In short
Podcast Episode Summary: The Best Advice Jedward Ever Received
Podcast Overview Title: The Rest Is Entertainment Hosts: Richard Osman & Marina Hyde Theme: Insider knowledge on TV, movies, and pop culture.
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Episode Highlights
Introduction
- Welcome Message: Hosts Marina Hyde and Richard Osman open the episode with excitement.
- Live Show Announcement: They discuss an upcoming live show at the Royal Albert Hall scheduled for December 4th, emphasizing ticket availability for members and the general public.
Key Questions Discussed
- American vs. British English in Scripts:
- Rob Henson's Inquiry: Do producers compel writers to use American English to appeal to broader audiences?
- Response Highlights:
- Writers tend to use the language version of the nation funding them.
- Differences in swearing between American and British English discussed, emphasizing cultural translation challenges.
- Celebrity Game Show Participation:
- Chris Hudson's Query: Why do celebrities claim ignorance of game show rules?
- Response Highlights:
- Celebrities often receive extensive rule briefings but may not listen or care.
- Anecdotes about Jedward's humorous experiences on shows provided.
- Earpiece Use in Acting:
- Evan Green's Inquiry: Are actors fed lines through earpieces?
- Response Highlights:
- Such devices, termed "earwigs," used by a select few high-profile actors.
- Discussion on the respect and disdain for this practice among fellow actors.
- Reality TV and Below Deck:
- Chris Cowan's Interest: What do guests gain from being on Below Deck?
- Response Highlights:
- Guests pay a significant sum for a chance to be on TV, underscoring the nature of their personalities.
- Acknowledgment of the show’s outrageous nature and the costs involved.
- Episode Count in TV Series:
- Grace Revel's Question: Why are most series composed of an even number of episodes?
- Response Highlights:
- Historical context about traditional TV structures and the emergence of streaming changing episode counts.
- Audiobook Narration:
- Katie Bateman's Inquiry: How are audiobook narrators chosen, and do authors have a say?
- Response Highlights:
- Authors often get input on narrator selections, emphasizing the importance of capturing the book’s spirit.
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Key Takeaways
- Cultural Nuances in Language: The episode highlights the complexities involved in using language that resonates with different audiences, particularly in the entertainment industry.
- Celebrity Engagement with Game Shows: The conversation sheds light on the disconnect celebrities might have with game show formats and rules, often viewing their participation as an obligation rather than an engagement.
- Reality TV Dynamics: Insights into the motivations of guests on reality shows reveal a blend of vanity, wealth, and the allure of fame, often at great financial expense.
- Evolving TV Formats: The shift in how series are structured reflects broader changes in content consumption, with audience preferences shaping what constitutes a suitable episode count.
- Audiobook Selection Process: The personal connection between authors and narrators can enhance the listening experience and ensure the essence of the story is conveyed effectively.
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Closing Remarks
- Conclusion: The hosts wrap up the episode by encouraging interaction from listeners and highlighting the live show event.
- Listener Engagement: They invite feedback and questions from the audience, fostering a community around the podcast.
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Links & Resources
- Join The Rest Is Entertainment Club: [Website](http://www.therestisentertainment.com)
- Follow on Social Media:
- Twitter: [@restisents](https://twitter.com/restisents)
- Instagram: [@restisentertainment](https://www.instagram.com/restisentertainment/)
- YouTube: [@therestisentertainment](https://www.youtube.com/@therestisentertainment)
- Feedback Form: [Podcast Feedback](https://forms.gle/GeDLCfbXwMSLHSUHA)
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This structured outline encapsulates the key discussions and insights from the podcast episode, making it accessible for those interested in entertainment industry dynamics.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:00I'm NFL linebacker TJ Watt and this is my personal best. YPB by Abercrombie is the activewear I'm always wearing. That's why I reached out to co-design their latest drop. I work with designers to create high-performance activewear that holds up to my toughest workouts. Shop YPB by Abercrombie in-store, online, and in the app. Because your personal best is greater than anything.
0:49We'll be right back. Message privately with everyone. Learn more at whatsapp.com. This episode is brought to you by State Farm. Checking off the boxes on your to-do list is a great feeling. And when it comes to checking off coverage, a State Farm agent can help you choose an option that's right for you. Whether you prefer talking in person, on the phone, or using the award-winning app, it's nice knowing you have help finding coverage that best fits your needs. Like a good neighbor, State Farm is there.
1:25Hello and welcome to this episode of the Rest is Entertainment, questions and answers edition. I'm Marina Hyde. And I'm Richard Osman. Hello. Hello, Marina. How are you? I'm very well, thank you. We have to talk about our Royal Albert Hall show because tickets go on sale today to members and to non-members tomorrow. So, yeah, you can please buy tickets. If you're a member of the Rest is Entertainment Club, you can buy today. Otherwise, they're on general sale on Friday. We have resisted dynamic pricing. Yeah, they asked. Despite being offered. They asked, we said no. And tickets are available for starting at£30.
2:01Yeah, we are against our better judgment doing it, but everyone around us told us to do it. Richard, we're doing it on our own judgment. I have to say, whether or not it's against our better... We can't keep acting as though it's happening to us. It is technically happening because of us. Well, it's happening to me. Yeah. I can physically sense it, that it is something that is happening to me. It's going to be mega festive, though, because we're both obsessed with Christmas. Yeah, it's going to be a world Christmas. Shall we get on with some questions? Please do. And by the way, if you want to join the Restless Entertainment Club, go to restlessentertainment.com.
2:30You get ad-free access, all that stuff. We won't keep banging on about that. Bonus episodes. You know how podcasts work. Yeah, we're about to start releasing some bonus episodes about all sorts of nonsense. But let's get on with the actual meat and potatoes, which is the questions and answers. Rob Henson has a question, Marina. He said, I wonder if authors and screenwriters are compelled by publishers and producers to use American English to appeal to the largest audience? For example, an English character saying they're putting something in the trunk of their car rather than the boot. Rob, this is a really great question.
2:57And actually, somebody on Twitter had also asked me about US and UK swearing. Oh, wow. Yeah, so hopefully sort of put them all in together. First of all, I would say that to some extent, the nation that pays the writer is getting their version of the language used. If Americans are paying, you're going to say ass and not arse. What you'll probably do, if you're trying to put that word in the mouth of an English character, you know that any English person watching it is going to think it looks stupid because we say ass and not ass. So you'll probably avoid that. And funnily enough, when we were working on the franchise the whole time, luckily we had some Americans say, when you're doing stuff really quickly on set, we would constantly ask my friend Julie Wiener, who's brilliant, so funny, do Americans say this?
3:39And she'd be like, what? The one thing that she found completely difficult, by the way, is that quite means something totally different in America. I was like, what? No, it doesn't. You know, you're gasquiting us, if you will. Apparently, quite in America means a lot. So when we'd say, she'd say, oh, is it good? And we'd be like, yeah, it's quite good. She'd be like, oh, great. So genuinely, quite means something different in American. And her great friend, when he'd been writing on Succession, was like, oh, yeah, I had that trouble with them all. I didn't know what they're on about. So quite means a lot in American.
4:10So that is one worth bearing in mind. But in terms of the swearing, I went to the high priest of swearing, Ian Martin, who was originally listed as the swearing consultant on The Thick of It and then obviously went on to write for Veep. And writing for Veep in The Thick of It, he really is a very proficient swearer translator. As he says, they don't swear, they curse the Americans, which he likes because it sounds like you're actually cursing someone with bad language. So sometimes you might want to have a British word, something like In The Loop, which has got some British, some American characters.
4:40the minister said something you just sat there like what do you british say a wanker and it sounded great with a sort of horrible little sarcastic air quotes he thought that in the sort of us uk linguistic you know bureau de change two dicks for a cock so you say a lot of dicks in american but you'd have to produce cock more rarely really yes they're more dick friendly than cock friendly yes i would say so some some stuff doesn't like travel culturally so you know when Selina Mayer, the president, when Gary is sort of silently chiding her for smoking, she says, don't give me that Quaker in a titty bar look, which obviously, as Ian points out, would sound a bit different if Judi Dench said it.
5:20And you couldn't quite understand what was happening. Sometimes things just totally read across. So you dim fucking bulb could be said in Veep, could be said in The Thick of It, could be said in Abbey Fire. Everyone knows what's going on. But in general, you do have to think particularly on swearing, which ones work and which ones don't, and whether they get the sort of swearing references. And it's quite a big thing because that will be the moment that it will really jar. You know, as I say, if you see British characters in British accents saying ass, it's embarrassing in some way. And, you know, it doesn't work.
5:52So you have to be quite careful on that. But Ian is the master of all this. So I defer to him. I have to say that he's got a very funny Boris Johnson book out at the moment, which is called Unhinged. And I've seen that lots of WH Smiths have put the two books next to each other because they've both got the black and white cover. Ian's got one picture in which Johnson looks absolutely deranged and it's had to have the words a parody put across the front of this book because otherwise people... But it's really funny. And he's in such a purple patch at the moment. He's got another book coming out next month in November called So You Think You Can Be Prime Minister, which, you know, on the basis of some previous occupants, lots of people can.
6:25But he's very, very funny. And yes, so I defer always to him on matters of all swearing, but particularly British-American swearing translation. Yeah, in the American edits of the Thursday Murder Club books on We Solve Murders, I always find it interesting. Very, very little really needs to be translated. And, you know, I write a lot of sort of parochial, very British things. And actually, they're very good at thinking that American readers, if they don't know the reference, that's kind of fun. Like we will watch The Simpsons and they'll talk about Rory Calhoun. And you go, well, I don't know who that is.
6:53I know the kind of guy he is. I like the sound of the name. And I understand that the sort of thing. Very, very occasionally, like I think in the very first book, I talk about John Lewis. And that made no sense to them because it doesn't sound like a shop. and John Lewis was a very famous senator. So they said, could we change that? And you go, yeah, of course you can. The only real problem they had at one point, normally they're very, very good. They said, we don't understand this bit. There's a character called Ron in the books. We don't understand this bit. Has Ron killed someone? And I was like, huh?
7:19Because there's a scene, does Ron kill someone? I go, no. He goes, there's a scene here that says, Ron goes for a slash in the woods. And I was like, okay. Wow. Okay. I see where we've got this. So that we changed. I love this. So does Greggs stay in, as an example? Greggs stays in. They have no access to Greggs or universal health care. You know, the two tragedies of American life. And yeah, the two sort of cancel each other out a little bit, though. Yeah. See, it's a Japanese edition. Are there footnotes in the Thursday Murder Club saying... The Chinese one is literally all footnotes. Really?
7:54It's literally so thick and half of it is footnotes explaining who Nigeda is. Oh my God, this is so cool. And the hairy bikers. Yeah, yeah, yeah. I want one of the translation of the footnotes and how they actually describe them to non-English speakers. Oh, I really want that. You look through, you know, just like a page, it will say, you know, reference 47, Nigella Lawson. Reference 48, I love a bonus. Reference 49, Holmes Under the Hammer. You're like, oh man, did I write all that on one page? But by and large, I think Americans quite enjoy reading British slang. I think your mum said, I think his books would be really good for people who don't know English, which sounds like a bit of a diss.
8:30Yeah, it was a diss. She said that they'd be perfect for people learning English as a foreign language. But also like a replicant coming to our country and having to pass as someone who can talk about the clutch on a Voxel course on Homes Under the Hammer and can just somehow pass as a humanoid. Well, we were talking about Nick Harkaway's brilliant John Le Carre novel. And actually, yeah, if you were a Hungarian spy coming to England, yeah, just read the Thirsty Murder Club books. Honestly, you're going to have pretty much any conversation you want. Just, you know, say that. and you know there's even football stuff in there yeah complain about a meal deal yeah complain about a meal deal and say who was the best captain West Ham ever had you know done is it Bobby Moore is it Billy Bonds is it Mark Noble arguably Blade Runner would have been a different film if they'd used that as a way of passing but listen anyway we continue shall we do another question yes please I love this one about explaining rules on game shows Richard Chris Hudson says very occasionally when a celebrity appears on a game show they will state they don't know the rules or have never watched the show before Their lack of understanding can be entertaining, but is it really possible that no one in the production team has explained it?
9:34Firstly, Chris Hudson is a character from Thursday Murder Club. He's a cop. How about that? Thank you, Chris. I wonder if he just called himself Chris Hudson because he knew I'd pick up on it. Maybe he did. You're overthinking this. Yeah, you think? Yeah. There's a wonderful line in the American office once where Steve Carell is holding a photocopy of salesman hostage in his office. And Jim is saying, you have to let him go. This is not going to end well. And Steve Carell says to Jim, you're overthinking this. and Jim goes, no Michael, you are underthinking this. Anyway, Chris, thank you very much for your question.
10:03Yes, quite often if you do celebrity versions of shows, people will not have watched the show before. I sort of get it. I look poorly on it. No. Yeah, I don't love it. People come on shows, especially House of Games, pretty much everyone has seen it, so when they come on, it's nice. But the point is celebrities, I think, because there's eight of them and sometimes people bring along a partner, so it's not always the case that everyone has seen the show. It's a booking that's come through their agent. Way to have an anxiety dream, just turn up on a show you've got no idea what could happen to you.
10:30Yeah, but the thing is that that's not how some people's brains work. Some people are like, oh yeah, what do you need me to do? Where do you need me to stand? What are you saying to me now? Yeah, you're right, it's better to be that person. Yeah, exactly. And yes, every time you come on a show, you are given an extensive briefing about how the rules of the show work. You're given an extensive briefing about how round one might work, how round two might work. Truth is, people are not listening. People either watch the show already, in which case they get the rules, or they haven't watched the show because it's not the sort of thing for them, and that they do not understand what you were saying to them.
10:58It's the same with normal contestants. You know, I've always said a million times, viewers at home as well, for years people say you've got to explain the rules, explain the rules, explain the rules. Either people understand the rules or they're never going to understand the rules and they don't really mind. They're just watching it and they want to answer the questions. So we had, Jedward had been on a few times. We were walking along the river in Richmond the other day and these two ewes on bicycles sort of skidded by and they go, Richard, Richard! And then we turned around and it was Jedward and that was so.
11:25Oh my God, I love that they're just out there on their BMXs. On their BMXs, essentially. They live the brand. I mean, they truly. They really do. They're always an absolute delight to talk to. Anyway, they came on the show and I always remember in their briefing, their manager said to them, they said, boys, points to their mouth, he goes, you've got one of those, points to their ears, you've got two of those. So listen more than you talk. That's what they say in primary classrooms. But, you know, again, it's the brand. It's the brand. Listen, I absolutely get it. So everyone gets every single rule explained to them at all times.
11:55but most people are absolutely not listening. In the same way that if you stop someone for directions, you say, you know, how do I get to the SO garage? And they go, so you go up here, turn left, then it's the third right, and then you get the roundabout, and there's the second after that, and then you just take a quick sharp left, and you'll see it there. And me, and I would say 80 % of people, stop listening after you go up here and turn left. You think, well, I'll go up here and turn left, and I'll ask someone else, because I'm not hearing the rest of it. But yeah, sometimes you'll have people on the show, and they don't understand where they are.
12:22I would say almost always they get knocked out very, very quickly. There's something about someone who has no interest in what the rules are and no curiosity about the show they're on that also means their general knowledge is not always where it might be, I would say. So, you know, often they don't last too long. An appearance fee for not even bothering to read rules? No, they should be knocked out. I know, but then if you've only got six contestants on a Monday morning and you're filming in an hour's time, you're like, you know what, whoever you've got, bring them on. also some shows are quite complicated if you really had to explain pointless in 10 minutes to someone it would be quite hard to do it's the truth house of games is lovely house of games the briefing we do on house of games i always really really enjoy because it's just me going there is absolutely no point me telling you what's going to happen because it is every single round is different at the start of each round i'll tell you a rough idea of what's going on if you don't understand we'll do one question and you'll get it and so it's it's like an anti-briefing and it's it makes for much more fun for everybody i like on house of games where you get to the end of the round and someone in seat three would go oh i get it now i i understand what we've been doing for the last five minutes and it's uh you know it's different brains you know react to different things but just sit there and answer the questions is usually the thing to do but pointless is funny because people go sorry am i trying to get the lowest answer you go yeah we've literally been here for the last hour and that's what everyone's been doing however many years yeah yeah exactly but I have a little earpiece sometimes in the House of Games we do a round called The Nice Round where you get the name of a film or a book and you have to write down one word to help one of your fellow contestants get it and every time it starts Tom or Abby who are in my ear just go yeah just one word because every single time everyone says just one word is it just one word like every single time never ever done it without someone going is it just one word but so listen rules are rules but it's fun if people know them but if they don't know they usually get knocked out fairly quickly thank you Chris Hudson if that is your name.
14:15I have a question here from Evan Green who asks, I've heard rumours that certain actors are fed lines through earpieces on set. Is this true? If so, how frequently does this happen and is it on the rise? That is a good question. They're called earwigs, the little thing, and someone could, if you haven't bothered learning your lines, be telling you them just as you're about to say it. We talked a bit on the Tuesday episode about the idea of certain performers believing they're indispensable. This is only able to happen if you're mega big. Robert Downey Jr. does it, by the way. Other actors really don't like it, by the way.
14:46If they know that someone's acting with an earwig, they think it's really disrespectful. They've learnt their lines and they don't really like it. Robert Downey Jr. claims it's part of his process. That's clever. Yeah. And actually, what he also says is, I don't like learning lines because I want to spend more time with my family. So, I mean, you know, you're only being paid like 100 million quid here or something. Do you mind? Wow. Part of my process is I don't like to get up before 10 a.m. It's how I get into character. Yeah, it's my method. Yeah. But famously, Marlon Brando did a lot. I mean, in The Godfather, he didn't have an earwig, but he honestly, other actors had cue cards like stuck on them.
15:18So if they were being shot from behind for his coverage, when the cameras, as we talked about coverage before, when the cameras just on him, those cutaways in the scene, they had like his line stuck to them. You can see why people don't like that either. But again, you know, he's indispensable. The Island of Dr. Moreau, by the way, oh, we talked about that a lot in the writer's room for the franchise. There's a really great documentary. If you want to see, there's something called The Lost Soul, The Doomed Journey of Richard Stanley's Island of Dr. Moreau. And you can watch it on YouTube. And that is a story of a sort of idealistic filmmaker who's going to make this movie about quite a dark and weird book.
15:53And every actor in that, and it goes so wrong, he goes really quite mad. It's a really good documentary if you want to watch that one. But Brando turns up on that. I mean, if you don't want to watch the documentary, just Google Marlon Brando costume Island of Dr. Moreau. you've never seen anything like it. He's wearing a sort of beekeeper's hat. It's extraordinary. For that one, again, he had to have it all done via an earwig and wouldn't do it. Johnny Depp in the later Pirates of the Caribbean, I'm afraid. My favourite one of it, though, is Rita Ora is in Fifty Shades of Grey. I mean, Rita Ora, arguably not indispensable to Fifty Shades of Grey.
16:25She had it for four lines. She's got four lines in the whole film. I think she's Christian Grey's sister. She is Christian's Grey sister. But she had an earwig for that because she said, oh no, I just couldn't possibly. But you can learn your songs, I guess it's just you're in a different milieu she is a star in another milieu and you know I guess she's not on set for very long and that's how they did it but as I say you have to be mega important I wouldn't say it is on the rise I don't know whether it's on the rise or not there are so few actors you can really get away by just saying I am doing this especially because nobody else likes it yeah exactly I do think there's one sort of slight caveat which is sometimes older actors will have lines just so they're there just so they know they're there because you've spent a whole lifetime learning lines but they just get to the point where they go, okay, I just, you know what, I want just a little prompt sometimes or you'll have words.
17:10A security blanket, knowing it's there is enough often to... A security blanket. And of course, any actor like that, of course, they absolutely do what they want because they prove what they can do time and time again and it's just something that they need. But it's, yeah, that's, oh, I didn't know that. A little earpiece. Yeah, earwig. Wow, an earwig. That's cool. Good question. Shall we go into a little break? Let's do that. Eczema isn't always obvious, but it's real. and so is the relief from Evglyss. After an initial dosing phase, about four in 10 people taking Evglyss achieved itch relief and clear or almost clear skin at 16 weeks.
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19:31Okay, welcome back everybody and I'm just going to have to go straight into a question that I've so wanted to know the answer to. It's from Chris Cowan and it's about Below Deck, that absolute zenith of reality television. I often find myself watching one of the many series and spin-offs of Below Deck, currently Below Deck Mediterranean. By the way, these are set on super yachts and they're about the crew on super yachts. I'm curious, apart from the draw of being on TV, what is in it for the guests to book a charter on a boat with the show which are super yachts by the way do they get a discount for possibly being portrayed as a nuisance and crews swarming all over the boat this show is a new obsession in my house my daughter's watching it for ages now my wife is watching it and therefore i am watching it and it's really good i mean it's really it sort of feels almost like end times no not end times it's i love it the producer gets less involved in this than they would do on certain other shows but funnily enough my daughter asked exactly this question which is why are people doing it are they getting it cheaper or not the sums for these boats are absolutely enormous sometimes when we go on holiday and call food lots of them come by and we're always like looking at them with the binoculars and then immediately googling how much it costs to rent a week and it's insane it's like hundreds of thousands of pounds it really is absolutely mad and so the show you know people charter it you get put like eight or ten people there'll be like family groups or you know work groups or something like that and so the crew are always there so you follow you know the captain you follow the engineers you follow the people working on the ship and it's just each new episode there's a new group of people coming in so you've got the soap opera of the crew but you've also got every week new people to judge which I think is the story of the week the joy of the show, story of the week, exactly that now Mark Cronin who created Below Deck, he says this and you know what, genuinely what I said to my daughter is no it'll be free, they'll get it for free the production will pay and maybe be paid.
21:16Yeah exactly because they'll just are you an interesting group of people, let's put you on the ship but that is not the case and mark crony in the creator says guests get a 50 discount on the three-day charters and get their flights paid for but guests still have to pay for all of their food in the excursions and of course the all-important tip which is a big deal on yeah below deck yeah 12 grand the guy gave him on the one i was watching last night and that is expected to be 50 to 20 of the total cost so for the honor of being a side character for one episode of below deck you'll be paying about 45 000 pound for three nights for your holiday yeah to have being it's just so mind-blowing people really want to be on tv don't they yeah and they will risk paying 50 grand to look like an utter arsehole well you're gonna have to explain it to me i suppose if you are interested in hiring a super yacht anyway then you might have a certain personality type do you think they don't realize they're arseholes so they don't realize they're paying They're paying 50 grand to be themselves.
22:17That's the very point of it. So I think that, honestly, I think if you are trying to impress a group of people, or if you do have a family holiday, imagine if you're sitting down now and the whole family's got to get together, we've got 10 of us, and what should we do? We've got to have a week somewhere. And three or four of you watch and like Below Deck. Actually, if you say, well, why don't we go on Below Deck? Well, we're going to spend some money anyway on our holiday. We're stupidly rich anyway, and we waste our money anyway. This might be a fun way to waste that money. Oh, my God. People like to be on TV.
22:45But they don't realise what TV involves. But a lot of them come across quite badly. Probably because they're so annoyed they've had to do the same thing. You know, let's be honest, this is like managed reality. So they've probably had to do the same scene asking for the espresso martini about five times. There must be cables everywhere tripping over them. I mean, I just don't understand it. But they also leave in all the bits where every single guest tries to sleep with every single member of the crew. Yeah. Like every night at the end when they've had a few drinks. I think that's mandatory. Yeah, but it's like you just think, you know that there's a camera looking at you when you do that.
23:15You understand that. All I knew about Below Deck in the olden days was that Kate from US Traitors was in it. Yeah. And watching her here. And she is a monster. Yeah, but she's… But my monster. Yeah, she's very good at her job. I would say that. So, yeah, people are paying a lot of money. And the tip is for real and all that kind of stuff. And the people who've seen it know the tip's going to often be absolutely huge. You know, and the crew is real and all that stuff. I have, as I say, as a new convert to it. I don't believe it's end times I think it's quite an enjoyable bit of television but very expensive it turns out to be on there can't be many other shows that you're paying to be on God what a sucker they think they've won these people but they haven't they've lost well it depends what game they're playing it's the game I look like a dickhead on television in which case they've aced it if you haven't watched Below Deck by the way do watch it you know it's mesmerising laugh at people paying to look like this on television well that's the thing I can now go and watch this and go, wow, you're paying a lot of money.
24:11One born every minute. Yeah. I mean, they must have a lot of money. Yeah. Like a lot. Yes. Not anymore. Not much sense. Marina, a question from Grace Revel. I was wondering why so many series seem to have a certain number of episodes and why is it always an even number? Well, hello, Grace. It was normally an even number in the old days. They used to have, I don't know, and by the way, series used to be miles longer and you don't see that many any longer. you know you'd have 24 episodes of your show in the US. UK was used to have six but actually since streaming I'm not quite sure that I've worked on a show Avenue 5 and that had nine episodes but that was actually because the set partially burnt down so we went from 10 to 9.
24:51But the second season had nine as well. Last of Us I think that was nine. Baby Reindeer was seven. That was the thing about streaming that first of all when it you know House of Cards came out and I think Orange is the New Black they were the sort of new things for Netflix and they were 13 each. It was sort of suddenly you didn't have to fit these little blocks that had been there since time immemorial. And also, if you didn't want to make it an hour long, you could make it 62 minutes. It didn't matter. You weren't. And Stranger Things have obviously in most recent seasons went, we had hugely long episodes.
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25:24Some of them were like an hour 45. I can't remember what they were, but they were very long. It's weird. Binging has actually led to shorter seasons. And so because people wanted to kind of do it all in one, if you said to them, right, there's now 22 episodes of Lost to watch. Anything you watch on streaming does not have to be equal numbers and isn't any more at all. If the episode can be told in, I'm trying to think actually even on Channel 4, wasn't It's a Sim, wasn't that five episodes? So it doesn't matter in the same way that it used to. Of course, if you actually look at miniseries, lots of things have a three one hours.
25:54So we have a lot of that. I'm not convinced, but now anything can be anything really in a much more loose way than it ever was before. Yeah, but in the older days when we had five terrestrial television channels, they're each filling 52 weeks a year. And they would do that in very, very structured box. And they would be planning 18 months in advance. And so they would know exactly what's fitting where. And so they would traditionally understand that if a sitcom was coming, that would be six weeks and take up six weeks of their time. And so it was just one of those things that got written into the DNA of television, I think is the truth.
26:24And then producers started to understand how to make six episodes. And writers understood that as well. And some of that, by the way, is to do, if you've spent lots of your budget, and there were certain earlier episodes on something like Doctor Who where you could see they've had a really expensive episode, and the next one they're all going to be kind of locked in a crypt or something, which is a lot cheaper to make. If you ever see an episode of any sitcom or anything where it's just the two characters and they're locked in a bank vault, it's because... Look what happened earlier on or later, because that will be an expensive episode that just happened or is coming up.
26:54Exactly that, but then it would be 52 weeks and so you would cut that down and you'd have a huge thing probably up on the wall in the old days where you would sort of block in what was going where. And so six weeks or eight weeks or ten weeks was just a very simple thing to work with across 52 weeks of the year. Yeah, it just came from that really. But as you say, with streamers, they don't have to worry about when you watch something. They don't have to worry about fitting something else in the following week. So they can just do exactly what they want, when they want. weirdly as a as a producer and writer you bit of you still going well presumably this will be six or eight episodes yeah because there's a hangover from from those olden days and if someone says well we could do seven you're like oh i seven really yeah i don't know about that and then also that confuses people who are watching because when you get to episode six of any drama on tv you do have to go on imdb and see if this is the last episode and you go oh no okay there's nine there's ten and so but it's um yeah it's just one of those things has always been and was because things used to have to be commissioned just absolutely in chunks and now yeah i suspect the odd numbers are having their day but it's great for storytelling if you think well actually you know we want to just can we have an extra episode out of this sometimes in the right and also can we cut it down can it not be six can it be five can it be something like baby reindeer seven perhaps that's less conventional but if it just works then it's great to be able to do that now and to not feel that there's got to be slack episodes or something where it didn't quite work and you think, yeah, that should have been pushed together or divided into two.
28:19The traditional thing you used to do on panel shows and what have you, if they commissioned six or eight or ten or whatever, is you'd always be kind of, you know, stocking up the offcuts of various episodes that you had to cut out for time and you would do a bonus episode. Or Would I Like To Do Two Bonus Episodes each time, which just means that, you know, ten episodes become twelve. And it's one of the few shows, Would I Like To Do, where the bonus episode are just absolutely sensationally brilliant. normally on a show when the bonus episode comes up you think okay but with would i lie to you just think oh great this is brilliant a series of amazing stories richard this is about the we solve murders audio book from katie bateman she says that's a good name i like a name that's got an internal rhyme katie bateman's got that yeah great okay thank you katie thank you for your name yeah and also for your question that is that's all we have time for her question is i'm partially cited so I listen to a lot of audiobooks.
29:12I've recently been listening to the audiobook of We Solve Murders read brilliantly by Nicola Walker. It got me wondering how audiobook readers chosen and do authors get a say in the matter? Thank you Katie. She's amazing Nicola Walker. I'm the same because I'm visually impaired. I listen to you know I can get through printed books but it takes me a long time so I love having an audiobook on the go at any given time. Katie you do get a choice well certainly i've had a choice a lot of authors read their own audiobooks and people if you're mark binningham who is a stand-up as well as a brilliant writer it's great he knows exactly he knows exactly what the voice of the characters is his main character in lots of his books tom thorne you sort of feel is it's bidding a mess anyway so that makes absolute sense because my books are sort of i would say female-led i felt it was inappropriate for me to read them also i can't act you know it'd just be awful and also i'd want to rewrite as I was going through I just yes I don't know how to do it and so you know there are some people who do audiobooks and you can listen to the you know versions of them but with Thursday Murder Club we sat down and made a list of people we'd like I wanted to be someone who's slightly older and so there's Emanville and Fiona Shaw were both on that list and they've both done two each and did it absolutely brilliant and it's so important because they have to get the spirit of a book you know if you're listening as Katie will tell you if you're walking around with that person's voice in your head all day and so it becomes you know it's incredibly important that it's intimate but it also gets across the drama and the comedy of the book and both of those do brilliantly so with we solve murders because there's a character called amy who is slightly younger and a lot of it sort of goes through amy i wanted someone who was slightly younger but someone also is people know for kind of murdery type things but also has done comedy and nicola walker of course ticks all of those boxes and so we went for nicola walker and she said yes and the lovely thing is that they then ring you and talk to you about the book and they talk to you about some of the characters and they say i was thinking of doing this and maybe does this character do that and so there's a lovely back and forth between audio reader and author i think in the future there's going to be an awful lot of and there are already some yeah ai read books and if you ever listen to one it's sort of you just can't do it because everything is too flattened and again if you've got that voice in your ear the whole time it would drive you absolutely mad i think you know if you can find someone who can read an audiobook in a great way then you just hold on to them forever because it's it just makes your book more magical yeah and so yeah i've been very very lucky with leslie manville then fiona shaw and now nicola walker but yeah you you do get the choice you certainly ask for someone you know or if you've heard someone before in your ear you kind of look for them and patch it i'm always i always think is amazing because she had um tom hanks reading one and then the next one was meryl streep you think that's pretty good going that's wonderful there are certain there's certain books that i hear in when i'm reading them i hear them being read to me by i always imagine when i'm reading woodhouse i'm and i actually ended up telling hugh laurie this i just said it's because i just imagine you reading the books to me and because i suppose i saw his james and worcester at you know a relatively young age that was probably in my teens and i imagine him reading them i hear the voice in my head he might as well have done the audiobook i don't know if he has done the audiobook but i've always felt that way and i told him that he said i can't actually be that i feel i'm sort of you know taking word out but i said no i hear you reading them to me and i i did a book show between the covers on bbc 2 recently and ben meadow was on and he said that he and since you said this i've asked other people other people do it he says that he reads the book at the same time as listening to the audiobook so he has the audiobook talking while he reads the words in the book oh can you believe that i can't i don't I have not heard that book.
32:53That will be a whole thing. We'll have opened a can of worms for this. It'll be a whole subtitles discussion. Yeah. I'd like to hear more from people who also do this. Because I will sometimes have the book and I'll have the audio book. And if I'm out for a walk, I'll be listening and then I'll turn to the bit in the book I've got to. I sort of get that. But no, he literally sits reading the book and has the audio book on at the same time. So does both at the same time. If you do this, please write in and explain why. The address is therestisentertainment at gmail.com. And I definitely want to hear from you.
33:21I think that's us done, is it? I think it is. Don't forget those tickets for the Royal Albert Hall Show are out now for members and they're out tomorrow for non-members. We'd love to see you there. Restlessentertainment.com for all the details. But all that aside, perhaps we'll see everyone next Tuesday. See you next Tuesday.
33:56Limu, Limu! And Doug. Here we have the Limu, Imu in its natural habitat, helping people customize their car insurance and save hundreds with Liberty Mutual. Fascinating. It's accompanied by his natural ally, Doug. Uh, Limu? Is that guy with the binoculars watching us? Cut the camera. They see us. Only pay for what you need at LibertyMutual.com. Liberty, Liberty, Liberty, Liberty. Savings vary underwritten by Liberty Mutual Insurance Company and affiliates excludes Massachusetts. Your sausage McMuffin with egg didn't change. Your receipt did. The sausage McMuffin with egg extra value meal includes a hash brown and a small coffee for just$5.
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From the publisher
Who are the actors that are fed lines in their ears? Do those on Below Deck pay for their super yacht holiday? Are authors and screenwriters compelled by publishers or producers to use American English to appeal to the largest audience? What is the best advice ever given to Jedward?
Just a few of the questions answered in this episode of The Rest Is Entertainment.
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