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Podcast Summary: The School of Greatness - Episode with Adam Carolla
Episode Title Adam Carolla's Guide to Overcoming Adversity and Finding Your Voice
Episode Description In this episode, Lewis Howes converses with Adam Carolla, a renowned comedian, podcast host, actor, and author. The discussion focuses on overcoming adversity, embracing criticism, and the importance of authenticity in comedy and podcasting. Carolla shares insights on navigating the challenges of cancel culture and self-censorship while maintaining a genuine connection with audiences.
Key Themes and Discussions
- Embracing Criticism
- Authentic Expression: Carolla emphasizes the need for comedians and podcasters to prioritize authentic expression over the fear of backlash or criticism.
- Handling Backlash: He discusses how comedians must balance controversial subjects with a comedic tone without succumbing to self-censorship.
- Cancel Culture
- Impact on Content Creation: Carolla reflects on how cancel culture has influenced creators to second-guess their content, leading to self-imposed limitations on expression.
- Candid Thoughts on Consequences: He asserts that creators should not fear the consequences of their words but instead focus on delivering genuine content that resonates with their audience.
- Maintaining Authenticity
- Staying True to Oneself: Carolla advocates for the importance of maintaining authenticity in one’s comedic style, resisting external pressures to conform.
- Building a Loyal Audience: Engaging authentically with audiences can cultivate a loyal fan base that appreciates genuine discussions.
- Audience Engagement
- Resonating with Listeners: Addressing controversial topics can foster a connection with audiences who appreciate honesty and transparency.
Key Takeaways
- Importance of Authenticity: Authenticity is crucial for comedians and podcasters to build trust with their audiences.
- Navigating Criticism: Embracing criticism rather than fearing it can lead to richer content and more genuine connections.
- Resisting Self-Censorship: Creators should reflect on how external pressures may influence their content choices and strive to express their true selves.
Adam Carolla's Journey
- Career Beginnings: Carolla shares his journey from a carpenter to a successful comedian and podcaster, highlighting the importance of persistence and self-belief.
- Influence of Jimmy Kimmel: Discusses his relationship with Jimmy Kimmel and how Kimmel's mentorship was pivotal in Carolla's career advancement.
Lessons from Working with Jimmy Kimmel
- Generosity Pays Off: Helping others can lead to unexpected returns and opportunities.
- Work Ethic: Success in show business requires both talent and a strong work ethic.
- Value of Relationships: Building genuine relationships is essential in navigating the industry and achieving success.
Final Thoughts Three Truths to Leave Behind
- Self-Inflicted Consequences: Most negative experiences in life are self-inflicted; it's essential to take responsibility for one's actions.
- Be Generous: Generosity fosters relationships and can lead to future rewards.
- Personal Impact: Consider what emotional response your presence or actions elicit from others.
Definition of Greatness
- Living Up to Potential: Carolla defines greatness as realizing one’s potential, whether in career or personal life, emphasizing the importance of striving for self-fulfillment.
Conclusion The episode encapsulates Carolla's candid take on comedy, adversity, and the importance of authenticity in a landscape fraught with challenges. His journey from carpenter to a successful comedian and podcaster serves as an inspiring narrative of resilience and self-discovery. Listeners are encouraged to embrace their true selves, engage openly with their audiences, and pursue their passions without fear.
For more insights and to follow Adam Carolla's journey, visit [www.AdamCarolla.com](http://www.adamcarolla.com).
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*For more episodes of The School of Greatness, visit [Lewis Howes' website](http://lewishowes.com).*
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:01Calling all conscious achievers who are seeking more community and connection, I've got an invitation for you. Join me at this year's Summit of Greatness this September 7th through 9th in my hometown of Columbus, Ohio to unleash your true greatness. This is the one time a year that I gather the greatness community together in person for a powerful transformative weekend. People come from all over the world and you can expect to hear from inspiring speakers like Inky Johnson, Jospree Singh, Vanessa Van Edwards, Jen Sincero and many more. You'll also be able to dance your heart out to live music, get your body moving with group workouts, and connect with others at our evening socials.
0:44So if you're ready to learn, heal, and grow alongside other incredible individuals in the greatness community, then you can learn more at lewishouse.com slash summit 2023. Make sure to grab your ticket, invite your friends, and I'll see you there. I didn't become a comedian to vet all my jokes with folks that may be pearl clutchers or easily offended or disagree with the jokes that I'm making. It's kind of the opposite of being a comedian. Welcome to the School of Greatness. My name is Lewis Howes, a former pro athlete turned lifestyle entrepreneur. And each week we bring you an inspiring person or message to help you discover how to unlock your inner greatness.
1:32Thanks for spending some time with me today. Now let the class begin.
1:41Welcome back, everyone, to the School of Greatness. Very excited about our guest. We have the inspiring Adam Carolla in the house. Good to see you, sir. Good to see you. Thank you for being here. you have, uh, we were just talking about how you've been in LA for a long time and you've been leading the comedy. You've been tapped into TV and film. You've been, you know, one of the first in podcasting. You've been in this space for a while. You've seen a lot, you've said a lot, you've done a lot. And you know, I feel like everyone in this kind of community, or you've tapped in or interviewed them or connected in some way to a lot of people.
2:16So congrats on everything that you've created for yourself and the impact you've made. Oh, thanks. Of course. Yeah. I wanted to ask you a question because I watched a video that you did. I think it was on PragerU. That was many months ago about really like criticism where the communities or audiences and be, and, and having to be careful about what we say, you know, as comedians, I feel comedians have had to learn how to mute themselves or really think differently about what they're going to say. I think in all types of media forms, podcasting and things like that, social media, we've had to learn how to do things differently.
2:56I wanted to hear your thoughts on that, kind of just broad thoughts on where we are now after the last really five, six, seven years of more of cancel culture or just critics really speaking out against people's comedy, podcasting, words, media. I'm curious where you're at today on that. I've always been pretty consistent in that. I wanted to say what I wanted to say. I was a carpenter for a lot of years and I've always kind of said, look, if I have to stop saying what I'm thinking or what I think is funny or what I think is relevant or important or just saying what I want to say, then I should get back into carpentry, which doesn't pay nearly as well.
3:45So I probably wouldn't, but I'm just saying I didn't become a comedian to vet all my jokes with folks that may be pearl clutchers or easily offended or disagree with the jokes that I'm making, it's kind of the opposite of being a comedian. And I believe the second you start second guessing yourself, especially on stage or into a microphone or even doing what we're doing now, when you start second guessing yourself, it's sort of like you'll get the yips, which is of sports term for a second baseman who's bouncing the ball to the first baseman. It's not a physical problem. It's the yips. It's a mental problem that once the second baseman who's been fielding balls since he was six, right, if he's playing in the major leagues, I mean, maybe five.
4:48I'm sure his dad was out in the yard with him when he was four, just fielding balls. and all of a sudden eight years into being a professional baseball player bounces one to the first baseman and it's a 14-foot throw now he's got the yips and he's and if he gets that ball and he does that and he thinks about it this one's going in the dirt too and I just never you know i never wanted that so i would never have that no i and so i've always had this sort of philosophy which is i am not an asshole so i can act like an asshole really what does that mean can you give me some context don king don king was convicted for stomping a man to death but he's got the little flag and only the America and the hair cuff.
5:45So he has to push that forward. I'm not that overtly nice or enthusiastic and I rarely dance, but I've never done any harm to anybody. I'm sort of quietly,
6:03maybe marginally generous quietly and just sort of take care of people around me, but I may act like a... Right. But I'm not... You're not a... So much you might be a... Is what you say. I'm not interested in protecting some inner thing that I'm scared is going to get out. Like an image of you or something. Yeah. I realize people... Most people think I'm a... But I'm not, so I can say whatever I want. That's interesting. Have you ever felt, um, worried or insecure or that you should be on guard when you were either on stage performing comedy or doing a show or a podcast where you're like, maybe I should be careful of what I'm saying.
6:45Cause I'm getting criticized or was the criticism something that you would lean into because you would play with that? I, I, I, you know, I don't know how to fully. convey this, but I think, I think COVID was probably a chapter that everyone went through and I went through it and judging from my reaction to COVID, I would say I'd probably lean into, um, the criticism or the, whatever, whatever it is. I, I put out a tweet. god it's been almost three years now and and i basically put a tweet out and said covid kills old people and sick people and the rest you got played and who's getting played next and then everyone ran up to me and said you gotta take that tweet down because everyone's pissed off and i said well i'll take it down if it's untrue but i'm not gonna take it down just because, you know, people are hissed off, and I never took it down.
7:53And I had, you know, a couple notable Hollywood types who call me sort of as a friend and just go, hey, man, you take it down, like, because you're not doing yourself any favors. And I was like, no, really. So do you appreciate them reaching out to you and saying, hey, like... I do. Yeah, I see what you're doing, and it's cool but also uh you know you have more sensitivity or something yeah no i get what they're what they're doing but you just get it you just didn't you know it's it's either true or it's not true right and i guess that's the dance of like comedians which is like kind of speaking some truth or truce into something but it could be a sensitive topic for people well also there's this thing where it's like oh come on come on man and i'm like my kids miss two years of school, Ked, for this thing that doesn't hurt them.
8:52So what do you mean, oh, come on? What about them? Right. What about everyone who's behind now? What about people who have languished at home and put on 30 pounds or committed suicide, depression? Oh, come on? Why is it always this one-way street where it's like, oh, I hurt someone's feelings. All right, Mike. I was talking to my son the other day. It's like he's entering his senior year. I'm like, how much school do you miss? He's like, I miss entire ninth grade. Wow. And like part of the 10th grade. I'm like, you miss the entire, you have no ninth grade. You did not go to school for the ninth grade.
9:26If you were a football player and that was your senior year. I mean, when I played football my senior year, I was like. It was everything. Vision quest. It was like, oh, I'm going to be all valid. I'm going to hit the weight room. If you just canceled that season, I would have killed myself. Like, honestly. So don't give me, oh, come on, man. What about everyone else? You're f***ing up. And so that was like my approach to this. And in many other subjects that probably make me unpopular. Right. So when you get these friends that reach out, that are maybe not trying to judge you or put you down, but are trying to add your best interest and say, hey, you know, I want what's best for you and I don't want you to get harmed or your career or you need to cancel or whatever it is.
10:15You'll appreciate that. It sounds like you're grateful for their concern. Everything for me is motivation. Right. So if you're reaching out and your motivation is, is all I like Adam and I care about him and I'm trying to offer some advice because I like him, then I appreciate it. Yeah. If you woke up at five in the morning and came to my house and got my car keys and were taking my car out to get it professionally detailed for my birthday and you totaled it on the way home, I wouldn't be mad at you at all. You were trying to get my car detailed. Right. On the other hand, if you're just going to be lazy or whatever, then I don't have time for you.
11:02But everything is motivation for me. Right. How old were you when you started getting into comedy? I was like, well, I mean, the story is I had a 30th, the story, since we have time. Did you teach Jimmy Kimmel how to box or something? Yeah. Yeah. So, so I was like 21, 22. And I was like my, my life, I, I was sort of looking at the trajectory of my life and, and I didn't see anything good, you know, down the road. I was like working as a carpenter, probably kind of apprentice. There wasn't a, you know, it takes probably a decade to really be a, a carpenter. like i know that's three quarter inch birch or half inch birch for wood here yeah i have no idea what it is yeah if you get it for 10 years you'd really know yeah yeah you take it takes uh it takes a little while but i was probably about i was probably about three years in so i you know knew it was like 10 bucks an hour and you know i was just kind of sitting around in my apartment one bedroom north hollywood laurel canyon you know full two roommates no air conditioning you know sleeping on sharing a futon in the valley no ac that's bold no that's a risk no ac man upstairs oh no i couldn't facing the west oh no that heat is it was an oven it was a god oven and i was just sitting in there you know sweating through my shirt and i and i was like well there's gotta be something better than this like where's this going and i was like all right where's the carpentry going like you're like i i'm good with my hands i i i picked it up i could do it and a little bit of a knack for it you know and i was like all right so where are we going here Like by the time you're 30, what are we talking about here?
13:1021, 22. I go, well, maybe I'm making 18 bucks an hour. Everything was right by the hour. Incrementally, you know, you had to get from 10 bucks to 12 bucks to 15 bucks to 18 bucks. And it was, everything's just like, can we add a buck an hour every year and a half or something like that? And, and so I was like sitting around and I was like, and yeah, I was so broke that, you know, the notion of 25 bucks an hour like one day that sounded pretty healthy to me but i still like it rains you don't work you don't get paid you know you leave your truck outside they rip off your tools you gotta you live in an apartment you gotta bring the truck you gotta bring the tools in the living room and it's just like it starts early everyone's at a toll it's like half the guy in california i mean in la half the guys don't speak english so it's like you can't sit around and chew the fat, tell jokes, you know, at lunch.
14:08It was like, okay. I'm like, yeah. So, and the guys who do speak English don't have any sense of humor either. So I'm like, eh, what's this? And so I'm like, well, I don't have any money. My family doesn't have any money. I don't really have a lot of choice. I got to go to work every day as a carpenter. but what else might I be doing in the future that that is interesting or there's some air conditioning involved with it you know something you think live in an apartment this summer I'm working in Chatsworth in a in a warehouse with no air or or up on the roof kind of thing like I mean whenever the whenever the weather is you're there so I'm like well this sucks and then I'm like well what else could I do?
14:59But, you know, doctor, lawyer, white collar, I could fill out an application. I don't have any real education. I don't have any credentials. Like, where am I going to work? I can't even know how to make a tie. I don't have a suit. Like, where would I work? I'm this sort of knock around blue collary dude from North Hollywood. So I'm like, well, you have a sense of humor and like, all right, you can do, you're funny. You could do something, uh, with something with comedy, some behind the scenes writer room. I, you know, writing for greeting cards, like funny greeting cards, you know, anything just to get some air conditioning and kind of get off the job site, you know?
15:48so I was like all right well you're you're 22 you got eight years so you got eight years to figure it out wow to like try the comedy thing to figure out your lane your avenue or and and to to and to get some skill like all right so you're funny I mean you know being funny it's like saying I'm handy yeah you're handy but you don't know the nailing schedule on a sheer wall you don't know what a Tico clip is or like an A35 or you don't know a dim trim stud, a trimmer header, parallel you don't know you can be as handy as you want because you don't know you don't intrinsically know that stuff you gotta go learn it and I was like you can be as funny as you would but if you don't know downstage, stage left you know if you're not composed on stage or you don't know how to put together a set together you know to do anything then then don't kid yourself pardon the pun so i was like i gotta go get some training i guess so i started signed up for groundlings classes and found my way and you know and groundlings was like you're funny but you don't know what you're doing and so you can't act or so you got to go take an acting class like they're like we'll let you out of basic we'll put you in intermediate but first you got to come home you got to come back and prove that you passed a theater class like an acting class and i was like where do i go what do you want me to do now the only rub was i didn't have any money so it's like the you know like growlings in a happy class i didn't have insurance on my pickup truck you know I didn't have dental, medical.
17:37I was barely paying rent. So I was like taking whatever beer money I had and just been like. So acting class was a luxury. Oh, yeah. Everything was sort of a luxury. And I literally didn't have car insurance but was paying the groundlings to like take classes or the drama, whatever place and studio. Sure, sure. Everything. And yeah, I couldn't act. I didn't know what the hell was going on. I, I, I'd never been on stage and nervous. I didn't know where to look. Yeah. You know what I mean? Like, uh, you weren't a theater arts kid. You didn't go to like high school and, and, and take these classes there.
18:15No, all I did was play sports in high school and like wrestle with dudes. You know, just played sports and I would say wrestle, but somewhere between wrestling and a full fist fight. Like it wasn't just wrestling. It was sort of the ante was up, but, uh, that's all I did. And then I, I, then I went on a construction site. So I was dealing with people that went to theater school and college and majored in, in this and that. They had five years of reps already. Yeah. And I, I also didn't know anything. I was uneducated, you know? So I didn't, you know, you'd be going to give us an activity. And they'd be like, you're, you're making a topiary.
19:01and they'd go oh okay here we go and i'd be like what is that yeah what's a topiary yeah like i remember not knowing any of these things uh well they take shrubs and shape them into you've ever been to disneyland yes you like walk in and there's a ficus tree that looks like donald duck okay yes it's a topiary gotcha okay right so how how was there ever a moment in those first few years of taking the you know stand-up classes the acting classes where you're like oh this is too hard to learn these skills and everyone is way more advanced than me and i'm clueless half the time or part of the time and i don't have the money to afford this stuff was there ever a point where you're like i just need to stick to doing the carpentry stuff um nay i've i had some ebbs and some flows and some highs and some lows like when i got asked to leave the brownlings at a certain point at the end, I was like rudderless and fully depressed and like didn't know what to do.
20:03But, um, well, I was like, look, um, I don't think carpentry is, is a viable option in that I wanted, I was like, I want to own a home one day and I might like to have kids one day and a wife and, and I'm going to have to like support those kids and pay a mortgage and maybe support my wife and have insurance and a credit card, or maybe we want to go on a vacation or something. I don't have a credit card. I don't have anything. And I just can't see carpentry doing that carpentry, giving me that house and all that stuff. When was this, early 90s though? Yeah, I mean, this is, the decision is probably made in like later 80s, but now into the early 90s, nothing's happening.
21:02But I'm assuming if you're saying to yourself, I don't see this carpentry thing being able to support my vision, and you're saying I'm going after comedy, I don't think parents or anyone else should say that's the right path to go down. If you want to buy a home, if you want to, you know. Yeah, yeah. It seems lower per se. It's like, take the safer, more surefire thing as opposed to try this comedy thing for 10 years. Maybe you make some money, you know, and figure it out. Yeah. Yeah, it's a lower percentage route. It didn't seem like this is the surefire way, yeah. Well, I didn't have to vet it with anybody because my parents were like, look, you're 18, you gotta leave.
21:44And that was sort of the last career-based conversation I had with them. So I did not, you know, there wasn't, they wouldn't have cared. It didn't really matter. Right, right, right. They just, whatever I was or whatever I did, It didn't matter. Just as long as I didn't ask them for money, we were five. In the late 80s, early 90s, who were the big people in comedy, whether it was stand-up or TV, film, or late-night shows, who were like the icons at that time that you looked at? It was like Andrew Dice Clay was blowing up. Seinfeld's always kind of a stalwart, you know, always there. Guys like Richard Lewis were making the rounds.
22:27I mean, a lot of names you probably wouldn't recognize because they had some heat then and sort of died off now. Literally or figuratively. I mean, there's just so many names that cycled through. And a lot of them had shots on The Tonight Show and had their own game shows and stuff like that. You just haven't heard of them. Haven't heard of them. Who are the people you looked up to? or you were like, wow, that's really inspiring what they've done in their career that you actually became friends with or worked with or have. I was always, I always listened to the radio and I always loved the radio.
23:06And I, I listened to talk radio when I was younger and it didn't matter who was on. I would listen to a psychologist named David Viscott. I would listen to like Dean Adele, the doctor, I would listen. I'd tell Dennis Prager still on the radio, I'd go, I would listen to Religion on the Line, your first talk show, and I'm an atheist. And I would just listen because I'd say like, we got a rabbi, we got a priest, and we're going to argue about religion. I'd go, good, let's hear it. And I'm not religious at all. I just always enjoyed hearing what Dr. Ruth had a show on out here. I would just, you know, the real estate guy or the financial guy i would just listen to talk radio always like talk i would just listen to it like i don't like when you're leaving and you think your dog's gonna get lonely so you put the radio on so you think somebody probably freaked out because he thinks someone's trapped in a speaker i mean we don't really think of the cut the downstream consequences of keeping our dogs company but I just like voices you know and I would listen to morning radio because I drove my truck every morning my construction hours are like morning radio hours morning radio 6 a.m to 10 a.m that's the shift and then like they start playing music after that a lot of station FM But I'd be getting into my truck at 6.15, 6.20, 6 o 'clock, you know, because I had a job.
24:44And I'm working to build a house in an avocado orchard in Simi Valley, you know. You got to be rolled out at 7 a.m. You got to leave at 6 or house up in the hills of Malibu on Ramla Pacifico, you know. Got to leave at 6 or downtown doing earthquake rehab, you know, sitting in traffic. Right. So I get in the car, turn on morning radio. I go right through. I get to the job sites, turn on the boom box or go to the warehouse. It's cabinet shop is working at Chatsworth in an industrial park and just walk in, you know, turn it on, finish listening, listen all the time. And I was like, I could do that.
25:26I could definitely do that. I'm never going to do it. I'm not going to get a chance to do it. But I can do it. And so for me, you know, it wasn't so much like comedy is low percentage and carpentry is a much higher percentage gig. And so, you know, you were inquiring about me going, I want to get a house and have a family. So I'm going to do comedy. Comedy is going to get me there. Yeah. It sounds low percentage. And I'm going to sound like a huge, but playing in the NFL is super low percentage. But it's not for Lawrence Taylor. For him, it's a pretty good bet. He shouldn't work at a Home Depot.
26:16He should be coming off the weak side, you know? Right. And I felt like I had enough ability where it was like, yeah, it's one in every 2 ,000 kids who played college football gets to the pros. And you go, that's low percent. It's not low percentage for Lawrence Taylor. He's setting his own percentage. You know what I mean? He's in charge. And that's how I looked at it. Like, I'm in charge. Right. Yeah, if you take 500 guys who want to be a comedian and they go, only one of you is going to succeed, then no, I'm not doing that. But if you let me produce or create or let me come off the weak side, then I can make the team.
27:00That's interesting. Or at least I could make the team. I don't know that there's any guarantees. That's interesting because I feel like in every high school or every college, there's always like a couple of funny guys, right? It's like, okay, this is our funny guy who tells all the jokes. If we want someone to lighten the mood, there's always a couple of people that you could rely on. So there's thousands every year that come out of high school or thousands every year that come out of college who are like the funny person from their school around the country, right? But was there something inside of you that said, I have a belief in myself, even though I haven't really had these experiences, I'm getting kicked out of the standup club.
27:40I'm you know I don't know what they're talking about with these theater concepts and lingo did you still just have this belief that like well I can figure out my own weak side I can figure out my own lane in this comedy world to make money or how did you believe in yourself enough to pursue it until you started to make money I got kicked out of the growlings just for growlings just for accuracy um and what what is the growlings it's a it's an improv improv is what I meant that's That's where all the SNL cast comes. I said stand-up, I meant improv. I know you did. Yeah. Groundless is improv. Got it.
28:16For your viewers at home. Sure, sure.
28:21I was... I've never been... I never really involve my own feelings in my assessment of myself. So I'm never right because it's me or I'm never wrong because it's me. It's I'm very compartmentalized and detached. So I have no ego and I grew up with not low self-esteem. I grew up with no self-esteem, which is not bad. I just didn't have any thoughts about myself that were inaccurate. I just didn't get fluffed up by my family at all. I didn't think I was anything. So the good news about not having a bunch of free existing notions or feelings about yourself is I could judge myself pretty practically, you know, and, and I would say to people, you know, later on and all the time, but I don't know why it makes you, but I was like, I was a good carpenter and I was funny.
29:24Like I knew I was funny. Like I knew I was a good carpenter. So I don't know, you can say, well, that's egotistic or you're fully or or whatever it is and i was like no i listened to the morning radio shows when i drove my truck and i got to the shop and everything and i would listen to everybody and i was like i'm faster than these guys are and i'm funnier than these guys are interesting i i could i could fill in the joke faster than they could just drive my truck you would respond by yourself to what they were saying yeah like what would you say well you're interviewing this person or that person you know you know bang bang bang and that's cool it's like playing the game in my head and so i was like um clubber lang you know just training alone all right that's cool it's like yeah it's like you're i think of that as like the people that watch jeopardy and they're just responding before everyone else right at home you're watching at home and you're like you know every answer before the person does right now the difference is is with jeopardy and with the head of so what happens when the spotlight hits you, you will slow down a little bit in your answers.
30:31The second guess. I've been there. So I can tell you. Have you done Jeopardy? I've done other stuff like that. Stuff like that. And you're like, oh, crap, you knew. You can't summon. Because you've got 10 seconds. And you're like.
30:46So I was like, I have the ability to do this. And I've always been realistic with myself. I wanted to play football when I was younger. I played it as much as I could play it. I was a standout in high school. And then that was, it was pretty much it. And I was like, because you do not have the ability to do this at a higher level. You don't have that ability. You're not Lawrence Taylor. But if I knew how to do something or I felt like I have the ability, then I'm not going to deny it. That's the way I felt. And so I just kept, you know, sort of plugging away, but I didn't really find a home. I knew I needed to find a specific sport to play other than just being athletic.
31:45I needed the sport, the stand-up, radio, acting. The sport of comedy. Yeah, the sport of comedy or the avenue, the lane. Yeah, like saying I'm funny is like saying I'm athletic. I mean, well, look, you may play baseball, but that doesn't mean you bowl or ski well. You play football, it doesn't mean you're a fast swimmer or something. You know what I mean? Like, you got to pick your lane, you know? And I never knew what lane. So you tried a bunch of different stuff. I picked all lanes. How many years did it take until you felt like, oh, I'm actually making decent money and I figured out my lane or lanes that worked for me?
32:26How many years was that? Um, well, it wasn't, it wasn't years. It was months probably. Yeah. I didn't make, well, because I made no money for, you know, eight years or something. I just, I didn't get paid. improv troops, acting classes, growlings, open mics, anything that anybody said sounded cool. You know, like if you just went, hey man, let's just go sit at the diner and write sketches till four in the morning just drinking free coffee refills on a Tuesday night. I'd be like, I'll bring my notebook. What do you think about this? What do you think about that? you know so all i did was just for free but i never made a penny i mean like i you know occasionally be some weird thing where like some guy would get a gig you know like we're gonna get in cowboy outfits and we're going to the gene autry museum and they need us to do a funny little thing you know and i'll pay a hundred dollars you know i don't go like yeah okay let's let's do it You know, but I mean, I, I taught comedy traffic school.
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33:42It was a thing back in the day. Got paid, but I was a traffic, I was a traffic school teacher, but I, but in my mind, I was in front of an audience, even though there were just people that were cited for speeding. Right, right. And it was air conditioned, you know, getting paid. And I wasn't covered with stucco dust, you know, at the end of the day. so uh but no i didn't yeah i didn't i didn't make any money so you're doing stuff you would like to you enjoy that you were finding a talent and good at but you weren't making money until how many years until you're making well then when i was coming up on my 30th birthday was was the problem and that was the timeline for you it was like okay i got 80 years i just i could have started at 21 i could start at 22 i mean i remember the apartment i was in my first apartment so it was pretty early but i was just like look you got until you're 30 because 30 soon and old enough to like okay no more sharing futons and you know right drinking schaefer beer in the park you know ramen noodles yeah ramen noodles and you know generic captain crunch and not even the real captain crunch like that no everything was the half off captain yeah yeah i was like by the time you're 30 you gotta be doing something doing something you know and um so what did you decide to do well i was a little earlier on probably about a year maybe a year and a half earlier i i i like i always like boxing you know and i was like they were opening these gyms or like white collar boxing or whatever like you teach lawyers and doctors that could be that could be fun because I like it.
35:29I was so tired of construction that I just, I couldn't take it anymore. And I was like, I want to be around people and smart people and people have money and people that drive some of the truck and everything. And I kind of made my way into a boxing gym. It's called Bodies in Motion. It used to be right up this down Pico or something, not far is this like late 90s now or no no this is still early this is like 90 wow uh 91 maybe whatever i i went into there and like i talked to the guy and i'm like hey man i you know i could really be a good boxing coach and he's like get out here and he just told me to buzz off you know and and i was like why don't you give me a shot you know and he's like we don't We just hire ex-champions and champions.
36:26Gross, yeah. We hire real people. We've got to have credentials because this guy's a WBA, you know, welterweight. Right. You know, you idiot walked off a construction site. That's it. Those are credentials. It's a bronze medalist in the Olympics. Yeah, yeah. And they fluff them up a little, you know. But so he just went, no, you know. And I remember I was looking at the club, at the fitness place, and I saw speed bag stations with the bag in the... I saw a couple sitting on the floor against the wall, and he was shooing me out of the place. And I was like, hey, those speed bags, you need those hung?
37:13And all of a sudden he was like, yeah. yeah like well I'm a carpenter and he's like oh you are and I'm like yeah and he's like because I got some heavy bags that need to be hung too and I'm like well I know how to do that and he's like oh so let's talk and I said okay you give me 10 bucks an hour just flat out and I mean back then carpenter probably make it 15 16 bucks an hour so I was gonna just give me 10 bucks an hour uh what time does the gym close like 10 at night or whatever i said what time is it open you know six in the morning i was like i'll be here 10 at night six in the morning i'll show up at night i'll hang all this stuff just give me the keys and uh and you let me try teaching boxing mom and the guy's like yeah okay sure sure so So I taught a little bit, and then he wanted to open a place in Old Town, Pasadena.
38:19That was another place, but he needed to, like, renovate or whatever. And he was like, you build that place for$10 an hour, and you can teach there. And I was like, I'll do it. Holy cow. And so I built it, and so I taught there. But I would make$20 a class. And I was only teaching, like, five classes a week or something. but it's like in in my world i was doing something different and i was kind of enjoying myself it's fun fun to leave the class and put your mixtape on and all that stuff and so i was like all right well this feels better than you know being on a construction site but i was still building cabinets and working for myself because i couldn't cut it on 100 bucks a week you know i'd teach my morning boxing and then then go to the job and go build cabinets for somebody or something like that and then i was i was driving over the hill um driving over laurel canyon going up the hill and i was just listening to kevin and bean on k-rock and they were talking about jimmy the sports guy and michael the maintenance man and jimmy said something offensive and i got to do an argument and um they're gonna have a boxing match and they're like we need trainers you know and i was like oh my god oh my god i could i don't think it's like i could see the radio station i could like what is this like this radio station i listen to it every day i don't know where it is what's it what's it like you know and it's like i got to the customer's house and I was like, could I use your phone?
40:00And she was nice. And she's like, yeah. And I was calling the radio station. I'd just get Frank Murphy, the producer, I'd just get his answering machine. I'd be like, I'm a boxing coach and I want to train someone. And here's my home number, leave a message or whatever. And they never called that. And some days were going by and I'd be listening. They're like, we need a boxing coach. And guys were like calling in on air and stuff. And I couldn't get anything going. They wouldn't return calls. They wouldn't do anything. So I just went, I found out where the radio station was. Went before my 7 a.m.
40:42boxing class. Or maybe it was like a 6 a.m. boxing class. I can't remember. It was early, like 6.30, 7. And I went down there. I got into the building. It was like a commercial building. And then just went up to the ninth floor. but the suite was locked where the radio station was. And I knew they were in there somewhere, but they're not the receptionist. And then, you know, business hours, nine to five, you know, like if you win tickets to YouTube, you gotta pick them up, but you can't show up at seven, no one's there. And they're there, but the receptionist isn't there. You know, so I was like, ah, no.
41:21Oh, now I showed up at 5.30 in the morning one day, and I couldn't get into the building. That's what happened. Then I showed up the next day at like 6.30 or 7. I did get into the building, but I couldn't get into K-Rock. And then I was just standing on the ninth floor by the elevators, and I knew that was the K-Rock, like, sweet, but no one was going to answer. And I was just, like, standing by the elevators, like, what do I do? Do I come back? Maybe I'll come back in two hours and someone will be there. But then what if I get into the suite? I like says, the receptionist is going to go get the morning show guys.
42:02I don't think that's what they do. Like they're going to just go leave a number and I'm just going to leave. And right as I'm sort of going over the machinations in my head, I'm like, where could I, how could I work this out? Some guy just comes out of the elevator and he starts like making a a line for the back of k-rock with the key card door like the the staff door and i'm like kind of walking with him and he's going in you know and i go are you going into k-rock and he's like yeah and i don't know to this day i don't know if he's the vending machine repair guy or he's a phone screener like whenever he is he's just going in and i go hey if you're going in there just tell him the boxing there's a boxing coach and he's just i'll just be by the elevators i'll just be hanging here so just tell him someone's here and like you know i think the guy kind of just put his hand up or something like we didn't talk about it he was like doing something you know and just kind of yeah he wasn't door shut you know so i just went and stood by the elevators and i was probably out there about 10 or 15 minutes 20 minutes something like that and then And at some point, some guy just came down to the hall.
43:19This young guy. He's like, you the boxing coach? I'm like, yeah. And he goes, oh, okay. You want to teach me to box? I said, yeah. I said, who are you? You know, what's your name? He's like, my name's Jimmy. Jimmy the sports guy. I said, okay. Well, Jimmy the sports guy is going to fight Michael Aminian's man. I guess I just got Jimmy the sports guy. So I'll train you to box. And I said, when do you want to start? He said, how about today? And I was like, yeah, I'm at Bodies in Motion in Pasadena. Like, Old Town Pasadena, I'll meet you by the parking structure. Like, at noon. He said, all right, I'll see you at noon.
43:57Okay. And then that guy turned out to be Jimmy Kimmel. Wow. And I was pretty lucky that it wasn't Michael the maintenance man who came out. But Jimmy did. So you start, so Jimmy shows up that day and you start boxing. Yeah. And I'm going to be turning 30 in like three weeks. Wow. And I'm like, I've got to figure out something with this guy. So what happened with, how long were you training Jimmy Kimmel for this match? And then what evolved from that opportunity? Probably had about three weeks, probably. A few sessions a week or? well Jimmy was my meal ticket my life preserver like I'm like I gotta hang on this guy with both hands he's a dude he's in radio he's on radio he's on the radio he's making money he's making money now he's making yeah $49 ,000 a year or$44 ,000 he's living in a rented house in Reseda and driving a RX-7 that's beat you know but it's better than you but it's it's better than me and he's in radio and so i'm like i gotta figure out a way to get this guy to think i'm super funny and not just a boxing coach right not just oh i showed up to like teach you and then this is all i do no but i i don't want him to think i'm not a boxing coach because i don't want him to think I'm just trying to springboard this into that.
45:38You know, I'm some guy who just said he was a boxing guy. How many people have come up to you, you know, at a restaurant in LA and said, I'm an actor, I'm a writer, let me show you my script and let me do a set or. Yeah, yeah. There's so many. Nobody wants that. Right. So I, I was pretty much 80 % boxing and 20 % funny for the first few sessions. Right. But then I started to move more toward comedy. And as the boxing diminished, the comedy went up. And then we'd train. He'd train for 45 minutes or, I don't know, an hour or whatever, teach him a few things. And then go, they got this little cafe upstairs.
46:22They got his cold snapples. Just unwind, have a seat, drink a snapple. And he didn't want to train either. So I was like, yeah, let's go grab a sample and cool off. And next thing you know, we're sitting there for two hours. It's comedy hour. It's comedy hour. And I'm talking about ideas. This is a radio show. You're like, our conversation. Yeah. So I had him pretty convinced after about, by the time the fight came around, he said, do you have anything like tape or anything I could see on you? Like, I don't exactly know, like, what your thing is, you know. And I had a tape, VHS tape of a home improvement sort of comedy show that I did on Eagle Rock public access, you know.
47:16It's nothing. It was just a little public access, stupid Saturday thing. But it was tape. It was something. You know, it was something. and I like brought it over to his house and I was like it's just a public access thing you know it's not very professional whatever but you could kind of see what what I'm like you know on camera whatever and and he watched it and because Jimmy's you know has a good eye he he was like yeah I get it like I can see I can see this I can see what you're doing I see what you're doing I mean there's no production and there's no anything but but i get it you know i he i he was discerning enough to kind of go there's bits and pieces here or something and then um he lost the fight and then he's like you weren't that good of a trainer you're better at comedy i was not that good a trainer right well i was actually i was a good trainer that i could teach people how to box but we we weren't getting it done in three weeks yeah i was focusing on comedy and so uh when we were done with the fight on a on a friday he would have a friend you know he he loved me i loved him i mean he found somebody he could talk to and he liked comedy comedy he just liked me i liked him like immediately you know and he was like was he around the same age around 30 he's a couple years younger today yeah and and he was like he's like three and a half years or something he was he was like 27 he was like 26 and i was turning 30 like right about then and i know what his birthday is hey so he had two kids and was married at 26.
49:09before that wow right right but I'm right now. Yeah. And I was like, God, this dude's got kids and I'm living in La Crescenta in a rented house with three dudes, you know, and he's like, has a family and house and put together. Yeah. And like, I think this guy's kind of responsible as going on. It's not like my buddy from high school. And so, um, you know, now the fight's over and this kind of the end of the, of the prom for me, you know and i'm like what could i do to like with the radio like something with the morning show or something something to have like a segment or be a correspondent or do something like i'll drive the van i'll do whatever i want to get in there you know i wanted to get in there and what did he say he said uh he said what do you do and then i said i make things funnier like I shoot the breeze.
50:12I'm back and forth. I'm on my feet. You know, I'm an improv guy. You know, pow, pow, pow. I'd be in there making it funnier, you know? And he just went, that's what, having him do that. What do they need you for? You think you're going to sit, like, in between them and, like, make them funnier? That's their show, and they don't need you for that. So you got to come up with something other than that. And so he said, you got to come up with a character. And if you come up with a character and it works, and then it could be part of a reoccurring thing. And I'm like, I'm not really a character, dude.
50:53I don't really do voices. I'm not that guy. Like, I'm just not a character guy. And he's like, well, it's better start. Figure it out. And I was like, all right. That's your way in. And he said, you can call in on Monday. I won't tell them who you are because they'll think you're the boxing coach. That's not going to work. So I'll just set it up. I'll tell them I got this thing's funny. Guy's going to call in. They're not going to know anything. And just call in Monday. And, you know, they're a little moody. Like, it may not, they may, it's probably, I've been on the other end of this a lot where it's like someone goes, how do you want to have that guy back or was it funny and i'm like yeah didn't no didn't really land it didn't really work and um so i did it uh you know monday morning whatever and um i did a character and and it kind of worked like it was it was like worked enough you know and of course i called jimmy like the second how'd it go what happened yeah and and he was like yeah they thought it was pretty i was pretty good you know it was okay um like could we try it next week i try it again next week okay i think i can get them to whatever next week and so i did it the next week and then the next week and then it it blew up and it just became this super popular bit and and then and then i got loveline and i got signed by i got signed by william morris like immediately and one of the everyone in hollywood kind of listened to k-rock and this bit became so successful and the character got so popular so fast that i literally got signed from willie morris like a couple of months into it and and then i got loveline and then and and so there was no trajectory i was like making zero and i've looked at my statement it's like social security whatever they send you the mail every 10 years i was like making four thousand dollars a year and twelve thousand dollars a year zero a year because i was working under the table whatever and then it's like 36 000 a year was like my first sort of heroic thing and then the next year was like 350 000 and then two years later it's like a million dollars it was like it was like but it was nothing before then and when i started i i started for free you know and i did it for a while months probably and i would i would have a lot of my friends from the neighborhood kind of guys be like what are they paying you what are they paying you and i'd be like they're not paying me anything and they're like why is it paying you you should be paying you and i So eventually we settled on 50 bucks a bit.
53:56And I remember telling my friends, they're paying me, they're giving me 50 bucks a bit. They were like, 50 bucks a bit? Because they got, at that time, they're making 20 bucks an hour as a carbon. They were like, I thought this was show business. We're making less than I make for a day. And I just remember super clearly when they were protesting, 50 bucks. that kind of money's that that's a big station you know i just like this is a dream for me i'm on the radio i'm doing a bit i got william morris yeah i said i should be paying them oh and they didn't really understand what it meant but i got signed by william morris i took over on love line and it was just sort of rocket ship soon as you know two months later after i told him that so So I was like, and I knew instinctively this exposure is so great and people.
54:50And it was as I'd planned, not planned, but I walked in and I was funnier than everyone. And I was like, I knew it. I just needed, the reason it took off is because I was really good, but I just never had an audience or a place or a sport or whatever. A platform, yeah. And then I got in a love line and then they started syndicating and then it was like 100 and whatever markets and then the TV shows, blah, blah, blah. But I was good. Like I was ready to go. And I'd train and I'd train and I'd train and I had no matches. And all of a sudden I met Jimmy. But it wasn't just me and Jimmy. It was just being exposed.
55:34The second I got exposed, it just everything just blew up. Would you say he's one of your closest friends and colleagues over all the years? Oh, yeah, for sure. What would you say are the three lessons you've learned the most from him, from working with Jimmy and being friends with him and watching his career? And the, the number one lesson I've learned for him from him is when you make yourself of, of service for other people, you end up getting paid back sort of tenfold. And it's, and I don't mean cosmically, I just mean, you know, Jimmy stuck his neck out for me. He helped me. He would show up at four in the morning with the radio station and help edit a bit I was doing or something like that.
56:28He was very magnanimous, very magnanimous. But at some point, I took over for Howard Stern. I signed a big radio deal. Jimmy was a producer and Jimmy was making hundreds of thousands of dollars, you know, mailbox money. and it's like, oh yeah, you did get, you did make some money. I mean, we're still not even. I owe him a lot more money, but he invested this time and it wasn't, he did it because he believed in me or who, whatever he believes it, you know, he didn't do it for the money, but he put the time in and there was a payday after after that and and and it's about relationships and and the people i know who give the least have the least the people i know that are the most tight-fisted with not so much money but their time and teaching and mentorship and access and resources i think Think about the people, mostly family members of mine, who've done nothing for anybody else and have nothing.
57:45And then there's Jimmy who does everything for everyone else and has everything. Wow. And I realized, well, how's this work? Because it's not like, oh, I lend everyone$100 or I give everyone$100 so I'm rich. How does it work? And it's like, oh, it's all relationships. It's all relationships. Wow. So that's a big lesson you've learned from him. What's, what's another lesson that you've witnessed or he's taught you directly or indirectly, would you say? Um, I've learned a lot about pizza. Yes. He really, the first gift I ever got, it was a pizza stone for his oven. Okay. And he started building elaborate pizza ovens.
58:27So a lot of it's sort of pizza related. Okay. Um, I've learned that show business and in comedy is sort of part your God given sense of humor and ability, but it's mostly about whatever qualities you would need to succeed in the roofing or siding business or whatever. It's just Jimmy, Jimmy is not the most naturally gifted comedic mind I've ever met, which sounds like I'm, you know, downplaying it. I'm not. He says, Jimmy's a funny dude, but, but there's a lot of funny guys. He brings the work ethic to the comedy. Really? A lot of comedians like to, you know, rip on loads and, you know, go to brunch and sort of hang out.
59:28Like, like a lot of comedians were attracted to comedy because they didn't want to work. And they just were like, and there are a lot of those comedians, like they're hanging out during the day. Jimmy's at work. Like Jimmy was always at work. He was at the, you know, radio station at five in the morning. You know, when we're doing the man show he's bringing home a stack of writers submissions and reading every one of them and everything it's like what you can do with ability when that ability meets strong work ethic you can conquer the world um each one alone is not really going to cut it in show business or comedy, right?
1:00:18You've probably seen a ton of comedians at stand-up over the years who were probably really funny. Like, you're like, wow, that was creative. That was, you know, a genius thing. Or you really had the timing down or whatever. You were working the crowd and they were in it in the pocket, but they didn't have the work ethic to actually follow through and produce something or build the right relationships to make things happen. and you've probably seen a lot of funny people, right? Talented, funny people that didn't make it. Yeah, for sure. I mean, that's, you need, I mean, you know, it helps to be semi-sober and not, you know, go off the rails with, you know, cocaine or whatever.
1:01:00I mean, there's sort of mitigating factors and circumstances, but, you know, not pissing people off, not being flaky, doing what you said you were going to do, being kind of dutiful, showing up, like having people be able to count on you to be there. Right, not being a diva. To take care of the business, not being a diva. Not being a diva like you on Wednesday. I need a fresh coffee. So that's kind of a work ethic, which he has a very strong, he has a kind of a accountants-like work ethic with a sort of artist's mind. That's cool. You know what I mean? And if you put those together, you've got a pretty winning combination.
1:01:54That's amazing. How long were you guys working on The Man Show for? Because that was a big show for a while. uh we did four seasons maybe a hundred something episode hundred little over a hundred episodes i think something like that you've done a lot of projects together you've been so what's it been 30 years like working with him and knowing him and helping each other and just being in the business together well yeah it's it's easy for me because i was going to turn 30 so i know i have a marker where I met Jimmy because I'm always bad at, eh, what did I do? I would say to Dr. Gru, when did I start Loveline?
1:02:34Was that 95? No, 96 or whatever. I'd be like, yeah, when? I'm not a marker of time, but because I was so consumed with turning 30 and not getting anywhere, I met Jimmy right when I was turning 30 and I'm 59 now. Wow. It'll be 30 years. 30 years. Three decades. it's wow coming up where do you think you'd be if you didn't show up to that radio station that day um i mean is is kevin and bean put it as i'm working on a k-rock documentary they're like you know adam was so funny he would have ended up somewhere doing something again i'm trying to sound like a swipe but they were like he's super like the funniest guy i've ever met so he would have figured in Jimmy the same way.
1:03:24Like he wasn't going to stay there at K-Rock doing the sports for another 25 years. He would have been on to something. I would have been on to something too. God knows when, I mean, I don't know when, where, I don't know if I would have, I mean, I'm a kind of a strong believer in, I may have, I would have found my way into radio it's some way somehow because i'm so interested in it and always kind of circling around it thinking about it a lot it's interesting though because if you maybe you turn 30 and then 31 and two if you haven't had anything yet you might have been like you know what i'm just gonna go full-time into carpentry or boxing or whatever it is yeah i was i was like i just wouldn't commit to not trying to do something creative.
1:04:14I was told, I used to pull up to the job site with my crappy pickup truck, you know, and I remember periodically, like every couple of years, some guy had a new truck, you know, and if you had a new truck, that was a big deal. You'd pull it up in that new truck because everyone was driving beaters. Old stuff. And I'd buy my stuff out of the recycler, you know, old Datsuns. you know, 79, you know, miniature little Japanese trucks and stuff. And I remember a guy named Yann, spent my age, only a couple years older, he's a foreman on his job. He'd come and fold up this new Ford Ranger, you know, and V6, and it was like, oh, crew cab, you know, whatever.
1:05:03And I was like, wow, sweet. And he was like, went down to, you know, Galpin Ford, and it's, you know, 289 bucks a month. It's like, but you have to have full coverage insurance like if you're making payments and stuff. And he's like, yeah. And I was like, he's like, you should go get a truck, get a nice truck, get a new truck. And I was like, if I commit to that, then I'm not going to be able to, you know, I got to take my groundlings classes and do all my other stuff. I don't want to get, if I get to come into this payment, then I have to get my contractor's license. and you're getting your contractor's license.
1:05:40And everyone's like, get your contractor's license and start making some money and get a new truck. And I was like, I'm going to get sucked into this thing. I'm going to have bills. And then this is what I'll be doing. Right. Like full time. Wow. And I'm not going to be able to take off and go do this class or do this thing or do whatever. So I always kind of knew it. Like I just, I don't want to commit to this and I want to commit to comedy, but I know it's not a high percentage thing and I don't know what was in it, but I just feel like I'll find a way. If I just keep walking forward, I'll find something.
1:06:15This is the fascinating thing though. This is part of your story that I really like is there's a lot of talented musicians or artists or athletes or just talented, smart people at different things who don't go to the station. They take the classes. They work at 4 a.m. at the coffee shop, working with their friends on projects. They do their art in their living room. They do these things, but they don't put it out there. They don't risk it to that extent. Just that one extra step that you took. It's like, I showed up and no one was there. I showed up the next day and no one was there, but I decided to stick around.
1:06:56Then I told the guy, hey, let them know I'm outside. I'll be here. and then you waited. Like you, you took an extra step that was unconventional at that time. My girlfriend, she's done over 40 movies. She's a, she's done a ton of movies in Mexico and also in the U S but she has a similar story where she was like, I didn't know how to get into acting, but I just showed up at the casting place. And I just said, Hey, I think it'd be great for a movie. And here's my paper. Here's my headshot, whatever. And just talk to everyone and just said, Hey, do you have anything that I can do a casting for? If she didn't show up for that, she wanted to land in like her first big movie.
1:07:33And then all the other things that came from that, because she showed up to the office, the casting without unannounced. And I think a lot of people don't show up unannounced. Showing up is it's about seven or eight tenths of whatever it is you're trying to do. You just have to show up. Cause you had the talent for years. Yeah. You were the funny, you're like, yeah, he would have finally figured it out and landed somewhere, but maybe you wouldn't have if you didn't put yourself out there in that way. If you didn't show up to the station. Yeah. I was never that kind of guy. I was not, I was not proactive.
1:08:08I was kind of low self-esteem and I just kind of kept quiet and stuff. And I didn't put myself out there. Um, so I didn't do it, but I did it this time. And you met Jimmy and look what happened from there. It's amazing. yeah it's it's interesting it's just it's a journey man adam i appreciate your time here i've got a couple uh questions that ask everyone at the end before i ask them i would just want to tell people to make sure they check out your show and adamcarolla.com i think you got your tour dates on there you got your podcast information you got all the stuff you're working on there um i appreciate you having me on your show i thought it was a lot of fun it's just a funny time and everything that you guys talk about over there so thanks for having me on your show Sure.
1:08:53And I want people to follow that Adam Carolla show over on podcasts and check out your tour. If you thought this was interesting and funny and all that stuff, make sure to check out your website and check out your tour. Is there anywhere else we can send people to today to support and serve you? No. AdamCarolla.com is where all the info is. Yeah. That's great. I appreciate your honesty. I want to acknowledge you for your realness and your truth and sharing just all the lessons in the journey. You've been in this game for a long time. You've seen people come and go. You've gone through ups and downs.
1:09:29And I just appreciate your consistency. You show up. You work hard. You know, some people love you. Some people don't like you. But it sounds like you like you, which I think is good. It's like you. I'm agnostic on myself. but I just realized my strengths and my foibles. Yeah. You know, and I just, you should be realistic with yourself. Sure. Otherwise you're going to get your ass kicked. Sure. But you also realize you're like, oh, this might be a little, but this is who I am. And this is, you know, but I'm trying to be a good guy. So I just appreciate the realness of you being who you say you are.
1:10:07And I acknowledge you for that. I acknowledge you for really leading the way in an industry that I felt like I was an early adopter in podcasting, but I remember seeing you and Rogan was really in some random tech, you know, podcasts early on that were leading the way. And so I really acknowledge you for inspiring me for, you know, seeing what's possible in the world of podcasting, seeing what's possible to share my voice in my own unique way. And there was only a few people that were doing that and that was you. So I really acknowledge you for that, that model that you had. this is a question I ask everyone towards the end two final questions that I ask everyone towards the end one is called the three truths so this is a hypothetical scenario you can answer it however you like but I would like you to imagine that it's you get to live as long as you want but it's the last day in your life you get to experience and accomplish everything you want for as many years as possible but then it's the last day and for whatever reason on this last day hypothetical scenario, you've got to take all of your content with you.
1:11:12So books, podcasts, shows, there's no one has access to your content anymore or anything you've shared, but you get to leave behind three lessons to the world that you feel like, all right, this, this is all they have of my content. I'm going to share these three lessons. I call it the three truths. What would those three truths be for you? Uh, whatever damage happens in your life or negative, negative things that happen in your life, it will most likely be self-inflicted. Most everyone I know who's really had some bad times. It's, it's all been either directly or indirectly their own doing. So you do a lot of externalizing, realize when stuff happens, there's a, if not direct, indirect path right back to you and your actions.
1:12:10So understand that. Um, there's really almost no such thing as like literally just, I was just sitting in my car and a drunk driver plowed into me. There's, there's something that you could have been doing to avoid that in some way, even if it seems totally random. So kind of internalize that and use it is one. The other is the aforementioned Jimmy lesson. Just be generous and don't be generous because you're generous. be generous because you can do it because you're a narcissist. I mean, Jimmy's a narcissist. He's not magnanimous. He wants people to think of him and go, wow, I love that guy or owe that guy my career.
1:13:09I owe that guy. I want to help that guy. He likes it. It's healthy. It's fine. It's fine to go, I want to do this and don't look at it as being sort of out of pocket. It's you pay for dinner a couple of times and then your dinner gets paid for in perpetuity. So, you know, be that. And then I guess simple tests would be the phone ring identification test, which is when the phone rings. It's hard to hear. The phone literally just started ringing right when you said that. When the phone rings and your name comes up and whomever sees it, what do they think? Because we've all had that person or people where like the phone rings and you see it And you're like, I'm just not really up to this right now.
1:14:19Or what do they want? They want something. I can't deal with this person. And then there's people you go, oh, cool. Oh, good. I get to, this person's calling. I get to talk to this person. What emotion do you elicit from others? If your phone, if your name is popping up on their phone, what is their impulse going to be? And the freest anyone will be is just go, oh, that's you? Oh, okay, yeah, what's happening?
1:14:58It's a kind of interesting metaphor because we all have a scale. We have the people in our lives where they call and they go, oh, good. And then there's the people at the bottom where you're like, yes, I'm not picking the phone up. And then there are the ones like in the middle where you're like, depends on your mood. Yeah. They would. I know. I'm not up to this. I'll call them back or, or whatever. Like you got to figure out where you rank. Yeah. And then try to adjust your ranking. It's a great three truths. I appreciate it. Uh, Adam, model question. What is your definition of greatness? Um, I mean, personally for me, it's, it's, it's living up to your potential.
1:15:39I, I was, I was talking to someone about this last night. They were like, what was your plan with show business? Or what was your plan with this? Or what was your plan? I said, I just wanted to live up to my potential. And they kept talking about money or ratings or something. And I was like, no, I was a carpenter. I knew I could do comedy. And it was bothering me that I wasn't realizing it. And I wasn't living up to my potential. And that potential doesn't mean riches or accolades or Academy Awards or anything. It's just I was doing this. I thought I could be doing that. And I wasn't satisfied until I was doing that.
1:16:26And not because that was better or more noble. It was just, I knew I could do it and I was going to be horribly unsatisfied in life because I felt I had this potential and I wasn't living up to it. And to me, that's the definition of a great life. If you can live up to your potential, even if your potential is not sexy or glamorous or any of your potentials, maybe it's just being a great dad. You know what I mean? Like maybe that's your potential. That's something to aspire to.
1:17:28learned over on our social media channels at Lewis Howes. I really love hearing the feedback from you and it helps us continue to make the show better. And if you want more inspiration from our world-class guests and content to learn how to improve the quality of your life, then make sure to sign up for the Greatness newsletter and get it delivered right to your inbox over at greatness.com slash newsletter. And if no one has told you today, I want to remind you that you are loved, you are worthy, and you matter. And now it's time to go out there and do something great.
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Adam Carolla is a well-known comedian, podcast host, actor, and author. He gained fame as the co-host of the radio and television show "Loveline" and later became a prominent figure in the podcasting world with "The Adam Carolla Show," one of the most downloaded podcasts. Carolla's humor often touches on controversial subjects, and he is known for his candid and unfiltered approach.
This conversation delves into the significance of embracing criticism and offers advice to aspiring comedians and podcasters: prioritize authentic expression over fearing consequences. This episode also highlights how cancel culture can lead to self-censorship and encourages reflection on instances where external pressures influenced content choices.
In this episode you will learn,
- Balancing Controversy and Humor: Striking a balance between discussing sensitive subjects and maintaining a comedic tone is key to navigating potential backlash.
- Handling Criticism: Embracing criticism is important. Advice for aspiring comedians/podcasters: Don't fear consequences, focus on authentic expression.
- Avoiding Self-Censorship: Cancel culture can lead to self-censorship. Reflect on instances where external pressures influenced content choices.
- Maintaining Authenticity: Staying true to oneself and comedic style requires resisting external influences and staying genuine.
- Audience Engagement: Authenticity and addressing controversial topics can foster a loyal fan base by resonating with listeners seeking genuine discussions and perspectives.
For more information go to www.lewishowes.com/1487
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More SOG episodes with two of our favorite comedians:
Bert Kreischer: https://link.chtbl.com/1234-pod
Andrew Schulz: https://link.chtbl.com/1234-pod
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