In short
The Townies, Part 2: Who Won the Year in Hollywood? is a comedic awards-style wrap-up of major 2025 entertainment industry moves. They answer a teaser about the “Megalopolis Award” embarrassment: they argue Ella McKay (James L. Brooks) is worse than Alto Knights (Barry Levinson), citing box office and career clunkers. Categories include executive fail (John Branca/estate lawyers forced a Michael Jackson biopic reshoot after a settlement clause), executive fail (Paramount/CBS mishandling The Late Show with Stephen Colbert cancellation timing), self-inflicted wounds (Carla Sophia Gascón’s Oscar prospects derailed by controversial tweets; Diddy’s self-taped footage mishandled), and fan-milking (Taylor Swift selling many Life of a Showgirl formats; Netflix stretching Stranger Things final season). PR wins: Ryan Coogler’s “aspect ratio” Sinners video; Blum admitting failure on Matt’s show. “Who won the year”: executive David Zaslav (plus a tie mention for Mike and Pam); talent Ryan Coogler (Sinners), with contenders like Timothée Chalamet, Coldplay, and Lily Allen/Rosalía/Geese.
Guests
Lucas Shaw (host/guest), Craig Horoback (producer), Jesse Lopez (art editor).
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOTeaser Question from Previous Episode
0:40 to 1:19
The hosts recap the teaser question about filmmaker embarrassments.
“Because though they have the same name, they've got a whole new energy.”
Teaser Question from Previous Episode
1:34 to 2:02
The hosts recap the teaser question about filmmaker embarrassments.
“I'm going to watch the Townies on your phone.”
Megalopolis Award Discussion
2:02 to 4:08
The hosts debate which film represents a bigger embarrassment for filmmakers.
“What is the bigger embarrassment for a once dominant filmmaker of 2025?”
Executive Fail of the Year
4:08 to 6:10
They discuss the fail of the year related to a Michael Jackson biopic.
“And by changed, I mean I just took off my sweater because it's warm in here.”
Colbert Cancellation Analysis
6:10 to 8:00
The hosts analyze the mishandling of the cancellation of a popular show.
“Because it was at the end, it was as Paramount was trying to get its deal approved by the Trump administration.”
Self-Inflicted Wound of the Year
8:00 to 10:04
The discussion shifts to notable self-inflicted wounds in Hollywood.
“I just don't, I just, there had to be a better way of doing it.”
Dairy Queen Award for Milking Fans
10:04 to 12:24
Hosts discuss who effectively milked their fans the most this year.
“Although they would argue they have some publishing and they have some other things.”
PR Fail of the Year
12:24 to 13:08
The Rock's Venice speech and its impact are analyzed as a PR fail.
“You could say the Tron fans were milked.”
Smashing Machine Marketing Discussion
13:08 to 14:00
The hosts critique the marketing strategy of The Smashing Machine.
“for his tearful speech and his standing ovation comments about how he's been pigeonholed his entire career.”
Evaluating Movie Marketing Fails
14:00 to 20:55
Discussion on movie marketing failures, including the Smashing Machine and Brendan Fraser comparisons.
“one that was least believable announcement I think that that speech there's some like PR spin that this falls into I don't think the only reason it backfired.”
Show all 18 chapters
PR Moves of the Year
20:58 to 22:02
Review of savvy PR moves, including Ryan Coogler's video and the impact of Barry Diller's memoir.
“The beloved hit and 12-time Emmy Award winner that spanned a decade comes to a close with its fifth and final season.”
Reflections on Predictions
22:25 to 25:14
Hosts discuss their past predictions regarding Stranger Things and political shifts in media.
“So like, as of now, it hasn't beat it, but it will 100 % beat it.”
Executive Moves and Talent Decisions
25:14 to 28:00
Analysis of various executive decisions and talent moves, highlighting David Ellison and Katy Perry.
“I wrote a lot of stuff down and I wasn't really sure what to do here.”
The Beatles Movie Plan and Celebrity Erraticism
28:00 to 30:14
Discussing the bizarre decision to greenlight multiple Beatles movies and highlights of erratic celebrity behavior.
“And then Tom Rothman at Sony greenlighting four Beatles movies and then dating them or saying that he's going to date them within a week.”
Who Won the Year in Hollywood: Executives
30:15 to 33:10
Evaluating the executives who had noteworthy success in Hollywood this year, focusing on David Zaslav's controversial win.
“We'll start first with the executive who won the year and then go to talent who won the year.”
Talent of the Year: A Look at Key Candidates
33:11 to 35:49
Analyzing talent who shone in Hollywood this year, including Ryan Coogler, Kendrick Lamar, and Taylor Swift.
“The aspect ratio stuff that you talked about, I think he just sort of clearly cemented himself.”
Box Office Predictions and Marketing Strategies
35:50 to 42:00
Discussing the marketing campaigns for upcoming movies and box office expectations for holiday releases.
“But now Travis Kelsey can retire and be a stay-at-home dad.”
Analyzing the New Film's Box Office Potential
42:00 to 44:16
The hosts discuss the expected performance of a new original movie and its star's impact on box office numbers.
“It's an original movie with a star who's not a legacy Tom Cruise, Brad Pitt, Matt Damon type.”
Transcript
Automatic transcript. May contain errors.0:00This episode is brought to you by FX's Love Story, John F. Kennedy Jr. and Carolyn Bissett. The critically acclaimed series explores the undeniable chemistry, whirlwind courtship, and high-profile marriage of one of the most iconic couples of the 20th century. With Sarah Pidgeon and Paul Anthony Kelly leading a cast including Naomi Watts, Constance Zimmer, Alessandro Nivola, and Grace Gummer. Called A Stunning Portrait of Love by Variety, Love Story is Emmy eligible in all limited series categories. Now streaming on Hulu and Hulu on Disney Plus for bundle subscribers. This episode is brought to you by Holiday Inn by IHG.
0:39Everyone knows Holiday Inn, right? Or they think they do. Because though they have the same name, they've got a whole new energy. They kept the global icon status and upgraded pretty much everything else. We're talking modern rooms with real reset mode vibes. Spaces that feel like your living room. just a little more low-key chic, and dining done right, from breakfast to dinner and drinks. Whether you're traveling for work or getting away for a minute, it's comfort that hits different. So yeah, Holiday Inn. It's a new day and a new stay. Book your next day at HolidayInn.com.
1:19Okay, we are here with part two of the townies. Craig, can we get a little bit more of the award show music. Sure. I have some exclusive news as well. The Townies have signed a deal to move to YouTube. Get ready. Yeah. I'm going to watch the Townies on your phone. We could do video for select episodes each year that you sell a hard core sponsorship for. The Townies live on YouTube, not a terrible idea. No, not a terrible idea. If everyone can have an award show on YouTube, ours would definitely stand out. Yeah, Bowen Yang started his own award show. Why can't we? That's true. Bowen Yang, you know, the innovator in the space.
1:52Right. All right. So we're going to go. I confuse you too often. We do do. We are going to get right into it with the answer to our big teaser question from the previous episode. If you haven't listened, go to that. What is the bigger embarrassment for a once dominant filmmaker of 2025? Alto Knights from Barry Levinson or Ella McKay from James L. Brooks? This is the Megalopolis Award. This is the Megalopolis Award. Alto Knights grossed$10 million worldwide. Big international release. Ella McKay is at what? Like three and counting? I think it's pretty clearly Ella McKay. You think so? Yeah. One.
2:28Ella McKay is like right in James Brooks' sweet spot. Okay, but you know what? De Niro playing twins? Pretty embarrassing. No, not twins. Playing two characters that are not twins. When is the last movie that Barry Levinson made that people liked or was good or mattered? That makes it even more embarrassing that he was given a studio movie. He hadn't made a movie. This was a David Zasloff special. He knows the writer from the Hamptons. He hadn't made a movie in 10 years. He hadn't made a movie with a major studio in almost 20 years. And that was Man of the Year starring Robin Williams, a very forgettable late career Robin Williams movie.
3:07And the last movie that he made that was probably good was Wag the Dog nearly 30 years ago. Unless you were a big Bandits fan, which I do remember. But James L. Brooks, what was his last big movie? How do you know? the Reese Witherspoon you know $120 million Sony movie that did nothing like he'll always have a place in the Hall of Fame for the Simpsons Mary Tyler Moore broadcast news but man but he's never worked as much as Barry Levinson it's true well he still works yes he's only he's only ever made like 10 movies and most of them were banged yeah okay so I think when you have a miss if you're Barry Levinson you've made like 5 clunkers having another clunker not so bad if you're James Brooks and other than how do you know, your Uber is pretty good.
3:54Kudos to their agents for getting them these movies and for Jim Brooks and telling Disney if they want another Simpsons movie, they got to make Ellen McKay. All right, we've already derailed this. So let's go, Craig, can we start in the categories for part two of the townies? Sure. My tux is getting very tight. I changed for part two. Oh, you did? Yeah. I should know that. And by changed, I mean I just took off my sweater because it's warm in here. No, don't ruin the illusion. We're wearing tuxedos. okay just like the oscars we're going to start out with a banger executive fail of the year all right i'm going to take this one to start and to me it's john branca who's not an executive per se but he is sort of he's the executor of an estate he's the executor of the michael jackson estate and it is his job to make sure that the very expensive movie that they are making about Michael Jackson's life is cleared and will not be the subject of lawsuits.
4:48And lo and behold, after they shot the entire movie, they realized that there is a clause in a settlement agreement with an accuser of Michael Jackson that prevents them from dramatizing that accuser's story at any point. So they had to completely reshoot the last third of the movie, re-conceptualize it. It was supposed to be this answer to the critics and, you know, denigrating all the accusers. Now it's just a straight Michael Jackson performance movie. And they're going to probably put it into two parts if it's successful. But it's costing tens of millions of dollars. And it all comes down to...
5:26It is on him. Yeah. I mean, it's obviously on their lawyers. They should have recognized this. Do you think that's why he sat for an FT puff piece to make himself look better when he screwed this up? Did you see his living room in that piece? It's like Donald Trump gone wild. It's like gold fixtures everywhere and thrones and vases as tall as people. It's amazing. He has an extensive Ferrari collection as well. Listen, John Branca, one of the best music lawyers of all time. Monetized the hell out of the estate. He did very well. Especially considering the complications of the accusations against Michael.
6:06but this is a fuck up and it's the fail of the year mine is the Colbert cancellation oh you think so really that was so badly mismanaged from my perspective where you mean the timing of it or the fact of it all of it okay so you would keep a money losing show on the air I'm not saying canceling it was a mistake but the way and the timing it's like they canceled it at a time and announced it in a way to make it look as bad as humanly possible. Because it was at the end, it was as Paramount was trying to get its deal approved by the Trump administration. So you cancel probably the most vocal or one of the most vocal critics of Trump on television.
6:50People are gonna, even if it is just for financial reasons, because of the timing, people immediately assume that it's politically motivated. And you don't buy the excuse that they had, which was that the deals for producers were coming up. And they also did it in a way where Colbert seemed not blindsided, but it's not like he had time to process it much. Although my reporting is that they knew that there were issues swirling around the cost. He became something of kind of a hero and Paramount and CBS became the villain. And to the question you were going to ask about the timing of the deals, sure.
7:27But you know whose deals were also up then? Jimmy Kimmel. And you know who waited to make an announcement? Jimmy Kimmel and Disney, right? You can manage it in a way where you don't have to affect it. And look, maybe that's just good management. But if you are trying to claim that there wasn't a political aspect to it, the way that they handled it made it almost impossible for them to convince people. But Kimmel is coming back. Colbert is being canceled. So if they knew Colbert was being canceled, they kind of had to tell the producers that their deals were not going to be renewed beyond the end of the season.
7:59Kimmel, they kept it secret because it was all handshake. We're going to come back. We're going to figure it out. Yes. I hear you. I just don't, I just, there had to be a better way of doing it. I agree. The timing was horrible. Oh, man. All right, Craig, next one. Okay, next category is the biggest self-inflicted wound of the year. This one's obvious to me. It's Carla Sophia Gascon, who was probably going to win the Best Actress Award of the Oscars last year and some bad tweets, some Islamophobic stuff some pretty horrendous thoughts came into the public we don't know how maybe it was you know a campaign that put them out there was I believe an IndieWire reporter or someone else who first found them and boom it's over and the movie doesn't win best picture and she doesn't win best actress.
8:48I was more skeptical of that movie's chances of winning than I think. You think there would have been a backlash? Maybe she would have won but I don't think that movie was ever winning best picture. The penis vagina and a song got pretty mocked on social media when it came out on Netflix. But, you know, the Academy has a long history of ignoring that stuff. And people liked it. Yeah. And James Cameron said it was amazing. And I don't know. I think that Netflix had a real shot of winning. And after that, it was no way. Yeah. Mine is also Netflix related. Oh. Which is Diddy taping himself during his final days and not securing the footage such that you now have this documentary featuring him in the final moments before he gets arrested and saying and doing things that he should not be doing.
9:35So you would advise him and his team to... Maybe don't record yourself when you're about to be arrested for allegations of sex trafficking. Allegations, nothing has been proven. Although he got... I have to look up. I forget what exactly. He did get convicted of a couple of things. So that's pretty good. That one, I think, was the clear own goal. The other one, this is where I thought about another K-pop answer, although I did it, which was Sony Music not getting the K-pop Demon Hunter soundtrack when it was a Sony Pictures animation movie. Although they would argue they have some publishing and they have some other things.
10:07I don't want a nasty email. But that often doesn't work that way. It's not like it's an anomaly. No, but it's just classic. It happens at a lot of these companies. I think it happens at Sony perhaps more than most where they operate these things totally separate until they don't effectively communicate with each other. Always fun when something becomes a gigantic hit and then everyone tries to credit grab and blame each other for not having a bigger piece of it. So, okay. Next, Craig. Next up is the Dairy Queen Award for the most effective milking of their fans. This one is obvious. I think we agree on this.
10:41This is Taylor Swift. Yeah. For selling 40 different versions of Life of a Showgirl. CDs, vinyl, colored vinyl, cassettes, digital editions, covers, bonus tracks. Not bonus tracks. No, she didn't do any actual... There were different versions of the same song, but there were no additional songs on this one. We know why she did it. She gamed the charts. Again and again and again. Well, she wasn't going to be... No, no. It wasn't that she wanted to be number one. She wanted to break her own record. No, she wanted to break the Adele record. Yes, you're right. And then stay number one for as long as humanly possible.
11:19Yes. And you left out your favorite, which is that she released a documentary about a tour that she'd already released a documentary about. Six episodes. No, I know. And actually, my runner-up for the year was going to be also Taylor Swift for the six-episode docuseries. But I will defend that. I am watching it, and I actually kind of like it. So the milking is working on me. Yeah. So is there anyone else in this category? The only other one that I... Look, Taylor Swift is number one, two, three, four, five. I do think that Netflix stretching the final season of Stranger Things across three installments trying to like take over all of the fall doing multiple they did fan events for each one like they're doing screenings on New Year's Eve which look I get it it's the biggest show that they've ever released this is the end of it it's been a long time since the last one and if you space it out this way it means that the odds of churn for your fourth quarter are great but for a show that had disappeared for so long then coming back this way it just it feels too much yeah I mean we could throw in there any unnecessary sequel.
12:23There's a bunch of sequels that people didn't ask for. You could say the Tron fans were milked. Although they didn't really show up. They were barren. They didn't get much milk out of them. All right, let's move on. I'd also like to add in the NFL for having us watch football. The NFL always. They are a perennial. We might have to name the category the NFL Dairy Queen Award for milking its fans. I feel bad for podcasters like Craig who have to literally spend their entire holidays watching football every day. Yeah, this Christmas We have three games on Christmas. We have two games on Saturday.
12:54We have 10 games on Sunday and then another game on Monday. That's Christmas weekend. Amazing. Your family must love it. Yeah. Okay. All right. Next award here is the PR fail of the year. So lots of contenders here. I'm going to go with The Rock at Venice for his tearful speech and his standing ovation comments about how he's been pigeonholed his entire career. And only now in the Smashing Machine is he fully allowed to reveal himself as the awards worthy actor that he has always been from the beginning. Put aside the fact that this dude has made literally dozens of big budget action spectaculars that pay him full freight and many of which he is a producer on.
13:40So it's not like he was given no choice. He developed these properties and put himself in there. his agent Ari Emanuel gets him top dollar for everything he does and now in the smashing machine he is finally able to be the actor that he has always wanted to be. I think it so we had a category in part one that was least believable announcement I think that that speech there's some like PR spin that this falls into I don't think the only reason it backfired. People were laughing yeah but I don't think that like that's why the movie didn't work. No. I think that's why he's not getting awards. He didn't get awards because he's not really believable in the movie.
14:19And the movie's not very good. But again, just personal opinion. There was a narrative that was better crafted around him. He could have been Brendan Fraser. He could have been some of these guys that reinvent themselves. We talked about having a movie marketing fail category, and I was going to put the Smashing Machine under that because I don't put it all on that speech. I do think that the way that that movie was presented, it ultimately did not live up to what it could have been. I also just don't think the movie was that good, but that's my personal opinion. They should have done a more traditional blockbuster-style rollout.
14:45and not done Venice. Not trying to make it an awards movie. Not trying to make it. They knew they had Marty Supreme. I'm betting that Benny Safdie said, I want the same treatment as Josh was getting. I'm betting that happened. I don't know that that's true. But it's hard to tell filmmakers their movie is better served by not going to a prestigious film festival. It's just hard to do that. And Joker 2. Joker 2. That's your job as a studio executive is to make those choices. My answer for this is Brendan Carr threatening Jimmy Kimmel slash telling stations to yank Jimmy Kimmel where you have... Indirectly.
15:18Indirectly. But Jimmy Kimmel made some comments that people got very upset about. It looked for a moment like, you know, the Trump administration was sort of going to get their way and make him look bad. And instead, they overplay their hand. They go in too hard. And then even Ted Cruz is like, guys, chill. Free speech is still a thing. You should not be dictating late night programming. Yeah, although he just last week went on, went before Congress and said that, you know, he wasn't threatening anybody. Well, he then tried to walk it back, which is the clear sign that you said something you shouldn't have said.
15:52And he tried to pretend like, oh, no, I didn't say it. I didn't say it, but he said it. He's not tweeting about this stuff as much as he was. No, because it didn't work for him. Exactly. All right. That's a pretty good one. The other one I had was Ben Stiller's Emmy campaign. I didn't even know he had an Emmy campaign. He was everywhere. I mean, you know, So Severance should have won, right? More ambitious, more like Emmy-style television making than The Pit, for sure, which ended up winning Best Series. But Stiller didn't even win Best Directing. He lost to Slow Horses. And it was because, I think, he has a bad reputation.
16:29Do we have to add something anytime you're going after a Kelly Bush client? She is the architect of this campaign. But this is irrespective of Kelly Bush being involved. as an observer, he was everywhere. And he was in the scrum like he was a regular Emmy contender. If you're Ben Stiller and you want to position yourself as being above that, you don't do all the little things. You do maybe one or two things and you are the thing that everybody else is aspiring to. And he was everywhere. It was too much and it backfired. And also he has a bad reputation. People know he's a jerk and they don't want to vote for him.
17:05But lots of jerks win. like his all caps next tweeting i mean i'm sure but you know but even with a guy like that it seems performative you know it's like that's a good thing for his image so he's doing that stuff but yeah maybe next year although there probably won't be a season of severance for like three more years and 500 million dollars or whatever he's gonna cost on it all right let's move on let's be let's have a nice category yeah yeah we'll flip the script here and now do the savviest pr our move of the year. All right. I will start with that one. I got it. I'm going to say Ryan Coogler's very effective aspect ratio video that he did in advance of sinners, which was very authentic.
17:44It was cool. It told people what the movie was. It made it seem special. It made it seem like it's an exciting event because there's different ways you could watch it. And he was explaining in a very relatable way why he did this movie the way he did. Genius. Yeah. I have, I have him as a candidate for a later award. So I'm not going into it. The first thing that came to mind weirdly was the first excerpt from the Barry Diller memoir, which I just thought sort of like framed the memoir perfectly. Got people very interested in it. It was New York Magazine. New York Magazine. It was him finally addressing his sexuality.
18:20Right, yes. And I do think that that helped the book a lot. Yeah, it was interesting. Yeah, it made him seem much more interesting. Now, for me, I read that excerpt and I was like, great i got what i need to out of this book i'm not going to read it but i bought it but a lot of other people bought i was not interested in having him on this show just because i kind of know what his shtick is at this point so many interviews exactly but i did read the book i liked it i thought it was interesting i gave it to craig to read too craig was shocked that 50 million people would watch a movie of the week in the 1970s and i'm like well that's what's happening on netflix now like it's the same thing netflix is making tv movies that millions of people watch.
18:57Okay. On that one, I had the David Ellison press conferences when he bought Paramount. Instead of doing an exclusive with a media outlet or going on TV or whatever. Bring everyone to a room. You all get to feel like you have time, but you really only get one question. Sure. But they had a lunch in LA and in New York. It was very effective. I thought that was good. They brought the usual suspects, you and me and everyone else that covers this, into a room. There were some questionable people invited. We won't have to name names. but everyone got to feel like they were brought into the tent. And even though Ellison's answers were mostly disappointing and a lot of like, it's early days.
19:33And, you know, we got to feel like we asked and then it's like, what, what else is there to do? You know? So I thought that was very good. And then I think the winner here is Blum coming on this show and just embracing the failure. The winner is the town. No, no, but come on. I got more feedback on that episode from people in the business than any other episode. Yeah. The fact that he would volunteer to come on and talk about the failure of his movie, huge win. The PR move of the year is to have a friend of Matt come on Matt's show. Matt, Matt, Matt. As always. I'm telling you, I will stand that up against any of these other choices.
20:12PR people were in awe. And it's not something that his own PR people would recommend. I guarantee you. No fancy PR firm would say, oh, you had a bomb? why don't you go on the podcast and have everybody talk about how you had a bomb? But he was authentic. He's in the place where he can do that because he knew he had Five Nights at Freddy's 2 coming. He knew he had Conjuring coming. He could do that and it worked. And the Dark Horse was wicked for holding off on the blitz that they did for the first one. Yeah, but then the movie didn't do as well. It did fine. It did fine. And I don't think it was ever going to do.
20:47I mean, we disagreed on this one. You thought it might be bigger. I didn't think it was going to be bigger.
20:55This episode is brought to you by Netflix, presenting Stranger Things. The beloved hit and 12-time Emmy Award winner that spanned a decade comes to a close with its fifth and final season. The rap raves, the Duffer Brothers achieved the impossible with an epic ending, calling the series a magnum opus and an absorbing cultural phenomenon. Featuring award-winning craftsmanship from the decorated team of artisans and heartfelt performances from the ensemble cast, IGN raised there will never be another show like it for your final Emmy consideration in all categories including outstanding drama series this episode is brought to you by Disney Plus the Disney Plus Hulu HBO Max bundle the best in entertainment all in one bundle this month stream Pixar's blockbuster family hit Hoppers on Disney Plus the hit horror comedy Send Help on Hulu I like that movie season 3 of the HBO original series House of the Dragon on HBO Max All you have to do is get the Disney Plus Hulu HBO Max Bundle today.
21:54All of these and more streaming soon available with Disney Plus Hulu. Max Bundle plans starting at$19.99 a month. Terms apply. Visit DisneyPlusHuluMaxBundle.com for details. The next two are, it's a two-parter here. We're going to do the mea culpa, I was wrong, and the suck it haters, I was right. Okay, I'll start with the I was wrong. I said on this show that Stranger Things 5 would not match the ratings of Stranger Things 4. Never bet against Stranger Things. I was wrong. Yeah, it's going to, I mean, it's a little bit weird because of the way they're releasing it. They're drawing it out. So like, as of now, it hasn't beat it, but it will 100 % beat it.
22:35Yeah. Mine was, I voiced a lot of skepticism. There were all these media people being happy about the shift from Biden and Lena Kahn to Trump because it would lead to more deals. And early in the Trump administration, all the chaos and all that, there was so much uncertainty that it didn't seem like it. But we have had, not just in media, but in general, a lot of deals this year. I think, so I guess I was wrong that while there was uncertainty, I was wrong that the Trump administration... A lot of those have not been approved yet. A lot of them have not been approved, but you have seen a healthy uptick in deal-making, which is what people want.
23:14Okay. All right. Let's move on. And I think the business community in general is like, even if they're not going to say it, tariffs aside, kind of happen. Tariffs are a big deal, though. Yeah. They are weighing stuff down. All right. You can continue with the suck-it haters. The suck-it haters, I was right. I was initially going to go with just being really early to Bad Bunny and now having him being a huge star and you giving me shit for it. I did give you shit. People were tweeting at me when he got the Super Bowl, like, oh, Lucas is going to be first in line. But I'll also say I reported in August that YouTube was making a push for the Oscars, and they got the rights to the Oscars.
23:48So that was good. And you didn't finish that thought. I said this won't happen because I thought that the backlash from the members would be so strong, which there is backlash from the members. And, you know, we have talked about this, but you were early on this. What were you right about? I said Glenn Powell is not a star. And The Running Man did not work. So you think he's done? No, not done. But I think that Glenn Powell as an action star who can open a movie, not happening. Okay. He's not getting another big budget action movie where he is the star. Right. I mean, this was IP, but it was pretty weak IP.
24:27They were really counting on him. And he sold the crap out of it and just didn't work. I mean, 37 million domestic, 68 million worldwide, like not enough for a movie that was marketed pretty heavily. Like can't happen. Yeah. Terrible. In his defense, I'm not sure who under 45 can open a semi-original movie. Okay. Or who under 45 gave two shits about the running man. No, but that's the reason why they cast him is because they thought young people cared about him. Maybe if it was him and Sidney Sweeney, it would have been different. Yeah. But I don't know. Do you think that he matters more to young men or young women?
25:02women. So then The Running Man would not be the right movie. No, but they thought that he's credible enough for men and that they would bring their girlfriends or wives. And that didn't happen. Okay. Next award here, we have the craziest executive move of the year. I wrote a lot of stuff down and I wasn't really sure what to do here. I had David Ellison fighting the South Park creators. I had Ari Emanuel buying a bunch of stuff from himself, the yanking of Kimmel off the air by Disney. That's mine. That's the craziest executive move of the year. To not project out how that would go down and see that it would become a cause celeb and it would be something that transcended just this one moment to become cultural and the president would get involved.
Read the full transcript
25:48To not see that was shocking. Yeah. Do you think that it matters that it ended up working out okay i think it does yeah i mean they they managed it the initial the initial decision was hasty and perhaps off but i honestly would you think that i would credit kimmel for that like the fact that kimmel was ready to like calm things down and go back and do his his answer and basically get to do what he wanted to do in the first place but the fact that he didn't go scorched earth on them right but do you think that that if you were sat across from Bob Iger or Dana Walden, they would tell you, we actually made the right decision that taking him off the air for a night and then having the weekend and kind of letting everyone have time for cooler heads to prevail meant that the message that he delivered on his show was better than it would have been.
26:39And... No, I think the real fail was not just in not doing the show that night. It was in the messaging they put out where they said the show is being removed. Indefinitely or whatever. Indefinitely. You cannot do that. You can't say that our talent is being yanked indefinitely because of complaints over a joke. Yeah. Like you could say, you know, we had some disagreements about tonight's show. Look for Kimmel to come back. You know, we're resolving. Right. Whatever. Yeah. But the indefinite part. Yeah. It was a bad statement. Really bad. And, you know, I've heard different accounts of who was responsible for that.
27:14So I'm not going to name names. But crazy move. I had a random one. I don't know if it falls under executive move. But did you follow at all the story of Kim Lewicki? Sure. Yeah. The former AG guy. Right. Who had a business with Irving Azov. He gets indicted and then he basically, thanks to a golf game, gets pardoned by Trump. Yeah. Well, we could go through the Trump pardon list. And yeah. I also had David Ellison buying the free press for 200 million or whatever that is. I mean, hire Barry Weiss, I guess. But I guess he had to buy free press to hire her. But I mean, that's still kind of playing out.
27:48That could be considered under bad deal. Just even if it works, it's like that's just such a huge price. And what is working? Like, is it just that Trump was happy with her? Like, we don't have to get into this, but I just think that was a crazy move. And then Tom Rothman at Sony greenlighting four Beatles movies and then dating them or saying that he's going to date them within a week. Within a month. Yeah. Like, is that going to work? I mean, I hope it does, but it's a crazy move. Right. Insane. Is there that much demand for Beatles movies? four of them? Probably not. But if they're good. Yeah.
28:23If they're great, he'll have the last laugh. And he'll be the king of CinemaCon. Okay, next category is the most erratic talent move. I only really had one for this because I had a hard time thinking about it. It's not Kanye bringing his naked girlfriend to the Grammys? No, Kanye has officially lost. I think you Kanye is officially, he's just permanently erratic. This one, I'll give credit to my fiance who suggested it, which was Katy Perry going to the moon. I had this Katy Perry goes to space. Gotta be, right? I mean, in what world does she think that's going to go over well? I mean, she already had some image issues and her tour wasn't selling.
29:00But I feel like it was all of them, honestly. Like, that whole trip was... Yeah, and the worst, I think, was Gail. Gail King. I like Gail, and she has a good reputation. And Oprah, she dragged Oprah into it. The chummy relationship between a lot of these big celebrities and and the Bezos-Sanchez orbit. That wedding was a mess. Yeah, and their party, Chris Jenner's party at their house. Yeah. It's surprising who shows up for that stuff. Yeah. Did Leo go to the Bezos wedding? He did, I believe. Yeah, I think so. What is Leo doing at the Jeff Bezos wedding? I guess he likes a good party. Yeah. And he did spend most of his summer trapezing through Europe.
29:40He was probably already on the Mediterranean. Yeah, exactly. Oh, God. yeah that's a pretty erratic move going to space not a good look although the producers of the morning show would like us to know that they did it first that happened on the morning show great which came out this year we should have another category for like big show that comes and goes and nobody talks about the morning show is season 4 that's supposedly Apple's biggest show and it just came and went amazing a lot of contenders for that one alright are we there Craig We have reached our final two-part closer. Who won the year?
30:19We'll start first with the executive who won the year and then go to talent who won the year. I mean, we've talked about this, so we don't have to dwell on it. I have a tie for who won the year that we've both touched on in other categories. Okay, so I'll just say, David Zasloff, to me, executive win of the year. And this is not a nice endorsement of him. This is a, holy shit, this guy is the beneficiary of some of the best luck that has ever occurred in this business. And yes, he split the company up to make it more attractive to Netflix. They hook, line, and sinker. He got them in, and he does get credit for that.
30:56But to pay himself, or for the compensation committee, to pay him$600 million for that? Absolutely insane. Yeah. I had a tie between him and Mike and Pam. Oh, okay. Just because I think David Zaslav is going to be fine no matter what. But what this showed is that what Mike and Pam did this year, as impressive as it is with those movies, doesn't matter. To the overall health of the company, like, it doesn't matter. I mean, it's better that they did well than they didn't do well. And the quarterly earnings were certainly benefited by having those movies. But if you look for them individually, David, as I've went from, I'm CEO of this company, I'm going to be CEO of the company next year, and we're going to spin it off, and I'm going to get paid a lot of money, and like, blah, blah, blah, blah.
31:41Mike and Pam went from maybe we won't have a job to we're now kind of like untouchable and if let's say Netflix does the deal I would assume that Netflix would try to keep them to run the movie division maybe maybe not we don't know yeah the only other candidate I had was Neil Mohan at YouTube yeah I mean this Oscars deal is the sort of capper to a year where everyone was just like YouTube I mean you've been reporting about this for a long time I've been reporting about how Netflix is like about how YouTube is basically TV now But I feel like YouTube did a campaign this year to put Neil out there a lot more.
32:16And they are now known generally among the general public that they are the dominant TV platform. Well, and he had, he as an individual had a lot of work to do because he was sort of a, even though he, even prior to being named CEO was like either the number two or number three executive at the company, nobody really knew who he was. Like Susan Wojcicki had a huge public profile. Very nice guy, but kind of boring. Yeah. So, and I think that's going to continue. I mean, they are not done. They're going to spend big money on big live events, on big content. And the question is, does YouTube do more in the traditional Hollywood world next year?
32:57I guess we're getting ahead of ourselves in predictions. Google buys NBCUniversal. Kidding. I don't know, man. Nothing would surprise me now. All right, let's move to talent. The talent who won the year. Give me your candidate. This is where I went, Coogler. So I'll give you my... Okay, give me the argument for Coogler. Ryan Coogler, Sinners. there was so much negative press before that movie came out about how could Warner Brothers give him this deal that movie was sort of the centerpiece my answers to this go hand in hand that movie was like the centerpiece of the Warner Brothers is spending too much money they're out of control how can they do this and then it becomes this cultural sensation even if one battle after another is probably going to win Best Picture I actually think that there will be sort of more of a conversation about like sinners will have a longer cultural shelf life.
33:46370 million worldwide. It's almost double what won battle. The aspect ratio stuff that you talked about, I think he just sort of clearly cemented himself. We're in a moment now where there are a handful of directors who are like bankable as box office draws. He Nolanized himself. Correct. He went from franchise guy to he is the franchise. His generation, it's like him and Jordan Peele and like Jordan and Greta maybe but Greta needs Jordan Peele's like a little wobbly right now because he just doesn't work as much Ryan Coogler I feel like for his generation is like the guy he hasn't missed yeah he hasn't missed and you know he's done mostly IP stuff but like this was the big test and he definitely passed so I'll give you that do you want my others or do you want to do yours you go I had so I had used her in another category but music wise I think Lily Allen and Rosalia Geese they all had huge years not Beyonce say for the biggest tour of the year?
34:43Less big than her last. I mean, she's a huge star, but I don't think this was all that meaningful. Not Coldplay? Coldplay! Perennially the second or number one tour. The South Park guys for how that all played out in their favor. Chalamet, who we talked about. And even though I think I might have picked him for winning last year, the combo in the same week of the Super Bowl and then winning one of the big Grammys for Kendrick, he, I think, is a good candidate. That's a good candidate. And don't forget his association with the Dodgers. Sure. And then just to make bill happy we'll just pablo torre for the whole clippers scandal as a podcasting of the journalist of the year uh good stuff yeah i i would throw taylor swift in there just because of the masters thing sure now this rollout in this album i think i feel like it's it's not her armor there are a couple chinks now there are and i think the next one i mean i don't we don't have to get into the taylor swift you know discourse but i think that she did have a number of big wins this year.
35:41Yeah. Would all the manipulation guide her the number she wanted on her album? I feel like because there was a little bit of a mounting backlash, I just wouldn't put her in my top five. But she wins every year because she's Taylor Swift. Sure. And obviously the Chiefs not winning. Sure. Yeah. But now Travis Kelsey can retire and be a stay-at-home dad. It'll be great. Sure. And I'm sure that'll be great for their relationship. Yeah. All right. No Timmy? I put a Chalamet. You did? Chalamet's in my top five. He's probably like number four. It's a TBD. If Marty Supreme is really big, he can vault to number one.
36:11Right now, it's just like, the Dylan movie made money. The Dylan movie got to like, 130. it's like vibes. People are excited about him. Yeah. But we need, yeah, Marty Scream has to open and then he's got to have a killer Oscar campaign and then maybe next year we can, we can. The fact that the Dylan movie hit and the Springsteen movie didn't, I think also boosts. We didn't talk about the Springsteen movie. Should that have been sneaky bomb? Bruce was out promoting it. I know, but we sat next to each other in the mirror. It wasn't good. It wasn't good. and not like good, bad, whatever. It wasn't what his fans wanted.
36:42Right. And that's the problem. The Dylan movie is what his fans wanted. It was packed with music. It was him looking cool, riding a motorcycle, being Bob Dylan. The Springsteen movie was like him in therapy. Yeah. Like not good. All right, that's it. We're done with the townies. I can get out of my tux. I'm getting a little uncomfortable anyways. Let's go to the party. Thanks, Lucas. Appreciate it. How sweaty are you right now? Very. You can't see it, but I'm very sweaty. But I'm going to spend the holidays doing nothing except research for the 2026 box office draft. I have some early dark horses, so get ready for that in January.
37:18We're back with a call sheet. Craig, where are we on the Marty Supreme press tour reactions? Are we in the backlash camp? Are we in the hell yeah, go for it camp? Where are we? Oh, come on. You can't be in the backlash camp. You have to respect the grind of this. If this doesn't work, I don't know what will. I know. What else could he do? Yeah, like this is the whole point. The only thing they haven't done is, I don't know if you've noticed, the Marty Supreme Orange is very similar to the Town Orange and yet no collaboration just yet. No collabs. No, we have not had that request on Instagram yet.
37:53Also, it's hilarious. The Dream Big slogan, very similar to the Dream Huge slogan that is for Song Sung Blue, the Kate Hedson Hugh Jackman movie. Oh, interesting. You can either dream big over the holidays or you can dream huge. I like the Wheaties collaboration because there's a nod in the movie about him wanting to be on a Wheaties box. And they actually do that. The dream big is very like old timey Olympic sports branding. It's very good. Yes. I mean, he said in his marketing video that they put online that he wanted this to be like the Barbie campaign. So he picked a color. He picked a very cute slogan.
38:30And he's just going 100 miles an hour. Well, he didn't just pick a color. There are orange ping pong balls. It needs to be that color. Yes, there is. But it's very visual. Listen, he's sitting on top of the sphere. You made a good point. Doesn't show us how he got down from the sphere. I would love to know how he got on it. Was it a helicopter? Was there an elevator situation? Sure, of course there was a helicopter. What are they going to do? They're not going to slingshot him up there. Well, I don't know. I don't know if there's like passageways at the top of the sphere you can get there. I don't know.
38:56So obviously, Timmy's going as hard as you can go on this press tour, trying to get people to see this movie. And awareness at the very least has to be high. Whether or not people can see it, we don't know. So in your opinion, what is success this weekend? Okay, that's a good segue because the numbers here are not matching up to what the hype machine is hoping it would. It did amazing in limited release this past weekend. It was on, I believe, six screens and it grossed 875 ,000, which is 145 ,000 per theater, which is the best of the year. and it's an all-time high for A24. Now, those are often misleading.
39:36You can put tens of millions of dollars into marketing for a release in six theaters and pretty much guarantee a huge number on that opening weekend in Limited. The question is how it translates to the wide release. And that's why they're going so big this week because the wide release numbers are not great on tracking. NRG has it at 16 million for this weekend. That's for the four-day, including Christmas on a Thursday. by most estimations, it's going to get spanked by Anaconda, the Jack Black, Paul Rudd, you know, remake slash sequel of Anaconda. Which I wasn't even sure that was a real movie.
40:12That felt like an industry plant film. It feels like a 30 Rock movie. I know. But the tracking on that one is about 26, 25, 26 for the four day. But so for all of the marketing they've done for Marty Supreme, all the clever marketing integration, all these cool ideas, Timmy doing everything like to you, what number needs to be hit for you to think this was a successful campaign? You mean on the opening or the overall? Because the thing about Christmas is that every day between Christmas and New Year's is pretty much like a Saturday. So you can all of a sudden, you can open to 16 million and by the end of the Christmas holiday, you could be at like 70, 80 million.
40:49Now this movie has a production budget in the 60, 70 million range, which is kind of insane for this kind of a movie, which is why they're doing the full court press for it. A24 is now in this like mid-budget range movie where they tried it with Smashing Machine and it failed. They tried it with a couple others. It worked with Materialist, although that was a much lower budget. But this movie needs to gross like$200 million worldwide to be considered a full-oriented success. And$16 million opening is probably not going to cut it under a traditional metric. Hopefully it will catch fire and the marketing will work and people will see it.
41:25There's a long tradition of these award-style movies opening on Christmas Day. Wolf of Wall Street did it. Django Unchained. And I mean, even look at last year. Look at A Complete Unknown. Yeah, A Complete Unknown. Timmy's the king of Christmas. Back-to-back Christmas movies for Timmy. And A Complete Unknown only opened to$11 million over the three-day, and it ended up getting to$140 worldwide. Yeah, but it opened to$23 million over the five-day. Christmas was a day earlier last year, and that's much more than this movie will get to, even if it had an extra day. So, you know, it's an easier sell, a Bob Dylan movie than this movie is.
42:00People don't really know what it is. They're basically going because of him. And that's a tougher sell. So I hope it does well. It's a huge test. It's an original movie with a star who's not a legacy Tom Cruise, Brad Pitt, Matt Damon type. And, you know, it's basically an original story about ping pong. Exactly, in two and a half hours. But I'm going to take the over on 16. I do think based on the blitz, I think that NRG is probably underestimating the Timmy effect. And I think it's got to get to over 16 for the four day, right? I'll probably take the under on Anaconda at 26 for the weekend. There's confusion.
42:38This movie is like a parody of an Anaconda movie. So I think there's a little confusion there. So I'm not going to take the over there. I'll take the under. But I do think that Timmy will get this to over 16 million for the four day. I agree. I also think, I do think this movie is really good. I've actually seen it twice now. And I think it's going to have a really strong word of mouth. Okay. Yeah, you're much more in tune with the younger audience than I am. So I will trust you on that one. By the way, some accountability coming off my biggest whiff of the year on Avatar. Took the over on 110 and it came in at 89.
43:09Oof. Big Jim, man. Let me down. We discussed it a little bit, but I think we underestimated what the shorter turnaround time between the second and third compared to the first and second will do. will do. It's early. It's early. Hopefully people will discover and go over the break and it'll last. There's not much competition as we said, so it's early. But, alright, Timmy, now's your chance. You gotta transition those people who are following the press tour into actual tickets bought on opening weekend. I do think young people, I mean, all of the film nerds are gonna line up to see this movie, but I do think young people, general young people, are gonna be interested in seeing it.
43:44Alright, well, Club Chalamet is all in. she's going nuts this is literally her christmas do you think she got a jacket oh of course she did what are you talking about of course she did has timothy chalamet acknowledged her or no there is a picture of them together from i think a couple years ago where she showed up at something but now that she went public in that big wall street journal profile we all know who she is all right that's the show for today i want to thank my guest lucas shaw in his tuxedo producer craig horoback art editor jesse lopez and i want to thank you happy holidays to everyone We'll see you next week.
44:45for whatever.
45:15plan options available. Taxes and fees extra. See full terms at mintmobile.com.
From the publisher
In Part 2 of podcasting's biggest night, Matt and Bloomberg’s Lucas Shaw hand out the Executive Fail of the Year Award; the Savviest PR Move Award; the Mea Culpa I Was Wrong Award; the Suck It Haters, I Was Right Award; and the Biggest Self-Inflicted Wound Award. Then they declare which executive and talent won 2025 (00:07). Matt finishes the show with an opening weekend box office prediction for ‘Marty Supreme’ and ‘Anaconda’ (34:57). For a 20 percent discount on Matt’s Hollywood insider newsletter, ‘What I’m Hearing ...,’ click here. Email us your thoughts! thetown@spotify.com Host: Matt Belloni Guest: Lucas Shaw Producers: Craig Horlbeck and Jessie Lopez Theme Song: Devon Renaldo
Learn more about your ad choices. Visit podcastchoices.com/adchoices
