In short
The Town episode focuses on whether David Ellison (Skydance/Oracle) will expand beyond Paramount by making a majority-cash bid for Warner Bros. Discovery, potentially ending Warner and HBO as separate brands and reshaping Hollywood consolidation. Key guest backgrounds: Lucas Shaw is a Bloomberg reporter covering Hollywood/media; Rich Greenfield is a Lightshed Media analyst known for media/tech-industry coverage.
Key claims
Ellison’s likely rationale is scale and franchises (HBO/Warner IP like Sopranos/House of the Dragon), not cable networks; Warner may sell sooner due to leverage math and a looming sale/spin of a 20% HBO stake. The DOJ/FTC risk is framed as potentially lower under Trump.
Notable examples
comparisons to Disney-Fox and Amazon-MGM; discussion of Zaslav’s prior cost-cutting; Emmys 2025 recap (Netflix and HBO tied with 30 wins; Apple’s Severance wins; Hacks won comedy; Hacks and The Pit highlighted).
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOEllison's Bid for Warner Bros: Background
2:04 to 4:10
Discussion on David Ellison's potential bid for Warner Bros and industry implications.
“I gotta say, talking to people at Emmy parties this weekend, there was yet another little mini wave of distress over Hollywood.”
Analyzing the Industry Reaction
4:10 to 7:30
Exploration of reactions within Hollywood regarding Ellison's ambitions.
“From The Ringer and Puck, I'm Matt Felony and this is The Town.”
The Strategic Moves Behind the Bid
7:30 to 11:40
Discussion on the strategic reasons for Ellison's bid and implications for Warner Bros.
“I want to know why this is happening now.”
Future Prospects and Competitive Landscape
11:40 to 14:03
Analysis of future scenarios for Warner Bros and competitive dynamics in Hollywood.
“And certainly not competition that stands as good a chance as he does of getting it through the regulatory regime.”
Warner Bros. and Paramount Merger Discussion
14:03 to 18:32
Exploring the implications of potential mergers and bids in the entertainment industry.
“Paramount Plus, HBO Max, two or all three of them need to come together because we don't need them all.”
Zaslav's Strategies and Industry Dynamics
19:39 to 28:00
Analyzing Zaslav's position and the competitive landscape in media.
“I think yes, but it might be as simple as a reciprocal offer where David invited Ted to go to a Knicks playoff game with him.”
Initial Reactions to Ellison's Interest in Paramount
28:00 to 28:16
Discussion of varying predictions on David Ellison's dealings in Hollywood.
“I feel the same way that I did when I first reported on Ellison's interest in Paramount.”
Emmy Party Experiences
28:18 to 29:21
The hosts share their experiences and opinions about various Emmy parties.
“Lucas, I did not see you last night at the various Emmy parties.”
Food Reviews from Emmy Parties
29:23 to 31:05
A ranking of food offerings at different Emmy-related parties, including notable dishes.
“You go to the bar at the Oscars and the drinks are free.”
Tim Cook's Presence at Apple Party
31:07 to 32:26
Discussion of Tim Cook attending the Apple party and the implications of his presence.
“Very nice to catch up with some of them who I had not seen since I did my little cameo at 3 a.m.”
Show all 13 chapters
Surprises and Winners at the Emmys
32:28 to 34:21
Analysis of unexpected winners and standout moments from the Emmy awards.
“So yeah, disappointment, but it's an award show.”
Losers and Industry Reflections
34:23 to 39:28
Discussion on the losers of the Emmys and broader industry commentary regarding performances.
“Another shocker, Seth Rogen not smoking weed at the Apple party.”
Future Predictions for Awards
39:29 to 40:58
The hosts speculate about future Emmy awards and upcoming shows.
“He was nominated in a couple categories, did not win directing for Severance, did not win series.”
Transcript
Automatic transcript. May contain errors.0:00If you care about Hollywood, and I assume you do if you're listening to The Town, you should really be getting the whole story about Hollywood. That's what you get with Puck. I'm a founding partner at Puck, and I write a newsletter called What I'm Hearing. It's got exclusive news for insiders and analysis of the biggest stories. Puck has a bunch of great journalists. We just hired Kim Masters, who also covers Hollywood from the inside, plus media, sports, fashion, politics, and finance. It's a must-have for plugged-in people. Fans of the town get a discount on the description page of this episode or at puck.news slash the town.
0:31Go further into Hollywood by becoming a Puck member today. This episode is brought to you by LinkedIn ads. Ever invest in something that seemed incredible at first but didn't live up to the hype? Marketers know that feeling. They optimize for the numbers that look great, impressions, reach, and reacts. But when they don't show revenue, well, that's a not-so-great conversation with the CFO. LinkedIn has a word for that, bull spend. Instead, why not invest in what looks good to your CFO? LinkedIn ads generates the highest ROAS of all major ad networks. Reach the right buyers with LinkedIn ads. You can target by company, industry, job title, and more.
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1:52The result? Less time spent on operations, more time connecting brands with the moments and fandoms that matter most. To learn more, check out Accenture.com slash Spotify. It is Monday, September 15th. I gotta say, talking to people at Emmy parties this weekend, there was yet another little mini wave of distress over Hollywood. All stemming from the news last week that the Ellison family is preparing a majority cash bid to buy Warner Brothers Discovery. The Ellisons just bought Paramount, as we've been chronicling, and as I've been discussing in my Puck newsletter for a while now, David Ellison wants to go after Warner Brothers and its stable of franchises, plus HBO Max and its 150 million or so subscribers worldwide.
2:36If this deal happens, and it's still a big if, there's not even a formal bid yet, it would almost certainly mean the end of Warner's and HBO as we know them, and a questionable future for yet another legacy Hollywood studio. Remember, Fox was sold to Disney, and MGM was acquired by Amazon, the consolidation of Warners and Paramount in some form under one owner would be very, very impactful to the business. Lots of anxieties and questions here because of that. Namely, why would the Ellisons want Warner Discovery, especially all those garbage cable networks when they can wait and bid just for the studio and streamer next year after they're split from the TV networks?
3:10It's true that Paramount is still a subscale company competing with Netflix and Apple and Amazon and YouTube. HBO and the Warner Studios would give it a lot more scale. And more importantly, the Ellisons have nothing but money. Larry Ellison was briefly the world's richest man last week. But the combination of AT &T and Warner Brothers didn't catch Netflix, so why should the Ellisons think Paramount and Warner's has a better shot, even with all that Oracle money behind it? Or is this just the beginning of something even bigger? Today we're going to get into both why this bid is happening and also some of the implications throughout the industry if it does happen.
3:45And for that, we've got two guests, Lucas Shaw, our normal Monday guy from Bloomberg, and Rich Greenfield, the analyst from Lightshed, who's been writing a bunch on the topic. And then it's the big Emmys 2025 recap with Lucas, including everything that Craig ate at the Emmy parties. It was a lot. It was a delicious cookie at HBO. Today, it's Ellison plus Paramount plus Warner Discovery plus the Emmys. Is the deal really happening and all the ramifications? From The Ringer and Puck, I'm Matt Felony and this is The Town.
4:18Okay, we are here with a very big show. So big, so much to talk about that we have two guests. We have Lucas Shaw, our normal Monday guy. And we also have Rich Greenfield, the analyst, the partner at Lightshed Media, the poster of various workout videos on Instagram. Welcome, guys. I'm letting Rich go first. He's the special Monday guest. I'm just the normal Monday guest.
4:43Rich Greenfield:I'm honored. I'm honored to be included on Monday with my two favorite reporters. So I'm very excited. That's nice. That means a lot. Thank you. All right. So we're going to get into some Emmy stuff with Lucas at the end of the show. But we are devoting the majority of the show to the big news of the past week. The coming bid, which has not even arrived yet, but just the news confirmation of what we kind of already knew that David Ellison is now not content just with Paramount. He wants to go after Warner Brothers Discovery. And I got to say, guys, at these Emmy events last night and over the weekend, chatting up people in town about what they think of this.
5:24And it's amazing the turnabout. Ellison was considered this savior of sorts. Oh, he's going to put billions into Paramount, save the studio. He's going to release 20 movies a year, going to spend tons of money on streaming. And everyone's excited about this new player. and then it's like, whoa, whoa, whoa, wait a second. You're going to do what? You're going to buy another studio and potentially combine them and eliminate one of the biggest buyers in town, potentially? The sentiment, not great. People freaked out about this. I feel like it's mixed. Oh, really? Okay, well, tell me who is excited about this and why.
6:05Some of the people who work for Warner Brothers Discovery are excited about it. Other than that, other than the people who are like, He has put us out of our misery, this long national nightmare of having to endure a stock price that is cut in half and the management that seems to be positioning us for a split and a sale anyways. Who besides those people is excited about this?
6:26Rich Greenfield:Well, just remember, Matt, at the very beginning of the Warner Brothers merger with Discovery, remember how everyone was sort of being talking about the excitement of Zaslav coming to town. He was going to spend all this money. He was excited about Hollywood. And how quickly did that turn into cost-cutting? Well, he was talking that way. There had been frustration with the previous regime because of Jason Kyler's approach to movies, because there were a lot of people who felt like he didn't get Hollywood. And so they're like, okay, David Zaslav, he's going to love movies. He's moving into Bob Evans' house.
7:00He gets us. And guess what? He didn't get them. I know. I thought Lucas was going to say, people like Rich are excited about this. Well, bankers, consultants, it's going to be great for McKinsey or Bain and Company or whoever it is that David works with for the restructuring. Well, the fact of the matter is he's tried for three years to raise this stock price, which has been significantly hurt. And the only thing that's really done it is now this speculation of a sale. So I want to get into that. I want to know why this is happening now. I want to talk about the ramifications across all of Hollywood.
7:38And let's get into the first part. Rich, why is this happening now? Why not just wait for a split? They say they're going to split the company into the good stuff, studios and streaming on one side, and the bad stuff, the crap co, the cable networks on the other. Why not wait until that happens and then take only the stuff you want?
7:56Rich Greenfield:The betting logic would be, you know, you're looking at the future and there's two things that are going to happen. One, because of the leverage challenges facing the Warner Brothers split, they were about to bring on a partner. So originally they had said, hey, we're going to basically spin this out, break these two companies. The global linear networks, which is going to be called Discovery Global, was going to keep a 20 % stake in HBO, which contains HBO and Warner Brothers Studios. Now they're saying, hey, we're going to sell 20 % of that soon. And soon might be like within weeks. I don't know who that 20 % owner is going to be, but that might have spooked Paramount.
8:35You didn't think that was just posturing on the part of Gunnar and the company that they had? He says he has a buyer lined up. He said that at a conference. Well, he said he's gotten offers. He did not say he had something set.
8:48Rich Greenfield:Okay. From what we've heard, the leverage math didn't work on the spin. And the reason they shifted to doing the sale before versus after, because you got to take a discount to do it before. You're not getting the same type of value creation, selling it now versus after it trades publicly. So the idea is they did the math wrong on the split and they had to raise more capital cash to actually delever it. But look, that may be secondary. Lucas may be totally right. Are we trying to answer why Warner Brothers Discovery wanted to do this now or why Paramount? I think the logic for Warner Brothers Discovery is obvious.
9:24They would love someone to buy them. I mean, maybe not David Zaslav, but the company, the board would love someone. The question is, why is Paramount moving now? But my take on that is they see the opportunity now to go after everything because A, they can, they have unlimited money, and they know that there are some potential buyers for the good half of the company. Netflix, Apple, Amazon, they're not buying cable networks. But if they're available, perhaps they're going to buy just the studio and streamer. And if they can get ahead of that and put in their bid now and potentially scare away some of these companies like Comcast or others that are potential bidders and go for the entire company, including the bad stuff, then it doesn't give those other companies a chance to come in.
10:16And the big tech people aren't going to get a chance to bid on the good stuff. Isn't that the reason? do you buy that Apple, Amazon, or Netflix would bid on the studio and streaming business, Rich?
10:26Rich Greenfield:If those three companies really wanted to buy this, are we really to believe that for the last three years, while Warner Brothers has been on its ass, that they couldn't have stepped in, bought the whole thing, and spun off what they didn't want? I mean, all of that was theoretically possible. They could have bought it in 2017 when they approached Jeff Bukas to buy it, and they didn't want the cable networks. They only wanted HBO. You're not just buying Warner Brothers. Like Amazon basically bought a pure play studio in MGM. Even after the split, is it really a pure play? I mean, you're still getting, HBO has deals with MVPDs like Comcast and Charter and DirecTV for years.
11:05Rich Greenfield:They have bundling arrangements with Disney and Hulu. Like it is not a pure play studio. You're definitely buying a platform that I don't think Netflix, Amazon or Apple necessarily, I don't think they want the HBO Max piece of it. They want the HBO content. They want Sopranos. They want House of Dragons. But do they want everything else? I agree with Rich. I don't think that these companies are that serious of bidders. Yeah, no, I agree with you as well. But they are potentials out there. Sure. I don't think that David Ellison has that much competition for this thing. Talk to David Zaslav. He's out there talking about bidding wars.
11:41And certainly not competition that stands as good a chance as he does of getting it through the regulatory regime. I do think there's probably something to the fact that normally this is the kind of deal that the DOJ and FTC would look at twice. I don't know that they do under Trump. And I certainly don't know that they do with Larry as the buyer. Yeah, I don't think David moves on this unless he has some kind of idea or assurance that he can get it through. And remember, there's no FCC review on this because there's no transfer of broadcast licenses. So the Brendan Carr issue is not a thing. the DOJ and FTC are a thing.
12:18And these days, whatever Trump wants, he seems to be getting with his people. So if he says, let it through, let it through. You say it's not a thing, but Brendan Carr could just say, hey, CNN, fairness, I'm going to make this a thing. I'm not saying, you know, you never know.
12:34Rich Greenfield:He's got no authority, but he could, I mean, I guess. Yeah, he could, but even on the Time Warner sale, it didn't go through the FCC. It went through the Justice Department. But let me ask you two a question. You're Brian Roberts. CEO of Comcast. You've wanted to merge NBCU with WBD Warner Brothers for years, going back even before the Discovery transaction. There is no FCC approval for that transaction either. You combine these two companies. Same idea would be true. Do you make a run? I think you do not try because you're going to be embarrassed because Ellison has more money and does not have to adhere to any kind of fiscal discipline.
13:15Unlike other situations, like when he bid up the price of the Fox assets, when Disney was going after that, just to kind of make them pay more. So what if Ellison has to pay more? Like, it's funny money when your father is worth$250,$300 billion, right? We're up to like$380 for him. Rich, I guess, how do Comcast shareholders respond if they make a bid for it, since I think they're already tired of what's happening with Peacock and NBCUniversal?
13:44Rich Greenfield:I'm sure they hate it. On the flip side, they did put a lot more debt on Disney's balance sheet than Disney wanted, right? That's true. And look, isn't Peacock sort of, I don't know what the word is, but like odd bird out? Ass out is the word. Well, Peacock and Paramount Plus are the two that everyone sort of agrees that Peacock, Paramount Plus, HBO Max, two or all three of them need to come together because we don't need them all. Yeah, David Zasla says we don't need them all. Right. So what do you do now? Like if you're Brian, you know, your studio looks smaller now. Your Peacock looks sort of stranded or alone.
14:18Rich Greenfield:I don't think they were really going to merge their cable networks at Versant into anything else. But, you know, certainly Wall Street hoped for that. Like none of that's going to happen if this merger occurs. And so, again, I don't see how Brian could ever win against Ellison. I think that's the challenge mathematically. I just wonder if he feels compelled to be part of the process. He's the only one that I think could bid now for everything. The others, I just can't see. At a minimum to make David and Larry pay more. Yeah. Okay, great. Congratulations. Like they get to pay more. It's like two days of Oracle stock.
14:53I want to talk about the price here because we do not know what this bid will even be. And I talked to an insider this weekend at an event who was basically saying, if the offer is in the 20s, in the$20 range, then it's a conversation. And Zaslav can go to the board and be like, well, we have growth potential here. Why are you doing? If it's above$30, was this what this person talked about? The threshold was$30. If the$30 per share bid comes in, it's over. There's no way the board can dismiss that, and it will be an easy process, and they will start the diligence, and Zasloff will be done. Rich, you put out a note this morning saying no investor we have talked to believes WBD CEO David Zasloff and the board of directors could vote no on a Paramount bid, assuming a$20-plus offer with the vast majority in cash.
15:51So you think it may be over even in the$20 range, not the 30 range. No, no, no.
15:56Rich Greenfield:I'm saying investors believe that. I actually agree with you, Matt. I think Zaslav feels like he's figured out Hollywood. Oh, please. I know he says that, but come on. You and Lucas and I, we all just sat here and talked about the fact that in theory, there are more bidders later than now. There may not be, but in theory there are. So you can talk yourself into a story of, hey, if we split and we keep having success in Hollywood and HBO with the pit and sort of the momentum from the Emmys and all of this, you can lead yourself into a into a world of, oh, let's say no now. And in two years, we'll have not just Paramount bidding in two years, but we might have an Apple or we might have a Netflix.
16:42There's a big difference between how David Zaslav feels about it and how the board feels about it, right? You would think so. Although he's saying to people that Malone is off the board and they're much more in line with him. But I disagree. I think they're going to get sued. They're going to get shareholder lawsuits if they don't look seriously at an Ellison bid that takes them out at a very attractive price. They're trading at almost$20 a share after they had a run-up because of excitement about the deal. Yeah, if there's an offer in the mid to high 20s, they're going to have to go down. It doesn't have to get the 30 for them to seriously consider it.
17:18I'm not saying it'll happen.
17:19Rich Greenfield:Anything above 20, I would say yes, like mathematically. But I don't make these decisions. There are humans who are looking at this. And David Zaslav is yelling in their ear, saying, I can make this a double of Emmys. The movie studio's had a great year. HBO's growing. But you know what? He has had three years to do this. but he could say it takes time. And Pam and Mike, it took time. The company has never traded on the success of the movie studio. We know that. He promised$14 billion a year in EBITDA in 2023 when he came into this company. Where is it now? Rich, what is the EBITDA going to be this year?
17:57Rich Greenfield:It is not a 10, right? You are a sub 10. That is the answer. Weapons does not move that needle. Superman does not move that needle. So my fundamental view is these are tough businesses, not just Warner, but this whole sector. I mean, Disney stock is where it was a decade ago. If you can get a lot of cash, like 70 plus percent cash at a big number where this stock hasn't traded in years, you should take it, thank David Ellison and the Ellison family fortune, and just go do something else.
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19:08Right now, get up to 15 % off select storage solutions. Put heavy-duty HDX totes to good use, protecting what's important to you. The solid, impact-resistant design prevents cracking, and the clear base and sides make items easy to find even when the totes are stacked. Find select shelving and tote storage up to 15 % off at the Home Depot to organize every room in your home, from your garage to your attic. Visit HomeDepot.com How doers get more done Do you guys make anything of Zaslav Sitting next to Ted Sarandos At the boxing match On Saturday night Which is a thing that happened I had multiple people texting me That Zas was sitting next to I asked Ted about this At the Netflix party He said David is a friend I invited him But I'm pretty sure Zaslav enjoys the optics Of his cozy relationship with the co-CEO of Netflix to get potentially the rumor out there that Netflix may want to buy them.
20:09I think yes, but it might be as simple as a reciprocal offer where David invited Ted to go to a Knicks playoff game with him. And then when Ted had a big sporting event, he was able to offer this in return.
20:25Rich Greenfield:I have a slightly different take on that, Lucas. I actually think the reciprocity was actually hanging out at Wizard of Oz in Vegas. and getting to see what... No, I mean, I think for Netflix content, is there opportunities to use that as sort of an event venue for films or content in general? Yeah, but Zaslav doesn't own The Sphere. They have a movie there. But if Sarandos wants to do a deal with Sphere, he's got to call Jim Dolan. I understand. Okay. What can Zaslav do here? Clearly, he does not want this Ellison deal to go through. He wants to be crowned, as I wrote, the king of all Burbank and have his studio and streamers company where he can then auction it off and potentially get other bidders and have more time in the limelight here.
21:18What can he do to forestall this, if anything?
21:22Rich Greenfield:I think it really comes down to what does the board believe? Does a majority of the board believe that after the split occurs, so the split set for sort of April through May, June of 2026, does this board actually believe that Apple, Amazon, Netflix, or at least one of those, maybe two of those, are real bidders for HBO and Warner Brothers? If they do, they have an actual path as crazy and as insane as this is, they have a path to saying no. If they don't believe they're credible bidders, there is no path fiduciary-wise to say no. I have a different question from the Paramount perspective. Do we actually think that this is the best use of the Ellison family fortune?
Read the full transcript
22:04In media, if you just bought Paramount, should you invest a bunch of money into Paramount or do you buy something else and merge it with Paramount? What is a better use of the money? I think what Ellison thinks, and this is from conversations with him, I asked him this point blank at their media event, he wants franchises. And he has always been a franchise guy. This is a guy who was making Terminator movies. This is a guy who was doing Top Gun and doing Mission Impossible. He wants franchises. And as I've said on the show many times, Warners has franchises. I mean, they've been talking it up ad nauseum.
22:40These are real franchises. Now, query whether they can manage them successfully and keep that value going. But they have IP and they have the expertise to do it. Now, I think mashing these companies together would cause a lot of chaos. And I don't know if there's a world in which Casey Bloys and HBO would ever report to Cindy Holland, the streaming chief at Paramount. Maybe they have to do something to keep him separate from there and have him directly report to the CEO. Maybe the regime at Warner Brothers wouldn't want to report to Dana Goldberg at Paramount, or maybe they have to put them above her.
23:18There's something that would need to happen. But ultimately, these companies are complementary to each other. The Paramount Plus audience is different from the HBO audience. Warners has franchises. Paramount doesn't. They are complementary companies.
23:34Rich Greenfield:You're saying like, if I had unlimited amount of capital, basically, that's what Luke is saying. David is in a situation where he has somewhat unlimited. He had, fine, we'll say unlimited. I'm not sure it is. So does Netflix. And Netflix has real problems. Unlimited capital to build the media company of the future that I, David Ellison, want to run. And I've started that by buying Paramount. What is the best way to move forward? Do you hear my point, though, that it's not just about money, it's about franchises, and you cannot replicate 100 years of Warner Brothers franchises? And Netflix knows this better than anyone.
24:07That's great. How are those franchises working for HBO Max right now? Well, they just won Emmys and got a lot of audience for The Penguin. Okay, but The Emmys don't fucking matter. I know, but Penguin is actually a show that people watched. And you know what? Harry Potter, as much as we laugh at it, people are going to watch that show. I'm very excited for Harry Potter. All right. But you know what I'm saying? They have those resources. Sure. You know what Paramount Plus doesn't have? They don't have those kinds of shows. They rely on Taylor Sheridan. And yet Paramount Plus accounts for almost as much viewership as HBO Max, despite having a fraction of the library and none of the franchise.
24:41But do they have the revenue that HBO and do they have the branding? And if we were to combine those two services, what would we call it? We would probably call it HBO.
24:51Rich Greenfield:I think you have to just step back and go. Ellison has a plan. Just like if you look at the tech giants, what they've done by just investing, you know, Netflix hasn't really bought anything. Amazon, sure, they bought MGM. But like all of these companies are proving that money talks. And if you have enough money, you can overpay people to walk across the street, just like the Duffer brothers just walked over, just like South Park is now being reheld by Paramount. Like if you spend money, you can get the content. The problem is it takes time. And I feel like the reason why you do this, Lucas, is you're trying to accelerate the plan.
25:24Rich Greenfield:Like you have a plan inside of Paramount to go build over the next five years. But if you want to hit the accelerator button and move swiftly, you make a big acquisition to just speed up the IP rather than building from scratch. You take it in a much faster way. That makes a lot of sense. The only thing I guess I'd say in response is merging, integrating, restructuring, all that stuff is also really time consuming. And they've been through it three times in the past seven years. And I mean, I can't even imagine going through it again if I was an HBO or Warner employee, especially knowing that the end result is going to be thousands more layoffs.
26:04Rich Greenfield:at the end of the day, when you think about what Ellison's ultimate plan is, my guess is, Lucas, this is still only a piece. Like, I still think that there's a whole technology angle to what he's trying to do. And, you know, obviously lots of headlines out earlier today about what the Trump administration is trying to do with the Ellison family and Oracle for TikTok. Like, I feel like there's 4D chess going on. I don't know exactly where this all fits together, But I do feel like there's more to this than just buying Paramount and even if they assume they do Warner Brothers. I still think there's more to it than just those two things.
26:40I totally agree. And I think that the ambitions of a 42 year old son of the world's richest man can never be underestimated because this is what is so terrifying to people around town to bring it back home is not only can he buy anything he wants, really. He kind of seems to want to. So does it mean TikTok? Does it mean Snap? Does it mean any of these technology companies that could potentially be merged with entertainment assets to create a real competitor to YouTube or Netflix or one of these other companies? We kind of don't know. TikTok plus professionally produced studio content? Pretty powerful.
27:24Yeah, although I still am a little suspicious as to what any of these TikTok sales mean or look like when the underlying technology is still going to be controlled by ByteDance. Yeah, yeah, but for now, you never know. All right, so guys, give me your odds on David Ellison buying Warner Brothers Discovery. Rich, first. Percentage chance that this happens. That a year from now, we are talking about HBO, a Skydance corporation, Warner Brothers, a Skydance corporation? 70%. 70 %? Yes, it happened. How about you, Lucas? I was going to say 60%. I'm going to go 75%. I want to Trump Rich a little. I think it happens the same.
28:08I feel the same way that I did when I first reported on Ellison's interest in Paramount. Money wins. Thank you, guys. Appreciate the time. All right, we are back with the call sheet. Lucas, I did not see you last night at the various Emmy parties. Were you out and about? Yeah, I went to two. Oh, you did? Which ones? I went to Netflix and then HBO. I think we just missed you at Netflix. We had heard you were just there. Yeah. Craig and I enjoyed the show. We were there. You know, not a fan of the whole Nate Bergazzi speech shortening bit. Like, what are we doing there? The Boys and Girls Club donation thing.
28:46Yeah, I just, it was a funny idea, but it just felt like an abdication of his hosting duties where you have one joke that goes the entire show.
28:55Rich Greenfield:Also, I think half the point of award shows is that people get to watch their favorite celebrities be candid on stage and speak about their award and winning. It was a miss. It was a miss. This bit was effective and that a lot of people like Colbert and John Oliver would come up and rattle through 10 seconds of thank yous and get off the stage, which I don't think it should be the goal of an award show. Came in under three hours, though. I really liked it at the beginning and then, yeah, it lost momentum. By the way, can we, this is a bone of contention with the TV Academy. Really? A cash bar at the Emmys?
29:29What are we doing? Is this a trucking convention? Like, the Oscars would never do that. You go to the bar at the Oscars and the drinks are free. Like, come on.
29:40Rich Greenfield:Do you think it's because the Emmys is three times the size of the Oscars and if it's an open bar, there's just going to be nobody in the seats and everyone would just be drinking in the back area? Well, that's what they say. They say they do it to discourage congregating in the lobby. But you know what? Come on. We're there three hours. It's a painful ceremony. Just like give us some drinks. Maybe two free drink tickets or something. Sure. There you go. Everyone gets two free drink tickets. I know it's embarrassing. Craig, this was your first Emmys. Give us your food review of the Governor's Ball and the three parties.
30:13You and I went to three parties last night. Rank the food offerings. Well, it's tough to... HBO, we got there very late, so I almost have to disqualify them. But I would say that... Oh, HBO had the best food. I can just tell you that. Oh, really? I saw the potential there. The hand roll station was closed when we got there. They had caviar. They had Holbox, which is amazing Mexican seafood. They had a DIY potato chip and caviar station. They always have the hand rolls. They had For the Win burgers on the way out, which was great. Wow. Yeah. Although Netflix had Mother Wolf pasta and pizza, which tasted very good.
30:45I got to admit that was like hit the spot after being famished for three hours.
30:50Rich Greenfield:My review is Netflix best food, Apple best vibe, HBO best dressed. They even had a mini Tom Cruise cake table at the governor's ball. Doan's bakery. They had a little sign like if you're in the know, you know, that's the Tom Cruise cake. We did go to the Apple party. It was quite a scene. Saw a lot of the studio people. Very nice to catch up with some of them who I had not seen since I did my little cameo at 3 a.m. at the Venetian in Vegas two summers ago. There was a celebratory vibe there for sure. Tim Cook showed up. I have some breaking news. Tim Cook is aware of the town and has possibly listened to the show.
31:29That's a career-changing moment for you. Apple's going to make an offer to buy it from Spotify. How much would it take for a bill to say yes? Well, much like David Zasloff, we are going to start a bidding war. I'm hearing there's a bidding war for the town. Sirius XM has come in at$25 million. Apple, bring it up to$40 million or no deal. Yeah, Matt, you need to be at the next Dodger game next to Tim Cook. Exactly. I'm going to start a rumor. Do we think that Apple considers last night a success when you know they had to think they were going to get both of them? I know you predicted they were going to lose, but I know that their executives were telling people before the show oh, it's going to be a good night for us.
32:09Severance was considered the favorite by the odds makers. Yeah, I mean, Tim Cook has a relationship with Ben Stiller. I think they probably would have loved that. But for Apple to get all those wins for the studio, they did get two big acting wins for Severance. Not nothing there. And at the party, Tim Cook was posing for photos with Britt Lower and Trammell Tillman. So yeah, disappointment, but it's an award show. Like it's not going to impact the price of iPhones. There was a lot of surprises, actually.
32:40Rich Greenfield:We were going through the odds, Matt and I sitting at the show, and there was a lot of underdogs that won. Obviously, the Jeff Hiller thing was incredible. He was 34 to 1 odds. He was dead last in the odds. That was like Leicester City winning the Premier League. I was texting with someone and I was like, we need a full investigation of how this happened. How did Jeff Hiller beat Harrison Ford? And most people thought Ike Barinholtz from the studio had a good shot at it. But like Britt Lauer was not the odds on favorite to win. So there was some severance. Who was the random actress who you were obsessed with the campaign for her to win Best Actress at the Oscars a couple years ago?
33:13Andrea Rice, bro. Yeah. I don't think this is that, though. I mean, do you think there was some Jeff Hiller underground campaign? I think people just watched the show and liked it and thought he was amazing in it. And all the other people canceled themselves out and he pulled it out. Yeah. This is why we should release the actual numbers on the votes at these award shows. It would make them so much better if we knew how much people won by.
33:38Rich Greenfield:Also, if Harrison Ford had won, he would have gotten on stage and put the whole Boys and Girls Club thing to rest and just offered a million dollars to end this, and it would have been great. And gotten the biggest ovation, and it's basically his mailbox money from Star Wars. Well, the bit was totally undercut because you obviously knew by the end of the show, Nate was going to come on and say, we're paying, we're going to double our donation, blah, blah, blah. Craig, you said something interesting to me last night that the Emmys parties are more fun than the Oscar parties. It felt a little bit more integrated.
34:09Rich Greenfield:Everybody was allowed to hang out together and it felt more inclusive, which I found to be fun. It wasn't like, oh, the cool people are cordoned off in a corner and you can't access them. It felt like a fun party that everybody was equal at. Yeah. Another shocker, Seth Rogen not smoking weed at the Apple party. He had too many Emmys in his hands. They even did it at an outdoor patio restaurant, thinking that he would probably smoke a joint or two during the party. It didn't happen. He was holding four Emmys. He couldn't hold a joint in his hand. He could. I got to think Tim Cook being, you know, four people away probably impacted that a little.
34:47Perhaps. I don't know that he cares about that. Okay, let's do some sneaky winners and losers. Obviously, the Emmys themselves are winners here. The show was up about 8 % according to CBS from last year. 7.42 million viewers. Not bad, not great, but definitely not bad and not declining. Netflix and HBO both tied for 30 total wins. So I guess they got to be winners. Apple also got the most wins that they've ever had, thanks to the studio, mostly in severance. Last year was supposed to be FX's year. HBO ends up stealing comedy with hacks. This year is supposed to be Apple's year. They steal drama with the pit.
35:24I had two people in those shows, though. I feel like for Noah Wiley, whose career basically didn't exist post AR, excuse me. Oh, he was on that TNT show for a while, but I agree with you. He was a driving force behind the show coming back that same day. There was a whole New York Times piece about, was this theft? Did they screw over the Creighton estate? And it's just, they win. And Hannah Einbinder, the star of Hacks who had never won before. That was a big win for her. Colbert, man. Colbert getting his anointing. Colbert won is a little funny where like, okay, your show got cancelled because it was losing a bunch of money.
36:00And now the industry, which has never given you an award, decides it's the time that they care. It's like the people who get upset. Well, he's a martyr. Yeah, I get it. I get it. That's fine. My sneaky winner is Owen Cooper, the kid from adolescence. That kid was amazing in his speech. I saw him in the restroom of the Netflix party. And the guy's getting swarmed by everyone. He's this giant star. I do know there's a feeding frenzy to sign him because he doesn't have US representatives. and like that guy, I would not be surprised if that guy makes the transition and becomes a real adult actor. Him and Tramiel Tillman had the most comfortable, charismatic speeches.
36:36I mean, he just walked up and it sounds like he was off the cuff. He was incredibly professional for a 15-year-old. Yeah. Thought he was great. Losers, I have Disney. They only got one win for Andor. FX won nothing. I had FX specifically because they had such a big year last year. They got nothing this year. Landgraf didn't even show up. John Landgraf was not there. I was told he was there. Oh, wait. Is that true? Maybe just the FX people. But I was told the FX had like, people have given up on the bear. Yeah, the bear people didn't show up. No I.O. Debrey, no Jeremy Allen White. I had both Harrison Ford and Kathy Bates as sort of sad losers because everyone thought that they were going to win and they didn't.
37:15Well, the whole notion of a star doing television, like a movie star doing television and getting an automatic Emmy, that's not true anymore. We're over that. Michelle Williams can do television. Cate Blanchett can do television and they're not necessarily going to win. And when no one watches their shows, nobody hurts to them. So, I mean, it's going to be trickled down to the business. Like, do you green light those shows when you know you can't necessarily get the Emmy? You get the nomination. They got their nomination. Well, Shrinking, I feel like it's a successful show. So they would do that show 10 times out of 10.
37:45Yeah, that's true. And Matlock is also a successful show. But Dying for Sex, that was greenlit because Michelle Williams wanted to do it. and disclaimer was greenlit the Cuaron show because Cate Blanchett wanted to do it. The problem with that is neither of those people have ever really been commercial stars. Yeah, it's true. Another loser, Amazon, just a non-player this year. I mean, perpetually now, I feel like they're just not in this game. Maybe a loser for David Ellison. Paramount put out a big statement sort of rebuking the stars who had said that the Israeli film groups should not be supported because they're implicated in the war in Gaza.
38:22And then lo and behold, on CBS, the network he now owns, we have Hannah Einbinder and Javier Bardem dropping their Free Palestine comments and stuff that he probably doesn't agree with. So maybe a little loser there. As an SNL superfan, do you feel like SNL got enough love for year 50 when John Oliver still won a couple of the categories up against them? No, I do not. I was happy to see Lauren get his moment on stage and give his speech. That was great. But I would have liked to see the John Oliver streak end because if ever there was a time that it was going to, it would have been the 50th. But the voters chose to honor the actual 50th special, not the season.
39:01Yeah, and they did end the John Oliver streak for Colbert. No, no, John Oliver is not eligible. He's not in that category. Oh, right, because they changed the category. He goes up against SNL, and it was the Daily Show that won last year and the year before. so he beat The Daily Show but I think Jon Stewart's probably okay with that.
39:18Rich Greenfield:I do think the funniest thing that they did at the show was the opening SNL sketch. I thought that was well done. Yeah, that was funny. Even though it was a rip-off of the SNL George Washington sketch. Yeah, but they've done that a few times now and that's one of their more successful sketches that's stuck over the last few seasons. Loser, maybe Ben Stiller. He was nominated in a couple categories, did not win directing for Severance, did not win series. I'm sure he thought he was going to win director. I'm sure he did. Also, did not look thrilled. the entire, every time they cut to him doing bits behind JB Smooth, he was not, he was not into it.
39:46No, I don't think he appreciates the something about Mary references. He's now a serious auteur and did not want the nuts in the zipper joke to be referenced 25 years later. Didn't see him at the Apple party. So if he was there, I missed him. All right. Any, any other takeaways, Lucas? Are we done? No, no, we're done. We will not talk about the Emmys until this time next year. Yeah. Do you want to make your 2026 prediction, Matt? Oh, yeah, I'll do that. I mean, the nice thing for HBO is that the pit is coming back. I mean, it won in part because I think the industry rallied behind the fact that it's 15 episodes, shot in LA on the Warner's Lot, traditional style show.
40:27I love that 15 episodes is an achievement now. Yeah, I know. It's sad. But John Wells, a big player in town. People love him. And the best thing for HBO is it's coming back in January. So it's instantly the front runner for next year. And they will have the season five finale of Hacks, which will probably be a player. And I believe if the folks at HBO who are very excited about this last night are correct, that the studio will not be in for next year. That is, I believe, true. They're not planning to shoot until the first or second quarter of 26. So it probably will not be ready. So comedy will be open for Hacks should people want to return to giving it an award.
41:04Rich Greenfield:Because it's likely going to be the final season of Hacks. but that does mean that the studio in 2027, the bear will be gone and hacks will be gone. And obviously no severance next year and no Andor because Andor is over. So it should be open. We'll see. All right. Thank you, Lucas. That's the show for today. I want to thank my guests, Rich Greenfield, Lucas Shaw, producer Craig Horoback, artist Jesse Lopez. And I want to thank you. We'll see you a couple more times this week.
From the publisher
Matt is joined by Bloomberg’s Lucas Shaw and LightShed’s Rich Greenfield to discuss the report that David Ellison is interested in making a majority-cash bid to acquire Warner Bros. Discovery. Matt, Lucas, and Rich discuss why Ellison is doing this now after just acquiring Paramount, whether a merger like this is even possible, the ramifications of the continued consolidation in Hollywood, how valuable Warner Bros. is to Ellison, and what else Ellison could buy (02:50). Later, Lucas and Matt recap the 2025 Emmy Awards, highlighting their winners and losers and, most importantly, which after-party had the best food (25:43). For a 20 percent discount on Matt’s Hollywood insider newsletter, ‘What I’m Hearing ...,’ click here. Email us your thoughts! thetown@spotify.com Host: Matt Belloni Guests: Lucas Shaw and Rich Greenfield Producers: Craig Horlbeck and Jessie Lopez Theme Song: Devon Renaldo
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