In short
The Watch episode recap focuses on two things: the Emmys broadcast and an episode of the Apple TV+ series Lanterns (Episode 5). Hosts Chris Ryan and Andy Greenwald discuss how the Emmys felt unusually warm and community-driven, praising Mariska Hargitay’s hosting, presenter chemistry, and the show’s pacing (front-loading major awards, structuring In Memoriam to let famous attendees speak). Key claims include that Widows Bay’s dominance felt organic and that Noah Wiley’s connective presence helped create a “creative community” vibe.
Notable examples
Widows Bay won Best Comedy and multiple acting/writing/directing awards (Katie O’Flynn supporting actress; Stephen Root supporting actor; Hiramurai directing; Katie Dippold writing; Matthew Rhys acting). The Pit won Outstanding Drama; Jean Smart won for Hacks; Noah Wiley won Best Actor in a Drama; Ray Seahorn won Best Actress in a Drama. Other winners mentioned: Colbert (late night), Traitors (reality), Slow Horses (directing), The Diplomat (supporting drama).
Guests
Chuck Klosterman is teased as appearing for a future segment about his book Rock.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VODiscussing the Emmys
1:45 to 2:20
The hosts share their thoughts on the recent Emmy Awards.
“chatter about the first episode of the sixth season of Slow Horses, which I believe has been renewed for eight now.”
Emmys Opening and Host
2:20 to 3:19
Discussion on the opening number and the host Mariska Hargitay.
“I wanted it to be reminiscent of 2002 at Hi-Fi Bar.”
Ceremony Highlights
3:19 to 5:32
The hosts evaluate the overall production and highlights of the ceremony.
“What did you think of the broadcast itself?”
Winners and Creative Community
5:32 to 7:59
Exploring the winners and the sense of community among nominees.
“this it would be an interesting opportunity for television to lead the way and uh double the awards.”
Changing Landscape of TV
7:59 to 11:15
Discussion on the evolving relationship between TV and film.
“And then I'll watch a little bit of their first dates.”
Reflections on the Emmys
11:15 to 14:00
Final thoughts on the Emmys and the dark undertones of the industry.
“in stacking the front of the arena with Golden Globes-like tables to make it feel more intimate, which absolutely worked.”
The State of the Emmys and Industry Reflections
14:00 to 17:36
Exploration of the Emmys winners' impact amidst industry changes.
“So there's something kind of like sad and dark also behind the Emmys.”
Tempo and Structure of the Award Show
17:36 to 22:44
Discussion on the pacing and emotional tone of the Emmys ceremony.
“Then you get an extra hour, though, of stuff that I feel like they have to do and is good for the soul.”
Highlights of 'Widow's Bay' Success
22:44 to 26:25
Celebration of 'Widow's Bay' and its achievements in the Emmys.
“And it's proof that, you know, for as pilloried as he was for some of the things that happened over the last few years or even at the beginning of his career, he got out early.”
The Importance of Taking Risks in Television
26:25 to 28:00
Encouragement for networks to take creative risks based on 'Widow's Bay' success.
“I thought you were like, well, you make a show, like, to me, and I was like, cool, what's the show about?”
Show all 23 chapters
Golf and Cultural Divisions
28:00 to 29:16
Discussion on golf traditions, cultural divisions, and humor in sports.
“So I think I was thinking of a different Masters.”
Matthew Rhys' Emmy Wins
29:16 to 31:06
Matthew Rhys discusses his historic Emmy wins and anecdote from Bradley Cooper.
“Rhys won for actor in a comedy and actor in a limited anthology or made for a TV movie for Beast and Me.”
Jean Smart's Emmy Recognition
31:06 to 32:30
Celebration of Jean Smart's Emmy win and her significance in the industry.
“And also, shout out to his wife, Keri Russell, who did not win, which was a surprise and we'll get there.”
Awards Dynamics and Predictions
32:30 to 34:32
Analysis of award nominations, predictions for future winners, and industry trends.
“But my enjoyment level of that show kind of waned after the first three seasons.”
Sally Field's Category Controversy
34:32 to 36:54
Discussion of Sally Field's Emmy win and the implications of category placements.
“But yeah, but you know, Ray Seahorn should have been nominated many times, probably should have won for Better Call Saul, didn't.”
Tom Pelfrey's Breakthrough Performance
36:54 to 42:00
Pelfrey's emotional Emmy win and reflections on the show's impact.
“I thought this was category fraud, and I didn't understand why...”
Emmy Awards Discussion
42:00 to 43:15
Explore the winners and surprises from the recent Emmy Awards.
“Some other winners, Allison Janney for supporting drama and drama for The Diplomat.”
Fashion Reactions and Celebrity Culture
43:16 to 45:09
Discussion around Shailene Woodley's outfit and celebrity scrutiny.
“You know, Aaron Rodgers aired her out a little bit.”
Unexplored Television Projects
45:10 to 46:28
Engage in a conversation about lost television projects and their potential.
“I do think there should be some sort of statute of limitations where networks and studios can bury projects for 10, even 20 years, but then they have to put them in public domain.”
Unexplored Television Projects
46:29 to 50:00
Engage in a conversation about lost television projects and their potential.
“And they, Ivan Reitman came on to make the movie version for HBO.”
Lanterns Episode Discussion
50:32 to 51:04
In-depth analysis of the Lanterns episode and its themes.
“Listening to this podcast instead of doom scrolling?”
Character Insights and Story Dynamics
51:05 to 56:01
Exploration of character motivations and narrative developments in the series.
“Could the Manhunter have learned how to spawn?”
Analyzing the Complexities of Hal Jordan and Zoe
56:01 to 1:04:58
Explore the intricate character dynamics and themes in the series.
“And I was nervous that we were entering a no one ever really dies, like, wink, wink.”
Transcript
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1:05I need supports to have to clear the room. Stand up and walk. Now. Hello and welcome to The Watch. My name is Chris Ryan. I am an editor at TheRinger.com and joining me in the studio, the winner of outstanding anthology podcast host. Oh. It's Andy Greenwald. Weirdly, that was for Stick the Landing because it was in the eligibility window. Quite anthologized. Quite limited. Quite limited. Surprisingly limited. I think Kai is still surprised. Grimwald, great to see you. It is Tuesday. Not our normal day, but we wanted to hit the Emmys from last night. So we are here. We're going to do the Emmys, and we are going to do Lanterns today.
1:43On Thursday we will have some chatter about the first episode of the sixth season of Slow Horses, which I believe has been renewed for eight now. What's your feeling on whether we'll be wearing the same clothes on Thursday? I brought a change because we are going to batch record this. You brought a change? Yeah. We also have a special appearance. Here's the memo. Yeah, go on. From our special appearance. We'll be joined or I'll be joined by our good buddy Chuck Klosterman who came on the pod on Thursday or will be on the pod on Thursday to discuss his upcoming new book, Rock. Awesome conversation with Chuck was very reminiscent of our Music Exists.
2:22Another limited anthology podcast. I feel sad I missed it. I wanted it to be reminiscent of 2002 at Hi-Fi Bar. It was that. Yeah, except no Rheingolds. It's great to see you. And watch at Spotify.com. Watch Pod. The WatchPod underscore on Instagram. Ringer-TV on YouTube. And you can listen to us and watch us on Spotify. The Emmys. The Emmys. Is it TV's biggest night, you think? Yes. Yeah. What do you think is TV's biggest night? I mean, NBC did those live musicals for a while. That's right. When they did Grease. Yeah. That was pretty big. You know, I enjoyed myself until I didn't last night. Okay.
3:01You know, they needed to fill out a three-hour broadcast. I couldn't quite tell if at the end, McConaughey and Woody, Lonesome Dove, just think about it. McConaughey and Woody, if they were actually vamping to fill out the time. Or just vaping. Or were stoned and were like, this is a funny bit. What did you think of the broadcast itself? And then we will get into winners and losers. I have very strong feelings about this. And I've had strong feelings about the last few years. You're a guy who does not think about award shows 364 days that they aren't on. And then the day they're on, you are like the Gettysburg Address.
3:37Yes. I have to say, so my experience was unusual in the sense that the opening number, well, let's just take one further step back. Mariska Hargitay hosted the ceremony. And a untraditional choice, but certainly a friendly and familiar face to television watchers of the last 30 years. She's essentially the queen of modern NBC. Yes. She has been on that network for 20 plus years. 30 years. And she was on ER before that. Oh, that's right. Remember? Her and Dr. Green. I forgot about that. Had a little folie a deux, as we say, in Chicago in the 90s. She, it was a rollercoaster ride in the beginning because I will say, and I say this with respect and love, that the opening number was absolutely horrific.
4:21Yeah. It was so deeply disturbing that I almost couldn't look away. It was like non-AI just slop. Okay. But it was also SponCon because while she was singing about how much she loves watching television, she was wearing Marriott bathrobes. Yeah, I guess so. I mean, you're a Bonvoy guy, so you probably did that. I was just like, didn't notice a difference between what she was wearing and what I was wearing. That's totally right. That's how you are at your most comfortable. I, on the other hand, you know, I'm a proud world of Hyatt. Hyatt homies, yeah. No, my title, I believe, is Exploratist, which is not a word.
4:56But I earned those extra syllables, or at least consonants. Anyway, it was so bad that I was concerned. The concern melted away because I have to say that I thought that in every other respect, the producers of this ceremony made a series of small, low-key, but incredibly impactful decisions to make this, dare I say one of the best Emmy Awards nights in recent memory and I'll talk you through the decisions I took notes I was really impressed I want you to go for it because I gotta tell you man I mean I I'm on the record as sort of not caring about it I'm also on the record as saying this it would be an interesting opportunity for television to lead the way and uh double the awards.
5:42I mean, like, FYC season seems to last all year anyway, and to I think the TV could actually hold the Emmys twice a year. I know that that would dilute maybe the power of winning them, but I think it would make for more interesting candidates, more interesting nominees, and a wider variety of winners. Do you think Ice-T would host the other ceremony? Would we keep it in the SVU family? I would have some of the Chicago family do it you know perhaps like an all-star of of dick wolf chicago verse is there anything equivalent to the dick wolf chicago verse in that it is massive established and we are completely ignorant of it like no i mean like i think what's the equivalent of that i wouldn't there are often people who are in the like pop culture like moment like i don't know anything about what is this the stella lefty person right is like i have not heard her music i don't know who her dad is I can't tell if anyone likes her.
6:40I can tell that most people don't, but I think it's because of her dad. Yes. And then she ripped off Noah Kahn, who also was on the Emmys last night. I think other people too. I think that the story is that like, they're doing a forensic scan of all of her songs. Are they? Yeah. Who's they? I was hoping you could tell me. Kaya, are you up on this? Yeah. I think the internet is, it's kind of like when you are a group on Eris and you first rip off Noah Khan and then the internet catches a hold of that and then they also go back and see who else you were. Madison Square Garden and one person showed up, I wouldn't be surprised.
7:19If 60 ,000 people showed up, I wouldn't be surprised. I have no idea. But to your point, that's not really, that's not where you're really. That's how I feel about Love Island. I don't know what it is. I thought it was Milf Island from 30 Rock or Temptation Island, which was shorter lived. And I guess it's not the one where they get married because that's Love is Blind. Yes, I watched that. I watched that. You watch that. Yeah, my wife watches Love is Blind and I will dip in for crucial moments of the season. Like the moments when they are given their sight back? I like watching them see their betrothed for the first time.
7:53You do love it. This is the most glee I've seen on your face in a while. It's really funny when they're like, oh shit. Oh no, I've made a terrible mistake. And then I'll watch a little bit of their first dates. Yeah. I'll check out some of the pod action because I like to see what kind of questions they're asking each other but anyway we digress I just the Chicagoverse I've watched some of it in airports so specifically the thing about this Emmys okay I think that let's go from the host once she got past the trying to be funny and put on a show parts and she was game to do anything and as is Jalen Brunson apparently go off king he deserves it yeah she settled into a much more maybe traditional, just sort of glamorous, slightly emo MC role.
8:40And that was fine because her Q rating is very high. She has personal relationships with most of the people in the room. And I have to say, it allowed the funny presenters, like our own colleague Amy Poehler, who's the first one out of the gate, to kill, like without any competition. So she was awesome. Mulaney. Marcella Hernandez was, I thought, very funny. Yeah. And Mulaney was, God tier. Mulaney was Godzilla v. Tokyo six times in a row. Yeah. He was unbelievable. He was so funny. Do you think with this the Mulaney hosting flirtation? Yeah. Like is this like I can't even think of an analogy.
9:21Why doesn't he just host one of these big shows? Well I think at this point I mean he's definitely asked for all of them. Okay. I think he doesn't have to. The only thing that's particularly odd about it is that like he does seem to have a spirited work ethic, let's say, because his Mr. Whatever tour is now crossing the... He's basically like fish at this point. He has been on tour for the better part of two years, and is just now announcing New Year's dates. So he does certainly like the challenge, but maybe he's keeping his powder dry for the Oscars when Conan lets it go in a couple years. Okay.
9:52Because it's certainly less pressure to just show up and destroy and then move on. Yeah, and not have to have two people be like, did he do a good job last night? Like us. So I thought that no matter what, I feel like there are overarching industrial pressures on the host that they have to do certain segments. Like I bet she wasn't like what I really want to do. I mean, maybe she was like, I want to do a bunch of song and dance numbers, but it felt like they should have done more of the SVU digital shorts. Well, they did one and it featured a very prominent guest star, which, you know, again, we only can see things through the lens of our own experience.
10:27Any moment that brought my daughters into the room, Well, there was a Taylor Swift and Taylor Swift's cat were in the short. Yes, and I can't actually parse which one caused them to squeal louder. Like, that was the most exciting moment. And they love Mulaney, so they were happy about that. But the Taylor Swift thing just had a 100 % approval rating in my house if I was not in the house. Right. So that was fun for them. But what I'm trying to say about what she did as a host was create this kind of convivial warm atmosphere, which I think is the goal for award shows, but it's often hard to do, especially in this kind of like post-star era and maybe even occasionally with the Emmys because there's such churn now in terms of like new shows being potentially overrepresented one year than going off the air for three years.
11:08Yes. So I thought that she was really good at kind of drawing together a sense of community. I thought that the producers did a brilliant small thing in stacking the front of the arena with Golden Globes-like tables to make it feel more intimate, which absolutely worked. And my main takeaway was, and again, you could, I want to hear your thoughts on this because maybe it is 20%, 30%, 40 % because I thought the winners were deserved and cool and like a cast of wide net. But I had a feeling last night that I don't know if the Emmys have ever given me and that the Oscars used to give me, which was this is a kind of creative community that these people know each other.
11:43These people like each other. They work together, whether it's for years and years in the broadcast trenches or crossing each other in award shows, you know, year after year. And maybe it's also the, you know, the renewed dominance of Noah Wiley as a connective tissue to that era. Oh, yeah. But him saying things like, this is the only job I ever wanted, and I love this. I was kind of moved is too strong a word. But, you know, one of my benchmark criticisms of the Emmys going back decades is the Emmys used to apologize for themselves. The Emmys used to have an award show where they would slavishly rain award trophies down on movie stars, almost as if to thank them for being there.
12:22And there would be a lot of segments like, Like, here's why we like the movie. Like, and now the Oscars do it. The Oscars do it now, which is like, don't we love rom-coms? Yeah, yeah. The Emmys don't have to do that. These are popular, exciting shows. And it communicated as such. Passionate defense for it. I mean, I didn't actually like have a, I mean, to me, it's always like TV is a technological advancement and not like an artistic medium. Like, that's always the thing I'm trying to get my head around. And I think also the insurgence of all these different types of specifically stars, but all sorts of artists from directors to writers from the film world into television over the last 10, 15 years has changed the makeup of like the kind of vibe that you get.
13:05Like it used to be there was a very like pretty demarcated line between the television and film industries. And now I think it's a lot more fluid. I think the way that TV is made has changed so drastically that, like you said, like we're going to have Widow's Bay probably will not be able to defend its crown next year. Just by the nature of the fact that it'll probably not be back on until 28 or at least I would have to imagine 28. I know that they're going to start filming in the spring. There's a chance it could be end of 27, I think. But your point is right, that it will be it will do everything in its.
13:37Clovis certainly won't be back in 27. But Apple will try to get both of them back for the 28 window. I imagine you're right. There's still something kind of odd about, and the host made a bunch of jokes about this, but there is just something so strange about the fact that this is about a box that is on your table that I think these channels used to have dominance over, and now it's all over the place with all these different technology companies essentially taking over the business and those channels, those old networks, those old companies essentially merging with one another to keep any kind of foothold in the industry.
14:18So there's something kind of like sad and dark also behind the Emmys. But I appreciate what you're saying about the creative community and people seemingly like be like, you and I have done three shows together. Or many people there are like, we know Katie Dippold when she worked on Parks and Rec or she wrote the Ghostbusters movie or Hero from Atlanta and these things or Matthew Rhys from being in many, many shows over many years. Like people know them and to see them recognized and with the warmth in which they were received was really nice. But to your point about the darkness, I thought because of the gathering darkness that exists everywhere else, I thought that some of the winners were really, maybe we're just lucky with the winners in this case, but were really eloquent spokespeople for the idea of even caring about creative community in a time like this.
15:03Noah Wiley, you know, chief among them, but also Colbert, you know, breaking the John Oliver streak and doing it with joy, you know, and not making it about another polemic about being canceled. It was just a very celebratory thing, which I appreciated. And although, to be clear, I think I would probably be inclined to agree with any polemic that he uncorked, but I liked the tenor. I think his show was very polemical. Like, I'm sure he feels like he has said his piece. He's done it. And then especially Scott Gemmel, who is the showrunner of The Pit, you know, seemingly speaking off the cuff, though I'm sure he had time to think about it because he was definitely going to win that trophy.
15:41You know, I think that there is a proud or sometimes shameful history of people getting up on stage with a trophy in their hand and talking about how what they do matters and a bunch of people in America being like, excuse me, eggs cost$35. But the way that he said it at the moment that he said it about why what they do matters more than ever resonated with me. I thought it was really nice and it felt like a genuine warmth in the room. And I wonder, I have no idea, but I do wonder if some of that warmth was a trickle down effect from having a host who was just happy to be there, you know, and not there to skewer the industry.
16:15Yeah, I think it definitely was like a warm hearted show. And it was a sentimental show. Like there is essentially like I thought the tempo for the program was really good. Look, like a lot of a lot of big hitters in the beginning. if you're gonna offload a lot of the craft and below the line awards and also like plenty of like above the line awards to the creative arts emmys that happened the weekend before first of all i just have to say like i don't understand why you guys can't do this two weeks earlier before football starts like if you want people to be a captive audience like i was literally 10 days ago or two weeks ago just sitting around being like nothing is on you know and you're going up against Mahomes.
16:56I just don't get it. But also you were joking or we were joking about whether the Emmys are TV's biggest night and TV's biggest night is whenever the NFL is. Yeah, right. And they were actually in conflict. Coming out of a weekend where most people had probably watched some combination of college and pro football for like 70 hours. Why not try to like avoid that? I don't know. But, you know, I thought that the show had really good tempo. I personally feel like if you are going to excise all these other awards, I am not here to watch a bunch of like song and dance or tributes personally, you know, so I don't understand why not you can't do it in two hours.
17:35And if you do it in two hours, I think most people would be like very, very good award show. Then you get an extra hour, though, of stuff that I feel like they have to do and is good for the soul. It's good for the soul to see a Dolly Parton tribute. It's good for the soul to see a James Burroughs tribute and a Rob Reiner tribute and a Michael J. Fox tribute. Like, it is good for you. But I think it definitely, as a television product, slowed down in those places. I agree with part of that. I would say that, like, the Dolly Parton one was where they lost me slightly, not because I don't revere Dolly Parton, but because TV star is not the first thing I think of.
18:11But it was an opportunity. And it was a very pretty performance by Rima McIntyre. Totally. what I what I found really actually impressive was the way they structured the In Memoriam segment now look if you are someone who produces In Memoriam segments for award shows you're eating good for the next couple years I'm sad to say like we are we're just on like on a hideous and mournful run right now particularly for TV as we saw last night but what I appreciated about the show was like they did a bunch of things at the top that surprised me like big actor awards at the beginning And I have to say, part of me cynically thought that they were giving lead actress in a drama in the first 10 minutes because Zendaya was like, I'll come, but I got to go.
18:52Oh, yeah. And not the case. No. She was there for Marcelo and Tom Holland was there and they were having a good time. And I think that also affected what I was saying about like, this is the room with the juice in it now because the movie stars are there too. Yeah. But what I appreciated was by getting front loading a lot of awards with good tempo. When you get to the Memoriam segment, you don't just hold on Catherine O 'Hara to let Noah Cahan or whatever, Kane, how do you say his name? horrible, not a fan. You clear out the lane. So Macaulay Culkin and Dan Levy and Annie, I'm forgetting her name from Schitt's Creek can actually, actually talk about someone that they love and talk about someone who I think is more beloved internally in that room than maybe the popular imagination knows.
19:39Similarly, Rob Reiner, that's the other thing that made it feel like a community to me because they were here to tell you about someone that you, the average viewer, always recognized, likes in the 80s, liked in the 2000s, enjoyed a year ago in the studio, but maybe you don't carry the flame of like, this is actually a loving, inspirational person to other people we like. And so I thought that was another bit of connective tissue that the show did very well. Yeah, I think that your point is really well taken. You can see when somebody like Reiner, who's been a part of television from All in the Family through the is like a pretty significant, obviously is a pretty significant person.
20:16But like, I was really more just like talking about like the tempo of the show and the like emotional tenor of the show. And I don't think that they structure these shows to be one genre. You know, obviously they're like a little bit of song and dance, some comedians bits, banter between the presenters. We're going to have like some sad stuff and then we're going to try and like surge at the end. I felt like the surge at the end did not like feel significant but maybe that is because if you pay the least bit of attention to the Emmys you're like the Pit and Widows Bay are going to win everything because you've seen the momentum coming out of the creative arts let's get into the awards I do want to ask you one thing though I want a little self self reflection like you know for as much as I like to I like to get on here and talk some fire I am like one of the most like, predictable mainstream living out fellows around who, like, anytime there's a clip of, like, George W.
21:16Bush sharing a mint with Michelle Obama, I'm like, we used to be a decent society. Sure. Is there an element of that in these award shows when because of politics and also because of shrinking margins and because of, like, the dark cloud that you're referring to, that when you see the late night host table and it's Oliver and Kimmel and Colbert and they're so happy to be with each other and they're cheering for each other and it feels very legitimate, You know, is there an element of my old like, you know, guardrails of society? You know, the thing is, is that I always just blame myself. You know, like we're seeing those guys.
21:48That's the end of it. Not only of a generation of late night hosts, but perhaps the actual job of being a late night host. And I can only look in the mirror because I don't watch those shows. And I don't think a lot of people do. And in the advent of having, you know, you can watch the 1999 Masters as you go to bed, if you want, on YouTube. Like it's hard to be like, what I'm going to do is watch a guy interview another guy. You just offered that. As an example. Well, it's a separate conversation actually. And one I think we should have because I haven't found even a moment to bring it up. Do you like watching TV?
22:21You know my answer. That is what this podcast is about. One thing that I love, this is not relevant to this conversation specifically, but like I love Conan O 'Brien's travel show. That is my put on Love is Blind or whatever. Like I've watched every episode of it. when we get the screeners, I have to like hold back from watching it because it is absolutely pleasant. It is funny. It is clever. It is like diverting. And it's proof that, you know, for as pilloried as he was for some of the things that happened over the last few years or even at the beginning of his career, he got out early. Was he pilloried?
22:55Well, I mean, when he first went on, everyone's like, this guy's terrible. And then when he took over The Tonight Show, there was a lot of like, this doesn't work. He doesn't fit into this box. And then he was just kind of on TBS in, you know, in exile. for a bunch of years and then a show became a half hour and then it kind of, then it just went away altogether. Yeah. He's actually ahead of the curve and gives me hope for Colbert in the sense that there is a long road of being an incredibly creative and funny person with the modern tools of media. Isn't Colbert writing a Hobbit movie? I'm just going to move past that and assume that once that's done.
23:25But I just mean like he's okay. Oh, I'm not worried about him. I'm just saying, there's a conversation to be had about who can be the charming front man for our comedic generation that may be separate and apart from interviewing a dude at 1130. Yeah. But that's not today's conversation because we got to get into these specific awards. I'll just rattle off these winners. Widows Bay won for Best Comedy. Awesome. Pitt won for Outstanding Drama. Did we just wrap up Widows Bay in one big bow and say like, we correctly predicted an absolutely unstoppable juggernaut tsunami. That happened. I think that the precursor award show also predicted it.
24:00No, that predicted it. And then we did a podcast saying, write your speeches. Seems like they did. They were all really prepared. They took away what was supposed to be like a Hacks Victory Lab, I think. We can talk about the Hacks of it in a minute, but Widow's Bay is sitting pretty at my number one show of the year. Completely organic. What? It's just always... It's in the top three. You're definitely like, you've invoked your top of the list a lot. Because I'm proving to you, I'm modeling something for you, which is consistency. I don't know how you are with object permanence. I'm bad. Fun fact.
24:37So I feel like it's good for you to hear someone just say confidently that things have stayed the same. Okay. Okay. I'll remember that in December. The shows in my top three are the same five shows they've been since January. Yes. And you've watched seven shows. No, I started an eighth one and I believe I just mentioned Conan Must Go. So you're kind of telling on yourself here. Widows Bay won. Andy is right. It kicked ass. It won Outstanding Comedy Series. Katie Dippold won for writing. Hiramurai won for directing. Matthew Reese won for acting. Kate O 'Flynn won for supporting actress. Yeah, Stephen Root.
25:17And Stephen Root won for supporting actor. Who's never won an Emmy. He was so delighted. Which is awesome. And there, the collective charm of that group of people I thought was my highlight of the evening. it's uh i am annoyed that it's not coming back next season yeah but i or next year and it won't be there to defend its crown in terms of i think it's just good for television for shows to come back once a year i think yeah we have the the numbers are in the data is in if you're not making rings of power i would really like you to try your best and i put this on the studios because the studios should have more confidence in their work yes and be like you are renewed for two for season two or season three or season four.
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25:58Get back after it. Get back after it. We believe in this project. I also will say, and this is not an attempt to like be insidery about it, but one of the things that I love about Widows Bay is how completely genuinely unexpected any level of success was for those involved in it, let alone this absolute coming out party of award show dominance. Like that when you make a show, when our good friend, friend of the pod, Casey Bloy's Greenlight's Night of the Seven Kingdoms, which was nominated last night. Did I make? What's that? I thought you were like, well, you make a show, like, to me, and I was like, cool, what's the show about?
26:30The 1999 Masters. Unexplored little, like, little gems, little Easter eggs. Yeah. When Casey Greenlight's Night of the Seven Kingdoms, the calculus and the math and the economics of it really are built around a number of things that are very difficult to control for. One of them is Emmy nominations. Sure. It is a huge success because it was both good and it got the attention and the ratings that you needed to. That is not the case when Apple greenlights Widow's Bay. I'm sure there were executives there who believed in the show and championed it. But there's a writer on the show, writer-producer named Mackenzie Doerr, who was up on stage last night.
27:05And I met her in London when she was working on a show last year. And we had a great conversation with a mutual friend, talked about a bunch of projects she's worked on and is working on. A funny little comedy she made last summer with Apple didn't even come up. like not that she wasn't proud of it but it wasn't leading conversations which like if you know I think that if you or I had worked on Widow's Bay or the 1999 Masters drama we would have been telling everyone it's called a tradition unlike any other that's good that's good we would be telling everyone about it and spreading the word and whether because we thought it was going to be well received or because we were so worried that it wouldn't be and it is just an exciting example of Apple has more money than anyone else to do this and take chances.
27:48But if you have that much money, please take chances. You know what? I was referring to it as like this, the 1999 Masters as if that was like a really crystal clear memory for me. That's the one that Jose Maria Olatobo won and Tiger came in 18th. So I think I was thinking of a different Masters. No, that's the one I was most interested in. The Olatobo. Well, you know. Just so that lots of people could say Olatobo. I'm passionate about the, you know, this subtle beneath the surface conflicts between Castilian speakers and Catalan speakers. Yeah, I know. They're not that underneath the surface. Well, in the world of golf, they often are.
28:23You know, I think the fairway is known as like the place where peace is possible. It sounds better in Catalan. The fairway is where peace is possible. That's the log line. That's good. Oh, okay. So, a tradition like any other. The tradition, you think it's about golf, but what it really is. No, it's about divisions. Oh, and then. But the fairway, and then, Owen Wilson's Price whatever the hell his name is from Stick shows up as a young man de-aged and he's just like Irishman Owen Wilson. And he's like Amigos! Yes. You know? Yeah. And then what about can we get Will Ferrell's golf show in there as well?
28:59Clock? Yeah. You're fast with that. Yeah. I was quick. Again super engaged. I suppose then a good segue here out of Widows Bay would be the only person who won bigger than Widows Bay last night was the star of Widows Bay. Matthew Rhys, who I think for the first time in history, an actor won a lead. Two lead trophies. Two lead trophies in one evening. Rhys won for actor in a comedy and actor in a limited anthology or made for a TV movie for Beast and Me. The Beast and Me. I was served almost immediately when looking at Instagram last night. A video from the Joe Rogan experience. Couldn't be you.
29:37This must have been the first time. Of Bradley Cooper telling a story about when he met Matthew Rhys on the set of Burnt because Matthew Rhys was his nemesis, like his chef nemesis. I watched that movie on a plane. I watched the video without turning the sound on, so I was only going by the subtitles. But it sounded like Bradley Cooper almost died and that Matthew Rhys saved him. That sounds like the kind of story that Bradley Cooper has for every movie he's worked on. Yes, I bet he's also like Big Dom once. I almost died in Big Dom. from the Eagles' safety. 100%. He just keeps almost dying. Well, I just want to say, because I'm assuming our inbox will be full, that Olaf Favol, of course, is Basque.
30:22Oh, my bad. It's the third heat, as Jack Donaghy once said. Of course. In the beautiful nation of Spain. Did you Google that while I was telling you that story? No. No. I just knew that. Okay. I'm just a little sleepy. I'm excited because, you know, Andonia Iriola, who's the coach of Liverpool is Basque. Yeah, I know that too. As is Mikel Arteta, the coach of Arsenal. I think there are a lot of good things that are Basque, like pinchos. You could have them in small tapas bars. Rhys, obviously, like we just talked about, the best actor on television right now. It's not really close. He also has the best taste.
30:59And 100 % approval rating from the world. Cool family. Gene Smart. Can I just... Rhys was awesome. He's just so good. Those roles are so different. He was so happy and excited. It made for great TV. And also, shout out to his wife, Keri Russell, who did not win, which was a surprise and we'll get there. But just, the two of them, again, this is my thing. Like, neither of them, them together, do not equal one Jack Nicholson. I'm not saying this is the 1993 Oscars. But, they seem to be so beloved by everyone who works with them or sits near them at these things. And she was cheering so loudly and genuinely for everyone that that helped.
31:38That helped. Yes. also two people who seem really happy to be on television comfortable yeah Jean Smart did win it was Hacks' Hacks' one major win of the evening from last night yeah she won for actor in a comedy Noah Wiley I believe that means that she won every season of the show did she? I believe so cool she won five Emmys yes and she has many more from like guest starring on Frasier eight times did she ever win for like Designing Women? I don't think I mean again And I don't Google during the show, so I wouldn't know. Does she enjoy a San Sebastian, like a sort of frothy white wine? Google.sp.
32:18Because I'm only looking at Spanish Google. Bass results. Bass Google, yeah. Bass Separatist results. Look, we don't need to relitigate it. Like, I didn't even watch the last season of Hacks. You didn't? No. At all? Oh, no, I watched the premiere. Okay. But my enjoyment level of that show kind of waned after the first three seasons. Lots of respect to them for making it. Tons of respect for Jean Smart for delivering a career capping performance. And owning every minute of the character's transformation. I have no hate in my heart for Jean Smart. I was glad that she won. I thought it was really sweet the way she thanked Paul and Lucia and Jen Statsky, the showrunners, so directly because this was their baby and they couldn't have done it without each other.
33:05But I was happy Widows Bay won the other awards. Yeah. Noah Wiley won Best Actor in a Drama. That was pretty nailed on. Yep. For the pit. But awesome. Happy for him. Do you think he'll win that award every year the pit's on? I think we are approaching, I would have said a Larroquette situation, but really it's a Gene Smart situation. Yeah. Ray Sehorne winning for Actress in a Drama, I think would probably be the biggest upset. I confidently predicted Zendaya. No, I said I thought Zendaya should win. And I thought Keri Russell would win. Yeah. She beat Keri Kuhn, Chase Infinity, Keri Russell, and Zendaya.
33:46It was a cool category. Yeah. That was, I guess it wasn't a shock if you were to look back and see that clearly the voters had a lot of time for Pluribus because Vince Gilligan also won. Yes. It wasn't one of those things that got nominated, like it was like a be happier here participation trophy. It's a remarkable turnaround and I guess also an enormous credit to I don't think we're generally in the business of lauding publicity campaigns and awards campaigns but clearly Apple did something that AMC wasn't capable of doing because Well in the comedy department Apple is now dominant on an undefeated run.
34:24Because of the studio and they could alternate those shows for the next oh right and they could alternate those shows for the next however many years so they always have something. But yeah, but you know, Ray Seahorn should have been nominated many times, probably should have won for Better Call Saul, didn't. And when you look at this category, I think only Zendaya was existential to the show to the degree that that performance, like you don't make that season if Zendaya is not going to do those things. Similarly, Pluribus just can't exist without Ray Seahorn's performance. Sure. And I thought she was charming and it was deserved.
34:56And also it was, again, And I don't know if I'm emoting or like projecting, but I felt that the room agreed with the podcast community that this woman deserves something. Other nominees in Outstanding Lead Actress seemed elated. That's what I'm saying. I thought that was sweet. And sometimes the narratives that we push aren't necessarily ones that exist among the people doing these things. And it seemed like that was real. I thought it was awesome. And just to use this as an opportunity to say, I actually thought briefly because a lot of the Pitt actors canceled each other out allowing some surprise Is that what you think happened?
35:32100 million percent for supporting actor and things like that What's up with the amount of people who get nominated for supporting actor? But because of that I thought Pluribus had a shot to win Best Drama I thought that but clearly Really? I did So I went into that last moment thinking maybe it was going to snatch it Really? Because clearly they loved it voters loved it and also So the pit's going to be back next year. So there could be a little bit of get you next time. I don't think people think like that. They do not think like that. And it also just affirms my theory that the other nominees cancel each other out because anytime a pit person was alone or the show was alone, it won.
36:09Why are there so many people who get nominated for supporting actor? How many nominees? One, two, three, four, five, six, seven people. whereas in actor it's 1, 2, 3, 4, 5 7 to 5 I think when you build something you need more supporting columns to reach the top that's not a stupid answer a little bit stupid I think I do not know the answer to this but that will not stop me as a white male podcaster from opining about it that I believe that there may be a 7 cap on all the categories but you have to hit a certain threshold yes because I think there were 7 nominees in the series categories. So Ray Seahorn was a bit of a surprise.
36:53And I gotta say, I was surprised by Sally Field. Yeah, go off on this. Now, I... Get her, Chris. Believe I said... Play the music. I thought this was category fraud, and I didn't understand why... You did. Remarkably Bright Creatures, which aired on Netflix with hundreds of other movies... Yes. ...was distinguished as a TV movie. Yes. and I did not see Remarkably Bright Creatures so I cannot speak to Sally Field's Tova Sullivan and her relationship to I believe octopuses and their well octopuses and Dr. Octopus because Alfred Molina is in the film as well and your boy your favorite young actor in the world isn't it Louis Pullman yeah you should check him out yeah Sally Field beat Claire Danes Carrie Mulligan Sarah Pidgeon and Sarah Snook I thought maybe Sarah Pidgeon would win yes just because that seemed like a breakout young star performance that the industry would like to lift up and say, we got another one.
37:54But I was wrong. It was more like a, maybe not a lifetime achievement award, but Sally Field seemed genuinely surprised and incredibly prepared to speak off the cuff about not only her career and her experience making Remarkably Baked Creatures, but one of the few explicit anti-merger statements, which was from a night that I thought was pretty devoid of political commentary. I want to be clear. Alfred Molina voices Marcellus, the giant octopus, in the film, which is probably how I would have And does that octopus pick World Cup winners? This one doesn't. This one actually That's just my guy, Paul.
38:36How's he doing? I think Paul has moved on. Is he the CEO of Kelshi now?
38:44making money. Smart. He's ahead of his time. Remarkably bright futures. Yeah. I love your theory. I mean, it is odd. Like, this used to be in a different TV landscape. There were, like, the HBO movies that would clean up these categories and weirdly be up against, like, you know, the miniseries that were on NBC and that's just how it shook out. And invariably, the award would go to a movie star that took an HBO gig over a TV star who is in a 10-part miniseries. This was odd because, as you said, there was one of the nominees who just stood out in the sense of like, this is a veteran legendary actress in what is 100 % a movie.
39:26Which is part of the, it's part of the award, but I just don't understand really what distinguishes it between then why not put Matt Damon from The Rip in actor? First of all, I don't remember him talking to an octopus in that film. No. So he didn't deserve it. Also, he's a male actor, so he wouldn't have been nominated. But would you consider the sort of eight-tentacled criminal justice system that he fights against and the corruption therein? Mm-hmm. It's almost like ripping the tentacles off of the side of the tank, if you will. I think, I wondered, I kind of liked, I see now the shape of your, we're just asking the questions here on this one.
40:05This was the one moment where I was like, like, for example, with my children, when they're like, the MTV Awards of this weekend, Taylor is going to perform. Oh, I hope she wins. And I don't have the heart. Like they know the truth fairy isn't real. The two things are interrelated. Yeah. Aha! You have found the truth. She was going to go up to eulogize her friend Dolly Parton. So she was already going to be there. Oh, you think it's cooked? No, I'm saying you said that. So I was just asking the question. I was just surprised. I thought Claire Danes or Carrie Mulligan or Sarah Pidgeon or Sarah Snooker.
40:40If any of those people had won, I would have been like, oh yeah. Anyway, just to kind of get back on track here. Probably my favorite award of the night went to Tom Pelfrey. Awesome. For Task, Pelfrey gave such a beautiful, vulnerable, sensitive performance. Starmaking, even though he had been recognized and done good work before. Ozark and had been in Manc and stuff like that. But I think, yes, Task is certainly a signature role for him. it was so cool to see the task cast and ingles be there um i thought his like i thought i thought he seemed to be genuinely moved and have like really sincere things to say about being an actor um being a father being sober i thought that was cool um and it just felt that because you know task i don't think it shifted categories but was viewed as a limited became an ongoing and then submitted as an ongoing and then wasn't nominated for Best Drama, I think there was some surprise that he won, considering it was hard to gauge what the voters' affection for that show was.
41:46Yeah, I think it's, generally speaking, the Emmys tends to seemingly vote in blocks. Yep. And they get behind a show, and those shows tend to roll. So having one-offs here and there, I think is really good for the Emmys, but it is not typical for the Emmys. Some other winners, Allison Janney for supporting drama and drama for The Diplomat. This is when they really spread the ball around in drama. Slow Horses and Widow's Bay won for directing. Can I say the Slow Horses one really surprised me? Saul Metzstein won, had a good joke about looking like a Bond villain. But I was really surprised because Slow Horses generally seems like a show that the voters really, really, really, really, really like, don't love enough to give any awards to, and just sort of tick a box.
42:30The fact that he won over two nominees in particular. He beat Sally Richardson-Witfield twice for task, Vince Gilligan for Pluribus, Noah Wiley for The Pit, and Hanell Culpepper for Paradise, and Sally Richardson-Witfield for Gilded Age. Again, I think Sally probably deserved this, but probably split her own vote there. But that was interesting. And the kind of thing where I'm like, I'm not saying it was cooked. I'm saying it was nice when the bounty of drama awards were spread out like this. Yeah. and that's pretty much it Colbert obviously won for late night and traitors for reality I got a couple others please hit me okay what are our thoughts on Emmy award winner for paradise season 2 Shailene Woodley's fit would you like to go on the record did she wear like jeans or something what was she wearing I am not gendering anything when I say Kaya had a reaction to the question and I wondered if she wanted to weigh in at all Kaya you are also welcome to weigh in it is not at all about asking the woman in the room with us horrendous it was tough there was like some gloves involved it was do you have any thoughts I'm trying to find it sorry I wasn't I wasn't looking at the outfit I was looking at the body of work oh she was wearing like leopard yeah and like a a vest but nothing underneath the vest.
44:01All right. She's had a tough week. You know, Aaron Rodgers aired her out a little bit. That is a great point. And, uh, I think she, I think we should, I think we should support people wearing what they want to wear. I agree. Now when you put it in the term, like in the sense of like, if anything Aaron Rodgers like publicly speaks up against, whether it's her or science, I'm generally on the other side of the issue. So I would like to retract my slander. Okay. She can wear what she wants. Um, even a mask. You know what I mean? because I trust I trust doctors Vince Gilligan we have met him in person now we know this to be true a lovely guy his speech was also very hates AI I mean good for him yet another thing he and I have in common last thing Steve Conrad we talk about him a lot yeah he won for DTF St.
44:48Louis congratulations to that show it missed us like in terms of our reaction to it but clearly loved by both audiences and the voters so congratulations what an interesting vibe him? yeah I think he walks the walk man I mean I really respect it it's nice to see like an authentically like offbeat dude that's what I'm saying we talk about him like he's a major celebrity you can kind of see why his the sort of protagonists of his shows are the way they are yes very very reminded me a lot of the lead of Patriot yes yeah or some of like Richard Jenkins yeah in DTF I thought that that was I mean we talk about him like he's a celebrity we don't really engage with his work but we are interested in it and we respect it but I've never actually seen him and there he was like and what a journey I gotta say big what if is him doing Night of the Seven Kingdoms that's the one he was attached to right I believe so yeah and I would love to see that script or like I don't think they shot a pilot but I would love to see what work he did before they were like what I do think that one of the great unexplored like texts in this in this town is like, could we really ever know what these other projects were?
46:00Like the aborted versions of them? Oh, yeah. I do think there should be some sort of statute of limitations where networks and studios can bury projects for 10, even 20 years, but then they have to put them in public domain. I'm thinking of this because I've been reading like quite a few years late, but Jim Miller's HBO, massive HBO oral history, Tinderbox. And there's just these incredible like little stray details about like when Bill Carter from the New York Times wrote the book about late night when it mattered. The Late Shift, I believe it was called. And they, Ivan Reitman came on to make the movie version for HBO.
46:34And the first call he made was to George Armitage, super weirdo filmmaker who did Miami Blues. And he took eight months and wrote a script that begins with Jay Leno and Dave Letterman getting super drunk together at a bar. And they were like, these men don't do this. And Jay Leno famously doesn't drink. Yeah. And apparently the movie turned out the way it did because Bill Carter got that script on a Saturday and was so worried about pretending to like it that he just jotted down 40 pages of a different version of the script that then they bought on Monday. Okay. But give me more. I want to see that, yeah.
47:05Give me the George Armitage version. Give me the Steve Conrad Knight of the Seven Kingdoms. We should do a special episode on Lost Projects. I know we've mentioned them before and we've gone back through the archives, but I would love to revisit that. What's your, do you have a, I don't have anything in my brain right now. I don't know if you have like a white whale of these. If I remember correctly, there was an Altman show. I think it was for... I want to say it was for IFC or it was for some smaller network, but I believe it was about a gun moving through society. There was a show... Well, that's interesting.
47:40There was a show with that premise. I don't know if Altman was connected to it. Altman did do Tanner 88 for HBO. But I don't know. Oh. Well, there was going to be a Pret-a-Porter series. Oh. also it says that he had a show about Spanish golfers
48:00wow tell it on yourself but I guess you and the greats you gotta rip off good sources Emmys goodnight way to go thumbs up let's talk about you didn't hit any parties I did not man no I've been on a run right now of watching mountain climbing disaster movies but like why? well I was trying to find a nicer way to say it like are you are you in pursuit of a larger project that you're going to unveil? what did we watch first? it would be called Don't Stick the Landing? we watched a movie called K2 uh huh with Michael Biehn and Matt Craven I believe that movie has a subtitle called The Widowmaker is that right?
48:44no that's that's the submarine that's K19 that's weird because I feel like climbing K2 would also it's also funny you should say that then we watched Everest which is Jake Gyllenhaal and Josh Berlin on the John Krakauer into thin air trip that was disaster right and tonight well we're seeing Resident Evil tonight but then I think we're gonna we're gonna watch I think it's called Terminal Void or Terminal Distance or something like that it's fun that you have a thing that you're doing we just like mountain climbing movies right now before we get into lantern should we also shout out that Phoebe wrote a fantastic profile of the star of Resident Evil yeah Austin Abrams in British GQ For British GQ.
49:21Yeah. Your household has been just - She also wrote one about Kean Ruffalo from Sterling Point. Really? Yeah. I haven't seen that yet. That's in New York Magazine. She's busy. Fall has never looked or tasted this good. Sweet Greens Fall Harvest Menu is back with seasonal favorites dressed to impress and made to be devoured. Warm roasted sweet potatoes, crisp apples, maple glazed Brussels, and crave worthy flavors in the autumn harvest bowl, maple glazed salmon plate, and roasted bacon Brussels side, the season's most desirable menu has returned to Sweetgreen, featuring fall's best dressed. Make your move.
49:58Order on the Sweetgreen app. This episode is brought to you by Welch's Fruit Snacks. Back to school season can be tough on parents, but choosing a snack you and your kids can both get behind doesn't have to be. Stock up on Welch's Fruit Snacks, made with whole fruit and now made with no artificial dyes. It's a snack kids already love and one you can feel good about giving them. Go back to school with Welch's Fruit Snacks, now made with no artificial dyes.
50:29This episode is brought to you by State Farm. Listening to this podcast instead of doom scrolling? Smart move. Another smart move? Getting help from one of State Farm's 19 ,000 local agents when you choose to bundle home and auto. Bundling, just another way to save with the personal price plan. Prices are based on rating plans that vary by state. Coverage options are selected by the customer. Availability, amount of discounts and savings, and eligibility vary by state. Let's talk a little bit about lanterns. Well, let's talk a lot about it. I spoke about this episode at length on the Midnight Boys.
51:04I filled in for Charles, and that was really fun. If anything, just because of we engaged in a conversational, like a topic that I don't think we had really discussed which is really more the like mechanics of like Manhunter like who is the man obviously we know who the Manhunter is but might there be more? Was there really just one? Could the Manhunter have learned how to spawn? Well the Manhunter does like sex I mean I'll just say it Yeah The Manhunter gets after it Yes Apparently that's one of the hallmarks of Manhunting Well maybe that's what they're hunting a good time between the sheets they're hunting men yes yeah did you think about that on the other podcast that's amazing but I had not really considered until this episode this episode was written by Justin Brick Ibsen yes that the most handsome mustache in Hollywood the young boy who is the son of Kerry McDonald Kelly McDonald her Kerry character and Jason Ritter's character yep Willie and he's got Billy and he's got a little bit he slings it he's visualizing Jon Stewart helps him sling it yeah and I think also Zoe helps him sling it uh huh of football I mean because Zoe slings it elsewhere there's a very interesting scene in this episode where it seems very important that he is protected yeah you know and that he takes with him the lessons that his grandmother has given him to be fair a similar show about like a young Arch Manning would have the same tenor, right?
52:44Like this boy must be protected at all costs. Well, not anymore. No, the gloves are off. The bubble wrap's off. Yeah. But I'm saying like the football alone in this country makes me think that that's worth protecting. Yeah, I mean, we talked at length about what college program this kid might show up to. Is Van recruiting him for LSU?
53:03It just gave me an insight into like, oh, there are layers to this show that I hadn't considered. I wanted to know what you thought of this episode anyway. Well, okay, I'll talk about it. But I because I have not listened to that podcast yet. I kind of wanted to know where you were coming from with it. Because I and I'm curious about the deeper thoughts. My relationship with the show, I find to be fairly unique in recent memory for big shows in that I still hold that the second episode was the high watermark for me. I thought that episode was just excellent. And I loved it. I've had, you know, a great time and a great time talking about it and admired some of the choices and love some of the aspects of it and the performances or the jokes or the just structural bravery that the show is attempting week to week.
53:48But for me, this episode was never dull, was never anything less than entertaining and often quite surprising. And that's not nothing. it did strike me as uh the kind of loud noise that is distracting from something in that a lot of shit happened and a lot of shit got resolved and i still now please come at me with the most obvious rejoinder there are three episodes to go i don't really i understand a manhunter so i thought i don't understand zoe i didn't really understand why she did what she did at any point during the episode why we were so afraid of her other than the fact that she was willing to satellite laser people in the town.
54:33But the narrative, she's a war criminal, was just so blanketly applied and then everything sort of spun from that. I was having a hard time tracking, like, Macon seems like a very important character. Surely there's another card to turn. No, it's really just two scenes. There's the nude painting and then there's the heart carving scene with Paul Ben Victor, which was a sick scene. Yeah. Really good. Jason Ritter, I assume, got cut out of a lot of these episodes? I think he's going to have, I mean, in the scenes from next week, he seems to be showing up. Okay. So it clearly, because of the way the show plays the time, you kind of can't.
55:13It's a defense against this kind of like episodic interrogation. But I will say that because a lot of it is either being punted to the end and a lot of the swings are so big in the way that I think comic book swings are big, but don't necessarily always translate to TV, that it felt compelling, noisy, kind of flimsy at the bottom. Okay. I think that there is... Okay, so my number one favorite thing about it was the placement of it within the season. Right. To have something that felt so board resetting. Yeah. It kind of ended the first story. And ending this story of Lanterns. I found the way that they've assembled the season to be quite creative.
55:56Sometimes a bit maddening because I think there have been maybe one or two too many red herrings. And I was nervous that we were entering a no one ever really dies, like, wink, wink. Like, we're not going to, like, you know, obviously with Zoe, her fake death two weeks ago, but since the entire framing device of the series so far is who killed Hal Jordan, the idea that that's Hal Jordan's sentry or that Hal Jordan has somehow somehow Hal Jordan has survived is a little bit frustrating to me because I want to believe that the consequences of people's actions have real reverberations you know like like I don't want it to just be like but he was zapped out at the last second by the Guardians and his consciousness is in an ice cube somewhere you're smartly running it I think the central crux of comic book entertainment which is how would you successfully balance or marry cool spectacle with actual rich emotional storytelling?
57:01And I think the series has been a really fascinating and again, incredibly well-made and very engaging, like live stress test on doing it, on trying to accomplish it. You know, like the opening, there's all these little details that I'm definitely not picking up on in my first viewing, probably some of the Midnight Boys Manhunter stuff goes into that category. The last scene of last week's episode when Hal crashes the car, reading about it later and noting upon reflection that, yeah, the streetlight's pretty yellow and the stuff, you know, it's the color of fear and is Hal under the control of Sinestro.
57:38And so it's doing these big comic book things. But sometimes the comic book things mean the cold open of this episode, which is revealing that Kelly MacDonald's character was on the run from Gotham and was a daughter of a snitch and she was a snitch too and she was going to be killed. She's not a snitch. She just... No, no, no. They said she... She would be. The children of snitches also get stitches when they cut their own fingers off. And that Zoe steps in in a diner and is like, of all the people who have driven through this town, you're my guy, Blue. Like, you're the one. Cut off your own finger.
58:09I'm going to kill this guy, et cetera, et cetera. And that is one of those ones that like your mileage may vary. Like, I thought it was an incredibly cool conception. but I also felt very heavily the this has to open this episode because we can't delay any longer her relationship with Zoe and what she knows and I still don't think we know the full extent of it because we know she's alive 10 years in the future and when she has that conversation with Hal where she's like I have to shoot at you because she can see but she can't hear and Hal is like why are you protecting her I thought that Carrie's response to that went beyond just like, she saved my life in a diner once.
58:48There's something else. Is it her son? I think it could be her son. Yeah. Right. Right. And so that there is like a greater reason why she has to protect this specific town. Are you tracking, scene to scene, Hal's intentions and John's intentions and where they are with their separate and now conflicting journeys? Hal and John, yes. I found, I was personally a little bit confused by the more extraterrestrial stuff of the Guardians, the Anton crew, and Zoe, and how that all had shaken out and what they each kind of had come to Earth to do. And the timing of when they were able to do it, in that it seemed pretty clear to anyone who enters Rushville that something's up, but Anton was kind of hanging out in Glendale until John told him that he would take care of him.
59:41And then, like, what do you, do you need somebody specifically to do something for you? Or can you just go in there and do it? And, like, what are your alien capabilities if you're using machine guns? It doesn't really matter. But their alien capabilities, and what is your attitude about the fragility of life? Considering their main thing is suicide bombing themselves at appropriate moments. And, you know, like, that's the line, too, where I'm like, the Anton character is awesome. Casting that actor is exciting. And every scene that he was in was really, really compelling because of the combination of actor and tone and specifics of the moment.
1:00:19So you could say, man, they just ran right at it. They just blew him up. Like he got his big scene. He cut out, he did a less of the Mohican surgery. And then he blew himself up in a tornado. And now it's like, wow, how relentless, how unsentimental this show is to just throw every one of its ideas in the middle. But then there's also part of me, maybe it's a more conservative part of me, that's like, can we slow down here? Like, I love that you have a water tower full of darkness. Yeah. That whole sequence was sick. But, what's he really feeling? Now, as I say it, it sounds lame as hell. Yeah, well...
1:00:51But there was something about the elevated pace. No, I know what you mean. And I also, I think that the thing is is that sometimes, like, the incredible set pieces in this episode got in the way of, like, legibility. Like, I didn't really understand why Zoe needed to sacrifice the entire town to get Hal's ring down to 10%. Yes. You know? Like, it seems like there could have been, like, for all the things that she thought through, unless the whole point is this is what Manhunters eventually do. Yes. You know, because she obviously had this past with Anton. Yeah. That had heretofore not been mentioned.
1:01:24There was the long sequence that was interesting, you know, about how they intentionally take the form of an outsider or someone of lower caste or whatever you want to call it in a society. because that's how you get full perspective on it and then the romantic parts of it and then you get the kind of very like, fine, but aggressively like, oh, I thought you were heterosexual in the line about like the pleasures of the universe. Yeah. But I also, yeah, but again, like that's where, if the show is good enough, which it basically is, you don't think about the A to B to C nitpicks of it, but there were some of them that were more flagrant that I guess either broke up my ability to just let go and enjoy it and not picknets or to appreciate some of the show's genuinely good faith and quite clever attempts at symmetry, whether it's the yellow light that I didn't appropriately notice or that when we think John is taking the ring in the hotel room, it is an exact mirror of, and we haven't seen it, but of Hal's origin story where there's a dying lantern and there's a manhunter and there's the new one.
1:02:33Right. John executing Zoe at the end I wasn't sure why Zoe took a knee on the fourth down there a coward's draw she did seem to have a lot of like escapability what you're saying is she had the tools in her body shout out Howie Roseman to get out of that well I guess she didn't have her iPad which seemed to be essential to executing among the many things a Manhunter has in common with my nine year old the dependence the world eating yeah I mean like the skill the raw talent but also ultimately the limiting dependence on it yeah that's a challenge what about you sent me something I thought was funny we can wrap up on this but someone did bring up the very clever idea of a surf Dracula in that I'd forgotten this it is a really really funny tweet shout out Twitter when it was funny that the idea of like in the old days if there was a show called Surf Dracula Dracula surfed in the first episode he'd be surfing in the first five minutes and he'd just be shredding All of modern television is essentially going away from, we had to get, we had to call it Surf Dracula to get this made, but what this is is my Bertolucci film.
1:03:40No, my Bertolucci film in which a Transylvanian man who's afraid of the water and of bats both becomes a vampire and has gifted his first surfboard at the end of the first season. Yes. So the argument here was, oh my God, is this the most clever, artfully disguised Surf Dracula of all time? Because John still isn't Green Lantern. Well, I mean, he's not going to be, right? Guy Gardner is. Well, I don't, that's going to help answer a question. I don't understand. I don't know what Jim Gunn has done here. Yeah. Because I believe that when he was making Superman, he's just like, I want to do the funny Green Lantern without giving a lot of thought to, we will have to unpack the canonical truth of the Guardians in which only one person from this sector can have the ring.
1:04:22I don't think this is going to be the only season of Lanterns. It's very successful. No, it's not. And I think that, I think these next few episodes will be really fascinating to see to what extent we get Dracula on a surfboard and to what extent we wind up being concerned with other things. I'll tell you, this is a nice... I'm off the hook here because I don't really know anything about Green Lanterns and I don't really... It's not a big deal to me if he doesn't get the ring. Wow. Yeah, I think it's an interesting character beat for him to be like, I've realized that this is empty. Do you think they're Trojan horsing a story about a guy with severe parent issues going back to art school?
1:04:58Like, is this actually a Dan Clow's graphic novel? not Green Lantern. Yes. Incredible. Great to see you. We'll be back on Thursday. We'll talk a little bit about Slow Horses and Chuck Closterman will be joining me to talk about his book Rock. Thank you to Kai and Kaya for producing today and we'll see you guys on Thursday. The community of television awaits.
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From the publisher
Chris and Andy talk about what worked (and what didn’t) from the Emmys broadcast (1:43). Then they react to the dominance of ‘Widow’s Bay,’ Rhea Seehorn’s surprising win, and more of the night’s biggest winners and losers (22:42). Later, they discuss ‘Lanterns’ Episode 5 (48:30).
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Hosts: Chris Ryan and Andy Greenwald
Producers: Kaya McMullen and Kai Grady
Studio Production: Jamie Yukich
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