In short
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Podcast Notes
The Rest Is Entertainment
Episode Title
The Best Paid Actor In The World Hosts: Richard Osman & Marina Hyde Producers: Neil Fearn Executive Producers: Tony Pastor & Jack Davenport Air Date: [Insert Date]
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Episode Overview In this episode, Richard and Marina delve into several intriguing topics within the entertainment industry, including Meghan Markle's new lifestyle brand, potential changes in ownership for the Daily Telegraph, and an engaging discussion about the highest-paid actors in the world.
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Key Discussions
Meghan Markle's Lifestyle Brand
- Brand Name: American Riviera Orchard
- Products:
- Jellies
- Kitchen linens
- Luxury pet accessories
- High-end kitchenware
- Context:
- The discussion revolves around the proliferation of celebrity lifestyle brands and the commodification of self-care.
- Richard and Marina express skepticism regarding the actual value and intent behind such brands, questioning the necessity of consumerism as a means of achieving wellness.
The Daily Telegraph's Ownership Situation
- Current Status: The Telegraph is reportedly up for sale.
- Key Figures:
- Paul Marshall: Hedge funder associated with GB News, potentially a front-runner to acquire the Telegraph.
- Rishi Sunak's Intervention: The UK Prime Minister has proposed amendments to prevent foreign state ownership of UK newspapers.
- Implications:
- Concerns over foreign influence on UK media and the potential political ramifications of ownership changes.
- The Telegraph retains significant influence within the Conservative Party and broader political discourse.
The Highest Paid Actors in the World
- Top Ten Overview:
- Denzel Washington: $28 million (10th place)
- Jason Statham: Nearly $50 million
- Margot Robbie: Significant earnings from producing and acting, particularly for "Barbie."
- Jennifer Aniston: Earnings largely from streaming platforms.
- Tom Cruise: Continues to command high fees, around $100 million for films, with unique first-dollar gross agreements.
- Adam Sandler: Topped the list with $100 million, primarily from his Netflix deal.
- Notable Points:
- The discussion highlights a trend of older actors dominating the top earners list, raising questions about the future of stardom in Hollywood.
- The shift towards streaming services impacting traditional box office attractions.
- The relevance of franchises and intellectual property in determining actor compensation.
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Key Takeaways
- Celebrity Brands and Consumerism:
- The rise of celebrity lifestyle brands reflects a larger trend in the commodification of self-care and wellness, often marketed through a lens of indulgence.
- Media Ownership and Political Influence:
- The potential sale of the Daily Telegraph underscores ongoing debates about media ownership and the implications of foreign entities controlling influential media outlets.
- Shifting Dynamics of Hollywood:
- The discussion about the highest-paid actors reveals significant changes in how stardom and compensation are structured, particularly with the influence of streaming platforms.
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Recommendations
- Bridge of Lies: A daytime quiz show hosted by Ross Kemp, praised for its engaging format.
- Interior Design Masters: A competitive reality show featuring aspiring interior designers, hosted by Alan Carr.
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Closing Remarks Richard and Marina conclude the episode with a promise to revisit their discussions and share thoughts on the upcoming shows and celebrity trends in future episodes.
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Contact Information
- Twitter: [@restisents](https://twitter.com/restisents)
- Email: therestisentertainment@gmail.com
- Podcast Site: [therestisentertainment.com](https://therestisentertainment.com)
- More Goalhanger Podcasts: [goalhanger.com](https://www.goalhanger.com)
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Note: This markdown file summarizes the podcast episode while highlighting key discussions, takeaways, and additional context for a comprehensive understanding of the topics covered.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
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1:25Hello and welcome to another episode of The Rest is Entertainment with me Marina Hyde. And me Richard Osborne. Hey Marina. How are you Richard? I'm alright, we're in another new studio today. Yes, we're doing a tour of many studios. Aren't we? I think we'll be back on our normal one next week. It's quite bijou, except the seats are very high so your feet do not reach the floor. Your feet always reach the floor. Mine are swinging like a little five-year-old girl. Which is appropriate because we're going to be talking about a brand new celebrity lifestyle brand. because Megan has launched one. It's about time a celebrity launched a lifestyle brand.
1:57Yeah, I know. My God, there's so few of them out there, a matter we'll discuss. What else are we going to talk about? We're going to talk about the fact that people from the UAE are no longer allowed to buy the Daily Telegraph and so it might be bought by the man behind GB News, Paul Marshall. So we're going to talk about him a little bit. How have we not covered him on a showbiz podcast before? And then we're going to talk about... The 10 highest paid actors in the world. And I'm going to turn it into a little bit of a game, which is your absolute nightmare. But who are the 10 best paid actors in the world from last year?
2:29Number one will surprise you. You see how this is done? Yeah, I see how it's done. I see how it's done. You're teaching me all the time. Yeah, you see how I don't really work so much in TV anymore? Let us begin with Megan's new kind of lifestyle brand. We're not quite sure what it is, although we do know a bit by the trademark applications. It is called American Riviera Orchard, which I love because it sounds like three random words. Yes, or three kids of Chris Martin or Jamie Oliver. So American Riviera Orchard. It's a bit like a what, three words? That's the Esso Garage out on the Ring Roads.
3:04It's past Darnown. But if you get to Quicktie, you've gone too far. Yeah, honestly, if you put the postcode in, you won't find it. So it's, yeah. American Riviera Orchard. Honestly, it takes you to our front door. Yeah, right there in Montecito, which is where she is operating out of, as I believe they say in these things, because, as you know, this is the sort of expensive celebrity enclave she lives in in California. Now, we've seen an Instagram video of her arranging some flowers, doing some cooking. Keep talking. And the sort of logo. Yeah, I know, you're scintillated. A logo. And so it's quite clear it's going to sell you products, because what we do know is that via the trademark application, it's going to sell things like jellies, pans, decanters, kitchen linens, luxury...
3:44Kitchen linens. Linens. Oh, kitchen linens. Luxury pet accessories, what I would call all the sort of branded homespunery of late stage capitalism. All of that will be sold. Just all the important stuff that our grandparents spent all of their money on. Yes, but she's not the only celebrity with a brand. There's quite a few people who have gone into, I think they used to be called lifestyle portals. And we've talked about ghostwritten celebrity books before as a sort of extension of the brand. But I know that your wife Ingrid is very keen on one particular celebrity brand, which I didn't even actually know existed.
4:20Ava Mendes? Ava Mendes, who, you know, one of the most glamorous women in the world, incredibly talented actor, married to Ryan Gosling. And she has her own range of sponges. Kitchen sponges. Kitchen sponges. You're probably thinking some really expensive, like, natural Dead Sea sponge. No, this is a kitchen sponge. Yeah, a kitchen sponge just for, you know, the sort of stuff that our grandparents did actually use. I'll tell you what, it's$4 though per sponge. And that is not... Is it$4 a sponge? You see, it's always a luxury brand, even if it's a kitchen sponge. How are they justifying$4 a sponge?
4:58Is it antibacterial? Obviously, I have genuinely ordered some over the weekend. No, have you? Of course. I mean, as a committed ironist, I now want to have the product. Yeah, I'm not a marble statue. No, I'm not. Presumably postage is not massive. because they're very light. They're light as air, Richard, and they're coming from the United States of America. I will tell you what the Ava Mendes sponges are like. So Ava Mendes said she was shocked when she discovered that her sponge was the dirtiest thing in her house. What about Ryan Gosling? That's, yeah, Ryan Gosling aside. Actually, he's a clean-living, clean-fuck guy.
5:30Yeah, he's a clean-living guy. But yeah, so she's done sponges. I mean, essentially, they're all desperately trying to walk in the shadow of the great goddess herself, Paltrow. Her Vajesty. Her Vajesty. Her Vajesty Gwyneth Paltrow with her website Goop, which again, a bit like Megan. Megan used to have a blog called The Tig, which was a bit sort of, like all of these things, it recommended you how to lay your table, but also as a place for discussion about global issues. I mean, when aren't they? And Gwyneth Paltrow used to also have, Goop started out as an email, a bit like that, a blog, whatever, and has now become something that's valued at, I think$250 million the last time.
6:10Yeah, I know it's a lot. I pronounce it go-op, like co-op. Yeah, go-op. But a lot of the celebrity brands are wellness, which I find slightly interesting. First of all, celebrities are a bit of a religion. I do think wellness is one of those words that only really awful people know what it actually means, a bit like neoliberalism or something like that. You know, like L. Ron Hubbard said, the guy who founded Scientology, if you want to get rich, start a religion. And there's something about religion having gone out of societies and this kind of weird idea of self-care coming in. But it's so individualised and it's so sort of atomised and it's so consumerist.
6:46The answer to all of our problems are apparently buying another thing. And I suppose to some extent, you know, Megan, for all her woo-woo talk about this and that, is essentially going to be in retail. She's going to try and sell you some stuff because she's going to say that the answer is buying some more stuff. She's like WH Smith. Yeah. But operating Adam Montecito. and I do think there's something quite odd about sort of celebrities trying they're sort of icons in the old religious sense and I don't know in the sort of late middle ages the Catholic Church sold indulgences this is part of the reason why they went ahead with the Reformation there's something about that word finally we're back to the Reformation yeah but they use well I wonder if this sort of wellness culture needs a bit of a Reformation they're also selling what we might call indulgences And certainly the word indulgent is used in all the marketing, all the time.
7:36And you're sort of being this idea of self-care, but you're on a journey where you never quite arrive because you fix one thing and then there's another thing and there's another thing and there's... But it is a totally atomised journey. And so when Megan is saying, as Gwyneth Paltrow does to some extent, you know, I'm going to become a talking shop for ideas, you're not really, you're in retail. And I think that that's what a lot of these celebrity brands are. Yes, and it makes them feel better about themselves. Well, that's the thing I always think with celebrities. Say you're an actor and you're very, very well paid and suddenly you're on$10 million a movie, right?
8:10And so for the rest of us, we'd be like, well, that's insane. You never have to work again. You never have to do anything again. And they're saying, well, I do get paid$10 million for a movie, but then I actually have to make the movie, you know, and I have to turn up and I'm like there for six weeks and there's some CGI stuff. Sometimes I'm in my trailer and I find that boring and I'm getting 10 million and the next movie they do is just 10 million again and suddenly they're looking at a house in Montecito that's like 112 million and they're thinking I've got to do 12 movies to get this so the only other thing to do the way to instead of making 10 million to make 100 million is to set up a business you know that's the way to do it Ryan Reynolds did it twice Ryan Reynolds sold his stake in Mint Mobile for kind of half a billion he's got a gin brand he's got all sorts of things and then aviation gin because if you're used to being paid 10 million Any job you do, you want to be paid a bit more.
9:02And if you're an actor in films, it is impossible to be paid a bit more. There isn't another job in the world, unless you're going to be like a LeBron James, that pays more. So essentially, you then have to found and own a company and then sell that company. Dr. Dre, there's no way he could have made more money until he put his name to some headphones. And suddenly they set it for$3 billion. You're going to have to sell a lot of records to make$3 billion. I agree with that. But isn't that also something which we talked about a bit when we were talking about the Beckham documentary and things like that, that they only properly feel they have arrived because they think at some level there's something quite silly about stardom or celebrity or whatever.
9:40And that actually the only really thing that really matters is business because then you have power. And even if you treat yourself as a business and talk about sort of money a lot in a certain in a very sort of aggressive way, then it sounds like you really know what you're talking about. But I do think there's a thing with celebrities where they feel, unless they have a business, they're not taken seriously in the world, that they're regarded as sort of ornamental something or other that we don't really quite understand. Whereas business saying, I've got a boardroom, I've this, we might, you know, we might go to IPO, really makes them feel like they have arrived in the thing that our culture values the absolute most, which is business.
10:12But then there's also that thing that they do still come from that creative world. And so there's a bit of them that still thinks business is dirty, which is why they have to go, actually, it's not really sort of a business. It is a talking shop. Yeah, it's changing the world. What I actually want to do is raise awareness and enlightenment around the world and stop bullying. To do that, I am going to set up a multi-billion pound business selling dishcloths. Kitchen linen. To use the technical trademark term. Kitchen linen is hard to say. And so they're sort of having their cake and eating it and then selling that cake.
10:44That's the sticking plaster that says, I'm not actually going into this for the billions. I'm going into it because I just think there's a lot of disagreement in the world. and I would like to put that right. I mean, it's a beautiful gig. But they make you feel worse about yourself. There's a brilliant profile of Gwyneth Paltrow by someone I've talked about before on this podcast. It's absolutely sensational called Taffy Brodus at Acne and she does the profiles in the New York Times. She also is an author and she's had a TV show. She wrote the book, Fleischman is in Trouble. Does she make sponges though?
11:10She doesn't make any sponges, but her profile of Gwyneth Paltrow is absolutely amazing. I strongly suggest you seek it out. And she really manages to distill that way that Gwyneth actually sort of makes you feel sort of shit about yourself. And wellness as an industry does. It makes you feel that you're sick in ways that you only sort of dimly grasp and that the cure is consumerism. Well, it's like Middlemarch where they've got all sorts of potions and powders for whenever you've got whatever egg you have. You go, oh, I need Dr. Robertson's tablets and Dr. Robertson's pills. And you don't really know if they work because if you're buying one Gwyneth Paltrow product, you're probably taking about eight different products and also your body is healing itself at various times anyway.
11:50So one day you will, it's like when people go to chiropractors and their back just gets better automatically and they go, you have to go to my chiropractor. And it's the same thing. I took, you know, Gwyneth Paltrow's, I don't really know what any of our products are. There was a candle called This Smells Like My Vagina. There's some jade eggs you put up your family. There's a lot of... Honestly, there's not a lot there. Her work is strongly vaginal. There is not a lot there for me, I'm going to say. Yeah, no, there's not a lot there. There's a whole other load of stuff for you. But what is very interesting, And I read there's a really interesting article out there, which is that a lot of the stuff, do you know Alex Jones from Infowars, a kind of horrific person?
12:25He's a sort of alt-right kind of fringe wingnut who had a TV show that he was sued in the end successfully by the parents of the Sandy Hook massacre children because he said that that was a fake sort of event and that all the dead children were crisis actors. I mean, absolutely insane. But you know what? He sells the same stuff. He's got one, e.g., called Brain Force. she's got the same supplement that is called Why Am I So F-ing Tired and of course it's in her different packaging but so much of the stuff that they sell are the same things and you know as you say it's like middle march a cure for what ails you or maybe doesn't but it's also it's like Diet Coke and Coke Zero so Alex Jones it's the same stuff but you know Coke Zero is in a black can with black writing that's for the extreme sport person in all I'll say for loving life I for example would never ever buy Diet Coke but Coke Zero No, of course I would.
13:17Of course you wouldn't. It's for people who think they might one day do a triathlon, but haven't done it yet. Oh, I would never do a triathlon. No, that's good. But you know yourself, Richard. Because I'm allergic to being sponsored. It's always, listen, there'll be some triathletes out there, but by and large, it's a cry for help, isn't it? This will be incredibly controversial. There'll be a lot of emails about this one. Listen, some people love triathlons. I absolutely get it. Some people are triathletes. But yeah, by and large, if someone in the office is saying, I'm doing a triathlon, you just go, you just got divorced didn't you listen don't at me it's just a bit don't at him I've obviously never done the triathlon either oh god neither listen anyone who can do it yeah we take our hats off collectively I respect that we take our hats off in the transition area yeah very good after the cycle so there's lots of other brands as well I was looking through my favourite sort of slightly mental one Sylvester Stallone has got two very different brands He's got some high-protein puddings in a can that he makes a lot of money from.
14:17But also, you can buy a Sylvester Stallone pen for$48 ,000. Wow. Yeah, interested. Does he sell a lot? We don't need to, does he? No, he doesn't. He'll sell two. Yeah, exactly. It's not like sponges. Yeah. But it is, you know, so George Foreman, he's made$150 million-odd. That is a good product, though. From the grill. Exactly. But again, that is, I was talking to someone recently about this. There's a lot of celebrities with wines. You know, if you know what I mean, wines without an H. A lot of people have sort of launched their own brand. So the biggest selling wine in the UK is Kylie's Rose.
14:49It's the biggest selling brand in the country. Yeah. You know, she sells 7 million bottles a year in the UK. So it does incredibly well. She seems to be involved somehow in the making of that wine. Graham Norton sells 15 million bottles a year around the world. Shut the front door. Yeah, how about that? Yeah, he does. Well done, Graham. I didn't know this. Yeah, and again, he's very closely involved in it. But this idea, someone introduced me, of brand slap, which is just someone else has already made something and you can put your name on it, which is what George Foreman did. I think Hulk Hogan was originally asked.
15:21I don't imagine he was there with the circuitry trying to work out how to do the grill. You never know. No disrespect to him. But he made a huge amount of money. Ian Botham's wine, I don't know how involved he is, but he's got Australian wines that you can, including the Botham All Rounder. when you are in a career in show business and i've always been behind the scenes so i've always had an actual job but when you get someone who's just a presenter or something like that eventually they get so bored so if somebody from a sort of wine brand in france says you know can we meet ben shepherd uh ben goes yeah sure i've got nothing else to do on wednesday and then they say well why don't we give you 250 000 pound to put your name on a bottle of wine you go yeah okay i suppose So by the way, Ben Shepard is not doing that.
16:06No, no. He's working very hard on the new, just this morning's sofa. And if he is doing that, now he's not able to because we pre-empted it. So yeah, this brand thing is a combination of how do I make an unimaginable amount of money and I'm quite bored on a Thursday. Should I take a meeting? Hanson have got a beer called... Hanson, how? Hanson, the band. And it's called Mhops. Oh, that's incredible. I'm about 59 now. What's the age of Hanson now? or are they in Aspik still a 10 year old so it's I have any well I suppose are you issuing a come and get me please at any brand to come and give your Richard would do brands the only brand I would like to do here's something I would like to do I would like to launch an alternative to celebrations of miniature heroes on Quality Street at Christmas like I think there's room for a new chocolate box at Christmas oh yeah and a crowd sourced one where the rest of the entertainment listeners choose what's going to be in the tin.
17:03Oh my gosh, choose the full makeup. Yes. Oh, I really like that. I do think, you know, with Megan, to bring it back to her and American Riviera Orchard. Yes, those are the words. And you've got them in the right order. But they are so interchangeable. But it's sort of a no brainer. Yeah. In a funny kind of way, because... Yes, I don't think it's a strictly intellectual enterprise. Yeah. Because she's got enough people who love her. And as you say, people do need sponges and kitchen linen. And why wouldn't you put your name to something. And Harry's only got one autobiography in him. One's assuming.
17:37But also next week, will you tell us about your sponges when they arrive? If the sponges have made landfall, I will be talking about them. Believe me. Yes, if the sponges have arrived from the United States of America, we'll be talking about my sponges. That's a proper cliffhanger. Now, talking of celebrities doing anything to sell their soul. Yes. Shall we go to an advert break? Yes, please. Let's do that now, Richard.
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19:23We are back. During that ad break, I discovered that one of Hanson is still in his 30s. That's not bad, but they were a lot older than... I mean, I was joking when I thought they were like 49, but... Yeah, but it feels like that was 40. Anyway, listen. Right. Let's continue. Let's continue. Tell us about the Daily Telegraph. The Daily Telegraph, which Telegraph newspapers comprises three titles, really. Daily Telegraph, Sunday Telegraph and The Spectator magazine. And they were about to be bought by something called Redbird AMI, who were essentially an investment arm of the UAE. And they've been trying to take it over.
19:57But at the sort of last minute, which tells you quite how much those titles, even though we think of newspapers as kind of denuded of a lot of their political clout that they used to have, I don't think in some ways that's the case with the Telegraph because Rishi Sunak has stepped in and the conservatives are bringing forth an amendment which say that you can't be a foreign state power and own newspapers in our country, which we have obviously sold half the rest of the country off to foreign state powers, particularly in the Middle East. But it's good that there is going to be a ban on foreign ownership of newspapers.
20:28Why is that good, do we think? Well, first of all, it's a sort of monarchical dictatorship, the UAE. And I don't think that people who have obviously zero commitment to free speech and democracy should really have any of those things. And I wish that they hadn't been allowed many of those repressive autocracies in the Middle East to buy lots and lots of other parts of our country, from football clubs to, I don't know, even shops, I suppose, and lots of other things. I think it would have been better if they hadn't. Anyway, we've gone down the river with that. People at The Telegraph are very happy about this because they have not wanted the newspapers and they've mounted a real campaign involving their sort of old grandees, former editors, things like that, saying we don't want it to fall in the hands of a foreign state.
21:07And so they'll be happy about this. But they had a six... The Barclay brothers who used to own it had a sort of£600 million debt, which was going to be covered by Redbird AMI. So you can see that maybe they make some profit. They do make some profit. What they are, they are outsized. And the amount we talk about them is because of their influence. And they retain a lot of influence. So it's vanity publishing, essentially. It is in a way. However, it has always had this big, big stranglehold on the debate within the Conservative Party, the Telegraph titles. It's where people would launch their leadership bids.
21:36It's where candidates for the next leadership, which obviously we have a Tory leadership election every 15 minutes these days, where they would think that they would be reaching out to grassroots, all sorts of things like that. So it does say something about how influential those titles still remain, that Sunak has stepped in and done something about it. So we're thinking now, who will buy it? Who will buy my newspaper? God, who will buy my newspaper? A real sort of rogues gallery of people are coming in. I mean, they're all rogues. Paul Marshall, who's the guy who owns GB News and the UnHerd website, he's a hedge funder.
22:10People have often thought he would like to get into newspapers because obviously, again, GB News, he keeps bankrolling their losses. And if you were able to put it together with print titles and a digital business, just that alone, even as it is now, would make him far, far more influential. He was recently described as unfit to own a newspaper. I mean, God, how low it is. Is that the lowest bar in the world? I mean, God, Richard Desmond's had a few of them. I mean, you know, Murdoch's got loads of them. Yeah. He's obviously, Murdoch's in for it as well. Is he? Yes. I think Murdoch, he can't let it go.
22:46The rumours are that he's considering a bid for the Spectator part of it. He can't own the newspapers on competition grounds. So the Spectator is like a magazine that I don't think I've ever seen it in a shop. Haven't you? No, it's in the shop. It's in the shop and it's got a very successful print subscription. So yeah, it does well, the Spectator. And then there's people like David Montgomery. As I say, I mean, these are some of the worst people in this country and other countries. And then Paul Marshall. He's also bringing in a guy called Ken Griffin, who's a sort of mega donor to the Republican Party.
23:15And I think there is a sense that the Telegraph and those titles are unexploited online. And the Anglophone world for subscription-based news sites is massive. Like when I talked to the New York Times about going there, and the reason that they were sort of talking to me is because, you know, they need to get subscribers. And you work in an English-speaking country, then you can get, don't just think of America. They think you can think of around the world, the Anglophone world. And that is where a lot of these people are making more money. you can see how well the Mail Online has done in the US.
23:47The Guardian has obviously invested massively in the US and it's done very well. New York Times is a huge brand now around. I mean, it's very, very profitable. Around the world, yeah. Obviously the FT. So you take it out of the country's borders where it might have originally been sort of domiciled and you can make a lot of money out of that. So I guess the question is, what would Paul Marshall or someone like that or anyone really, I suppose, want to do with the telegraph brand in the US? And some people are saying, oh, there's a real gap in the market for the kind of sensible conservatism that sort of telegraph readers might like to think themselves part of.
24:19And you think, but is there? I mean, I'm looking at American politics and I'm thinking, is there a great, you know, to break through as a new brand in that country? I don't think there is such a big... And Paul Marshall says that, oh, that's the sort of conservative I'm interested in. Not necessarily. He was recently found to have liked all sorts of quite extreme tweets. He bankrolled a sort of big conference in London where it was sort of about conservatism, but there were a lot of real wingnuts speaking there. And so I think people think, yeah, your actual politics is not the old Argers and Heartland telegraph conservatism that you would have seen in previous years.
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24:59Maybe if he goes that way, then maybe there is a way to break in and monetise America more because I'm not so sure about this gap in the market in American conservatism. So your view would be if somebody like him wanted to buy it, it would be because there's a market in America for something which is a prestige brand, but was then pushing this slightly more extreme version of right-wing politics we currently see. It would essentially sort of be wearing a sober suit, but a very garish tie. Yeah, I think that's a good way of putting it. Look at the news outlets that have done well with those kind of international anglophone subscription things.
25:34They are legacy outlets. They have managed to build a digital business one way or another. But a lot of those startups that came and said, no, no, we're not a legacy type have actually, in the difficult years of the last few years, have fallen away. And so a lot of those big brands are all legacy media things. And it's perfectly possible to say that The Telegraph could do something with that. That's the thing about Paul Marshall. So he's a very successful guy, hedge fund manager, and he's become incredibly successful as a hedge fund manager because he understands value and he understands where something's undervalued and he understands how to make a lot of money out of it.
26:08I think that if there is money to be made, it's buying the Telegraph and turning it into a clarion of the culture war in the US, where the name still has some cachet. It makes it feel like it has a... I don't know that... I don't actually think that the name does have cachet in the United States. I think it's a nothing to people in the United States. But you could sell it as something and you could say it's a legacy thing and you could sell it. But if you see how well Mail Online did, which also was a nothing name. Exactly. And The Guardian was a nothing name, but it had... It cost a lot of money.
26:35and there were fewer competitors doing it and if you decided early, as The Guardian did, to invest in this, you were able to kind of go for share quite early. Now you need to spend more to compete with established players. In a world where they say go woke, go broke, which doesn't seem to have been the case, it seems to cost an enormous amount of money to be on that side of the culture war. Yes. I mean, if you want to put that message out there, there's not a receptive audience who are going to pay you for it. And I absolutely get it. I think the interesting thing is, and also, by the way, you're allowed to do it, I just think it's worth in the next few years remembering, you know, when you're watching certain TV channels on both sides of the debate.
27:13And, you know, you're reading newspapers. Who's funding them? Why are they funding them? How much money are they losing? And then why it is worth them losing that money. That's where we are. And so as soon as somebody says, no, we're a scrappy underdog. You think you are not. No one, no one who's been bankrolled for 80 million pounds. Most expensive underdog you've ever seen. In the last two years is a scrappy underdog. and if it's a scrappy underdog it'll be like Scrappy-Doo which is like ruin the franchise ruin the franchise destroy the franchise killer can we do a Scrappy-Doo we do a deep dive three part Scrappy-Doo special because don't toy with me because I would oh I would yeah oh I would you know I would you have to really well hard to cut it down for four parts but I think it would be tighter yeah but you know what we should do Scrappy-Doo before the rest is history do it yeah don't you think they'll get in there those guys if I know them right what have we got next Richard We'll end with a little bit of a palate cleanser, shall we?
28:07Not a Meghan Markle$39 palate cleanser. Marked a jelly. An actual... So you said that she's trademarked jellies. Yeah, but not jellies as we would understand them. I think it means some sort of jam slash preserve, another dreadful word, a bit like wellness and neoliberalism. Do you not think it's like maybe that it's edibles or something? No, I don't think... I would love it if it was, but I think she'll have to leave those to Gwyneth. she'll do anything I mean it doesn't matter how fringe it is she'll do it all we're going to talk about the 10 highest paid actors in the world last year which is quite an interesting list I think at the bottom end of it you've got Denzel Washington who's number 10 he made 28 million dollars you have to make 28 million dollars to be 10th I love by the way that Denzel is still making huge amounts of money we're going to come back to that because I've got some things to say on that matter not on Denzel no No, it's not about Dundell, but it's about the principal.
29:05But it better not be. Affleck and Damon both made a good amount of money from air and from various things like that. Statham, nearly$50 million last year, which to me feels that makes me feel proud that we've got one of our boys up there making films that people actually want to go see. I think he made most of his money from... He's become frightfully difficult. Really? And pleased with himself, yeah. Yeah, you know what? I'd be pleased with myself if I made$50 million last year. Would you be an absolute nightmare to work with? Me? Yeah. Oh, my God, what with that money? Yeah, yeah, yeah. I mean, I'd bring up my own range of sponges.
29:38But his big movie, Fast X, Meg 2 and Expendables, all in one year. It's not bad, is it? No. But the top end of the list is interest. There's only two women in that top ten, which is interesting, which is Jennifer Aniston. And we'll talk about where she made her money, because I think that's where the interest lies in this list. And Margot Robbie is right up there. Not at number one, but at number two. We'll get on to who number one is at the end. But she's number two acting Feeds for Barbie, but also producing Feeds for Barbie. And she also produced Saltburn. She is becoming quite significant as a producer, her production company.
30:12And she's a Fulham fan. Is she? She is a Fulham fan. So, you know, again, another come and get me plea. Yeah. If she wants to join the board of Fulham, she would be enormously welcome. What can't she do? So there's some interesting names on that. There's Ryan Gosling, who we talked about. But, you know, he made somewhere around$60 million. And, you know, you add the sponge money to that and that is a pretty rich household. Cruise is up there. When hasn't he been up there? One of the few people to ever get$100 million for a movie, Tom Cruise. Well, I tell you why, because he still has something that nobody...
30:45You can't get this anymore. And this used to be a sort of feature of Hollywood. He has what's called first dollar gross, which means that he takes a percentage of the box office and other revenue streams the minute the movie opens. He doesn't have to wait for his movies to make a profit, which is the way that everyone says, and you're getting a percentage of the back end and you've got these points on the back end, all this sort of stuff. He has something that is basically unheard. I think he's the only person who still gets first dollar gross. And so he starts making money immediately. And the reason that's important is some movies which seem to make a huge amount of money never ever declare a profit.
31:18So you can be on part of the back end of, you know, the Matrix and it's made a billion dollars worldwide. But in accounting terms, it's never even broken even. There's a find a way that you won't get paid that young. But number one on this list, DiCaprio is on the list as well. But number one on the list, I think, is very interesting. Because as far as I know, didn't have a theatrical movie in the cinemas at all. No, none of these are theatrical. Last year, but made roughly$100 million. And it is Adam Sandler. What do we make of that? Well, he has a massive deal with Netflix. And I think we've mentioned, if memory serves on the podcast before, what they did with Adam Sandler.
31:55Ted Sarandos, who runs Netflix, they looked at what was doing well. And people who once would have gone out and seen Adam Sandler comedies in the movie theatres now were at home. They were parents. They had kids. And Adam Sandler's stuff was doing unbelievably on the platform. Again, it's a bit like that thing, Billy Bean, Moneyball, The Oak and Days. They didn't care about who was a big movie star. They thought, we'll do a deal with this guy because this guy, everybody is watching. And he may not look like a movie star to anyone anymore, but to us, he is. and I think there's something like 500 million you know that Netflix dated dump that they did on the viewership figures in the first six months of whatever last year I think 500 million hours were spent watching Adam Sandler it just felt like it the movies no by the way I'm a fan yeah he's hugely hugely profitable for him they've already renewed they renewed on that deal they said you can never have too much Sandler I think Ted Sarander said he makes a massive amount of money for them and yet they don't put it on theatrical release That is something that tells you how power has shifted because the idea that you'd be the number one movie star in the world and you're not even in movie theatres is quite extraordinary.
33:02Another thing I think is quite odd, that with probably two exceptions, this list would have looked much the same 20 years ago. Maybe you get Julia Roberts in there and maybe actually next year you will get Julia Roberts. That says to me, movie stardom has never been so old. Can I just tell you, Sandler, 57. Cruise is 61. Matt Damon is 53. Jennifer Aniston is 55. Leonardo DiCaprio is 49. Jason Statham's 56. Is he? Affleck's 51. Denzel's 69. Those are the people who are making the most amount of money. When has Hollywood... The answer is never. It has never, ever been this old. That is extraordinary.
33:42You've got all these new stars. You've got people who are stars and can open a movie. People like Timothee Chalamet, Michael B. Jordan. Margot Robbie. Margot Robbie, obviously. A Fulham. becoming Paul Mescal. But that idea, but there are people even who are movie stars, in my view, someone like Jennifer Lawrence, but when she's not in her franchises, first of all, tell me what a Jennifer Lawrence movie is. And second, you know, what's her persona, as it were. And second of all, that is very hit and miss. She might have a big flop or something that's effectively a flop. If you're in a franchise, the franchise is the star.
34:15Hollywood has got a problem, I think. If you think that those properties are going to return for you always, the franchises, which as you can see in the case of superheroes, there is a law of diminishing returns beginning to be applied. But not having stars, or the stars being this ancient really, I'm sorry to say, you know, I'm 49, so no shade on them, but I don't think movie stardom should be that old. There's something about the young and the beautiful that why aren't they on this list? Yeah, they should be young like the presidential candidates. I mean, to be fair, Hollywood stars have usually been about 25 to 30 years younger than the president, and, you know, it remains the case.
34:49it's interesting as well Jennifer Aniston being on there because you know that's essentially Netflix money as well that's murder mystery murder mystery too I mean she's still making an awful lot of money from friends as well but you know a lot of her 56 million dollars is from streaming and I quite like the idea that kind of money ball idea that Adam Sandler's the best paid actor in Hollywood because the most people watch him and for years and years you get people getting paid kind of 60, 70 million dollars for a movie like Keanu Reeves I think this is the biggest deal ever. I think they shot the two Matrix sequels back-to-back and he was on$156 million for that.
35:27I don't begrudge him. I love him. I love him, but it feels to me like you could have got him for$120 million. Yeah. And suddenly he got$36 million. Well, that was the old way of making deals, which, as we said, just doesn't really exist anymore. And they have so much more, such specific data now that they're able to really push for. But all of these have got franchises or they've got a piece of IP in the case of Barbie that is a kind of monster piece of IP. Or with Damon and Affleck, again, there's a lot of producing money. There's a producer work, yes. That's the thing. If you do have something which does open theatrically and very little does now, there's an extra massive payday when it goes to Apple or goes to Netflix or goes to other people.
36:04Quite often, a Netflix or an Apple will have invested in a movie anyway and it will go out. And so they then have, you know, first window on showing it. And they're not very interested in theatrical release. Sometimes they just put it in. If they think it might be up for an award, they'll try and give you a week or two of theatrical release and then they'll get it straight onto the platform. Well, that's interesting. I'll talk probably later in the year about the Thursday Murder Club movie and the negotiations that we're talking about at the moment on very similar territory. But it is really, really interesting what you're doing for vanity and what you're doing for actual kind of people watching and all of that stuff.
36:36The era of being paid$100 million for a movie is sort of over. The only people ever to do that were Keanu for The Matrix. and that was two films so really he's only getting 78 million a movie which is nothing Cruise I think has done it three times Bruce Willis for The Sixth Sense and Will Smith and they're the only actors ever to get 100 million for a movie and none of those was particularly recently so I suspect the terrible those poor actors 100 million a movie is over but it seems to me that you could pay actors the big name marquee actors an awful lot less than you do. Well, I think it's become more business-minded because they have the data, as I say.
37:19I don't think you get those massive fees in the same way any longer. Also, there is relatively little choice. They are quite stuck. They have to work. If they want to do interesting films, as it were, I'm not saying that Marvel films aren't interesting, but I am in a way. So if you're not in a franchise, there's very little that is getting theatrical release. There's very little that you would regard as potentially, sort of, I don't know, movies in the sense that we used to understand them mid-budget movies that sort of 60 to 100 million dollar mark there's very little out there so you're going to have to take a paycheck cut if you want to work in that kind of stuff because otherwise and this is why you see them turning up in all these franchises even if they're telling themselves it's a cameo you're in a franchise movie and then there's everything else and that's why the economics of tv drama really worked because you're getting the same amount of eyeballs really more so than you would have done with the theatrical release but historically you're not getting paid 100 million yeah to do an episode of succession there's a limit to what you get paid so actually the tv business has become much more profitable but yeah if i was running a movie studio and i think well i could do a 10 part tv series with sandra bullock where i paid her 10 million or i could do a you know one two hour film where i'm having to pay her 40 million you know you do the tv one yeah but uh yeah if you want to win a bet this week ask anyone who the highest paid actor in the world was last year um should i finish with a couple of recommendations a couple of BBC shows I like have come back in the last week one is Bridge of Lies which is a daytime quiz with Ross Kemp he's very very good at being a game show host and the format is great I really love the format of it the contestants need to be 10 % smarter it's slightly frustrating at times but it's a really fun play along thing unless the contestants are really bad where it becomes less fun but it's a really good show and our favourite show of all Interior Design Masters is back Alan Carr hosts it It's eight people, all of whom want to be interior designers, and they have different challenges each week.
39:12There's just something about it that's rather wonderful. It's a great show. Alan is a brilliant host of it. And, you know, you just, you cannot help but have an opinion on what's going on at all times. So Bridge of Lies and Interior Design Masters, I would recommend both of those. All right, then. We'll see you on Thursday. See you Thursday.
39:54We'll see you next time.
From the publisher
What can we expect of Meghan Markle's latest venture? The Telegraph is up for sale... but who is the front runner to be the new owner, and will its many titles survive intact? Finally - can you name the best paid actor in the world? Richard reveals who sits at the top of the list.
Twitter: @restisents
Email: therestisentertainment@gmail.com
Producer: Neil Fearn
Executive Producers: Tony Pastor + Jack Davenport
Recommendations;
Richard - Bridge of Lies and Interior Design Masters (watch)
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