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Podcast Notes: The School of Greatness - Episode with Cedric The Entertainer
Episode Overview Title: Cedric The Entertainer: From Selling Insurance To Building a Comedic Empire Host: Lewis Howes Guest: Cedric Antonio Kyles (Cedric The Entertainer) Description: This episode explores Cedric's journey from being a State Farm insurance agent to becoming a renowned comedian and actor. The conversation dives into the nuances of success in entertainment, the mindset shifts necessary for career transitions, and Cedric's insights on authenticity, comedy, and personal growth.
Key Concepts and Discussions
- The Journey of Cedric The Entertainer
- Transition from a corporate job at State Farm to a successful career in comedy.
- Early influences and inspirations that shaped his comedic style.
- The role of opportunity and persistence in achieving success.
- Mindset Shifts for Success
- Importance of mindset in achieving greatness: "Your mindset is everything."
- The necessity of breaking free from destructive habits and societal expectations.
- Emphasis on authenticity: "Don’t ever try to convince people to like you. Be you, and then they'll decide."
- Life Lessons from Comedy and Career
- The sacrifices required to succeed in the entertainment industry.
- Maintaining a positive attitude and a willingness to evolve with the audience.
- Insights on navigating the competitive landscape of comedy, including the influence of social media and new platforms.
- Lessons from Steve Harvey
- Key teaching: "Don’t ever try to convince people to like you. Be you."
- The significance of being true to oneself, especially in high-stakes environments.
- Navigating Fame and Its Challenges
- Understanding that fame does not equate to wealth: "You can be famous and broke."
- The necessity of hard work and the continuous hustle, regardless of fame.
- Business Ventures
- Cedric's engagement in multiple projects, including his new book *Flipping Boxcars*, a show on A&E, and a BBQ brand.
- Strategy in diversifying his career beyond just comedy and acting.
- The Importance of Connection and Community
- The Midwest mindset of collaboration over competition.
- Building relationships to foster growth and mutual success within the industry.
- Cedric's Definition of Greatness
- Greatness is a blend of excellence and the ability to inspire others to raise their own standards.
- The idea that true greatness is about moving the "line" forward for everyone.
Key Takeaways
- Authenticity is crucial for lasting success. It’s better to fail being yourself than succeed by being someone else.
- Mindset drives everything: maintaining a growth-oriented and resilient mindset leads to personal and professional fulfillment.
- Community and connection matter: collaborating and lifting others can create a more supportive environment in competitive fields.
- Cedric emphasizes the joy in life: laughter and good humor are essential for navigating challenges.
- Transitioning careers requires strategic thinking and preparation, particularly when moving from a stable job to an uncertain field like entertainment.
Recommendations
- Check out Cedric's new book *Flipping Boxcars* for insights into his creative process and familial inspirations.
- Watch Kings of Barbecue on A&E for a blend of comedy and culinary arts.
- Tune into The Neighborhood, which showcases Cedric's comedic style and production talents.
Conclusion This episode with Cedric The Entertainer illustrates the transformative power of pursuing one's passion and the importance of authenticity. His journey from insurance to entertainment serves as a motivational blueprint for aspiring creatives.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:00My friend, I am such a big believer that your mindset is everything. It can really dictate if your life has meaning, has value, and you feel fulfilled, or if you feel exhausted, or if you feel exhausted, or if you feel exhausted, you feel fulfilled. it and finished it already and are getting incredible results from the lessons in the book. If you haven't got a copy yet, you'll learn how to build a plan for greatness through powerful exercises and toolkits designed to propel your life forward. This is the book I wish I had when I was 20, struggling, trying to figure out life, 10 years ago at 30, trying to figure out transitions in my life, and the book I'm glad I have today for myself.
0:48Make sure to get a copy at lewishouse.com slash 2023 mindset to get your copy today. Again, lewishouse.com slash 2023 mindset to get a copy today. Also, the book is on Audible now, so you can get it on audiobook as well. And don't forget to follow the show so you never miss an episode. Don't ever try to convince people to like you. Be you, and then they'll decide. And if they like you, cool. If they don't get you, cool. But be yourself is going to be your best way and that's been that's been one of those like flagpole things that I live off of like forget about it like just don't worry about it just go up there and be yourself if that don't work then that's that's different right but you trying to change thinking you're gonna fit it so that they are gonna get you and you're gonna they're gonna love you because you change your little way welcome to the school of greatness my name is Lewis Howes a former pro athlete turned lifestyle entrepreneur.
1:53And each week we bring you an inspiring person or message to help you discover how to unlock your inner greatness. Thanks for spending some time with me today. Now let the class begin.
2:09Welcome back, everyone, to the School of Greatness. Very excited about our guest. We have the inspiring, the iconic Cedric the Entertainer in the house. My brother, what's going on? Good to see you, man. I'm so glad that you're here because I told you this when we had dinner months ago through a mutual friend Ruben. Yeah. That I was living in St. Louis for six years during kind of the golden era of St. Louis where it was Nelly. Yeah. It was the Rams. Rams. And it was Cedric the Entertainer. Oh, man. Yeah. And for me, being in that city during that time, during the late 90s, early 2000s was so exciting.
2:48And you were such a, at that time, really exploding onto the scene in a massive way and making a name for yourself in a big way. I told you before that I was a massive fan of Kings of Comedy. And I think I watched that probably 20, 30 times. Yeah. And the way you deliver your comedy, the way you communicate, the way you entertain is so magnetic. and how you've consistently showed up with a positive attitude, a positive energy for a few decades now is so inspiring to me and so many people. So I'm so grateful that you're here and I appreciate the work you do. And thanks for pointing St. Louis on the map.
3:28Let's go, STL, baby. I love it, man. I'm curious. You've got a number of things that you've been working on lately. One is your book, Flipping Boxcars, which I want to get into. you got a you know six seasons of the neighborhood on TV right now you've got kings of barbecue on A &E you've got so many different brands and businesses going on but I want to ask you about the transition from a career as a state farm insurance agent into comedy because when I told me this story I was just blown away that you used to be in insurance. Yeah. And did you ever think that you would go beyond kind of a traditional career, worked with an insurance company and being where you're at today?
4:17And how did you make that transition and have the courage to, it wasn't like comedy back then was like a big moneymaker. No. Whereas there's a lot of younger guys today figuring it out with podcasting and touring and making a name for themselves as social media. You didn't have social media then, and you went for it. How did you make that transition? You know, it's really interesting because I grew up in a time where, you know, generationally that was the motivation. Your parents tell your kids to go to college, you get a good corporate job, and then you live your life, you know, going up the corporate ladder.
4:50But that was basically the steps I followed. My mother was a schoolteacher, you know, so education was a big part of our household. and so I have a younger sister who is a professor at Pepperdine. Pepperdine, right, yeah. And so that education was kind of like our vibe, but I was always kind of creative, again, probably being the only male in the house, that dude trying to figure it out. So I was always funny, witty. In high school, I wasn't necessarily a class clown, But I was what they, you know, I would call the, what they used to call the jonin or bagging on people. If you, you know, if you was in the lunchroom and it was going down, you won't be on your side.
5:38I was like, rah, rah, rah. So, you know, I kind of was known for that, of course, having a witty sense of humor and all that. But never really knew I could do it as a, you know, as a business. So, you know, my thing was to go to school, you know, follow kind of my mother's instructions for my life. So I went to school, got my degree and, you know, and worked at a couple of different jobs, worked at, you know, selling fax machines for Rico Corporation, a little division of their company. And then, you know, and then landed at State Farm and became a claims adjuster for State Farm. And right around the same time I discovered I could do stand up.
6:18I had a friend that was another stand-up, and he was doing it for a living, and basically told me I could do it. He was like, you could do this. Really? He was making a living to me. He was out. I mean, you know, I got my corporate job, thinking, feeling good about myself, got my little tie, got a little cubicle at work, you know. But he was like, yo, I made$1 ,100 this week, and then I made$1 ,400 last week. And then I'm like, whoa, doing what? He was like, I do comedy. I'm like, yo. He's like, if anybody can do this, you can. Was he funnier than you? Was he talented? I mean, he's a talented person.
6:55You know, like, say he's a pro. That's what I would say more than anything. Show up consistent. Pro, know how to deliver a joke, know how to make a crowd laugh, you know what I'm saying? And was one of these guys that knew how to do the job, right? Knew how to stand on there and deliver and be, you know, a professional comedian. Was this back in St. Louis? St. Louis, yeah. What year? This is like, I'm going to say this is 80, 70, wow. Somewhere in there, like 87, 88. So he's making$1 ,000 a week maybe. Do his stand-up. Killing it. And back then, that's great money. You're rich. You're rich back then.
7:31Zane Lewis, too? You're rich. So he said, all right, you can do this. Yeah. And did you think or believe you could do it, or were you doubting yourself? Well, you know, I always loved the idea of entertaining. Like, you know, I definitely did the school plays and talent shows, but mainly singing at that time. Back in those days, I was singing in groups and be a singer and go on stage. One of my first big jokes was Luca doing the alphabets because that was a little warm up thing I used to do. Like when I was like, you know, trying, you know, when we work out in the group and I would have A, B, C, D, F, L, G.
8:13H-I-J-K-N L-M-N-O-P Wow, so you warm up on stage. Yeah, that would be a little warm up fun thing I would do. And I would do that on stage. And then I'd say that's how Luther got his weight problem because all the girls be giving him snacks. Luther, you're in the third grade. You want to sing? I'll give you my peanut butter sandwich. Oh, man. Yeah, so I had a lot of little jokes like that where I would vocalize. And then the same guy helped me shape up my set and I got in a comedy competition and the first time I ever did it, I won$500. And that was it, bro, I was hooked. $500 doing comedy at that time.
9:02It's gold. It's been like, this is incredible. Yeah, and then so bit by bit just kept the job, I kept working at State Farm and then finding places to do comedy at night. So comedy was the side hustle back then. Yeah, exactly. And when was the transition where you said, okay, I can make more than my main job and I'm going to go full-time in comedy? You know, it was a strategy. You know, like, again, I think, you know, I kind of, I definitely related to, you know, having, you know, going to college and, you know, kind of thinking about things in a more strategical way and not necessarily just wanting to, you know kind of believe that oh you know this is what i do now you know so uh it was a it was a comedy club based inst louis the funny bones you know they used to have 22 clubs and you can go twice a year so that's 44 dates if i but you know you had to qualify for that like you had to get in their system and they book you and if they book you then you know you got at least 44 dates this year and so that became my goal.
10:04How much did you make on one show? Have you got 44 days? This is kind of to your point right here. Back then, the opening act,$350 for the week. $350 for one night or for every night? For the week. You go and you do nine shows. Nine shows for$350? Come on, man. That's what it was. Was you happy? You were part of the system and you got it every week. Wow. You know you got this$350 and you would have to drive. So the only type of that, you know, it was all around the Midwest. So Davenport, Iowa, Des Moines, Cincinnati, Chicago, you know, Cleveland, Columbus, Ohio. All that run, man. So that was every night you were driving a new plane.
10:48Well, you stay in the city for a week. So you go there for the week. Then you drive to the next one. Man, that's a grind, though. That's a grind. That's what we call the road. Yeah. And most of them weeks, you know, like you stay out because it goes from week to week. And you got like maybe three days in between. Right. So that became another hustle because, you know, the shows usually started on Wednesdays or Thursdays. And then you got, so if it starts on Wednesday nights, then you got Wednesday, Thursday, two shows Friday, two shows Saturday, one Sunday maybe. And now Monday, Tuesday, you got to figure out what you're going to do.
11:25What are you doing now? You can't stay in the condo no more. That's over. Whatever, wherever they had you staying, that's over. So now you're trying to either drive to the next city, find a friend. Sleep on a couch or something. Pick up a random show. Somebody's doing a comedy night somewhere along the way. See if you can go in there and get$75. See if you can go in there and get$100. So somebody's got a Tuesday night in Louisville. You drive all the way to Louisville to get$100. $50,$100. Then drive back. The Indianapolis. You know, that kind of thing. Were you like sleeping in motels at those nights?
12:06Or was this, you have enough money for hotels? Or is it more like sleeping in the back of your car? What's happening? I slept in good hotel parking lots. That was my move. So my mother used to be so worried about me, you know. So I had my little Ford EXP Escort. So the little coupe, the two doors. I felt like I had a sports car and some rims on it. And I had some speakers. They spin? They spin? No, no, they didn't. They wasn't doing the spinning wheels. That was too silly. The spinning wheels came way after. The 90s. 2000, 2000. That was before that. That was before that. Just, you know, as a matter of fact, I had like some 12s and that was considered rims at the time.
12:46You know, because people didn't have, you had 12s or 14s on your car and the inches, that was like, ooh, 20-inch wheels, that was out of them. This thing do ridiculous. You know, so, but, and then I had, like, some little speakers. I had a little subwoofer. Clarion. Yeah, with the small subwoofer. Beer. Clarion speakers. Come on, man. All right. Pioneer. Come on, bro. We have a Sony of the Pioneer. Oh, baby. Let's get it. With the pull-out. Of course, man. With the pull-out, bro. So, wait. So, you were sleeping in the back of the hotel. Yeah. So, I would sleep. Parking lots. Yeah, parking lots.
13:19You know, and I would let my mother. You just laid the seat back? I had a seat back, had my blankets, had everything I needed in the car, would sleep in there, had my windows tinted. So I would just find a cool hotel parking lot and just act like - Security wasn't trying to kick you out? I never really ran into that situation because it just always kind of felt like maybe one time a security guard came and was like, yo, you got to roll. How many nights do you think you slept in your car? Oh, man. You know, through that run, you know, maybe, you know, 14 to 20. I don't know. It's a blind number.
14:00And that first kind of run. That first little run. Did you ever have to do that again? No. You know, luckily, and it was interesting because timing is everything in business and life, you know, that I didn't even get to do the second run of that because, you know, shows like Def Comedy Jam started to happen. you know, evening at the, not evening, but Showtime at the Apollo. It was another show that shot in New York called Uptown Comedy, something like that. Uptown Comedy was another show. So opportunity for urban comedians to get on television and be urban. Like you didn't have to switch your setup and try to, you know, fit in.
14:43Those things became important. And then so that was also the rise of the kind of all African-American comedy clubs too. So clubs like Comedy Act Theater, All Jokes Aside in Chicago. It was Comedy Act Theater in Atlanta and here. And then Steve Harvey did a club called Vuku Ray in Dallas. And that's where we met in the first part of my run. I met Steve. We became partners. he took me under his wing and then we was, I was just on a different trajectory from there. So you did kind of half the tour leg. Yeah. And then you started to get opportunities. Yeah, bigger opportunities. Is that when you met, so you met Steve at that time and he said, hey, let's get you on this TV show or let's do this other thing.
15:31Well, he was just, you know, he kind of introduced me to the bigger world of standup, you know, so it was like, so I went from 350 to a thousand dollar guy, you know. Wow. You know, so because I, even, even when I was doing the 350 shows, I was getting moved up. I was surprising the club owners that like, oh, you're like really good. You're better than the position you're in. So we're going to flip the, we're going to at least flip you to the middle and then so you go to 650. But that was good and it was totally different. But then, you know, on the black comedy side, I was a big deal. I was a bigger deal, more like 1 ,000, 1 ,500 to come do a show.
16:12For one night? No. Well, this was, again, multiple shows. It was comedy club work. But then, of course, the one-night show started to come after Def Comedy Jam came out. Then Hoppy and Concerts became the, you know. How many people are going to those? What's the audience? That's like, you know, anywhere from$3 ,000 to$5 ,000. So how quickly did this happen from going to the first comedy show, from winning the$500 competition to 3 ,000, 5 ,000 person arenas, essentially. How long that time was? It was probably about five years. Okay. Yeah, it was a really good five-year kind of space in there. But, again, that's fast.
16:56People don't recognize that. But that's fast for comedy because if you're just building it up in the comedy club system, you've got to run that ring. I would have had to stay the opening act that whole run. Uh-huh. Then I would have, you know, they moved me to a middle in a couple of spots. But the most part, I was hired as the opening act. So they would have. And then I would have. What is that, 15-minute set? Is that a 10-minute? That's the short set. That's like seven minutes. Seven minutes. Seven minutes. Five to seven is your max. But you're the MC too. But if the club sees it, you're killing it.
17:30And you're just getting the most last of them all night. They're like, all right, let's move this guy, give him an extra 12 minutes or something, right? That's what happened. They ended up moving me to the middle. but you can't really knock the headliner out, nor did I have that kind of time either. Like, I was funny. I had a really good, you know, 12 to 15 minutes. You didn't have a 30-minute set. No, I wouldn't panic if I would have. Which happened to me one night because in one of my first opening act gigs, Sam Kennison was the headliner, and then so it was a middle act. It was a dude that was the middle, and Sam Kennison was the headliner.
18:05He was the rock and roll Sam Kennison at the time. I don't know if you know who Sam Kennison is. So he's the, ah, he was a very famous comedian that was like yells at people, but funny. Like, but was a rock and roller. Like drunk, get lit, girls everywhere, wild. Drugs, everything, yeah. Yeah, wild man. So, he was the headliner and I was the MC, and then it was the middle guy, and the middle guy, you know, struggled. and then so I had a good set and the middle got struggling and Sam was in the car out in the parking lot drunk couldn't come in. So they needed you to fill in. So they need me to fill in and man I'm up there just.
18:48Twitter. Yeah. Where you guys from? Yeah like yeah that whole thing like just and you know and that's not really my brand. I'm not like a look at just you know look at just shirt and being able to like pull a joke out of it but that night you just having to dig dig dig and then I'm making it happen and then he finally comes walking through the front door. Not the back. He comes walking through the front door. I'm like, oh, there he is, ladies and gentlemen. And then they like walking him. It's looking like I don't know what's going to happen. They walked him up on stage and them lights hit and he was magic.
19:23It was crazy. It was crazy to watch. Like he was like, you saw him like, oh. Come on. And they like, boom, walking up on stage, letting Sam kiss him. Waza. Boom, boom, boom, chokes, chokes crazy. It was one of those wild things, one of the moments I was like, that's wild to watch. Wow. That'd really make you love it though, somebody that's like, got that kind of spirit, kind of Chappelle-esque, like a person that can just walk in and just figure it out once they get there. Sure. Yeah. What was the moment where you realized, I can actually make it big in this world? I went to Chicago, and so, you know, from St.
20:03Louis, Chicago, of course, second city known for comedians. And it was a big comedic town with a lot of great comedians that came from there. And they had a competition called the Miller Genuine Draft Comedy Competition. And you would win$3 ,000. Come on. That's big money back then, man. That's big money now. I'll take$3 ,000. You win$3 ,000 plus, your picture would be in a magazine. You got all these kind of extra perks. You got a bunch of Miller Genuine Drafts show up at your house. Sure. All these kind of cool little perks, right? But I won that. But it was inside that metropolitan area of going to Chicago, performing with all these great comedians, people that have grown up to be legendary comedians themselves already killing the game.
20:57and you realize like, okay, I was able to hang and shine and win in that environment. So now I believe that I got what it takes. And so that's when you start to really like kind of just like, all right, cool, this is it. What year or how long into the career was that? Was that three years in, two years in? That probably was like, that probably was more like two years in. Okay. Yeah, so we're in there two or three years in. How much did it increase your confidence to say, I can do anything I want in this arena? Oh, I mean, that, you know, but that's it. Because once you start to play, you know, I would imagine, like, for any kind of, you know, sports, saying guy that plays basketball, once you kind of go outside your neighborhood and test your skills with the best in the city and you realize, oh, I can play with this guy that they say is the best, that's when you start to be like, okay.
21:52And that was good. That's what I, you know, that was the thing. But even being able, for me, like, even for somebody like Steve to, like, embrace me. And we would have, like, we would do these freestyles on stage sometimes because he just liked to come up, and it was his club. So he would come up and just be talking. He'd be like, yo, man, you about to take the audience away from me. I'll go back on stage. And we had many a nice up, and just me and him doing these one, you know, one, two tag offs. Really? Were you up at the same time? Yeah, at the same time. Like just, you know, and it was just a unique, you know, kindredship, partnership that we developed.
22:30And so, you know, that was one of the things. Once he, you know, he started getting TV shows, you know, he was, you know, I was just always his guy. He would look out for me, like, you know, so when he got to Steve Harvey's show, he was like, I want to say it, you know, like, so that was that. Wow. What's the biggest lessons you've learned from Steve Harvey? You know, probably my greatest lesson, I tell this lesson all the time, is that I'd gotten the Steve Harvey show, and we went to New York to do the big showcase. And so all the agents and the big power players, the advertisers are there. And so I decided to change my set because I see the room is kind of like all white.
23:13It's all executives. So I changed my set, buttoned it up, and I bombed. Really? I bomb. Like bomb. And it's - No one's laughing. Nobody. And it's hurtful because one, he went to bat for me. Oh no. I know he went to bat for me. And one, I know that I'm funny for real, but I'm trying to do something else. And Steve comes up, you know, like I'm kind of getting like I see it's going horrible and I'm like, let me just kind of like wind it down and get out of here. How long was this for? Like five, ten minutes? It was probably supposed to be a little ten-minute set. You kind of bring it down to seven.
23:56Yeah, I'm like, all right, y 'all. Coming up next. It's crazy. This is wild, man. Get out of here. How many mothers in the house? You got to give it up for the moms. Okay, so you're whiter than you're bobbing. Bobbing. How many people are watching? I'm gonna say it's a room of 300 people. And these are like executives. Decision makers. Yeah, like, you know, people like New York, and they New Yorkin'. Oh, man. Everybody's feeling very cosmopolitan. Steve goes up and he just rips them. You know, like, talk about they suits and they little shoes, how they think they special, and they little BMW. Oh, he murder him.
24:38They ain't dying. They're laughing. They're dying. He's not, he's not, he cussing. he not being nothing but himself, right? Like, he's not trying to fix it. So he comes off and he tells him, he's like, man, you already earned it. Like, don't ever try to convince people to like you. Be you, and then they'll decide. Wow. And if they like you, cool. If they don't get you, cool. But be yourself is going to be your best way. And that's been one of those, like, flagpole things that I live off of, Like, forget about it. Like, just don't worry about it. Just go up there and be yourself. If that don't work, then that's different.
25:19But you trying to change, thinking you're going to fit it so that they are going to get you and they're going to love you because you changed your little way. It's kind of like, you know, it's better to bomb being yourself than bomb being someone else. It's the only way to do it. Right. It's the only way to do it. It's kind of like when you're dating or you see when people put on the false fronts. They're gentlemen and they do all the things. I got daughters, so I always tell them, be very careful of the false front. I'm this kind person, but look for them little keys. If a dude a yeller, if he a whiner, if he don't ever want to pay, or any of these little things, these are telltale signs of who that person is.
26:07Wow. What do you think was the biggest mindset shift you had to make through your career of transitioning from, again, State Farm Insurance, go to school, get this career? What was the mindset shift for you? And is it still the same mindset today as it was back then? I think probably me, probably one of the greatest mindset shifts was to think of not to think of yourself as this kind of monolith that's outside the system that, you know, you're so far outside that nobody else can see you. Right. I think we all feel like I used to always kind of feel like you never can make it from St. Louis. You can never, you know, oh, I'm not the shiny suit dude that's going to be, you know, like, so you start to see yourself like, ah, you know, I'm only going to be able to knock down these doors.
27:06And as you kind of go, you recognize that the world is big. It is truly an audience out there for everyone. And you earn them. You don't get it automatically. because you feel you deserve it, you earn it. And so that's truly one thing that I keep to this day. I literally am willing to work for, go grab, go hustle for, and build every little thing that comes my way. I'm not resting on any laurels. I'm not resting on any hubris. You can give me all the accolades of everything you loved. That's great. Thank you. Right now I'm here to do a job today for you, like to get that. if whoever's paying the money, I'm here for you.
27:52Let's go. You still feel like you got to earn it. Earn it. I want to earn it. Wow. So that's the thing that I take. I take as, you know, and I try to teach that to my kids too, is that, you know, you can be great. You know, you can get a lot of things that's going to come to your way that's going to feel like, hey, you know, and after a while, your celebrity, your starter makes you feel like that this should be mine automatically. and you got to recognize that that's not a truth. Did that ever hang you up over the last, you know, decades where you became more of a celebrity and had bigger opportunities and got the bigger paychecks?
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28:30Did you ever catch yourself thinking you were better than or now you deserve something and you had to wake up and say, oh, I actually got to keep working for this? Oh, of course. I mean, this is the, you know, I would imagine, you know, everybody's gonna have that as trajectory happens, right? Especially when it's, when you're in the hot spot, when you're in that white hot space where things are just blowing up and you like going, then you like, all right cool, it's things that you need. You know what I mean? Like, you know, like these are things that I feel are requirements for me to get the job done.
29:06And then you kind of realize, really? Do I really need? Do I really know it's green I'm gonna have? Yeah, is that a necessary, like I can't do the show unless I don't have it? Come on, man. You start to go like, that's ridiculous. Right. You know, now I never was that far, but anything along that line, little things that become like, you know, hotels, if I don't have a suite, if I don't have a, you know, this kind of car, you know, like you're like, okay, this is ridiculous. You know, like that's, you know, so those are moments. And I think that you, you know, life will humble you one way or the other.
29:43Yeah. And so, because it is truly an ebb and flow to it all. You know, it's always somebody next. It's always, you know, I feel very blessed to be consistent, what I feel consistent for, as long as I am 30-plus years in this business. Super highs, you know, of course, down periods, but overall, consistent. Like, you know, great career, good life, nothing, no scandals, you know, like just do my thing, man. Like, just me. How do you feel? You mentioned kind of there's always someone next. There's always like, it seems like there's so many talented comedians or people in comedy who are making a name for themselves, growing massive social media followings.
30:34selling out arenas, all these different things. How do you deal with comparison of the younger generation coming up? Maybe they're doing things differently or in a new way. How do you deal with that emotionally or mentally, even with all your success? Even with, you know, being on the Hollywood Walk of Fame, even with all the accolades, does comparison ever creep in? I mean, you know, I think it creeps in to the point that it, you know, for me, it's either a motivator or something I applaud. Most of the time, I just, I love to see people win. Like, you know, and if you win in and you literally, your food and your plate is yours, you know, and people who have learned to be able to be great at that, especially like, you know, the rise of the social media fame.
31:22And you're like, look, these guys are, they're unique. They do these skits, they wake up, and they actually do the work, right? So you can't be mad at somebody that actually gets up and do it. Like, they do it. They shoot them. I don't shoot them. So what I'm going to sit up and critique them, that ain't real comedy. Right. But I never tried one. I never did it myself. I don't do it every day. I don't go and work to build an audience. So what am I critiquing? Something that I'm just observing, you know what I mean, and got opinion. Like, go. You win and kill it, you know. And then you meet. I've met a lot of these guys.
31:57And, you know, the funny, unique, young people. And they motivate you. Now you start to think a different way. And so, you know, that's really been my space. I try to really stay true to who I am. So I actually develop with a lot of young creators to get them bigger projects. You know, your social media is your thing. But, you know, I'm in the world of television and film. And let's take that idea and develop it into a bigger idea. And those are the relationships I have with them as opposed to being anti or hating on or whatever that. Have you always had this collaborative mindset versus being a competitor to people in the industry?
32:35Yeah, I think so. And I kind of feel like that's a Midwest thing in a way. It's very much like, you know, because we all kind of feel like we're here together in our own little niche. And so there's a lot of like, you know, help the other dude up, come on up, and then we all go. So that's always been my thing. I love that environment better. I'd much rather be with a group of my friends and family doing something than to be the only one doing it. You know what I mean? Of course. So we're going to go on vacation. Like, yeah, let's figure out how we all can do it. Like, sure, I can stay in the Four Seasons, but if everybody can stay in the Weston, let's go there then.
33:19Let's go. It's going to be more fun. You know, right? That's different. So, like, yeah. What would you say is your biggest limitation after 30 years in this business? Do you have any limitations? You know, I think, you know, for the most part, you know, this industry is one that, you know, you have to be in the deal flow in a lot of ways. So, you know. What does that mean? That means like, you know, when movies are happening, TV shows are happening, people have to kind of know who you are, right? And if you're hot, that's one thing. If you've cooled off, then you have to prove that you're worthy.
34:02That's a different thing as you get older. Because, you know, you kind of see that in this business always. Hot is always considered next, right? The next dude is the it thing. And then you hit your apex of that, right? It doesn't, you can't ride that forever. Right. Now you have to make sure that people understand that you are something that's consistent and it's still worth value. It's a very interesting space in this town. So you, you have to kind of, you know, that's why, you know, like for me, like doing the neighborhood, doing a television show, end up being a smart move as opposed to struggling to continue to try to be a movie star.
34:45Really? Right, you know, because I had a bunch of movies and the movies did okay. Some of them did great and then some of them were hits. But if you do like just all right, then it's hard to kind of. They start to say, well, yeah, let's go to the new dude, right? Because movies is kind of a hit thing. Television is consistent. You're on. And so, you know, there's a strategy for me. It's like I did that wisely and I did it for my kids. It was a couple because movies took you everywhere. We were shooting. Gone for three months at a time. Yeah, in Prague, in Australia, you everywhere. And it was fun when you're young, and then when my kids were young, because they were young enough, but when they started getting school age and got schedules, then now you go three months, four months, and you're missing out on a lot of life.
35:34You're missing out on a lot of the world. You come home, and they're like, I'm sorry, sir, can I help you? We don't recognize you anymore, yeah. new dad. Of course. Please, go to your room. Right. Yeah, they're blocking my son blocking me now. Sure. So, you know, the goal was, what I think I'm hearing you say is the goal was, okay, let me transition from one thing to the next and movies was kind of the apex opportunity for a comedian, I guess, right? Movies and TV. but movies was, movies was kind of like, all right, if you're in the movies, that's the biggest thing. And when I'm hearing you say is if you're not riding at high consistently or the next hottest thing constantly growing up, then for you it's like, well, let's try to make sure that TV, I can get the consistent gig for my lifestyle, my family, but also to really stay, I don't want to use the term relevant, but worthy of being in the industry at this high level consistently, right?
36:36Is that accurate? Yeah, yeah. It became a smarter strategy strategy because becoming a TV star, you're in homes every week and you're in the home. People go to the theater, which is kind of, you know, Denzel kind of explained that really great and I thought that was really wise. When somebody sees you on a 100-foot screen, you're a big deal. You know, when I come into your home, I'm a family member. So it's the thing of like, you know, people seeing you and actually feeling like they know you already. And I get that reaction a lot. you know, somebody can just be doing their thing and they look over and they be like, Say it!
37:14And they'll say it like, I'm their man. And I'll be like, what's up? You'll be like, no, I don't know you, I just know you. But the way they said it, you're like, oh okay. But it's that real familiar nature of like you sitting in your own living room and this person is a part of it, right? Is there a different energy to when someone sees you as a movie star versus when someone sees you as a TV star? Oh, for sure, really. Yeah, yeah. Where it's more of like, they feel like they know you, you're part of the family when you're on TV. In this movie, it's more of like shock and awe when you see them.
37:48Yeah, the movie energy is way bigger for some reason. It's more of the kind of screams and pandemonium energy, you know? Gasps. Yeah, like it's a little more shocking, I feel like, you know, and you react that way a lot, you know? Even as a human being, you can react that way the people that you see in a movie, like they just kinda like, you know, I saw Ewan McGregor one time, and like, you know, and I was like, really? Oh hey man, what's up dog? Really? You had to play it off though, but it was like, because you watching the film, and you, you know, the film just seems like they're really far away, and I mean, I'm in the industry, but it's one of these things, like when that person like right up on you, it just caught me like totally different.
38:37Like, I was like, yo, man, you know, but you see a TV star, you know them, they feel familiar, and you kind of talk to them in a more familiar way. It's just a different experience you're having with them because you're at home. You're watching them in the bed. You're watching them on the seats. You know. Toilet. Yeah. You're watching on your phone in the toilet, you know. You're just like going to the bathroom. Hey, Paul Giamatti, what's up, man? I'm a big fan. I'm a big fan of Billions, bro. What's up? Darius is great. I love that show. He does amazing in that show. Yeah, well he's one of those great dudes that, you know, again, you saw him in movies early on, but again, made some really cool transitional moves to see as an actor.
39:22That's what I love about the space nowadays with both streaming and the way it's done. You don't have to be locked into either. It used to be a time, if you're gonna be a movie star, you can't be a TV star. Really? Yeah, you can't be both. Like, you gotta, you know, movie stars needed to stay movie stars, but now, you know, great actors can find a really good movie they love, and then they can also find a really great character in television, you know, such as, like, what we're talking about, and run that and be like, yo, and be just as beloved and just a big deal. And so, you know, I think I can't even think in the, what's his name, Brian?
40:03I love the character on Succession, the dad. That's incredible. But, you know, like, I mean, he was a big movie dude, and he had that brand. But on Succession is where you see him go, like, now that man is. It's deeper, yeah, yeah, man. That dude can get down. That's acting right there, baby. It's incredible. Yeah. Speaking of fame, what have you learned about fame over the last 30 years? You know, you've ridden the wave of fame for 30 years in different stages and seasons and heights. Yeah. What has fame taught you? And what do you think people don't understand about fame who want to be famous?
40:42That's a good one right there. I mean, for me, probably is the false sense of finance fame gives you. Fame makes you think you're rich. You can be famous and don't have the money to back it up. Be broke. Yeah. So I think that's one of the real things that I feel like, and I saw that kind of early on with people I thought was famous when I first started to kind of get into the business. And you thought, you knew that you knew that you were famous, but then you saw the financial side and you realize like, oh, I believe that you were all of these things. Not realizing that your fame can get you caught up because you think that that is enough to be famous is enough to take care of everything else.
41:32And so you do have to understand that inside the fame, you got to go to work. You got to be humble. You got to have connections. You got to stay busy. You got to stay aggressive. You got to still strategize about who you are. And you can't give your fame over to the machine. That's the other thing. What does that mean? This is most people, they kind of work very hard to build their careers. You know, as a stand-up, you build your stand-up. You travel, you do a wrap, what I did. You go to all these clubs, you puzzle, you grind, and then I get one TV show, and I believe that the agents, the managers, the lawyers in the town know me better than I know me.
42:16And I give it up. I give it over to the machine. Don't get me started on this. Right. Yes. You trust them, because you believe. Oh, you guys are the experts. They know. They're doing this for so long. And if you had any little pop and they were a part of it in any way, then they make you think it was because of them. And now you kind of like you don't do your part anymore. You show up as the commodity, not as the, you know, not as this thing that's there to do the work, like, you know, to build it up, to shape it. So only, you know, great creators and people who really grind, And you'll see people that's able to do a number of things.
43:00And that comes from their hustle. That's what I would say for me. I'm stand-up. I'm movies. I'm television. I did Broadway. I write books. I'm not going to be in your box, bro. I'm not in none of those boxes. I can do it all. I do side businesses. I'm an entrepreneur. I'm not sitting around counting on that I'm famous. And even just saying, okay, I only do TV and that TV's going to be around forever for me. We're always going to get a show. I think a lot of people can get stuck in that if they're not willing to not diversify, but have other projects going on as well, the main thing also. Yeah, no, for sure.
43:44And I think that that's important. And you put family on top of all of that, too. Like, I got a great family. I've been married, coming about 24 years. Got kids, wonderful. good house, good life, good wife, all of those things, good friends, all those things are important to the ecosystem. And so fame can oftentimes make you feel like all those people owe to be a part of that. Really? Yeah. You know, I mean, you've seen it, you know, it's kind of a very telltale Hollywood story. When people get extra famous, they started to kind of believe it's all them, but that's what kind of fame will lead you to.
44:24The friends and The person usually believes it's all them, and then the friends and family have to fit into that. And if they don't, then that's why divorce is big, and that's why kids are all separated and don't know your dads. It's a very Hollywood tale. How have you navigated that? Obviously, being from the Midwest, I think, might have helped support you with those roots and the values that you grew up with. but how have you stayed happily married, have kids that are grown and still want to be in your life and like you, and also navigated, I'm assuming, that for 30 years there have been people and friends and family who said, I want money, I need this, give me this, I deserve this now.
45:14How have you navigated those elements of friends and family maybe wanting something from you at different times and you just being okay with all of it or navigating that? Yeah, I think, you know, again, it's a combination of being honestly, you know, being, you know, true to who you are. Kind of go back to that Steve Harvey, you know, untrust that part. Like, so, you know, people got to earn and they got to, you know, they got to earn their space around me. So, you know, you know, yes, is there some, you know, benevolent behavior for, you know, certain family members that you just take care of and love and give it to them.
45:51But most people, you want them to learn to be self-sufficient and independent. And if they're going to be a part of this, they've got to truly come in and contribute. And so find the space for that. Earn it. Show me something. Add value. Add value. And if you're going to add value, then good. We'll figure out how to make that work. And I think that that kind of goes all around. Again, you kind of say that to your kids. Y 'all wake up every day, y 'all got this beautiful home, you got all these things. What do y 'all bring to the table? Really? What y 'all do? Y 'all just keep. Right. So good grades is a part of your thing.
46:28Do it in your chores. Being a kind person and a good, that's a part of what you offer to the family. You don't do none at all. You're going to be a jerk. You're going to be mean to people, and you're going to have to have a talk with me. Like, that's not. So what is your contribution until you become an adult, until you get a skill set or something you love where you can start earning money. I always say that. I got a scholarship program, and I tell the kids, my scholarships are loans. You know what I'm saying? Yes, you can go to school, but if you quit, I want my money back. It's a joke, but that's what I do.
47:08But I say that to let people know there's no real free money. People can take that attitude. Like if I do something for you and you decide like, ah, I'm not going to do it, then, you know, hey. Am I right? Shoot me the money pack. Yeah, run that back. Right. You don't get to just kick it. Right. You got to deliver on something. Yeah. You have a number of things happening right now, which I love about you because you're multi-talented. You're not just on TV. You're just doing one project. You're creating a lot. Flipping box cars. is the book that is about to drop. Can you explain a little bit about this book and why you're deciding to do a book right now?
47:51Yeah, man. So Flipping Boxcars is a novel, and it's a novel loosely based on my machinations of my grandfather that I never met. Okay. So this is my father's mother who I would just, as I started to climb in my career, he would pop in my head sometimes with... Never met him. Never met him. He would say things to me, and I could see how he's dressed. I knew what he smelled like. And he would have these cool sayings about, you know, the suit don't make the man, but it makes the difference. You know, you'd be like, okay. You know, like, you know, like, and I would wake up and be like, oh, you know, even if it was a daydream, I would just have that, and I'd write it down.
48:36I was like, yo. And so I would have, I had these for a long time. And so when I had the opportunity, they asked me, did I want to write a book? And I said, I got this novel idea about my grandfather. I never met him, but I have these little tidbits. I got little stories from my mother, little stories from my uncle, but I see him as a whole character. Wow. So we created this fictionalized tale and made him the center of it. So it's little true and a fictional tale. Interesting. So, and that's what flipping boxcars is. And it's so much fun, man, because of course I had to go in and dig up some family history and go back and do some research and all that was great.
49:21And then at the same time, get to tell this imaginative story of someone in the 1940s. If he could have been me, he would have been. That's basically what I feel is the connection, is that he was a person that, you know, the world was totally different. He was in a small southern town in Missouri where, you know, as a black man, there's only so much you can do. But if he could have literally been who he wanted to be, he would have been his whole self, like me, like a person that's like I can't be stopped by nothing. And I don't have nobody stopping me. So I can literally get up in the morning and try to do things and not do things.
50:04And it's on me. Nobody's saying, you can't do that. So in 1948, we based a story around that. The 4th of July, he used to host this. But he was a gambler, like a famous gambler shooting dice. And back in those days, dice players were likened to the poker players we know today, like how we know famous poker players like then. But dice players were known. People knew these guys, you know, Blackie Johnson and Bay Boys. They were known. Like they would be on Billboard, like on the flyers that you stick on a light pole like that and say, they're coming to town to gamble. You're like, so my grandpa was one of those guys.
50:49He also had a business with my grandmother. They had a cafe in this place called the Sportsman Hall that also had a big banquet room in the back that they would turn into a casino certain nights of the week. And then he was friends with the sheriff. And these were real things. And so I took that whole story and made a caper. And so Flippin' Box Cars is about dice. So a pair of sixes is considered the boxcar. And then on the dot, then it's a whiskey caper going on because they're moving liquor. He and his partner, the sheriff, are doing this big caper and they have to do it with the trains. So the boxcar is on the train.
51:38And so you flip the boxcar. There's a whole little thing that's going on. And so it's a great story. We had so much fun writing it. and Harper College, Amistad and Harper College is putting it out September 12th, people go check it out. And it was special and a real great journey for me to allow that kind of creative come out. That is beautiful. It's interesting, it reminds me, my great great grandfather wrote a book about, wrote just the history of his life and we have it in a book format. Yeah. I think like 20 people have read it in our family but I have this historical data of what life was like back in the early 1900s from a grandfather's perspective.
52:22It makes me want to go back and read through this and really dig in and see what his perspective was. So I appreciate you doing that. I want people to get the book, Flipping Boxcars. We'll have it linked up. We'll put a graphic up. Make sure you guys grab a few copies of that for some friends. That's really cool, man. I'm glad you're doing that. Yeah. you also got a show on A &E called Kings of Barbecue. I love the nod, the Kings of Comedy. But amazing stuff, so people can watch that. Saturday Night's on A &E. It's all barbecue-related stuff. You've got an amazing brand also out there called AC Barbecue, which is in Walmart and I think it'll be in other places soon as well.
53:02Sauces, rubs, more things. So look for AC Barbecue. you. I think it's a brilliant thing, you know, that you're matching media and your own business and brand, which I think is brilliant that you're not just thinking I'm a talent and I'm just going to do talent work. Yeah. But you're building businesses, you're building products, you're adding value to your community and extending and using media to promote these things. I think it's really smart how you've strategized your career and your business mindset through the process. It's really impressive. Then you also have, you're in the sixth season of The Neighborhood, which you're, I believe you're an executive producer.
53:43Yeah, executive producer. Executive producer on the show as well, which is hilarious. I think I told you, I used to do CrossFit with Max like 10 years ago, almost for like every day. Oh, my God right there. Funny guy. This is probably like just a tenth of what you're doing. Yeah, right. But it's amazing everything that you're up to. So I want people to check out Flipping Boxcars. You can order that now. I want you to check out Kings of Barbecue if you want to laugh and see barbecue on Saturday nights, A &E, and then the neighborhood. Yeah, man. We can't get enough of you, man. We need more from you, man.
54:18We need more from you, man. I'm outside. You got so much other great stuff, but where can we follow you just to see everything else you're working on? Yeah, yeah, you can follow me. You know, my IG is saidtheentertainer. You look for the blue check on IG. And I am Cedric is my website that kind of has everything. And I know that I'm on Facebook and Twitter and all those. But your website and Instagram are kind of like the main place. That's what I mainly rock with. Okay. Cedric and Intainer. Yeah. I am Cedric.com as well. We'll have all the stuff linked up. Yeah, it has all the other links to everything.
54:59Amazing, man. We'll make sure to link all the stuff in the show notes too. this is powerful i've got two final questions for you uh this is a question i ask everyone towards the end of my interviews called the three truths okay so it's a hypothetical scenario hypothetical question imagine you get to live as long as you want okay long as you want and you get to continue to live your life the way you envision it family friends career it all goes the way you want it uh but for whatever reason in this hypothetical scenario it's the last day on earth for you you got to turn the lights off and you can't leave anything behind that you've created so flipping boxcars any other book this interview kings of comedy all the tv shows you've done and gonna do the movies for whatever reason they're gone but you get to leave behind three lessons to the world so without having access to your content anymore you get to leave behind three funneled truth.
55:58This is all we would have to remember you by. What would be those three lessons you would leave behind or those three truths for the world? Oh man. I think that, well, nobody can be you but you. So trust that your DNA is necessary, it's an individual thing, and that it is a reason to be. You're you. Trust that part. Be a good citizen. I think that we just live in a space where civility, understanding, sensitivity to others, what their circumstances is, is super important. If I can give you that as a citizen, you just live and I'm civil, we good. Don't come over here with your nonsense. I won't come over there with mine.
56:56And then, you know, laugh, man. Laugh, man. Just try to get a good laugh here, man. That's it, find a way to laugh, man, in life, and find joy. Those are the things I think are really important, man. Like, you know, if you can have those moments, It's those those they they lift you and they help you ride. They heal you. And, you know, they always say laughter is a good medicine. But really, you know, that that good laugh is one of those things that can really change the trajectory on a rainy day, on a sad day, on anything. So figure out how to get you a good laugh. Those are good truths. I love that.
57:45Before I ask the final question, Cedric, I want to I want to acknowledge you for a moment like I did in the beginning for. man you showed up for again the St. Louis community you showed up for the country in so many different ways you bring healing energy through your entertainment your laughter your ability to be creative and and bringing people together through your way of being so I just want to acknowledge you for your consistency it's I don't think people realize how challenging it is to show up at the level you do for 30 plus years and do it with a good heart, a kindness to you, a good energy, a consistent creativity to you.
58:26So I really want to acknowledge you for being a leader in this entertainment world, in comedy and beyond the way you've done it. It's been really inspiring to grow up watching you, to know you now, and to see you continue to thrive. I acknowledge you man. I acknowledge you. My final question, what's your definition of greatness? Definition of greatness, man, that's a really interesting one, man, because I think you have to, I think my definition of greatness would be to be excellent and then one step past that. Like, so be as excellent, as proficient, be as unique as you can as a person, as an individual.
59:16And then to be great, you got to somehow cross and step right past that. And, you know, it's a thing that's... So that means that even when you are excellent, when you are at the top, that you've decided that I can actually put something else in the world that everybody else can now aspire to. The line has changed, and that's what greatness is. It moves the line. It moves the line up to where now we've got to keep going because if we all right here, that's dope. We're killing it. But that one person that did that, you're like, oh, I didn't even know we can go there. And then you keep doing it.
1:00:01And that's what greatness rings about. I hope today's episode inspired you on your journey towards greatness. Make sure to check out the show notes in the description for a rundown of today's show with all the important links. And if you want weekly exclusive bonus episodes with me as well as ad-free listening experience, make sure to subscribe to our Greatness Plus channel on Apple Podcast. If you enjoyed this, please share it with a friend over on social media or text a friend. Leave us a review over on Apple Podcast and let me know what you learned over on our social media channels at Lewis Howes.
1:00:35I really love hearing the feedback from you and it helps us continue to make the show better. And if you want more inspiration from our world-class guests and content to learn how to improve the quality of your life, then make sure to sign up for the Greatness newsletter and get it delivered right to your inbox over at greatness.com slash newsletter. And if no one has told you today, I wanna remind you that you are loved, you are worthy and you matter. And now it's time to go out there and do something great.
From the publisher
From his early days as a State Farm insurance agent to gracing the stages of Def Comedy Jam, from captivating audiences in stand-up comedy to bringing beloved characters to life on the big screen, Cedric's journey is nothing short of extraordinary. And today, we're here to dive deep into the world of comedy, huge success and how you yourself can find your voice and achieve great success.
Cedric Antonio Kyles, better known by his stage name Cedric “The Entertainer,” is an Executive Producer, Director, Actor, Comedian, and now – a Novelist. Over the course of a career spanning 30 years, he has solidified his status as one of the world’s premier performers on the stage, in film, and on television.
In this episode you will learn,
- What makes someone undeniably magnetic and entertaining.
- How to break from destructive habits and live the life of your dreams.
- The mindset shifts necessary to move from a traditional career path to one in entertainment.
- The lifestyle sacrifices of a top-tier performer.
- How to speak to an ever-changing audience from a place of authenticity.
For more information go to www.lewishowes.com/1496
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