In short
Heidi Schreck’s play What the Constitution Means to Me and how the U.S. Constitution’s “genius” and “murkiness” shape protection and failure, especially for women and abused people.
Guests
Heidi Schreck, actor/writer/performer and creator; as a teenager in the 1980s she won Constitution speech/debate contests for prize money, later turning that experience into her Broadway show.
Key claims
The Constitution is designed mainly to structure government and limit tyranny (negative rights), not to guarantee active protections (positive rights). Its ambiguity can enable flexible rights (e.g., privacy) but also leaves gaps (e.g., policing restraining orders). The “penumbra” metaphor captures explicit vs implicit reasoning.
Notable examples
Castle Rock v. Gonzalez (due process, “shall” not “must,” police not required to enforce restraining orders); Griswold v. Connecticut (privacy and unenumerated rights via the Ninth Amendment) tied to birth control.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOHeidi's Story and the Constitution
0:34 to 4:10
Exploring Heidi Schreck's early engagement with the Constitution.
“Today, I want to tell you about a woman named Heidi.”
Transition to Advertisements
4:10 to 4:36
Introduction to upcoming discussion about the Constitution with Heidi.
“someone who's spent a lot of time sorting through the promises of the Constitution, how it works, and how it's impacted subsequent generations of Americans.”
Heidi's Engagement with Constitutional Rights
5:31 to 14:00
Heidi discusses the implications of negative and positive rights in the Constitution.
“This message comes from Capella University.”
Understanding the Penumbra Concept
14:00 to 17:09
Explore the concept of penumbra as a metaphor for constitutional rights.
“Some constitutional scholars have called this decision the death of the 14th Amendment for women.”
The Griswold Case and Its Implications
17:10 to 20:08
Learn about the Griswold v. Connecticut case and its impact on privacy rights.
“But how long do we want this document to be?”
Evolving Perceptions of the Constitution
20:09 to 21:31
Reflect on changing beliefs about the Constitution over time and its implications.
“which many argue is the very genius of our Constitution.”
Transcript
Automatic transcript. May contain errors.0:00This message comes from Mattress Firm. If you're sleeping hot, Mattress Firm's sleep experts can match you with a Temper Breeze designed to deliver cooling comfort. Visit Mattress Firm and get$500 off Temper Breeze mattresses. Restrictions apply. See store for details. This is America in Pursuit, a limited-run series from NPR and ThruLine. I'm Randa Abdel Fattah. Each week, we bring you stories about life, liberty, and the pursuit of happiness in the U.S. that began 250 years ago. Today, I want to tell you about a woman named Heidi. Heidi Schreck. I am an actor, writer, performer, creator. When Heidi was a teenager in the 1980s, she did something not a lot of kids were doing.
0:49When I was 15 years old, I would travel the country giving speeches about the United States Constitution for prize money. Heidi loved the Constitution. She believed it was the greatest political document ever written. And she was damn good at talking about it. Back then, she wore a blue power suit, had very large permed hair, a lot of makeup. I would travel to big cities like Denver, Fresno. I would win a whole bunch of money, bring it back to put my little safety deposit box for later. I was actually able to pay for my entire college education this way. Thank you. Thank you so much. It was 30 years ago and it was a state school, but thank you.
1:32That's Heidi on a Broadway stage some years ago performing her hit play, What the Constitution Means to Me. It's a show Heidi wrote about her experience participating in those debate clubs when she was a teenager. For most of the play, Heidi is on stage by herself. She goes back and forth between the current Heidi, a woman in her late 40s, and the 15-year-old version of herself. The set is a recreation of the American Legion Hall, where one of those debates took place decades ago. She stands alone on stage. Behind her is a wall covered with the faces of hundreds of men. framed photographs of competition judges and war veterans.
2:12Our Constitution can be thought of as a boiling pot in which we are thrown together in sizzling and steamy conflict to find out what it is we truly believe. That is why it's such a radical document. And it's from this so-called radical document, from those years spent deliberating over the Constitution, that things started to click and to change in Heidi's worldview. I would say the biggest thing that happened was that I learned some things about my family history, but I didn't quite connect it to the Constitution at the time. I didn't know how to make those connections. Heidi learned about this legacy of abuse in her family during those years.
3:00But it took nearly two decades for her to really start to understand how it all fit together. And in that understanding, all of her ideas about the Constitution were challenged. I don't even know where to begin except to say that the Constitution has profoundly shaped my life. I feel like it's a document that has protected me and completely failed me and so many other people in this country. And so she turned that profound engagement with the document into a play to share with thousands of people, whose dialogue explores what exactly the Founding Fathers created and meant to create back in 1787.
3:40A group of magicians got together on a sweltering summer day in Philadelphia, and they wanted to kill each other. But instead, they sat down together, and they performed a collective act of ethical visualization, or as I like to call it, a spell.
4:04Today on the show, we're talking about the Constitution of the United States with Heidi Schreck, someone who's spent a lot of time sorting through the promises of the Constitution, how it works, and how it's impacted subsequent generations of Americans. That's coming up after a quick break.
4:35Support for NPR comes from IBM. On Smart Talks with IBM, Malcolm Gladwell explores how organizations are using technology to solve complex challenges in partnership with IBM. I spoke with Alon Cohen, who heads research and development at UFC. Insights Engine is not here to feel technical. We are bringing it to a place where you feel like you could even have an opinion because you understand enough of what's going on. Listen to Smart Talks with IBM wherever you get your podcasts. This message comes from NPR sponsor Raymond James, a financial firm offering wealth management, banking, and capital markets services that are inspired by people.
5:18Before Raymond James financial advisors build plans, they build relationships, so they can craft individual strategies designed to achieve priorities and pursue what's possible. That's the power of personal. Disclosures at RaymondJames.com. Raymond James & Associates, Inc. Member NYSE, SIPC. This message comes from Capella University. That spark you feel? That's your drive for more. Capella University's FlexPath Learning Format lets you earn your degree at your pace. without putting life on pause. Learn more at capella.edu.
5:54When Heidi Schreck started writing What the Constitution Means to Me, she thought she was writing a lighthearted, comical play. Maybe even something fun. You know, one of those great movies about girl debaters that's sort of uplifting and really fun and funny. That was the original idea. Take the prompt of the actual contest she used to do as a teenager, which was to draw a personal connection between her own life and the Constitution, but do that with the wisdom and hindsight that only adult Heidi could bring to the table. Because when she was 15, drawing those personal connections sounded like...
6:33You know, I protested my school's ban on girls wearing shorts, and that's me expressing my First Amendment right. And then she decided to take it more seriously. That immediately took me to birth control. That took me to Roe v. Wade. That took me to the 14th Amendment and the 9th Amendment. And then it took me to domestic violence. So when I was like, these are all things that have affected my life, why don't I dig into what the Constitution has to say about them, what the Supreme Court has had to say about them? I would say making the play kind of forced a reckoning. Maybe because of my own family history of this kind of violence, I just, I needed to make sense of it.
7:19So I talked to several constitutional scholars. Heidi learned a few things, and part of that learning process was unlearning. She grew up thinking and defending the idea that the Constitution was meant to protect us, the citizens. But then she learned that's not exactly true. It's actually not designed to protect us, right? It's designed to first outline how government will function. The co-equal branches of government, the separation of powers. It's designed to, like, put a system in place. And then it's designed to protect us from encroachment by the government, right? From allowing, like, tyranny to take over.
7:57So it's like the due process clause, which says the government cannot lock you up, take your stuff, or kill you without a good reason. Fifteen-year-old Heidi loves this clause. It states, Nor shall any state deprive any person of life, liberty, or property without due process of law. This brings us to another thing Heidi learned from the constitutional scholars. She learned about two kinds of rights. Negative rights and positive rights. The due process clause falls into the category of negative rights. Rights that protect us from something, like the government. while positive rights are active rights, rights that the government or other people have to actually provide.
8:46They include things like the right to a fair trial to an attorney. In some countries, the right to health care. Our Constitution, for the most part, is full of negative rights. And one of the things that I discovered when I was researching the play was I just read a lot of other countries' constitutions, And I was interested in what modern constitutions look like because ours is the oldest active constitution. That's because many other countries over time have scrapped their original documents and replaced them with more modern constitutions. South Africa and Germany have both done this. And seeing that constitutions created in the 20th century and constitutions that were created in the wake of genocide, in the wake of great governmental crimes, those constitutions contain positive rights, right?
9:40Contain active protections for people who say like, they say like we will guarantee that you are a protected class of citizen so that you will not be discriminated against on the basis of race, sex, gender, ability. They say we will guarantee a clean planet. Now, whether these are effective or not is up for debate, but they have active positive rights, things that the government is supposed to do, right? to protect you and take care of you as a citizen. Heidi first saw how a constitution made up of mostly negative rights, those liberties outlined in the Bill of Rights in our Constitution, specifically failed to protect the abused women in her family and thousands of others through the Supreme Court case Castle Rock v.
10:24Gonzalez. Which is about whether the police are required to enforce restraining orders. This is case number 04278, town of Castle Rock v. Gonzalez. This is the late Supreme Court Justice Antonin Scalia, delivering the majority opinion on June 27, 2005. Despite the nature of the case, Scalia kicked things off with a joke. I thought Castle Rock was a 1920s dance, but it's also a town in Colorado. Then he cut to the chase. The facts are truly horrible. Jessica Gonzalez, the respondent, sued the town of Castle Rock in federal district court, alleging that the town had violated her rights under the 14th Amendment's due process clause.
11:15Jessica Gonzalez had three daughters with her husband and a restraining order against them. She filed for one in 1999 after a long history of violence and abuse. A month into that restraining order, her husband kidnapped their three children. Gonzalez called the Castle Rock Police Department for help. It was around 7.30 p.m. When officers came to her house, she showed them the restraining order and asked them to enforce it and return her children. They told her to call back if the children did not return by 10 p.m. She called an hour later, saying she had heard from her husband and knew where they were.
11:55Again, they told her to call if the children were not returned by 10 p.m. She called again and again until nearly 1 a.m. when she got back in her car and went to the station to file a report. An officer took the report and then went to dinner. Finally, at 3.20 a.m., her husband showed up at the police station shooting a semi-automatic handgun. The police shot him dead and discovered in his pickup truck the bodies of all three children whom he had already murdered.
12:39Jessica Gonzalez, who's actually now Jessica Lenehan, her maiden name, sued the town of Castle Rock for violating her rights under the Due Process Clause of the 14th Amendment by refusing to enforce her restraining order and therefore failing to protect her family. Remember, the due process clause is a prime example of negative rights. Which is in part how they came to decide that Jessica Lanahan was not entitled to any active or positive protection from the police. She lost. I just, I've listened to this case so many times. And the thing I notice when I hear the justices speak, the thing I notice is that they spend very little time talking about Jessica Lanahan as a human being they don't talk about her daughters
13:36instead they spend a very long time arguing about the word shall as in the phrase the police shall enforce a restraining order
13:53Scalia ultimately decided that shall did not mean must, which I actually find very confusing because Scalia was a devout Catholic.
14:08Some constitutional scholars have called this decision the death of the 14th Amendment for women. It basically shuts down the possibility to look to our federal government, to our constitution for protection from physical and sexual violence.
14:28Castle Rock v. Gonzalez was a constitutional test that helped adult Heidi understand her own family history in relation to the Constitution in a way she never could have as a teenager, back when she viewed the document essentially as scripture. This ruling brought into clear focus this tug and pull between positive and negative rights. And it shined a bright light on those shadowy rites that lie somewhere in between.
15:01A penumbra.
15:12Here I am, standing in the light. And there you are, sitting in the darkness. and this space between us, this space right here of partial illumination, this shadowy space right here, this is a penumbra. The word itself means the space between the full light and the darkness, right? Or it's actually between the full light and the kind of shadow. So it's this kind of half light, half dark, very shadowy, murky place. Penumbra, a kind of metaphor for the juxtaposition of what's explicit and implicit in the Constitution. Heidi discovered and then became obsessed with the word penumbra when learning about another Supreme Court case.
16:04Griswold v. Connecticut, which is the case that made birth control legal for all people in this country in 1965, pretty late. In 1961, Estelle Griswold and Dr. Charles Lee Buxton were arrested for giving information about contraception and writing prescriptions for IUDs to women at a Planned Parenthood in Connecticut. They took their case to the Supreme Court. This is the case where Heidi's favorite parts of the Constitution join hands and take center stage. The due process clause of the 14th Amendment and... The most magical and mysterious amendment of them all, Amendment 9. Amendment 9 says, The enumeration in the Constitution of certain rights shall not be construed to deny or disparage others retained by the people.
17:00Basically, that talks about unenumerated rights. It says just because a right isn't listed in the Constitution, it doesn't mean you don't have that right. The fact is, there was no way for the framers to put down every single right we have. I mean, the right to brush your teeth. Yes, you've got it. But how long do we want this document to be? Think about it for a moment. Our Constitution doesn't tell you all the rights that you have because it doesn't know. And I love that amendment because it does speak to the, like, living, breathing nature of the document. And also, it's just a very weird, mysterious thing.
17:38Everything else is rather concrete, and it's very confusing, this amendment. Justice William O. Douglas, the great Supreme Court justice, when he talked about Amendment 9, he used the word penumbra. In Griswold v. Connecticut. I read about how that case was partially decided with the help of the Ninth Amendment, as was Roe v. Wade, with this idea that like, okay, we don't know, given the tools we have with this constitution, we don't know how to say exactly that like a person is entitled to use birth control or a person is entitled to have an abortion. So we're going to locate it in this right to privacy, which is not enumerated in the constitution exactly, but we're going to say it's like, it's there.
18:26It lives there in the shadow of the constitution as a result of other rights that were enumerated, right? So it's like this very murky reasoning. And this, this is when William O. Douglas brought out his beautiful penumbra metaphor. This is when he said, one thing our Constitution surely guarantees is the right to privacy and that this allows a woman to put in an IUD. As long as she's married. Anyway, at this point in the play, Heidi pulls up a clip from the Griswold case of the nine justices, all men, attempting to discuss birth control. It's probably only true with respect to some, but some get by under the term feminine hygiene.
19:07And others, I just don't know about. But they are all sold in Connecticut drugstores on one theory or another. Is there anything on the record to indicate to the Senate's first rate, the medic that these would be the states that don't have such laws? I really found it fascinating that, first of all, that the justices, who at the time were nine men, had to look to this amendment that nobody really understands and decide that they found, you know, the right to birth control or the right for a pregnant person to have autonomy over their own body, that they found that in the shadows of the Constitution, I guess, in this, like, murky, murky space.
20:08A murky space that leaves so much room for interpretation, which many argue is the very genius of our Constitution. The intentional vagaries allow for flexibility. But this very nature of the document may at times protect its citizens, but at other times it fails them, leaving some of our basic rights hanging in the balance. People laughed at Douglas for calling it this, but I like it. I think it's a helpful way to think about the Constitution and also maybe about our lives. I mean, here we are, stuck between what we can see and what we can't. We are trapped in a penumbra.
20:53As a teenager, Heidi really believed in the Constitution. But after a decade of writing and performing this play, something flipped. Heidi could no longer ignore all the imperfections.
21:11Maybe it's not helpful to think of the Constitution as a crucible, in which we're all battling it out together, in which we go in front of a court of nine people to negotiate for our basic human rights. Maybe, maybe we could think of the Constitution as a Constitution that is obligated to actively look out for all of us.
21:54That's it for this week's show. If you want to hear the full-length episode with Heidi, check out The Shadow of the Constitution. And join us next week when we look at the story of America through music. You can look at any point in American history and understand what was happening through the sounds that were developing at that time. That's next week. Don't miss it. This episode was produced by Kiana Moghadam and edited by Christina Kim and Julia Redpath with help from the ThruLine production team. Music by Ramtin Adabloui and his band, Drop Electric. Special thanks to Julie Kane, Irene Noguchi, Beth Donovan, Casey Miner, and Lindsay McKenna.
22:37I'm Randa Abdelfattah. Thanks for listening.
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