The Jim Jackson Show: Chris Spencer

1 Aug 2025 · 1 h 16 min · 28 chapters

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In short

Chris Spencer discusses his lifelong golf obsession, including starting as a caddy at Inverness Golf Club (Toledo, Ohio), how golf became a post-1997 obsession for many Black entertainers after Tiger Woods’ 1997 surge, and golf’s “no blaming” individual accountability. He also reflects on his comedy/TV career: winning a nationwide search to host the urban late-night talk show The Vibe (with Quincy Jones’ involvement), competing against The Kenan Show, and learning lessons about Hollywood’s dishonesty and the need to keep “guards up.” He covers stand-up craft (repetition, enjoying silence), writing for major award shows, and comedy’s evolution toward faster joke formats.

Guests

Chris Spencer (comedian/actor/writer; former host of The Vibe; golf addict; writes for award shows including ESPYs, Golden Globes, BET Awards, Emmys; has written for performers like Kevin Hart, Usher, Jamie Foxx, Serena-related material, and others).

Key claims

Golf is different from team sports because you can’t blame teammates; Hollywood is “make believe” and people lie; stand-up greatness requires repetition; silence is a tool (Damon Wayans); he’s a trusted “liaison” between production and comedians when writing.

Notable examples

Inverness Golf Club; Ron Harper and “Yankee Doodle” (first real course); Wingfoot after FedEx lost his clubs; Jim Brown/Fred Williamson blind-spot rule; The Vibe vs The Kenan Show (Aug 4, 11 p.m.); writing for Kevin Hart and Steph/ESPY hosting; Damon Wayans “enjoy the silence.”

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Chris Spencer's Journey into Golf

0:03 to 0:38

Chris shares his early experiences with golf and how it shaped his life.

“So you were scrolling on Marketplace and there it was, the bike you'd been searching for.”

Chris Spencer's Journey into Golf

1:00 to 3:10

Chris shares his early experiences with golf and how it shaped his life.

“We've been sitting here talking about golf courses the whole time.”

Impact of Tiger Woods on Golf Culture

3:10 to 9:11

Discussion on how Tiger Woods changed the perception of golf among black men.

“So for you, and we'll talk about the comedy stuff later, but this is even more interesting.”

Chris Spencer's Late-Night Career Beginnings

9:11 to 13:20

Chris recounts his journey to hosting the Vibe Show and its significance.

“We're taping it, so we might be able to put it in.”

Challenges in the Late-Night Landscape

13:20 to 14:00

Chris discusses the competitive landscape of late-night shows in the 90s.

“But he actually carried on for like another 16 months.”

Creative Control in Urban Entertainment

14:00 to 19:16

Discussion on the challenges of maintaining creative control while addressing a diverse audience.

“Like, I'll be like, yo, for example, Jamie Foxx, I need you to come to my show.”

Navigating Industry Lies and Disappointments

19:16 to 19:48

Insights on the deception in Hollywood and the importance of guarding oneself.

“And with as soon as the same day funding, you can make the right play fast.”

Comedic Growth and Stand-Up Challenges

20:30 to 24:26

Exploration of the evolution of stand-up comedy and the importance of practice.

“But then, you know, I got to wear a hat.”

Writing for Award Shows

24:26 to 28:01

Discussion on Chris Spencer's experience writing for award shows and notable celebrities.

“And that part is as important because the presentation on stage is what brings people in or makes people want to leave.”

Comedy Collaborations with Kevin Hart

28:01 to 29:11

Learn about the dynamics of working with famous comedians like Kevin Hart.

“So, but Jamie, Cedric, Kevin, Epps, Tiffany, Wanda Sykes, like, I'm there somewhere.”
Show all 28 chapters

Trust and Communication in Comedy

29:12 to 31:47

Explore the importance of trust and communication in the comedy industry.

“But these people trust me because we know each other.”

Evolution of Comedy and Storytelling

31:48 to 35:15

Discuss how comedy has evolved over the years, focusing on storytelling.

“and he called me one night and said, yo, I was in Toledo last night and I wasn't doing well and I did your joke.”

The Future of Young Comedians

35:16 to 36:43

Insights into the new generation of comedians and their styles.

“So earlier, I think there were more storytellers, the Cosbys, the priors, and audiences were patient, right?”

The Importance of Silence in Comedy

36:44 to 41:43

Learn about the role of silence in effective comedic performances.

“you seen a young comedian that kind of has those chops right now?”

Honesty in Comedy and Personal Truths

41:44 to 42:05

Exploration of how comedians navigate personal truths in their performances.

“And so that's when the silence works, when you're in control of silence.”

The Role of Honesty in Comedy

42:05 to 44:00

Explore how comedians use personal truths to connect with audiences.

“But I think you said this, and a lot of comedians said that, that back in the day, you had to have some form of laughter to get through the trauma that you were going through.”

Comedy Legends: Richard Pryor and His Impact

44:39 to 47:58

A discussion on Richard Pryor's life and comedy, showcasing his authenticity.

“Richard would tell you about the cocaine addiction, about the women, about his abuse growing up.”

The Evolution of Black Television Shows

47:58 to 50:56

Analyze the rise and current state of black television programming.

“Can you imagine you walk down the street and you go, yo, two different reds.”

Parenting in Hollywood: Balancing Fame and Family

50:56 to 56:00

Insights on raising kids in the entertainment industry and the challenges faced.

“I'm like, I don't want to watch another one.”

Navigating Parenthood in Hollywood

56:00 to 59:31

Exploration of the challenges and responsibilities of raising children in Hollywood.

“with nobody's car but does that did you ever fall into that trap in Hollywood again you got the kids right But trying to keep up, trying to impress, trying to.”

Chris Spencer's Comedy Aspirations

59:31 to 1:00:49

Discussion on Chris Spencer's drive to transition from writing to performing in comedy.

“Okay, so now what still drives you on the comedy side?”

The Journey of Chris Spencer's Comedy Special

1:00:49 to 1:03:48

Insight into the challenges faced while trying to launch his comedy special.

“They'll be like, Joker, ha ha, give me a fry.”

Rapid-Fire Questions with Chris Spencer

1:03:48 to 1:09:09

Lighthearted rapid-fire questions covering various topics, including comedy and personal favorites.

“But before we get out of here, I got a couple of quick hitters for you.”

Black Comedy in America Retrospective

1:09:09 to 1:10:01

Overview of the show highlighting the history of black comedy in America.

“It felt like we should have maybe charged some people for this episode right here.”

Insights on the New Comedy Series

1:10:01 to 1:10:45

Learn about the new comedy series produced by Chris Spencer and its significance.

“It's produced by this company called Smack, Michael Strahan's production company, Constance Schwartz, And my wife, Vanessa, is also an executive producer on it, as well as a guy named Anthony, Anthony Brown.”

Reflections on Black Comedy

1:10:45 to 1:12:19

Explore the impact of black comedy on culture and its historical context.

“What was the biggest thing that you kind of got out of that?”

Golf and Commonality

1:12:19 to 1:14:16

Discuss the shared experiences and community within the golfing world.

“Like really, if you think about it, what white comedians, maybe one or two were doing stadiums like Kat Williams and Kevin and Dave and Chris, that's us.”

Closing Thoughts and Show Promotion

1:14:16 to 1:15:07

Wrap-up of the conversation and promotion of the podcast show.

“Seriously, because I just thought it was important for me to be able to have you tell your story, the story about comedy, the involvement of it, the involvement of what you're doing and kind of where you're going.”
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Transcript

Automatic transcript. May contain errors.

0:00This episode is brought to you by Facebook. So you were scrolling on Marketplace and there it was, the bike you'd been searching for. You sent a message and it turned out the seller was super chatty, kind of funny, and an avid cyclist. The next thing you know, you're in a cycling crew. Well, a community cycling group. The thing about Facebook, you might find more than what you're looking for. From a browse to a bike ride, this summer, find more on Facebook.

0:37all right welcome to the show my guest today is a straight-up legend in the game yeah you you've seen him on the stage on the screen and possibly giving notes in the writer's room full of people pretending to take him seriously but he does please welcome the one and only good friend to mind, avid golfer. He doesn't smoke cigars, but I'll get him there. Chris Spencer. Golf addict. Yeah, you're ridiculous. We've been sitting here talking about golf courses the whole time. Listen, Liz was funny. I don't care who you are. Like today, I was just eating and this guy disrespected me but he had on a golf shirt so then I became his friend.

1:14Like I said, I said, hey man, you went to UCLA? I go, yeah. I go, me too. He goes, oh, you're an athlete? Now I was like, now is that racial or do I look like I'm in shape? No, that's a default question for For a black dude that's kind of tall. Then he had a golf shirt, and then we started talking golf. And then now he became my racist friend. So listen, here's the funny thing, too. I started off golf as a caddy when I was younger. Really? I caddied at Inverness Golf Club in Toledo, Ohio. But I did at a time because my father made me work. So I would ride my bike to the golf course. I immediately went from a junior caddy or apprentice all the way up to an A caddy.

1:54means you go get paid more. But I would do like two rounds sometimes, you know, during the day, in the summertime. You know, and that's when we had, back then, it was all tour bags. It wasn't under those light bags. Especially when you had women that had a lot at everything in the bag. But at the time, I didn't appreciate the sport. It was like, there really wasn't a lot of black people out there playing. My uncles had their old crew that they would go play, but they'd play on the public. Right. So I didn't appreciate the game. But then when I got into the league and some of my old heads were playing, I got back into kind of, okay, this is.

2:33Who are some of those people? It's Ron Harper. Yes. Ron took me to Yankee, whatever, something, Yankee Doodle, Yankee Straight in Ohio. That's my first real golf course. Right, right. Yeah. And it was Ron. So, and then I remember the name Bimbo Coles. Of course. Okay, so when we were at Golden State, no, we were at Atlanta. Listen, I'm a little older than you, but everybody you name in basketball, you know. So we would take, this is Lenny Wilkins was real cool. He was our coach at the time. We would take our clubs on the road sometimes. Wow. So I got into the game that way. And then, especially once I retired, that was it.

3:10It was just like, where can I go? So for you, and we'll talk about the comedy stuff later, but this is even more interesting. What got you in the golf? So most black men and people of color my age, right? I'm talking 26. No, early 50s. If you could literally go up to somebody that's in their 50s, that's black, that's playing golf and go, did you start in 97? And they'll be like, how'd you know? Exactly. 97, when Tiger got the jacket on Sunday, all of us, especially the entertainers, we were hitting golf balls on Monday. me flex will dwayne martin uh uh anthony anderson cedric like we're like we don't have to hoop no more we can go golf we could go golf what is it about the game i've never ever you know i used to hoop not on not on your level i've never dreamt and put outfits out about what i'm wearing a bra like i'm thinking what i'm going to where?

4:11We do a golf trip like y 'all to the DRA. I pack all the golf stuff and then I try to make room for whatever we're going to do at night. It's sickening. It's sick. That's how sickening it is. Tell me if you ever do this. You be driving somewhere and you're on the freeway and you look and see some grass and you be like, is that a golf court? It's a golf court. Where are the sand traps? Or from the plane. Excuse me, sir. I've never been to this part of Portland. what's that it's sickening the thing that people you gotta understand especially playing the team sport right because it's different dynamics when you're in the team sport like does somebody pass you the ball do they rebound do they play defense whatever do they help in golf bro you can't blame nobody you shank that thing in the woods you miss the putt you dribble it off the tee right you can't blame anybody at all you want to who's breathing man were you thinking while I was in my backseat.

5:10You know, Carl, I mean, if somebody's working on the court, they go by, you want to blame the shot on that? Oh, so sorry. Did you ever play with Jim Brown? No. You've heard stories? I've heard stories. So ladies and gentlemen, Jim Brown, arguably one of the greatest athletes of all time. You had to be in certain areas when he was playing. Like, you either had to be dead in front or in behind. Or behind. You could not be on the side. You could not be in his peripheral. And I always wondered why. And then one time I was in Palm Springs, Palm Springs playing with Fred Williamson. Yeah. Who's his partner.

5:46He told me, he said, yo, he said, uh, he said, he said, get behind me or in front of me. I said, what? He said, he said, can I cuss on this? Can I cuss on this? He said, ass or balls? I go, what's that mean? He said, you gotta be there in front of me or the back. I said, I said, your best friend, Jim, because I know. I go, why? He goes, cause in football, that was our blind spots. so this is we don't like this we'd like to see either here or here but don't be back here effing around really bro it is traveling now and I hate this though I hate this it's tough to take clubs if I'm only going to go somewhere and play one round for me I want to play multiple rounds unless it's like a special place that you want to play because if I'm going to drag my clubs I really want to play Right, right.

6:34But it's hard. You're not going to get Reynolds your size. I know. I can't play with Reynolds. I played Wingfoot. Wow. Because it was during the playoffs about three years ago, and FedEx lost my clubs. Okay, they lost it in a warehouse in Fort Worth. So I didn't have any clubs. So I got invited by Mike Breen, who's a play-by-play for ESPN. Yep. Okay. So he was like, and my partner, Brian Anderson, who I was with on TNT. He said, I don't want to invite you guys. You're doing the playoff games. I'm going to invite you to Wingfoot. I'm like, I don't have no club. I said, I got to do it. So I just play with rental clubs, play terrible, but you know what?

7:15I play Wingfoot. Play Wingfoot. Play Wingfoot. But, I mean, people don't understand. When you golf, I'm not going to rent clubs. I got to have, because they're spec right. My grips are right. My shafts, everything else, everything is, My putters cater towards my swing and my game. Whenever somebody comes to town and they go, you going to play? Oh, yeah. And they go, I just rent some. I go, oh, you don't really play. You don't really play. You don't really play. I only have one friend that does that, and he's a pro, and he's just lazy. Will Lowry. Uh-huh. Yeah. Will just take anybody's club and shoot 68.

7:48That's just a skill set right there, bro. But in terms of, like, dragging your clubs around as an athlete or still being in this, Brevin. Yeah, Brevin. Brevin take it everywhere. Brevin's at Pine Valley right now. Yeah. Brev play all the time. Brev takes his – they told me, like, our kids were roommates at college at Howard. And so I found someone just as sick as me. He's sick. He's sick. Like, we have this thing called Grint. Are you on that app, Grint? Uh-uh. You get an alarm when people in your group or friends that are on Grint tee off. Where is he now? Where is he now? He plays a lot. So 97.

8:30And speaking of 97, that's transition. Uh-huh. At that time, it's funny because we're going to talk about it. I want to talk about what you're doing currently and stuff like that. But I want to go back in time because I like kind of the origins. Not the origins, so to speak, but kind of a growth process. Back then in 1997, you and I did something together because you were hosting the Vibe Show. Quincy Jones at the time, you got it. 97, right? We did a sketch or something, too, didn't we? We did. I was trying to find some cuts, but we couldn't find it. And you hosted the show. You should have called.

9:06I have all the episodes. Do you? Is this live? Yeah, it's live. Damn it. Yeah. Rewind, you guys. Yeah. No, no. We're taping it, so we might be able to put it in. I'm just fine. I'm trying to find it. We did a sketch or something. You drove a car. It was like action. It was a spoof. We did something, right? Yeah. But talk to me about, I want to go back to that time. And people got to understand, too. Arsenio kind of set the tone for late night, but African, urban show. People, if you're not old enough to remember kind of the feel and sense of what it meant for Arsenio Hall, who happens to be from Ohio, Cleveland, shout out, OH &D.

9:48What he did for TV, okay, late night. Because it was different. You didn't see people of color like us do what he did. get the guest but it was energetic it was exciting he was emotional at the party it was a party so he kind of said that so take me back through kind of what you were you're just young crispins yeah hair hair you had to line up edge up everything what you were what what what prompted that but quincey to come to you right at that time at a young age to say i want chris to be on the show and initially what you were feeling when it finally started to come together. So there was a nationwide search to do a late-night talk show based on the magazine, which was hot, right?

10:31It was the hottest urban magazine, them and Source magazine. And so they wanted to do a late-night talk show. There was a void, and, you know, there was Letterman and Leno. That was it. Nothing for us because Arsenio had left. So they had a nationwide search, and the manager at the Laugh Factory, Jamie Masada kept asking me, you should go, you'll be a great host. Because I used to always host nights at the Laugh Factory. I go, why would I do that? I'm an actor. You know what I mean? Like, I want to be an actor. I want to take you seriously, right? Not necessarily seriously, but my path was Eddie Murphy.

11:08Or the winds. I wasn't thinking Arsenio. And I knew if I became on the late night talk shows, it might take me somewhere else and I may not ever act again. So I was a thespian. And he's like, just go meet Quincy Jones. I said, if I meet him, he's going to talk me into it, right? That's how cocky I was. So I kept saying no, no, no. And he finally said, buddy, just go have a cup of coffee with him. I said, I don't even drink coffee. I'll go meet him. So I go to Universal Studios, not the rides, but actually his office is at Universal Studios. His back is turned looking out the window. And they go, Mr.

11:43Jones, Chris Spencer's here to meet you. I go, how you doing, Mr. Jones? He turns around and goes, so you the motherfucker that don't want to meet me? I was like, oh, this is the real Hollywood. OG. This is the real Hollywood. This is the real Hollywood. And we talked about the history of comedy, the history of late night talk shows from, you know, the Leno's, the Letterman's, the Jack Parr, and Merv Griffin. Like, he loved it. He's like, we got to find something to fill this empty void. And so he said, I want you to basically audition for this. There was like five or six guys that I guess they had a week of mock interviews.

12:20Who else? Who else? Do you remember who else they interviewed for that? Okay. I don't. It'd be interesting to see who else they had for that. Yeah. And I won. I won. And we had this concept of me doing this incredibly late night talk show based on the magazine. And then things went awry when Kenan also got a late night talk show. So, and so now, not only were we going to split this underserved black audience, they announced us coming out on the same day at the same time. August 4th at 11 p.m., Chris Spencer's The Vibe. Not even Chris Spencer's The Vibe. I can talk about that, too. Vibe and the Kenan Show.

12:56So now we have people flipping back and forth trying to figure out which black show they wanted to watch. Now, do you think with Hollywood, too, was that something that was done on purpose? On purpose. Absolutely. Back then, I couldn't. And they're like, you're such a great sport that you don't talk bad about it. I think it was like, let's let them battle it out. Really? Because Arsenio at that time in 97 had already. He was done. He was done. He was done like 94, 95. 94 after the Ferret concept, right? No. People, that's what we all think. Right. But he actually carried on for like another 16 months.

13:28Well, I'm saying, but that was kind of like. That's what people say. That's what people say. That was kind of like the straw right there. Right. That kind of started stuff. Because I know at the time, you know, you know better than me that the network and the show, they didn't want him to have Minister Farah come on. Arsenio was like, no, I'm having him on. So he fought that. So at that time, so the void was there, two black shows, two up and coming. Well, he was already kind of established. Keenan was already established. But not as a host. So two new hosts battling out for not only this audience, but even guests.

14:06Like, I'll be like, yo, for example, Jamie Foxx, I need you to come to my show. He'd be like, you know, I got to do Kenan first. That whole experience, because it was kind of short-lived with, because of all these dynamics that's going on. Right. Okay, that you had to deal with. Yeah. You wanted some creative control. You wanted the show to go a certain way. They didn't. Well, what would happen is, I hate to interrupt you. No, go ahead. is there's this urban magazine, right? And I'm trying to be urban, but of course we have to, we should have had to. They wanted to cater to the entire country.

14:39And I'm like, yo, we need to actually focus on our audience. And then they would come. Like I would, they would tell me I was talking to the black guests differently. And like, you know, you had this whole conversation with Don Cheadle. Like, I don't know if the little lady in Idaho knows what that is. I'm like, why is she watching Vibe at 11 o 'clock at night? Why are you caring about her? We should be caring about the people who love Don Cheadle and love Vibe Magazine and love this culture. And then they will come, just like with the music. People come. Nas didn't write songs for everybody. He wrote songs for us, and then everybody came.

15:17Oh, wait. But let me ask you this, though. So was it during the pitch when they talked to you about how we're going to structure the show? Right. Was that a conversation at the time of what your target target audience is? Sure. The target audience was definitely us, but they definitely would market it to everybody. So everybody would know about what us was doing. And it just kind of went awry, especially that now you have these two black hosts fighting for this little audience. You know what I mean? But the influence of vibe was crazy because stuff that I was creating on the show, like, you know, Arsenio had Woof Woof.

15:53And I had a thing we were doing Razor Roof. I would turn on Leno and Leno was raising a roof. I'm like. And they started having more urban guests on Letterman and Leno. Like they definitely had black people on the show, but they were. Urban. But they had more urban guests. Yeah. Black people. Don't get me wrong. Just. but really at that time, cause hip hop, like everything, everything was really elevated. I had Master P and Genuine and those kinds of people started going on Leno. No. At first. At first they went, no. Mary Jane, no. She was on my show first. Usher was on my show first. Yeah. And then they were like, yo, we gotta, we gotta get this audience.

16:35Wow. So going through that too, and it's all, as you evolved as a comedian, actor, what did you take away from that? Because it's easy to go one way, like, man, I failed or I didn't succeed. I got to hear all this negativity. I may not recover from that. Right. But you went a different way. What did you learn from that whole experience?

17:04I call it negative, and it's so funny. I have a thing called Chris's Two Cents. I love it. You stupid, dude. You stupid. So yesterday, I said one of my people, you know, if you come to the city, get ready to deal with liars. Because people lie. That's the one. Yes. And you know people call me. Five million dollars. People call me. They go give you five million for your movie. People call me. We talking about me. I'm like, kind of. There's so. People lie. They lie to your face. Oh, they lie so much, man. And then people, you know, since I'm like the mayor of Black Hollywood, right? Like everybody calls me for everybody else's number.

17:40Cause I'm friends with everybody. I get along with everybody. And so when, you know, when people were calling me going, are you, you talking about me? I'm like, not you, but a prototype. Cause people, they, they have your best interest a lot of times. And then sometimes they blow smoke up your ass. And sometimes they just want to be liked. You know what I mean? But people, people promise you stuff. And I go, Oh, people call me about, do you think this can happen or they tell me yo this dude just told me this this and this and i'll be like it's not going to happen you're a hater no you've been through it you've been through it you've been through and that's what i'm talking about as far as what how that situation right and again you it's been some other times after that you still had to learn you still had to go through some stuff so what i learned was that you you just you have to keep your guards up right you have to protect yourself because i don't care who they are they will disappoint you and you'll be like you the one i loved and trusted you and it goes you would want him to go i'm the one that usually does that i'm you're not gonna be disappointed by somebody you don't care about true so uh keep your guards up people coming out to hollywood um it's make believe okay it's make believe and so if you keep that in mind like all this ain't real i think you'll do just fine the people who are doing just fine understand that but yeah it's it's tough out here rich eyes and here with some advice if high interest credit card debt is grinding you down it might be time to call an audible with a sofi personal loan it consolidates your debt into one low monthly payment with no fees required.

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20:05With Hiring Pro, you can hire with confidence and build the team you need. Join the 2.7 million small businesses using LinkedIn to hire. Get started by posting your job for free at linkedin.com slash eisen. Terms and conditions apply. Look how burnt I am. I'm burnt. Look at this. You know you Amores just out here. Amores here and Bores here. Did you wear a hat? Yes. It didn't work. Yeah. Yeah. No, I just started wearing a hat. Yeah, I was horrible with a hat. I know. I know. I need to be wearing glasses, too. They told me. Some shades. So I can't play with shades, bro. I've never tried, but I'm supposed to.

20:46It feels uncomfortable. That's how the hat used to feel for me. But then, you know, I got to wear a hat. and then my wife's telling me I got to wear the suntan, whatever it is. Sunblock. Yo, you know the chemicals in that kind of messed up. Exactly. It's real messed up. And I think I'm real African so I don't need it. Yeah, yeah, the melanin. What's interesting about your career too is that you've grown so much as a comedian and as an actor. You talked about, and we'll go back to part of your trajectory. That's crazy. You've seen me since the beginning. Since the beginning. Because you, it's funny because you talked about this, and I think that's a very important point that you wanted to make, and you wanted to kind of stick to, that you had a plan already.

21:30Your plan, even though it was kind of set, not going to say in stone, but it was already, the precedent was already set with Eddie Murphy. Right. By being this high-level comedian, but then being able to transfer that talent into a bigger platform in the film and moving stuff like that. but from the comedy side, you had to take care of that part first. How, go back in 2000, 2001, what kind of comedian was Chris Spence? So here's the problem with why I don't think I, I did myself a disservice because of a talent that I have as a comedian. So as a comedian, you need to all the greats, right? Kevin, Dave, Chris, Epps, Cedric, they work on their act over and over and over again until it's perfected.

22:26I had a problem with saying the same stuff over and over again because I relied on my wit a lot. I liked, you know, crowd work is real famous now and popular. Like I was the king of that. And so I never, ever really focused on honing my act. And I never really did the road much like how these people, you know, you start off as a feature, then you become a middle and then you become a headliner. Cause I kind of came into the industry spoiled. I was on the road opening for Jeff Foxworthy. So I'm staying at the Ritz and we on, you know, I'm in first class and I'm in theaters. And then, and then from him, I went to Damon Wayans and I'm at the Ritz and I'm, you know, first class.

23:03And so I never, ever did it that way where you really grow and become a great comedian. You need to be doing an hour night in, night out. I was in town doing commercials. I was hosting rooms. So I made enough money to not have to do that. So I did myself a disservice of not becoming a great comedian because I hated repeating. So I hosted a lot of stuff all around the country. And so if I was to go back, I would definitely do just that. In 2000 is when I, let's see, 2000, 2001. Yeah, I was still, I was, you know, I was doing bit roles and movies and TV shows. and I didn't really focus enough on the pure art of stand-up.

23:51It's like I can hoop, like a player. Not me in general, but a player. And this is what you're talking about. I can hoop, but I really don't put in the word the hours needed to really be great. I can be really good because I'm talented as a player. But to really be great, great, it's the repetition. You hear those Kobe stories, those Jordan stories. That's right, in the gym all the time. And that's what separated. For you, I don't think it's not the comedy side because you're really good, especially writing jokes, but also impromptu. But it was putting in the work to develop your show and what that was.

24:29You know what I mean? And that part is as important because the presentation on stage is what brings people in or makes people want to leave. Absolutely. Yeah. You know, it's interesting that you say that, too. because, you know, from the outside looking in, I'm like, well, he has all these different options. He's, you know, over here, he's doing this. But in your mind, you're like, yeah, but if I would have. Exactly. If I really would have honed in. But maybe that's your gift, too, though, with regards to maybe the stand-up, putting those hours in really wasn't who you truly are as a performer.

25:10It's quite possible. I mean, it could possibly be that. But at the time when you're younger, a lot of times you don't see it. No. You know, you're on that grind. You're on that grind. And you know what you wanted at the time, too. If you were to go back and play, would you have done more? Oh, yeah. Because it came natural to you, right? It came so natural, but I always worked hard. I mean, when guys were sleeping, guys, you know, we talk about Kobe's work ethic. Mike, it's a lot of guys that put in the work. Sure. But those guys, because they're such phenomenal players and great and, you know, once in a lifetime, it seems like they do above and beyond.

25:46Right. And they do at times. They have a gift. I was out here running the sand dunes. I was out working two to three times a day. I'm doing all the stuff. So I put in the work. My thing was I got hurt my third year when I tore my ankle up. So that totally changed. Right. Ask a Grand Hill. Ask a Penny Hardaway. Not saying that I'm on their level. We had a, we, we, we, I don't know if we were in a barbershop, but we had a barbershop conversation of what if they never got hurt? And the three names you just said. I'm telling you. And so, and, but I see it though with, with players that are so talented that they've been so much better that the work ethic is not there.

26:27And you're seeing that in the comedy side too, because I, you know, I love comedy. I love watching, but I love to see how people perform and kind of put the show together and evolve. And speaking of involvement though, you not only, and we'll talk about this in a little bit more depth too, the onstage presence, acting, but also the writing. Yeah. And do people really understand kind of the writing part of what you do? This is crazy. Yes. Because a people come up to me who I don't know. and they'd be like, they'd be like, you'd be writing. How do they say it? You'd be writing. They think I'm like, remember the commercial Beatrice, they don't invent the blah, but they make it better.

27:12They think I'm that guy for everybody. He'd be writing for everybody. I'm like, no. So I think I got the moniker writing for everybody because I do the award shows, right? Right. So I'm always writing for everybody. So what award shows? What do you, from Image, Golden Globes, BET Awards, Emmys. Now these are white and black comedians. White and black comedians. Right. Mostly the blacks. Okay. I prefer the blacks. The blacks. Yes. That's where I get hired. The white comedians usually have their friends just like me. So what happens on these award shows is that if Jimmy Jackson is hosting the ESPYs, he's going to call the people who knows his voice.

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27:46And we're going to write for you. Like I wrote for Steph. Really? Yeah, I called him out of nowhere. I called Will Lowry. Yeah. Steph's hosting the ESPYs. He needs me. I don't want no money. I just need to be there by his side. Really? Really. Didn't take a check? No. And how open was Steph to that? Very open. Very open. Wide open. And he hit the shot. Right. So, but Jamie, Cedric, Kevin, Epps, Tiffany, Wanda Sykes, like, I'm there somewhere. You know what I mean? And it's gotten to a point where this is where I, A, people point at me and they don't name like TV shows. They go, you be right. You be right.

28:30You make everybody great. I'm not everybody. But it's gotten to a point now where people will watch an award show. And then they'll go. They know exactly which. They know which joke I wrote. Really? Every time. So you did it for Tom Brady, right? For the roast? Yes. For Kevin. You did it for Kevin. I wrote for Kevin. Yes. I wrote for Kevin. So how is it working with comedians like that? I mean, because. Because we came up in the trenches together. You know what I mean? So imagine dudes who went to your AAU camp and now they're the man. I know. I love it, man. I love it. I love Kevin. I love seeing him win.

29:09And he always hires me. You know, we created real husbands together. So our children are best friends. So that's like my brother. You know what I mean? But these people trust me because we know each other. When we was at McDonald's or whatever joking, and before there was a show and all of this, they know I'm funny. They know I know. Jamie knows if he, for example, we did the ESPYs in 2000. You're there. Matter of fact, there's a shot when he says a joke and you go, ooh, yeah. Right. I think it was about Serena or something. Anyway, the tennis ball thing. Remember tennis ball? So Jamie, they hired me a lot because I'm the liaison sometimes between the production people and the act.

29:53Right? So Jamie might not say F that joke, but I'm going to go, you know, Jamie ain't going to do that. So we got to kind of figure out a way to go. I'm the voice for these people. So they can always be the good guy. You know what I mean? And not that I'm the bad guy, but I'm going to speak for, I'm going to speak up for them. And that's why they also, they love my pen, but they also love my voice. Is it, but for a comedian like Jamie, for a comedian like Kevin Hart or Seth, is it because you know them, is it tougher still because you know them sometimes to, when they don't take a joke you want?

30:30No, okay. Because I have another one. Another one. Listen, I'm so arrogant now with my comedy. Like if I'm on stage and the joke don't work, I think you didn't get it. There's no way. There's no way it can't be funny, right? Who are these people who don't get it? Is there someone you wrote for that you say I'd never write for him again? No. No? Didn't come across? I mean, I've written for people and they've said my words wrong and this didn't work and I told you that wouldn't work. But no, we love each other. This comedy fraternity, you know, you hear all this beef and it's so small, you know, the people who are going at each other.

31:18But the rest of us love seeing each other. We love seeing each other at the airport. Right, when you're traveling and doing stuff. Is it like competition? You got competition in sports and now in comedy, but you have a camaraderie, unwritten, friendly competition. But how big is it in your time as far as joke stealing? I don't really hear about it. Here's what's so funny. I have a friend. and he called me one night and said, yo, I was in Toledo last night and I wasn't doing well and I did your joke. That's honest, right? I said, did it kill? It killed. It killed. Right? But this is how funny he is.

32:10So he calls me a couple months later. I go, you know, he goes, I just shot my special. I go, congratulations. He said, you know that joke we do?

32:24I said, we? We. He did my joke on the special. Did he? How can I be mad? It was actually an older joke, but it was just the honesty. I don't really hear about people stealing jokes anymore. It used to be bad. You remember the 90s? People were getting into fights, knocked out. That's what I was, and that's the point I was getting to. Right. So did the era, the time to switch, because even you had some stuff going on in the 80s like that, too. Right, yes. Comedy-wise. Yeah. Why do you think that changed a little bit? I know, it still happens. I mean, maybe not as much. I'm an elderly statesman now.

32:58So just like you don't hear much locker room stuff anymore, I don't really hear that stuff as much anymore. I'm a pushback because in today's world with social media and, and, and all these internet and everything, a lot more stuff gets out. I know the stuff that's out. Okay. Okay. I'm just talking about like the inner working. I'll have to hear it later, you know, blah, blah, blah, blah, blah, blah, blah. And so, but I'm not in the trenches like that anymore. Maybe that's a better way to say it. I'm not, you know, they see me and they're like, Oh, you know, Hey man, can you help me with this?

33:36Listen, I'm not hearing about these two younger guys fighting over a joke. But you remember the 90s, dude. It was ugly. I remember arguments like this. Hey, man, you stole my joke. What joke? The thing about the blah, blah, blah. He said, dude, I've been doing that joke for eight years. He's like, I've been doing it for six. Like he had a point.

33:59But you've been in it. So changes in comedy. And I always like to relate things to sports because each era is different. And I tell people this all the time. They say, well, Steph, if Steph played back in the late 80s, 90s, he couldn't compete. I said, let me explain something to you. I said, one, you can't just transfer his talent, what he's doing today, and take that back. They said, well, why? I said, because he would grow up playing the game being taught differently. Okay, so you're telling me Steph couldn't play back then, but Muggsy could. D. Brown could. Michael Adams could. Terrell Brandon could.

34:39Spud Webb could. And they're shorter than Steph. Yep. But they grew up being taught to play on the playground, in the alley, you know, in these gyms and physicals. So his game wouldn't be the same. Right. And it's just like you can't transfer a player from the 80s and put him into like Jordan. If Jordan played today, he'd be a different player because he'd be. So from comedy, it's changed so much. It evolved. But yet the essence is still the same. How have you seen the growth or the changes since you're in the 90s, 2000s to where we're at now? So earlier, I think there were more storytellers, the Cosbys, the priors, and audiences were patient, right?

35:27You could tell a long form story. You could do Mudbone and you could do these characters and audience would sit. And I think with the advent of comic view and Dev Jam, comedy became faster. We want the joke now. You know what I mean? And I think that storytelling form is starting to come back with Dave and like Ali Sadiq. Like people are taking their, Kevin takes his time with these stories. And so, I mean, funny, it's funny. Like you said, if you're good, you're good. You can adapt into any era. And so I like seeing that kind of stuff again, where people are telling these longer form stories as opposed to joke, joke, joke, joke, joke, joke, joke.

36:08But David does it, Chappelle does it with a mixture. It's comedic. Oh, there's yes. But it's political. Yes. It's truth. It's it's a lot of things that go. And I think that he's earned that reputation where people are going to be more patient. Sure. To actually see what he's going to say. Exactly. And sometimes it's not even a joke. It's kind of the depth in which he's telling the story. And everybody can't do that. Kevin does his a different way. He keeps you in by little sidebars. And then he leads up to it. So who else would you say kind of from a young perspective, you seen a young comedian that kind of has those chops right now?

36:53It was a good question, right? Yeah. there's a guy named Brian Simpson makes me laugh why he's just so smart and he sits in the pocket and there's stuff going by him and he doesn't really do many urban rooms but he'll kill in any room he's just patient and his stuff is Sidney Castillo has a special out right now he kind of came up under us right he's he was on a roll with me early and then with Marlon Wayans Marlon has grown like I've never seen somebody go from that to that like so I don't know if you can call Marlon Young anymore he used to be the young guy now he's 52 so maybe not Marlon but Sidney Castile is one to watch who are some of the other people what about Matt Reif oh he's great Ohio yeah by the way I probably I noticed why you said it oh hey I learned that from Dave Matt Reif is great Nate Jackson who's kind of an underling of not an underling of Matt he was one of his boys he does a lot of crowd work like that too so there's some funny kids out there like Ryan Davis he sits in the pocket too

38:18DC Youngfly like these people this is another conversation is like there was this advent of all these social media guys, right? And they were going out doing stand-up and selling out tickets, selling tickets, and a lot of the older guys were mad because these young guys who weren't funny were selling tickets, and then they're funny and not selling tickets. And then those young dudes started getting their ass handed to them, and they finally, and some of them realized, I got to become a real stand-up. So the D.C. Young Flies, the King Batches, the Desi Banks, they all started to really study. I would see DC Young flying the club studying.

38:54Studying. So he would go to different shows. You want to go up? No, no, no. No, no. He just watching. So he's scouting. The scouting report. Scouting report. And I love seeing that because now I've seen these guys five years later now, and they're incredible comedians. So for you, it's a two-pronged question. As a young comedian, best advice you got and the advice that you would give a young comedian coming up right now. Damon Wayans. Mm-hmm. Right. Who I used to open for. He told me.

39:26He told me, which is kind of back to what I was saying about having these longer form conversations. He says, you're not going to be great until you can enjoy the silence. And so and I'd be like, what? I didn't understand what that meant when I'm 26 years old. but I love being the puppet master. Like we tell, you see Dave tell a story and it's quiet and he's doing this, this and this. And then he goes,

39:58Oh, it's when the room is silent. It's like a 300 yard drive. Or it's like a musician that changes the tone and tempo of a song and brings the crowd down. I can do whatever I want. I'm the puppet master. And so if you want to be great young comedians, you have to learn how to appreciate the silence. I would just take exactly what he told me and tell them. But that silence for a. That silence from jokes that aren't working. Okay, that's what I'm saying. See, that's the difference. With Dave Chappelle, you see people lean into it a lot. Exactly. They lean into that. Right. Yeah. One of my favorite comedians, one of the greatest comedians, and he's more of a comedian's comedian because he hasn't really done it in a long time.

40:44Do you remember Daryl Heath? Yeah. Daryl. He didn't, he didn't do a lot. He's just, Daryl used to do stuff and I'll be like, how? But he was good at the silence. Like he would do stuff to make you lean in. Like I remember one time we're in Atlanta for Laugh of Palooza earthquake. I keep hearing the word. Who's this earthquake? Earthquake, earthquake. I was like, who's this earthquake? You'll see it. I walked in and the walls were shaking and I was like, oh, that's why. And they're like, Daryl, you're up next. He's like, okay. I was like, Are you crazy? Hey, can we put somebody over up before Daryl?

41:14He's like, no, no, I'm good. And so Daryl would go up. Yeah, y 'all doing your good? All right. Everybody has a nice shirt, man. And now you're like. Yeah. And when I would see him do this, I'm like, he got him. He got him. It's home. Because Earthquake, I mean, they're still putting the lamps back up. And he'd be like, yeah, that's a nice shirt, man. Yeah, it's a great crowd. That's your woman? She's beautiful. Thank you. How you doing? Daryl, I'm from L.A., blah, blah, blah. And people are like, is he going to tell a joke? But they were like hypnotized. And so that's when the silence works, when you're in control of silence.

41:49Now, if you're saying jokes and they're quiet, that's not what Damon Williams was talking about. Well, you know, it's interesting, too, because there's a lot of storylines. and we use tragedy, not me, but comedians, as a way to lighten the subject matter a little bit more. But I think you said this, and a lot of comedians said that, that back in the day, you had to have some form of laughter to get through the trauma that you were going through. But it's hard to tell the truth about yourself. It's easy to tell about somebody else. Right. When did you get to that point in your career where telling the truth and being able to be cool with that with yourself was comfortable?

42:35The real truth. Watching Damon. Damon would say stuff. I'm like, you sure you want everybody to know that? You know what I mean? That honesty. You know what people love, Kevin? Not because he has the funny laugh and that he's short. He brings you in. Why do you put the short in there? Why do you throw the short? People like short people. He's amusing. He's short. He looks cute, right? Oh, he's so cute. He looks cute. But he brings you into stuff in his world. He talks about his marriage. His father was on drugs. He talks about, you know, the way he came up. He talks about his kids and not liking this kid, and this kid is a crime.

43:15Like, he's giving you information like, yo, should you be sharing that? But then you go, yo, my dad does drugs. Exactly. You know, so he makes himself endearing to you. And even if you don't have the same problems as him, the fact that he's opening up to you makes you go, wow, I love this. That's why you love Mike Epps too. Mike Epps tells you everything. I think that's what. Mike Epps has a joke about some of his kids are ugly. How could you say that? I know, right? Yeah, I wasn't. I hadn't made it yet or whatever he said to their mama's up. Rich Eisen here. We talk a lot about battles in sports.

43:56Teams battling through adversity. Athletes fighting for every yard. The toughest warriors I've ever seen, though, aren't on the field. They're kids fighting cancer. They're families standing beside them. Doctors, nurses, caregivers. That's why I'm proud to support Hyundai Hope on Wheels. For over 28 years, they've helped fund pediatric cancer research, raising more than$303 million and supporting over 40 ,000 children. Learn more and donate at HyundaiUSA.com backslash Hope on Wheels. O 'Reilly Auto Parts can help take the guesswork out of your vehicle's check engine, ABS, or maintenance light with O 'Reilly Veriscan.

44:31The service is free and provides a report with solutions verified by ASE certified master technicians. Ask for an O 'Reilly Veriscan today. But that's what, us being older, and I wasn't supposed to be watching it at the time, but because of the way my parents and the people were, it was Richard Pryor. Of course. Richard would tell you about the cocaine addiction, about the women, about his abuse growing up. Growing up in a brothel. Growing up in a brothel. But if it, you know, live on Sunset Strip. Oh, my God. It just, the red suit. Yes. The black shirt. Sure. It just, it was so authentic. Now, again, the story had been told about his life and everything.

45:09But yet and still, even though you knew the story, you knew the background, you knew what was going on, when he started to bring you in and started to talk to these, to these things that happened in his life, it was like almost like the first time hearing it. Cause the way he presented it. I remember he talked about when he was, he set himself on fire. That's right. He's talking about the bad joke. I heard y 'all jokes. Yeah. I said, what is this? Richard Perron down the street. F y 'all. But he makes fun of, and that's, that's an endearing quality, even though he was, he had all this others. He had another person, not another person over here.

45:46You know, his personal life, then his comedic life. Right. Two different people. Two different people. Matter of fact, it's so funny. I was just talking to my friend, Annie Clemens, who portrayed Richard Pryor in this miniseries. And a lot of people were wondering why he wasn't imitating Richard Pryor. Right. But he's like, if you watch interviews with Richard Pryor, that guy doesn't sound like live on sunset strip like he had a different cadence a different voice he said so i was doing him because you're going to see me doing i'm not really going to do a performance in this tv show i'm going to be i'm going to be having conversations and interacting with the rest of these characters and so those i think there was two different richards maybe three or four it might have been but you know but you see a different richard in stir crazy Yeah.

46:37Okay, the movie. One of my favorite. Grohlberger. Yeah. I mean, but his, it's interesting too at that time, was that in 70, 78, something like that, you got this picture in your mind, and I know probably for the white audience, they had this in their mind about Richard Pryor, who he was, even if they saw something. How could he pull this off? What was, it was Gene Wilder. Wilder. Who was a genius. He was a genius. Willy Wonka, shout out. Made me want chocolate all day long. All day long. But the chemistry between the two. Remember, they did three movies together. They did Hear No Evil, Say No Evil, and Silver Streak.

47:21Silver Streak. But it's just watching the dynamic. And you talked about the Richard Pryde, the genius in him, going from just doing stand-up, performing, and then the acting. Right. And then even what he played in Harlem Nights. Oh, my God. I mean, it's just. To have to. And basically, you're talking about the funniest man in the world who said, okay, I'm here with Red Fox and Eddie Murphy. I'm going to be the straight man. The straight man. But he still was funny. But he's like, I'm going to let them do that, and I'm going to sit back and do this. I'm going to be the quarterback. genius and that guy ain't the same guy in the toy right right that's not the same guy in Lady Sings the Blues at all no it's not he had range he had he had speaking of Red Fox see that shirt right there partner it's so funny when young people ask me what this is I'm like you're so disrespectful people don't realize too young people they may they may see Sanford and Son yep they don't understand that he was a comedian and Malcolm X's best friend right Right.

48:29Isn't that crazy? Ain't that crazy? Can you imagine you walk down the street and you go, yo, two different reds. Two different reds. But, you know, watching those, I guess part of, and again, I'm not the novice as far as knowing everything, but growing up at the time, comedy was huge when I was younger. You know, because whether you saw a standup or not, a lot of the sitcoms had a lot of comedy in it. God, I miss those. We came up in a great era. Why is it that, in your opinion, 70s, 80s, we had more black shows on TV at that time compared to what we see now? We actually have a lot of black shows now.

49:12I'm talking about more dramas. Dramas. Yes. I mean, what's happening? Good times. The Jeffersons. 228. I mean, 227. Yep. What am I missing? Sanford and Son. Sanford and Son. Yes. If you want to come a little later, the Cosby Show. The Cosby Show. There was an era in the 90s we was winning too. We'd hang with Mr. Cooper and Jamie Foxx and Martin. So it's like, I don't know if it's cyclical. Right. Like, they're going to be funny now. Now we're going to make them dramatic. They're going to be funny now. So I think they're trying to lean back in because actually Tommy Davidson has a new show possibly coming out from that character Varnelli played on Martin.

49:48And so I think they're coming back. You know, Mike Epps, they have a multicam on Netflix, him and Wanda Sykes and Kim Fields. and then it was this great show called The Real Husbands of Hollywood. Let me stop you there. Maybe I should skew it a little bit more. There were a lot of shows, but back then because of the change in how we're viewing shows, whether they're streaming platforms, and you don't have to be on network TV. Back then, you didn't have the offerings. We had to run home and be home. You had to be home and watch it. Now you can watch it. So let me preface that and say, back then it was on primetime TV.

50:29Jeffersons came on at a certain time, primetime-wise. Okay? And you had to be there to watch. You missed it. If you missed it, it wasn't a rerun. You had to wait. You had to wait somehow until they ran a rerun. Right. But do you see that continue to evolve with the expansion of the streaming and everything? Yeah, I think it's harder to sell now. I think there's a lot of cutbacks all my studios cutting back oh my god, writers rooms now are like one dude two dudes, it used to be 10, 15 people it used to be you know, back then a season was 24, 26 episodes now it's 8, 6 and so you end up binge watching and then you have nothing to watch you know what I mean, so that's kind of messed up I hate that I hate when shows don't allow me to binge watch and then I hate the show.

51:22I'm like, I don't want to watch another one. I want to save it. Be up all night. All night long. That's the, and I guess I see a lot of young up and coming actors, comedians getting into the space and then like, what's the next iteration of comedy? Are we going to get back to those shows that, so back in the day you got with your family. That was a beautiful part of the 70s and 80s. You sat down, really in the 70s and 80s too, you sat down with your family, got popcorn, got whatever it was, got in front of the TV, and you watched the show together. We do that. Like my wife, we have a screen in the backyard.

52:05We have movie night and TV night, and we have the kids come. What do you want to watch? And we've brought back the classics for them to know, so they can know that their music ain't shit, and that these TV shows ain't shit. So you can know why we talk the way we talk, why we're so judgmental when we see this. Just like, hey, my dad thought Dr. J was better than Jordan. But we make sure that they've seen all of it. Then now you can compare and contrast. And speaking to bringing your kids back and growing up in this world, in Hollywood, as a comedian, how has that shaped you as a father? And the kids, at one point a day, again, with athletes, that's just my dad.

52:51Right. Trying to be funny. He ain't that funny. So, one, being a father in Hollywood, how was that? And the things you had to go through. But how do your kids, when they were younger, really see you? I mean, you know, it's so funny. Like, I'm just dad. You know what I mean? like other people are famous, but I see dad every day. Every day. I heard dad farted. You know what I mean? Dad picks his nose. Dad is getting cussed out by mommy. He's normal, but I've never heard Dave Chappelle get cussed out. I've never heard, you know, Denzel, you know, so they're still, you know, even though you grew up in this, there's still somebody that's going to make you go, yo, you know what I mean?

53:37Cute story. So Kevin's daughter and my kids are best friends. And we're in, God, this is going to sound very bougie. We're in the vineyard. Oh, the vineyard. About to play golf. And Don Cheadle comes over to pick me up to go play. And Kevin's daughter froze. I go, what's wrong with you? She goes, no, she ran back in the room. I go, what's wrong with you? She goes, now she's a big comic book person. She goes, she's crying. I go, what's wrong? She goes, is War Machine out there? War Machine. War Machine. I go, yeah. I said, come say hi to War Machine. I can't say hi to War Machine. And I'm thinking, your dad's Kevin Hart, but that's her dad.

54:18That's her dad. That ain't Mouse. You know what I mean? Yeah. So, yeah. I mean, you know, just like your kids. You know, it was cool when they saw you. Yeah, they like. But then, you know, back then, they go chasing kid or whatever. You know what I mean? It's a funny dynamic. But what were some of the challenges to being a father in Hollywood, raising kids? I was lucky man my wife is such a disciplinarian like you know we were

54:51amongst you know the super uber wealthy and our kids never were like I want what he has or I want what she has because we gave it to them it might not have been that we gave it to them It might not have been the year it came out, but they got it. I don't think my kids ever, we were so lucky. They never were trying to compare and contrast. And that's the problem with our culture. On my block, the block that I live on, some decent houses, right? But we're the black family with the BMWs and the Mercedes. Everybody else got Subarus and Camrys. That's what we're supposed to have, right? but I can't go on Sunset with the Subaru they'd be like what happened to Chris is he okay well you thought you just wanted Outback huh yeah they'd be like damn man he ain't survives he ain't survives his vibe you know what I mean like we kinda have to have although I also want nice stuff but my block you know Pathfinders this dude probably make way more money than me but nobody with nobody's car but does that did you ever fall into that trap in Hollywood again you got the kids right But trying to keep up, trying to impress, trying to.

56:11I don't know about impress, but I was never going to make us look down upon. You know what I mean? Nobody was going to ever feel sorry for it. Not that they would have ever had to, but we kept up. You know what I mean? Like I would literally, I don't know if you remember my post. Whenever I worked, my hashtag was another mother private school. That shit going right up to it. Shit going right to it. Yeah, so kids had a great life. And it's something, too, because it's a challenge with you, one, being famous. That's one thing. I'm not famous. I'm popular. Okay. Like if this was high school, there'd be the quarterback, the receiver.

56:52I was the strong safety. You strong safety. Okay, but you're very popular, but you're growing up in L.A. and in Hollywood. Right. In this environment, raising kids. Yeah. And those intimate conversations that you had to have with them about what life is really about and stay with it. But yet give them the things that they were given. And, you know, you grew up, where'd you grow up? You grew up in Englewood. As much as we want to duplicate how we grew up and give it to our kids, we know we can't. You know, from an education perspective, you got to send them to a really great school. I remember I was so funny you said this.

57:36My wife wanted to, I was trying to be my parents, right? Right. So they wanted something. I go, we can't be spending money like this. We can't afford it. She went, yes, we can. She said that thing. She goes, yeah, we can. I go, oh, we can. I was trying to be my mom. Yeah, we can. I was like, ah, shit, you ruined it. But we definitely didn't. I wouldn't say we spoiled them. They worked for everything. you know, that they got. And then all we want to return is, is respect. And, uh, we love to hear other people say something great about your kids. You know what I mean? I was always, what make me excited, like the teacher or another parent of a kid.

58:21Would I go pick them up? Yours? I wish my son was like your son, or I wish my daughter cleaned up after herself. Like, like that kind of stuff is rewarding. That's how they earned the Jordans. You know what I mean? Right. Did you feel it was an extra burden too, that your kids had to be in line? just because of who you were. I mean, how they carried themselves. You know what I mean? Yes. I'm the same way with mine, just because the level of expectation that I know my sons had to be on point. Because the expectation level. That's Jimmy Jackson's boys. That's right. And I wanted them to represent themselves, first of all, and the family.

58:55But I felt that added responsibility as a father to ensure that they were prepared and can handle themselves in any situation. I got a young one that's seven. and my oldest is 32, that you can, you know, I took pride in that. Yes. And when I hear those comments about it. It's the great. It's so rewarding. It's the best. Yeah. Yeah. When other people say stuff about your kids, you go, babe, we did a good job. I told you, if we kept beating them, all this stuff would work. And as you look at it, too, kids are how old now? 20 and 18. 2018. Last one is going to be gone. Tomorrow. Tomorrow. Okay, so now what still drives you on the comedy side?

59:38Because I'm not finished. Finished, okay. What's next? Like I have a special. I need that to drop. Okay. Like I don't want my tombstone to read. Boy, he could write for everybody. Like I want to be known as a great performer as well. So we're going to bring that back to the beginning. Mm-hmm. Of the involvement of Chris Spencer. now performing in front of the camera or on stage? All of it. Okay. I'm too cute for radio. I'm burnt. Stupid, man. I'm burnt. But yeah, man, I'm a performer. Literally, like, I do all these other things. Like, if this was high school, we walked into the cafeteria, and I walked in, and Spike Lee and F.

1:00:23Gary Gray and Gina Prince-Bythewood was over here at the director's. These guys are going to be future directors. And then over here is Kenya Barris and Lena Waithe and the future writers, showrunner, producer, Shonda Rhimes. And over here is Tiffany and Cedric and all the silly people. I'm going right over here. Jay Phillips and the clowns. I'm a clown. Ruben Paul. This is somebody named Buddy Lewis. You know, Buddy. I'm going over here. I do all this. I'll say what's up to them. They'll be like, Joker, ha ha, give me a fry. And these dudes, yo, yo, yo, that test was hard. I'm going to sit with my, this is who I am.

1:01:10I am a clown. But do you think that hurts or helps you? I don't know. But no, because this is serious about how people view you. In the bigger aspect of what you want to do. But all three of these tables are doing well. Yeah, but I'm saying, this is what I'm saying. Yeah. Because for people to take you serious and do things on the acting side, and you don't want to be typecast just as Chris Spencer, the funny guy, all the time. How much does that being the funny guy may impact or impede the other? I don't mind because Robin Williams, Kevin, Eddie, all these people were dunking a lot as funny people, and then they got the opportunity to bring the ball up and do some dramas.

1:01:56Okay. So I want to be a great dunker in this comedy stuff. And then, you know what I mean? Jim Carrey, like they were great comedic actors in stand-ups and then had opera Chris Rock. They got opportunities to do these other things. So what's the path to that right now? Because you talk about now you want to be the performer. Yeah. When this special drops, people are going to be like, oh he can do that as well and he's pretty good so when is it don't don't tease us and don't well i mean i know you can't divulge all of it give us give give me it's been shot okay it's been shot so i was back to liars you was told what i talked to a network I know the president of the network I said yeah I'm shooting a special he said you better bring it here all I know is that Chris Spencer special better be here I said oh okay and I saw him a little later you know I'm shooting next week and we'll be here with open arms and then when I gave it to him the arms weren't open it fell to the ground and so now I've had to I've had to shop it and I've had offers it's just not quite the offers that I want and it's going to come to a point where I'm going to have to just go, I just got to put this out here and try some of these other methods of other ways that people are putting out specials, whether it be YouTube or another streaming platform.

1:03:27Because, you know, I was aiming at the big ones. Disappointed that the biggest one disappointed me, one of the biggest ones. And so I just got to, I might have to just suck it up and go, here it is, here I am. And then it's like a musician's first album. I might have to take an L on this one, but I'll be able to tour and prepare for albums two and three. Gotcha. A lot of information, man. But before we get out of here, I got a couple of quick hitters for you. Sure. That I wanted to get into. PXG. Oh, go ahead. Oh, you want some golf stuff? No, no. I thought you were going to ask me. So what do you play with PXGs?

1:04:01I play with PXGs. I know you got them free. I know you ain't paying for them. That's right. I remember when all y 'all had them early. I was like, y 'all pay for these. You know what I'm saying? Man, stop playing. What are you playing with? Taylor Maze right now. Tell you what, 790s? 790s, I got to get a new set, but I'm playing with the new Adapt Cobra, three wood, five wood. Everybody loves it. The driver, too? No. So, not the driver. What's your driver? So, I got the older Cobra driver. Everybody loves this Cobra. Wait, the Adapt right now got 33 settings, bro. See, I don't. I know. You be adjusted on the course?

1:04:34No, I just got it. But I've never adjusted in my club, ever. I just got it, so I'm trying to learn how to hit it. it's a trip. But Colbert Drivers and Three Woods. I just got the five, so I'm going to see how that hits. Now, again, still the person swinging the club. I don't care how good the equipment is. I don't know if we can say Indian anymore. It's always the Native American. There you go. There you go. Okay, look, quick hitter. Okay. I got some rapid-fire questions. Who's the go-to comedy? Rich Pryor. Ooh, that was quick. That's easy. Second.

1:05:16god that's a toughy right because i want to say eddie but it's almost like biggie only had two albums and eddie only had two specials and so but those two albums and those two specials but david kairi chappelle is something we've never seen so I have to have a 2 a 2A and a B is that possible? That's possible. I'll give you that one all time Hollywood crush your wife listening too so it better be in the past partner Cicely Tyson really? No I'm just having to go I had to go back far enough I was like go back but not Miss Jane Pittman Halle. Ohio, by the way. I know. Halle Berry was... I used to do a joke.

1:06:17Halle Berry's so fine that if anything ever happened, I would tell my wife. But what'd you do today? I'd be like, I'm glad you asked. Me and Halle... She could be mad and she could be upset, but she can't be really mad. She'd be like, all right. Because, yeah, she'd be like... Because she probably got a Hollywood crush, too. You think so? It's probably me, but... No, stop playing. Okay, look. But give me a joke that got you a gig.

1:06:45A joke. So it had to be in my stand-up, not just a regular joke. A good one that got you over the top. I don't know about over the top, but I told a joke that got me a gig at a doctor's convention. Really?

1:07:05So a dude's at a bar. He sees this woman. They're looking at each other. And they have some drinks. He's like, you want to go back to my place? And she's like, absolutely. They go back to his place. She goes, give me one second. She's in the bathroom forever. 15 minutes. They come back. He's like, you okay? She's like, yeah. They have sex. Great time. Right? He goes, let me ask you something. She's like, what? He says, you're definitely. They were at a doctor's convention, by the way. He goes, you're a surgeon. She goes, how'd you know? He goes, because you scrubbed up for so long in the bathroom.

1:07:37She's like, yeah, I am. And she goes, and you're an anesthesiologist. He goes, how'd you know? She goes, because I didn't feel shit.

1:07:47So I ended up doing this. So you ended up doing it? I had this thing for this plastic surgeon who fixes, like, people who have, like, cleft problems and hair lips in Africa. Yeah. So, but that joke, he's like, I want you to come to my thing. You pay for it? I mean, pay, pay. Pay. Okay. Payback. All right. Okay. If you had to have a theme song for your comedy career, what would it be?

1:08:13So Fresh and So Clean. So Fresh and So Clean. Okay. Or Classic Man. Yeah, So Fresh and So Clean. I like that one. Yeah. Last one.

1:08:28How does Tris Spencer want to be remembered? We talked about the tombstone earlier. As one of the funnest and funniest human beings that anyone has ever met. Well, I think if people get the chance to sit down and talk to you, understand who you are as a person, it'd be easy for them to come to that because I got the chance to know you over the years. We've all grown and evolved, but it's funny. Can I kind of steal the same? Right. We still the same. You know, it's. Still the same. Oh, yeah. Dot, dot, dot. can get up and down from anywhere.

1:09:07That's important. That's important. That's important. Man, I tell you what, this was so good. It felt like we should have maybe charged some people for this episode right here. Listen, so, but I do want you to let, you know, the audience, our fans that tune into the show kind of know some upcoming stuff, like what you're doing, like coming up. And how to get in touch with you too. Okay, so on Vice TV, as well as, I think it's still on Hulu as well, myself, Tiffany Haddish, and Ryan Davis did a 10-episode retrospective on black comedy in America. And that's the name of the show, Black Comedy in America.

1:09:47And we take you from the Chitlin Circuit all the way to basically Kevin Hart. episodes like Def Comedy Jam, The Kings of Comedy, Dave Chappelle, Eddie Murphy, and 80s sitcoms, 10 episodes. It's, excuse me, Spanish was earlier. It's incredible. It's shot well. It's produced by this company called Smack, Michael Strahan's production company, Constance Schwartz, And my wife, Vanessa, is also an executive producer on it, as well as a guy named Anthony, Anthony Brown. It's just, Anthony Smith. It's just, it's a must watch. And season two is coming soon. So before we go to, in this interview, I wanted to bring that up.

1:10:40By going through that process, did you learn anything new by going through that, by putting all of this together? Sure, yes. What was the biggest thing that you kind of got out of that? That the same way you just described listening to Richard Pryor kind of having to sneak to listen to it. Everybody from Michael Eric Dyson to is it Eric Michael Dyson? I always mix it up. Michael Eric Dyson. I mean, we didn't only interview comedians. We talked to Al Sharpton. We talked to, you know, you know, authors and other people who are in this game. Marcus King, who used to manage Jamie Foxx. Like we didn't only talk to people who were entertainers, but people who are around comedy and historians.

1:11:19And so a lot of people share those same intimate moments. Bless you. So I learned a lot. I learned, you know, Marla Gibbs, her story. Yo, she's got a story. The way she got the Jeffersons, I'm not going to tell you guys. I need you to watch. You're going to be like, really? this woman's 90 something incredible stories Kim Whitley and Tiffany share stories Bertie Mac's daughter and Tiffany talk I mean you know and then I have the D-rays and J.B. Smoves and Guy and Joe Torre I mean it's just like it's a nice well rounded 10 episodes giving you some factual information of how we as comedians tick and how comedy and how black comedy is the culture and black comedy is comedy.

1:12:19Like really, if you think about it, what white comedians, maybe one or two were doing stadiums like Kat Williams and Kevin and Dave and Chris, that's us. That's us. The superstar comedian. It was invented by us. I love it, man. Yeah. Well, good, man. You know, social media. I'm sorry. Social media. Instagram, the real Chris Spencer. Facebook I guess Chris Spencer some of you older people MySpace Chris Spencer and some of you older black people Black Planet Chris Spencer stupid man stupid man you know one thing I figured out too that as we get out of here our commonality what we really have in common is that when it comes to golf we're America's guest somebody told me he is a member who doesn't play dudes.

1:13:15At multiple courses. Listen, I dropped my membership just yesterday because I was at other people's courses more than mine. Right. And sometimes I pay at those other courses. Oh, yeah. If somebody invites me to, I'm like, you always have to get it. I try. I do what women do when you take them to eat. They go, you sure you don't? Please stop. You know you ain't got that one. Stop and park it to the person. Man, you ain't got to pay. All right, I need a glove. Yeah, come on. Don't worry. those are the kind that you do you want to do something nice for like I play with some people you play Alpine in New York?

1:13:49no I went in there I said I gotta get a shirt go ahead right okay and then I needed a glove and some hat I was like I gotta go I'm on some trinkets don't worry about it put it on the count put it on the count I was like it's a Scotty Cameron over there that nobody has yeah so I mean We're spoiled. We travel the world playing golf. It really is. I look forward to the next time we get out and play. Absolutely. I appreciate you coming on. Seriously, because I just thought it was important for me to be able to have you tell your story, the story about comedy, the involvement of it, the involvement of what you're doing and kind of where you're going.

1:14:27Because a lot of times you get locked in the box a little bit. Right. And it's good to have these kind of conversations to kind of open up, you know, that bandwidth a little bit more so people can understand it as much more than being the funny guy. Right. So I love it, man. Appreciate you, brother. My guy. You got it. When you back? I'll be back next week. We're going to play. Got it. Free. If it's free, it's for me. Give me three. Let me call some rich friends. Thanks a lot. And once again, you can catch the show at Jim Jackson show, youtube.com, the rich Ijen show, but also to wherever you download any of your podcasts, please, please take a little time and download ours as well.

1:15:04Thanks again for tuning in to The Jim Jackson Show.

From the publisher

Jim is joined by his good friend and comedian Chris Spencer.  Chris discusses his lengthy & successful career in entertainment, how to survive and thrive in Hollywood, his comedy hero’s as a youth, and who he thinks are some of the best stand-up comics in the game right now.  

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