In short
The episode covers Syria’s post-Assad justice and broader regional tensions, plus US social media litigation, music-video memoirs, and UK political theory. Topic: A Damascus court sentenced Wasim al-Assad, Bashar al-Assad’s cousin and regime enforcer, to death for murder/serial killings with intent, qualifying crimes as war crimes and crimes against humanity; it’s the first Assad-surname case tried inside Syria. Key examples: Khuta suburb ruins shown via surgeon Mohammed al-Khatib; sentencing follows death-in-absentia for Bashar and another cousin tied to protest suppression.
Guest backgrounds
Stephen Rapp (US war-crimes prosecutor; former US ambassador-at-large for war crimes); Ibrahim Hamidi (Syrian journalist/editor-in-chief, Al Majala); Laurie Schott (Colorado mother; observed Meta trial); Tim Pope (music-video director; memoir I Shoot Rockstars); Anton Jaeger (UCL Oxford political theorist, Hyperpolitics).
Key claims
death penalty complicates international cooperation; Syria’s transitional justice faces bottlenecks and missing persons; Meta’s addictive design allegedly harms children; hyperpolitics = repoliticisation without reinstitutionalisation.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOThe Death Sentence of Wasim al-Assad
0:45 to 1:20
Discussion on the significance of Wasim al-Assad's death sentence in Syria's context.
“after decades under a brutal dictatorship, a moment of some symbolic significance.”
Witnessing the Aftermath of War
1:20 to 3:07
A personal account of the destruction in Syria from a returning doctor.
“but this was the first person with the surname Assad to face justice inside Syria.”
Insights from Stephen Rapp on Accountability
3:07 to 8:34
Stephen Rapp discusses the broader implications of the Assad regime's crimes and the challenges of achieving justice.
“just after the fall of the Assad regime so what does this case tell us about the wider effort to achieve some kind of justice for the crimes of the Assad regime in Syria.”
Israeli Airstrikes and Regional Tensions
8:34 to 13:40
Analysis of recent Israeli airstrikes in Syria and their significance in the current geopolitical landscape.
“Well, with the government that's led by the militant and politician Ahmed al-Shirai trying to grapple with the crimes of the former Syrian regime.”
Meta's Legal Challenges
13:40 to 14:00
Overview of the lawsuit against Meta regarding the design of its platforms and implications for children's safety.
“I guess I worked throughout the golden age of the music video and that was wonderful, you know.”
Introduction to the Episode
14:00 to 14:19
Learn about the upcoming discussions, including an interview with Tim Pope.
“From Bowie, Queen and The Cure to Hollywood and back, we'll be hearing from the pop video grandee Tim Pope on his life in music, film and now words as his new memoir becomes a top ten hit of its own.”
Meta's Jury Trial Begins
14:19 to 15:36
Explore the lawsuit against Meta regarding its impact on children's mental health.
“Well, California's Attorney General Rob Bonta is taking the lead in the case against Meta.”
California Attorney General's Statement
15:36 to 16:33
Hear Attorney General Rob Bonta's comments on the dangers of Meta's platforms.
“California's Attorney General Rob Bonta speaking to me last night.”
Laurie Schott's Heartbreaking Story
16:33 to 19:00
Listen to Laurie Schott share her daughter's tragic experience with Instagram.
“Laurie, who's from Colorado, believes that Instagram exposed Anna Lee to psychologically damaging content.”
The Role of Social Media in Child Welfare
19:00 to 21:01
Laurie discusses the responsibility of social media platforms in children's safety.
“And it was in 2020 before any of us parents had really an idea how these platforms operated behind the closed curtain that they had.”
Show all 17 chapters
Calls for Change in Social Media
21:01 to 21:44
Laurie advocates for greater control over social media features to protect children.
“You know, parents need some type of control over their access to these platforms.”
Breaking News on the World Tonight
21:59 to 23:03
Catch up on the latest headlines including war crimes in Syria and FIFA controversies.
“three members of the same family have died after being pulled from the sea off West Sussex.”
Tim Pope's Memoir and Career
23:03 to 24:16
Tim Pope discusses his career in music video directing and his new memoir.
“They are the people, the organisation, that has pressed the self-destruct button.”
Challenges of Directing Iconic Music Videos
24:16 to 28:01
Tim shares challenges and experiences from directing music videos for famous bands.
“He'd wanted to contact me in the 90s and he had tracked me down.”
The Making of Iconic Music Videos
28:01 to 29:50
Explore the creative challenges and inspirations behind famous music videos.
“Let's talk about perhaps your most famous video, which is Close to Me by The Cure.”
Defining Hyperpolitics
29:51 to 33:12
Learn about hyperpolitics and its implications on contemporary political engagement.
“how i started in north london loved all these bands and ended up working with many of them Well, that 50th show was remarkable, all the different guests who came out in particular.”
Challenges of Political Institutions
33:13 to 37:39
Examine the volatility of political engagement in the context of weak institutions.
“So it has this interesting parallel to the cycle of online outrage.”
Transcript
Automatic transcript. May contain errors.0:00Tim Pope:Hello, I'm James Kamara-Sami. Thank you for downloading the BBC's World Tonight podcast for Tuesday the 18th of August. A big moment for Syria as the first person with the surname Assad is condemned to death for crimes committed by his family's regime inside Syria itself. We speak to an American war crimes prosecutor who's been at the heart of international efforts to bring victims justice. A mother who believes that social media was responsible for her daughter's death speaks to us from the Meta trial in California. The Pope of pop videos, Tim Pope, takes us behind the scenes of his creative life.
0:34Tim Pope:Plus, what's behind the hype about hyperpolitics? We speak to the author of a book that's being lapped up in some influential Labour circles. In Syria today, a moment of reckoning, and for a people crying out for justice after decades under a brutal dictatorship, a moment of some symbolic significance. A court in Damascus handed down a death sentence to Wasim al-Assad, a cousin of the deposed Syrian leader Bashar al-Assad, a cousin and an enforcer for the Assad regime. He was found guilty of war crimes and crimes against humanity, a verdict that came a week after the exiled ex-leader, now living in Moscow, was sentenced to death himself in absentia.
1:14Tim Pope:Another cousin, who was involved in the suppression of protests which sparked off the Syrian civil war, was sentenced to death last week, but this was the first person with the surname Assad to face justice inside Syria. This was the announcement in court.
1:33In the name of the Arab people of Syria, we have reached a unanimous decision. First, to convict Wasim al-Assad of the crimes of murder and serial killings with intent.
1:47Tim Pope:In 2024, just a few months after the fall of the Assad regime, My colleague Tim Franks visited the Damascus suburb of Khuta, the site of many of Wasim al-Assad's crimes. There he met Mohammed al-Khatib, an orthopaedic surgeon who'd returned to Syria from Turkey, where he had fled with his family. He showed Tim what remained of his home after years of regime bombardment. Because of the strength of the barrel bombs, as you see, everything is destroyed. You've called this place home but it's not home It's not home, it's ruins It's like a museum of ruins It's many of memories What were these two rooms?
2:34This is a salon This is a living room This is a children room There's a carpet, there's a pillow There's a plate well, what's left of a plate you have to have a very active imagination to think that this was once a place where a family lived together
3:02Tim Pope:Tim Franks speaking to Mohammed Al-Khatib there actually in early 2025 just after the fall of the Assad regime so what does this case tell us about the wider effort to achieve some kind of justice for the crimes of the Assad regime in Syria. Stephen Rapp is an American lawyer, academic and former politician who served as a U.S. ambassador at large for war crimes issues in the Office of Global Criminal Justice. He's made several trips to Syria as part of his work with the Commission for International Justice and Accountability and he joins us now. Ambassador, welcome to the programme. Good to be with you.
3:37Tim Pope:What would you say the significance is of today's sentencing of Wasim al-Assad? Well, it shows that the government is accelerating its efforts to bring to account the serious regime perpetrators that it has in custody. Oaseem Assad was the first person they'd identified. I remember I was at the Ministry of Justice the day he was brought in for questioning last September. And then there have been, of course, this case where we had the live defendant in court, Tef Najib, last week, though it got most attention because of the sentences in absentia against Bashar Assad and his brother Mehar Assad.
4:16But these two individuals have now been convicted of murder and serial killings, and the judges have gone on to qualify their crimes as crimes against humanity and war crimes, even though the Syrian statute hasn't been amended yet to reflect international crimes.
4:36Tim Pope:And the death sentence, I mean, that has been criticised by some human rights groups, hasn't it? What do you make of that? Well, you know, it's certainly the sentence that the vast majority of Syrians who experience the horrors committed by men like these wish to see. And, of course, we're always talking about survivor-centered justice and victim-centered justice. And we're in a region where there hasn't been repeal of the death penalty and where the death penalty is given for ordinary murders, let alone for mass murders. But, of course, from an international perspective, it creates problems. All countries in Europe have abolished the death penalty and are unwilling, I think, largely to provide assistance to the Syrian justice process if the death penalty can be a possibility.
5:28And then, of course, the United Nations has taken the position that it won't support the processes in which death could be a result. that caused, for instance, the withdrawal of the UN investigative mission in Iraq that was investigating the crimes of ISIS. So it does complicate matters, and it could complicate matters when it comes to getting extradition. Of course, Russia has the death penalty, and they're not giving up Assad, but there could be other countries where one of the larger perpetrators could be traveling, and it might complicate the willingness of a government to to give up that individual unless, of course, there was an undertaking not to have that individual convicted, if convicted, sentenced to death.
6:11Tim Pope:What about the thousands of millions, perhaps, of families who have been affected by what has happened over the past many decades? And the sense of justice for all of them. I mean, it's a huge task, isn't it, bringing justice following the decades of the Assad regime? I mean, do the new authorities have the resources for this? They have nowhere near the resources that they need. Until recently, there was only one investigative judge for all of these cases. Each of the cases and all the evidence has to be reviewed and the case put together for indictment by that by that investigative judge. So there's a real bottleneck.
6:56And of course, there aren't that many trained judges who weren't implicated in sending people to torture and death by the previous regime. So that is a challenge. I mean, my sympathy is entirely with the survivors and victims. I mean, we are talking here about the worst atrocities of the 21st century. Maybe 150 ,000 people disappeared off the streets into dungeons where they were tortured and murdered. You know, people want their whole neighborhoods destroyed, turned to rubble. And then, according to the evidence of people like this, sending in militia to kill the survivors. And then, of course, we had the use of chemical weapons in August of 2013.
7:39Also in that city or that suburb of East Gouda, east of Damascus, 1 ,400 people, you know, foaming at the mouth and dying suddenly, men, women, and children, not to mention all of the other crimes of bombardment and barrel bombing and besieging Aleppo with 51 ,000 dead. You know, massive, massive crimes by this regime. And people want the truth established. There's still 130 ,000 missing, at least. They want the bodies excavated and identified. And then trials of the most serious perpetrators. They have a National Commission for Transitional Justice. It's talking about going after the worst of the worst and then perhaps providing ways for the others to rehabilitate themselves or to seek the forgiveness of families.
8:26But that will be difficult.
8:28Tim Pope:A big job ahead. Stephen Rapp, US, was US ambassador at large for war crimes issues. Thanks very much. Well, with the government that's led by the militant and politician Ahmed al-Shirai trying to grapple with the crimes of the former Syrian regime. It's also having to deal with external threats from its neighbours. The US envoy to Syria has condemned Israeli airstrikes this morning on a disused airbase in northern Syria near the Turkish border. Ambassador Tom Barak called the attacks an unnecessary escalation and in the last hour the Israeli Prime Minister's office has accused Damascus of allowing Turkish troops to operate from Syria.
9:03Tim Pope:Well we can speak now to Ibrahim Hamidi, Syrian journalist and editor-in-chief of Al Majala magazine. Ibrahim Tim, how significant do you think these airstrikes are today? Thank you for having me on the programme. I think it is very significant. As we all know, you know, it's after the change of Assad regime, 8th of December 2024, the Israelis, like, carried out several, I mean, we're talking about 100 airstrikes on Syria. They destroyed the whole strategic assets, Air Force, Navy, all ballistic missiles programs, all of them being destroyed by the Israelis. And since then, since the last 20 months, we, of course, we witnessed several airstrikes from the Israelis on Syria.
9:52But this one, this particular one in the early morning of today was very significant for several reasons. A, because it is very, I mean, it came after a long time of no airstrikes from Israel. B, it's very close to the Turkish borders. I think we are talking about 70 kilometers away from the Turkish border north of Syria. Three, this airstrike came after, like we know that Trump, the American president, has been trying to improve ties between the Syrian president, Ahmad al-Sharah, and the prime minister of Israel in the last few months. And he pushed the two parties to negotiate about security deal between Syria and Israel.
10:35And it seems that they fell. So it is very significant that Netanyahu, the Israeli prime minister, it seems that he's not listening to Trump's advice. And he decided to carry out this strike just a few days after the deal between Syria and Russia about the future of the Russian military bases in the west of Syria.
10:56Tim Pope:And the significance of Israel saying that it's Turkish troops that are being allowed to operate from Syria? Of course, as I said, this is very significant. We know that it seems that the Turkish president and the Israeli prime minister, they're not having the best ties, whether that is in Syria or in Gaza or in other parts of the Middle East. This strike, the attacks, I mean, we're talking about eight strikes, airstrikes on this military base in the northern of Syria, shows that it seems that we are heading, it's unfortunate that it seems that we're heading towards proxy war between Israel and Turkey and Syria.
11:44Tim Pope:Can you just bring us up to date? We put all of this in context, if you like, because we've heard about these death sentences for members of the Assad family. We're now hearing about what's happening with these Israeli airstrikes. But put it into context, if you will, what is the current situation in Syria a year and a half after the Assad regime fell? Yeah, I think this is a very interesting question. I mean, since Ahmad Shahra came to power, the interim president to Damascus, 8th of December 2024, we all know that, you know, I've been to Damascus several times since then, we know that the top priority that the new leadership in Damascus made was and is that just to do our homework, which is to focus on our domestic issues, because Syria has been suffering from civil war for 14, 15 years.
12:42Shara, the senior president, said, look, I mean, My priority is to do my homework, reconstruction, transitional justice, to rebuild the country, to lead this transitional period for five years. I'm not interested to have any tension anywhere with any of our neighboring countries. Assad was a destabilizing factor in Middle East. me as new president, I will do the opposite, which is just to be onward-looking, to focus about Syria. Now, that's why we saw Assad like that, sentences against Wassil Assad. Now, what the Israelis are doing, actually, is against what Shara is trying to do, which is just to be onward-looking, and the Israelis are trying to push him to try to think out, to be out-looking.
13:35Tim Pope:Ibrahim Hamidi, Syrian journalist, thanks very much indeed for that. And coming up later.
13:45I guess I worked throughout the golden age of the music video and that was wonderful, you know. Maybe it sort of had its day in a way. Having said which, I think the idea of images and music is really strong.
14:03Tim Pope:From Bowie, Queen and The Cure to Hollywood and back, we'll be hearing from the pop video grandee Tim Pope on his life in music, film and now words as his new memoir becomes a top ten hit of its own. We're going to return now to the story we began the programme with last night because oral arguments began today in the jury trial in California of the social media giant Meta. Four US states, representing a total of 29, are seeking billions of dollars of damages from the parent company of Facebook and Instagram for, they say, deliberately designing platforms to be addictive for children and for violating child privacy laws.
14:38Tim Pope:Meta denies those allegations. Well, California's Attorney General Rob Bonta is taking the lead in the case against Meta. And last night, he told me this. We are bringing a lawsuit in California against Meta for designing a dangerous product that is dangerous, defective and illegal. They had created features that harm children, the mental health of children, features that created anxiety, depression, addictive tendencies, body image issues, learning loss. And they were features like autoplay and infinite scroll, beeps and alerts, likes, ephemeral content that disappears. And they knew about the dangers that were created in these features, and they lied about them to the public.
15:24That is the core of our case, the lying, the deception, the knowing harm visited upon millions of children and their lies about it publicly that they made to Congress and to other places.
15:36Tim Pope:California's Attorney General Rob Bonta speaking to me last night. Well, in response to the start of the trial, Meta gave a statement to the BBC. It said the state AGs may call this a landmark case, but their limited claims are unsubstantiated. Their financial demands are vastly disproportionate. the AG's offer no proof anyone in their states was misled, claim benign features like having an additional Instagram account somehow harm their residents and attempt to penalise Meta for industry-wide challenges like age verification. Rather than sticking to the facts or the law, the states have instead decided to chase an outlandish payout.
16:12Tim Pope:We stand by our record of creating strong protections for teens and look forward to making our case in court. And in the past few hours in court, Meta's attorney added that the company had a track record of publicly sharing information about the potential challenges of social media and creating tools, including those aimed at time management. Well, Laurie Schott's daughter, Anna Lee, took her own life at the age of 18. Laurie, who's from Colorado, believes that Instagram exposed Anna Lee to psychologically damaging content. And she's been at the federal courthouse in Oakland to observe today's proceedings.
16:47Tim Pope:She stepped out of the court a little earlier and she began by telling me about her daughter. Anna Lee was the centre cog of our family. She was a beautiful little farm girl from eastern Colorado. She was kind and compassionate and she loved community service projects and she was just a happy child. And then what happened? You know, at the age of 13, as other parents, I looked at the platforms. It said age appropriate, 13 and above. I allowed Ana to have a cell phone to stay connected to us and the family. We lived in rural Colorado, so we felt it was important. But we gave her a phone with basically access to the world.
17:27And looking back at it now, we didn't know in 2020 the design tactics and the addictive design features of these platforms. And it basically pulled my daughter into a hellscape of mental health, algorithmic content that was basically dealing with depression and anxiety and things that was pushed to her, not of her asking, but it pulled her down into such a dark hole. You know, the content even told her not to tell her family and it just isolated our little girl. And what I thought was just a basically a teenager growing up ended up being the addictive design features of, of just sucking the life out of our child.
18:05Tim Pope:And after she took her own life, is that when you really started to look into this or were you already aware before she died? You know, I think along with every other parent, we said our kids are addicted to the phone. It was a battle that Anna and I had because we tried to keep those rules of the phone on the counter at night, but we didn't know the addiction draw that these devices had to children, the social media platforms. It hit so suddenly when we lost her. You know, she left us a note that said, I love my family. Don't be sad for me. It's not you. It's me. And it really reflects what these platforms did to our child.
18:42Meta knew internal research that one out of three girls were struggling with the beautification and the body dysmorphia on their platforms, and they did nothing to stop it.
18:53Tim Pope:And that was what you understood drove your daughter to take her own life, is it? Exactly. And it was in 2020 before any of us parents had really an idea how these platforms operated behind the closed curtain that they had. And with Annalie, she left journals and she wrote about how these beauty filters made her feel and about how she didn't measure up. And her messaging and her journals are such a key component in educating the world on what was going on with children. So when you hear, and you do hear it from people who defend the social media companies, that the onus is on parents. It's not on the platforms.
19:33Tim Pope:What do you say? You know, I will never disagree that parents don't have a role, but we cannot do it by ourselves. These platforms are designed by child psychologists, by engineers to keep these children engaged. You know, social media platforms are like putting children in a car with no brakes and no seatbelt. And we have got to do this together. And the access that the world has to our child in the bedroom, you know at night was something that we all have to be aware of but they play a huge role in this they designed it they implemented they controlled what my daughter saw it wasn't me what do you think of what is happening now this isn't the first trial of its kind of there are so many happening at the moment but you have been and observed others haven't you what what is what do you think is happening at the moment you know i think the world is waking up i think that the only reason that we as parents are understanding what's happening to our children in society is that these court cases are happening and that through the discovery process, the documents of these social media platforms are coming forward and we are finding out what they tactically knew and what they did to put profit over child safety.
20:43I was in LA for the court hearing, the trial with Meta and Google. I was there for the verdict. New Mexico, same thing, verdict there. So we are finding out that Meta knew, and I think we're going to continue to keep the pressure on them until they change.
20:59Tim Pope:Well, tell us about those changes. What changes would you like to see come out of all this? You know, parents need some type of control over their access to these platforms. And the addictive scrolling and the addictive alerts that they give turn those notifications off, the algorithmic content, the continuous scrolling that just does the whole dopamine effect on children to keep them addicted online. These are just a start, but these are key starts like the attorney generals here in the United States are asking for, that they need to have some responsibility in turning those features off. And it should be by default.
21:33They control the design. They control the algorithmic content that pushed to a child. You know, no social media platform should be telling a child to take her life. And that's what we're up against.
21:44Tim Pope:And that was Laurie Schott, whose daughter Anna Lee took her own life at the age of 18. And a quick reminder, if you want to listen back to any of this programme or to previous ones, you can go to BBC Sounds, where you can also download the podcast. The main headline so far on The World Tonight, three members of the same family have died after being pulled from the sea off West Sussex. Police say a fourth person, a girl, is critically ill in hospital. A court in Syria has sentenced to death a cousin of the deposed president, Bashar al-Assad after convicting him of war crimes and crimes against humanity.
22:17Tim Pope:And opening arguments are being heard in a landmark trial in California in which Meta is being accused of making Facebook and Instagram addictive to children. And one other story that we also brought you yesterday, the growing pressure on the FIFA president, Gianni Infantino. Well, tonight in an interview with the BBC, the Premier League chief executive Richard Masters has also criticised Mr Infantino's plan, which has since been dropped, to sell off the World Cup to private investors. I don't think the FIFA should be ever contemplating selling off a stake in the World Cup. They're a not-for-profit organisation.
Read the full transcript
22:51Tim Pope:They should really be holding that competition in trust for the future of football. So I think it's a bad idea and the FA have taken the right position with Garza Gianni. It's a problem of FIFA's making. This is a self-inflicted wound. They are the people, the organisation, that has pressed the self-destruct button. Premier League Chief Executive Richard Masters there Iggy Pop, Neil Young, David Bowie and especially The Cure whom he famously put in a wardrobe and pushed off a cliff just some of the many bands whose music videos were directed by Tim Pope one of the most in-demand and creative forces at work during the golden age of the music video in the 1980s and 90s a music fan from Enfield in North London who ended up filming and getting to know some of his childhood heroes.
23:41Tim Pope:He has a new memoir, I Shoot Rockstars, which itself has just entered the top ten, the Sunday Times top ten bestseller list. He is a man associated with the visual medium, but as he told me this evening, it was actually a piece of audio from one of those heroes that inspired him to write the book. I had no intention of writing a book, I have to say. It was the last thing I ever thought about. A very good friend of mine who is the singer of a band called Deather, a guy called Matt Johnson, phoned me a few years back and he said to me, I've got something I think you should hear. What it turned out to be was a message from David Bowie left on an answer machine.
24:18He'd wanted to contact me in the 90s and he had tracked me down. I was going over to Matt's house. He tracked me down. He played me this message down the phone. And it was eerie because David had been gone, bless his heart, for quite a few years. And suddenly it was like he was speaking to me from beyond the grave.
24:49I had no choice in it after that I realized my god I was around all these amazing people and I should write it down and that's what I decided to do
25:05Tim Pope:And we will come on to some of those amazing people. But I want to start with your beginnings in all of this, because Radio 4 actually has a place in the beginning. You went on the Today programme, didn't you? And you were given some money for that. Tell us about that. I was. Actually, I didn't expect this angle. My school, I went to a school in North London, and they started putting film studies. So I learned about directors like Hitchcock and Bunuel and all these amazing people. I was chosen to go up with my film school teacher and I went up to Broadcasting House and I put my blazer on and I adjusted my tie.
25:42And there was a really icy looking woman on the far side of the glass. I'm quite chatty, but, you know, I couldn't utter a word. It was bizarre. Despite that, the BBC was incredibly magnanimous. And I've written it in my book as 11 pounds. It was, in fact, 11 guineas. It was the days that the BBC paid you in Guineas. And with that, I bought my first camera. So I owe a lot to the BBC.
26:08Tim Pope:Too much, too young. Tell us about your first forays then into making videos. I think, well, your first concert video sounded like quite a traumatic experience. It was a specials. They were very famous for having a skinhead audience. And I was on stage and there was a stage invasion and someone whacked me in the face, grabbed the camera. I was more worried about the camera than my face. And now I'm all alone in bedsitter and my only home. Your first big video was Bedsitter, wasn't it, by Soft Cell. Tell us how that came about. By lying. I do a lot of talking to film students and I encourage them to lie.
26:54And what I mean by that, there is a deeper meaning to that. The thing about film is you have to put everything into it and you have to be willing to sell your mother for doing it. That's just the rule of making films. So I just told endless lies, got into the room with Mark Ormond. I claimed I'd make this video and that video, completely lied through my teeth and pitched the idea. Bedsitter was about the sort of 1980s sort of club world and how alien the world can become. So I came up with the concept of Mark Ormond wearing matching shirts to the wallpaper. And a very, very simple idea, but I think quite effective.
27:30Tim Pope:Let's turn to the band I suppose you're most associated with to this very day, which is The Cure. And your introduction to them, I guess a lot of people's introduction to them, listening to A Forest, wasn't it? And I went to, by coincidence, went to a 21st birthday party above a kebab shop in Haringey, which is where I first heard the band that I would mostly get known for, which is The Cure. And with whom I still work to this day, I heard the song A Forest and it blew me out the water. I thought, wow, who is this band?
28:08Tim Pope:Let's talk about perhaps your most famous video, which is Close to Me by The Cure. I mean, it's an amazing video filmed inside this wardrobe, this sort of claustrophobic video. Tell us about that and the challenges of making it.
28:26I got this song close to me and the vocals were really whispered and up close to the microphone. And instantly I got a sense of claustrophobia and I wanted to put that over. And I was very inspired, actually, by like the films of Polanski from my film school days. And I mean, Robert always jokes about it because he always says I took it so literally he had no idea I was going to then throw the wardrobe over a cliff, which I did at Beachy Head.
28:52Tim Pope:You work with so many artists, it's hard to know where to go. But I mean, I want to ask you about that Queen video. It's a hard life because that's quite an interesting one. It's quite famous or is it more infamous? I'm not sure because of the way that Freddie Mercury dressed in it. The whole idea of the book, really, is to show people about the making of the videos and what it was like to be there and about the people that I sort of encountered. He wanted to dress up in this mad costume, which many people say looks like a large Mediterranean prawn. I said to Freddie, we're going to make this like a grand opera, which, of course, he loved.
29:31Tim Pope:let's return to where this started which was david bowie because you you did eventually meet him and they i guess they say never meet your heroes he had this wonderful infectious what i call marlboro laugh then the ultimate thing was he asked me to film his 50th birthday party at madison square garden which was incredible the through line of the book is how i started in north london loved all these bands and ended up working with many of them Well, that 50th show was remarkable, all the different guests who came out in particular. And I think this was a highlight for you, Lou Reed. David said to me one day, he said, Lou's coming in today.
30:09So, you know, I was like, Lou who? Joke, joke. And I saw them standing in the kitchen and they were both standing in what I described in the book as two rock star bookends, David Bowie and Lou Reed. I thought I'll sneak in and make a cup of tea. And I thought I'm going to pick up something about one of their amazing albums like The Velvet Underground. But no, they were talking about fruit bowls. And Lou Reed was going off to Africa, I think, the next day. And David was advising him about bringing fruit bowls back to a different climate. And I remember David saying, yeah, well, you bring them back.
30:40And they crack, don't they? It wasn't the conversation I thought I'd hear from two rock legends.
31:01I guess I worked throughout the golden age of the music video and that was wonderful, you know. I think the idea of images and music is really strong and the thing I tried to do with all my videos was to create a sense they were both made at the same moment, they were conceived at the same moment.
31:23Tim Pope:Tim Pope speaking to me about his extraordinary career in music videos are created continues with plans for a feature film and more collaborations with The Cure as the band's 50th anniversary approaches. Now, among the many recent articles assessing Andy Burnham's initial social media blitz in number 10, there was one by Josh Clancy and Glancy in the Sunday Times with the headline Don't Get Carried Away with Andy Burnham's Hyperpolitics. Well, that was referring to a book by the political historian and theorist Anton Jaeger called Hyperpolitics Extreme Politicisation Without Political Consequences.
31:56Tim Pope:whose attempt to define the current political moment when people are more exercised by politics but less exercised by traditional institutions has been causing a great deal of interest in some Labour circles. And earlier I spoke to Anton Jaeger and I began by asking him to define hyperpolitics. The book has a short three-word answer, which is hyperpolitics is repoliticisation without reinstitutionalisation. But a more intuitive way of explaining it is to say that on all kinds of metrics, whether it's voting turnout, whether it's protest activity, whether it's the online discourse about politics, we've seen a marked increase compared to the 1990s and the 2000s.
32:38And that naturally, I think, invites comparisons with previous periods of high politicization in the 20th century. But there's something distinctly contemporary about it, namely, it's not very institutional. While there's been an increase in political activity, there's actually been a decrease in institutional affiliation. So parties continue to lose members. Unions and other civil society groups have seen a reduction in their membership.
33:03Tim Pope:And it sort of bursts of sort of politics in a way, isn't it? You're talking about when movements sort of suddenly appear and galvanize people. Yes. So it has this interesting parallel to the cycle of online outrage. Let's say the Black Lives Matter protests in 2020 mobilized record numbers of people. But then one summer later and a couple of years later, you can see that very few of these protesters are still around. They don't continue and they've not actually left any membership organizations. I want to clarify that's not just a question on the left or the centre, but also on the right. So you saw, of course, that some of the marches in London called Unite the Kingdom drew record numbers of marches, certainly compared, let's say, to the British or the BNP marches in the 2000s and the 1990s.
33:51But they were also not very permanent. It's very individualistic. It can be very energetic, but it's also very short term and it's highly volatile.
33:59Tim Pope:So how would you explain, for example, the periods when there have been quite significant numbers of people signing up to political parties? I think of the Corbyn Labour Party, I mean, the Reform UK had a burst, has had a burst of membership as well, hasn't it? What do you put that down to? Yes, so it does complicate the story slightly. I think what's specific about Corbynite labor, but also the paradox or the problem that reform is currently facing, is that people are eager to translate some of that political engagement into possible institutional affiliation. So under Corbyn, the Labour Party actually became the largest party in Western Europe for a short period of time.
34:39But the conditions under which they joined these parties are very heavily dependent on a specific leader. And so a Corbynism without Corbyn is very difficult to imagine. You can see the same question in the dependence of reform and farage. And then the question becomes, how long will these people remain in these parties once the leader is gone?
34:57Tim Pope:I was going to ask you where leaders fit in in this age of hyperpolitics. Clearly, you have Trump in the United States. We've seen, certainly in the short term, a change of leader can make a difference to the Labour Party in the UK. I think leaders in an age of sort of increasing fluidity and volatility offer at least a sense of stability when everything has become highly insecure and precarious. So there's a very clear sense that institutions themselves are not enough. They cannot attract voters and members in any secure way. You have to have a recognizable personality. It used to be the case that people joined certain parties because they agreed with the ideology or the party program of those parties.
35:40And now it's actually the other way around. It's the leader that determines the party programme. And once the leader leaves, there's no actual independent ideology or programme to which people might be attached to a certain organisation. And that means a leader can attract and gather a lot of members and voters. But once a leader is no longer there, it can also expose the organisation as dangerously existentially dependent on that leader.
36:01Tim Pope:How can political parties, political leaders then tap into this politicization with weak institutions? Is there something that they can do? Do they just need to strengthen institutions? Or is there something else that they should be looking at in terms of how they can make use of this desire that's out there for political activity? Hyperpolitics and also the book that accompanies it is not meant to be a pessimistic or a purely critical book. It is in many ways enthusiastic and happy about the fact that there has been an increase in politics also because that means there's an increase in political literacy.
36:40And then the question becomes, what can we do with hyperpolitics rather than how can we solve the crises or the problems that it generates? I think there's one response to hyperpolitics that's quite predominant, and that is to ride the wave, to see these kind of surges in online popularity and fully embrace it. Or you can think more carefully and say, well, I don't want this simply to be a popularity that persists through one media cycle or one election cycle, but I actually want to think about how I can use this political energy and translate it into something more durable. But that requires answering two very difficult questions, namely, how can I draw people into my organization and keep them there, not purely based on some hype or one leader?
37:23And secondly, how can I draw them into my party and then also promise that I can enact my program? And enacting a program has become quite difficult for a lot of politicians, particularly in the 21st century. but I think you'd have to answer those two questions namely how can I draw people in and how can I actually execute what I'm being elected on
37:43Tim Pope:Anton Jaeger, lecturer in the history of political thought and political theory at University College Oxford on hyperpolitics that is it for the world tonight from me, James Kamara, Sami and all of us here goodnight
From the publisher
A court in Damascus has handed down a death sentence to Wassim al-Assad, a cousin of deposed Syrian leader Bashar al-Assad. Wassim, an enforcer for the former regime, was found guilty of war crimes and crimes against humanity. The verdict is of symbolic importance in Syria as it is the first conviction of a member of the Assad family still in the country.
Also on the programme: 29 US states seek damages from the parent company of Facebook and Instagram, Meta, in a case that could change social media as we know it; and we speak to music video director Tim Pope, about his work and what it was like to dress Freddie Mercury as a prawn.
