In short
Michael Sheen discusses Welsh identity, returning his OBE, and the pressure of playing real people; he also shares awkward celebrity stories (accidentally “stalking” David Frost, walking into a naked man’s room, and hotel-room paranoia), plus behind-the-scenes acting philosophy and a viral Welsh World Cup moment.
Guests
Romesh Ranganathan and Nathan (co-hosts). Michael Sheen is the main guest; he’s an actor known for playing real figures (e.g., David Frost in Frost/Nixon) and for Welsh cultural/political commentary.
Key claims
He returned his OBE after researching Welsh history for the Raymond Williams Lecture, because he couldn’t reconcile “Officer of the British Empire” with what he planned to say. He says actors can’t trust how they feel during performance; they must focus on audience reception. For real-person roles, he avoids rushing into impersonation and instead builds “underneath” motivations first.
Notable examples
Following David Frost down a street; Frost’s lawyers in the Donmar back row; being recognized in Crawley with requests to sign a child’s chest; a hotel key-card mix-up revealing a naked Tony Blair lookalike; writing/reading Spark the Dragon and planning future books about homelessness and young carers.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOAccidental Stalking Story
0:00 to 0:35
Michael Sheen shares a humorous story of accidentally following someone.
“You took the safest option of following him from a distance.”
The Challenges of Theatre
1:00 to 2:21
Michael discusses the pressures and reliefs associated with performing in plays.
“As soon as you wake up, you are then consumed by the fact you've got to do the thing, right?”
Parenting Realities
2:21 to 3:00
Michael reflects on the ups and downs of raising young children.
“I don't feel like I can ever do anything I want to do.”
Favorite Bedtime Stories
3:00 to 3:30
Discussion about the impact of bedtime stories on children and parents.
“It's what you're doing for the few seconds before you start reading the story.”
Tremphaya Advertisement
3:30 to 4:00
A promotional segment for Tremphaya, highlighting its benefits for Crohn's disease.
“You know, you've got the sort of textbook thing is to pretend you're in the middle of something else.”
Life in Wales
4:57 to 6:20
Michael discusses his return to Wales and the sense of familiarity it brings.
“Wayfair's Black Friday in July sale is happening now, so you can finally get the style you've been waiting for for less.”
Giving Back the OBE
6:20 to 9:00
Michael recounts his decision to return his OBE and its significance.
“And she's essentially saying, here is your other father.”
Reflections on Fame
9:00 to 12:20
Michael shares insights on fame and his experiences in public life.
“Is it true that you gave up your OBE because of your Welsh?”
Message from Lee Trundle
12:20 to 13:00
A surprise message from Lee Trundle expressing pride in Michael's support.
“Well, it is a present you can take away with you, but it's not physical.”
Advice from Ramesh's Mum
13:00 to 14:02
A humorous advice segment where Ramesh's mum asks Michael for interview tips.
“that's fantastic thank you Lee but I'm assuming you're like best mates anyway aren't you with everyone in Wales well no with like Lee Lee Trundle's gonna know You will have crossed paths at some part.”
Show all 22 chapters
Introduction to Michael Sheen's Insights
14:02 to 14:50
Michael Sheen discusses his experiences and insights during interviews.
“Now, full disclosure, I've not heard this.”
The Journey of Frost/Nixon
14:50 to 17:28
Sheen reflects on the development and success of the play Frost/Nixon.
“Well, so Frost, David Frost was the person I probably spent the most time with of all the real people.”
Encountering David Frost
17:28 to 20:17
Sheen shares his first experience of stalking David Frost before their play.
“So that's about as wrong as I'd ever been about anything.”
The Actor's Anxiety
20:17 to 23:01
Discussion on the nervousness actors face when portraying real people.
“in the words of Yogi Berra, it was like deja vu all over again.”
Balancing Impersonation and Storytelling
23:01 to 28:00
Sheen explains the difference between impersonation and deep character work.
“People aren't going to accept me as this character.”
The Art of Character Preparation
28:00 to 31:05
Learn how Michael Sheen prepares for portraying characters authentically.
“And then eventually, you know, when you're getting closer, you just got to go, right, I've just got to.”
Kids and Books: A Father's Connection
31:12 to 33:56
Michael Sheen discusses his daughter's love for his book and future projects.
“How about a creamy mocha frappuccino drink?”
Awkward Encounters and Hotel Stories
33:56 to 36:53
Michael and the hosts share humorous stories about unexpected hotel encounters.
“As much as charming as your daughter is, I can't believe you just battered it back to him.”
Insights on Acting and Career Choices
36:53 to 42:00
Michael Sheen reflects on his career choices and the challenges of acting.
“i thought you're gonna say my dad was naked yeah sitting in his room and you walked in thank god it wasn't.”
The High Wire Act of Acting
42:00 to 44:09
Michael Sheen discusses his challenges and fears as an actor.
“I feel like I'm not as good as I would like to be.”
Describing Characters and Personal Reflections
44:10 to 46:32
A humorous discussion on character descriptions and personal anecdotes.
“And, of course, I've played Shakespeare villains, I suppose.”
The Memorable Speech at the World Cup
46:33 to 50:53
Michael recalls delivering a rousing speech to the Welsh team before the World Cup.
“You would have pursued this route to rack and ruin I cannot see any other path of me.”
Transcript
Automatic transcript. May contain errors.0:00Michael Sheen:You took the safest option of following him from a distance. I'll just stalk him. So I just followed him down the road. That is so weird. Yeah. And then I really thought, this is too weird. Like, I've often thought I'm going to be fired at the end of today. So I remember in rehearsals thinking, I think people are going to find this very boring. I think I'm going to real... This is going to be a stinker, yeah. Michael, would you mind signing my son's chest? Lucien! Lucien! Come here! And he wasn't in my room. I had just walked into his room. And there was a man there, naked, going, why is Tony Blair just walking to my room?
0:35Michael Sheen:Hello, I'm Michael Sheen, and I am on The Romesh Rang and Nathan Show, and potentially, arses will be talked about.
0:49It's The Romesh Rang and Nathan Show.
0:55Michael Sheen:Oh, shut up, Romesh. Hello, mate. How are you? You all right? thanks for coming on man i appreciate it i appreciate your time are you performing tonight yeah i've never done a play and that's not a big surprise it's a nightmare yeah that's what you wake up wake up in the morning i go fuck i've got to do the play literally every day and then it just hangs over you all day do you buzz after a play uh no it's just a massive wave of relief thank god that shit is over for another day because essentially the time The time between finishing the play and going to bed is the only period of time I'm not going, fuck, I've got to do the play tonight.
1:34Michael Sheen:Yeah, yeah, yeah. As soon as you wake up, you are then consumed by the fact you've got to do the thing, right? Yeah. So then the only time you're not is the night before. This is the problem. So then I, left to my own devices, I would stay awake until like 6 in the morning. But I can't because it's 6.30 in the morning. My kids jump on my head. So, you know, it's the... To how old are your kids? I have a three-year-old and a five-year-old and a 26-year-old. Yeah. It's not the 26-year-old who's jumping on my head in the morning. No, no, but that would be wonderful. But what's it like being in that?
2:07You're in the trenches now, aren't you? Yeah, absolutely, yeah. So you had a 26-year-old, went through all of that, and now many years later, you're right back in it.
2:18Michael Sheen:Right back in it. What does that feel like? It feels like simultaneously the best thing in the world and the worst thing in the world. I am tired all the time. I don't feel like I can ever do anything I want to do. I have to force myself into thinking I'm really enjoying watching Frozen for the 50th, not 50th, oh my kidding, the 7 ,000th time. Let's not, let's get straight to it. your BBC bedtime story I Want My Hat Back is an all time classic that in our house really? yeah that's so nice before I left the house this morning to come here my partner Anna was like and don't forget to tell him how much we love I Want My Hat Back she then sent me the recording on YouTube whilst I'm in the car so I've watched it as I've been coming in that's so nice that's really you've actually made my day I we love that I really helped by the book in that The thing about bedtime stories is that sort of thing of like, it's not the reading of the story.
3:24The reading of the story is great. It's what you're doing for the few seconds before you start reading the story. It's horrible. It's horrible. You know, you've got the sort of textbook thing is to pretend you're in the middle of something else. And then go, well, I'm not sure about that. Oh, hello. Oh, hello.
3:39Michael Sheen:You caught me just talking to an inanimate object. Welcome. also it helps that the end of your story that you do is essentially about a psychopathic bear who's just eating a rabbit and covering it up yeah which is it's it strikes an odd note yeah it does it does but you handle it well for adults with crohn's disease or ulcerative colitis symptoms every choice matters trimphaya offers self-injection or intravenous infusion from the start. Tremphaya is administered as injections under the skin or infusions through a vein every four weeks, followed by injections under the skin every four or eight weeks.
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5:25Michael Sheen:Wayfair, every style, every home. Where's home for you now, then? Home is Wales. Yeah. I moved back to Wales. So you're in Patelbot then? Yeah, sort of on the edge of Patelbot and Swansea. So my mum lives about 25 minutes away where I grew up. Yeah. And it's great to be back there. Because I still live in Crawley, which is where I grew up. I just think I've got a really, I'm just in love with the familiar. You know, nobody in Crawley gives a shit. In fact, a lot of the time they go, I thought you just said it as part of your act that you still live in. but then for me like I was so desperate to get out I was convinced I was going to leave Crawley you know all I talked to I'd go out in Crawley and go I can't wait till I'm like actually going out somewhere decent like if you just said to Romesh at 18 when you're in your 40s you're still going to be in Crawley I don't think that would have been very depressing for you he would have just gone his life has gone that shit but like but what happened then what because you know you could have gone wherever you wanted yeah I just kind of whatever I do outside of my house when I go home there is a group of people in there that don't care what I've done they don't care that I've done a TV show they don't care about any of that Crawley's like that you know like you know you sort of you sort of go somewhere else and it's like you're I don't know you're the person that you do that you are in your job and then when I go up to Crawley I get you know people give me shit you know like you know I can't say that I go to the supermarket in Astro Goodmose and this is I'm going to give you two examples I'm walking down the aisle looking for frozen chips or whatever yeah and a voice will go Michael I turn around hello would you mind signing my son's chest Lucien Lucien come here she's named her child after one of the characters I played she gets into He's got a tattoo of me on him and she wants me to write on it.
7:36Michael Sheen:Lucian, Lucian, come here. He doesn't know who the fuck I am. He's looking at me like, who are you? And she's essentially saying, here is your other father. I mean, essentially, here is everything. This man is the reason why you're called Lucian, is why you've got that, you know, all of that stuff. another example i'm standing standing by the uh ice cream area looking for some ice cream for my kids and a voice goes oh look at you by the ice cream typical i don't know who this woman is people are just taking pot shots at me as i'm walking around so yeah that sounds like a different experience the idea of being at home and it's like oh you could be you know could be anyone It's not like that.
8:24Michael Sheen:But it's wonderful. I mean, it's marvellous. I do love that. In your recent doc on Channel 4, you said, my name is Michael Sheen, I am Welsh. How important is your Welshness to you? It has become more and more important to me. You know, I suppose early on, a lot of people would sort of think, well, Welshness is about rugby and male voice choirs and Tom Jones and all that kind of stuff. And that is very much a part of it, that cultural stuff, but it's got richer and richer for me as I've got older. And I love that. That's one of the things I've most enjoyed about my life. Is it true that you gave up your OBE because of your Welsh?
9:03Michael Sheen:Is this a myth? No, it is true. So I was asked to do something called the Raymond Williams Lecture. And in the writing of the lecture and researching it, I essentially gave myself an education in Welsh history, Welsh political history and socioeconomic history. I mean, I put so much work into it. and by the time I came out of it, I was sort of radicalised. Really? Yeah, I sort of radicalised myself. I can see why that can happen. It just opened my eyes to all kinds of things and I realised at the end of it, of writing this thing, I was like, I can't give this lecture and have an OBE. I just can't do it.
9:40Michael Sheen:So I have to make a choice. I either have to give this OBE back or I don't give this lecture. I was like, well, I'm giving the lecture so I have to give my OBE back. How do you give an OBE back? You have to write a letter to Prince Charles, as was. You must have really wanted to do this lecture. You have to write a letter and then someone has to go and physically, you don't have to physically do it yourself, but someone has to go and physically take the medal back and give it in to the office. And you have to sign something saying, I don't ever want to be asked again. I mean, it's going full on.
10:16Michael Sheen:That is a lot, man. Yeah. And then imagine if the lecture had gone shit. Yeah. Well, I mean, you know, very few people heard it. But it was just a principle. To me, that feels massive. Was it massive? It was pretty big, yeah. And did people tell you Michael? Well, no one knew. I didn't tell anyone. I just did it. Before you'd radicalised yourself and you had O.B. after your name, every time somebody says Michael's in O.B., did it give you a little ball tingle? Like, did you feel anything? Like, was there anything about it that was kind of... Well, it was, I mean, when I was given it, I mean, I felt very honoured.
10:58Michael Sheen:Yeah, of course. It was amazing. I have no disrespect for it. No, no, no. I thought it was brilliant. But then when it got to that point, you know, when I had to make this decision, I just realised I couldn't say the things I was going to say about the nature of the relationship between Wales and the British state and all that kind of stuff and just the history of it. And I sort of realised I couldn't have officer of the British Empire after my name. It just didn't work. I mean, when you say the full OBE, you're not really engaging with what it stands for. No. That is what it stands for, right?
11:30Michael Sheen:Clough used to say it means old big head because he got one. But, yeah, I mean, you're an officer of the British Empire. And I did this whole thing about Britishness and Welshness and all this good stuff. It does make you sort of a rock star, doesn't it? I think so. No, that is, I think, I'm not, listen, I don't want to be reductive. That's a big dick move, man. Like that, that is, I think that's, that's a really cool thing to do. But let me tell you the extra bit, which is that I thought that someone eventually would say, oh, are you not an OBE anymore? Yeah, yeah. Because I kept saying, could you take that off?
12:04Michael Sheen:Yeah, yeah. And hope, sort of hoping that eventually someone in an interview would go, so, you know, what happened? And then I'd be able to tell the story. And no one did. No. For years. They must have just thought you're being modest. You don't need to do that. He doesn't like to make a big deal of it. Please don't lie. He's such a humble, down-to-earth guy. I've actually got a present for you. Well, it is a present you can take away with you, but it's not physical. So I'm just going to show it to you. Here we go. Hello, Michael. It's Lee Trundle here, X1C City player and now club ambassador.
12:35Michael Sheen:I just want to send you a little message, mate, saying thank you for the support and thank you for being a proud jack. We're all proud of you with what you do and we watch you from afar but we're so proud that you fly the flag for our amazing football club so we just want to thank you I wish you all the best and hope to see you at a game soon see you Michael bye bye mate aww how fantastic I bet Snoop Dogg told him to do that
13:03Michael Sheen:that's fantastic thank you Lee but I'm assuming you're like best mates anyway aren't you with everyone in Wales well no with like Lee Lee Trundle's gonna know You will have crossed paths at some part. Yeah, I mean, I think so. But I think maybe there's a slight overreach with, thank you for all your supporters, Swansea City. I'm not entirely sure what I've done to support Swansea City. But, I mean, yes, my local team, fantastic. Yeah. I mean, to be honest, to go back to when people say, who's your team? I always say, well, I haven't got a team. Right. But the truth is my team is the 1974 Liverpool team.
13:42Oh, okay. So that video is a bit of a mistake then, really, isn't it? Well, no, that's lovely.
13:46Michael Sheen:And I do, you know, they do great work in the area. And Lee is an amazing kind of ambassador for them and does amazing stuff. Every school you go to and every organisation, they all talk about, oh, Lee came here and he did this and it's fantastic. We've got a question from my mum. Right. Now, full disclosure, I've not heard this. Okay. So she just sends in a question. Right, okay. So I don't know. These guys have heard it. Right. So I'm hoping it's not something that's going to be offensive. Okay, go on. Hi, Michael. Hello. I'm Ramesh's mum. Hello. I love you in that movie where you interviewed the president.
14:23Do you have any tips for Ramesh to improve his interview? Would you please let me know? I'll be grateful.
14:32Michael Sheen:I love that there's an implication that you really need to step up your interview game back. just that kind of the thing that only mums can do yeah it's a question to Michael but it's also to me for me to ask myself isn't it yeah okay what a great question yeah I'm assuming I'm assuming that she's referring to Frost Nixon but she could also be referring to Prince Andrew and Emily Maitlis depending on who she feels you are in this equation yeah well have you met any of the characters that you've played? Yes. Well, so Frost, David Frost was the person I probably spent the most time with of all the real people.
15:17Michael Sheen:Because we did it as a play first. Yeah. And I remember when I first got given the play to look at and then, you know, I agreed to do it. I remember in rehearsals thinking, I think people are going to find this very boring. I thought, you know, I think I'm in a real fucking plot. this is going to be a stinker yeah i really didn't i didn't sort of say to anyone yeah but i just thought well you know there you go take it on for the team and um and literally within as soon as we were in front of an audience with it i just thought that no one's gonna be interested yeah it's just you know i mean it was a it wasn't just two people but a lot of it was just two people in chairs like this i mean it's not particularly theatrical and also i thought you know in in Britain as well.
16:05Michael Sheen:Does anyone really give a shit about Rotten Tomatoes? Yeah, yeah, yeah. This all happened a long time ago, all of this stuff. And then we did it in front of an audience for the very first time, the very first preview at the Donmar Theatre. And it was just extraordinary. I was so wrong. Thank God, I guess. But the audience were so gripped by it, I couldn't quite believe it. And within a few days, I would say, of doing previews, we hadn't even opened, it looked pretty almost definite that not only would we go to the West End and to Broadway, there would be a film of it. Really? I mean, we hadn't even opened, yeah.
16:44Michael Sheen:There was like a bidding war going on. Because it was an extraordinary time because I was, so I was doing the previews of Frost and Exxon, but I flew out to Venice for the Venice Film Festival because the film The Queen was opening at the Venice Film Festival. Right, right, right. So I couldn't be there for the actual screening because I was on stage doing Frost Nixon. But I got there for the press conference the next day. And because The Queen had been such a massive hit at Venice, all the producers and directors who were at Venice knew that the same writer, same sort of team, had this play Frost Nixon on at the theatre.
17:19Michael Sheen:So they all came over to London whilst this was happening. So there was this sort of feeding frenzy going on. And we hadn't even opened the play. It was crazy. So that's about as wrong as I'd ever been about anything. What was it like spending time with David Frost then? It was great. Were you just watching him intently? Well, I remember when we were rehearsing, there was like a Channel 4, some sort of Channel 4 do that I got invited to at the end of the first week of rehearsals. Nothing to do with us. It was just, you know, a separate thing. And I remember getting out of a taxi to go into this place and completely coincidentally just walking down the street, not going to this thing, just walking down the street, was David Frost.
18:04Michael Sheen:And so I just followed him. I sort of didn't know what to do. I sort of panicked. I don't want to say hello to him because I'd never met him before. I didn't want to go, oh, I'm playing you. Like I didn't know, you know, it's all a bit sensitive. But I also didn't want to miss the moment. You took the safest option of following him from a distance. I'll just stalk him. So I just followed him down the road. I was with someone going into the party. I went, sorry, excuse me. And I just, I've got to follow this man. And I just went following him for like ages just watching him and then uh that is so weird yeah and then i really thought this is too weird what if he turns around and sees so i just stopped and went back but that was my first experience with him and then uh and then i remember then when we opened the play i still hadn't met it because i knew the the writer peter morgan um had sort of been working with him i think early on when he was writing the play and then at a certain point i think i don't know what had happened but they sort of parted company a little bit.
19:03Michael Sheen:And so there was, you know, a sensitivity there about it. And then when we did our very first preview at the Donmar, the entire back row of the theatre was made up of Frost's lawyers. You know, it's a big deal. Yeah, of course. For him, obviously. And then a few nights later, I was in the dressing room and the director came in and said, oh, by the way, Frosty's in tonight. I was like oh my god so I I came out the dressing room at the end and the director said you'll be in the bar you know if you want to sit so I came down and he was standing there and he looked a bit white he looked like he'd just been through something and I sort of just said hello how was that and he said it was like deja vu all over again which apparently is a quote.
20:00Michael Sheen:It was like, it's a quote from Yogi Berra, who's an American baseball player, I think, who was very famous, very famous for saying kind of, you know, things like Ringo Starr used to get things slightly wrong. Right, right, right. And he said to me, he said to me, in the words of Yogi Berra, it was like deja vu all over again. Now, I'd never heard of Yogi Berra. I thought he was quoting Yogi Berra. Well, when you said, it to me, I thought, has Michael Sheen mispronounced bear? And why isn't he talking more about picnic baskets? But yeah, so that was already quite strange. I thought he's quoting Yogi Bear to me.
20:41Michael Sheen:I don't quite know what to do with my face. I've done radio comedy stuff where we're about to get, you know, you go out and perform in front of an audience. And there's been times when I've had a similar experience to you where I've read the script, we've gone through the script, and I've thought this might be shit you know and then we've gone out and it's like the audience are just like laughing their heads off and I cannot believe it but the reason I know it's going well is because they're giving us a signal by laughing that's why comedy is the most narcissistic of all you don't know that's what I mean so when you were doing the previews and you thought this might be a flop and then how do you know that this is work well yeah Yes, I mean, there were a lot of laughs in the play, so that is an indication.
21:32Michael Sheen:It's not comedy, but you can tell when people are reacting. It's actually not true, really, that you can't tell in a drama, because you can. There's a kind of a quality of listening, and there's a quality of... I just remember so many people afterwards saying to me that during the interview bit, when it gets to the climactic stuff, so many people said to me I realised that I hadn't breathed for like a minute and if enough people say that to you you realise that something's gone and you can just feel that in the audience you can't tell it must be different for comedians because if you're not getting fairly regular laughs you know that it's not working well whereas as an actor you can spend long periods of time kind of not knowing what's going on you've got nothing coming from the audience No, and it can be very difficult to tell.
22:26Michael Sheen:And you can start to lose confidence in what you're doing. And oftentimes, this happens a lot. A lot of actors will come off stage and go, I don't know what was wrong tonight. I just wasn't feeling it. That was the worst performance I've done. And then maybe the director or someone in the audience will go, that is the single best performance I've ever seen you give. And you say, well, what's the connection between how good it feels for the actor and what the audience are receiving. And after a while, I think I just started to learn that you can't really trust how it feels for you. It's not about what you feel.
22:59Michael Sheen:It's about what the audience feels. No, that's a difficult thing for me to accept. It's not about me. That's a difficult thing. But that's always been it. With all the characters I played who are based on real people, the ones that are very well known, there's a moment, usually about a week before we start filming or I start playing the character where I get really terrified. And I feel like this just doesn't work. People aren't going to accept me as this character. And I get really nervous about it then. Up until that point, it's really enjoyable. The period of time where you just get to research this person, especially someone like Clough, just spending time reading everything and watching everything and talking to people, it's so enjoyable.
23:42Michael Sheen:And then slowly, as you get closer and closer to having to do it, that's when I have a panic a real wobble moment and then you just have to do it then it's like well fuck it whatever for better or worse I'm doing this now I can't get out of it but then you've got the first moment where you're showing people yeah that's what I was going to say then you start doing it in front of people and nobody like remarks I have found every single time nobody wants to say anything because and you're like eyes on stalk you're so sensitized for any reaction it's like taking your top off isn't it it's like walking around naked and people going no there's no one naked here no this guy isn't pretending to be Kenneth Williams in front of me because it's such a risk to just go it's exposing you're putting yourself out there and on the whole you know for most people they haven't seen you maybe you've done a read through a rehearsal or something but on the whole you've got a crew of thousands of people and all of a sudden they go action and you go or whatever you know and people are expected to just accept this and then they go cut and as the actor you just you're just looking around for any reaction like ears on stalks eyes on stalks for anyone to say anything and nobody does for for ages and what i've found is that it's very similar uh the the atmosphere and the responses of people um are really similar if you've done a brilliant job and they're all thinking actually underneath they're thinking wow that was amazing yeah um but it's really similar the atmosphere and the response is also exactly the same if people think he should be fired now that's helpful isn't it yeah so for a while for like days you have no idea where you where you sort of stand with it like i've often thought i'm going to be fired at the end of today someone's going to go it was very brave of you and it was a strong offer but this is a professional job of work my god people have to actually watch this so we've got you know you surely appreciate this has got to go out yeah People are actually, this is for public consumption.
25:44Michael Sheen:So we've got John Colshaw instead. Or you know what, Rory Brevin is. But then after a few days, someone will, maybe it might be a makeup person or someone will just go, you know, it's amazing. It's like listening to the person or something like that. Some comment and you go, oh, thank God. Oh, thank God. That's been pretty much the experience. It's sort of interesting to hear you. Because from an outsider's point of view, you're just supremely talented. And it feels unusual to hear you express doubt, to be honest with you, or worry about that. I wouldn't necessarily feel that with characters I'm playing that aren't based on real people.
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26:27Michael Sheen:I'm more comfortable with that. But the risk you take, the leap that you take when you do a real person. Like I say, there's nothing like going from, can I get you a coffee, Michael? No, I'm okay. Just a little bit of makeup, right? Okay, and we're going to go for a take then. Okay, and action. Whatever the fucking thing is. It's not like doing anything else. So it's a massive leap and such a risk. So I really do feel nervous about that. But you've just, yeah, you've got to do the swan thing where, you know, the legs are underneath. How much is it, if it's a real life person, which you've done a fair bit of, how much is it of you trying to physically and you know physically look and act and sound like them and how much of it is trying to get like when you were researching clough for example you're obviously watching how he sounded and he's you know he had a distinctive way of everything yeah how much and then how much are you trying to get under his skin in terms of what his motivations were and where he came from well that's that that's the difference i think if you're doing an impersonation yeah someone usually i mean you think back to mike yarwood when i was growing up or you know whoever it might be rory bremner or whatever but um it's usually for a sketch you know it's maybe you're doing it for a couple of minutes if that's usually much shorter um and there's a couple of gags written in there but you're not asking people to go on a journey with you no i mean you you want to get people to focus on the external stuff you want because you want them to go wow he really sounds like you're just trying to sell the thing you're selling it whereas what I'm doing is you know essentially trying to tell a story so you want people to go on that journey with you so you need I found what you need to do is for me anyway you need to do enough to get people comfortable with the idea that okay I accept that you're Brian Clough yeah and that's you know that's hard yeah but if you can get them to do that then you go beyond that you want to be you want to make an audience think about you know what yeah the motivation what's driving this person because I guess what you don't want is people to watch it the whole way through going Michael Sheen's doing a great Brian Clough but what was that about?
28:35Michael Sheen:Well I haven't learned anything exactly, you don't want people in every scene going oh he's really liking that, oh he's not you want to let go of that so in the process of the preparation for it you have to sort of reflect that in the preparation, in the temptation from the very beginning when you first start working on it in researching and preparing, the temptation is to get an impersonation under your belt as quickly as possible because then that makes you go oh I can do it you know but you i have to resist that i have to really resist that and i try for as long as possible to not even try and do a voice or anything like that i just watch stuff and i and i read stuff and i just kind of try and immerse myself in this in the life of this person and just let other things start to come to like start to notice where they might seem a bit vulnerable or you know just little quirky things about them that give you a little insight into what's going on underneath and start with that and then slowly start to, you know, maybe a couple of weeks in I'll try and do a little voice or maybe there's a word or usually there's a phrase.
29:38Michael Sheen:And so slowly you kind of build it up. And then eventually, you know, when you're getting closer, you just got to go, right, I've just got to. You've got to commit to that. I've got to commit to this now and I've got to really go for it. But hopefully it's informed by all that other stuff. Yeah, all of that stuff. You haven't actively. That's the foundation. Yeah, yeah, yeah. Got you. Yeah. So there's layers there. So then when you do go in front of the camera, or on the stage, yes, hopefully you've done enough to kind of satisfy people that you sound and look like the person, but it's really like the bedrock of it is actually what's going on underneath, and that's hopefully what comes through then when you're doing it.
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31:30Ben, could you... This is actually Ben's daughter. Right. Do you want to give this a bit of context, Ben, or do you want to just play it straight in? She's a massive fan of your book. It's something we read literally every night. Spark the Dragon? Yeah. Oh! And, in fact, I had to read it in front of the whole class. You had to read it in front of the whole class? I went in, they have a secret reader thing that my wife organises. Right. and I went in to do it. First of all, it's your daughter and your wife organises it. The idea that you've been forced into this situation because the story's falling apart.
32:03I actually read two books. I read that and I want my hat back. Ah, look at that. This is a big day for you, isn't it, Ben, having both of us here. I know it is. So this is, she's six. Yeah. So just go easy. It's quite sweary. Yeah, okay. Hi, Michael. are you going to make a new book about Sparks the Dragon in his home with his new friends?
32:29Michael Sheen:Oh. Are you? Yes, I hope so. Sorry. I'm just in love with your daughter. Yeah. She's all right. That's the best of her. Yes, I mean, I hope so. So I'm hoping that there'll be a series of books. But I mean, you know, it's not up to me. but hopefully this first one will do well enough that we can do more. We've worked out the second story already. I know what that's going to be, and I'm really excited about it. Each book I want to be, each story I want to be about a different, you know, quite difficult subject to talk about. So the first one is about homelessness. But, you know, it's about a little dragon who's lost his home and is staying with different characters and eventually finds a new home.
33:15Michael Sheen:So for young readers like your daughter, hopefully it provides a kind of a context to have conversations about stuff that might be a bit difficult otherwise. So the second one, the idea is that it would be about young carers. But, you know, it won't seem like that. It'll be about, you know, the story will be the story. But it'd be great to be able to do like more and more of these. That's not what Poppy wants it to be about. Right. What does Poppy want it to be about? She wants it to be about their home with all the family and all the animals living together. Yeah, we got that from the question, but you can't steer the author into what the next book's going to be based on what one six-year-old wants to spend.
33:56As much as charming as your daughter is, I can't believe you just battered it back to him.
34:02Michael Sheen:This is good news. I think my mind has been changed, and yes, she can. She can do that, having listened to her message. no all the characters would be there they'd all be there don't worry so that's Ben's connection with you his daughter loves your book Will also has a connection with you this is quite random it's not as awesome yeah you've seen his dad's arse hang on hang on hang on hang on let's not unpack that just yet and let's think about see if I can work out who your dad is I think this well I think you're going to find it really tough because that's really it's your only i say interaction it's the the only time you see there was no that was there a conversation of the no i don't believe so well i mean it's not like i'm constantly seeing men's ass no that's a good point that is a good point i mean if i go through my life if you go for your ass roller decks your mental ass roller deck um oh god is your is your right okay is your dad an actor no no no no no no or famous or anything.
35:08Michael Sheen:Right, okay. So, but he's shown me his arse. Or have I accidentally, was I one of many who saw his arse? You were the only one to see his arse. The only one. But it was an accident. It was an accident. It was an accident? How did someone accidentally show you their arse? Well, that's the question. When Will told us his story, we asked a lot of these questions you're asking. How does that happen by accident? Can you illuminate it? It was Soccer Aid. Right. It was at a hotel. In a room. Yes. No, he was in the changing rooms of the sauna and it was just you two in there. And he was getting changed and he was completely nude when you came in.
35:45So he quickly turned around, showing his arse right at you. And that is now all he thinks about any time he sees you in there. Not all the time. Not all the time.
35:57Michael Sheen:I mean, please let him know it's all I have ever thought about since as well. It's all I think about. That's going to be what the third spark book's going to be about. for a moment for a moment yeah i thought what you were gonna say i was i once went i was staying in a hotel room in london and i went to some awards do nearby and i walked back to the hotel and um and i went up in the lift got off on my floor went to my room got my key card opened the door and there was a naked man sitting on my sofa and i thought for a moment you're gonna say that was your dad oh my god turns out i got off on the wrong floor and key cards open lots of doors in hotels yeah apparently i was on the wrong floor but the key card had opened the door and he wasn't in my room i had just walked into his room and there was a man there naked going why is tony blair just walking to my room because it was around that time and i and for a moment there i thought you're gonna say my dad was naked yeah sitting in his room and you walked in thank god it wasn't.
37:03Just walk in and go, I'm so sorry, the government are shutting this hotel down.
37:08Michael Sheen:Those balls are nicked. He was naked on the sofa. He was naked on the sofa. Do you think that's acceptable? Well, actually, he had a sort of dressing going on. It was undone. Yeah. And he was sitting legs astride on a sofa. Was it ball to sofa? It was ball to sofa. Watching TV. I mean, come on. Haven't we all done it? You know what the problem is? Watching below deck with your no but the the the thing is it's like then now it makes me i'm already funny about going to hotel rooms do you know what i mean and thinking about what someone could accidentally yeah but not any of that but like then you're sitting on the sofa somebody's balls have been on it oh come on what you think that hasn't happened i'm sure now you're worried about i don't want to engage with those things imagine what has gone on in your room i mean imagine if you could have one of the you know like after a some terrible crime scene the black light and they've got the thing and they can see where the semen and the blood is and like imagine shall i get one of those for christmas for you and you can every hotel room you can go in you can just give it a quick scan and go my god this is a wash with body there just must be so even after a deep clean there must be so much jizz right just i mean just part of the room everywhere it must be I mean in my room anyway yeah yeah certainly certainly after I've stayed if it's a two night stay it's forming part of the structural integrity of the room yeah oh my god right we've got a little game for you after two days you call it a refurbishment I thought whilst I was here I'd just do it up for you yeah yeah you won't need to do that plastering anymore I filled that crack in yeah I've pebbled dashed the entire bathroom
38:58thank me later yeah yeah now that grouting sorted actually right now we've got we've got three quotes here for you yeah that are either something you've said or something we've made up alright okay but there's no numbers to this so they could all be true they could all be and I just want you to decipher which ones you think you've said okay what I would say is I don't think this format point worked right okay it's good okay it's good have faith in it but it's not worked once yet do you know what I mean who's writing the made up ones one of these two but they do stuff like oh I'm Batman do you know what I mean there's too much specific detail you've got to step
39:36Michael Sheen:your game up I'm assuming it's better they're not doing it feel free to step in and write one yourself I'm going to this is the last time I'm using but let's just see there's too much family trauma with Will so it's got to be that Will was like he went to write it then he started crying and he said can I have a moment all I can see is my father's arse But every time they watch him in anything, he thinks about that. That's all he thinks about. Yeah. Okay, this is the first one. Yeah.
40:05It's misquoted. My rule of thumb is that I want to do things I'd like to go and see myself. Yes, that's me. Yeah, that is you. Because I believe that. Yes. Have you ever done something that you... I'm not going to name anything.
40:18Michael Sheen:Yeah. But I have been in stuff. that I thought, I don't know why I'm doing this because I wouldn't watch this. Yeah, I wouldn't watch this. Have you managed to stick to that role? Yeah, no, I've pretty much stuck to that role. I mean, you know, a lot of that is, you know, your good fortune. I mean, you know, a lot of actors, certainly early on, are not having much choice over what they're doing. They're doing whatever you get. And there are periods of time when that happens. So I've been very, very fortunate that I've had sort of choice a lot for most of my career. So it's not a gold star for me.
40:56Michael Sheen:It's just because I've had choice. But there was one time where sort of early on and I had a tax bill to pay. And it wasn't a particularly big tax bill, but I just didn't have the money. So it's too big a tax bill if you don't got the money, isn't it? It doesn't matter what it is. and a friend of mine called me up literally as I'm sitting there going, what am I going to do? How am I going to do this? And a friend called up and said, someone sort of dropped out of something. Would you do it? And they told me how much I would make and it was exactly the amount that I needed to pay the tax bill. So I was like, yep, I'll do it.
41:35Michael Sheen:And it's not necessarily that it was terrible. It wasn't terrible, but I wasn't doing it for the reasons I would normally do it. You got it, yeah. So it's not necessarily a reflection on the thing itself. But it was the only time I was like, I have to do this. How aware are you of how shit hot you are acting? Where does your ability sit for you mentally? Do you? I feel like I'm not as good as I would like to be. Right. And I'm a hair's breadth away from being shit at any moment. Right, okay. Like, you know, it's like a high wire act. I can just about do stuff that can keep me working. Yeah, got you.
42:21Michael Sheen:And, you know, and be seen as being good and work that I can be proud of and all the rest of it. But I could easily drop into a vat of acting shite. I mean, literally at any moment. It could all fall apart. Yeah. And even where I am is not where I would like, you know, what I would like to be. That's exciting though. I think that's what's exciting about stand-up is that you could drop into a vat of shit at any moment. that's what keeps me doing it and I've swam in it and it's a TV format that's just waiting to be done celebrity shit it has got ITV2 written all over it here's the next one hosted by Romesh more than likely I was once described as a cross between a Shakespearean villain and a startled librarian which I took as a compliment I wish I'd said that but I don't think I did I wish I had that's very good That's you, isn't it, Ben?
43:12Michael Sheen:That's you. I said that. No. No, you didn't. That would have been amazing. That's a very good... I mean, it's something I could have said. Yeah. That's very close. I mean, you were putting Ben's work down. Work down, yeah. That's good. I can't do that one. Was that me? I can't remember. I actually can't remember. No, I think... That's good. Well, say it again. I suppose Shakespeare's a Shakespeare villain. Let me just tell you what I think's happened over there, by the way. I think Will knows he wrote it. But we sort of talked about Ben doing it, and now Will's nervous about taking the credit away from Ben.
43:40Right. We've been sharing them. Right, okay. There's a whole power dynamic going on there. I was once... I mean, this is... These guys have got their eyes on a spin-off. Do you know what I mean? Eventually, there'll be a camera here, and the interview will be happening in the background, and they're just sort of doing some sort of...
43:58Michael Sheen:The only thing that's not working about this format is the whole... Absolutely. As far as they're concerned. Yeah, I was once described as a cross between a Shakespearean villain and a starter librarian, which I'll take as a compliment. It's good. It's very good. It's very good. I mean, in a way, the character I play in Good Omens is sort of a startled librarian. I mean, he is sort of that. And, of course, I've played Shakespeare villains, I suppose. Yeah. So, yeah. Well done, Will or Ben. Very good. Just before we get into the last one, when you're acting, I did stage with you. I don't know if you remember.
44:29Yes. Yeah. Yes. So I was playing a host of like a COVID-y show.
44:35Michael Sheen:I feel like you've been in my house because I filmed that in my house. Right, right, right. I remember doing it. And I also remember I probably had the biggest beard I've ever had in my life. I looked like a member of the band. Yeah, it was great though. Yeah, that's the best I've ever looked at. But I was very intimidated because you two are very good at what you do. How aware are you of... You're not a judgy person, I don't feel like, but do you... What do you think of other... Are you analysing other actors? are you too busy thinking about what you're doing? Have you ever been in something where you thought, this person's shit?
45:10Yeah. Right, okay. Yeah, yeah, yeah.
45:12Michael Sheen:It's more that you're aware that the scene isn't working right or something's not right. It's not necessarily thinking, oh, that person's terrible. But you're just like, oh, this isn't quite working right. And that's part of why I love working with David Tennant because when we work together, you just feel like everything works. Yeah, yeah. And so it's not, you know, you're not necessarily thinking about what each of you is doing, but you just go, oh, there's no like bumps here. There's no any of the things that can happen sometimes to do with the personality or the way someone approaches the work or the way they act or whatever it is, the way you, what you're doing in the scene.
45:48Michael Sheen:There's just none of that. You're just in the pocket. You just, yeah, there's no ego. There's no nothing. It's just, and so sometimes it's not even necessarily that someone's not being very good, but just something is a bit bumpy. You know what I mean? now this is so quotable okay if I weren't an actor I'd be a frustrated actor
46:13Michael Sheen:oh I hope that's me because that's good it is you is it me oh well done Michael well done Uncle Michael I've got a niece when she was very little used to occasionally say well done Uncle Michael and so I sort of boost myself with that sometimes so that's very well done. I think it's a nice thing to say to yourself. Is that true? Yeah, oh definitely. You would have pursued this route to rack and ruin I cannot see any other path of me. Got you. That's good stuff. Yeah. That's up there with the Shakespeare librarian. I think it's beyond that. Yeah, sorry. It's better than. Sorry, yeah, sorry. God Christ.
46:48Okay, last question. Yeah. You've got a choice. You've got two options here. So basically the team would like to have some sort of viral moment from you. Right. So some sort of exclusive or something that you've never said before. Is it a sort of arse-based viral moment? Doesn't have to be. Doesn't have to be. Doesn't have to be. But in keeping with the show. Yeah, that'd be great. Yeah, we've sort of horribly stumbled onto a theme. Or, you can answer this question. Is there any real-life character you've been asked to play that you said no to because you just didn't want to play them? So it's up to you.
47:19You can do either of those or neither, actually, because the truth is you've done us a solid by coming on here and we're not in any position to force you to do anything.
47:27Michael Sheen:I mean, I wish I had something interesting enough that could be a viral moment. Having said that, the last time we were together... We need to talk about this. We need to talk about it. Oh, my God. I was supposed to ask you about this. I feel a sort of connection to everyone who was on that panel. Yes, yes. And yet we've never talked about it or spoken about it. So this is where we asked you to deliver a rousing... On a league of their own. On a league of their own. We asked you to deliver this sort of rousing speech to the Welsh team. We're about to go to the World Cup. Yes. So it was just like a thing in the moment.
48:03And what then happened? Talk me through what was going on in your head as this was happening. Can I tell you completely honestly? Yeah. I genuinely thought you were going to say something like you'd been hired to do a cameo. We just go, Wales, good luck. Hope you smash them up. One love, Mikey Sheen. Yeah. You know, I thought it was going to be that. Yeah.
48:26Michael Sheen:What you did. So on the night, we're sitting there, and you do ask me that. Yes. And then I start speaking. I hear the voices singing. Speed your journey, boys, boys. One nation singing with one voice. A song of hope, a song of courage, a victory song. At what point did you think, what the fuck is he doing? What is going on? This is the worst thing I've ever seen in my life. No, at no point did I. It must have been really embarrassing to begin with, wasn't it? No, no, no. No, the truth is, I think maybe a couple of words, maybe like three, four words in, I thought this is going to be something special.
49:16And then it just continued building to the point where, honestly, I think I said it on the night, I wish I was Welsh. like I wish this was in some way addressed to me but then but so then everybody afterwards I don't because we I think you got we gave you a standing ovation the audience went on the audience completely yeah went on their got on their feet went nuts right the production team are just walking around like dogs with two dicks you know just absolutely like losing their shit about it did you know it was going to go you can't have known it was going to go like that did you think it would go well you I thought it was going to go well.
49:52Michael Sheen:So a lot of people say to me, had you worked out what you were going to do beforehand? And I was like, well, I'd had a few ideas and I thought about it a bit. And then as we're sitting there on the day, I'm thinking, well, you know, you might not even ask me. So there's no point in... And as the show was going on, I was thinking, oh, I really hope you don't ask me. Because I was like going, the vibe is not right. It's not the vibe. We're in England. It's a completely English audience. Everyone on this panel is English. It's just not the vibe. And then you asked me, and then I thought, oh, fuck right, if I am going to do this, I'm going to have to do 150%.
50:30Michael Sheen:The only way to make this work is to really go for it. And so I just threw everything at it. You sons of speed, as they fall around us, we're still here!
50:46I think it's one of the most viral clips you've ever had on a league of their own. I've realised now that if I'm lucky enough when I die
50:55Michael Sheen:to have an actual bit on the news, that's what they'll show. It doesn't matter any of these things that we've talked about, but that's what they'll show. I hope they keep my bit in.
51:09If you've enjoyed this episode of the Romesh Ranganathan Show, make sure you follow wherever you get your podcasts, Apple, Spotify, YouTube, all the big ones, and you can enjoy more great content like this. And in fact, I'd go further to say, even if you didn't enjoy this episode, just follow anyway for shits and giggles. And if you've got an interesting story or a question for my mum and I, or even like a family dilemma you'd like us to help you with, please do get in touch via our email address podcast at rangaby.com or you can voice note or text on this number 07731 623355. I'm Ramesh Ranganathan and this has been the Ramesh Ranganathan Show.
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From the publisher
What is it like to be a Hollywood actor in a local supermarket?
Michael Sheen talks to Romesh about growing up Welsh, the chaos of being recognised in public, and the moment he chose to give back his OBE.
From family life in Port Talbot to blockbuster roles and activism, Michael reflects on the stories and values that shaped him — and why saying no to the Palace was as important as any role he’s ever played.
Along the way, there are plenty of laughs, sharp observations, and a few surprises that show a side of Sheen you’ve never heard before.
A Ranga Bee Production in partnership with Listen.
00:00 Intro
00:57 Show starts
05:30 Supermarket fame
07:32 Giving back the OBE
12:32 Question from Shanthi
19:56 Knowing success
25:55 Getting under the skin
33:27 Naked man
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