In short
Shania Twain discusses her new album Little Miss Twain, her songwriting process, influences on her country-pop/folk style, creative control in Nashville, surviving Lyme disease that damaged her nerves and required open-throat surgery, and her upcoming 12-date Wembley run with Harry Styles. She also talks about humor in lyrics, performing her catalog, and how country music evolves through cross-genre influence.
Guest backgrounds
Shania Twain is a five-time Grammy winner and has sold 100+ million records worldwide. She’s known for hits including “Man! I Feel Like a Woman,” “You’re Still the One,” and “That Don’t Impress Me Much.” Host is Ramesh (The Ramesh Show).
Key claims
Little Miss Twain is her most personal work, reflecting her life up to about age 27 (first love, teenage jeans, learning to drive at 10—“Dirty Rosie”). She says her voice and songwriting are inseparable. She describes Lyme-related nerve damage and Gore-Tex “crutches” that let her sing again, with a gravelly new character. She argues genre borrowing is inspiration, not “stealing.”
Notable examples
Harry Styles invited her to Wembley after texting her to call his mother and sing happy birthday; they met backstage and later she performed with him at Coachella. She cites Dolly Parton/Whitney Houston (“I Will Always Love You”) as an example of how the same song can become a different genre. She recalls being heckled as an 8-year-old singing adult songs like “Take This Job and Shove It” and “Divorce.”
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOGift Exchange and Light Banter
1:50 to 4:56
Romesh and Shania exchange gifts and discuss their personal preferences.
“Thank you so much for coming on to the show.”
Shania's Most Personal Album
4:56 to 7:58
Shania discusses her seventh album, Little Miss Twain, and its personal themes.
“You've described this as your most personal work.”
Creating a Unique Music Genre
8:01 to 14:00
Shania talks about her influences in music and the evolution of her sound.
“You've kind of created your own genre in a way.”
The Journey of a Songwriter
14:00 to 17:39
Explore Shania Twain's unique journey as a songwriter and performer since childhood.
“And it wasn't until those were, you know, back together on a record that it really, really worked.”
Embracing Humor in Music
17:40 to 19:54
Shania discusses the importance of humor in her lyrics and its impact on storytelling.
“is a really great way of communicating what you're trying to say without, you know, so that you get the message across before the door is shut, before somebody is offended, you know.”
Reflections on Success and Independence
19:55 to 24:44
Shania reflects on her unexpected success and the independence it brings.
“There's just so many phases to my life that were intense.”
Performing Iconic Songs Live
24:45 to 28:00
Shania shares her perspective on performing her hit songs and the stories behind them.
“I was self-sufficient, and we come from such a basic, rustic background that it was very doable, I thought, with my voice.”
Shania's Connection to Her Songs
28:00 to 29:44
Shania discusses the emotional impact of her songs on fans and personal stories.
“or do you think, well, I better give them this one?”
Shania's Connection to Her Songs
29:51 to 30:34
Shania discusses the emotional impact of her songs on fans and personal stories.
“Summer's a great time for doing what you love and Amex can help you do it differently.”
A Voice Note from Shania's Mom
30:57 to 32:59
Shania shares a voice note from her mother, discussing her iconic style.
“voice note i always have to say this i don't know what this question is okay okay she's a Laura unto herself.”
Show all 19 chapters
Excitement for Wembley with Harry Styles
33:00 to 37:12
Shania talks about her upcoming shows at Wembley and the connection to Harry Styles.
“But you'd know from the way I carried myself.”
Aspirations Beyond the Spotlight
37:13 to 42:00
Shania reveals her dream of writing for other artists and her experience with Lyme's disease.
“And, you know, our exchanges were so, we were both very excited at the idea.”
Shania's Journey with Lyme Disease
42:00 to 46:28
Learn about Shania Twain's battle with Lyme disease and its impact on her voice.
“And I just thought, oh, like, really, I can always write more songs, but if Celine Dion sang this song, that would be the real dream for me as the writer.”
The Evolution of Country Music
46:28 to 51:13
Discover Shania Twain's insights on the changes and influences in country music.
“So the country was farmer, you know, roll up the sleeves, manual hardworking people.”
Cultural Exchange in Music
51:13 to 54:45
Explore Shania's perspective on cultural influences and exchanges in music.
“you know is that do you think that's part of the problem?”
Playing the Misquoted Game
54:45 to 56:00
Enjoy a light-hearted game where Shania Twain reacts to quotes attributed to her.
“Okay, we're going to play a little game now.”
Horse-Drawn Dreams
56:00 to 57:26
Explore a humorous exchange about traveling by horse and its organic charm.
“You did say you'd love to get everywhere by something.”
Game of Quotes
57:26 to 59:00
Shania Twain plays a fun game about quotes attributed to her, revealing insights.
“I'd rather the rats clean up the horse poo than get into our garbage.”
The Value of Honesty
59:00 to 1:00:48
Shania shares profound advice about the importance of honesty in life and creativity.
“I'm getting less and less inhibited as I age.”
Transcript
Automatic transcript. May contain errors.0:00Romesh Ranganathan:Now, I don't know if you remember that we crossed paths in 2018. Yes. When Rob Beckett and I did Rob and Rush vs. Country and we came to talk to you at the O2 and then you invited us onto stage. And some people that were very excited to see you were slightly less excited to see Rob and myself. And then I was pressured in the moment to do a rap on stage and it was humiliating for me. Because I didn't really have the skills, do you know what I mean? Right. So it's nice to see you again. How have you been? I'm Shania Twain and I'm going to be on The Ramesh Show.
0:54Romesh Ranganathan:Shania, I'm going to do your introduction now. If you've got any issues with it. Can't wait. If you don't like it, just be open with me. We love constructive feedback and actually non-constructive feedback. Okay. My guest today is a five-time Grammy Award winner who has sold more than 100 million records worldwide. She's the best-selling female country pop artist of all time with iconic hits that include, Man, I Feel Like a Woman, You're Still the One, and That Don't Impress Me Much. Over a career that spanned more than four decades, she's become one of the most enduring, beloved and influential artists in the music industry.
1:32Romesh Ranganathan:And she's not stopping there. She's back with a new album, Little Miss Twain, and she's taking on Wembley Stadium. Joining me today is the trailblazing, legendary, incredible, Shania Twain, everybody!
1:50Romesh Ranganathan:That was a great intro. Yeah? Did you like it? Yeah. Yeah, great. Thank you so much for coming on to the show. Thanks for having me. Everybody's very excited to have you here. It's an honour. It's genuinely an honour. Thank you. We've got you some gifts. So I hope you like them. And if you don't, it doesn't matter. I love gifts. This requires a little bit of handling. First of all, we've got you some flowers. They're delicate. Oh, nice. And I'm a big flower person. Good. And then? Are they real flowers? Yes, they're real, yeah. Oh, yeah. Yeah. Nice. Yeah? Yeah. I mean, it would have been rude of me.
2:30That was a rude question. It's still a beautiful, it's a beautiful bouquet. But if they weren't real flowers, would you have been disappointed? No, no, that's why I'm saying I think it was rude of me to ask. I don't think so. I still love the idea that you thought of gifts.
2:42Romesh Ranganathan:Yeah. It's very sweet. And we've also got, I'm going to let you open these. Okay. They're not, I don't want to temper your expectations. They're not, I don't want you to think they're big gifts. it's just all right yeah don't build up no i don't want to don't build it up too much no no sorry i feel like i already that's always a mistake i think i think pre-apologizing was supposed to be you know here's a here's a little gift here's a little thing that i we found you know and the paper is fab yeah leopard yeah yeah oh nice yeah these are great I love it. Good, good. Love my initialed socks, leopard print socks.
3:23I think we're going to be in a leopard print.
3:26Romesh Ranganathan:Yeah, I'm going to be honest with you. You've already discovered the theme. Okay. It's a hairbrush. With stars on it. Yeah. Very fitting. Yeah. This is, you know what kind of brush this is? What? It's a practice in the mirror brush. It's a good job. It just looks good, you know? You look in the mirror and it's like, looks good. Oh, this is a big one. Not financially, but it's physically big. That's it. It's a cushion. I don't know why I need to explain it. It's a cushion, Shana. I was looking for the initials. Yeah, there's no, unfortunately. You didn't get the embroidered initials. No, they wouldn't do it.
4:09Romesh Ranganathan:The kid that we got to do the socks wouldn't do that. wouldn't do the cushion as well. He said he was tired. He's only got little fingers. Do you like it? Apparently you always travel with a cushion and a hairbrush. Is that true? This is great. Yes. Well, doesn't everybody? Well, maybe not everybody travels with a cushion. You know what? When I'm not working, I rarely brush my hair either. I get you. I just finger style. Yeah. Yeah. Me too. Yeah. Throw it up. Yeah. But would that be the sort of hairbrush you'd use in your hair? Yes. Okay, great. So we did well. You did well. Well done, team. Thank you.
4:47I love it. I do, and I love the gift.
4:52Romesh Ranganathan:You like the cushion, yeah. Sorry about that. I do. I love it. The kid got tired. Now, congratulations on your seventh album, Little Miss Twain, out on the 24th of July. You've described this as your most personal work. Is that right? It is my most personal work. Yeah. I'm normally writing songs as a creative expression, fun thing to do. It's what I love to do. It's what I do. And I enjoy it. I enjoy the challenge of the craft of writing and just music puzzles and never bored with that. But sometimes I write music, songs, lyrics, just not with any intention of making it a record. So after a while, I realized that I had started collecting a lot of songs that were starting to shape up like a theme.
5:54and they were you know most of the time if i'm not writing for a real purpose for a you know for a record i will write things that are very very personal but they don't really belong anywhere they don't seem to really fit anywhere on an album i got to the place where i'm like wow there's a whole collection of songs here that now is a full album and more and that is uh are all songs that are a reflection of my youth, my childhood, my teens, my young adult life before I got signed to my major record deal. So that really is the whole period up to the age of like 27, my late 20s. It's a long period of time.
6:39So I'm writing about my first love. I'm writing about my favorite pair of, you know, teenage jeans. I'm writing about the truck I learned to driving at 10 years old, which is Dirty Rosie. And I'm singing about when I was still dreaming about riding horses and not yet able to afford to ride horses or certainly not own a horse. So these are all reflections of a period of life that nobody would know about at this point.
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8:01Romesh Ranganathan:You've kind of created your own genre in a way. I mean, you've taken things that you're influenced by and you've taken, you know, country and you've moulded that into something new. Was that always the intention or is that something that you came to a bit later on as you carried on doing it? I would say that my songwriting influences, I mean, I started writing songs at the age of 10. The artists influencing me were writers like John Denver, and then, you know, the Bee Gees, and then there would be Stevie Wonder, and then there's Dolly Parton. And there's so many genres over my, like from childhood all the way up that I think I just became, and I performed all of that and used all of those genres live.
8:52I was a cover singer. That's how I paid my bills. I was a cover singer in bars. So I've sung all of those genres as they would come in and out of the live bar scene. And I think I just formed my style by all of those influences melding together and whatever that would be as a song without production.
9:14Romesh Ranganathan:Yeah, right. Right? So, and I would consider that more of a folk, I guess I have more of a folk style of songwriting. Now, you can treat the music any way you want. You know, the best example for me is the Dolly Parton song, I Will Always Love You, because that's really a mountain girl writing a folk song, a folk love song, Dolly Parton. And then Whitney Houston records it. I'm pretty sure it was David Foster who produced that. Now it's like a whole other genre. Same song. Yeah, yeah, yeah. So I think any good song that is written just for the art of writing a song and not for the sake of actually making a record can be whatever you want it to be.
10:04And by the time I was in my late 20s, I was ready to rock country, I guess.
10:08Romesh Ranganathan:And then do you have pressure from record labels when you're starting out? Do you feel like you've got full creative control or are you under pressure to go a certain way? When I first got signed, I was intentionally writing my demos for Nashville, for country music. And so I was thinking that, and I was very capable of that. I was coming from a very deeply rooted country and Western childhood repertoire. Yeah. But the label was, I hadn't really been in the country music live scene for so long because the bar stopped hiring that probably when I was about 12. Right. Okay. So I actually was out of touch of what country was when I got signed.
11:07Really? Yes. They're like, because I'd evolved so much myself. Yeah. And so I was adding all of my own flavor of what I thought country was currently in that moment. They're like, this is really not very country. It's not country enough. I'm thinking, you know, I didn't balk too much at it because I was the new kid in town. And I was, I know I had to pay some dues there in Nashville. So I didn't record my first songs on the very first album, but that was the only time that that would happen. And then I would be recording all my own music and it would be country my way.
11:42Romesh Ranganathan:but then if you like if if a record label is saying this is not what we not that we not what not what we want to hear but we're worried about the commerciality of this music yeah and you're defending that position and going look i this is what i want to put out that's quite a brave thing to do isn't it that then puts you under i mean does that did that make you more nervous about it coming out and how it was going to perform i mean that to be early in your career and going this is what I want to do, that's not as easy as it sounds, is it? When I first got to Nashville, because I was already in my late 20s, I was already experienced enough to know that it wasn't going to be smart to, you know, stomp my feet and say, no, we're going to do it my way.
12:32You know, I presented the songs. I got my record deal based on the songwriting from my demos. I showcased live, but they wanted, there's a Nashville way. So they're like, yeah, okay, you're talented. We're signing you. We like you. But we want to put our stamp on you. And the Nashville stamp is the songs are curated in our little writing village with our writers and our musicians, our studios, our sound, and our look. It's a brand almost in a sense.
13:22Romesh Ranganathan:Yeah. And so I said, okay, well, let's try it your way. And I will do my best. And I will keep feeding you songs. And I kept the dialogue open that way. Right. And one thing led to another after that. The voice was their key focus, I think, just trying to match me with the right writers. but they weren't my words and they weren't, you know, I can't have one without the other. I can't have my voice without my song. They're the same thing. And it wasn't until those were, you know, back together on a record that it really, really worked. Because I do believe that there are such things as, of course I believe, I mean, you know, you have Celine Dion who's like one of the greatest voices ever, but she's not a writer.
14:19So her brilliance is interpreting somebody else's song and, you know, making us all believe without question that it's her heart.
14:37Romesh Ranganathan:Yeah. So that just isn't me, though. That's not my skill. Yeah. And, I mean, I did learn that skill. You know, I got heckled a lot when I was a kid because, you know, I'm a child singing adult songs. You know, there was this one song I remember, Take This Job and Shove It. It's called Take This Job and Shove It. And I'm on the stage eight years old and, you know, there's intoxicated men in the audience saying, get this kid off the stage. Like, what the, what is she talking about? You know, shove it. She doesn't even know anything. And I know that then, you know, I'm singing songs like Divorce.
15:14It was a very big song at the time. Of course, they didn't believe me, right?
15:18Romesh Ranganathan:Yeah. It's not loads of eight-year-olds get divorced. It has happened, I believe. I could barely spell the word. Yeah, yeah, yeah. And I had to spell it in the song. Right. That's how I learned to spell the word divorce, because you have to spell it out. You know, in songs like, oh, no, it's so true, like Counting, Counting 1, 2, 3, Y. Are you always testing me? That's an actual song lyric. And I'm like, okay, I'm learning how to count. I'm learning how to rhyme. Yeah, yeah, yeah. I don't have any idea about, you know, what half of these songs are about. But what I did learn was how to create things, create stories that you have not experienced.
16:06Romesh Ranganathan:Yeah. put them in a song and also how to take on emotions of other people's uh thoughts and lyrics and stories and put them back out there to the audience and make a connection even though it's not your these aren't your words and you know this goes also for i started to think more about classical music and how there are no words to you know these symphonies they just tell these incredible stories and very visual and so I believed I'm thinking yeah okay well even if they you know I don't have to have to really understand what I'm saying if I didn't write it yeah I just gotta get into the musicality of it yeah so I learned a lot being a childhood bar singer spelling counting spelling counting yeah yeah um a lot of your stuff is you know I think what's synonymous with your stuff and a lot of your early work is there's a humor to it and you some of your songs are kind of a guide to men and what women actually want in a funny way.
17:10Romesh Ranganathan:There's a humour to it. And that has definitely influenced... I mean, people like Sabrina Carpenter, people like that, can you feel your influence on artists like that? I mean, they say that I've influenced them. I think we all need to be influenced to some degree. We need inspiration from other artists, other platforms of performing arts in general, period, and other people's experiences. But I do believe adding a sense of humor even to darker subjects or more sensitive subjects is a really great way of communicating what you're trying to say without, you know, so that you get the message across before the door is shut, before somebody is offended, you know.
17:53Yeah. Put it in the right order first.
17:55Romesh Ranganathan:Yeah. So even on the new album, Little Miss Twain, I reflected back on all of those years pre-recording artists and with a smile, even though so many of those years were really, really, really tough. I want to, you just have to, you know, sometimes you just have to laugh or you just have to, you have to stay positive and optimistic. You know, for me, the glass is half full. Otherwise, forget it. I would have quit at so many stumbling blocks. I would never, you know, with the wrong attitude, forget it. My life would have taken me somewhere very different and not, you know, certainly likely not to success.
18:40So positive attitude, little bit of sense of humor. I love being cheeky with lyrics. I like to play with lyrics. And so that means being playful sometimes. And so that's just me being cheeky and having fun and laughing. And I have a lot of laughs when I write. I laugh to myself. I laugh at myself.
18:57Romesh Ranganathan:Yeah. I'm thinking, well, how can you? And a lot of times, you know, I'm like, how can you? That's just the stupidest idea, the dumbest idea. You can't put that in a song. Sometimes it makes it in a song and sometimes it doesn't. But you have to allow yourself to be goofy and uninhibited. And that, I think, allows a lot of that humor to come through. You just mentioned about, like, difficulties and stumbling blocks, etc. Do you, I mean, are you able to, like, kind of go? So because from your beginnings and from it seems what you've done is so unlikely, the possibility of you getting to where you are now from where you've been.
19:37Romesh Ranganathan:It's like winning the lottery, right? You know, in terms of the chances, do you reflect on that ever? Or is that a journey that you've kind of as each thing comes by, you kind of take it in your stride or do you allow yourself to go? I can't quite believe that this has happened. I really cannot still believe that this has happened. I feel like I've lived several lifetimes in this one lifetime. There's just so many phases to my life that were intense. There was nothing. The whole journey has been very unpredictable and just so unpredictable. As unpredictable as I could ever have imagined, life would be period, never mind a career.
20:20Romesh Ranganathan:Yeah. So at every phase, I'm like, what's next? In a good way and in a bad way. Because I live, ever since I was very young, I've been living with this, whoa, I wonder what's around the corner. Kind of like, do I want to look? Yeah. Do I want to cover my eyes when I turn this corner? Kind of feeling. but I always had a lot of innate courage to turn the corner. Sometimes I did cover my eyes but I still turned the corner. So just force myself to find solutions. There's always a way. You know, it's not if there's a way. There is a way. I really have the attitude. there is a way and I'm going to figure it out I'm going to find it may not be the one that I I would even want or choose um but I'm going to find a way and that is a very survival thing that does come from my childhood and keeps me going I mean I without sort of uh going like for like in terms of experiences I had when I think about my childhood there were things that kind of got turned upside down and there were times when it felt like everything was going okay and then something horrendous happened or whatever.
21:49Romesh Ranganathan:What I found that happened for me personally is then when things were going well, I would find it very difficult to trust that. And I would start thinking, I would almost start getting anxious about the fact that things were going smoothly because you think I'm about due something to go wrong. Is that something that you've kind of experienced? Yes, I think you said it a lot quicker than more quickly than I did. In a nutshell, It is exactly that. But I don't – I wouldn't say go through life in fear, but I'm very realistic. Yeah. I don't – you know, I'm very cut and dry about, you know, okay, let's just like – just put it on the table.
22:26Romesh Ranganathan:Yeah. You know, like we're going there. So I don't know what we're going to find or what the outcome is going to be, but I know we're going, you know. So I'm a forward thinker. I move forward. no matter what. And I think, like I said, I think it does take courage to live your life that way when you really do run into a lot of walls or fall off a lot of cliffs, stuff like that. I mean, some people live more conventional lives and we all, you know, we all live, we all die. You know, we all get illnesses. You know, the regular things happen to all of us. Yeah. Right. We win, we lose. That is just life for everyone, no matter how perfect your life is.
23:11But I would say that mine has been quite complicated and unexpected things have happened. when you start off in a life and in a culture that is so far removed from, you know, like my family culture and everything, that's so far removed from any sophistication or any, you know, higher education, even the travel access. You know, if I was going to go to the city, which was what the speed limit at the time, 13-hour drive.
23:50Romesh Ranganathan:Yeah. It was a 13-hour drive. Yeah. It wasn't an airplane ride away because we were never getting on an airplane. Yeah. Nobody in my family was getting on an airplane. It was just so many things were out of reach. You know, flying was out of reach. University was out of reach. Sometimes having heat in the winter was out of reach, you know, the basics. Yeah, yeah, yeah. So as if I'm ever going to be a star, I wasn't shooting to be a star. No, because it feels so unlikely. Because it was, I was just more realistic. Yeah. I'm like, I can make a living at this probably. Yeah. You don't have to be a star to make this a success.
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24:31Romesh Ranganathan:That's it. Yeah. I really thought, well, you know, I'm, I can, I really think that I could make a living at it and pay my own bills and feed myself. and not have to rely on anybody else. I can do that because I can live very, very frugally. I'm good at that. I can camp. I can do. I was self-sufficient, and we come from such a basic, rustic background that it was very doable, I thought, with my voice. And I could always have a side job. It was all possible. Yeah. But being a star, unlikely. You know when they talk about things that add to your happiness, right? You know, I think when I became a comedian, I don't think anything in my career that's happened since television or whatever has added to my happiness as much as being able to pay for the weekly groceries with comedy.
25:22Romesh Ranganathan:Like that blew my mind, right? The fact that you could pay for your electric doing the thing that you really love doing. I don't think it gets better than that. You get all of the extra stuff. Do you know what I mean? It's the independence though that you're talking about. It's that independence. it is the reward of pushing yourself to do something that isn't likely going to make you rich. Yeah. Right? Yeah. I mean, how many rich comedians do you know? The chances. Yeah, yeah. How many rich, you know, how many rich bar singers do you know? Yeah, yeah. It's just like, this is not, you're not out there to, you know, it's what makes you happy, I think, when you're a creative anyway.
26:03or when you're somebody who has committed themselves or is loyal to their talent so they don't abandon their talent for the conventional job.
26:15Romesh Ranganathan:Yeah. And they stick to it. The reward is, yeah, if I can pay my bills, maybe afford to have a child. Yeah, yeah, yeah, yeah. And, you know, one thing at a time, if I can afford those things, that is happiness. Yeah. You know, and it is sort of like it is kind of like it's like groceries is a very good one. I remember really even till I even after I got my recording contract, I mean, I just didn't start making money right away. I was still counting. You know, I was still buying the bruised apples and, you know, I wasn't buying the I was always going to the the discounts. shelves and stuff like that and being very careful so but in the end uh how many apples do you need to buy in the end well i've oh listen i'll take you know an apple a good apple a day and that's all i don't need 50 apples a day you know so you you get satisfied earlier on i think when you are somebody that really is just driving for that independence yeah that's where the happiness is so with that in mind and you thankfully against against as you said it's unlikely became a megastar that's that's that's fair to say and now you've got songs that are emblazoned in people's life experiences there are people that you know there's you know some particular songs of yours that are part of people the tapestry of people's lives when you come to perform live do you always approach performing those because i always wonder about musicians who've had to perform certain songs over and over again.
27:57Romesh Ranganathan:Are you able to go to it like you're playing it for the first time or do you think, well, I better give them this one? I first thought you were going to say, did you ever think there would be tattoos of your song? Yeah, I have seen tattoos of my songs on people. I never get bored of the music. I never listen to my own music at home. as a, I wouldn't go so far as saying, oh yeah, I just can't wait to get home and listen to my own record. I don't need to do that. But, and I'm not touring all the time. So it's almost like every time I'm doing a tour or a show, I'm revisiting the music. Right. And I've got enough songs that I can, you know, this is kind of the luxury too.
28:44Yeah. I can switch them out. That's how I feel about it. And I do variations of things. Sometimes I'll do things more acoustically, and that changes it up musically for me. And there's always someone that's got a great story about one of my songs that makes me think of that song differently.
29:03Romesh Ranganathan:Right. From then on as well. Yeah, yeah, yeah. Like this one lady, she said to me, when I was giving birth, I put, I had, from this moment on, playing on repeat. at all i never thought of it that way but you know i just are like wow yeah yeah yeah that's incredible right because she's thinking when the when the baby is born when this baby comes out from this moment on life has begun yeah i'm thinking wow you're the brilliant one not me i certainly didn't think of it and with that much depth and and so now i just think the song is more powerful than it ever was when I wrote it. Right. Yeah. Takes on new meanings.
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30:23Romesh Ranganathan:There's even on-site perks at Wimbledon, like access to the incredible views from the Amex Pavilion on the Hill. Do summer differently with Amex. Search Amex experiences to learn more. T's and C's apply. that's the sound of zero sugar 200 milligrams of caffeine and the power to burn body fat storm energy for life storm energy blend helps boost metabolism which in combination with exercise and a healthy diet helps burn fat this product alone does not produce weight loss individual results may vary um now we've got a question from my mom she's she's sent it as a voice note i always have to say this i don't know what this question is okay okay she's a Laura unto herself.
31:04Romesh Ranganathan:So let's see what she said. I want to know what mum said. Hi Shania, this is Ramesh from Shanti. You always look incredible. I have such an iconic sense of style. Love the leopard print. Hope my son has made an effort with his outfit today. Okay. Is there any item of clothing or accessory you put on instantly makes you feel great. I still listen to the song Endless Love with Lionel Richie. So beautiful. Enjoy staying in the UK. Have a wonderful time. And I'd love to see you. You take care. Bye-bye. Mum. It was a very matter-of-fact tone to that. she was hitting her points man she's like I want to make sure I say everything that felt like a bullet pointed voice note the leopard print she was hitting that's adorable is there something that I put on that instantly makes me feel great I would say silk really
32:22Romesh Ranganathan:were you not expecting that no do you know what I was trying to And if it's a leopard print silk. Can I tell you what? So normally, if you're interviewing someone, I think, I want to relate to your answer. So then you said silk. And I thought, have I ever? Then I said, have I ever worn silk? I don't think I have. I've never allowed silk into my life. Okay. Well, you need. So that's going to be a good thing. So silk. Yeah. You could have like a silk blend t-shirt. Okay. You know what I'm saying? It doesn't have to be anything extravagant. You don't have to wear lingerie or anything. No, no. I would.
32:56Romesh Ranganathan:to be clear. Well, you could wear silk boxers. Yeah, there you go. Nobody would even know it. No. But you'd know from the way I carried myself. But you would know it. I think you'd know. It would make you feel great. Yeah, yeah, yeah. Okay. Everyone would be going, wow, I think you look like you feel great today. You must be wearing silk boxers. I'm just going, well, she's got a different energy about you. Have you guys worn silk? Have you all worn silk? I've never worn silk anything in my life. Will? I don't know. Am I at it? Yeah. I bought sick boxes. You bought sick boxes. Why are you ashamed of it?
33:29Romesh Ranganathan:Like you're admitting something. I don't know if it's a hundred percent. Yeah. You know, I would say some people think they're wearing silk when they're really wearing satin. Right. Yeah. But silk is a luxury fabric. You know, it's not, it's fine and it's, I mean, it's a spider that makes silk. Is it? Is it? Spiders. Is it silk spiders? It's a spider, I think. Okay. No, a worm. Worm. Silkworm, yeah. Oh, spiders and snakes, whatever. Yeah, yeah. It's one of those horrible creatures. You know? Makes silk, yeah. Yeah, yeah. So listen to me acting like I know everything about silk. No. And then I think it comes from a spider.
34:17Romesh Ranganathan:Yeah, yeah. I was thinking, you know, silky, no, you're right, silkworms. Yeah, because silk does make you feel great. It's light and it's so many patterns and colors and very worth wearing. Okay, I'm going to consider bringing silk into my life. I think we all should. Now, congratulations are in order. Twelve dates at Wembley Stadium alongside Harry Styles. How excited are you? I'm really excited. I'm mostly flattered. because it was a personal invitation to be Harry's guest, and that is very special. He and I, we met backstage, small little venue, and we exchanged numbers. We hit it off. He was just very cool and easy.
35:07And then he texted me a little while later and said, it's my mother's birthday coming up, and she's the reason why I know your music and love it so much and love you. so would you reach out to her on her birthday and wish her happy birthday so he gives me her number I call her up I sing her happy birthday you called her? yeah
35:25Romesh Ranganathan:okay wow that's big it meant it registered with me that he would you know because I don't think celebrities you know they don't really ask each other favors very often it's not like you say you know hey buddy we met once but because we're both stars could you you know come to my kid's birthday or whatever or go to my, you know. But he did that because it really, he knew that that would mean a lot to his mom and that it meant a lot to him. And I did not have my mother through my success at all because my mother was gone long before I made it. She's been gone since I was 22. So she never saw any of my success.
36:06And what I would have given for her to have been there, for me to give back to her, I mean, we really struggled a lot when I was a kid and took, you know, the sacrifices were great. So to have been able to buy her a new vehicle or a new dress, anything, and just for her to be there and for me to have that relationship going into my life. So Harry's had her all this time and she's been able to experience the success with him and to be there and be a grounding factor. so it was really I was happy to do it in more ways than one and we just stayed connected and so I think you just felt you know my mum and I want you to come in and do Wembley with us
37:00Romesh Ranganathan:kind of thing amazing to be doing it at Harry Styles and also in an organic way this is not like you know you're not telling the story of like some record label thought would be a good idea to pay, this is like a real, it's a real thing. It's a real thing. It's a, as far as I know, no, I'm sure it is, I know it. And, you know, our exchanges were so, we were both very excited at the idea. But also Wembley, sort of iconic to be doing Wembley and then to be doing 12 nights. How does, how much have you engaged with that? It's going to be massive, right? It'll be massive. I imagine that a lot of, I mean, that's a lot of people.
37:34So I would imagine several people are going to more than one night even, right? Which is really great because I think as you go and this is what I'm imagining, that people would be building up each night with the vibe and I think getting more and more into it as the dates go on.
38:03Romesh Ranganathan:Yeah. so that's exciting I will change it up every night oh really so it won't be the same show every night then it won't be in every way yeah so that I think is important because I was thinking you know there are going to be people that go maybe they'll go to show one or maybe show six sure sure sure again and then maybe show ten you know so I was keeping that in mind so I think the excitement will build as we go as well I mean for Harry I think it's just going to be crazy right off the bat because, you know, he's on top of the world and it's such a frenzy and he's, yeah, he's just hairy, isn't he?
38:42And this is his home. And that's another compliment because I'm invited to his home country and I'm the guest, which I like.
38:49Romesh Ranganathan:It's difficult because stand-up comedy makes that very, very difficult. Like, you know, sometimes if you're doing a matinee, people don't realize that you're doing the same material again. Somebody will say, you'll meet someone outside the matinee and they'll go, I'm staying for the second show to see what you do there. Right. Well, that was it. You're going to be incredibly disappointed. Sorry, bud. Sorry, bud. And you've actually performed on stage with Harry at Coachella. Is that right? Yeah, he invited me to Coachella. Yeah. It was a very casual thing. Hey, I'm going to be performing in L.A.
39:24I don't even think he said Coachella. I think he just said I'm doing a show in L.A. and, you know, do you want to come up and sing a couple songs with me? are you anywhere around on this date? And I said, well, I'm actually not anywhere near there on that date, but let's try again another time. And then he was so polite, he didn't put me on the spot. He just let it go for a bit. And then he texted again and said, I really think, you know, something in the effect of I really think this would be great if you could make it. it would mean a lot and I'm like okay well let me really
40:04Romesh Ranganathan:think about how okay Harry I said I wasn't close leave it it was not till quite close that I'm thinking it's Coachella on top of it and let's see how we can make this work but I still I didn't know I said listen okay well what do I wear What is this vibe going to be? And he said, well, just, you know, be you. Just come and be yourself or whatever. He didn't tell me what he was wearing. And when I got on stage, we were practically matching. It was weird. Yeah. It was kind of weird, but everybody did think it was very planned. Oh, yeah, I bet. But it wasn't. I mean, it was planned, but I mean, casually planned.
40:52Romesh Ranganathan:But doing Coachella with Harry Styles, 12 nights at Wembley, like you've done so much do you do you still have things on like a bucket list or aspirations you still want to achieve or do you feel like i'm just doing whatever happens now you know what's your kind of attitude towards all of that i want to write songs um that i produce for artists voices that i love yeah that's my dream that's my dream gig because I'm only one voice and I hear my songs so many different ways and I can never accomplish the directive that I like I'm I have a directive of how I want it sung that I'm not but I'm not that voice yeah like I wrote I wrote from this moment on with Celine Dion in mind I wanted her voice to sing that song, not mine.
41:51And so I wrote it melodically and everything like it could be for Celine Dion. But my then husband, who was my producer said, no, no, no, that's a song we have to keep for your record. And I just thought, oh, like, really, I can always write more songs, but if Celine Dion sang this song, that would be the real dream for me as the writer. and I just don't have the need to always be the one in the spotlight I love to be creative and to be not in the spotlight in fact it was my mother that forced me up on the stage in the first place I'm glad she did but whoo that was part of the difficulty of my childhood getting up on stage as a kid to sing to drunks okay so that dream didn't come true but I'd love that to happen.
42:47I want to find voices that I'm writing the songs for.
42:50Romesh Ranganathan:Right. And then see them come to life in a different way. Especially when I lost my voice because I lost my voice to Lyme's disease and that lasted quite a while. I mean, it must have been terrifying. It was terrible. I lost projection and I won't go into the science of it but it was something that would not ever repair because it was nerve damage. So not the vocal cords, but the nerves, the neurology. And there's a treatment where they did open my neck. Yes. They open your neck from the front. It's open throat surgery. They pull your larynx to the side, and they insert little crutches, little Gore-Tex crutches.
43:43Romesh Ranganathan:Right. And they will be there in 10 ,000 years from now. Long after, you know, they will be there forever. They're permanent. Gore-Tex. Yeah, Gore-Tex. Gore-Tex is like, isn't that what the weatherproof Timberlands with? That's right. Yeah. Yeah, all kinds of outerwear. Yeah, yeah. They've never had Gore-Tex fix when I was a kid. That's why I got so much frostbite. Oh, I wish they had Gore-Tex. Anyway, now I got Gore-Tex all right. I got it in my throat. So little crutches, and they stabilize where the nerve atrophy is, make to compensate for the nerve atrophy. Okay, so now I'm able to sing live again.
44:29Romesh Ranganathan:Yeah. And sustain notes and be loud if I want. My voice is different. You can tell it's kind of like gravelly. I've got a little fry. in there. And do you enjoy that now? I mean, it's nice, right? You've got a different voice, yeah. Yeah, it's added to the character of my singing. Yeah, yeah. Listen, I love my new voice. Yeah, yeah. I'm like, what else am I, what am I to do, hate my new voice? It's like, no. I can sing again. I love my new voice, you know? I'm even saying, you know, lucky me because the Lyme's disease could have attacked my heart, my brain my my kidneys uh ironically it it attacked my my laryngeal area so yeah you could look at that in any way you want but it wasn't life-threatening i mean that's a blessing yeah yeah uh it was more of a blessing this is your glasses are full how else can i look at that right so okay so now i'm able to sing again so then i get off track definitely i'm now writing for my own recordings right for quite a while i'm like oh yeah you know as long as these vortex crutches don't move yeah you've got 10 000 years of stuff that's it as long as they don't move or end up in my stomach or something uh i will sing yeah i feel like i've really fulfilled a lot of that re-appreciation or new found appreciation for my voice and I'm very happy to be singing my own songs but in the future um it is a dream for me to hear my songs my melodies and my words my voices that I am not yeah yeah and so but that's something you could still do you could go on to do that right I mean that's that's exactly exactly but you know it's where it's really hard though when you're the artist as well and you're doing your own artist thing and then you're you're producing somebody else i'd really like just make that focus for a bit yeah like a project yeah now we've seen in recent years like country is i mean obviously rob beckett and i thanks you're one of our guides through our kind of introduction to country and kind of we went to nashville we wrote a terrible song uh we performed that song in a bar in nashville it's one of the most anxiety inducing things i've ever done but one of the things that we learned is that country has got you know like all genres of music it's got tropes and people that love it are protective of it what we've seen in the last few years is is people from outside of the genre come in and make and and make country albums right obviously beyonce is a famous example post malone did a whole country album which was great what what's your kind of um what's your kind of take on all of that i mean because because one of the things happens in the uk because is that you will it still happens now we will suddenly hear about a country who is absolutely massive but we didn't know about them because country is country is popular with country fans right the the crossover is relatively rare right so so what's your yeah have you have you felt kind of watching all that transpire So the country music that I grew up with, primarily the earliest, earliest country, was my grandparents' country, which was called Country and Western.
47:58Right. So the country was farmer, you know, roll up the sleeves, manual hardworking people. The Western was the more, you know, Texas, south border towns to Mexico music, Tex-Mexican sort of style music. That added minors, minor chords to the music.
48:33Romesh Ranganathan:Right. It added different time signatures, different instrumentation, different vocal blend chords. And they were gunslingers. Right. So this is where the Western comes. Yeah. Now you've got country and Western. Yeah. So there's no difference from that because that was an actual genre name change. Yeah. Right, right, right. Okay. Like it was officially only country. Yeah. Then it was country and Western. Right. And then you've got periods where it's, you know, the big bro country period, and where you've had, you know, country rock. I mean, if you look at a good example, many people have crossed over, but even Elvis Presley.
49:22Okay, he's the king of rock and roll. But, you know, he's also a, you know, he did country songs. So did, look at John Denver. John Denver is a folk artist, pure folk artist. But he made country records. There's a lot of rock art. There's a guy named Conway Twitty. You guys probably haven't heard of this guy. Maybe, I don't know. But he's, that would be more my grandparents, country music. But he was in a rock band before that. Same with Kenny Rogers. He was a rock pop guy before he did country. The Bee Gees made some country songs. Yeah. Olivia Newton-John. She was a pure pop artist. Yeah, yeah.
50:02She made a whole country album.
50:04Romesh Ranganathan:Yeah. Linda Ronstadt was a touring backup singer for The Eagles. Right. She made a country record. Yeah. So this isn't a new thing then, people. Yeah. It's not a new thing. And I think the genre has gotten very protective maybe or purist in a certain way. not the fans, but maybe the industry because they just don't want to make room maybe for other talent that brings so much to the genre. Where would country music be without the influence of bluegrass? And where would it be without the influence of rock and rockabilly and soul, R &B? Ray Charles I never heard anybody sing country better than Ray Charles Yeah But then do you think it's a thing of like people will be making you're making country for country fans and then somebody comes in and there's an I don't know is there an argument of like being a culture vulture or taking what you want and then you know taking country and doing what you want with it you know is that do you think that's part of the problem?
51:16Alright so Shania says Yeah Now we know about where my glass, where the level of water is in my glass. What better compliment could anyone give any culture but to want to borrow a little bit of it?
51:36Romesh Ranganathan:Yeah, yeah, yeah. Or dabble in it because it's something that they, even if it's just out of curiosity, I'd be like, yeah, like, you know, cultural exchange days at school. that was so fun. It's like, oh, let me try, you know, the way you guys make cookies. You know, there's nothing, it's like, great, you know, I'm going to try that at home. Yeah. Like whoever said, well, no, you can't try this at home. Yeah. It's our cookies. You know, these are our people's cookies. Don't try our recipe. It's not, it just can't, that's not the way, that's not the way art works. That's not the way music works.
52:18Right. It's music. we're talking about here yeah right it's not it's not our people yeah no i know it's music now yeah
52:25Romesh Ranganathan:i mean it's just been it's been i totally get i agree with you i agree with you but it's just been interesting as somebody uh outside of country to see what the my perception of what the response has been to people coming and and doing it you know so so you're saying right so the culture vulture element is love them and leave them sort of thing or what what's the it's just that i i guess like you know there was all that I my impression was that people going these people are coming in and you know the other artists are coming in and having a go at our music and then going of some like well stealing our thunder maybe like that sort of thing well I mean you know it's not is thievable a word I think so I think it can be if you say yeah yeah you can make it a thing i think it'd be a good song title thievable yeah i mean how can how can oh boy i i'm i'm gonna start rhyming you better stop me right now
53:32so okay i mean how can such a thing be thievable yeah you know how can um there's no such thing as that. I, we all influence each other.
53:46Romesh Ranganathan:Yeah. So, and when someone is, like, if somebody does something very Shania-esque, I'm like, that's the greatest compliment ever. Yeah, yeah, yeah. I'm not worried about it. Because I'm like, you know what? You, you know, man, I feel like a woman can only be written once. Yeah, yeah, yeah. Like, so don't, I'm not worried about it. Go ahead and Shania ask all you want. It's not going to steal my thunder. No, no. Like it's all good. Yeah. And so I think, you know, we're meant to inspire each other. I would see it as an inspiration. Yes. Obviously, whoever is dipping into a genre is influenced by that genre and inspired by it.
54:33Romesh Ranganathan:Yeah. To want to do that, I think. Yeah. And so I just don't see it the same way, I suppose. That's my Shania way of looking at it. No, we love the Shania way of looking at it. I totally agree with you. Okay, we're going to play a little game now. Uh-oh.
54:52Romesh Ranganathan:It's misquoted. I'm bad at games. This is called misquoted. So I've got five quotes that you may or may not have said. Some of them you said, some of them you didn't. All I want you to do is tell me if you said them, and then leads to a little bit of light chat and ideally an Instagram clip. And you know what? I completely misunderstood when you said misquoted. Yeah. Because I thought you were calling me misquoted. Oh, I see. Now, this is a game for you, little misquoted. Did you or did you not say this? So there's no jeopardy. Okay. Yeah. So here's the first one. Did you, Shania Twain, say this or not?
55:37Romesh Ranganathan:The first thing people say is, do you own wellies? Did you or did you not say that?
55:45Yes, I did. When I went to Glastonbury, people were saying, you may need to bring your wellies.
55:53Romesh Ranganathan:That's absolutely correct. Well done. You did say it. And you were talking about Glastonbury. The Times in 2024, you're talking about Glastonbury, and that's what people ask you. Well done. You're one for one. Yeah, of course I have wellies. I've got all kinds of wellies. I have horses, so. Yeah. Okay, here's your next one. Yeah. I'd love to get everywhere by Segway. No, I did not say that. Sure? I'd love to get everywhere by Segway. Did you say that? No, you didn't say that. You're absolutely right. Do you know what you said? You did say you'd love to get everywhere by something. Do you know what it might have been?
56:29I'd love to get everywhere. Maybe they misunderstood I was saying subway.
56:35Romesh Ranganathan:No, we changed the last word. Yeah. You actually said, I'd love to get everywhere by horse. Of course. Of course by horse. Yeah, absolutely. I mean, you've ridden horses in shows, haven't you? I have. And I don't know why I didn't think of that. Because, yes, in a dream world, we would all go everywhere by horse. Yeah. Like, what are we doing? You know, now you can't even ride your horse on the street in case it poops. It's like, of course horses poop. Who cares? The birds are going to come and eat it. And, you know, if you're in the city, the rats will come by and, you know, cars will run over, the sun will dry up, whatever.
57:19It's organic.
57:20Romesh Ranganathan:Oh, my God. What a paradise. We're riding horses. Rats are eating all the horse poo. Beautiful. We're right back. We'll listen instead. Yeah. I'd rather the rats clean up the horse poo than get into our garbage. But, you know, it's true. My horse. Dream life. Okay. So you're two for two. Here's your next one. Did you or did you not say this? Stage fright is a very scarring experience, a terrible panicky feeling. Yes, absolutely. You did say that. I would have said that, yes. Yeah, you said that to The Guardian in 23. You said, but now going from I may never sing again to being where I am, I'm like, in this moment, if I hit a bad note, I'm going to wear that scar as a survival flag.
57:59Exactly.
58:01Romesh Ranganathan:It's like a lion that can roar again, is what you said. So that's lovely. That is very true. Like, so what if I had a bad note? Yeah. It's my free pass. Okay, here's your next one. In Switzerland, I'm always bang on time. Did you or did you not say that? I did not say that because I don't think I would say bang on. You're absolutely correct. You didn't say that. But the actual quote is, in Switzerland, you're more connected to the food you're eating. Well, that is true because, yeah. Just because it's less processed. Yeah. Food is more regulated. Closer to the original ingredient. Yes. Yeah. Okay.
58:41Romesh Ranganathan:You're four for four. So you've got one left. Okay. Did you? I'm good at this game. You're really good. Really good. This is for full house now. So it's exciting time. It's exciting time. What do I win? I already got the leopard print. No, but you get to keep that. So that was a loan up to this point. Okay, so here's your last one. I'm getting less and less inhibited as I age. I like to do goofy things. Did you or did you not say that? I would say that. You did say that. Outside of experimenting with hair color, I would say that I enjoy being fearless. Nothing really scares me. You just got to have fun.
59:13Romesh Ranganathan:And being playful makes me feel more youthful. That was to Haute Living, talking about pink hair. So there you go. Shania Twain, five for five. Congratulations. Shania, we're almost done. You've been... I found God. I know, I know. I know. It's been horrendous. But what we'd like to do is end the podcast on a big moment. And what I'd love to ask you is, would you be able to share the best piece of advice you've ever received? Have you ever received a great piece of advice that you could share with us?
59:51boy I sure have
59:57it's which one do I want to share with you
59:58Romesh Ranganathan:I know I get it you know what I'm saying no I understand we've gone on a journey but what are you willing to share I get that and I understand if you have reservations no I don't I think not that I think you could use advice because I'm sure No, I could, believe me. The best advice I could give anyone, I think, is you just have to be honest. Honesty is everything. Honest. Honest with yourself. Honest with everybody else. And that's it. It's kind of basic and boring as advice, but honesty is the only – that's it. the truth is really does suck sometimes but best to be honest especially for a creative person because oh brother like you need to know the truth yeah you know are you good are you bad are you yeah but that's difficult honestly that sounds simple but that's quite difficult to follow as a rule yep that song was well written by Billy Joel yeah honestly yep okay it's hardly ever heard yes certainly not in my house please can you give it up for our fantastic Shania Twain
1:01:17Romesh Ranganathan:Thank you so much for watching and listening to this episode. Before you go, if you've enjoyed this episode and you've not subscribed, that's a bold decision. Crazy behaviour. Follow and subscribe to The Romesh Ranganathan Show wherever you listen. It helps me, really, like really helps me. It helps the team and it costs you absolutely nothing. We drop episodes every Monday and Thursday. Mondays I'm joined by great guests. Thursdays my mum Shanti joins me to answer your questions and family dilemmas. I'll see you Thursday with mum who, let's face it, is who you're actually here for. If you've got a problem you want to solve or a story you want to share, send it to podcast at rhangabee.com, voice not or text us on 07731 623 355.
1:01:58Romesh Ranganathan:We can't promise good advice, but you might end up on the show. See you soon. Oh, shut up, Roman.
1:02:14from personalized pieces to must-have favorites made for the summer. Timeless designs that shine with you through every moment, wherever the summer takes you. Shop in-store or online now through July 6th. Terms and conditions apply. Visit Pandora.net for details.
From the publisher
How do you keep performing after losing your voice?
Country music icon Shania Twain joins Romesh to talk about her most personal album yet, Little Miss Twain, the vocal surgery that saved her career and why she's embraced singing with a completely different voice.
We discuss everything from early beginnings and singing in bars as a kid, to breaking into Nashville, writing hit songs and becoming a pop star. Plus we get into performing live at Coachella and her upcoming Wembley residency as Harry Styles' special guest.
Shania reflects on her personal life struggles, from Lyme disease to losing her mother and how it's shaped her and her remarkable career.
Expect as usual, an all-important Shanthi question, a game of Misquoted, and Shania shares the best advice she's ever received.
A Ranga Bee Production in partnership with Platform.
Chapters
00:00 Intro
02:05 A gift for Shania
04:56 The new album
07:12 Musical influences
16:07 Humour in writing
18:27 Shania’s career
20:46 Dealing with life struggles
24:19 On happiness
29:50 A question from Shanthi
33:30 The upcoming tour
38:06 Coachella
39:48 What’s next?
41:51 Dealing with Lym’s disease
45:33 On country music
53:41 Misquoted
58:23 Shania’s best advice
01:00:06 Outro
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