I think they're I think they're extraordinary I think Nintendo are extraordinary I think in the same way that Saturday night television used to bring families together and give such joy and that's the thing I loved about television the reason I went into television I think that industry I think Nintendo in particular have created that environment I think they've created environment in which you would have your switch in the living room that's the thing it would be next to your big tv yeah and it would be opposite your sofa yeah and i think that's an incredibly powerful thing and something to be celebrated and i just you know given it came out last week i just thought it was a good time to speak about it and as i say if you've got a switch one you don't necessarily need to switch up i mean the new mario kart is great and it's got a bit more open world stuff in it and there's there's new stuff you can live without it and also there's lots of switch ones are now which are now redundant because everyone who bought a Switch 2 said they had Switch 1 very, very cheap.

35:41Can I on a final note? Yes, please. The final note to the president of Nintendo America is amazingly called Doug Bowser. Bowser is one of the big characters in Nintendo lore. From the moment he got that job, literally he has never been left alone. Like the memes about him, the jokes about him. And Doug Bowser is quite a straight, businessy type guy. And he's clearly had media training. So why is everyone spending their entire life talking about mine? I literally can't go on stage without people shouting stuff at me about Bowser. So they've given him the line, which is, it's a signal to me that we have an amazing, passionate following, and our fans are embracing it.

36:19It's ironic we share the same name, and there are times when it'll be fun and we'll play with it. But we're two very, very different characters. Doug Bowser finishes, I'm not tired of it at all, though. Doug, come on, man. Doug Bowser. I'm not tired of it at all, though, says Doug Bowser. But anyway, it's Mario Kart. I bow to anyone. My record against my son is currently, he has 873 individual wins. I have four. 873 plays four. A different human being to my son might throw me a bone every now and again. Yeah. But he won't do it. You can't let your dad win. You just can't. The times I win, they are just...

37:02It must be so special. It's like someone's given me five BAFTAs. I really hope you get your fifth soon, Richard. Oh, my God. Listen, you'll be the first to know, listeners, when I get my fifth Mario Kart win. Now, you have a thesis, which sounded interesting when you... It's like a dummy thesis, really. But, yes, I caught up with Lilo and Stitch, the live-action Disney version of the previous animation, and it's done huge business. It's a CGI alien. It's the protagonist. It's quite hard to have a non-CGI alien. No, it is quite hard. But it got me, I suddenly started thinking, movies aren't really, they don't really have humans as protagonists any longer.

37:39So I looked up the 2024 top grossing films. I'm talking about, obviously there are movies, there are lots of interesting movies that have humans in them, but they don't do any business. And you may see them represented at the Oscars, but nobody goes to see them in a meaningful way. Okay. So 2024, listen to this list. I mean, these are the top, I'm going to go past the top 10. Inside Out 2, okay, which is a sort of fantasia of. Yeah. Emotions. No humans. No humans. Deadpool and Wolverine. So my thesis is they are either superhero, animated animal, or alien. Okay. That's not really... That sounds like a game.

38:13Yeah. Yeah. The taxonomy. Everything must be sorted into that. Okay. But Inside Out 2, Deadpool and Wolverine. Moana. I mean, okay, they are humans. Animation, but okay, human. Despicable Me 4. Yeah. Wicked. They're witches. Mufasa, Lion King. Dune Part 2. Science fiction, I guess so. But then Godzilla versus Kong, New Empire, Kung Fu Panda 4, Sonic, Venner. I mean, I'm going way past the top 10 now. These are all the biggest grossing things. So I think what's interesting to me, and it says something I think quite odd about at times, is that none of these films are about real humans doing real things in real world situations.

38:52They're not kind of these big dramas or big comedies or anything that can dominate. I guess the last example that would overrule that would be Oppenheimer. Would be Oppenheimer. But he remains a sort of outlier, doesn't he, Christopher Nolan? And yet he also is the person who we think can save cinema. So it's quite interesting that both of those things can be true at once. So I talked a little bit to the Guardians film critic, Peter Bradshaw, about this. And I was like, but where are all the humans? And he was saying, you know, that you really need the international sales of these things. So the thing about having little cuddly animals or animations or superhuman things is that the international sales are helped by that.

39:31He described it as a sort of Esperanto of tame unreality and fantasy, which I like. So if you're trying to sell a film like that into China or into Saudi or whatever, without upsetting local sensitivities where, I don't know, human women are shown driving cars or having sex or human men are shown uncovering corruption or whatever it may be, it's just much easier if it's some lions or like a little alien or a superhero. Yeah, listen, it takes us back to Animal Farm. Yeah, it's much easier. But I do think that's quite significant. You just don't watch these big drama movies or big comedy drama movies or whatever.

40:13They don't dominate the culture at all. They are nowhere near the top ten of anything. And they maybe recognise their awards ceremonies. And so, therefore, what you've got is you've got to get the big actors who you might have in the past driven those kind of movies. They do because they want to have awards as well. But they're all hooked into different franchises where you kind of think, what on earth are you doing in this? you know why are you here why have you bothered with this how much money is enough or do you just feel like there aren't on the other films you don't have the cultural relevance unless you're in one of these franchises and that's even the case with someone like you know timothy chalamet who is a big star and we've talked about that he's probably the biggest star of his generation um and he can do a complete unknown which basically not very many people watched and but he also has to be yeah he has to be in dune as well because otherwise it's do not i haven't seen June, I must admit.

41:03It's great. It's really good. But isn't that not a person? I don't know, it's sci-fi, but Star Wars was sci-fi. Yeah, okay, so I'll count, you know, they're on an alien planet, it's sci-fi. But it's not, but yes. But in general, it's just completely absent. And the days of those kind of movies being able to draw people to cinema, or even being made in a way that is intended to draw people to the cinema, are gone. However, we both independently saw a movie this week which I just think is magnificent and makes you think well i would like to see films with people in them and that is the ballad of wallace island it's so lovely i saw it yesterday tim key and tom basden and kerry mulligan tim and tom wrote it and i don't really need to go through the plot but it's about a folk duo and a guy who wants them to get back together so invites them to a gig on this island and it is i think ingrid cried i would say for 75 of the film um but you're laughing all the way through as well beautiful performances from all three of the leads.

42:03A really simple, one hour, 40 minute long film. I can't think of anyone who wouldn't have enjoyed it. It is entirely human. They are all doing human things in a real world setting, the Wales coast. And I really loved it. And I have to say, first of all, it goes without saying, Kerry Mulligan is just ridiculous in anything she's in. She's never not been absolutely amazing. Tim Key is, I mean, he... Oh, he's heartbreaking. I mean, he's unbelievable in this. He's brilliant. Tom Basden adapted The Accidental Death of a Nanakist not that long ago for theatre, the Dario Fay play, and he rewrote it. I took my son to see it.

42:41He was laughing so much. He insisted on us. Yeah, it was actually funny. But laughing, the theatre was completely packed. It transferred everywhere, went to the West End. We had to buy the script at half-time, the interval, I believe they call it in the theatre. We bought the script at half-time because it was so good. I thought, I must find out who that guy's agent is and write to him and say, I just think you're amazing. But I didn't actually do that. So if Tom Basden never gets to hear of this, by the way, I think you're amazing. But in this, watching these folk songs he's written, he's, I mean, he's like, he's really, what can't he do?

43:09I thought it was absolutely wonderful. And it is very funny, but it's, again, as you say, it's completely, it's a completely human movie. And it's in such stark contrast. You can see it in cinemas now, by the way. I think it's been out about a week-ish. But I would really, really strongly recommend it. It feels like the cinema used to be where you could go along and what's the great film we can see this week? And I definitely, definitely... You won't be sorry if you go in and think, I'm just going to give a couple of hours, less than a couple of hours, one hour 40 of my life to this. It's lovely.

43:39Yeah, it's deeply charming. Anyway, so that counts as a pre-recommendation and our clarion cry for human beings in films. Where have all the humans gone? More humans, please. More humans. That's just done, I think. I think it is. Can I give one other recommendation which I finally caught up with the latest series of Night Coppers on Channel 4. And I've talked about Night Coppers before, but I love it so much. It's a very, very human show. So it's not that one of those absolute blues and twos things. And, you know, it just show all that stuff. It also shows the human beings behind it and what the police do down in Brighton.

44:12So that's on Channel 4. You can catch that on all four. Very good. Now, other than that, we'll be back for our usual question and answers on Thursday. and also it's 50 years since the release of Jaws maybe the first summer blockbuster and it's such a brilliant story so we're going to be doing a two part special on that for our members which you can join at the rest is entertainment.com otherwise we will see you all on Thursday see you on Thursday

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From the publisher

Sydney Sweeney is selling her bathwater… does this make her a bad feminist? Will the Nintendo Switch 2 become the biggest video game console of all time? Where are all the 'real' humans in blockbusters?

The hottest of Hollywood stars, Sydney Sweeney, teamed up with Dr. Squatch to sell soap containing her own bathwater which sold out in seconds. Does this make her a soapy sell-out, or is this all just clean fun - turning her into one of the smartest actors in the business right now?

Richard Osman has got his hands on the record breaking Nintendo Switch 2, what is his verdict? And can Mario stay on top?

Does Hollywood have a problem with humans? Marvel - superheroes, Barbie - toys, Lily & Stitch - aliens. Will humans soon vanish from the big screen?

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