This Was SportsCenter: Linda Cohn - Season 1, Ep. 4

19 Jun 2026 · 1 h 14 min · 32 chapters

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In short

Linda Cohn’s career at ESPN and SportsCenter, focusing on how she got hired, her early on-air experiences, and behind-the-scenes storytelling changes (lead-ins, tickers, and live breaking news).

Guest backgrounds

Linda Cohn is the longtime SportsCenter anchor who won an Emmy for SportsCenter in 1996. Rich Eisen is the host, reflecting on their shared SportsCenter “golden age.”

Key claims

Cohn says her longevity came from being a “fan first” and reacting authentically to what viewers are seeing, not using overly pre-rehearsed lines. She recounts being scared after a joke on-air seemed to upset Seattle Sonics players. She also describes how SportsCenter’s writing and suspense were undermined when a bottom-score ticker was added (around the early 2000s, post-9/11 era), changing how lead-ins worked.

Notable examples

Cohn’s Seattle start covering the Sonics/Mariners; a Ken Griffey Jr. story where he later apologized after a rude interview; her first ESPN road assignment sitting next to Celtics scout “Grandpa” Al Lewis; the Riddick Bowe vs. Andrew Golota melee at Madison Square Garden; and her “David Cassidy” Las Vegas/boxing-weekend segment idea.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Reunion in LA

1:11 to 2:09

Rich and Linda reminisce about their history and shared Emmy win.

“Hopefully you've already enjoyed the chats I've had with Dan Patrick at his spot in Connecticut and Chris Berman at the Super Bowl this past year in San Francisco.”

Linda's Journey to ESPN

2:09 to 3:14

Linda shares her path to ESPN starting from local TV in Redding.

“All I've done is schlep for this show so far.”

The Rookie of the Year Controversy

3:14 to 4:57

Linda discusses the Rookie of the Year title and her competition with Chris McKendry.

“So I showed up from Redding, California.”

Seattle Beginnings

4:57 to 6:06

Linda recounts her early days covering sports in Seattle.

“Well, even though I grew up in New York, I worked seven days a week doing radio.”

A Memorable Ken Griffey Jr. Encounter

6:06 to 8:13

Linda shares a humorous story about Ken Griffey Jr. and their past interactions.

“So I made a VHS tape and I sent it out everywhere and Seattle came calling for me a year later after I sent out the VHS tape.”

First ESPN Assignment

8:13 to 14:00

Rich reflects on his first ESPN assignment and the memorable experiences that followed.

“And so Seahawks, Mariners, Michael Cage, Gary Payton.”

Memorable Encounters at the Game

14:00 to 14:40

Learn about Rich Eisen's surprising encounter with Al Lewis at a basketball game.

“George calls the coach and pretty much everybody you just mentioned.”

First ESPN Experience and Lessons Learned

14:40 to 17:46

Rich shares a life lesson learned from interacting with athletes post-game.

“That's who I spent my first ESPN road assignment with.”

The Comedy of Sports Commentary

17:46 to 19:04

Rich discusses the balance between humor and sports commentary in broadcasting.

“So here's he's, KO's giving you advice about how to act, how to let your comic talents shine through.”

The Infotainment Era of SportsCenter

19:04 to 20:41

Exploring the blend of information and entertainment at SportsCenter.

“And that's why I wasn't surprised because that's just as much as I enjoy, you know, live music, cause those things I do, I go to concerts.”
Show all 32 chapters

Authenticity in Sports Broadcasting

20:41 to 24:40

Linda Cohn emphasizes the importance of authenticity in sports commentary.

“And full disclosure, I was a little jealous because I always wanted a regular co-anchor because I thought that's what made you and Stuart great.”

A Chaotic Night at Madison Square Garden

24:40 to 28:00

Rich and Linda recount a wild and unforgettable night during a boxing match.

“Trades were supposed to be made in the NBA.”

Madison Square Garden Incident

28:00 to 29:40

Discussion of a chaotic incident at Madison Square Garden with fighters and bystanders.

“We're talking about hundreds of people involved.”

Adrenaline Rush of Broadcasting

29:40 to 31:20

Exploration of the adrenaline rush and excitement during live sports broadcasting.

“walking off that set saying you did the best you could and you did your job.”

Crafting the SportsCenter Experience

31:20 to 33:30

Insight into the storytelling and crafting of highlights on SportsCenter.

“I'm telling you, I'm killed for his stage right now.”

Transition to Tickers in Broadcasting

33:30 to 35:50

Discussion on the impact of the introduction of score tickers during broadcasts.

“And I remember Scott stood up and he eloquently basically said what I was thinking and said to them, well, what are we writing it for?”

Nostalgia and Change in Sports Media

35:50 to 37:50

Reflections on the changes in sports media and the sense of community among broadcasters.

“Bob Lee did the first six Eastern, and I think Robin was with him.”

Covering Boxing and Personal Anecdotes

39:05 to 42:01

Anecdotes about covering boxing and personal experiences in Las Vegas.

“You know, the, the, um, other boxing story I did, I did start to cover because I did go into Norby's office.”

Linda Cohn's Fan Moment with David Cassidy

42:01 to 45:12

Discover Linda Cohn's memorable experience with David Cassidy and its impact.

“I didn't want to put you in a bad position, but this is my first one.”

The Journey to TV SportsCenter

45:13 to 47:52

Learn about the unique process of scheduling and forming partnerships at ESPN.

“During a commercial break of our early years of working together on SportsCenter, Stuart looked at me and goes, are we a team?”

Struggles with Time Off Requests

47:53 to 50:36

Hear the humorous and challenging stories of requesting days off at ESPN.

“but I didn't know I was getting this job.”

Celebrity Recognition in Sports

50:37 to 51:51

Explore the thrill of recognition from celebrities outside the sports world.

“And that's another thing we can talk to after I, you know.”

Catchphrase Controversies

52:58 to 56:01

Uncover the humorous mishaps related to catchphrases in sports broadcasting.

“I wrote about it in my book, Conehead, years ago.”

Memorable Moments at the Parade

56:01 to 57:24

The hosts discuss a memorable incident involving Pat Bolin at a parade.

“and, you know, maybe a decade or two younger.”

Reflections on Comedy and Insight

57:25 to 58:26

A discussion on the nuances of humor in sports commentary and broadcasting.

Fond Memories of Stuart Scott

58:27 to 1:01:13

The guest shares personal memories of working with Stuart Scott.

“And there were times doing highlights with him where he would interrupt me a lot.”

Theater Background and Performance

1:01:14 to 1:02:38

A lively discussion on Stuart Scott's theatrical background and his charisma on screen.

“But so I had an office and when Stuart would come, his Stuart was on the other side of the building, same floor.”

Family Memories and Legacy of Stuart

1:02:39 to 1:04:41

The hosts reflect on how their families remember Stuart Scott.

“But anyway, that's that's like one of my favorite Stuart Scott stories that it was just so much fun.”

The OJ Simpson Bronco Chase

1:04:42 to 1:07:48

A recounting of the infamous OJ Simpson Bronco chase and its impact on broadcasting.

“You know, and then Susie, you know, didn't want to just stay friends.”

Memorable Moments at the Bar

1:10:00 to 1:11:41

Hear about the unforgettable experience during a live sports event at a bar.

“And I just remember the whole bar had their jaws on the floor watching OJ go crazy.”

First SportsCenter Appearance

1:11:41 to 1:12:48

Linda Cohn shares her experience of debuting on SportsCenter.

“And last one, who did you do your first SportsCenter with?”

Reflections on Comedy and Sports

1:12:48 to 1:13:36

The hosts discuss comedy, sports, and personal experiences in the industry.

“He always told me I'd be on the good boat.”
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Transcript

Automatic transcript. May contain errors.

0:00Rich Eisen:This was SportsCenter is presented by Gusto. As a small business owner, you know that time is money. Gusto can give you time back, two full days every month to be exact. Gusto is an all-in-one, remote-friendly, and incredibly easy-to-use payroll and benefits platform. You can get unlimited payroll runs for one monthly price with no hidden fees or surprises. The other guys, they'll charge you per payroll run. Try Gusto today at gusto.com slash TWSC and get three months free when you run your first payroll. That's three months of free payroll at gusto.com slash TWSC. One more time, gusto.com slash TWSC.

0:54Rich Eisen:Welcome to the latest edition of This Was SportsCenter, where I stroll down memory lane with a good old friend of mine from back in the SportsCenter day. And hopefully you enjoy the stroll down memory lane as well. This is episode four of a six-episode first season of This Was SportsCenter. Hopefully you've already enjoyed the chats I've had with Dan Patrick at his spot in Connecticut and Chris Berman at the Super Bowl this past year in San Francisco. My chat with Mike Greenberg, episode three, check that out. I did that from his Get Up studios in New York City. This is the first This Was SportsCenter episode that we've recorded in the Rich Eisen Show studios in Los Angeles, California, which means it's a home game for my next guest.

1:39Rich Eisen:episode number four with the person who's done more sports centers than any other human being on planet earth my friend linda cohn is here on the program what's up lc what an intro rich so good to be here look at us look how far we've come and speaking of which rich yes i am so honored with this nice series that you're doing but to do it from your home right here right here we're you're uncomfortable you didn't have to schlep anywhere to get to me the schlep i did a mini You did the schlepping. All I've done is schlep for this show so far. So I appreciate the non schlep edition. You know, that's what I live for.

2:15The schlep for you.

2:16Rich Eisen:Thank you. And as if this initial exchange doesn't already underline, I have no idea where this interview is going. Normally I like to have an idea, a roadmap of where it's going. And plus it's only fitting that we're here in the studio here because it's the first time that I'm able to share this with a guest of this was SportsCenter. The only Emmy I've ever won for SportsCenter in 1996. What a year that was. We won this together. Together. You know? So it's the first time I can bust this out on this. You know, I got to look for mine. Mine might be in storage. You know how L.A. is. You know, we all can't live in mansions.

2:59I have a smaller venue where I live.

3:01Rich Eisen:Yeah. Not all the Emmys fit. You're packing stuff up? It's packing stuff up, but no, but seriously. Yes. I'm just so glad you remembered that amazing year, 1996. Yeah. That was a good time. Yeah, that was a good time for us. And we were good at our job. We were. I loved, when I first showed up there. Right. I will share this. Please do. So I showed up from Redding, California. That was where my small market TV job was. Age 26, sent a tape to a headhunter thinking, what's the big deal? It's just first class postage. Maybe someone will see it in a larger market, medium market, whatever. Had no idea ESPN was the one who saw it and was going to hire me.

3:42Rich Eisen:And I showed up on my first day of work in March of 1996. Actually, it was February of 96 when I first showed up there. And there were more people in the newsroom than there were in this entire small market operation that I was part of. And it was just chock full of people who I was watching on television. And one of the first people I saw was you. That's awesome. that's linda cone and what did i say i don't recall i'm sure it was a lovely exchange but the bottom line is like you were you know you were already there for four years four years exactly and so like just seeing all sorts of faces of people who i was watching on sports center now i'm a colleague of theirs it just was blowing me away yeah and you know when you think about 1996 and and winning this emmy that would make you like our rookie of the year uh you know what it's interesting that you bring this up because this is a bone that I have to pick with the late Rudy Martzki that he he he put out there in USA Today yeah his rookie of the year of 1996 was actually Chris McKendry she showed up at the same year she stole it away from you took my I had first of all I had no idea there was such a thing did she win an Emmy I don't think she must have somewhere something in storage it must be but i have it here in our rich eyes and show green room should have been co-rookie of the you know what rudy was just rudy what am i gonna do what are you rest in peace what are you what yeah may he rest in peace but i still have a bone bone to pick with him uh so uh let's let's start with this one right okay good when did you first show up when did how did you get to esp yeah great story uh you know nothing was given to me on a platter like you you went to redding California.

5:30Rich Eisen:Yeah. I was a bit older than you. It was 1992, July 1st, 1992. Yes. It was my first day. How did I get there? Well, even though I grew up in New York, I worked seven days a week doing radio. I thought my world, my future was radio because no one really ever gave me a chance on TV. Then I started volunteering to do local Long Island cable TV, doing things like this, anything to get a VHS tape together. VHS tape. VHS people, the younger watchers and listeners. That was what we did. We didn't have YouTube and anything like this to show off how good we could be or at least the potential for what. So I made a VHS tape and I sent it out everywhere and Seattle came calling for me a year later after I sent out the VHS tape.

6:19And that was really my big break before this, for ESPN. So Cairo TV, Seattle, Washington, that was 15th largest market. So I went from working seven days a week doing radio and volunteering for cable, little cable TV on Long Island, to getting the Seattle job as a sportscaster and a sports reporter. In order for baseball to become a success here in Seattle, improvements have to be made here at the Kingdome. It's a hot issue right now in local politics and one of equal concern to the M's new ownership. And it was a blessing in disguise. And I tell young people this when I talk because first few months of my job in Seattle, ESPN came calling Al Jaffe.

6:59Rich Eisen:Al Jaffe. His name is getting mentioned quite a bit in this series. All positive, right? Well, I mean, he's the talent guy who found all of us in a way. That's correct. That's correct. So he wanted to hire me and they flew me to Bristol. But then people close to me said to me, we just moved out to Seattle to get this job. Why are we going to move all the way back east for this job? And I'm like, it was the best move I ever did by not taking that ESPN job a few months into the Seattle opportunity. Why is that? Simple. I got better at my job in Seattle. I really did. I honed my skills in Seattle.

7:43plus I slowed down my life rich I um I had my first child I had Sammy my daughter was born in

7:49Rich Eisen:Seattle correct huh see what you were sleepless that's true you were the first I was I was the first were you sleepless there before I have no idea can someone look your crack staff can somebody look up when sleepless in Seattle was I wonder who was more sleepless in Seattle first Meg Ryan or Linda yes 93 93 you beat everyone sleeplessly to the punch you were right I was the first so So when you were there, you were covering the Seahawks? Seahawks. Sonics. Sonics. My first live shot was the Sonics. And so Seahawks, Mariners, Michael Cage, Gary Payton. Look at you. The glove must have been really there.

8:27The rain name. Sean Camp? Yes, he was there.

8:29Rich Eisen:Okay. And so my fun Mariners story with my good friend, Ken Griffey Jr. Is he your good friend? Yes. Believe it or not, he had forgotten he was my good friend in the Seattleese. Do you remind him? I did later when he went on the phone and apologized to me. People just look it up. Yes. You don't know about that story with Ken Griffey Jr.? What? Oh, so many classic ESPN stories. This is what the show's for. That's what we should really get back to. No, it's all right. The ESPN stuff. So the great Ken Griffey Jr. story in Seattle was I was pregnant with Sammy, and I'm still doing my job, covering the Mariners, and he rubbed my tummy when you could do that and not get in trouble you know people welcome that and i did what what did i know ken griffin jr is rubbing my tummy talking to my you know he's the kid yes the kid with the rubbing welcoming the kid that's it yeah how great is that the kid in the embryo there you go i might have been like five six months pregnant and you know rubbing the tummy talking more than an embryo here we go more than that okay so so um i always loved them for that you know i was like oh what he's such a natural is such a great kid so what's the apology about so many years later i forgot what year at espn it might have been the early 2000s okay ken griffey jr did one of those i don't know what he was promoting some maybe baseball cards something okay he was retired he was recently retired okay i used to cover this guy when i worked in seattle before coming to espn so pleased to be joined by 13 time major league baseball all-star ken griffey jr and um he did what do they call those things A junket?

10:05You're with celebrities. What do you do? They do the celebrity junket. Yeah, sure. Yeah, okay. So I was up. We had him on live, you know, and it was me interviewing him. And apparently he didn't, I was so excited to see him. How you doing, Ken?

10:21Rich Eisen:Hey, how are you? Great. And he didn't like my questions. There was something he wanted. He wanted to be anywhere else than talking on SportsCenter to Linda Cohn. Growing up, you had a big baseball card collection. did you have a favorite? Yeah, one, my dad. Your dad, of course. Besides your dad, you know, were there somebody else? Nope. Yes. And he was very rude. No way. And I was shocked. I kept my composure, but we ended the interview very quickly and moved on. And then it became an early internet sensation where he actually wanted to find my phone number and apologized to me. He didn't know why.

11:05He says, I don't know. He goes, I had, it was a long day. I'm sorry I acted this way. But this is a lesson for all of us. And I'd like to hear. What's the lesson, Linda? I'd like to hear, maybe if you've learned lessons along the way.

11:18Rich Eisen:Well, I've learned, you know, not to be rude to people whose belly I've rubbed before. I guess That's the moral of the story. I still don't know what I did, Rich. But the lesson I learned is many lessons. Yes. You can't put people up on pedestals, you know, because they're human just like you. I don't think that was the number one lesson I learned, but that was the first thing that just came into my head. I'll tell you one of the first lessons I learned as a sports center anchor involving the Seattle Sonics. How about me weaving, connecting dots here? That's what you do. I'm a professional dot connector.

11:51Rich Eisen:I've always been that, certainly with you. Yes. So I wanted to get out of Bristol the minute I got there. I remembered that. We talked about it constantly. The minute I got there, I was excited. This is wonderful. But after a while, I'm a 26, 27-year-old guy. Nothing to do. Also doing these late-night sports centers, having no idea who the hell's out there watching. No social life. Zero. I wasn't going anywhere. I wasn't doing anything. Why did you think you weren't going anywhere? Oh, physically going anywhere. Because in your career, you were rocketing. But I didn't know really at the time just how much.

12:30Rich Eisen:Who was seeing me? I'm doing a show at 2 in the morning. I'm driving home at 3.30 in the morning, 4 in the morning. If I'm lucky, I'm sleeping throughout the day like a cat. Like a bum. You know, exactly. I'm waking up at 11 o 'clock at midnight. I still have a white noise machine. next to my bed as a mid man in his mid fifties. Cause I first got it at ESPN because the, the old lady who lived above me upstairs decided to vacuum her carpets at six in the morning. And I'm just one hour asleep after finally winding down from sports center. So I had to get a white noise, but she's like, this is my life as a 26, 27 year old guy.

13:07Rich Eisen:And I'm thinking this, I'm in a dream job, but I'm, I don't have no idea who the hell is watching me. Yeah. So I just wanted to get out and about. I wanted to go and do something. So about a year in, I finally got my first assignment. And for NBA tonight. You remember the tonight? OK, I think that was Fred Carter would come on and point at the screen, right? Hello, everyone, and welcome to the NBA Tonight. Along with the coach, Fred Carter, I'm Andre Aldridge. Every night, NBA Tonight, like he pointed at the screen with Fred Carter. And so I did, they sent me to the old Boston Garden. Yes, to cover the, at the time, surging, soon-to-be 60-win Seattle Sonics.

13:49Rich Eisen:I remember. The Sonics now halfway home, head to New York Sunday night against the New York Knicks with winnable games in Charlotte and Minnesota towards the end of the week. reporting from Boston for the NBA tonight. This is Rich Eisen. They were killing it. They were. They were great. George calls the coach and pretty much everybody you just mentioned. That's right. So I remember going there. I remember sitting in my seat underneath the basket. True story. Next to, had no idea, long-time Boston Celtics scout, Al Lewis, the grandpa from Munsters. No, how did he look? I did not. Like Grandpa Munster without the makeup.

14:25Again, the young viewers, the young listeners, Google.

14:29Rich Eisen:Linda, I'm telling you, I couldn't believe it. I'm like, what is the grandpa from the Munsters doing next to me? He was apparently like an old friend of Red Auerbach, loved basketball. He was a scout for the Celtics. I had no idea. That's who I spent my first ESPN road assignment with. Next to Grandpa Al Lewis. Let me ask you something. You brought up the Munsters. Was he very embracing that you were a big fan? He had no idea who the hell I was. Here I wanted to get out and about, and I'm sitting next to the grandpa from the Munsters underneath a basket. There's the parquet floor. It was weird.

15:04Rich Eisen:But I remember going into the locker room after the game. And one by one, after they eviscerated the Celtics, I mean, they destroyed them. Right. One by one, the Sonics came into the locker room looking miserable, angry, like they had just lost by as many, as many points. And they would all like scowl at me. And I thought to myself, oh, shit. What? Did I say anything about any of these guys from my sports center desk mount where I was, again, living in my own world, saying whatever the hell I wanted to say for a joke? Right. And no one said anything. No one would say, hey, for people who don't know, they're not going to call Rich into their office.

15:49At least I don't know.

15:50Rich Eisen:No, they didn't. Okay. And say, Rich, stop doing that. Like, Olbermann was the only one telling me to tone it down. I'm serious. I'm telling you. He was the one, you're joking too much. You shouldn't be joking as much. Was he worried that you were stealing the limelight from him? No, no, no. Actually, what it was is we shared an agent. And he actually took a liking to me from the very beginning and was trying his best. and only the way that he could communicate, which was with tough love. And he would basically tell me to tone it down. And I didn't really listen, to be honest with you. You were 26, you were young, you were bored.

16:27Rich Eisen:I heard it, but I didn't listen. But he was 100 % right about toning it down, pulling it back, less is more, do less, do an entire show where you think it's boring and then do an entire week like that. So when you do joke, it'll pop out, it'll stand out. um at any rate long story short is i thought to myself did i say anything about these guys it like at first finally getting out and about made me realize what i was saying from the set actually is being heard by maybe these guys right had no idea if that's what it was why they or they didn't know who the hell i was but it scared the daylights out of me and i remember driving guys Driving back to Bristol, I thought to myself.

17:09Oh, so you still at that point did not know. No. You did not want to ask them. Nope. Okay.

17:16Rich Eisen:I didn't. Like, do you hate me? What are you supposed to say, right? I don't know. Is it something I said? Is it something I said? Yes. But I was still like 27. I didn't know them from Adam personally. I was scared to do it too. Okay. And it was a life lesson for me that I'm like driving back to Bristol. There's no courtesy car. Yeah. So I drive back to Bristol. I thought to myself, I will never say something on the air that I wouldn't say to the athlete to their face. Smart. I hated that feeling. I was scared down to my socks. Let me ask you something. You brought up Keith Olbermann. Yes. This guy ripped athletes on the air.

17:55So here's he's, KO's giving you advice about how to act, how to let your comic talents shine through. yet he was a guy that was always making fun of the athlete doing highlights i'm just telling you

18:09Rich Eisen:the advice that he gave me and the advice that he gave me was pull it back tone it down and and and he um he was right about that but i'll never forget that feeling driving back to connecticut where i'm like that was miserable what a miserable first of all weird fever dream to be sitting next to the grandpa from months that that you had me at that you know what i mean and then and then going into that old school locker room, just being blown away by actually being in the old Boston garden and then having that happen. That freaked me out. It totally freaked me out. Yeah. And you know, like Rich, you're, you know, and, and you brought up the whole comic thing.

18:46And I always tell this to people and I'm saying it again, because when I first met you, I thought you were one of the funniest men I've ever met. And I always thought that you should be a standup comic. I would pay money to see Rich Eisen on stage as a stand-up guy. I know, but I mean, well, it's great. You know, I did it in college. Yeah. See, that's right. And I think he told me that. And that's why I wasn't surprised because that's just as much as I enjoy, you know, live music, cause those things I do, I go to concerts. I love it. You know, I'm like a teenager, you know, when I go to concerts and, you know, I love seeing stand-up comedians.

19:20My new favorite is Matt Reif. And Matt, if you're watching or listening, I love you. I'm going to see you in billings montana i'll be in the fifth row and rich says he's gonna have you on and i'll be waiting for you yes okay and i mean that in a very you know g-rated way you know i could be your mother uh so but back to your career as a stand no no not my career okay but you know i know but uh you could have been that and this worked out great too well that's what i loved about sports center

19:48Rich Eisen:certainly back in our day, you know, in 96, and when we were there for the so-called Golden Age, is that it was about infotainment. It was about informing. It was about entertaining. It was about you having your style. Charles Barkley, he's not retiring. The Sugar Ray Leonard of the NBA is staying, and he's playing. After a 90-minute meeting today with league officials, Barkley was advised to, shall we say, make lifestyle adjustments. So incidents like throwing a person through a window, no matter who was at fault, does not happen again. Me having my style, boom, we're on the same set together.

20:27Rich Eisen:Coming up on the show, Miller time means downtime, and also youth was served at the Lipton as long as the iced tea wasn't from Long Island. But we're going to start off with the place with the Island Green, the TPC. Yeah, golf first. seeing how that smashes together you know me with steward yes and and dan with keith and you worked with absolutely everyone hey glad you're with us we were getting a bit lonely that's reese davis i'm linda cohen along with linda cohen i'm steve levy teamed with john anderson and i am linda cohen along with linda cohen i'm jerry miller with linda cohen i'm dan patrick kenny main here along with linda cohen alongside linda cohen i am steward scott that is rich eisen and i'm linda cohen Right, and I'm glad you brought that up.

21:07And full disclosure, I was a little jealous because I always wanted a regular co-anchor because I thought that's what made you and Stuart great.

21:18Rich Eisen:Nice outfit. Who's your tailor? You know, Dan and Keith great. Wait till you get a load of what Jason Kidd did tonight against the Spurs. We kid you not. Because it's like playing tennis. When you have the same doubles partner, you know where to be, when to be. same with co-anchoring sports center you know when to pause when to laugh when to create the yin and the yang all of it and although i've worked with so many great people and you're right i think not only have i done the most sports centers obviously i've worked with the most many different people probably the most ever i don't know i don't know where they would keep early on in my career i started counting and then i stopped because it was like god give me a headache I used to count too.

22:01That's right. Counting.

Read the full transcript

22:03Rich Eisen:I stopped around 1 ,000. Yeah, right. But you had 5 ,000. But I was counting the co-anchors I work with, the different co-anchors. So not 5 ,000. What number were you up to? I stopped at 32, meaning I couldn't take it anymore. It just went on and on and on. But in a way that made me a better sports center anchor because I had to, everything you said, I had to kind of adjust to my partners, let them be them. But when people ask me, who is your favorite to work with? It's coming. You're in the mix. Definitely say it. You're in my top three for me. Because you always let me be me. And for me, it really wasn't, I had a few catchphrases, but I felt I was compelled and forced to do it because people like you, people like Keith, people like Dan, you guys made it work so well.

22:52It was so natural. And, of course, the late great Stuart Scott made it great. But I felt, for me, my secret and my longevity at SportsCenter was because I'm a fan first. Sure, it can get better than this for the Mets and the Braves, like a matchup in the NLCS. But being separated by just one game in the East and playing six times in the next ten days doesn't, shall we say, stink. The question is, who wants to finish in first place more? A Braves team overachieving through injuries, gunning for an A straight division title? or the Mets, desperate to gain respect, having lost 10 of their last 11 at Turner Field.

23:26And I felt that if I had something pre-rehearsed in my mind, it wasn't original, it wasn't authentic, it wasn't Linda, it wasn't me. I'm like reacting to what I see. Oh, once is not enough for Chipper Jones. He goes deep from the left-hand side and now the right-hand side. Just like the viewer at home is reacting to that highlighter, that what they see for the very first time, that's what I am and that's what I wanted to be. I wanted to be like the fans sitting at home watching and can relate to me. The Boston Red Sox have won the Pedro Martinez Bidding Derby. The Cy Young Award winner will go from cost-conscious Montreal to Beantown for minor league pitcher Carl Pavano and two other players to be named later.

24:06When Martinez got word of that, he said tonight, he would not sign a long-term contract with Boston. Said Martinez's agent, we indicated to Expo's GM Jim Beatty There are certain clubs he wanted to go to and certain clubs he did not want to go to. Because that's what I was. And that's what I tried to do. I never knew what was coming out of my mouth, sort of like this interview right now. No, no, no. You know what I mean? No, it's natural. That's how I was. And that's what people, when they say over the years, they go, Linda, that's what we liked about you because you were like one of us. We begin with a trade in the NBA because I know that's what you're waiting for.

24:43Trades were supposed to be made in the NBA. and we begin with one that we all expected. Vlade Divac goes from the Lakers to the Hornets in exchange for the draft rights of high school standout Kobe Bryant. This trade opens the doors and frees up more bucks for the Lakers' push to get Shaquille O 'Neal out of Orlando and into a Laker uniform.

25:02Rich Eisen:Yeah, and that's why I love doing shows with you, too. I will never forget the night. I think you know where I'm going to go on this. Maybe. Well, I mean, this is an unforgettable night. Okay. Oh, yeah. Where we were doing, I believe, an 11 o 'clock Eastern Sports Center together. And we get a call that you need to get down to the set. Probably was around 10 o 'clock, 9.30, early. Early. Because there was an absolute melee breaking out in Madison Square Garden because Andrew Gulotta kept low-blowing Riddick Bowe and everybody started hitting the shit out of one another in a melee and cops jumping into the plane.

25:41Yeah, in a ring, in a boxing ring. And it went. At Madison Square Garden, our homeland. I mean, this was like. Right.

25:47Rich Eisen:You're from Long Island. And you love boxing. I'm from Staten Island. And you always loved boxing. No, I didn't love boxing. Boxing was another one. You learned to love it. I did learn to love it because, again, it was the only gig that they would give me. Get you out of Bristol. Get me the hell out of Bristol and get on the road. You were smart. Good business. Because Charlie Steiner tapped out of doing it. And the one thing I was so upset about is when I first did my first assignment, they're like, yeah, you don't have to wear a tuxedo. and I'm like, actually, I wanted to. Yeah, go all out. I was fond about it.

26:14Rich Eisen:Yeah. That does lead to another story involving you. But I'll put a pin in that for the moment. I'll never forget the two of us, we looked at each other in the newsroom after we immediately got into our on-air clothes because you don't walk around in your on-air clothes. You don't walk around with a full face of makeup. No. Certainly not when you're like an hour or two hours removed from getting on the air. You know what I mean? And so we looked at each other and we're like, this is freaking out of control i have no idea what we're about to do because we were getting like i think we had like police on the phone lines and trying to figure out what the hell because it was it was an all-on full-on massive emergency of of law enforcement that went to madison square garden that night but first the riddick bowl andrew go out about madison square garden an outrageous finish i still can't believe it a crazy and scary night and i'm glad you brought this up because we can talk about how things have changed uh with doing live television especially a show like sports center yeah because when we did it and the golden era you know no internet right no other place to see these things right these events the breaking news the video all of So we were flying blind.

27:35What was supposed to be a routine bout for Riddick Bowe, facing an unbeaten Polish native named Andrew Gulotta at Madison Square Garden, well, it wasn't routine at all. It turned out to be a bizarre and scary night at the fights. The fight reached the seventh round, which was remarkable enough. Then, following a third low blow by Gulotta to Riddick Bowe, which disqualified Gulotta, then everything broke out. Somebody out of Bowe's corner rushed out and went right after Andrew Gulotta. Then fights broke out in the ring. Fights broke out outside the ring. We're talking about hundreds of people involved.

28:09Again, this was in Madison Square Garden. We're still looking for security to step in here. Among those carried off on a stretcher was Gulotta's trainer, Lou Duva. And I'm not saying, oh, to pat ourselves on the back. Oh, aren't we great broadcasters, blah, blah, blah. No. But that's why we loved it so much. because we knew the people that were watching, they weren't watching anything else. They turned to us for the information. Someone from Bo's Corner rushed out and went after Gulotta, and then there you see Lou Duva right in the middle of all that. Lou Duva. And there goes Lou Duva down, being stepped on.

28:46One bystander said he was clutching his heart. We don't know about his health condition right now. All we know is that he was carried off on a stretcher, but his head was moving. Of course, we will be keeping you up to date on the strange and very frightening incident that took place at Madison Square Garden. And I don't know about you, but I had many, many situations like that where I happened to be on the air when stuff happened. Yeah. When you just fly by the seat of your pants where your producer in your ear is telling you one thing and you're talking at the same time and looking at the video the viewers are seeing, you're also doing interviews.

29:22All right, we just got so-and-so on the air, and you're basically doing a live interview on the phone. And it is such, you know, we're not athletes, at least in real life, but it is the equivalent, I believe, of being on the biggest of stages and having that adrenaline rush and walking off that set saying you did the best you could and you did your job.

29:51Rich Eisen:Yeah. When we did the show, like SportsCenter was basically assumed of the viewer. We assumed of the viewer. Right. That they either had not seen the highlight or the game of the highlight was about to deliver. Of course. They didn't potentially know the result either. Mm hmm. If they did know the result and had seen the game, they'd only seen potentially the highlights of it once before or not at all. that was what we assumed of the viewer which is why we sat down and crafted a lead-in that would basically set the stage for the highlight we're about to deliver and then we would potentially also know the way they highlight we're about to deliver the result and we would lay an easter egg in the on-camera yeah where they put the you know the graphic over your shoulder and you know and Kilbourne who's going to be doing you know this show later on this season right he would throw you know like William Shatner over his shoulder and just do sorts of crazy stuff and then we would be able to have fun with each other for that you'd jump in my highlight I would jump in yours Stuart Scott would jump in my highlight way more often than I jumped in his you know and then we would be having that yin and yang yeah but that's the real part about it that folks at home would watch us go through this process for them with them together yeah there was a connection connection is the key that i think we we love i loved it i know you did we loved it fed off it fed off yes 100 and it's funny you brought up these the nuances the technical achievements and accomplishments and the way the business as a whole move through the years it and i've told this story before but it's classic involves um our colleague scott van pelt and he probably doesn't even remember it and by the way just real quick yeah he's kind of on a nightly basis doing the stuff that we're talking about right now.

31:44Rich Eisen:Still. Yeah. Yeah. I know. Keeping the flame going. Yes. And, you know, he's in a great spot. I'm telling you, I'm killed for his stage right now. It's lovely. But the Scott Van Pelt moment, I remember, we used to have these talent meetings. Do you remember that back in the day where the bosses would get us all together and we'd work all hours, right? But we'd have to, you know, head into Bristol, Connecticut, even if we worked the late show wouldn't get home till 3 30 yeah we're having a talent meeting at 9 45 a.m we expect all of you to be there in person yeah yeah right so we'd show up so i remember uh the bosses were there all in the front of the room big conference room and there was breaking news that from now on and it was interesting what you said moments ago how we used to craft our on-camera lead-ins and crafting is the right word because our writing was very important.

32:40No doubt. What is it about the Bills that have brought out the worst and one of the best? Dan Marino. Buffalo has the distinction of being the only AFC East team to own a winning record against the Dolphins passing grade. Lifetime, Marino is 11 and 18 against the Bills, including two and three on Monday night. If Marino and perhaps more important, the running game could motor, Miami would move into a tie for first. So this was the meeting when they told us that from now on, there's going to be a little ticker at the bottom of the screen. Oh, I hated that. That tells the viewer who won the game before we, the anchor that crafts our lead-ins, that builds up the suspense, that prepares the viewer to what they're about to see from this highlight, which we were all so very proud of because we were storytellers, that our bosses were going to take all that away from us by running the score at the bottom of the screen.

33:36I was so pissed. I remember this meeting. And so was I. And I remember Scott stood up and he eloquently basically said what I was thinking and said to them, well, what are we writing it for? What are we doing this for? And there was a lot of pushback. Did they listen to us? No. Absolutely not.

33:55Rich Eisen:Well, I remember I went, Norby Williamson was the guy who ran, you know. Mark Rose was there. I remember him. He was there. But Norby's long since gone because McAfee took care of him. Yep. Um, and, and, you know, what ended up happening was I went into Norby's office and I'm like, is there any way that we could make sure that the bottom line ticker doesn't reveal the lead in? And I knew that was a non-starter for me even to bring it up because, you know, you would change the rundown based on timing. Um, if the, once the previous segment went too long highlights in the next segment would get cut because to save time because it's still only a 60 minute show so there was no way to technologically line things up so as you're you know setting something up yeah as a storytelling gesture as a professional as what a sports center anchor was known to do that there was no way to make sure that the score wasn't revealed across your stomach, you know, as you're delivering it, I understood that.

35:04Rich Eisen:And it was a total non-starter and he just kind of like, you know, shooed me out of his office in a, in a, in a professional way. But, you know, um, but that was the beginning of how everything changed. Correct. And I remember the reason why they wanted the bottom line ticker is because it was probably around 2001, 2002, because it was 9-11. 9-11, you know, the bottom line ticker went on the bottom line on CNN for the first time. The bottom line ticker, news had it first. And then we had it, you know, for October, you know, of September of 2001. And - Once we got back on the air, remember we were - Oh, Stuart and I did the first 11 o 'clock show.

35:51That's interesting.

35:52Rich Eisen:Bob Lee did the first six Eastern, and I think Robin was with him. And, you know, Stuart and I did the first 11 o 'clock one, I believe on September 12th. Yeah. So at any rate, long story short is I remember all of that, but things changed, you know, I mean, and then the phones, I know we sound dating ourselves, but it's the truth though. Like that is like the way that SportsCenter could be delivered and the way that we started expecting a viewer to know, it just had to change. Yeah. And, you know, we had to change with the times as well. Yeah. But I remember those meetings too. Those were wild.

36:28Those were wild. But it was.

36:30Rich Eisen:Because we all had different agendas as on-air people, you know. But we were all like loving our jobs. Very much so. You know, we love the community of it. Yeah. You know, I remember when you first left and I remember what you said. And I said. What did I say? I'm going to tell you. Okay. Good thing you had me on. I'm so curious where this is, where you're about to go with this. Yeah, because I said, well, how's it going? Like, you're not here anymore and everything. And he's like, you know what I miss the most? You said, you know what I miss the most? This, meaning this campus, this camaraderie, my colleagues, that it was about we were the only game in town.

37:18And this stuff isn't everywhere. what we had yeah grass isn't always greener i'm happy you would say i'm happy but i miss

37:29Rich Eisen:this well i i did miss you know again having started nfl network and i was a single anchor show whatever yeah i and and plus you know i was only on in 10 11 million homes espn in over 100 million it there's nothing nothing compares to the platform of espn at the end of the day even today, even today with different viewership habits and anything like that. So it was a, it was an adjustment for me, you know, but you miss the people. I miss the people. Absolutely. Again. So Rich Eisen here for gusto right now, everyone's trying to run leaner, tighter budgets, smaller teams, higher expectations. The last thing you have time to waste on is manual payroll or chasing down an HR form.

38:13Rich Eisen:Gusto is how small business owners get time back when every hour counts. Gusto is online payroll and benefits software built for small businesses. It's all in one, remote friendly and incredibly easy to use. So you can pay, hire, onboard and support your team from anywhere. Automatic payroll, tax filing, simple direct deposits, health benefits, commuter benefits, workers comp, 401k, you name it. Gusto makes it simple and has options for nearly every budget. And it's all built to save you time with built in automated tools for offer letters, onboarding docs, direct deposit, and more. Plus you get unlimited payroll runs for one monthly price, no hidden fees, no surprises.

38:54Rich Eisen:Try Gusto today at gusto.com slash TWSC and get three months free when you run your first payroll. That's three months of free payroll at gusto.com slash TWSC. One more time, gusto.com slash TWSC. You know, the, the, um, other boxing story I did, I did start to cover because I did go into Norby's office. I'm like, I would like a beat. I want a sport. Right. Like the NFL wasn't happening unless like 10 people quit on the spot. Or you had pictures on somebody. Exactly. It was never going to happen in a million years. I did get baseball as a sport, which you love, which I'd love today because ESPN radio got the acquired the rights of Major League Baseball while I, you know, when I just first started.

39:41Rich Eisen:So I, I did the studio for ESPN radio's coverage of Major League Baseball. It was massive and I love doing it, but I, I, I still wasn't doing anything for sports center. So Charlie Steiner, because he was starting to call games for ESPN radio and all games for ESPN baseball. He, he said he, he, they took him off the boxing beat and they put me on it. And I didn't know a damn thing about boxing. I didn't care about it but i it was taking me to las vegas it was giving me something to do and so one of the first events i'm already laughing at this first events i covered was holifield more two okay a rematch between holifield and michael moore and i went there and it was me al bernstein john saraceno yeah i am joined right now by al bernstein and john saraceno of usa today Gentlemen, you're each going to have keys to victory.

40:34Rich Eisen:I'll start with you and Evander Holyfield. What does he have to do to win tonight? And they wanted a piece for the Sunday morning sports center. And I decided to the piece I wanted to do was not on the fight, not on the boxing. It was so you. But it was I wanted a sample the Las Vegas show scene and give a little flavor of what the boxing week was. I'm Rich Eisen. You know what? We here at ESPN, we've been here all week. Now, what's it like covering such a huge heavyweight championship title fight in such a huge glitzy place like Las Vegas, Nevada? And so I told you my idea. Yes. Now, again, this is the camaraderie that you miss, right?

41:11Rich Eisen:Right. When you're not there anymore. So I went up to you and I'm like, this is my idea of going. And you were like, this is a freaking great idea. You need to do it. You should do it. And I'm like, I'm going to do it. And so I told you the people that I was already in advance of this shoot getting commitments to that I could show up with a camera and interview them for the piece. And I looked at who was performing in Las Vegas at the time. And one of them was my first love, David, David Cassidy. My first love is a 12 year old, David, David Cassidy was performing live. David Cassidy. I think that Moore will give him some trouble because he's traditionally had some problems with Southpaws but I think the bottom line is that Holyfield will win and you were like can I possibly get an autograph for you right back when we you know autographs were kind of a thing but it's just for sure and I'm like I'll ask for you David Cassidy you work for ESPN I think you should know already that one of your future colleagues Linda Cohen is such a big fan of yours that she used to have pictures of you on her wall you're kidding No, I got to tell you something.

42:17Rich Eisen:What? I'm a huge fan of this. I didn't want to put you in a bad position, but this is my first one. But the twist that I did. Yes, which was brilliant. Was to get you to autograph your headshot and sign it to him and put it on his mirror of his dressing room as if he's looking at you every night. This is my window wall. And she sent me some great stuff, including this one, which is my favorite. David, you know, you can always reach me at Echo Valley 26809. It was priceless. And I did that. You did. And it was like the highlight of the piece. Linda, I've been calling that number, but it's disconnected.

43:00Could you send me the new phone number?

43:01Rich Eisen:So I went around asking, you know, like the piece started with me and Saraceno and Bernstein at the pool. and then I rent I got the ESPN to rent me a red convertible to drive around town right I had the blue man group in it yeah David Cassidy with your photograph up there and he said something like I remember him saying something to Linda yes which was funny and I loved it and you thought of it and I thought of it and I put it together and I did a live shot for Sunday morning sports center and and i got up asked crack of dawn to do it right it was like gotta be live in the morning gotta be live for six in the morning pacific for the 9 a.m sports center and i led into the piece and i'm like you know hey stay tuned for later on you know we'll we'll talk about the the fight and we throw back and jack edwards who was hosting it goes thanks rich look forward to the fight That's at 11.30 p.m.

44:00Rich Eisen:during SportsCenter tonight. Now back to the studio. We're looking forward to the fight. Like that. I'm thinking to myself, what? I'm like, what's up with that? You know? But there, and again. I locked them out. Listen, no, no, but there are some people at ESPN, certainly at the time, that were a little bit more hard-bitten or journalistically focused. Or jealous. I don't know. That one I don't know. Okay. He had better position than me, and I'll tell this story too. Please do. Do you know my Jack Edwards trying to take off days off story? No, but I think the world needs to hear it. This is why I have this was SportsCenter.

44:45Rich Eisen:This is why I'm doing this show. And then remind me to tell the people another memorable original idea by you. This is how we're putting this together. All right, so.

44:59Rich Eisen:so and this is interesting as well for you to um as you said earlier in our chat that you didn't have a so-called um tv sports center partner that was dedicated to you and you to that person right it was very briefly i do have a picture right with john anderson if that counts okay so so again that just so you were you were right so you would open up the way we learned our schedule back in the day yes is the schedule would be placed in the computer yes and it would be for like april schedule would be released in march but sometimes not to like march 30th yeah but you guys you and you stewart and we didn't know what days sometime really because i would think why do you even bother looking we know you're gonna okay as a matter of fact stewart and i learned that we became a team by just opening up the schedule week after week after week and seeing that we were doing the show together.

45:55No one told you. No. Hey, we got a great idea. You two would be great together. Never. Oh, that's breaking news.

46:01Rich Eisen:During a commercial break of our early years of working together on SportsCenter, Stuart looked at me and goes, are we a team? And I'm like, I think so. I'm like, has anybody told you? And he goes, no. And he goes, anybody told you? I'm like, no. I'm just seeing that we're doing it together a lot. Like that's the way we learned we were 18. Yeah. But at any rate. That's interesting. So there was a whole process about getting a day off. Yes. You know, and, and, you know, needing to ask in advance. Yes. Or rolling the dice and hope that you got something called a Bristol day. Right. Which was a day that you would just be asked to come in, touch base, say hello.

46:42Rich Eisen:Have someone see you. Catch up on some work. Yeah. Well, that was the way that we would handle it. Have somebody see you. Go in an office. Get the hell out. Right. The idea was that you're going to work at your desk and you're going to catch up on work and you're going to be there in case somebody calls in sick and you're, you're the backup for that night's. Yeah. You can't leave town. You could not leave town on a Bristol day. You had to be in Bristol. You had to show up. Yep. That's what the idea was. But as you point out, just like say hi and go hit the golf course or something, you know, or do something.

47:11Rich Eisen:Right. Or really roll the dice and leave town. Now that was, I was a provocative act. But at any rate, there was a whole process. And the person who I believe was in charge of scheduling is somebody named Julie Paradise. Yes. That's who it was. So I showed up as a 26-year-old, fresh from Redding, California. Right. And the first person I met was Julie Paradise. By the way. To go over the scheduling process. A name that should be another vocation for her. Right. So she sat me down and told me the way this works with a schedule. There's something called Bristol days. You're going to learn your schedule.

47:47Rich Eisen:You're going to see what you show you're doing. And she showed me how to log into the computer to see it. And I had the temerity, the balls to basically say to her, listen, I know I'm just new here, but I didn't know I was getting this job. This has been a dream moment for me. I didn't know I was getting this job. I have already paid for a vacation with my buddies from college and high school to go to Amsterdam later this summer. The tickets are not refundable. I've already got the hotels. I know I'm asking for vacation time two months in to getting my dream job, but can I have that week off? And she said, let me check, but I think that shouldn't be a problem, but I need to see who's already off that week because this is another thing that I'm telling you that for your time off you can ask for it but if somebody with more tenure than you asks for the same time like if you had asked for the day right you would get them off before me because you have more tenure yeah longer than you no longer than yeah so she looked at it she's like the week's clear you can have it i'm like because i mean i didn't have a pot to piss and i'm not gonna blow away these tickets no you know so then comes the jewish holidays oh so so i ask for for the jewish holidays off and i start thinking all right shit i'm not going to get it over linda i'm not going to get over steve levy you know like i'm starting going through the obvious jews with tenure right was he i didn't even practicing i don't know i wouldn't know i wouldn't know okay so i was told okay i was told this is great story i was told i couldn't have one of the holidays off because you asked for it off and jack edwards had asked for it off and i'm like jack edwards that's the way i said it and julie paradise said jack is engaged or just married to a producer who works there right who is jewish okay so i'm like wait a minute not on the pecking order i don't get it i'm like i understand he's got i literally said this to julie i'm i understand he's been here longer than me but i've been a jew longer than he

50:11Rich Eisen:i have tenure as a jew yes yada yada yada i worked it didn't work it didn't work she crack a smile i don't even think she did oh my god i don't think she did i'm like i've been when i have more tenure in judaism than him oh that's a great story this was sports center 100 i don't know how you could top that i don't know but you said you had a story oh yeah so one of the greatest original ideas i mean nothing can top you know david cassidy having my headshot picture on his um in his makeup room i mean thrilled that i got to do that right and then he knew who i was you know yeah that's the other He really did.

51:02And that's another thing we can talk to after I, you know.

51:04Rich Eisen:I think I called you to say, guess what? Yeah. He definitely knew who I was. You did call me. I called you to say, I did it, he knew you were. I know. And you know, when you heard that back in the day, I mean. Yeah. You know, it's not about us being conceited. We weren't conceited. No. We really were grateful every day to be doing our dream job. Fans. Okay? Fans first. Fans first. So when we found out that when someone that we admired knew who we were, and a lot of times it was not someone in sports, it was someone like outside of sports. Sports, yeah, but again, you don't put people on pedestals.

51:36You know, you'd be disappointed half the time. But when they're like celebrities and different people in acting or music, you know, like when Jay-Z knew who the hell I was. I mean, that was like, oh, my God.

51:49Rich Eisen:You know what I mean? Sure. Rich Eisen here for Gusto. Look, the economy is a lot right now, and if you're a small business owner, you probably feel it. You can't control interest rates or tariffs, but you can control how efficiently your business operates. Automating payroll and HR with Gusto is one of the fastest ways to cut friction and focus on what actually moves the needle. Gusto is online payroll and benefits software built for small businesses. It's all-in-one, remote-friendly, and incredibly easy to use, so you can pay, hire, onboard, and support your team from anywhere. It's quick and simple to switch to Gusto.

52:24Rich Eisen:Just transfer your existing data to get up and run fast. Plus, don't pay a cent until you run your first payroll and get direct access to certified HR experts to help support you through any tough HR situation. There's a reason Gusto is ranked number one on G2's highest satisfaction products list for 2026 and trusted by over 400 ,000 small businesses. Try Gusto today at gusto.com slash TWSC and get three months free when you run your first payroll. That's three months of free payroll at gusto.com slash TWSC. One more time, Gosto.com slash TWSC. I think you know the story. I wrote about it in my book, Conehead, years ago.

53:04But it's a classic Norby Williamson called into the office kind of thing. You didn't think you did anything wrong. In fact, you thought you did something clever. Well, you know, there was that time where I talked about catchphrases earlier where, you know, sometimes people that weren't known for it, like myself, you know, you felt pressure to think of some. Right. So I remember it was Mike Piazza was still a Met. He was a Met. And, you know, the Mets were my favorite team. You, Mr. Yankee, I get that. All right. Whatever. Yeah, whatever.

53:33Rich Eisen:You're a Met Ranger. Yeah, Met Ranger. Off the, yeah. But I am Knicks. Yeah. Yeah, so that's a good thing. All right. Knock on wood, wherever that is. Right. But, yeah. So Norby calls me in the office after SportsCenter. Yeah, it was the next morning. and what I was doing over highlights, the pressure of trying to think of a catchphrase, and I had bounced this off a friend of mine who lived in North Carolina. She did graphics. She was in the business. And I said, you know, I have an idea for a catchphrase. When a guy is up at bat and he hits a home run, because you were so great with home run calls, you know, it's a home run.

54:12I think I have an idea for a home run call and a catchphrase of her highlight. So, like, whether it's Mark McGuire, Mike Piazza, Barry Bonds, soon as they, on the highlight, hit a ball that obviously was going to be a home run, I would say, Mike Piazza, master batter.

54:34Rich Eisen:Nobody, nobody, your graphics friend didn't think? No, my graphics friend Susie didn't think. She thought, that's so clever. I think that's so subtle enough. Come on. That, you know, you can get away with that and it will be remembered, you know, in a funny way. And because I said it's so dry. Well, it didn't take long. As I said, it only it was an open and shut case. It was a Broadway show that opens one show and closed the same time because Norby Williamson called me in and he goes, what made you think that that was a good idea? And I said, oh, okay. I thought it would be kind of funny. Well, don't ever do that again.

55:21And that was the end of the conversation.

55:23Rich Eisen:The only time, one of the only times I think that Norby called me into the office to say, well, I did, you know, don't say that again. Right. Or just like, come on, you know, you're killing me. Come on. You're killing me. He's a fun guy. You know, so after the Broncos won one of their two championships. With Elway and the whole thing. Okay. So 97, 98. Yeah. So Pat Bolin was in a convertible in the parade. Okay. With the Lombardi Trophy. Okay. And his spouse. Yes. Who was, shall we say. Blonde. Yes. and, you know, maybe a decade or two younger. Younger? You know, somewhere in that neighborhood.

56:14Rich Eisen:I don't know. But I decided over the highlight of the parade, say there's Pat Bolin with his trophy.

56:28That's great.

56:30Rich Eisen:And Norby calls me in because apparently some of our colleagues caught it, didn't like it. What? went to call 2149 which was his extension extension and i got a rich eisen you know 2149 call and i call him and come in the office and he said what's up and i'm like well listen i i understand some colleagues might be upset but what did i say that's factually incorrect The Lombardi trophy What's in his hand? Yes The trophy There's Pat Bolin with his trophy And just left it at that That's great And he goes You know Just You're killing me You know So That's That's a classic Yeah That's Again Clever Original Subtle Just get in there And again Just throw it in and get out It's very Again getting back to You know Stand-up comic You could have been one and like really like that's very snl-ish just like get in there skits and i was you know that you know but truth is my total defense there like i i was talking about what are you referring to right i could have just thrown it on yeah what are you looking at that's right i'm looking at that beautiful shiny

57:48Rich Eisen:that shows you he's won so he's winning yeah so which brings me to you know and now you can't say a damn thing you know about anything anyway and for other reasons be careful but when you brought up the the age difference i i think of uh you know bill belichick and uh george oh my goodness i mean what could you have done for that what could what what could the clever lines that you had been pulled in you don't touch it yeah don't even go there that's the whole idea could you imagine any of this what's going on in anything oh man before uh uh i let you go yes been so much fun um you know do you have a good steward scott memory do you got one for me because i love bringing him up as much as i possibly can your husband at the time was steward you would always refer to um steward scott as you'd say to me he's your stew right my stew your stew that's right the spelling was different stewing was different but you're like i got my stew you You have your Stu, because Stuart would always refer to me as his TV wife.

58:53Rich Eisen:Yes. You got a good. How did you feel about that? That was a good idea. You know what? It was so obviously his world. Yes. Sammy Sosa. 33 home runs in the last 72 games. Sammy, booyah! And we were thrilled to be one of it. You know what? And there were times doing highlights with him where he would interrupt me a lot. Susie you know had a front row seat because we were just friends at the time but I you know now my lovely wife of 23 years and counting I would you know I would say he's constantly jumping in on my highlights you know and I'm trying to do something I would never do that to him but it was just he was just so effusive like it was not like I'm in charge here this is my show he was just a child You know, he was a kid with a childlike enthusiasm.

59:47Rich Eisen:Give me the chest bump. Give me the chest bump. Touching you on television again. Hey there, welcome to SportsCenter. Back in the house with Stuart Scott. I'm Rich Arson. No chest bump, I don't do the show. Start the show. All right. You know, I miss him. Yeah. So I try to bring up him any time. I love that. You probably did hundreds of shows with him. Not only that, I just love that you bring him up because I think about him often. He's gone 11 years later. I mean, I know it's unbelievable. And does Ray have the Eagles back on the right road? But first, take us to Salt Lake, Stuart. Aye, aye, Linda.

1:00:21Rich Eisen:Warp speed. We will beam it up. I think about what world, what he would say in certain things that have come up in our world in the last 11 years. Doesn't that happen to you? Caleb Williams for his Bears. Belichick taking over North Carolina football. Right, right. I need to hear from Stuart. You know, what's going on with LeBron at age 41. How would he would do this highlight? No doubt. You know, regarding whoever, whatever. Me too. That's what's amazing, because he was part of our family, our TV family, right? Ahead, St. Patrick stands on his head, and a big-time college hoop showdown. And the Los Angeles Lakers will try and score more than the 18 points the Minneapolis Lakers scored back in 1950.

1:00:59Rich Eisen:They do it, but not by much. Stick around. My fun story is, so I was looking enough, like, after a few years at ESPN, when did you get an office? Stewart had an office. I got an office. No, I was one of the last. I never got, I don't think I ever got one. Okay. I bring that up. It's all right. Okay. Not to, you know, bring up the past. I've got one now. You have a big one now. It's fine. You have much more now. But so I had an office and when Stuart would come, his Stuart was on the other side of the building, same floor. Mine was on the opposite side. When Stuart would visit me, whatever, before a show, we would talk about something or whatever.

1:01:34That's what was so great about him. He could have just picked up the phone before phones. Correct. We had phones in our office. Yes. You know, and call me, but he would come over. you know and so for some reason one time he knocks on the door opens the door and I don't know what he tripped on but he actually fell into my office and I go are you okay Stu and and he's like oh yeah he goes but you know what this means I go what well this means every time I knock on the door and open the door and come into your office I'm gonna have to fall so what he said yes so

1:02:05Rich Eisen:Literally. Tell me you did that every time. Every time. Come on. True story. Every time he would come into my office, he would fall on purpose. And he kept that promise. Remember, his background was theater. That's right. Okay? If Stewart did not become what he became, legendary, okay, he would be on screen and stage. I truly believe that. Just cuss, man. Just cuss like a sailor. That's in now. They can bleep it out later. You got to say, that's a bull call. He did theater in school. He was so good at it. And that is why on stage, he owned the stage on SportsCenter, whatever stage it was, whether if he was emceeing something or whether he was, you know, in front of a camera, whatever it was.

1:02:50Hi, I'm Stuart Scott. But anyway, that's that's like one of my favorite Stuart Scott stories that it was just so much fun. And then also I just remember him always snacking and eating little crackers. is he would never gain weight. Yeah, never. Never gain weight. And he would still look like Adonis. He looks great, and he'd work out. And then also early American Idol. We both watched American Idol. And we, you know, at work, we'd have to watch it because you didn't have DVRs or anything. Right. We'd have to watch it. Right. You know, and you had mentioned you're going to have Kilbourne on. You know, I always remember Kilbourne watching David Letterman.

1:03:24He wasn't watching sports at night.

1:03:25Rich Eisen:Oh, that tracks. He watched David Letterman. Yeah. That tracks. Because he became what he was. Because that's what he wanted to do. That's right. I mean, it was obvious. And it was very transparent, you know, type of thing. So Stuart, definitely, there was Denzel in him. There was this great actor in him. He could do anything. He could do Shakespeare. Chosen one, huh?

1:03:47Rich Eisen:I never knew that story. But that's what he did. He would fall into your office. He would fall into my office. And he said on the spot, I'm going to have to do this every time. And then committed to the bit. Committed to it. Because he goes, if I stop, what would that mean? I'd be a liar. I told you I was going to do it. yeah true story wow just one of the things that's what i love about thank you for sharing that oh gosh my pleasure because you know because i it really freaks me out that people like again my my kids um now 17 15 and 12 right last december um suzy and i showed him the 30 for 30 oh so they don't they don't know him yeah they don't know him he's been gone for half their lives and then he was also at the point of his life too when he would come out here he didn't reach out to right susan i i mean right he was um he was enjoying his life best he could and obviously he got sick yes they didn't know him yeah and it's just like this is this is our way of letting them know somebody who is you know you were at my wedding yes stewart was at my wedding you know so you know it's and my daughter sammy remember she's 34 now right so she remembers stewart scott remembers how nice he was to her yeah you know dan's just turned 30 a few months ago back so a little bit but yeah remember yeah my kids didn't know no they didn't know at all i'm like you should know who this guy is and then of course i show up on there and i have hair and they had a fun time and they're like who's this i know that you know and there's a photograph at at the wedding because, you know, Stuart was the person who was always seeing that I wanted to be more than friends with Susie.

1:05:24Rich Eisen:You had a front row seat to that, too. Yes. You know, and then Susie, you know, didn't want to just stay friends. Right. He would always play us to the middle. Yes. And so on the day of our actual wedding. Yeah. You know, there's a photograph of him holding my hand, looking at the ring. Yeah. And oh, there it is. Look at this. There's a photograph right here. Awesome. And you can see the look on his face is like, you know, I told you. Love. But the other look is we did this. You know what I mean? Like, we did this. I get it. I get it. You know? Yeah. Like, this is it. I knew all along this was the plan.

1:05:59Yeah. And he was the director of that screenplay.

1:06:03Rich Eisen:Well done. No question about it. That's him in a nutshell. All right, I lied. One more thing. Okay, what do you think? There's this photograph that gets popped on social media all the time. and i don't know what it was for yeah i don't know if you remember it as well um it's it's a i guess it was um a pr shoot or something it must have been and they called it the golden era that's what they called i think the headline when we when when we did it they weren't calling it that no they weren't in reference in the social media world was calling it um this is you remember this picture i don't even remember maybe i was just blacking out that i was actually asked to be included in this but i do love that the same graphics yeah it's the same one behind us that's right is yeah look at that and is that look at that that's pretty cool is that big show bob up there that's big show bob stevens right there next to leaves and next to the rookie of the year chris mckendry look at tariko oh where is yeah look at mike reese davis reese davis larry beale who i did my first sports center with aloha means aloha means goodbye and of course the Gary Miller, who is just Gary Miller and I next to me.

1:07:12Yeah. Next to yeah. Yeah. So Gary Miller next to Dan. And is that we can't say his nickname next to Gary Miller in the corner.

1:07:22Rich Eisen:Oh, that's me. That's you. That's me. I can't even recognize you. I was Brett Haber. No, it's not Habes. Oh, yeah. You're talking about I'll say it. It's fuck stick. That's what he called a cameraman once. That's what this show is about. It's talking about that. Maybe we'll get Habes on this. Oh, my God. He'd be great. No, but can we get – show the picture again because I can't get enough of this picture. So Gary and I did the – usually we mentioned in classic sports centers that you and Stuart did. Yeah. Gary and I happened to be on the air doing the 11 o 'clock sports center during the OJ Bronco.

1:07:58Rich Eisen:No way. Yes. You were on with who? With Gary? Gary Miller. We will be here to at least 1230 Eastern Time tonight to keep you covered on this late breaking and ever changing story. We'll take you through step by step to one of the more bizarre murder stories ever. O.J. Simpson, a pro football Hall of Famer earlier in the evening, a suicidal fugitive, is now in under arrest and in police custody. And we never got to speak. We were just told show up on the set because the Bronco ride started happening before 11 Eastern. So we were, you know, it was earlier in the, but just in case we want you on the set.

1:08:38And all Gary and I did was sit there and watch our monitors and watch ABC News and Bronco run.

1:08:42Rich Eisen:If I'm not mistaken, that was on during a Knicks playoff game. That's right. Was that again the NBA Finals against Houston? That's right. Heading into game five of the NBA Finals, the New York Knicks were in guarded condition. In their case, that's good. Their guards, Derek Harper and John Starks, combined for 41 points in New York's Game 4 victory. The Knicks also had their way with Houston on the boards. On the line tonight in New York, an edge and a 3-2 lead in the series. And it was also, because 30 for 30 did a great 1994 that day. It was the day of the Rangers parade, which I could not go to because I had to do SportsCenter that day.

1:09:18Rich Eisen:And you were probably pissed about that. And now you're sitting on the set wordlessly watching the O's. Like you don't need me. Get out of here. You know where I was? Where were you? Graduating from Northwestern Medill School of Journalism. I graduated that day and I went to a lunch with some of my fellow graduates and our parents in Chicago, Illinois. And I was in a sports bar and they were showing the high speed chase or low speed chase. Yes. and a larger square, a rectangle, and then the lower part of the rectangle was the Knicks-Rockets game that Marv was calling. And I just remember the whole bar had their jaws on the floor watching OJ go crazy.

1:10:08And just because I don't know what takes me over in my brain sometimes,

1:10:14Rich Eisen:I just screamed out, that was a flagrant foul. and people are looking at me like what's your malfunction man i'm like that's a i'm a nick fan you're a stand-up comic i just couldn't resist that was so fun and i'll never forget because the the sound was up yeah and the bar was dead quiet yeah and then they finally threw back to um the game yeah and marv at the mic the great marv albert was like um so we will keep an eye on what is happening, but he said something like this, in Southern California. Yeah. And we'll go back to it as conditions warrant. Pause. Amazing. Here in the third quarter, like he somehow turned the page to bat a call play-by-play.

1:11:03Rich Eisen:So you were on the set. I was on the set with Gary. You're graduating college. I was on the set with Gary. So yeah, it's only, you know, we're only two, I'm only two years into ESPN, you know, because I got there in July 92. So yeah. And I was there with Gary and we're just i'll always remember gary leaning over like this next to me and we're just like this looking at our monitor was in the house that's all we did that's all we did was watch the bronco ride yeah holy i know and i was two years away and that was a big step in me being just only wow that was yeah i think it was june 19th 1994 i think if you had tapped me on the shoulder and said you were going to be on sports center in less than two years from that moment graduating When you were saying, that's a flagrant foul.

1:11:41Rich Eisen:I know, being a total asshole. But wow, that's crazy. And last one, who did you do your first SportsCenter with? Chris Myers. Hi, and how are you? Along with Linda Cohen, Chris Myers. Glad you could make it for the show. We want to welcome Linda to SportsCenter here. She comes to us by way of Seattle and New York before that. Nice of Larry Loretta, too, to light up a cigar on your behalf. Well, Chris, you know, I don't smoke, but thanks anyway. And we'll show you Larry's fine round at the Senior Open in a moment. But first, let's talk some baseball. You were there. He was there. You were there.

1:12:13Love Chris Myers. I love Chris. Chris Myers was your first sports fan? Yes. Oh, it was great. It was a Saturday night, 2 a.m. Eastern with Chris Myers.

1:12:21Rich Eisen:I'm here. You were there. Well, the fact that Babe Ruth started his career as a top left-handed pitcher is not worthy of a did-you-know. But then that doesn't stop us from digging now. Did you know that 78 years ago on July 11th, Babe Ruth made his big league debut with the Red Sox? He beat Cleveland 4-3, but he was lifted, yeah, for a pinch hitter in the seventh. A pinch hitter for Babe Ruth. Duffy Lewis singled for the Babe and later scored the winning run. So I guess it all worked out. That's, oh, so good. He always told me I'd be on the good boat. What does that mean? That means, like, if you're out at sea and you're lost at sea and there were two boats, I'd be on the one that would be rescued with him.

1:13:00Rich Eisen:Was he drunk? I'm not sure. on the good boat i took it as a compliment by the way you know he was there before me you know and he used to say you're you're no good oh that's right you you you're no good like that'd be that would be for a strikeout or something yeah yeah you're no good yeah i remember that so good it was so good um so are you rich i mean this is a blast i could go on for hours this is our emmy right here what a great way to start this show off in this studio right here i love thank you linda cohen oh gosh my pleasure rich continued success thank you i appreciate it your next chapter i still would come to one of your stand-up comedy if i ever do that again suzy would never let me do that well we'll talk to i did that once after after knowing her after i was on sports center in new york city i was terrible i was terrible because i couldn't i was out of practice and I was also you know I couldn't.

1:14:00But you know what's great about

1:14:01Rich Eisen:I was working for Disney at that time. Yes you can't be you. Your stages here allows the sarcasm. I'm happy to be So I love it. It does it's perfectly Linda Cohen everybody. Our final two episodes coming up on This Was SportsCenter. Chris Fowler will be here and then Craig Kilbourne in that very short. Love it. Thanks for being here. My pleasure. And thanks for watching the latest episode of This Was SportsCenter.

1:14:27Thank you.

From the publisher

On this episode of 'This Was SportsCenter' Rich Eisen sits down with
Linda Cohn for an in-depth look at her storied career including how she got her start at ESPN, handling some of the most bizarre breaking news stories ever while live on the air, how technology and the growth of social media has impacted the network's flagship news & highlights show, and shares plenty of hilarious never told behind-the-scenes stories from the Bristol, Connecticut headquarters.
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