Why the UK banned Kanye West

10 Apr 2026 · 28 min · 15 chapters

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In short

The episode explains why the UK effectively blocked Kanye West (“Yay”) from performing at London’s Wireless Festival, where he was booked to headline three nights in Finsbury Park. It traces his rise from Chicago producer to global cultural figure, then argues his later behavior escalated into sustained anti-Semitism and far-right signaling.

Key claims

his anti-Semitic tweet about “death con three on Jewish people” led to platform suspensions; his “Heil Hitler” song/merch and neo-Nazi imagery made him unacceptable; his visa was rescinded by the Home Office and Wireless was cancelled after political pressure. Notable examples include the 2009 Taylor Swift microphone snatch, 2016 Trump/MAGA embrace, 2018 TMZ “400 years of slavery… choice” remarks, and 2022 Adidas/Twitter/Instagram fallout.

Guests

Lanre Bakare (Guardian arts and culture correspondent).

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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The Backlash Against Kanye's UK Performance

0:45 to 3:23

Discussion about the backlash after Kanye was announced to headline the Wireless Festival.

“Kanye West has posted on a variety of topics, including President Trump, whom he calls his brother.”

Political Reactions and Consequences

3:23 to 6:30

Exploring the political ramifications and statements from leaders regarding Kanye's views and performance.

“Before we get to the cancellation, just summarise the bonkersness of the last few days.”

Kanye's Artistic Journey and Controversies

6:30 to 7:43

A look back at Kanye West's career and his significant impact on culture and music.

“He is effectively banned from the UK, wireless festivals cancelled.”

The Evolution of Kanye's Public Persona

7:43 to 11:30

Analyzing how Kanye's behavior changed over the years and the influence of his personal life.

“Can you tell me about that ascent and how he became such an important fixture in the culture?”

Kanye's Mental Health and Public Statements

11:30 to 14:02

Discussion on Kanye's mental health, public statements, and their implications.

“I mean, early on, the stuff he was saying was things that he could get behind.”

Kanye's Shift Toward Trump

14:02 to 14:15

Explore Kanye West's 2016 endorsement of Trump and its implications.

“What people don't know, Kanye, everybody knows, right?”

Bipolar Diagnosis and Creativity

14:15 to 14:40

Discuss Kanye's public bipolar diagnosis and his view on its influence.

“and seems to just fully embrace that kind of MAGA world, which is a major departure for him.”

The Dangerous Shift

14:40 to 14:54

Analyze the turning point in Kanye's public persona and rhetoric.

“He's open to how he thinks it fuels his creative process.”

The Infamous TMZ Interview

14:54 to 16:46

Delve into the controversial remarks Kanye made about slavery during the TMZ interview.

“Lanre, can you tell me about his interview with TMZ in 2018?”

2022: The Year of Implosion

16:46 to 17:37

Examine Kanye's behavior in 2022 that led to widespread backlash.

“at that point perhaps, doesn't really believe in those things.”
Show all 15 chapters

Escalation of Antisemitism

17:37 to 19:01

Discuss Kanye's antisemitic comments and their fallout on his career.

“He actually went on a podcast at one point and said he had a deal with Adidas.”

Apologies and Sincere Intent

19:01 to 20:58

Analyze Kanye's apologies and whether they are seen as genuine.

“In January of this year, Wes took out this full-page ad in the Wall Street Journal in which he apologised to, and he addressed it, those I hurt.”

Banning Kanye: A Government Decision

20:58 to 22:51

Discuss the Home Office's decision to ban Kanye West from the UK.

“Coming up, why did Wireless Festival book such a risky headliner?”

Public Reaction and Acceptance

22:51 to 24:41

Explore public sentiment regarding Kanye's behavior and the potential for redemption.

“I think in Britain at the minute, we're in a moment where a lot of people are aware of how anti-Semitism is on the rise.”

Comparison with Other Artists

24:41 to 27:01

Compare Kanye's situation with other artists who have made controversial statements.

“He's this huge figure within the culture.”
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Transcript

Automatic transcript. May contain errors.

0:00This is The Guardian.

0:09Today, what happened to Kanye West?

0:19A warning before we start, this episode does contain anti-Semitic and offensive language. He was once hailed as an American genius, a prime example of black excellence. He revolutionized rap, became a hip-hop billionaire, all the while influencing the world of fashion, art, design. Kanye West had a grip on the culture like few before him. Until... Kanye West has posted on a variety of topics, including President Trump, whom he calls his brother. He's been locked out of his Twitter account now, the platform suspending him after an anti-Semitic tweet. That tweet said, quote, when I wake up, I'm going death con three on Jewish people.

1:04This is what I'm trying to tell you. Jesus Christ, Hitler. Yay. We don't have to bow to this shit. OK, it's 60 million.

1:14He hadn't played a show in the UK for over a decade, And he was booked to headline three nights this summer at Wireless Festival in London. But then the government intervened. From The Guardian, I'm Noshin Iqbal. Today in Focus, why the UK has banned Kanye West.

1:38Lennar-O-Bakare, you're The Guardian's arts and culture correspondent. and I think it's fair to say you're pretty steeped in Kanyeology, for want of a better word. And, you know, this does mean, of course, you've had to track a catalogue of outlandish, offensive, hateful things that he's said and done over the years. There is no shortage of it. But to the story at hand, last week it was announced that Kanye West was booked to play London's Wildest Festival this summer, headlining three nights in a row. By the weekend, the Prime Minister had made a statement and the story has dominated your beat and beyond where did this all start well it started where as you just flagged there he's

2:18Lanre Bakare:booking at wireless so wireless is a three-day festival held in finsbury park every year and they book r &b and rap artists so huge artists have played there it's at rocky sceptre doja cat and last year drake played and they changed the format so last year drake played three days in a row which was a change of format which makes booking that festival a bit more difficult you You need someone who is absolutely A-list to carry that. And there aren't that many artists in the world who could do it. Kanye West is definitely one of them, but obviously comes with this huge amount of baggage. And it seemed as if Wireless had made a calculation that while there's all this baggage, he's this huge A-list person who can sell out the event and will bring a lot of media attention and it will be one of the biggest cultural moments of the year, probably the cultural moment of the year for some people.

3:06Lanre Bakare:But it's fair to say it's about a fight spectacularly. There was an incredible quote after they announced it. They said that West's UK comeback will be an extraordinary chapter in Wireless' story, which is to tell that to be incredibly prophetic, but for all the wrong reasons, because there isn't going to be a festival this year because it's been cancelled. Okay. Okay. Before we get to the cancellation, just summarise the bonkersness of the last few days. On the 30th, he was announced as the headliner. He immediately received backlash. So Jewish group said he should not be performing in London.

3:36Lanre Bakare:It should be a problem in the UK because of his previous anti-Semitic remarks. Sadiq Khan said it wasn't a good idea. Then Ed Davey came out, the leader of Liberal Democrats. The Australian government has earlier banned him from going to Australia for his anti-Semitic hate speech. And we should too. Since then we've had different cabinet ministers come out. So you had Bridget Phillipson. The comments that he has made in the past are completely unacceptable and absolutely disgusting. I don't think he should be performing at the music festival. Where Streeting came out really strongly. He released a song called Heil Hitler.

4:10He plastered it across T-shirts. Anti-Semitism is on the rise and it can be deadly. The idea that you platform someone after this pattern of behaviour, I think is appalling.

4:22Lanre Bakare:Keir Starmer also got involved. So this became this huge political football, which transcended culture. It's not really a cultural story. It's about Labour and about their position on anti-Semitism and the fact that they've got someone who is, described as a neo-Nazi coming to perform in the UK and what do you do about it? And Labour obviously came out and shut it down essentially. I mean, at one point he did have a visa, right? And that was rescinded by the Home Office, as he said. But, you know, in the midst of all this pressure piling up, West then issues this statement in which he offered to meet and listen to members of the UK's Jewish community and insisted in his words that he wanted to come to London, and I quote, to present a show of change, bring unity, peace and love through music.

5:06How did that go down?

5:09Lanre Bakare:Badly, incredibly badly. Because I think a lot of his critics and people who pay attention to the story understand that he'd been on a campaign of four or five years of anti-Semitic trolling, essentially, embracing neo-Nazi imagery, pushing out far-right conspiracy theories about Jewish people. And this was just a consistent type of behaviour. It wasn't one or two outbursts that we've seen before from Kanye West. This seemed to be an ideology that he completely embraced. So when he releases this statement, which kind of reads like something Michael Jackson would have said from a stage in the 1990s about wanting to bring peace to the world, it rang incredibly hollow for a lot of people.

5:43Lanre Bakare:And also the timing of it looks really cynical. He takes out a full-page apology in the Wall Street Journal and apologizes for his behavior. I think the issue with that for a lot of people is the timing of it. So that's released in January, and then you look at what's coming up for Kanye West, and he's got a new album coming out called Bully. He's going to play two shows in LA and then he had the wireless show obviously planned and coming up. So if you look at that from the outside, you can see that as an incredibly cynical move. It's a curry favour and I suppose remove some of the negative feeling about him and enable him to release the album, go and tour it and continue with his life as a creative person.

6:21Slash make loads of money.

6:23Lanre Bakare:Slash make him a lot of money and everyone else a lot of money as well. So to summarise, West has his visa rescinded. He is effectively banned from the UK, wireless festivals cancelled. It seems as big a deal as it gets for an artist if the government of the day in one of their biggest markets is stepping in and saying, no way, we simply won't allow you in. Landry, what's the precedent here? Who else has the Home Office blocked? There's a long list of people who've been banned from coming to the UK. There's actually a load of rappers. So you have Lil Wayne, who's banned. You have Snoop Dogg, who was banned and then was rescinded.

6:57Lanre Bakare:Martha Stewart as well, actually. Right, okay. She was banned. She had a criminal record, though. Exactly. So the thing with those people is all those artists had criminal records in the US. Right. The person who's kind of most fits with the kind of US model of a ban is Tyler, the creator, who was banned in 2015 by then Home Secretary Theresa May. And that was over lyrical content. Anyone who knows Tyler, the creator's work, especially Wolfgang early on, would often use homophobic language. is queer himself but he would use homophobic language very violent sexual imagery as well which groups said was glorifying rape culture so he was banned by the home secretary in 2015 and the reaction to that was slightly different because there were people who were saying hang on a minute this is this is about artistic expression he's not being sincere in the things he's saying here young people have always pushed the boundaries about what is acceptable and what is good taste and he himself has come on quite a journey since then yeah he has and yeah he was allowed back into the country in 2019 and he actually ended up headlining wireless festival

8:04lanre before we get to how west got to this point i do want to rewind a little bit to the beginning of his story and that first decade of his career in which he is regularly hailed as a genius and releases for many some of the greatest albums of all time. Can you tell me about that ascent and how he became such an important fixture in the culture?

8:24Lanre Bakare:Yeah so he emerges in Chicago actually when he was still in school as a producer on the local hip-hop scene there. He is mentored by a guy called No ID who'd worked with some of the Rockefeller artists and through that connection he starts to produce tracks for people like Jermaine Dupri, Foxy Brown and ultimately Jay-Z and he produces a couple of tracks for Jay-Z on his probably most important or iconic album, which is The Blueprint. So he produces The Takeover, which is the Nas diss track. Kids out there, there was a diss war before Drake and Kendrick, which was, I think, even better. So he produces this track for him, which is incredible.

9:00Lanre Bakare:And then he also does Izzo, Hover. And I think those two tracks kind of like sum up Kanye West's ability and his skills. I mean, if Jay-Z was playing a concert, they'd be two of the biggest tracks I'd play. So he establishes himself as this incredible producer. Then he tries to make the very difficult leap from producer to artist. And he receives quite a lot of pushback. People are like, yeah, you're a producer and you're great. Kind of stick to that because that's what you do. But then he starts creating these tracks which are just undeniably incredible. So there's Through the Wire, which is a great track.

9:32Lanre Bakare:But then you get stuff like Jesus Walks. I mean, that whole era, college dropout, late registration, I actually did spend an afternoon with him between those two albums in Manchester. And it still remains, I have to say I was a baby in the early noughties. But one of the most interesting interviews I ever did, like his mother was present. His mother, Donda, was an African-American studies professor. You know, he comes from this sort of middle class background. They have a really interesting, immensely close relationship, you know, conversation was about linguistics, about the N-word, about misogyny, all sorts of things.

10:05and I don't know even at the time he made it very clear that he was obsessed with pushing boundaries like not wanting to conform and wanting to like do things differently to

10:18Lanre Bakare:everyone else yeah I think when he came out like the style of Kanye was I don't remember but he used to like wear polo shirts yes which was like a big deal in hip hop doggy backpacks yeah backpacks and then he had those kind of like new rave glasses with a like little slant in and i remember just thinking who is this guy because like you say he didn't conform to the to the stereotype of what you would look like as a rapper it was white tees gold chains big bag of jeans and jordans because at the time rap it was bling versus backpacks it was either like 50 cent going on about consumerism or it was tyler quelly and he actually did marry the two it was either being socially conscious or materialistic but he did both yeah yeah i mean gold digger right was like his massive tune at university like when that got played people got absolutely bananas and yeah he was always interested in the aesthetic i mean i think he shot the video for that as well he's always seemed interested in doing more than just being a rapper who you know rapped on incredible tracks and was like popular he kind of went into the world of fashion architecture design i did so many things to kind of expand what a hip-hop artist could be kind of transcended hip-hop and i think about him wanting to push boundaries i kind of feel like with kanye that was kind of baked into the premise.

11:28Lanre Bakare:Like if you were a Kanye fan, you knew he was going to say some fairly outlandish stuff. I mean, early on, the stuff he was saying was things that he could get behind. So for example, in 2005, there's a very famous moment in a live charity appeal during Hurricane Katrina where he stood next to Mike Myers from Austin Powers and they're just going through the script and he just turns to the camera and says, George Bush doesn't care about black people. Mike Myers is like, what the hell have you just said? Who is this guy? And I feel like that was kind of an announcement on a global scale of like this is someone who's going to do things differently and at that point I was 100 % behind it because black people were dying in their hundreds in Louisiana and the government wasn't doing anything about it so it was really exciting actually his emergence he was he was someone different and that was a much more innocent time I think and I think Donda his mother was around for for all of that yeah she died in 2007 yeah and then things start to shift and change well let's talk about that because you know we've said he's unpredictable, has an unwillingness to conform, contributed perhaps to the best, but also the absolute worst moments of his career.

12:29And there does seem to be a steady unraveling. Landry, can you tell me more about that?

12:34Lanre Bakare:In 2009, his behavior starts to become a bit more problematic. At the VMA Awards, Storm's on the stage, takes the microphone away from Taylor Swift, who just won the Moonman for Best Video. I'm really happy for you. I'm going to let you finish. But Beyonce had one of the best videos of all time.

12:55Lanre Bakare:After that, Barack Obama calls him a jackass. Nice person. She's getting her award. Why would he do that? He's a jackass.

13:05Lanre Bakare:And it's this kind of like egotistical, megalomaniac behaviour where previously, you know, if Donda was there, would he have acted like that? Potentially not, right? She was the checks and balances on him. Exactly. The guardrails have kind of been removed. Then, 2014, he marries into the Kardashian family. Hey, good morning to you guys. Well, yes, it is official. You can now start calling them Mr. and Mrs. Kanye West after tying the knot in a romantic and intimate setting at a fortress, 16th century fortress overlooking Florence, of course. And he starts to become this reality TV figure who exists in this very strange world between kind of high art and culture and also the kind of trashiest TV you could possibly find.

13:45Lanre Bakare:I mean, he has said before, like, what I do is performance. And at this time, I kind of thought, maybe this is all a big kind of thing. And it's going to just get nominated for the Turner Prize and it'll all be fine.

14:01Lanre Bakare:Then in 2016, things really shift gears. What people don't know, Kanye, everybody knows, right? Does the world know Kanye? So he endorses Trump and he starts going around with a MAGA hat, ends up going to the White House and seems to just fully embrace that kind of MAGA world, which is a major departure for him. I don't want to put you in that spot. No, I'm standing in that spot. I love this guy right here. Let me give this guy a hug. I love this guy right here. That's true. Yeah. Come here. Yes. That's really nice. In 2017, he makes his bipolar diagnosis public. You know, he calls it a superpower.

14:40He's open to how he thinks it fuels his creative process. He also admits swerving, taking his medication. And as he said, by this point, he's met with Trump. He's wearing the MAGA hat. But then there's this moment where it just tips. And to me, at least, it feels dangerous. Lanre, can you tell me about his interview with TMZ in 2018?

15:02Lanre Bakare:Yeah. So TMZ is obviously a celebrity gossip site. He turns up at their studios. Two days after I got off of opioids and I was addicted to opioids. and gives this interview. I mean, I think I'm right to remember. He's just kind of walking around the studio. I'm taking two. Hey, everyone listen to this, please. Two days before I was in the hospital. Pontificating on lots of different stuff and gesticulating and just like mouthing off, essentially. And he goes into this stream of consciousness thing where he starts talking about black people and slavery, which was a theme in his music. He had a track called New Slaves.

15:36Lanre Bakare:But at that point, he was talking about slavery as like a concept that you could apply to being an artist. So like, I'm enslaved by, a bit like Prince, right? Yeah, by the record company. Exactly. But then he kind of shifts and says, 400 years of slavery, it kind of seems like slavery was a choice. World, you hear about slavery for 400 years? For 400 years? That sounds like a choice. Like, you was there for 400 years and it's all of y 'all? You know, like... Which is like, no, Kanye, that's not... And you know that's not true. If you know who his mother is, you know, someone who was a civil rights activist, He knows that's not true.

16:11Lanre Bakare:So he's doing this edgelord thing of pushing. He was actually confronted by one of the TMZ journalists. Right. Which is an incredible exchange. We have to deal with the marginalization that has come from the 400 years of slavery that you said for our people was a choice. And frankly, I'm disappointed. I'm appalled. and brother, I am unbelievably hurt by the fact that you have morphed into something to me that's not real. Yay, be yay. I'm off it forever. And he kind of backs down, which is interesting because I think that shows that he doesn't really, at that point perhaps, doesn't really believe in those things.

16:51Lanre Bakare:He just knows this is a controversial thing to say. You say that, but it's also, it's not a one-off because in 2022 Paris Fashion Week, he sends models down a catwalk wearing long sleeve white lives matter tees. Landry, what's the blowback at this point and how does it affect his career? Yeah, I mean, I think 2022 is the year where everything implodes. He just goes into self-destruct mode. He's banned from going to the Grammys because his online behaviour is seen as too problematic. What's he doing at this point? He'd started with some anti-Semitic tropes at that point. So he sends a tweet saying that P.

17:21Lanre Bakare:Diddy is controlled by Jewish people. At the time, I think I kind of vaguely remember that and just thinking he obviously needs to be taken away from his computer and he needs some sort of help because this is kind of dark. And he carried on with that, the antisemitic behaviour. It's completely disgusting. He actually went on a podcast at one point and said he had a deal with Adidas. At this point, his stuff was selling, making millions for them every year. And he was saying, I could say antisemitic stuff and Adidas can't drop me. The thing about me and Adidas is like, I could literally say antisemitic shit and they can't drop me.

17:57I could say anti-Semitic things and Adidas can't drop me. Now what?

18:03Lanre Bakare:And a month later, they dropped him. The company calling recent statements by West hateful and dangerous. Adidas had faced pressure to act, and Kanye West bragged that nothing he said could end their partnership. He's now been suspended by Twitter and Instagram and dropped by his talent agency, and he's lost multiple brand deals. and at that point this is like mid 2022 sponsors start moving away even people who've been working with for years started to back away so like pharrell williams uh clips you know they've said that they can't work with kenya west anymore because he'd gone to a place that was just too toxic it was too dark he was saying he was a nazi um he's selling merch with two h's on it which are a reference direct reference to hail hitler and it starts coming through in the music so he has a song called Heil Hitler and this footage of Nick Fuentes basically doing Zeke Geil into this to this song which starts to do the rounds on the internet so it's embraced by by people on the far right as well um who are seeing him as almost like a poster boy for that movement someone who is so culturally relevant and even he's getting involved in it that's right you're not Hitler you're not a Nazi you don't deserve to be called that and demonized well I I see I I see good things about Hitler also the jew i love you know this is it's so disgusting and abhorrent anyone who understands history of the holocaust which he denied which he also denied exactly i mean the thing is we before i kind of talked about him in the context of someone like tyler the creator but actually i think you need to think of him as like someone like david irving who's like a holocaust denier someone who is anti-semitic and completely a pariah really and that's the position he he was in for a lot of people which makes the wireless decision it's just so confounding you're like how did you ever think that was going to work in this country.

19:49In January of this year, Wes took out this full-page ad in the Wall Street Journal in which he apologised to, and he addressed it, those I hurt. So in it, he tries to make amends to the black community. He says, sorry for letting them down, quote, I love us. He also insisted, I am not a Nazi. I'm not an anti-Semite. I love Jewish people. But, you know, by then he had committed himself to a years-long sustained campaign of anti-Semitism. And this wasn't even the first grand apology that he'd had to make for it.

20:16Lanre Bakare:Well, he apologized for it in 2023, where he released a statement on social media written in Hebrew, in which he apologized for his behavior. And then when he was criticized, he then rescinded the apology and he went back on it. Which is what numerous Jewish groups referred to in their statements about the performance of wireless. Why should we believe this guy who has a history of saying, oh yeah, I'm really sorry, I'm so sincerely sorry for this thing. And then continues the behavior, which he did throughout 2025. he was still creating songs that were referencing the Nazis. He was talking about how much he had made Hitler.

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20:50Lanre Bakare:So the apologies don't ring true, they ring hollow. And I think that's been a big problem for him when it comes to sorting out this mess with wireless.

21:02Coming up, why did Wireless Festival book such a risky headliner?

21:22Lanre, what do you make of the Home Office's decision to rescind West's visa and to ban him, essentially?

21:29Lanre Bakare:I think some people would say it is an overreaction to ban him completely from coming into the country. I think it got to the point with the discussions between wireless, who didn't want to back down, like Melvin Benn, who runs the festival, was on the Today programme defending Kanye West. I want to give people a second chance. And I think Kanye West, yay as he is now officially known, should be given a second chance and should be... He was saying that the apology was sincere. He was saying that he's known people with mental health issues in the past. And unfortunately, this is kind of the issue with people with mental health issues, especially bipolar, that they will have these episodes.

22:07Lanre Bakare:So we need to understand it. He was calling for people to kind of accept the apology. His position was interesting, though, because, I mean, notionally, it's sort of empathetic. I mean, he says that forgiveness and giving people a second chance of becoming a lost virtue in this ever-increasing divisive world, I would ask people to reflect on their instant comments of disgust at the likelihood of him performing, as was mine. But he also did then say that whether he consulted with Jewish groups when he was asked about it, a paraphrase, he said, no, potentially we should have done. That may prove to be a mistake.

22:37We consulted with Pepsi, though, the sponsors, and they seemed fine with it. So, I mean...

22:41Lanre Bakare:Yeah, I mean, that statement maybe gives it a bit of an insight into their kind of priorities were slightly in the wrong place. And they massively underestimated the strength of feeling on this. I think in Britain at the minute, we're in a moment where a lot of people are aware of how anti-Semitism is on the rise. We've obviously had the Manchester attacks. And also Finsbury Park is just down the road from the biggest Jewish community in the country who've also been under attack recently. So there's a heightened awareness about anti-Semitism. A lot of people feel invested in stopping it spreading because we can see it happening either online or in the real world.

23:13Lanre Bakare:And the Melvin-Penn thing, it just seemed like you've completely misread the room. Like, that apology, who looked at that and thought, this is 100 % sincere? Very few people. And I think if that apology would have been packaged with him going away, doing the work, to use a phrase. Talk to me about that. What would that have looked like? What would Kanye West doing the work have meant? I mean, I think it's important to note that for some people, they will never accept his apology and he will always be a bigot and an anti-Semite for the rest of his rest of his life and I think that's fair because he spent four or five years really invested in this ideology which is incredibly toxic and horrendous but I think if he was genuine or if he is genuine and he is sincere about wanting to make amends what could he do he could go to Auschwitz he could meet with Jewish groups and try to understand the horrendous actions of the Nazis and really the impact of his words and the impact of his words exactly and that's what people have done in the past if you mess up that badly you go away usually you do not wait a couple of months send out a statement release a new album and then get back in people's faces yeah it has to be said that the band came just weeks after he sold out massive shows in america where i think about 140 000 people went to see him play in la so he probably did think he was untouchable at that point yeah and that is a proof that he is massive he is huge as a cultural figure and i have no doubts if the pre-sale would have gone on yesterday and we had a sale today it would have been sold out it would have been sold out here and i think that's the thing that you know i was reading back through the clips and looking at all the coverage of kanye and at certain points people have written for us and for other places about how the court of public opinion in one way saying oh this guy's abhorrent he's horrendous yeah anytime he does anything people still listen to it if you just read the news pieces like straight you think this is just like a guy just a rapper and it's like it's not this is the thing that's kind of missing from the coverage this is why it's so important in a way.

25:04Lanre Bakare:He isn't just anyone else. He's this huge figure within the culture. And yeah, the truth is, I mean, I don't think he'll be able to come back to the UK and perform anytime soon. The fundamental thing for him is, can he kind of operate in America? He can't be banned from going there. He's still kind of someone who's adjacent to the MAGA movement. So like Trump's not going to stop him from doing stuff. It's whether or not I think liberal left-leading people vote with their feet and do not give this guy money. How do you compare and contrast him with other artists who have said and done racist things?

25:36Eric Clapton, Morrissey, even David Bowie, in which case, you know, the history and time and legacy sort of erases that sort of memory.

25:44Lanre Bakare:Eric Clapton is a really interesting one. So he goes on stage in 1976, he's drunk, he goes on this racist rant, which then triggers the rock against racism movement where you have this mass movement of protest and concerts where far left groups try to take control of this cultural conversation and say we are not for this. This is not something that represents Britain. He came back and did Tears in Heaven. You can come back. You can rebrand. I mean, Bowie's a great example because his behavior in a way was quite similar to Kanye's. He comes back to the UK. I think it's for a press tour. He's been living in Berlin, been using a lot of drugs he's been having problems with psychosis he comes back and he said you know what britain really needs a strong a strong leader a fascist leader and does what looks like a nazi salute now he said he was waving but it looks like a nazi salute and he explained that behavior way you know because it was a mental health issue it's to do with drugs he wasn't in a good place and i mean no one's no one's walking around saying david bowie needs to be cancelled it was understood that this was a moment in his life where he was at a low ebb and he made a mistake.

26:49Lanre Bakare:I think the difference with Kanye West is it was such a sustained period of behaviour it makes it harder to forgive. But personally do I think it's the end of Kanye West? Absolutely no way. Kanye West won't come back to the heights that we've seen before but he's not he's not been at that level when he was at the absolute cutting edge of hip-hop and rap for a decade. Will he be booked for Coachella again? Probably not. Will he be booked for Glastonbury again? Probably not. But can he still sell out 70 ,000 seaters stadiums in America? Absolutely. Lanre, thank you so much for your time. No problem, thank you.

27:23That was The Guardian's arts and culture correspondent, Lanre Bakare. My thanks to him. You can follow Lanre's reporting on this story and so much more at theguardian.com. And that's everything today. This episode was presented by me, Noshe Nikbal. It was produced by Eleanor Biggs, Tom Glasser, and George Francis Lee. Sound design is by Ross Burns. The executive producer was Elizabeth Kassim. We'll be back this afternoon with the latest.

27:56This is The Guardian.

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Lanre Bakare on the UK government’s decision to revoke Kanye West’s visa after Wireless festival booked him as a headliner. Help support our independent journalism at theguardian.com/infocus

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