In short
Thundercat (double Grammy-winning bassist/singer) discusses creativity and finding his sound, the role of practice in improvisation, touring and audience differences, and confidence/bullies. The episode also includes playful banter (including a “ramen noodle soup hat” and “thick piss hat” jokes), plus a “Misquoted” game.
Guest backgrounds
Thundercat is a California musician named by Rolling Stone among the greatest bassists. He’s worked with Kendrick Lamar, Pharrell, and Mac Miller. Host Romesh Ranganathan is a UK stand-up comedian (BBC Radio 2 “Tracks of My Years” reference).
Key claims
Time and pressure shape art; “nothing makes up for time spent” practicing. Flow state comes more from skill/language than luck (and he suggests magnesium/hydration). Honesty in art/comedy matters, even when truth is nuanced.
Notable examples
Flying Lotus told him he should sing; early friends didn’t realize he was the vocalist. He recalls being bullied (“Sweet Cheeks”) and suggests legal action/smart strategies. He cites Mac Miller’s honesty and discusses live performance vs studio.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOCelebrating Thundercat's Artistry
0:34 to 2:34
Romesh praises Thundercat's genre-crossing music and humor.
“Hi, I'm Thundercat, and I'm going to be on the Ramesh Ranganathan show.”
Tracks of My Years Moment
2:34 to 3:38
Romesh shares a heartwarming story of a fan discovering Thundercat through him.
“Dragon Ball Do-rag was a song that I picked.”
Gift Exchange and Humor
3:38 to 5:30
The hosts exchange gifts, discussing humor in music and style.
“Now, we always start the podcast by giving a gift to our guests.”
Touring and Audience Differences
5:30 to 7:16
Thundercat talks about his touring experiences in Europe versus America.
“there you go so there you go man that's that's for you ah yes that is Thick piss hat.”
Growing Up as a Musician
7:16 to 10:12
Thundercat reflects on his upbringing in a musical family and initial aspirations.
“I think as a songwriter, your personal life is somewhere in between those lines of there.”
The Fulfillment of Being an Artist
10:12 to 13:20
Romesh and Thundercat discuss the joy of making a living through music and comedy.
“And I was like, I can go buy Marvel cards.”
Becoming the Front Person
13:20 to 14:02
Thundercat explains his transition to being a front person in music.
“And I felt I've had things happen to me since that I felt good about.”
Thundercat's Journey to Solo Artist
14:02 to 28:00
Explore Thundercat's transition from band member to solo artist and the challenges he faced.
“Because the transition from playing in bands, your suicidal tendencies, and you did work with various artists and stuff, to become...”
Exploring Fashion and Self-Expression with Thundercat
29:47 to 35:54
Thundercat discusses his unique fashion sense and the importance of self-expression.
“Can we talk about your fashion sense a little bit?”
The Creative Process and Time in Music
35:54 to 40:08
Thundercat shares insights on the creative process and the significance of time in making music.
“Well, I think that things always change.”
Show all 17 chapters
The Impact of Social Media on Artists
40:08 to 42:01
A conversation about the challenges social media poses for artists like Thundercat.
“of, uh, exploitation or selling or like, even though it may seem that way.”
Navigating the Social Media Landscape
42:01 to 43:44
An exploration of attitudes towards social media, particularly TikTok.
“Yeah, and you were already angry with it.”
The Importance of Honesty in Creativity
43:45 to 45:44
Discussing the significance of authenticity in music and comedy.
“The reason we love guys like Dave Chappelle and Jim Carrey is because they bear their soul.”
Creating from Uncomfortable Places
45:45 to 46:40
How discomfort in creativity can lead to compelling art.
Childhood Memories and Hyperfixations
46:41 to 48:48
Reflecting on childhood memories and the nature of hyperfixations.
“My mom wouldn't buy me the toys because she thought I'd fucking destroy them.”
Thundercats as Cultural Reference
48:49 to 51:06
Discussing Thundercats and its significance in nostalgia and culture.
“They're more interested in, you know, WAP and like, you know, BBLs and depression.”
Musical Identity and Expression
51:07 to 53:40
Exploring the relationship between personal identity and musical expression.
“Everyone tells me stop calling your cat sexy, but I'm like, she's a sexy cat.”
Transcript
Automatic transcript. May contain errors.0:00Romesh Ranganathan:Are you not interested in sharks at all? I don't think they're interested in us either. No, they're not. But what I mean is like, you know, like... I respect sharks. I'm addicted to shark films, to be honest with you. I like Shark Week. Yeah, Shark Week's good. Deep Blue Sea, do you remember that? That's pretty funny. That's a good film, right? One of the greatest film deaths in all time, Sam O 'Jackson. When it comes out the thing. Yeah, you know, like, you know, try to put some biobattle armor. The Meg, did you watch that? Yeah. Did you like that? It was also crazy. rides the line between shit and fantastic.
0:32That's my favorite line. That's my career. Hi, I'm Thundercat, and I'm going to be on the Ramesh Ranganathan show.
0:48Oh, shut up, Ramesh.
0:51Romesh Ranganathan:My guest today is a double Grammy-winning musician from California, Rolling Stone named him one of the greatest bassists of all time. He's worked with Kendrick Lamar, Pharrell, Mac Miller, and many, many more. I'm going to try and play it cool as I'm genuinely a fucking huge fan of yours. It's Thundercat, everybody. Dude, you're one of the best, man. Thank you. I'm just going to get this out of the way because I have to say it, right? I think drunk was when I first got into your... you know, when I sort of came across you as a solo artist, I just think the, I'm going to gas you up for a bit and then we can have a proper chat, right?
1:35Romesh Ranganathan:But I think the way that you cross genres, I think the way that you blend both being so tight with feeling so loose with what you're doing, I think the humour and the honesty that you, the line that you walk between those lyrics, Some of your songs are really thought provoking. Some of your songs make me laugh out loud. I think you are an incredible artist, man. And that's why we wanted you on the podcast. I just think you're amazing. You're amazing at what you do. One of the reasons I wanted you on the podcast is I just think you're massive, but I think you should be big. I would do anything I can to make you as big as I possibly can, man.
2:15Romesh Ranganathan:I just think you're brilliant at what you do. Everybody should know about you. I genuinely believe that. Thank you. A while ago, I did a thing on BBC Radio 2 called Tracks of My Years.
2:29Romesh Ranganathan:And they asked, you know, you choose a song for every day of the week and you talk about what moment in your life and why you like it, why you're choosing this song. Dragon Ball Do-rag was a song that I picked. And I talked about it and I talked about you in the way that I'm talking about you to you now. And then the Tracks of My Years came out or whatever. And then about two months later, it made me so happy, man. I was in Birmingham and I was just getting ready to go and do a tour show on a stand up by trade so I was going to do a tour show I got to the train station and this 65 year old white woman came up to me and she said Romesh can I can I just um speak to you for a second she goes I have to tell you this I said what is it and she goes um I love all your stuff she goes I love all your stuff she goes but the reason I want to speak to you is you did tracks on my ears and she goes and you recommended a guy called Thundercat and I said yeah and she goes I had no awareness of him I I I didn't know who it was you recommended.
3:21Romesh Ranganathan:She goes, I listened to that song. I loved it. She goes, I love Thundercat. She goes, you brought Thundercat into my life. I've got to see you, man. It made my day. It made my day. But anyway, I just wanted to get that out of the way, man. You're brilliant. You're brilliant. How are you hearing stuff like that? I don't know. I just try to keep playing bass. Keep playing bass. I learned one thing while I was here. I played the bass. I got that part down. Yeah. Yeah, you really did. Kind of. Yeah. Oh, yeah, you're doing all right. You're doing all right with it. You can't have it all together. Yeah, yeah.
3:55Romesh Ranganathan:Now, we always start the podcast by giving a gift to our guests. Oh. And I know that you've got – obviously, you can tell now you've got a very – your style is important to you. Oh, yeah. So we thought – you're either going to like this or you're going to hate it. That's full disclosure, okay? We've got your hat. Now, we know you like Japan. So we got you a ramen noodle soup hat. Now, this is where I want to ask some, before you give me any feedback on this hat, there are some moral issues here. Okay. I'm fully aware of that because like myself, you're a vegan, right? We're both plant-based. Yeah.
4:38Romesh Ranganathan:And it's chicken noodle soup hat. Hey, the memories, I think the reason why I'm laughing so hard is like, you haven't been broke until you've tried to like really like zhuzh like zhuzhing yeah like you're like oh let me dress up this tire i'm about to eat yeah and i think i have had some of the funniest moments in life trying to zhuzh this specific like do you haven't almost wound up in the hospital you're not doing ramen noodle soup right no like if you if you're digesting this well it's got a shelf life of three millennia yeah not inside of you but definitely outside yeah outside three millennia inside what 17 minutes if you know you know i think the the one thing that take away from having eaten too much of this is like you know if you want to see your pee turn real thick
5:35Romesh Ranganathan:there you go so there you go man that's that's for you ah yes that is Thick piss hat. Oh my God, dude. The thick piss hat. Yeah. I definitely have almost wound up in the hospital. Oh, you pulled it off, man. It actually looks good on you. You know. It looks great. Thank you for the ramen hat. This is great. This is a reminder of where... Welcome to Thundercat and words you never thought you'd say out loud. He's just said, thank you for the ramen hat. I mean, you can wear it. You don't have to wear it, but you know. I'm wearing it. You're wearing it. I'm wearing it. We actually have a plant-based option.
6:11Romesh Ranganathan:Do you want me to wear this? You could have that if you want. I don't know if you were of baked beans. Have you come across baked beans? I do love beans. Okay. But you very specifically did not say baked beans. I do love baked beans. Do you? Yes, I do. Do you really? I love baked beans. Look here. I'm a very flatulent man. I enjoy my fiber. You know? I enjoy a good fart. Yeah, me too. You know? And they're funny, right? No one's beyond farts. I don't feel like technology has driven us too far. I feel like you know let that shit out sorry excuse me I don't know if it's okay you can swear you can fuckity fuck fuck fuck fuck fuck yeah there you go yeah nah good fart joke never fails so listen I'm coming to see you on tour you're doing a European tour how are the preparations going for that you know I'm alright I would like to think I'm okay
7:02I got you know that's kind of where I'm at right now I'm just I'm ready to play. I'm ready to try not to divulge too much personal information in between songs. Is that a habit of yours? I think it exists. I think as a songwriter, your personal life is somewhere in between those lines of there.
7:31I was always told to be honest in your music. So sometimes, I mean, there is a line of too much information. Do you think so? You know, but I enjoy the jokes. I do, you know, because it does, you know, sometimes I know it does translate like humor. Yeah.
7:49Romesh Ranganathan:When you go and watch an artist, obviously you've got a lot of what they're about from their music. But it's nice to actually get to know somebody, right? And often in between songs is when that happens. Yeah. Yeah. The next song is about my fourth wife leaving me. I hate you Sharon and then it's just like it's just like it's like your number one hit record it's like what are European crowds like compared to American do you feel like there's a difference in response like what's it like I feel like people here really love the pay or like how you show up you know I think in America every now and again you know somebody goes shut up and play Dragon Ball Durag It's just that happens, you know.
8:36But I don't know. I personally, I. I think there's different qualities in each aspect of it from America to here. But I really I think I've spent so many years of my life touring here in different shades and gradients between Erica and suicidal and stuff like that. so it's a different experience and I think the fun part is to see for me personally is to see the people and you know see the type of people you know that come to my shows and I like I just love them so much because it's it's hilarious because every now and again somebody like I think the never-ending joke is that there are girls that like my music it's always like with my friends it's like you know you're a jazz musician it's kind of like you know a bunch of dudes with their arms crossed like you're no well in holdsworth you know it's like okay buddy you know what i mean but then it would be like my friends would be like there's girls at his concert
9:32Romesh Ranganathan:and it's like that's pretty yes and what's it like in america right now we're britain we're fascinated about uh i mean we're looking across at the states going it feels pretty funky right now yeah it's a bit bit uh it's interesting our yeah the environment's a bit weird right now in certain respects but uh i i think it's always very much like you know art will still thrive things will still you know it still goes but also things are meant to change and i think that's what's happening in many different directions so be it good or bad well i think like i guess you know without when things push in one way then inevitably yeah you get the reaction to that and that can be positive right absolutely you're from musical family were you always going to be a musician definitely like growing up in a house of musicians it was like it's kind of like you will be a musician you know there's moments that pushed me in that direction but i at one point in life i also did want to be an illustrator yeah like you know i had i grew up around not just my family being musicians most of my friends were musicians right so and that kind of shaped it too so kind of like i saw the joy in it because even as a my friends that like to hang out and play video games they also like making music yeah so we we never really separated me i never really that my mind never really separated from it it was like when i turn away from it i'm still facing it yeah and a lot of the time that also was very informative to how i would progress in life but when you when you said like when you're always if you're always going to to be a musician because because you didn't end up becoming illustrators you wanted to or not you know you thought about it end up doing music what does like what does a music career look what did you think it looked like for you because actually the career that you've got now probably didn't feel like it was ever on the cards because you're a bass player right and and and and the you know the even the bass players that you influence you it's all about providing the spine to that thing it's like shut up don't play too much four strings yeah so so what did what did you think that was going to be for you like when you were did you have an idea of what did you just want to play for a band or is that was that the ambition in a nutshell i'm pretty sure i saw this is spinal tap when i was about 14 yeah really there's moments like i remember like the moment i realized i could get paid to play bass yeah you know and it was like what was like peak for me He was like, you know, we got a gig, you know, and it's like, it's a hundred bucks.
12:11And I was like, I can go buy Marvel cards. I was like, hey, mom, don't ever cook for me again. I clearly can feed myself. That happened like. Did that happen early? Oh, yeah, that happened early. I was like, I'm a man, mom. I'm making money. She's like, shut up. And I was like, mom, stop cooking for me. I ate when I was out playing music and I brought my own comics. I don't need your money. I don't need an allowance. Leave me alone. But that's the joke. But it's like, no, the reality of being a musician hit really early for me. Yeah. Yeah. No, I just knew that that was what would come.
12:50Romesh Ranganathan:And whatever came with it was what existed for me. But then, I mean, I feel the same way. Because I grew up loving stand-up comedy. Yeah. And then when I started doing it, I don't think anything, regardless of whatever TV I've done or whatever I've done since then, nothing matched the feeling of paying my grocery bill through doing comedy. I don't think anything's added to my happiness. That was peak. Yeah, that was it. And I felt I've had things happen to me since that I felt good about. But if you're talking about the immediate increase in my sense of fulfillment, nothing. Purpose. Paying for electricity from telling jokes, it felt incredible.
13:36Romesh Ranganathan:I just could not believe it, man. Yeah. And that's kind of what you're talking about, right? Just that thing. Also, not getting paid, because it's like the pain of it, you know what I mean? Yeah, yeah, yeah. It's like, I take myself serious. I will sacrifice for this. that it's like, am I being sacrificed for this? Like, that's kind of... Well, you've got to switch your mindset a little bit, haven't you? Yeah. It's like, you've got to choose it on purpose, I guess. But then what happened? Because, like, so how did you... Because the transition from playing in bands, your suicidal tendencies, and you did work with various artists and stuff, to become...
14:13Romesh Ranganathan:Now, as I look at you now, when I... People, fans of yours, you look... You couldn't be anything else but the front person. you know like the whole way you are so at what point when did you like useless otherwise yeah i think no no no but do you know what i mean like i feel like you you've got that vibe about you know that you know when you listen to music now you don't you don't it doesn't you know you just go this guy's supposed to be his own artist right so at what point did you start to like did the goalpost move for you what what point did you start to think and and was that difficult i guess making that change i think i've talked about a few times where like flying lotus was literally like you should sing and i was like okay i was like well since you put it that way i never thought about that what why did he say that what was what made him say that i don't know i think he just saw something yeah he saw something and i trusted him and i still you weren't sure you weren't sure about at that point well i yeah it was like i still remember the moment because it was like uh it's pretty wild you know emotionally i know whatever it was but i think that even regardless of what was going on he just was like hey you should try this and i didn't say no yeah i just was like okay and i was like i don't know what that means for me but I just would do it.
15:38And, you know, in the earlier moments in my career, my friends didn't even know it was me singing. They'd be like, who is this? And so like I would have, I would find myself in the moments, weird moments with somebody where they would be talking to me about me but didn't know it was me. Right, right, right. I've been literally listening to Thundercat. I'm like, this would be one of my good friends. And I'd be like, that's me. Like you're talking about me. And it'd be like, what? He's like, oh, you're playing, because a lot of musical friends, oh you're playing bass and I was like no that's me singing and it would be like this moment for you know and early on it was like really weird because I was not known as that I was very quiet like be to myself and would rather be drawing or like you know so when it showed up I didn't shy away from it you know and I leaned into it which is also its own kind of like insanity because
16:29Romesh Ranganathan:I think there's an argument that your music is difficult it's tricky to define right and And so sometimes when you're doing something that is sufficiently different, people struggle to figure out how to process it. Right. Did you find did you find that when you when you first putting out your stuff? Did you was it universally people going, this is great? Or was there some kind of friction in terms of what you were doing? Oh, yeah, it was definitely friction. You know, because of where it came out with Brain Feeder, everybody at many points and thought I was a DJ, especially in the beginning. Um, you know, then the introduction of like an intense live playing, uh, it was very, sometimes I would hear every now and again, like, this is really a lot, you know, you didn't know what the process, two hours of just full on, just, you know, insanity.
17:20Yeah. And then every, every now and again, I'm talking about my cats are like some broken heart crap. Yeah. But I think it's, it balanced out as time progressed because I, uh, uh, again, I feel like nothing makes up for the live experience of something and just in general regardless of me it's like on a personal level even when I think about experiences and stuff like when you go out to go see concerts and stuff there's performers and then there's artists I think and there's those worlds definitely meld every now and again or all the time you know where it's like again where we have an amalgamation like pop.
17:57But at the same time, it's like, you know, a Nick Drake or like a performer versus like an artist. I think that it's just one of those things that I would love. I love the notion of being able to see something live. Again, like, you know, because that's the ethos of what performing is. So be it artist or performer, you still have to perform. and I think that I've always my whole life has been spent performing so it has the seamlessness of it I think that um I would like to see that I just hope that that's what I'm providing for somebody that they want to see what that is and then do you feel like because obviously in your
18:41Romesh Ranganathan:live shows you go off right and you're you're kind of really kind of going for it right yeah sorry you do right and i hope so yeah you really do and so what what's is that because the thing is about your the the i'm really interested in the relationship between a record being tight and and you being technically proficient and then cutting loose and doing you know they feel to me that feels as a non-musician and somebody has no musical talent whatsoever i don't believe that you don't believe i believe god gives somebody gives everybody something okay but the relationship between like being really technically proficient and then being loose how does that what i don't you know what what's your attitude towards that uh something that's kind of resonated in my mind always that is is that um nothing makes up for time spent when it means like practicing or like just spending time sitting and doing some said things or like learning and trying to do things of this nature uh but i think that because i've spent a lot of time um with these things like again growing up the way i did it just hammering on your craft or whatever yeah um it's it's uh it kind of makes it a bit um easier for me because uh once you get to speak the language a bit better you can communicate better yeah and be it like it's meant to be the intensity of improvisation versus like the songwriter versus the, you know, the psychedelic versus all the different things and aspects that these things can touch and cover.
20:21I think that it's just time spent. Yeah. Time spent. And like, was it like learning to flow and be open with those things are like no different than anything else. It's like, you know, you get to you get to play when you know more.
20:39Romesh Ranganathan:Yeah. And the flowingness of it, it just kind of feels like what Bruce Lee said, just be like water. But you can only do that when you have the language of it. Do you because sometimes I went for about six months, I became obsessed with flow state. Right. This whole thing of like, yeah, just being completely in the thing. Yeah. And then it's so difficult. It's so difficult to create that to get to that. And what you said, time spent is like when you read anything about that kind of getting into the flow. And by flow state, I mean, you're just doing the thing without thinking about doing the thing, right?
21:13Romesh Ranganathan:And it feels incredible. Do you get into flow state regularly with music? I try to do that in life. A lot of magnesium helps. Okay, this is a good tip. Hydration and magnesium. Yeah, those are the keys. You know, some CMOS gels, some minerals that help. I don't think I've experienced it that much. Even doing a stand-up as much as I have, I've had a couple of periods where I've been on stage and I'm like, it feels really good. It feels like everything I'm saying is a punchline. And then as soon as I become aware of that, it disappears. And then it's like it locks up and you just freeze in that state.
21:46Yeah, yeah. You know.
21:47Romesh Ranganathan:So, yeah. Look, magnesium and hydration. If that helps me, man. I'm dehydrated now. I'm fucking in. Me too. Yeah, it's definitely. Big up the dehydration game. Man, it's just. You could feel it in your muscles. Yeah. And your lips start to feel good. I've been licking my lips for a while. Yeah, and you can feel yourself getting grumpy, you know, all that shit. There's more to that. I know, but I'd rather talk about being dehydrated than hydrated. Yeah, I would keep it going, you know. Yeah, yeah, yeah. Let's just see how far we can push this. You know, licking your lips looks sexy until you pass out and hit your head on the counter.
22:17Romesh Ranganathan:Yeah, yeah. Now, we've got a question from my mom. Now, I met her downstairs. Yeah, I'm going to be honest with you. I don't know what this question is. You'd like a grape. It'll help. I agree with you. Yeah, thank you. And I don't know how relevant this will be. I don't know. So let's see. Hello, Thundercat. I am Romesh's mum. I have seen videos of you performing and you have so much confidence. What are your tips for being confident and advice you have given young people for dealing with bullies? Dealing with what? That question is a rollercoaster. She's seen you performing videos. she's seen you in videos performing.
23:01Yeah.
23:01Romesh Ranganathan:She's got so much confidence. Have you got any advice for children to deal with bullies?
23:14You can sue them. What? You can sue somebody. That's a good tip. I don't know. I grew up in an era where my mom would push you out the car to go back to fight. Yeah, yeah, yeah. She'd push you out the car and go, I'm not letting you in the car until you go fight. you know that's there's i'm not gonna say get out the car and go fight yeah no i i had a i don't
23:37Romesh Ranganathan:know if this is worse or better than what my mom did my mom saw me getting into trouble at school yeah she got out of the car and started attacking the guy with her handbag fighting the guy for you for me now obviously in the moment i felt gratitude yeah socially i'm a pariah you don't you don't you don't really recover from that yeah your mom jumping out the car to beat somebody yeah it's pretty intense just and then everyone going oh good is your mom around yeah yeah you know that's that's uh that's a good that's a good point of getting uh ripped on um i don't know if i had any advice you guys need to watch some chuck jones bugs bunny and daffy duck i don't know i think that you know different uh you know it's like is it just be smart yeah I don't know like I said Bugs Bunny most of the time he would outsmart sort of Elmer Fudd by all the time with a gun pointed at his face you know exactly exactly it mostly seemed to be cross-dressing we want to talk about like you know ahead of his time and groundbreaking and like Bugs Bunny yeah you know he'd switch it up on you real quick literally and figuratively one minute you're angry next minute you're aroused you know yeah what the hell's going on there's a sexy bunny good lord what are we doing here I don't know but I would say that like like out sex your bullies yeah out sexy the bullies yeah out sexy the bullies we'll just clip that up and put it out and I imagine some of the schools over here will start using that maybe just sue them yeah sue them yeah threaten legal don't threaten legal action but but threaten legal but don't yeah but don't threaten it in the moment yeah now you talked about put a banana on the floor I don't know yeah banana yeah like old banana on the floor gag or something Yeah, yeah, yeah.
25:20That's good. Buy an air horn. I don't know. That is actually good advice.
25:24Romesh Ranganathan:Wear like bright neon colors. I don't know. If you go to school with bright neon colors and an air horn, I feel like...
25:36Romesh Ranganathan:I don't think that's going to turn attention away from you. Who do you want to beat up? Maybe the kid in neons with the air horn? Yeah, let's fuck him up. See how many times he presses the button while you're beating the shit out of him. I don't know. Get a life alert. Yeah. Yeah, we just found him on the floor. His neon's been ripped off him. There's an air horn up his arse. I don't give you any responsibility for this. The question was ridiculous. Yeah, no, because I definitely got bullied. I got bullied. What did I get called? Yeah, I'll never forget. I think I grew up with somebody. Somebody called me Sweet Cheeks, like my 9th to 11th grade year.
26:10Sweet Cheeks? Yeah. I'm happy I have a beard now. I'm happy my beard grew in. Yeah, I didn't have that kind of problem. Yeah, no, it was like every now and again, I was, I could have also maybe, you know, like there's that moment in life where it can go either way. You know, it's like I could have, could have or could not have had a belly button, kind of built like a Barbie doll with no genitals. Yeah. And it's like I had a round face and really big eyes. And I would get mistaken for a girl without even trying. Like people thought like, this is a real thing. This is a real thing. And my first girlfriend could attest that they just thought that we, you know, They thought we were like, oh, you guys are lesbians.
Read the full transcript
26:48And I was like, I'm a boy. It was a real thing. It was a real thing. Kamasi would probably tell some stupid stories, too, of what he had seen growing up. And so, I don't know. I got called sweet cheeks all the high school at the most violent high school. The most like Locke High School. Like there was like my graduating class was like 20 people. Yeah. That's not a good thing. Even if it was well versed in many things like music and the arts and this. You know, having a graduating class of 20 people, like, you know, and just getting called Sweet Cheeks from 9th to 11th grade. And you could hear it.
27:25It was one guy that was like, I was afraid for my life. Other than joining a Crip Gang, I didn't know what I was supposed to do. I was like, I am not Sweet Cheeks. And I would turn, am I, is, do I, is my, do I look like my name should. And I was, but I was so used to that. So I was just kind of like, I knew not to let it bother me. Yeah. You know, and by that time I was already touring too. So it was a part of me that would be like, sir, you say what you may, but I am going to Germany next month. You will be hanging out behind the school at a liquor store. Like, you know, know your worth. I mean, maybe that's what.
28:01There you go. There we go.
28:03Romesh Ranganathan:We got there, didn't we? There we go. We got there. Know your worth. Yeah. Come on. This episode is brought to you by Tilda Rice, the UK's favorite rice brand. So my idea of a perfect Friday night is curry at home. aubergine, curry, big pot, loads of sauce, proper basmati rice. It's a ritual in my house, the kind of meal that brings the whole family together and turns staying in into an actual event. Some people go out on a Friday. Good for them. We've got a curry on. But here's the thing. If you're going to make it properly, the rice actually matters. And that's where Tilda comes in. They've been at this for over 50 years.
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29:54Romesh Ranganathan:Can we talk about your fashion sense a little bit? Yes. Well, I'm sure. First of all, you've seen Ben. You've seen John. You've seen myself. You guys look pretty snazzy, I might say. It's embarrassing. This is really sorry. But, you know, when you dress, what's the best way of describing how you dress? You've got your own look. It's an extroverted fashion sense, I would say. Well, I mean, your shoes have got toes. I just thought I should bring that into the photo. Really good. So when you see people that are dressed like the three of us, do you think, come on, guys? You know? There's so many ways you could express yourself.
30:38Romesh Ranganathan:what the fuck are you doing? You can be honest with me, we're unoffendable. Why'd you bring us into it? By the way, of the three of us, I'm the most, I mean, at least I've got this bit of colour, but John's in all black, like he's, you know, he's staffing a six-form drama thing.
30:57Romesh Ranganathan:What I'm saying is we're quite normcore, aren't we? You know, I think that's fair to say, isn't it? Like it's offensive to someone like you, isn't it, the way we're dressed? No, no. No, no, no, no, no. I honestly believe that. You it's a chance to express yourself. Right. I was, you know, again, like I said, the way I grew up with my parents and said things and I grew up at it like, you know, when it was when you could have an arts middle school or like, you know, programs or this. that was very encouraging to be yourself. And even when I would see like a lot of my heroes as musicians and stuff, it was very much like be who you are, you know, express, you know, and I always have this feeling like, you know, she's going to leave either way it goes.
31:43So it's just do you, man. I just genuinely believe like I think I remember some earlier moments, like, you know, I'll joke with my mom about it where, you know, like I would be in the backyard, you know with a helmet on it was a toy it wasn't oh man that was incriminating um no but like you know like i would i would always be into the aesthetic of things i think it partially comes from the illustration you know and like when you see like a lot of your favorite heroes or like when you see you know the colors in cartoons and stuff um i would always process it i wouldn't see a difference i wouldn't see like a a line between sonic the hedgehog and myself i would be like i am sonic the hedgehog yeah
32:28Romesh Ranganathan:you would so so you would happily get the same shoes as sonic the hedgehog absolutely um and i think that when i first got introduced to uh uh uh the moments of my like learning about myself was when somebody told me what to wear and i would be like no or i would like i would again here we go this is why i say it's important to learn chuck jones bugs bunny and daffy because growing up as a musician or, you know, growing up in, growing up in church and playing jazz, you know, there's always like this notion of like, you know, the aesthetic that comes with it. So at every formal event, somebody wants you to dress formal, like from that to like put a suit on because, you know, like it looks respectable or like, you know, when people, you know, we want it to be like, you know, it's got to, and I remember it's, I feel like there's a video of the first and last time I ever wore a suit.
33:21I was like, it's like Catalina's Bar and Grill with the Kamasi and the, you know, there's the one video of me wearing a blazer. That's it. That's the one. But it was, it started with my music teacher in high school, Reggie Andrews. And he would always be like, okay, this is a formal leave, you know, something. And I hate it whenever somebody would tell me what to wear. You know, it's one thing when your mom and dad do it, you know, pull your pants up, you know, sure. But it would be like, you can't tell me what to wear. And it was one of those things where I can hear you. I can hear what's supposed to happen.
33:53I don't want to do it. You know, I was like, you know, no, no. And even when it comes to how I would approach playing bass, it was kind of like everybody would always want me to play upright all the time. You know, it's like, don't get me wrong. Absolutely. Practice play upright. But I feel like that's not where my road was supposed to stop or end, you know, with these restraints that people will put on stuff. so sometimes things would um left alone in my own vices i would show up in a fucking cape so mr andrews every now and again would be like why are you wearing a leotard but at least it was
34:28Romesh Ranganathan:black yeah you thought you're getting in that but then would you would you ever be too too shy to wear something like is there anything now that you wouldn't like are there things that you think i would wear that if i had more courage to wear something like that no i've always lived in it Really? I've always lived in express yourself with this. Because I get shit scared. I'll buy something and then I'll try it and I'll think, I can't wear that out. Well, I mean, in a way, I think that in a way, the funny way that it exists, the world has a way of meeting you in these places. So whoever you are and how you show up with it sometimes is like, I think sometimes when people make me aware of it, like you said, it takes me out of the flow state of it.
35:12Right, right, right. Got you. But at the same time, no, I've never cared. I've always been like, you know, formal is relative. You know, it's, you know. And not when you got guys like Yoji Yamamoto walking around. Yeah, yeah. You know, and Rick Owens and stuff like that. It's like, it's relative. It's what you make it. You know, it's, I've been a great appreciator of these things forever. And I think it was instilled in me by my mom and dad.
35:42Romesh Ranganathan:It's great, man. I mean, it's worked out great for you. And I just hope we don't make you too angry the way we look. You've just put out two new songs, right? Is there a new album coming? Yeah. And the way you said yeah makes it seem like there's a loose timescale on that. Well, I think that things always change. And even like the, I mean, to be honest, yes, there's clearly music coming. At some point. Yeah. at some point there will be there has to be right yeah it doesn't have to be you could it doesn't right no you could just go rock climbing yeah and you could just whenever you feel like touring the stuff you've already done you can do that and then well i or you know i um i have been working on music i think it it takes a moment you have it it takes its own time you know and a lot of the time i think especially in the world we live in with the streaming and everything and how give it to me now or like i shut up bro where's the album it's like that's a like it's an interesting way to like but it's a good it's a good uh necessary thing at the same time because it just reminds you to stay on your you know stay focused or like keep i appreciate it you know but also like life has a way of like informing you how to move and um i think that uh It's taking the time it's taking.
37:10Romesh Ranganathan:Do you, because I just recently interviewed Jill Scott, and she's putting an album out after 10 years, right? And she was saying that she just had to go and live her life and stuff like that, and that whenever she was ready to put out music, she had faith that people were going to come to it. Yeah. Does time exert any pressure on you to put music out, or do you really feel like whenever it happens, it happens? Is that kind of... I've always looked at time as a construct. Like, I never did good with tests. Because I don't really do good in car crashes either, because I can see clearly because everything slows down.
37:51Romesh Ranganathan:Right. Nobody does great in car crashes, does it?
38:02I'm sorry if I made it seem like anybody. Like, good job, bro.
38:09Romesh Ranganathan:Listen, honestly, most of life I'm a fucking nightmare. But you know where I'm absolutely top of the game? Car crashes. That's when I'm coming to my own. I guess a good better explanation of that is like things slow down for me. When I whenever there seems to be trauma or pressure or things or stuff like that, things slow down in a way where if I had to compare it to a car crash, I can see clearly. Like I don't tense up. I don't really, my reflexes are really relative to what my brain considers fight or flight. It's relative in a sense of like, you know, like, oh, wow, you didn't duck that at all.
38:48And that's what I mean, walking through doors backwards sometimes. But I think that just also as in said processing, so does my music exist. So it is what it is where it shows up. And a lot of the time, as I've always understood, things like time, when it comes to nothing makes up for time spent, it's almost like it creates its own current. And learning to be okay with that. Because a lot of the time it's like, oh, now drop the album. It's like my best friend just died in front of everybody. And it's also like that was traumatic as hell. So it was like, cool. Let me, you know, I was like, I couldn't, there wouldn't, life had a way of telling me to sit down and be okay sitting down.
39:39It doesn't matter if there's money. It doesn't matter if there's an album. It doesn't matter if, you know, you know, like the tour, oh, we need to get this together. It's like, I had to sit with that. And from, I mean, it's like, not to make it so dark, but it's like, you know, it, that has nothing to do with an album that has everything to do with like life and learning. And from that to like the, the decisions, everything was, everything is not a point of, of, uh, exploitation or selling or like, even though it may seem that way. Um, and again, like we don't, again, knowing that we really are us as a whole are bad about letting, uh, letting artists grow old and like, or letting them change and grow or like process and learn.
40:29Cause you want, you want that microwave burrito real quick. Yeah. You know, like here's the, but it, it, it could be the undoing. It could be, again, being made aware of these things can be like insanity for somebody. And, um, to try to keep up with yourself when it comes to this, as compared to, uh, being able to sit and think and process it. That's how you got to where you are anyway.
40:57Romesh Ranganathan:Yeah. We've got a little game for you that I think, I hope you like. We play it every week. It's called Misquoted. Okay. I'm going to give you three real quotes from you and two fabricated. And it hopefully leads itself to some discussion. Now, full disclosure, when we started doing this, how long ago did we start doing this podcast? Since September. Since September. So in September, I was very opposed to this. Yeah. Now I'm kind of on board with it. Okay. Is that because I, because, oh man. No, no, no. Listen, it's not, I'm not saying, you're not going to get cancelled off the back of this. Are you sure?
41:33Romesh Ranganathan:If anything, we'll both get cancelled for the Bugs Bunny stuff. It's been a great ride, hasn't it? Yeah, hasn't it just?
41:45Romesh Ranganathan:It's misquoted. So here, here's your first quote. And you've just got to tell me if it's true or false, if you said it or not. in your belief. Uh-oh. I don't give a fuck about TikTok. I'm pretty sure I probably have said that. The Times, 2024, you said that. 2024? Yeah. TikTok was around then? Yeah, and you were already angry with it. You weren't angry with it. It's even different about it. You didn't give a fuck about it. Oh, you know. What's your... Do you not like social media? Was it just TikTok in particular? Well, social media overall, it's just like everything is a... You know, everything is something on social media.
42:24Everything. It's like it's so encompassing where it's like and it's also like nowadays they're putting a modified cornstarch. What's that one thing that keep multidextrin? It's like the ingredients they're using to do it. You can't even turn it off in your brain. It's like it's, you know, it's like it's meant to be this just you can't even blink anymore.
42:47Romesh Ranganathan:Yeah. And it's getting to that. And even, you know, even though that has its pluses, it's also some negatives to it. Yeah. So, you know. Are you on socials personally? Like, will you do them scroll? Oh, I think it's the inevitable. Like, my feed has got to be the most gnarliest feed. Anytime I send somebody a video, they don't send me anything else like this. It makes it think that I like stuff like this. It's like I can ruin my friend's feeds. Yeah, no, no, it's good. Fucking up their algorithm, I get it. I'm very selective how I pick and choose my battles of what stuff is but I've always felt like if it isn't fun it's the worst thing ever you know but I could own that probably 2004?
43:29no 24 2024 what year is it?
43:35Romesh Ranganathan:26? two years ago it was like fuck TikTok sure fuck TikTok man unless you're watching this on TikTok stop scrolling and check out the Thundercut episode. Okay, you're one for one. Congratulations. Here's your next one. The reason we love guys like Dave Chappelle and Jim Carrey is because they bear their soul. It's the same principle with music, especially with jazz. You're putting yourself out there. Oh, I definitely said that. You did say that. I did say that. It's even to a fault, no matter what the case is. I would think that that's something that even in comedy is a real principle where it's like if you're not being the honest who you are with it and are willing to take the tomato in the face for it you're not doing it right anyway right no i think that's true you said that in the guardian in 2020 i i think being honest is like the big it sounds so easy but it actually isn't that easy at all no yeah it's really it's really hard i do you know you know obviously i'm i'm a mac miller fan i think that that's one of the things that's so magnetic about about his music as well is just that that the the level of honesty about how he was feeling and stuff like that is is pretty it's pretty incredible you don't need me to tell you but but like you know I've seen some moments with Mac you know even when it came to interviews and stuff where like you know you see the way that the questions will be poised or like these moments and it was like even though those things were open books for him and I could see moments where it would be like good lord the world and how it would be complicated you know talking to him about drug addiction and I'll be like this good lord you know it's like he hasn't even gotten a 30 yet yeah you know and I hated to see it but at the same time it's like he poured his soul out while he was here and that's that's a complicated thing for anybody you know you you know a lot of the time of like learning to be honest about how you feel and the reality realizing like somebody said to me at one point the truth is nuanced because what the truth is to you is it is not the same truth as somebody else yeah and um navigating those things will always be complicated i think but um and everything from get you in trouble to you know but at the same time i think even my mom will probably say where it's like i would rather you tell me the truth you know and uh but it took a lot probably to ask too yeah see what i'm saying it's like it's a double-edged sword it's like it takes somebody a lot to ask so consider that with said truth when it comes to this stuff yeah yeah and i think that like again with mediums that we use like comedy and music your truth is nuanced yeah it is and And the other thing I think is, you know, sometimes when you're creating something, I always feel if you feel slightly uncomfortable about sharing it, you're probably in a good place.
46:37Romesh Ranganathan:Oh, yeah. Or if you can laugh. Yeah. Oh, yeah. Okay. Here's the next one. You're two for two. Congratulations. There is no prize, I should say. Well. Oh, there you go. I got my ramen hat. Yeah. My mom wouldn't buy me the toys because she thought I'd fucking destroy them. not destroy
47:00worship them
47:02Romesh Ranganathan:you've nailed this you have nailed this yeah so we took a quote that you said and we adapted it so the real quote is my mom wouldn't buy me the toys because she thought I'd fucking worship them yeah and I grew up in church and you know idol worship is not acceptable no and at the same time you know you know in a very interesting and truthful way that's understandable you know based on history and but that's not the again like uh that was like it's hard to see the line with i guess like a kid of a very obsessive nature you know um you know that stops breathing for a second you know like it doesn't really scream at pain or like you know yes terrifying fun shots bring up many moments my mom would have like i think she always reminds me of this story of like where uh we lived in detroit for a small period of time and it snows in detroit and uh you know i guess i would just kind of wander off and you wouldn't have to go catch me from walking in the street but there's one instance my mom always reminds me of that i'm clearly like not old enough to remember where I'm sitting out on the porch in my underwear while it's snowing and they couldn't find me for a minute but I'm just sitting on the porch and I was playing with a truck and when they came when they found me I was just still sitting but the truck is moving way slower they're like panicked like oh my god he's about to die freezing but I didn't make any noise I didn't I just sat there and was like that's handy this is fine for a parent um uh probably concerned about my hyper fixations you are you're you are obviously are thundercut how big a thundercuts fan were slash are you i mean they're seeing the original cartoon yeah there's knowing that the two reboots of it and then you know what do you think of the reboots i'm gonna say this across the board about cats in space that's uh that's not i don't think these kids are interested in cats in space.
49:07They're more interested in, you know, WAP and like, you know,
49:15Romesh Ranganathan:BBLs and depression. But you were a Thundercuts fan. Absolutely. Who's your favorite Thundercut? Favorite? Yeah. See, like, everybody always goes Panthro because he's black. I'm just like, dad off the Cosby show. My favorite... My favorite my favorite Thundercat was Jaga because he was already dead on arrival yeah he couldn't disappoint he was a ghost yeah he's like I could help you but only so much yeah and it was like he was cool I like the color it was like this weird translucent blue you know with still with said you know it was like glowing but like you know and then learning of like he was Lionel's dad's best friend later it was just kind of like crazy work so uncle Uncle Jagger.
50:05Yeah.
50:06Romesh Ranganathan:Ben, who's your favorite? Chitara. Chitara. Yeah, she wasn't. Yeah. No, Chitara was pretty cool. Did you ever see the episode where she fell in love with a pharaoh that would jump through mirrors kind of gaslighting her basically and just left her alone at one point? No. I haven't seen it since I was like, what, six? But there's the part where the realization basically that the Thundercats was just like an orange cat, Lionel, basically getting his head trapped in a bag. He's always getting caught. And then pointing a red laser at the wall, the sky. And all the cats come chasing the laser. And I think I just, I think I wanted to run in traffic after somebody said that.
50:45I was like, that is the dumbest. And also, think about it. And I was like, thunder, thunder, thundercats, ho. And then there's like this big red light comes out. Yeah. And then everybody, all the cats get. They all gravitate towards. They all get really quick. Who's mom, rather? Carpusculant. And then they just like chase the laser. Who's Mumra? No, but I mean in that... Who's Mumra in the bigger scheme of things? Yeah. Of that?
51:08Romesh Ranganathan:Yeah. I don't know, maybe a car? Who represents the car? Yeah, I guess so. I guess so. The street? Okay, here's your next one. You are three for three. Ha ha! Sorry, I just... No, it's good. Got lost. Everyone tells me stop calling your cat sexy, but I'm like, she's a sexy cat. did you or did you not say that yes yes yes i did say that the reality is tron is very sexy okay you are four for four we've got one more my base is my soul did you say that or did you not no i couldn't have said that that feels like that that sounds like a it sounds like a like the album cover would be me on the beach with my base looking off into the sunset.
51:56I don't think...
51:56Romesh Ranganathan:Did I say that? No. Thank you. Good Lord. You said, my base is my crutch, but the best crutch I could have. No, I didn't. You did. 2013. I said that? 2013? Yeah. What the hell was I thinking? What was I thinking? What is that supposed to mean? Like my base is a penis? No. I think it was crutch. Crutch. Crutch. Crutch! Good lord, I mistake crutch for crutch. I was like, crutch? That's two very different quotes. Like bass being a crutch versus a crotch? Yeah. Yeah, no, bass is more than a crutch, it's more, again, it's been a tool. You know? It's never, it's like, it's like I said, it's always been all encompassing for me.
52:52I write from my bass, you know, hiding behind my bass always, you know, it's like the role, like we were talking about earlier with the role of a bass versus like, you know, the role of a bass player always being somewhere between, you know, hey, that's not a bass to like, you know, real bass players play four strings or like, you know, going, you're playing too many notes. So you just go like, it's relative to the success of what that is for you. And then at the same time, those are all points of learning and things that you shouldn't be. You should be knowledgeable and concerned about and all these things about what you're doing and, you know, and all these things like this.
53:29But good Lord, how did I mix up crutch and crutch? I mean, they're very close together.
53:34Romesh Ranganathan:Yeah, they're very close together. And also there's an accent issue. You know, I mean, there's a language barrier, isn't there? Right. Listen, thank you so much for joining us on the podcast, man. It's been genuinely such an honour to chat to you. Thank you for having me. You're an incredible artist. You've been great in this chat. You know, I had high expectations you've surpassed them, so thank you so much. Oh, man. Thank you for having me. Guys, please give it up for Thundercats. Thank you so much for watching this episode of the Romesh Ranganathan Show. I've been told that some of you are watching this, enjoying it, wallowing in it, but you still haven't subscribed.
54:10Romesh Ranganathan:That's mad behaviour. You're going to miss episodes. Very silly. So follow and subscribe to the Romesh Ranganathan Show on YouTube, Spotify, Apple, or wherever you get your podcasts. We drop new episodes every Monday and Thursday. On Monday, I'm here with amazing guests talking about their career, what they're up to, having a laugh with them. And then on Thursdays, I'm joined by my mum, widely regarded as the audience's favourite Ranganathan. And we answer your questions, your stories, and your family dilemmas. So I'll see you on Thursday when I'm back here with my mum, Shandy. Send your questions and stories to podcast at rangaby.com.
54:42Romesh Ranganathan:voice note or text on 07731 623 355. We genuinely love hearing from you and there's a good chance you'll hear yourself on the show. See you next time. Oh, shut up, Romesh.
From the publisher
Can you force creativity or does it only come when it’s ready?
Double Grammy Award winning artist Thundercat joins Romesh Ranganathan for a wide-ranging conversation about music, art, style and finding your own sound.
From Thundercat’s journey in music, growing up around musicians, to becoming a solo artist and finding his niche, they discuss how his sound developed and how working with Flying Lotus changed everything. He also touches on creating during trauma and why he believes creativity cannot be rushed. And they discuss the potential of a new album...
Plus, a question from Shanthi on confidence and dealing with bullying growing up, touring and new music, a game of Misquoted and obviously, a lot of love for the bass.
A Ranga Bee Production in partnership with Platform.
00:00 Intro
03:23 Romesh gasses up Thundercat
03:57 Gift giving
06:49 Upcoming European Tour
08:15 The difference between American crowds
10:20 Was he always going to be a musician?
11:59 When art starts paying off
14:00 How did he become a solo artist?
16:30 How to define Thundercats genre
22:19 A question from Shanthi on confidence
25:28 On getting bullied
29:09 Thundercats style
35:00 New music and possible albums
38:30 On trauma effecting creativity
40:13 Misquoted
43:50 On Mac Miller
45:56 Misquoted continued
48:03 Is Thundercat a Thundercat fan?
50:56 The importance of bass
52:55 Outro
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