‘I Love LA’ Feels Like a Textbook HBO Comedy. Plus, ‘The Lowdown’ Finale.

5 Nov 2025 · 40 min · 24 chapters

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In short

The Watch (Transatlantic) discusses the premiere of I Love L.A. (created by Rachel Sennett) and the season finale of The Lowdown. They also trade London cultural observations (Marmite, TV habits) and general TV commentary.

Guests

Chris Ryan (editor at TheRinger.com) and Andy Greenwald (podcast host/TV critic), speaking from Spotify in London.

Key claims

I Love L.A. feels like an HBO “slice-of-life” comedy with confidence, strong banter, and an accurate sense that “nothing really works” in Los Angeles (traffic, lines, driving, humiliations). The Lowdown finale is emotionally satisfying, humanizes even “bad” characters, and resolves the land-grab conspiracy while leaving room for future seasons.

Notable examples

I Love L.A. pilot: Maya’s birthday weekend, promotion attempt with Leighton Meester, reconciliation with influencer Tallulah (Odessa Zion), and earthquake-sex opening. The Lowdown finale: Kyle MacLachlan’s character, Keith David scenes, Lee’s final article for Heartland Press, and a long Lee/Betty Jo exposition scene.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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London Observations

0:24 to 0:54

Chris and Andy share their thoughts and experiences in London.

“New customers get$350 in bonus bets guaranteed when you bet$5 for seven days.”

London Observations

1:44 to 2:09

Chris and Andy share their thoughts and experiences in London.

“I Love L.A., the new show from Rachel Sennett and the Lowdown season finale.”

Screening of Night of the Juggler

2:09 to 3:26

Andy discusses attending a screening of a cult classic film in London.

“And it's with James Brolin and Cliff Gorman.”

Commuting and Weather in London

3:26 to 4:08

The hosts talk about their experiences commuting and the warm weather.

“I feel like my time has been a little more genteel.”

Marmite Toast Experience

4:08 to 6:05

Andy describes his first encounter with Marmite toast and its preparation.

“My most English experience thus far this week was yesterday at work.”

British Cultural Recommendations

6:05 to 7:13

The hosts share their favorite British shows and cultural experiences.

“But they're very excited about Nigella Lawson's Marmite pasta recipe.”

Discussion of 'I Love LA'

7:13 to 12:50

Chris and Andy talk about the new show 'I Love LA' and its themes.

“But the two shows in the heaviest rotation are the aforementioned Canal Boat Diaries, in which a guy goes on a skinny boat around London, and he reaches a place where there's a lock and he can't get through.”

Rachel Sennett and the Show's Premise

12:50 to 14:03

The hosts analyze Rachel Sennett's role in 'I Love LA' and its storyline.

“as Maya's boss who is I swear to god I went through like a two or three year period where people were like it's Leighton actually oh maybe it is I don't think it is.”

Initial Impressions on the New Show

14:03 to 15:00

The hosts discuss their thoughts on the first episode, praising the creative team.

“So what did you broadly think of this first episode?”

Exploring Los Angeles Themes

15:00 to 17:04

Conversation revolves around the portrayal of Los Angeles and its quirks in the show.

“I'm curious if you had a similar reaction.”
Show all 24 chapters

Character Dynamics and Relatable Moments

17:04 to 19:41

The hosts analyze character interactions and shared experiences in the show.

“you know, the Los Angeles, like kind of effusive positivity is throws off.”

The Impact of Influencer Culture

19:41 to 21:02

Discussion shifts to the influence of social media and its representation in the show.

“I've been loving some Dick Cheney obits.”

Comparing Generational Humor

21:02 to 24:20

The hosts compare the humor and dialogue of the younger characters to their own experiences.

“Five heart attacks, got to respect it, heart transplant.”

Discussion on HBO's Programming

24:20 to 26:35

The hosts reflect on HBO's track record with comedy and their current lineup.

“I think that you summed it up very well that HBO should have shows like this.”

Discussion on HBO's Programming

27:41 to 28:01

The hosts reflect on HBO's track record with comedy and their current lineup.

“Might be one of the best showcases of pure power in all sports.”

Introduction to the Show Segment

28:01 to 28:21

Discussion of the context and upcoming T-Mobile Home Run Derby.

“I'm interested to see what Bond says about this, actually.”

Reflections on the Penultimate Episode

28:22 to 29:10

Analyzing the choppiness of the penultimate episode and its variance in quality.

“Because I think that there was a little bit with the Walter Mosley penultimate episode last week.”

Character Depth in the Finale

29:11 to 30:26

Discussion on the portrayal and depth of characters, notably Kyle McLachlan.

“would either be a villain or a useful idiot.”

Themes of Morality and Humanity

30:27 to 31:39

Exploring the themes of morality and humanity within character interactions.

“And can't get past their own morality at the end, which was really compelling.”

Critique of the Mystery Resolution

31:40 to 32:45

Critique of the finale's resolution of the mystery plotlines and character arcs.

“Yeah, and is it peace with who his daughter is?”

Complexity and Themes in 'The Lowdown'

32:46 to 34:38

Discussion on the complexity of the show's themes and its exploration of character evolution.

“And then the sort of ethno-nationalist religious and evangelical group kind of emerges.”

Exploration of Character Relationships

34:39 to 39:29

Discussion on character relationships and their development over the season.

“I like the actors, but it was a very, very long scene of exposition and, you know, sort of position setting about where they were and how they felt about each other and who is at fault here.”

Exploration of Character Relationships

40:16 to 40:26

Discussion on character relationships and their development over the season.

Exploration of Character Relationships

40:30 to 41:04

Discussion on character relationships and their development over the season.

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Transcript

Automatic transcript. May contain errors.

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0:54Andy Greenwald:I need sports to have to clear the room. Stand up and walk. Now. Hello, and welcome to The Watch. My name is Chris Ryan. I am an editor at TheRinger.com. And joining me in the studio in London, it's Andy Greenwald! I feel like you're joining me in London. But not in the studio. No, this is... This is new turf for you. What's going on? We're here at Spotify in London. We are in London. The Watch, Transatlantic. This is a tradition unlike any other, where you and I fly internationally and do a podcast the morning after a wave election. I say I detect a smile on your face. Listen, this is a lot more comfortable than it was literally this day.

1:35I personally wanted an island of feral cats on Manhattan just to see what would happen. But I'll take a blue wave. Greenwald, it's great to see you. Not a lot of news today in terms of television world, but we've got two shows we're going to talk about today. I Love L.A., the new show from Rachel Sennett and the Lowdown season finale. Yeah, hopefully season. I don't want it to be serious finale. I want more of that. any London observations just like cultural observations first of all

2:01Andy Greenwald:how are you feeling about these deep seats they have here in Spotify UK I'm feeling very comfortable both in the studio but also in the city I love this place so much last night by the way just before I forget I haven't mentioned in a long time you can email us at thewatchatspotify.com can they also email us at thewatchatspotify.co.uk I actually don't think that works okay don't do that they'll probably bounce back don't do that you can also follow us on Instagram at thewatchpod underscore on Instagram and you can watch us on YouTube at the Ringer-TV channel, but also on Spotify, where you're hopefully listening to us.

2:31And I've had a great time so far. It's oddly warm here. It's hard to address. It is diffusing. But last night I went to a really fun screening of an 80s cult, early, like, you know, late 70s, early 80s cult movie called Night of the Juggler, which has never been screened in London probably, but it's just like an all-time, like, lost classic of the post-French connection, post-Dirty Harry wave of grimy, fun city movies. And it's with James Brolin and Cliff Gorman. And it was put on by Radiance, which is the DVD label that I'm obsessed with over here, the physical media label and Transmission, which is like their sub labels.

3:12It was really cool.

3:13Andy Greenwald:Did they put this on for you? Cause they were like - No, it was happening anyway, but I was like, that is very convenient that I'm going to do it for you. That really worked out for you. So that was really cool. So shout out to Paul and shout out to everybody at Radiance. That was awesome to see. That's coming out, I believe, in December. so people can check it out. I feel like my time has been a little more genteel. Uh-huh. A lot of commuting. Yeah. You know, people say, like, the coldest winter they've ever had is summer in San Francisco. I think the hottest summer I've ever had is November on the London Underground.

3:42Andy Greenwald:Do you have AC where you're staying? No. Well, there's... No, it's... I've never stayed in this... I've been in this flat for a very long time now and also last year. And it's perfectly nice. I've never been here when it's actually been warm. And I have noted that the windows open maybe three quarters of an inch. And there is no AC. And I do wonder what it would be like when the global warming hits. I do feel like that's worrisome. My most English experience thus far this week was yesterday at work. We were, what's the word? Working. And, you know, just to keep the mood light, I was like, hey old fellows you know what I think I'm ready for I've been here for what four or five weeks now I think I'm ready to do Marmite I'm ready really I'm ready to do Marmite and I was like honestly I'm not that scared of it like I like a I like a yeasty taste you know I like a strong ferment you know I'm you know I'm a day one miso boy so I was like I think I can do this and this was greeted positively but it also brought work to a screeching halt as our showrunner insisted that she be the one to prepare my first Marmite toast.

4:56Andy Greenwald:To go on butter? Yes. And then there was a little bit of a debate, and her assistant has a different strategy. Her strategy is also to toast bread and apply butter, but then to empty most of the Marmite container onto it. Oh, wow. So I was like, my friends, my colleagues, ladies. Door number one, door number two, yeah. Let's do half and half. Oh, okay. And so I was served two very different slices of Marmite toast and a room full of extremely polite English people. Watch me eat them. Maybe that's why you think it's so hot today. Because there's just yeast pouring out of my pores. It was. Yeah.

5:32When do you think Marmite's going to hit the LA beauty conscious scene? You don't want to know how I felt about it? Yeah, tell me. Which one do you prefer? They're both pretty good. Okay. No, I mean, I felt like. I've never tasted it. Really? Yeah.

5:44Andy Greenwald:You don't think it's in the bloodline through your dad? I don't think he liked it. He was like kind of sadly like Americanized by the end, especially in his tastes. Oh. We certainly like Bud Light. That is different. Yeah, I was like, what else do we do here on this toast? Like, this is good. What else can we do? And they're like, cheese, cheese. And I was like, oh, okay. Anything else? And they were like, absolutely not. Oh. 100 % no. But they're very excited about Nigella Lawson's Marmite pasta recipe. I was going to ask you if you had any British cultural recommendations. Yeah. I bet like you're...

6:14Marmite pasta. There you go. That's pretty much it. I've been using the BBC, the fact that I am in England, and the fact that you can watch BBC a little bit more. So I checked out Film Club, which is Amy Lou Wood's show. Oh, cool. Which features a pre-fame Owen Cooper from adolescence in a role. Oh. And Saran Jones. And it's charming.

6:34Andy Greenwald:Yeah, that's cool. I mostly just wait for the night a week when Canal Boat Diaries is on. Wait, what about your boy who goes to Porto? Oh, yeah. Okay, so my two spirit animals here, And I imagine if anyone who works here who is producing us today, these wonderful people, I hope they're not watching this because I feel like. No, I think that it's important that they do. OK, so basically I have in my flat, I have, I guess, basic cable. And there's like one channel that just plays The Simpsons all the time. There's one channel that just plays MasterChef Australia all the time. And there's six channels that play Strictly Come Dancing.

7:07Andy Greenwald:The best channel is the one that plays Top of the Pops 98. And it's just Top of the Pops performances from 98. But the two shows in the heaviest rotation are the aforementioned Canal Boat Diaries, in which a guy goes on a skinny boat around London, and he reaches a place where there's a lock and he can't get through. And he's like, oh, it's going to be a bit of a bother, isn't it? And then he's like, and then it cuts, because there's no cameraman. He's just drone shotting it and like selfie-ing. And then he's like, luckily the local locks volunteer has agreed to help me and is raising the lock.

7:35Andy Greenwald:And there's just some guy in a hat going. And then he goes on. And then every so often he stops at a market to buy incredibly spicy ingredients to make a curry, which I think he used to just blow out his tiny boat. Like, it's just that that's that's the real engine of the show. But the other thing is, and I feel like we should have an expert on this, is just I've become very, very obsessed with the Michael Portillo phenomenon. Yeah. And he is a very, very fancy Dan, older man now wearing bright colors who travels the world off in Portugal, off in different parts of Portugal. and is always just going up to...

8:12He probably lives there for tax purposes.

8:13Andy Greenwald:But he's just always going up to dudes named like Rodrigo who live in wheat mills and have like birthed all of their children there. And he's just like, what do you do, Rodrigo? And Rodrigo just stares at him. Oh, can I have a whack at that? And I was watching it and I was like, oh, this guy's awesome. This guy just likes to travel. And then I Googled him and he's just like a deeply conservative former MP who is, Well, I'm not going to, you know what? Libel laws are different here. But his personal life section of his Wikipedia surprised me. Is it wikipedia.co.uk or.com? Because it can be different sometimes.

8:50Oh, that's a great point.

8:51Andy Greenwald:So anyway, I think I'm going a bit native. Okay. Or insane. Well, then let's talk about your homeland. Sure. Not your original homeland, but your adopted one. Los Angeles. Yeah. The great Southland. Rachel Sennett has come along and made, well it's definitely a show of its moment and it's a show probably of like the last couple of years I think TV always has that issue where what you're writing about and sort of this is cutting edge vocabulary slang, trends, what have you in 2023 may not be what happens in 2025 but I feel like she did a pretty good job with this I Love LA is I saw Alison Herman in Variety compared this I thought smartly to how to make it an America, an entourage more than a sitcom.

9:41And that actually, I was like, oh, okay. Like I kind of like, I'd watched some episodes already and I watched this, we're going to talk about this premiere that just happened on Sunday. But I think initially I was just like, but is it, is this funny enough? You know, right? Are you Michael Portillo? Pardon me, Rachel. Go whack at that. Is that mutton? Yeah. Delicious.

10:05Andy Greenwald:Rachel Sennett, who was obviously, she was one of the stars of Shiva Baby. Will you explain Rachel Sennett to me? Because I have remained relatively clean. I think she emerged somewhat out of Vine and out of internet fame doing short videos on her social media. And very quickly kind of took the A24. Up down? If you know what I'm saying. Yeah. She very quickly became something of a sensation within indie film world by doing Shiva Baby and Bodies, Bodies, Bodies. and bottoms. Right, and there's kind of like a clique of, like some of the people who are part of this group of young creatives, like Myhala, who we love in industry, seems to be part of this world to a degree, like Chase Swee Wonders, who's amazing on studio.

10:48Andy Greenwald:I'm not just grouping people together because they're women under 30. No, I don't know. I mean, like, I owe, you know, I owe a deborah. Yeah, exactly. So this show stars Senate. It was created by Senate for a long time. It was called Untitled Rachel Senate Project, which up until fairly recently it was called that. And it's essentially about a New Yorker who comes to Los Angeles to make it as a talent manager and make it in the entertainment industry broadly. I think it's actually, at least in terms of it anthropologically, interesting to view as why people come to Los Angeles over the decades.

11:25Why they come now. And why they come now. She's moved to New York. She has a couple of friends. most notably I think is English teachers Jordan Firstman who plays Charlie in the show and Forrest Whitaker's daughter is also I believe Leah Whitaker True Whitaker is also in her friend group in the series and she has a boyfriend played by Josh Hutcherson who has a normal type job as a teacher but everybody else is kind of broadly working in and around and on the outskirts of what stands in for the entertainment industry now, which used to be TV and movies, but now encompasses social media and brand deals and working and influencing and obviously all this other stuff.

12:12Does it include podcasting? There is a little bit of a tongue-in-cheek podcast joke in this first episode as the characters walk the Silver Lake Rose of War. It's what we deserve. So the first episode is a really decent pilot setup, which is it's her birthday. it's Maya the Rachel Sennett character it's her birthday weekend she's trying to get a promotion from Leighton Meester Leighton Meester or Leighton? okay Leighton Meester

12:35Andy Greenwald:who is phenomenal as kind of a generation above Meester Salts because she's also in Nobody Wants This This Year which is renewed congratulations to our buddy Tim Simons congratulations to Hitmaker yet another one another one another banger I think Leighton Meester is so good on the show as Maya's boss who is I swear to god I went through like a two or three year period where people were like it's Leighton actually oh maybe it is I don't think it is. You know what? Let's just focus on that. Anyway, she runs... What's her job? She's an assistant at a management company. But managing what? I don't know.

13:10Podcasters? I'm open. I think influencers or I think brands. Okay. But I can't tell. Or maybe I missed that line in the dialogue. Anyway, she works there. She's hoping for a promotion that doesn't come. She's bummed out. And who comes into her life but her past in the form of Tallulah, a big influencer played by Odessa Zion, who you might remember from Better Things. She's Pamela Edlin's daughter. Yes. And she kind of is like this hurricane comes into her life. They've had a falling out in the past. Rachel said it's character, Maya, tried to block her on social media, stuff like that. There's a kind of crazy night out.

13:50Andy Greenwald:Yeah. And then a birthday dinner. We get to the end of it And we find that they've kind of made amends and now they're going to take on LA together, manager and client once again to conquer the city. So what did you broadly think of this first episode? I enjoyed it. I really did. And we should also shout out that there's a really strong team behind the scenes. Sure. Lorene Scafaria, who... Only one person ever makes television. You should know that by now. You? Only one person makes toast. Lorene Scafaria, who's a great director who worked on Succession most recently and is now like has reached like the trusted HBO club.

14:25Andy Greenwald:She's on the show, I think, as the directing producer or producing director. I mean, old buddy Max Silvestri, who's a great comedian who just launched his own podcast with Gabe Liebman and Jenny Slate. He's an EP on the show, Emma Berry. And, you know, I think what you want in a show that purports to offer a slice of a very specific life is you want confidence. And the pilot hits you with confidence. It begins with earthquake sex, which is a pretty good starting point for what the show is going to be and gets you right in the mood. Yeah. Apparently Maya in the mood as well. I have to say that my first, here are the two planks of my affection for the show thus far.

15:02Andy Greenwald:I'm curious if you had a similar reaction. One plank is I like shows about groups of friends in situations. There was a show I remember from the 90s that had a similar kind of setup. I think it was called Friends. Yeah. That is a reliable chestnut and it feels good. And once this group of people gets together on camera, I think in the pilot, as you said, it's at the Silver Lake Reservoir, I was just enjoying the banter because these people knew each, they know each other, the performers clearly are comfortable with each other, and the work was done to give them each a distinctive voice. Jordan Firstman, this character of Charlie does not seem on first blush to be that different from the character he wonderfully plays in English teacher.

15:44Andy Greenwald:But I love that character and I'm happy to see him. So I was comfortable already. The other thing that I really did appreciate, and maybe this is some degree of homesickness, is it understands something I feel is profound about Los Angeles, or maybe the observation isn't profound, but the truth is profound, which is that nothing really works there. It's kind of not a functioning place. Yeah, it's a lot of lines. It's a lot of humiliation. Yeah. There is a... Waiting for bagels. Waiting to get into tenants of the trees. Exactly. Like we, there's a moment in the pilot when Tallulah is like, it's your birthday, let's go to the beach.

16:22Andy Greenwald:And they're immediately all like, oh my God, that would be such a whole thing. And that is true. The driving, the lines that just, is it really worth it if I could just stay home is baked into the place. Yes. And there is also something very specific about visitors or new transplants that is very sweet because I remember being this person like all the years when when Grantland was going and I still lived in New York and I would come out and visit people. I just I was just driving Santa Monica like straight to the ocean and back just for the hell of it. I was like, why would I not? Because you have the energy and the novelty of driving.

16:56Andy Greenwald:I couldn't understand why no one wanted to leave a 10 minute radius. Yeah. And that went away so fast. That went away so fast. So I was having a conversation with someone last night, uh, who was talking about how it's, you know, the Los Angeles, like kind of effusive positivity is throws off. You know, if you're from the East coast or if you're from, from Europe, you might be a little bit, um, blinkered by like how positive everybody is. And they're like, you know, even if you're just going into a store and it's like, you just have a great day. Okay. And I was like, well, lucky, luckily you can go days without speaking to anyone in Los Angeles.

17:30Cause you're just always in your car.

17:31Andy Greenwald:100 million percent. And just like the inflexibility of things, you know, and the fact that like in the pilot, Charlie has expended his daily allotment of energy waiting in line for... For Courage bagels. ...Earmuffs, overrated bagels. You know, come on. Hey, I don't stand on that line. Not that I cut the line. I just, generally speaking, I go to Mori's, yeah. Yeah, because Mori's are bagels. Yeah. Courage is delicious bread. That is nice. It's nice for a treat when you go there. I can always count on you. Because Courage is having a very, like, it's a very media moment. Because it's all over, nobody wants this to.

18:08Andy Greenwald:And I think Courage Bagels is a fine destination. Everybody should have it at least once. Sure. But what I look for, if I may, in a bagel, is both delicious flavor, but also usability. Freezability. Yeah. Courage Bagels is called Freeze. Oh, yeah, you like to have some. And if you want a chef-y bagel that freezes well, mustards opened up in Culver City, which feels like 8 ,000 miles away from where we are right now. I'm trying to Culver City. Well, they were. There better be like a pile of drugs at the end of that. There's no way I'm doing that. I'm just letting people know. You know who I'm letting know?

18:42Andy Greenwald:The Tallulahs who listen to our podcast who are willing to take influencer photos. But yeah, just like that these little supposedly compostable styrofoam containers are somehow like status symbols and you've checked a box and then that's your day. I really, really like that. And of course, you know, and surprisingly, because the show is made by young people who live there, like there is just a, you could play bingo with locations that track. I mean, there's a Din Tai Fung reference. I think Capri Club shows up in the second episode. There's like a day-to-day life set. Somebody's listening to us in St.

19:18Louis and just being like, I hope you guys go fucking fall into the Thames.

19:21Andy Greenwald:For what it's worth, there's a Din Tai Fung here in London. There is. It's an international change. And an egg slut. And Five Guys. And everything's great. No, but just a city with a day-to-day life set to the rhythm of people shaking salads at their desks. Yeah, I think, honestly, life's better when there's an HBO show like this. I don't mean to make things too complicated. It's just, I've always enjoyed a 30-minute comedy slice of life, like you said, about a group of friends somewhere. And I will watch every episode of this. I laughed. You know, like, yeah, for sure. I'm not going to spoil anything, but one takeaway from the second episode that would just be a little note for me that I'm curious about is that the end of the second episode introduces some stakes, basically, in a way that I was like, this show is so confident.

20:08Andy Greenwald:That hasn't aired yet, right? No. Okay. But the show is so confident in its situation that it doesn't really need this, particularly because the stakes are to do with influencer drama, which I think is right down there with Dick Cheney's obituary in terms of things that I'm interested in engaging with right now. I've been loving some Dick Cheney obits. Have you? Yeah. You know what I respect about the guy? Because everybody, first of all, you can tell some of them were written like nine years ago. Oh, yeah. So they're just like, the master of the Senate kind of like stuff. And then it's just like some guy had to come in and do like a later period rewrite as like...

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20:44This guy loves democracy. ...the type of history changed. And he was just like, ha. So a late-breaking turn towards the Democratic Party, but war crimes.

20:51Andy Greenwald:One of the things that I really respect about him is that, you know, as we learn from both history living through it and the film Vice. Yeah. This man had many opportunities to check out over the last 40 years. Five heart attacks, got to respect it, heart transplant. But what he couldn't live to see is a democratic socialist elected mayor of New York. He's just like Sam Elliott at the end of 1883. Just like, I've seen enough. I respect it. Sam Elliott definitely moved out of New York City. You know what I mean? Him and Debra Messing, we're like, this is... We're leaving. We're done. The other thing that...

21:28Andy Greenwald:Tell me how you feel about this. I don't know if this makes me old or in the correct demographic, but the way that Maya, Rachel Sennett's character, and Tallulah talk to each other, I was like, why are they talking like that? What's familiar to me about that? And then I remember that I recently powered through the back half of Platonic Season 2, a show that I just genuinely love. Loved the show. I did too. I really hope they make more of it and make it forever. I think it's on Apple, so they will. They probably will. They probably don't even know they've greenlit it for five seasons. Late in the season of Platonic, the great Aidy Bryant shows up playing a character named Cabo Carey.

22:07Andy Greenwald:And Cabo Carey talks to Rose Byrne's character the way these young people talk to each other, but it's a bit. You know, she's just like, what's up, bitch? Hey, mama. Ah, we're getting espresso teenies. And I can't, like, I guess that version of it, where Aidy Bryant, who is more our peer, is making fun of it, speaks to me. So it was a little bracing to be around people who are actually just speaking this way. Yeah, I think I've more or less internalized it. You know what I mean? It doesn't sound like a foreign language so much to me anymore. Well, first of all, you keep it 100. Always. Like, in these streets, 10 into the trees every weekend.

22:44Andy Greenwald:That's right. That's you. I'm always at the reservoir. That's your east side of Los Angeles. Post it up. We've talked about this before. Like, we are not in any, any way celebrities in the world. No. Except near Sunset Junction, where you are the fucking... No. You are the big Lebowski. No. You are the king. The amount of times that you are recognized or hailed as you cross the street, whatever, is considerable. And worthy. You know, deserving. I always appreciate, yeah, anybody wants to say hi. So do you think if you walked past on the reservoir, this group of people, would any of them? They've never heard a podcast.

23:22Andy Greenwald:Definitely not. But isn't Kaya putting us on TikTok now? Aren't we like, we're going viral, baby? I think within the Alice and Oliver fan community we do, but not really beyond that. I don't think we're permeating. You are the Alice and Oliver fan community. Young sub tiers of Charlie XCX pop, like hyper pop fame. Should we do the four non-blondes meme? Just the two of us? What's that? See? I didn't see that. We're doing the... What does the four non-blondes mean? Well, there's like the mashup of, you know, What's Up. Yeah. And the rap verse. And it's like the two people back to back and the camera spins and one's lip syncing Linda Perry part.

24:05Andy Greenwald:I've never seen this. It's always really hard when, like, if you're describing a meme, somebody's just like, You seem interested, though. Let me describe a couple more memes for you. I think it's going to be good for us. All right. Okay, no memes, I guess. We're keeping this a little bit compressed today. We're both warm thumbs up from Siskel and Siskel here about... I think that you summed it up very well that HBO should have shows like this. Yes. And they're good at cultivating shows like this. It's funny. Almost anecdotally, without looking at the data, of feels like they crank out more prestige mysteries than what is the group of friends hanging out comedy that we have on.

24:44I suppose you could say like Gemstones and the Danny McBride universe has sort of taken that lane for a little while. But I still maintain that the backbone of this show is when we used to have Game of Thrones and Veep and Girls on the same night. Sure. And I would like to get back to that.

25:00Andy Greenwald:I mean, listen, Abigail Spanberger is leading the charge. Return to normalcy. I wondered who was going to make a Spanberger reference first. It would be really funny. It was always going to be me. But I was kind of thinking, like, what if we just made this day all about Spanberger? Like, no mention. One of my favorite things to wake up to, it is, you know, last year was a sobering instance in this, but it is pretty good to just wake up to stuff having happened. Yeah. Two years in a row, Red October ends abruptly. And I'm like, I guess I got to go get coffee. Like, it's fine. Sure. Right. And one of the nice and like reassuring things that the world marches onward was waking up to like the first headline of being like the Democrats have won every major race in America, including like the board of utility directors in Georgia.

25:48Andy Greenwald:Oh, yeah. And then the. Didn't you like that some Georgia utility board goes straight socialist? And then below that it says news analysis. For Democrats, one positive flicker in a never ending nightmare of suffering with questions to come. Thank you, great lady. Thank you for really setting my expectations this morning.

26:30spent on operations, more time connecting brands with the moments and fandoms that matter most. To learn more, check out Accenture.com slash Spotify. This episode is brought to you by Spectrum Business. Fast, reliable internet means everything for your business and even this podcast. That's why I trust Spectrum Business. They keep companies of all sizes connected with internet, advanced wifi, phone, TV, mobile services, plus 24 seven US based support. millions of business owners already trust Spectrum Business. So visit spectrum.com slash business to learn more. Restrictions apply. Services not available in all areas.

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27:40The T-Mobile Home Run Derby is right around the corner. Might be one of the best showcases of pure power in all sports. Baseball's biggest sluggers, along with some legendary announcers. Pujols, Rizzo, Bonds, Sabathia, Al Duncan. Yeah. Hunter Pence, Matt Faskersian, a whole bunch of people. And it's the one night where you don't swing to make contact. You swing to make history. I'm interested to see what Bond says about this, actually. Anyway, it is all live from Citizens Bank Park in Philly. Watch the T-Mobile Home Run Derby live on Netflix Monday, July 13th at 8 p.m. Eastern, 5 p.m. Pacific.

28:18I want to make sure we have time to talk about the lowdown. I want to leave with love here. Oh. Because I think that there was a little bit with the Walter Mosley penultimate episode last week. I was like, oh, this felt like a little choppy and like, you know, you'd pointed out it was a little shorter than most of the other run times and that penultimate episodes can either... There's really like a wide variance of their success rate because it can either be like the thing that everybody remembers or it can be something that's basically a bridge to the finale. This finale was deeply emotionally satisfying.

28:53Absolutely. And I thought quite beautifully acted and really gave several characters a chance to round out and be complete in this last inning. And I especially wanted to shout out your boy, Kyle McLaughlin.

29:09Andy Greenwald:He was so good in this episode. Who I think in most shows would either be a villain or a useful idiot. Yep. And instead is something different. Not a hero. but got to be every part of who that character was. He was the 15th paragraph in the Dick Cheney obituary. Yeah. I don't know if I understand that. A surprising turn late in life. Spanberger. The scenes that he has with Keith David, with Marty, the scenes that he has, especially when he has to read and be read Lee's article about his brother and the last few scenes of him handling Tom McCarthy, giving a speech, those things. You just got to see the totality of a person rather than just an evil villain.

29:57There's a world, there's a version of this show that's still excellent where there are just half a dozen characters who are just straight up bad and dead demons. And as bad as bad can be. Yes, and I thought it was interesting to watch Sterling Harjo and his team make a show where even characters like Tracy Letts' Frank character is still pleading his sort of like, I didn't mean to kill this guy, you know, throughout.

30:21Andy Greenwald:There's a humanity. They were rattled by events or they were caught up in events. They were swept up in opportunity or ambition. Yes. And can't get past their own morality at the end, which was really compelling. What did you think of the finale? I think that you're right to frame it that way. I thought Kyle, who I like very much personally, but just like on camera so much as well. I've said this throughout the course of the season, but one of the great things that auteurs in TV can do is just see into actors and see the best versions of them, see what they've been itching to do, see the muscles that haven't been stretched in a while and give them a chance.

30:59Andy Greenwald:So Keith David being drunk on bovine birthing pills was not something I had on my bingo card, but he seemed to enjoy the hell out of it. Kyle MacLachlan in that scene, not being asked to play the extremes that often he, I mean, I think he likes doing. Sure. Whether it's on, you know, podcasts, TikTok videos, or lynchier stuff, or showgirls or whatever, like playing just kind of a complicated guy, I thought was really, really strong. And to your point about like, the things that ultimately I love in television shows are finely drawn, deeply specific, deeply emotional portraits of community. And the business of the show returning to the street that the bookstore is on and the interactions between everyone, the season building towards this wedding where Lee basically, not gives his blessing, but is it - Let's go of his past a little bit.

31:57Andy Greenwald:Yeah, and is it peace with who his daughter is? The scene when Francis reads, I don't know if it's like a poetry slam or what the context for that was, But like as a hashtag girl dad, like that was, that's gnarly and affecting. And I was glad there was space for it in the show. So I'm in the tank. I love it. I think in terms of resolving a mystery, it was a little bit woolier than. I think it resembled a lot of my favorite mystery novels. Yeah. Where it's just like, oh, it's over now. Yeah. Or there's a data dump at a certain point. There sure was. And, you know, Lee figures everything out. A little bit of it happening off screen or a little bit of the like kind of connective tissue of it, I think, is a little a little obscured from the viewer.

32:43But, you know, you can see that Lee would do the work as he puts together this final article for Heartland Press. but yeah i mean like in a james alway novel often you will the protagonist will come across the lone witness who's been living in a cabin somewhere in big bear and the guy's like here's how the black dahlia murder happened you know or whatever you know i missed that book i feel like big nowhere that happens or white jazz um and i thought this book kind of or this show kind of mirrored that you know so just briefly like i'll just kind of touch on some of the sort of plot it ties a knot on the whole land grab conspiracy plot that took over the last several episodes uh interesting how this show was maybe two or three different mysteries that kind of led into one another so i think in the beginning it's this the skinheads and it's dale's death and what donald might have had to do with it.

33:40And then the sort of ethno-nationalist religious and evangelical group kind of emerges. And the 46, which is sort of Frank and Tripp's power broker group. And you sort of start to get like a deeper and deeper conspiracy. And Sterling really expertly, I thought, like at various points where you think, okay, this guy, Alan, is going to be the villain and he gets killed. And then you're like, okay, we're going along. And now I think this guy, Tracy Letts, is going to be the villain. but it's not really him. It's this larger, like ex-con religious group who were probably like the bigger bad. So I thought that was all neat.

34:19Obviously they bring Graham Greene in for I believe his last performance and he's quite wonderful and plays a pivotal character in the show. And by the end of it, pretty much everybody is placed, not at rest, but I think what would be a satisfying conclusion if they don't do more lowdown.

34:38Andy Greenwald:Yeah, I think the show was at its weakest or this episode was at its weakest during the long scene when Lee and Betty Jo like talk about what they've done, what they haven't done. I like that. You didn't like that? I like the actors, but it was a very, very long scene of exposition and, you know, sort of position setting about where they were and how they felt about each other and who is at fault here. I think one of the things that I like about Sterling as a filmmaker and as an artist and this was true in Reservation Dogs as well is that he's a big fucking softie and I mean that as a compliment like this is a show about that believes deeply in the power of of change of being seen being known even after your passing it believes in evolution not in a Darwinist sense but like in terms of who you are and what you stand for Kyle MacLachlan's character being still a Republican candidate for governor who, frankly, goes pretty woke in a cool way.

35:39Andy Greenwald:And it's like, I don't need this group. I just need to build a different base for my candidacy and have a different framing for my love of this place. Which, again, to the show's credit and to Sterling's credit, it's not, he lives there. So he understands that there are people who have different competing visions of why they love the place that they live. And I appreciated that complexity and I appreciated the turn towards grace throughout. I think it is very, very hard to make journalism dramatically compelling. So the shots of him drinking coffee and writing an article that was going to change stuff is, you know, I think was the best it could be.

36:26Andy Greenwald:but better that than a fake you know because the penultimate episode ends with Lee brandishing a gun at a church full of people to try and citizens arrest Frank his pen is mightier they don't need to have this end in a hail of bullets and it's also nice certainly for our perspective on the world that like truth story can win out you know we don't know anything about the future of the show right but like I loved it and I loved it both for the story that it told and where it went but also just as a really exciting canvas for this artist and his very impressive group of friends colleagues and collaborators to play and I think a second season should we get one could be potentially incredibly exciting oh I mean I think there's a lot to be said that like this was theomatic and it was written as coming next because to use a Nos analogy I don't know you kind of didn't really seem to notice what I was saying um no I'm just curious where you're going next you pump you throw everything you've got into the first season yeah and I think that there is an element of like Sterling wanted to say everything he could about being a dad and everything he could about Tulsa and every every kind of optimistic dream he has about a better Tulsa.

37:51Right. And like even that block that he built up with Sweet Emily's in the record store and the bookstore is like the dream block. But the next season could be like someone hires Lee to find their missing wife and like it's just like kind of a lean mean

38:06Andy Greenwald:noir. Or Lee could go on the road and go somewhere else. In this version of it is season three Uchiwali? I guess so, yeah. I mean... Is that I Am? I think it's later. This is the Bravehearts record. Yeah. That's right. It gets kind of dodgy after. But then Lost Tapes. Yeah. So season five would be sick. Yeah. A throwback to season 11. Yeah. I think at that point. What a great show though. Just wanted to say that it's very rare to see TV shows that take the time to have plot lines to give so much time to say something that we didn't even comment on after it happened, which was Marty's day-long date with Odette played by Tisha Campbell.

38:47Andy Greenwald:Beautiful episode. And all it ends with is Tisha Campbell's character saying, you don't really ask questions. Like, you don't seem that interested in me. You know, you really seem more fascinated by your boss and invested in your work. You seem like a nice guy, but like, we'll be having a second date. And I think it subtly changes Marty and sends him in this direction of where he's like, I am going to work with Lee and I am going to try and figure out what's going on here. but ultimately like that's like a bunch of real estate to put a TV show to stake a TV in a TV show for a character who's not going to come back for a romantic well Dinklage episode was like that as well yeah exactly so to have these little short stories within the novel I thought was was quite lovely and I really hope they get to do more of it I have nothing to add to that I completely agree let's wrap up there for this episode okay we're going to be back in 48 hours as far as you know listener because we're going to be back with a special episode talking about the first two episodes of Pluribus, which is the new show from Vince Gilligan on Apple TV.

39:48The first two episodes air, I believe, on Friday morning.

39:52Andy Greenwald:We have no way of knowing. Yeah. We do have a way of knowing. The 7th, which is Friday. And so you'll be able to listen to that Vince Gilligan episode as soon as you're done those first two episodes. He also joins me on the show to talk. I talked to him a couple weeks ago, and we're going to run that interview on Friday. So thank you for listening. And we will be back in just a couple of days to chat about Pluribus. Enjoy your canal boats, Marinskis.

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From the publisher

Chris and Andy talk about the premiere of Rachel Sennott’s HBO series, ‘I Love LA,’ and what the comedy gets right about living in Los Angeles (8:02). Then they discuss the finale of ‘The Lowdown,’ the satisfying conclusion of its central mystery, and their desire for more seasons (25:13).

Subscribe to the Ringer TV YouTube channel here for full episodes of The Watch and so much more!

Hosts: Chris Ryan and Andy Greenwald

Producers: Kaya McMullen and Kai Grady

Video Producer: Jon Jones
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