Why Did Tim Davie Resign?

11 Nov 2025 · 52 min

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In short

Podcast Summary: The Rest Is Entertainment - Episode: Why Did Tim Davie Resign?

Podcast Overview Hosts: Richard Osman & Marina Hyde Description: The podcast delivers insider information on TV, movies, and pop culture, providing expert analysis on the latest media trends and industry happenings.

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Episode Overview

Title

Why Did Tim Davie Resign? Description: Discussion around the resignation of Tim Davie, BBC Director General, the implications for UK broadcasting, and the reception of Kim Kardashian's new drama, *All's Fair*.

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Key Discussion Points

Tim Davie's Resignation

  • Context: Tim Davie resigned after five years as BBC Director General amidst significant internal and external pressures.
  • Political Pressures: The hosts discuss the notion of a "coup" within the BBC, citing two former newspaper editors who offered conflicting views regarding the nature of the resignation.
  • Impartiality Issues: A leaked memo about impartiality complaints, particularly surrounding a Panorama documentary that misrepresented Trump’s statements, sparked significant controversy.
  • Internal Dynamics: The hosts highlight that internal disagreements about editorial standards and the handling of sensitive topics contributed to the turmoil leading to the resignations.
  • Public Trust: They emphasize the importance of maintaining the BBC's reputation as the most trusted news organization globally, amidst calls from political figures for changes in leadership and structure.

Future of the BBC

  • Challenges: The resignation is viewed as a symptom of a larger crisis within the BBC, reflecting broader societal tensions around media trust and public service broadcasting.
  • Potential Successors: Discussion about the next Director General, with skepticism about the availability of qualified candidates willing to take on the role given the current climate.

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Kim Kardashian’s *All’s Fair*

  • Reception: The show has been heavily criticized, initially receiving a 0% rating on Rotten Tomatoes, with the hosts dissecting what makes it particularly bad.
  • Plot Overview: Centered on a team of female divorce lawyers in Los Angeles, it features notable actors but is perceived as a failure in execution.
  • Cultural Commentary: The discussion touches on broader trends in television, such as the superficiality of modern shows and the trend of creating content designed primarily for social media engagement (reaction GIFs).

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Key Takeaways

  • Crisis in Broadcasting: The resignations at the BBC underline ongoing issues regarding impartiality and public trust in media, emphasizing the challenges of navigating a politically charged landscape.
  • Cultural Impact of Television: Modern shows, particularly those like *All’s Fair*, reflect shifts towards superficial storytelling designed for immediate social media consumption rather than substantive content.
  • Public Service Challenges: The discussion points to the declining interest in public service roles, indicating a potential risk for the future of quality journalism and broadcasting in the UK.

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Conclusion This episode of *The Rest Is Entertainment* explores significant shifts in the UK broadcasting landscape through the lens of Tim Davie's resignation from the BBC and the reaction to Kim Kardashian’s new drama. The hosts provide a thoughtful analysis of the implications for media integrity, public trust, and the evolving nature of entertainment.

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Transcript

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1:53Hello, and welcome to this episode of The Rest is Entertainment with me, Marina Hyde. And me, Richard Osman. and hello Marina. Hello Richard, how are you? I'm very well, lovely to see you. Well Richard, we were going to be talking about some other matters today but news has broken on a Sunday. Yeah, Tim Davey, Director General of the BBC has resigned and Deborah Ternes who's the head of BBC News has also resigned. God bless them for resigning just in time for us to do the podcast though. Yes. That I have to say not everyone shows us the same respect. Same level of thought. Yeah, mentioning no names Claudia and Tess.

2:24We're going to handle that but it can't all be that sort of froth of course we have to deal with some serious service journalism and for that reason we will also be covering all's fair the new legal drama documentary documentary starring kim kardashian and others that some people have said is the worst television program ever made we will discuss but we'll start shall we with these two resignations what's happening at the bbc can i frame it in this particular way there's the two former newspaper editors have come out david yelland he used to edit The Sun, he said essentially there has been a coup.

2:56So Tim Davy has left, Deborah Turness has left, David Yellen said there's been a coup by people who've influenced the BBC board and they forced these people out. However, Charles Moore, who is the editor of The Daily Telegraph, says there wasn't a coup. Now between a former editor of The Sun and former editor of The Telegraph, you want them both to be wrong, but they can't both be wrong. It's the Argentina-West Germany final, you never knew you needed it. Exactly that. So what has happened and why do we think? As you say, two people have resigned from the only organisation in public life that people still resign from.

3:26Everyone else has to get sacked. Before we go on, by the way, I should say that my husband works at the BBC. He works in distribution and business development, so nothing to do with editorial. I actually didn't talk to him about this item at all because he was not around last night. But I did talk to other people who I don't actually have to disclose. But by way of background, last week... Is that what you call it? Yeah, by my background, it emerged last week that Michael Prescott, who is an advisor to the BBC on editorial standards, a former advisor, that in October, he'd circulated a memo to the BBC board with serious concerns about impartiality that wasn't handled quickly.

4:04In fact, there was disagreement amongst the board. I know about how to handle it. And somehow or other, this memo was leaked to The Telegraph, who ran with it last Tuesday, I think it first came out. And there are three planks to its serious complaints about impartiality. And I'm just going to go through them because all of them will become relevant in the discussion. So the first and the most significant for these resignations was about a Panorama documentary, which was broadcast in the run up to last year's presidential election, in which two moments of a Trump speech were spliced together to make it appear that he had followed one statement about his MAGA supporters going to the Capitol on January the 6th, 2021, by immediately telling them to fight like hell.

4:47So as we know, we all saw those scenes on the Capitol. And so it appeared much more directly that he had incited. And those moments were, I think, 50 odd minutes apart. Yeah, he's a guy who likes to make a long speech, Richard. So they resigned on Sunday. Samir Shah has made an apology on Monday for the Panorama edit. And on Wednesday, Michael Prescott will appear before the DCMS Select Committee in Parliament to discuss his memo and other matters. And I saw some people saying that Samir Shah has not defended the corporation correctly as well. So whether that's another scalp that people want, it feels unlikely to me.

5:25It feels like Tim Davin, Deborah Turner. That is like Jonathan and Stephen both leaving the traitors at the same time. It feels like maybe the bloodlust has been sated. I started by saying that the former editor of The Sun had called this a coup. He talks about the BBC board and he says, the elements close to it have worked with hostile newspaper editors, a former PM and enemies of public service broadcasting. So Michael Prescott, who is the guy who did this report, he has ties with Boris Johnson. Boris Johnson appointed him to advise Ofcom. Robbie Gibb, who is on the BBC board, was a former comms advisor to Theresa May.

6:02If you were on the side of people who suggested there is a coup, there is certainly a cadre of people who've been in and around Boris Johnson, all of whom seem to be coalescing on this story. I do notice that people have said that. And I have to say that I think everybody has sort of become a citizen journalist over the last few, you know, decade and sits on social media and makes connections in a kind of you join the dots way. And I always feel like, no, I'm terribly sorry. If you want to make that connection, you must explicitly join the dots rather than just sort of say, well, there you go, because that is a form of conspiracy.

6:39There may be some concerted effort here amongst these people. There have also been concerted efforts on the other side before to defend people to do different things. and I think it's probably really unhelpful to get into talking about this as some kind of coup, some kind of like war, anything like that. Then you're playing on their turf. Once it's a war, it's something that you or they can win and it won't be you if you're the BBC. And I think that it's much more useful to talk about it in the terms I hope I tried to talk about it as an inflection point for some of these issues which have been bubbling and festering for a long time and not actually gripped.

7:12The second problem was an institutional problem he alleged with the suppressing of stories about the trans issue with gender critical views being stifled, negative stories or stories asking difficult questions, not being offered as balance to stories which were much more positive. And the third problem is an institutional problem with the coverage of the war in Gaza by BBC Arabic. So there were three different things. The first of those is ultimately what forced the resignations. The Trump one. Trump and his White House have crowed over the resignations already. And I think his part in them is very, very significant.

7:46What he has shown is that he is utterly willing to sue news organisations. He's sued CBS, ABC, New York Times, Wall Street Journal. Those are just a few of them. ABC ended up having to settle for 15 million, CBS for 16 million. Now, that's under US libel laws, which are almost, in most people's view, non-existent. If he were to be a libel tourist, which I don't see why he wouldn't, you can see the nature of the man. If you came to London, he would sue the BBC and given our laws would probably win. So that I think was a really, really significant factor in seeing how this would play out. The other thing I would like to say before we go on, because I think it's extraordinary that we don't talk about this and the backdrop to all of this I read this morning, it's the front page of every single newspaper, everyone says it's an existential crisis.

8:35Here are some facts, not alternative facts as Donald Trump would say, but actual facts. The BBC is the most trusted news organization in the entire world. This is a world where 70 % of countries don't even have a free press. Its existence is the single and proven reason why we in this country do not have the damaging polarized news market that they have, say, in the United States of America. They have a huge polarized news market and a massive problem with distrust for all different news organizations because people are siloed into their different ones. no news organization in the US gets more than 25 % of people frequently consuming it.

9:10Now, in the UK, more than 60 % of the population frequently consume BBC news, okay? Primarily through the World Service, the BBC is the country's most recognized cultural export, okay? I mean, I think it's something quite good. That's quite good. But you don't hear that now, because every single sort of senior politician has said, this is completely in crisis. It's like, a lot of people would like to have that sort of crisis. I'd like to have the BBC crisis more than I'd like to have the crisis, say, at News International. Now, all of those things are incredibly precious, OK? And they are loathed by the BBC's enemies.

9:47And they're definitely worth fighting for more than ever in an atomised and polarised world. But that's why it really matters when things are wrong. And these are all mistakes. These are all big mistakes. And I think you've just got to say that. You have to remember that this is an organisation beset by political enemies for all sorts of reasons. Yeah, outside and inside, by the way. And worst of all is BBC News. I think Tim Davy said it's very difficult to run the BBC in the current febrile cultural climate. And I suspect there's a fairly febrile cultural climate within BBC News as well, less so within entertainment and what have you.

10:20So Tim Davy leaves and ostensibly he's leaving, as you say, because of that Trump edit. And this was brought up earlier last week and nobody apologised and as you say we're trying to work out why nobody made an immediate apology because that's the simple thing to do there because those things definitely happen and you know the simple thing to do is you put a little white wipe in between. Well I thought that was really significant all of last week that they weren't. Yeah exactly no one no one could come together to agree a line on that. Now the last time I saw Tim Davy it was at an event I'd say a couple of months ago and it was the height of all the um all the Gaza stuff and Bob Villan and all these things and Tim Davey is if nothing else very very irrepressible and a very irrepressible defender of the BBC and will absolutely always goes to bat and always on the front foot always positive always making the case for the sort of things that you were talking about and the last time I saw him in the midst of all of that for the first time ever I thought oh my god you you there's something slightly broken about you here.

11:21I feel like you have had enough. And this feels to me, because I think that his resignation was a surprise to people, it feels like he was waiting for the next open door to just go, I do not need to do this anymore. Somebody who could, you know, there's a lot of, you know, there's all sorts of people who work at the BBC, but he's someone who could get pretty much any job he wanted in any industry he wanted. He's very good. He's very good at what he does. You might not want him to be the DG, but he is definitively his market value is very high but he's got to wake up every morning and deal with these things like constantly as you say people from the inside people from the outside people calling him all sorts of names and there comes a point where as a human being you just think well why why would i put myself through this all day every day and he's probably stayed at the bbc longer than he should have done he's been there 20 odd years in various roles but i think he's there because he believes this is the right thing to do you know he took it through the you know the end of the last tory government he took it through boris johnson who we'll talk about later because his paw prints are over this as well but you know took it through his prime ministership and essentially sailed it to where we are now I think probably he just had enough no one will ever like you if you're the DG and program makers will never like the DG and you know every program maker I know says oh he used to be a Tory councillor and this out of the other and you just want to go you know what half the people in Britain are Tories you might just have to get used to that sort of thing and you know if you think that Tim Davy is your enemy and the enemy of broadcasting in Britain.

12:45Maybe you choose your enemies a little bit better. So I think it's one of those things where he probably was the right person to lead the BBC into this next charter renewal. But it's impossible. The difficulty with the role is that you are two different roles. One, you have a business role in which I think people widely think he's done very well at. And then you have the editor-in-chief role. And that is where people, that is where all of the scandals in recent times have come from. But you know, whatever it is, Greg Wallace, the news, all of these news things, Bob Villan, these are sort of editorial roles.

13:17We will talk in a minute about runners and riders and why there maybe aren't any. Yeah, I mean, who would want to do that job? I mean, literally, who would want to do it? It's like being an England football manager. Everyone else can do it better than you. Everyone else can tell you how to do it. And it always ends in failure. Yes, well, let's come to that in a minute. But I do think that Deborah Turnis did want the BBC board to respond to this memo much more quickly and to respond last week, but they couldn't agree. And this sense of drift or whatever happened. But I totally agree with you that it's one battle after another and eventually you don't want to have any more battles.

13:55One of the things Tim Davey mentioned in or alluded to in his resignation letter was the sort of fact of being a director general at this time. The role of the director general in the current era every single mistake is yours you don't get to stand up at the dispatch box like david lammy to pick another example from last week and just say oh this is everyone else's fault this is my predecessor's fault this is you know blame on my opponents and really just go back to being potentially quite inept or whatever it is and and waiting to be sacked which is what as i said every single other person in public life does No one resigned anymore except from people from the BBC.

14:33You've got to take it if you're Director General all the time. Greg Wallace is your fault. Bob Villain's your fault. Now, this isn't the case in lots and lots of other companies. And there are some people who say, well, should he have appointed a deputy who was more front facing in some different way or reconstituted that sort of senior thing so that you have someone who, so it's not, you're not always the lightning word for every single tiny bit. but when I hear people like Nigel Farage who's obviously thrilled about this saying you know this is an existential crisis for the BBC brackets the most trusted news organization in the world but okay and saying we need to get someone from business and Richard Tice saying we've got to get someone from business to clear all this out okay I always just think okay you sweet summer child okay you don't understand anything about your precious business okay because the only people who caught this much flack in public life are either politicians or tech bosses right that's it politicians it's a non-political role so you'll have to discount those people tech bosses get paid literally billions for companies they effectively have ownership over and they have shown that because of those two things they don't actually have to care about any of the criticism they take and they're not going to do anything about it you know tim davy gets paid a lot he gets paid 547 000 pounds a year okay but in terms of like how much flack you get and yes it's a form of public service and it's a form of power and whatever and i'm sure but having to listen to nigel farah I talk about, you know, people in business.

15:54Let me explain. If Nigel Farage is the next prime minister of the United Kingdom, as he keeps telling us he's going to be, there will be no BBC that will be acceptable for him other than a dead BBC. Now, he is a politician. He is a leading politician. He is a party leader who presents a nightly, we have to call it a current affairs show because he knows it would be in breach of all sorts of Ofcom rules if he presents a current affairs show, which is on a channel called GB News and contains news. He doesn't think that's a conflict of interest. I mean, I've heard enough from Mr. Ethics. I have heard enough from Mr.

16:27Ethics, but there is no BBC that will satisfy him. It's very interesting who is on, who is crowing about this. Donald Trump, we've got to listen to him crowing about it. Boris Johnson, when he let down the public trust, it took 57 ministers to resign over 36 hours before he finally accepted that maybe he wasn't the public servant he was telling everybody he was. So it's rather difficult having to take it from these type of people. And no one here has blinkers on. We're aware of waste in the BBC. We're aware of issues in the BBC, problems in the BBC. We definitively are. I think all of these things are very, very serious breaches and are big problems and they do need to be dealt with.

17:05And the fact that incredibly senior people have gone is actually it can and should be turned into a great inflection point to deal with a number of these issues. And if people within the BBC, some of whom will have been a drag on dealing with these issues, don't wake up and realise that this is a huge moment, then that is going to be a big problem. But that will require strong leadership. And it's quite, as you say, it is quite difficult. In the old days, every time a director general resigned, and you know, they resign quite often because, as I say, they're the only people who still resign. There would be immediate lists of runners and riders that really, you really thought, well, there's lots of different people.

17:45now there are so few and I think it's so significant that people are saying what about Charlotte Moore you know Charlotte Moore is a former director of programme she's brilliant but she's left and she once applied for a director general job and Tim Davey got it that round and I think that people even when she left felt well maybe in a few years she'll come back and be director general because she was she's lots of people's hope but are you asking me whether I think she'll do it I do not she's gone to a big drama company left bank and she's having the time of her life because you know what it's she's not she's not being hounded every five seconds by the way every single person listening to this myself included we make mistakes all the time now these are serious mistakes but we all make mistakes and the whole point of any organization is how do you deal with mistakes how do you move on from mistakes how do you learn from mistakes and what have you if you are charlotte moore if you're anyone who's left the bbc look at lineker every time i see him now it's like he's walking on air because like you know he's he can say what he wants he can do what he wants and you know people are not um you know firing at him all the time but But we should remember that public service must remain a kind of lodestar in our national life and that people should still want to put themselves forward for difficult...

18:49Public service, you wouldn't want to do it. I agree with you. No reason to do it. You know what? You wouldn't be a politician. You would not be director general of the BBC. You would not do any of these things. That's the true crisis. Well poisoned. That is the true crisis. It is so much bigger than all of this, is that the idea of going into public service in any of these roles, and it doesn't mean on the kind of layers below where lots of people might still, and I think that the real serious crisis is that this morning, despite full spectrum coverage of this issue, there's like these half-hearted things like maybe Charlotte Moore will come back and do it.

19:21My God, 10, 15, 20 years ago, you'd have had a list of 10 people. I mean, listen, Director General has always, they've always, as you say, resigned. Greg Dyke resigned over the Hutton Inquiry into David Kelly. so George Entwistle who people might not know but he was Roger Mosey was talking this morning said the problem with Tim Davie is not a journalist you need a journalist in charge of the BBC and like ever you sort of have a journalist in charge of anything and the last time they had a journalist in charge was George Entwistle who'd come up through the ranks at the BBC Newsnight all that kind of stuff and he lasted just under two months and he had all the stuff about Savile and he had the Lord McAlpine stuff on Newsnight so he they got rid of him after two months they get rid of everybody.

20:02Every Prime Minister wants to get rid of the Director General of the BBC. Going back, going all the way back. You look at Alistair Milne. Thatcher tried to get rid of him for Death on the Rock. Well, she did. She brought in Marmaduke Hussey as the Chairman of the BBC. So they got rid of him. You've got Churchill and Eden. They both had run-ins with Sir Ian Jacob. I mean, this is how far back all this stuff goes. You know, Wilson complained about Charles Curran. He complained about Huey Green. You know, it's always the case that politicians on the left and on the right want to get rid of whoever is at the BBC.

20:32But it's nothing like it is now. Even so, it is nothing like it is now. I genuinely believe that the only comparable flack, as I say, is like being a tech boss. And every time, you know, we see Mark Zuckerberg saying, I'm not even going to bother saying sorry anymore. These people don't care. This must be an inflection point because it's happened, it's bad, and you might as well try and make some lemonade. What's your take on BBC News? And because from my perspective, and I come at almost everything from from the world of you know entertainment and documentaries and these things and the bbc seems to be a fairly healthy place certainly you know creatively in terms of ratings in terms of personnel you know it seems to be on i can't believe we're not talking about like last thursday this is the sadness you're not talking about last thursday night on bbc where you just had this unbelievable run of shows the new series of like you know celebrity race across the world that lovely hamza yassin show that's on the moment i mean they they are on a run of form and you know I think Tim Davey, by and large, has always let people just run things like Charlotte Moore, like Kate Phillips.

21:28That's one of the things that he was good at. You're the program maker. I will sit here and take the flack, which felt like the job that he was doing almost nonstop until now where it's got too much for him. But BBC News seems to be the thing where the real issues come up. Greg Wallace is an issue, but that's an HR issue at any company you're at. you know there are always going to be those things especially when you've got you know hundreds of suppliers and you know just hundreds and hundreds of hours of content but BBC News constantly seems to be this suggestion of some sort of institutional bias from one side or the other and some kind of and different siege mentalities and internal and sometimes you know aggressive siege mentalities from different groups I would say that in the case of the the Trump edit I mean really it's extraordinary that it's got all the way up to the very top and those people have gone because really you should just say to the people who made the program you're not making any more programs you can't do that but because nothing was done about that in the end it got to such a pitch that the people who are going are the two most significant people I certainly think that in terms of people's perception of how the gender debate has been covered I think that there is definitely you know there are suggestions that there's a desk that people had to run stories through and they weren't allowed to write run gender critical stories in any way absolutely people are furious when they say see male rapists described as women simply because of what they claim is their gender identity now they're within the prison system there was this issue with martine croxall where she refused to say pregnant people she said pregnant women with an eye roll and i think that has an awful lot of sympathy from an awful lot of people yes the bbc remains an organization better capable of lacerating itself and beating itself up publicly than anyone else in the world.

23:22And it's sort of extraordinary that, I mean, it's really interesting watching the American reaction to this. Obviously, they didn't have the same type of news organization. As I say, this is a precious treasure and I agree that this is a big mistake. That's the point. It has to be held to a much higher... It has to be held to higher standards than any of their news that everyone hates and is polarized and what have you. Of course, it sort of sticks in the craw that Nigel Farage is willing to appear on Fox News all day long, even though he knows very well what those presenters did on January the 6th.

23:52And by the way, it's okay to do all that. You can be a hypocrite because he has a certain political view which he wants to prevail. We just have to take it as what it is. That's the job. That's what he is doing. He wants to dismantle all of this stuff. That's what he wants to do. So there's no point pretending that something isn't happening that is happening or something or the other way around. That's what's happening. If there's a culture war, it's the war against culture and it's the war against the BBC and all of that stuff. That's what he's doing. He's allowed to, people are absolutely allowed to support him.

24:21He's allowed to do it in whatever way he wants. Other people are allowed to fight back and disagree with him. And, you know, that's what we're doing here. We're just saying it's in plain sight now. Those people are pointing at a coup. And again, you can always point to these things. But Michael Prescott himself was the chief political correspondent of the Sunday Times and I think the political editor of the Sunday Times, Robbie Gibb, who was Theresa May's press secretary, he's on the board at the BBC. So there are people in high places at the BBC who were your conspiracy theorist. You think, well, I could see why you might team together and do things.

24:55So that is the case against... I think it's much more complicated than that. Would you agree? I certainly would. And if you were on the other side, I would say that people will say, oh, look at this, there's a sort of leftist conspiracy at the BBC and they can point to cherry pick all sorts of different other things and they may have a case in some of those with some of those arguments. Funnily enough, Charles Moore, the former editor of the Daily Tidograph, he said there's a metropolitan left bias at the BBC and by the way, I'm sure there is, but there's both. As I say, that's always been the case is people arguing both ways and you can argue both ways.

25:29All we want really is to have this incredible organisation at the heart of our culture making great comedy, great documentary, making television that people care about and television that makes us a better country and a better place. There are people who don't want that. And being the most trusted news brand in the world. And that is something worth hanging on to. And I do think there is no other organisation like it. It's so interesting. You just go into so many parallel worlds when you're looking at the reaction to this because there are people like Nigel Farrow saying, this is an existential crisis.

26:03I can't, you know, we've been saying for so long, it's completely rotten. And there's a whole other group of people saying, well, all they've done is serve me Nigel Farage, the BBC, for how long? So you think, or there's people who are saying the BBC is completely biased towards Israel. And then there are other people saying the BBC have taken anything Hamas says as gospel. And there are these just complete parallel worlds in even within this argument. And there is no other organisation in the world like that, where all of those realities are perceived to be definitely true by different groups of people.

26:33so nonetheless despite all of that I think it's very unhelpful to get caught up in these kind of conspiracy things you can cherry pick all sorts of these things the fact is that these were mistakes and they are in probably all cases indicative of larger problems that do need to be gripped it's also it's worth just keeping our eyes open as to what's happening and why who's happy about it who's not happy about it and where we go next and acknowledging that the true crisis I'm afraid is in public service and that why would anyone wish to go into it and fewer and fewer people of high caliber do well i think that this is why now they they're talking about the next director director general having a sort of journalistic background in some way i always used to think that the archbishop of canterbury you'd have an atheist and then like a gibbering idiot who actually believed it then an atheist and a gibbering idiot who actually believed it that was the one-on-one-off principle um also applied to quality of ridley scott movies um but in this case with director generals they're always course correcting as to how the last one went so yeah you're always dressing for yesterday's weather yeah in this case i think people are thinking that tim davy did absolutely brilliantly on positioning the bbc in terms of um business and the future and all those sorts of things but in terms of as an editorial role the fact is it is such an enormous role to do both of those things and crazy to be the only person that it's always you in front of the cameras it's always you on the stage it's always you at the podium and it's always your fault whatever happens I think is very difficult and I wonder whether the next person will think I want to empower maybe more senior people to be a bit more front-facing in that way because I think otherwise it is really very very difficult to exist in this era which all of these resignation letters made clear that this era is something particular.

28:16If you're an actual business person then the first thing to do would be you would gut it for parts and sell off loads of it and then not worry about public service broadcasting and uh uh line your own pockets speaking around i talked to all the people who as you say five years ago 10 years ago would have been on the list of who would do it and nobody seems interested i mean maybe alex mahon from from channel four because she's left channel four but i don't i don't know why she would want to do it she's out in business now but she could you know she'd understand the political side of it she understands how to run an organization if you're any of the big creative you know any of the big dogs and I don't mean Jonathan or Stephen but if you're any of those people, how about Joe Marler?

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28:55Marler for DG. I do think it's a good way, he resigned in a good way to resign resigning over the Trump thing is good because he's not besmirched by that in any way there's a million things he could have resigned over that you know would have delayed his return to lucrative work elsewhere but if you're resigning over Trump I think everyone. And you would hope it would head off the possibility of legal action against the BBC which would be incredibly damaging. Now that that flighty froth is dealt with, shall we go into a break ahead of discussing Kim Kardashian's new drama? Yeah.

29:34This episode is brought to you by Sky and Sky's new original film Nuremberg in cinemas Friday the 14th of November. Now the trials in Nuremberg weren't just a courtroom drama, they're also the story of how allied forces shaped the reality of international justice for generations to come. At the centre of this story is a battle of the minds between Lieutenant Colonel Douglas Kelly, an American psychiatrist played by Rami Malek, and his most infamous and formidable patient, Hitler's second-in-command, Hermann Goering, portrayed by Russell Crowe. And Russell Crowe shows Goering as a calculated performer playing to the gallery at all opportunities, turning every encounter into a contest of psychology and ideology.

30:12Two Academy Award winners, one courtroom stage, directed by James Vanderbilt. Nuremberg's star-studded cast includes Leo Woodall, John Slattery, Richard E. Grant, Michael Shannon and Mark O 'Brien. And 80 years on, the legacy of the Nuremberg trials remain unshakable. The trial that defined modern justice in many, many ways. A story of taking phenomenal risks in the pursuit of truth and justice. Watch Sky Original Nuremberg only in cinemas Friday the 14th of November. This episode is brought to you by Nordstrom. Oh, what fun. Nordstrom has tons of gifts under$100 for all your favorite people, all in one place.

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31:37app.com welcome back everyone lovely to have you back we've done the bbc and the director general now for the program that's been described as the worst program ever made it's on disney plus not the bbc it stars kim kardashian not tim davy and it's called all's fair the worst program ever made marina discuss well okay this is one of 387 ryan murphy shows currently available um via disney plus or on hulu or whatever um and anyway we actually have done a bonus series on ryan murphy which delves deep into this complex man yeah um i think is the euphemism and um all's fair right it's described as kim kardashian's show it also it's not actually kim kardashian's show really because it also has an unbelievable roster of talent, not to put her in acting talent, although I do think it helps to be able to move your face.

32:37Naomi Watts, Glenn Close, Teyana Taylor, Sarah Paulson and Nisi Nash. Now, all of their names are hysterical. They play divorce lawyers. It's an all-female divorce law team. They're all extremely rich and live in Los Angeles. And everyone is wearing gloves all the time, which I'm going to come back to just in the hope that I might have worked out why that's significant, but they're all wearing gloves all of the time. And so far, by the way, it sounds amazing. But it is generally terrible. It has, it's got, the reason we're talking about it particularly is because it's rare that something gets a zero star review.

33:12But that was not, it's only zero star. It was, when it started out, I think it was on sort of 0 % on Metacritical. It is now, things have got a lot better. It's now 6 % on Rotten Tomatoes. I mean, it's screaming up the Rotten Tomatoes chart on 6%. It does contain like some of the, just genuinely appalling lines like let's put the team in teamwork team is already in teamwork yeah yeah that's where that comes from yeah it's like saying let's put the team in teamwork and the work so like as a team we work together i'm calling it teamwork that would have been great because that would have blah blah blah is that okay oh i forgot to say she's wearing gloves yeah it's it's the absolute apotheosis of tell don't show everyone is telling you all the time like I'm aware that she's rich but then we have to have a close up of her Birkin handbag on her car seat as she's driving down there's a Gucci handbag in a later scene that is so foregrounded you can barely make out anything else in the screen but having said that it is and despite all of these terrible reviews it is Hulu's most watched scripted show debut in three years so jokes on you cultural please.

34:27I mean, is it though? But is it? Because, I mean, what's it up? Firstly, what's it up again? Secondly, you know, its first episode is the most watched for three years on Hulu. Is the second episode and the third episode? We shall find out. Just to give some of the reviews, The Guardian called it fascinatingly, incomprehensibly, existentially terrible. The Telegraph called it a crime against television. It is, the idea is brilliant, right? these three uh female divorce lawyers who leave one of the sort of you know like a blue chip company set up their own the idea of the incredible you know they are ultra rich that's fun it's fun to see how they live you know it's about these three women it's about their personal lives you got different cases each week but everything about it is off i would say you don't the cases themselves are unconvincing.

35:24They're too easily sold. I mean, you know, there's... What were you expecting? A cinema verite look into the LA divorce market? Well, Ryan Murphy has made some great TV. Yeah, but less and less. The trouble is he's diluting it more and more with this. That's the trouble. But if you look at the writers on it, so John Robin Bates, he's one of the writers on this, okay? A couple of things I know about John Robin Bates is he's been nominated for Pulitzer twice. His scripts on the West Wing were the ones that Aaron Sorkin said that's the one I had to do least to. I could just shoot it as was these scripts.

35:56So this guy is no idiot. Ryan Murphy is no idiot. Glenn Close is good at acting as well, but not in this. But isn't it fascinating? It is. Because I think they're going for something which is a very, very high camp, which is a very, very unapologetic, different form of television. I don't think they meant to go for it. You don't think? I think it turned out so bad. No. Yes, that they lent into it. But you can, you know, I'm listening to the lines as they come out. The scripts are wiped clean. The scripts, they're not trying to delve too deeply into anything. They're trying to be all surface and all gloss and then presumably as the series goes on, sort of go, however, there is more going on.

36:37Speaking of people who are good people who should have known, but I was so depressed to see that Teyana Taylor in it, who in one battle after another is the absolute star of the first section of the film as the sort of revolutionary girlfriend and now is playing some junior lawyer who's just a sort of side piece. And I genuinely think at the moment, although it's got great ratings for Hulu, Richard, I would say that Ryan Murphy has been the brown finger to this. Everything he's touched in this has turned to shit. I really do think everybody in this is dreadful. It's fascinating to work out why it's so bad.

37:19so bad with so many good people involved but also the attempts to which they've the lengths to which they've gone to make it a show for our era which is it's going to go viral so it's you're going to get all these other articles like there will be so many articles about like gloves are having a moment it would be like claudia on traitors and now this now normally you need three for a trend piece but i have to say there are so many gloves in this that you're just going to get all of those things so you get all of this kind of side stuff where people will write about your show even if it's to say it's bad as kim said in she did a post the other day saying you know are you watching the most critically acclaimed show of the year because it's a joke and it doesn't really matter and so there's all of that in terms of the actual aesthetic i would say it's really interesting in the same way that we talked a lot about um the real housewives and how that franchise like took these fictional worlds and dragged them back into the real world or a version of the real world a sort of augmented and managed reality and became the sort of biggest show on the internet It's like, as we said, like 80 % of traffic at any one point on the internet is GIFs and reaction shots from those shows, which are used to gloss our entire culture, political and otherwise.

38:28This show, you've heard of straight to video, straight to DVD, as they used to call it. This is straight to GIF, OK? This show, every single thing that happens on this show is designed to be put after, you know, the next government shutdown. It's just designed to be a reaction GIF for everything. So all the lines and all the everything, it's now taken the housewives and just kind of bumped them back into the realm of almost fiction. But, you know, I'm looking at Kim Kardashian in this and she's got a crappy husband. She looks just like Kim Kardashian in everything. She's got all the same bags.

39:01That's not her fault. No, she's driving up to a house that I think she'd think is slightly below her standards, even though it's a nice house. the way that these shows will make money and the way they'll get audience and the way that the kardashians make money is off the female gaze yeah so this is women will tune in and watch this and love to hate it but it will be clipped for every possible reaction you're going to be seeing reaction gifts from this it doesn't seem to love women this show particularly for a show that's literally all about women this demeans women in every possible way but pretends it doesn't so there's that it's obviously executive produced by her momager Chris Jenner I find it amazing that it's bad because it's got so many exec producers you'd think it would be great Ryan Murphy, Kim Kardashian, Glenn Close these are all exec producers, Sarah Paulson, Naomi Watts Niecy Nash, John Robin Bates, Joe Bacon Jamie Pacino, Lynn Green Richard Levine, Anthony Hemingway I'm still going, Chris Jenner, Alexis Martin Woodall Eric Coffton, Scott Robertson 16 executive producers that's almost that's almost a series of the traitors yeah and and then that's not before you get to the co-executive producers i saw in one of the press releases that said that um chris jenner has committed to exec produce you know she's committed to exec producer say that's like me committing to having a nap you're just like i've committed to not doing anything at all but you paying me some money okay yeah do you know what i am actually gonna for once in my life i'm actually gonna commit i would actually sign that uh so presumably i don't have to do anything you're Yeah, you just send me that.

40:33Yeah, you've got my account details. Oh, do you know, people call me commitment phobic, but look at me. Look at me now. Committed to exec produce. There's a lot of executive producers there. And the whole thing feels like it's been, a lot of Ryan Murphy stuff is packaged and he does some great stuff, but it feels like they've kind of gone, look, it's Kim, so we need to, can we get some heavyweights here? And you go, well, let's get Naomi Watson. I'll be amazing to get Glenn Close. Well, look, Glenn will do it, but it's just being an executive producer and you have to bring her in for X, Y, Z. It feels like everyone kind of trusts, you know, he's still got money in the bank, Ryan Murphy, in terms of reputation, because, you know, he's done some extraordinary things and, you know, made a lot of successes.

41:13So people will still take a call from Ryan Murphy and still say yes to something. So he can get this amazing cast together. But, yeah, when they got there, it feels like no one was really in charge of making it good. It could be brilliant. the aesthetic is almost right the script is wrong as you say it's all tell don't show all of it all the way through it this is who I am this is how you know show us show us show us make a decision because it achieves it by this I don't know if it does achieve what it wants anything just now needs to be can it be clipped down cut down into reaction videos but it needs to be funnier it just the script well it will be once it's applied to events in real life as a gif that's how it will this thing will exist That's not, but you can have that and also make it brilliant.

42:01If that's the aesthetic you're going for, you can do that, but still have a great script. The stuff in between the GIFs could also, because it's just as easy, it takes just as long to write a funny, clever script as it does to write a dumb, stupid script. What? It's the same amount of time. That's the most ridiculous take I've ever had. No, it's not. Because you just get people who are good at it. Of course it's not. I mean, some of those are quite good, but they've come up with this. Yeah, but it's not. So they must have found it hard. Oh, my God. Unless the brief changed halfway through. But what I'm saying is this would have taken them a long time to write.

42:27just to write this level of inanity and to write to this sort of aesthetic that someone's trying to get at I bet was an incredibly painful and long process well if you take someone like John Robin Bates and Aaron Sorkin says to him write this episode he can do that and I bet that takes him I bet his best ever episode of The West Wing took him the same amount of time as an episode of this I bet it took the same amount of time it's just he was allowed to be good that's interesting okay can I just say that did you see all the girls turned out from Walls Fair to a certain event this weekend, which I just have to talk about.

43:01Oh, what was it? It was Kris Jenner's 70th birthday on Saturday night, which she held at Jeff Bezos and Lauren Sanchez's house in Beverly Hills. Oh my God, that's catnip for you. Yeah, I know. Well, you know she's had this new facelift, Kris Jenner, that we're all supposed to talk about. Like it's the first actually important artwork of the early 20th century, 21st century. So that facelift was on show. Can I just, because I was crying with laughter at the hysterical guest list. Can I just read this out to you? Oh, I'd love this, yeah. Martha Stewart, Snoop Dogg, Vin Diesel, Bill Gates, Adele, various Hiltons, Sia, Will.i.am, Oprah and Gayle, obviously, Mariah Carey, Babyface, Mark Zuckerberg, Justin Bieber, Prince Harry and Meghan.

43:42What surprised me about this party, which I thought was very, to slightly bring it back to Wall's Fair, that kind of like, it's just going to be so route one, is that they all had to get out onto the street, these people. So all of the arrivals are people who hadn't realised they'd have to arrive on the street and fight through all the paparazzi who are outside. And then I was thinking, I mean, Jeff Bezos, he must have in and out gates, right? For wherever this place in LA that he lives. And, you know, my thoughts on the houses in Los Angeles. But otherwise, Beverly Hills is even more of a sort of cultural failure than I'd imagined.

44:11So then I looked it up. He lives in Jack Warner's house, which was built in the 1930s. It's basically got an internal road system. Any of those people could have been dropped at the front door. So this is all by design. this is the thing about all of these things they they want it to look like that all the time they want it i mean as you say it costs a lot of money to look that cheap as it were they they want it to look bad and i think that is the designated aesthetic i don't think that ryan murphy would admit for one second that this didn't come off in the way that he'd wanted it to be i'm sure lots of people who worked on the show are just like let's get through this but i don't think he for one second would admit it in the same way that this is my point is you can have every single bit of that but also make it better it's just stick a couple of actual proper jokes in there i mean that's that's easily done it can be pithy it can be short the reactions can be exactly what you want but just make it funnier make it a little bit more real make the cases a bit more real make the characters are not more sympathetic but make them more rounded i mean it's a really simple little fixes yeah any episode of real housewives is better and has had more thought going can i say Something controversial.

45:18Yeah. When the three of them who set up these businesses sitting around the table, Nisi Nash, Naomi Watts, and Kim Kardashian, and they're chatting, there's a terrible scene right at the beginning where we see them 10 years ago, and then we saw 10 years ago. What's been your favorite case we've done in the last 10 years? And then they explain a case as if the others weren't there. And they go, oh, yes, no, we know. Sorry, we're all, it's our company. We weren't together. So we know you don't need to explain to us who that was. You go, I had this client. Yeah, we know we all had that client. Anyway, terrible scene.

45:47if you were to say to me as I come down from Mars you said of these three actors Nisi Nash, Kim Kardashian and Naomi Watts one of these people is not an actor the other two are multi-award winning actors I would have said that Naomi Watts was the non-actor yeah that's what I mean, brand finger but I didn't mind Kim Kardashian's performance I think it's perfectly she's been sagged off and called wooden and all this stuff I think her performance I agree is exactly what Ryan Murphy would have wanted. She gives exactly the performance she has hired. She gives the same performance that she gives in every episode of Keeping Up in the Kardashians.

46:22It's the same or the Kardashians as it is now. This is the same. I thought she was absolutely fine. I think Naomi Watts doing her British accent and really, again, one projects really looking like she doesn't want to be there. Yeah. And really just almost like... Even if you've got to keep all the clothes. When you can see when... You can keep the haunting cake. Okay, but it's still very hard for me to do this job. There's a couple of scenes later on where she flies solo and you go, oh, okay, yes, you can act. She's sort of going, oh, I'll just be me now. But when she's sitting in that awful, awful boardroom that looks like AI generated, you're just like, oh my God, this is, I mean, there's no way you've won an Academy Award.

47:03I mean, it's an impossibility. Is it worth watching? Yeah, it's kind of like, you can watch one episode of it. I don't think a lot of people could get all the way through because nothing changes. We watched the first one and I have to say I had a perfectly enjoyable time watching it because there's lots to think about while you're watching it and you can really really have an opinion about it the absolute the only thing on television is do you then watch the second one and I mean is there a point when you can just watch the GIFs you know would you I noticed that Halle Berry was supposed to be in it but had a scheduling conflict yeah I bet she did I feel I will have a scheduling conflict come up for all of the further episodes of this show but you know I'm sure I'll enjoy the gifs every time next time we hear who the new director general is we'll see a gif from that show of Kim Kardashian going well how about that on take 39 and saying well how about that with a glass of champagne taking off a glove yeah any recommendations this week not all's fair not all though you know dive in and see if you enjoy it I having really struggled to find anything to watch at the cinema for the last month went and saw Begonia which I really liked which is directed by Yorgos Lanthimos and written by Will Tracy and stars Emma Stone and Jesse Plemons and it is really weird funny it just it's it's different and I really enjoyed it.

48:26So he's the same guy who directed Poor Things? Favourite all sorts of things like that and this is actually a remake of a South Korean film but it's it's it's it's definitely a bit different. I saw an Onion headline which was Yorgos Lanthimos reckons he's about three movies away from hanging out with Emma Stone outside work she is brilliant I will watch her in absolutely anything she is mesmerizing I think she's fantastic very much a podcast of two halves today thank you so much for anyone who both of those halves um fitted within your uh your your uh realm of interest you're my spiritual twin in that case yeah exactly um we will be back on thursday with a question and answer i'm gutted we don't have like a a bonus celebrity traitors episode this week i'm it's i'm it's just it's really quite good though it's not long at all to wait for for the regular one for the regular one um so i'm i'm very much looking forward to that i've had so many messages this week from people who've been uh saying do you think i should do celebrities what about doing celebrities and there's there's some there's some um there's some very good names by the way our q a next week is going to be with kate phillips who's the bbc's chief content officer so she's in charge of everything that goes on the BBC she's behind celebrity traitors all that kind of stuff if you've got any questions about the BBC's output she's she's done everything she's and you know she's very very very smart and anything you want to know about any of your favorite shows on the BBC or anything you just want to know about broadcasting in general do send your questions to Kate that's the rest is entertainment at goalhanger.com for your questions and we will put them to her but we will be back for a Q &A episode on Thursday.

50:04We also have the second part of our history of MTV for our members as well. It's getting even wilder on that one. And you can join at therestisentertainment.com for bonus episodes, ad-free listening. Otherwise, we will see you all on Thursday. We will see you all on Thursday unless Marina is appointed DG before then.

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From the publisher

Tim Davie has resigned as BBC Director General. Who could replace him, and what does this mean for the future of UK broadcasting, public trust, and the licence-fee debate?

Is Kim Kardashian’s new drama All’s Fair really as bad as critics claim? What is with all the gloves?

Tim Davie is stepping down from his role at the top of the BBC after 5 years. What are the power struggles, political pressures, and internal drama shaking the corporation that has led to him announcing his departure, and that of CEO of News Deborah Turness? Is the BBC entering a new era of media turmoil? Will President Trump sue?

Plus, slated as “possibly the worst TV drama ever” with scathing reviews on Rotten Tomatoes, Richard and Marina break down the legal-firm storyline, the over-the-top performances, and whether the show is worth watching for the drama around it's release.

Join The Rest Is Entertainment Club: Unlock the full experience of the show – with exclusive bonus content, ad-free listening, early access to Q&A episodes, access to our newsletter archive, discounted book prices with our partners at Coles Books, early ticket access to live events, and access to our chat community. Sign up directly at therestisentertainment.com

The Rest Is Entertainment is proudly presented by Sky. Sky is home to award-winning shows such as The White Lotus, Gangs of London and The Last of Us. Requires relevant Sky TV and third party subscription(s). Broadband recommended min speed: 30 mbps. 18+. UK, CI, IoM only. To find out more and for full terms and conditions please visit Sky.com

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