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Podcast Episode Summary: Building Britain's Most Iconic Brands - Kerris Bright (BBC)
Overview In this episode of the Uncensored CMO, host Jim interviews Kerris Bright, the Chief Customer Officer at the BBC, discussing her extensive marketing career, insights on brand building, and her role at the BBC. Kerris shares her unique transition from academia to marketing and her journey through various iconic brands.
Guest Background
- Kerris Bright:
- Chief Customer Officer at the BBC
- Formerly Chief Marketing Officer at Virgin Media
- Previous roles at British Airways, ICI Paints, and Unilever
- Holds a PhD in Molecular Neuroscience
- Known for a customer-centered, data-driven approach to marketing
Episode Highlights
- Academic Background
- Kerris discusses her PhD in Molecular Neuroscience and how it shaped her approach to marketing.
- She highlights the importance of storytelling and understanding consumer psychology.
- Transitioning into marketing from academia, she sought to combine her scientific background with her interest in advertising.
- Early Career at Unilever
- Gained foundational experience in brand building at Unilever, emphasizing strong training and personal development.
- Worked on B2B perfume and food ingredients before moving to consumer-facing brands, leading to her role at ICI Paints.
- Transformative Experiences at ICI Paints
- Joined ICI Paints during a crisis, focusing on brand recovery and market share growth.
- Collaborated closely with sales teams, emphasizing joint category development strategies to optimize retail partnerships.
- Role at Virgin Media
- Discussed the shift from British Airways to Virgin Media and the significant cultural differences.
- Focused on customer data, digital engagement, and the brand's "red hot" approach to customer interactions.
- Transition to the BBC
- Kerris expresses initial uncertainty about joining the BBC but embraces the challenge.
- Emphasizes the importance of creating value for all audiences, balancing expectations as a publicly funded organization.
- Introduced metrics to measure audience value, helping to drive decision-making across the organization.
- Marketing Strategy at the BBC
- Discusses efforts to enhance BBC's relevance and visibility in a changing media landscape.
- Stresses the need for a strong brand presence and the importance of advocacy for the public service nature of the BBC.
- Highlights campaigns aimed at promoting trust and transparency in BBC News.
- Key Takeaways for Aspiring Marketers
- Curiosity: Be interested in how different industries operate and how consumers make decisions.
- Boldness: Take risks and lead with courage, pushing for innovative ideas and solutions.
- Collaboration: Build strong partnerships within organizations to align marketing strategies with broader business goals.
- The Role of Trust in Media
- Discusses the implications of controversies involving BBC personnel and the importance of maintaining trust and transparency.
- Emphasizes the distinction between editorial independence and management control, highlighting the BBC's commitment to impartial reporting.
Conclusion Kerris Bright's journey through iconic British brands illustrates the importance of adaptability, curiosity, and a commitment to understanding customer needs. Her role at the BBC focuses on ensuring that the organization continues to deliver value and maintain trust, while navigating the complexities of a rapidly evolving media landscape.
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This episode offers profound insights into the intersections of marketing, customer engagement, and organizational strategy, making it a valuable listen for marketers and business leaders alike.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:06Hello there Jim, welcome back to the Uncensored CMO. Now, we're going to be talking about the BBC with someone who knows all about the BBC, which is their Chief Customer Officer, Kerry Sprite. Welcome to the show. Thank you. Well, it's wonderful to have you. I'm really excited to be talking about the BBC and getting into what all that means. I've got a ton of questions to ask you. But before we get there, you had a career before the BBC, which won't surprise anyone listening. So I thought I'd find out. Is it true that you have a PhD in philosophy and molecular neuroscience? Well, I have a doctor of philosophy, but in molecular neuroscience.
0:35So a PhD, yes, in molecular neuroscience. my sins. That's astonishing. Now, I meet lots of people in this job who've kind of got into marketing. That's an unusual career path. But I guess you kind of understand how people think, maybe, and how the brain works, maybe. Is there anything you've taken from that education that you take into your job now? Yes, it's not the most straightforward start to a career in marketing, it has to be said. But I think what I take out now is one of the reasons why I decided to not become an academic was I didn't think I was the same shape as most academics that I actually loved the subject matter and I liked, I'm very comfortable with data and the science side of it, but I was more interested probably in telling the story of it, teaching it, talking about it.
1:18And most of my colleagues hated that communication side of it. They actually wanted to do the work. And I realized I don't actually like doing work at a bench, but I love the results. I love talking about it. I like piecing together the story. I like the storytelling of it. So I've kind of realized I probably wasn't going to be really successful or academic, I probably should choose something else, hence making a break and going into the marketing. And I didn't know much about it at the time, but I thought I loved psychology. I thought I liked advertising. I'm interested in shopping, why people make the choices they make.
1:50And it was as much as that. And I thought I need to make a good, a new start, start again in a way. And I joined Unilever. But as I look back, I think the fact that I'm really comfortable with the left brain and the right brain, with data, with ideas, with magic with logic with art and science i find that has sort of served me well and that probably is the thing that sort of like i've been a bit of a red thread through my career is i've done jobs where both of those things have kind of mattered and i think the fact that i was both of those things and not one of those things is probably why i was never going to be a great scientist amazing you just reminded me actually very very early in my career i did um they used to do these bell bin type profiles yeah i don't even remember those and i remember going to the assessment center and the lady running it said you've got a very unusual profile right and apparently i was monitor evaluator which is kind of the academic numbers and plant which is the creative ideas person and apparently i topped out both of those spectrums which she said was really unusual usually people are one or the other and actually in a weird sense i i do like marketing because it does bring the kind of creativity and art and magic of inventing things with the sort of science data discipline of business and getting results and it does marry those two things and i found that because often many of my roles have been in heavily businesses that are dominated by r &d research and development technology innovation and i found the fact that i was a research scientist i can absolutely know what it's like to do research where you can't plan to get the answers out in one year to a budget has helped me with a little bit of credibility when working with those parts of the organisation.
3:27So I'm not going to say having a PhD has really served me well in my marketing career, but there are some elements of it that I think... It's a lovely trump card to play every now and then, isn't it? Just when you need it, you know? Yeah, and it helps if you're doing a bit insecure, just as actually Dr. Bright. If I mentioned my PhD, yeah. And I think also, you know, I was blonde haired, long hair, blonde hair, Essex girl. I think part of me also was a little bit insecure that I wouldn't be taken seriously in the world. And so I think doing a PhD, I thought, maybe in this world of work, I might also be taken a bit more seriously, which back in the day, Yeah, I can imagine.
4:01Women in business kind of actually, that maybe it's dead means instead there as well. Now, you started out in perhaps might be considered the most brand led organization in the world at training marketers, Unilever. I mean, what a grounding to have in terms of the, you know, the understanding of how marketing works and, you know, being brand led as an organization. I mean, they are really kind of, you know, I guess they're pioneers as kind of brand led marketing, aren't they? What did you learn in those 10 years about kind of brand building that's put you in good stead? Oh, just very fortunate to, it wasn't an incredibly well thought through thing.
4:34I wanted a job and I wanted to start somewhere. And I felt I needed to make a good start having done a PhD. And then so joining a good company, if I could, felt important. I felt I wanted to get a bit of training behind me. And so that's why I was attracted by the schemes. And I joined the Unilever trainee scheme back in the day. And the level of personal development that they're prepared to put you through, as well as skill development, I think actually that is probably. So as well as helping you be a functional marketer, the skills or brand building, they also develop you very early on as a manager and as a leader.
5:12and probably it's as much that aspect of it the personal development i think that has served me well as i've been able to you know have leadership positions um going forwards but an incredible organization full of super smart people doing really exceptional things but i actually joined sort of i was a bit on the edge of unilever i was not at the core as they say i first joined um quest international which was a b2b perfume and food ingredients business so i was working with perfumers and I even trained to be one for a couple of months actually so I was thought I might be a nose at one point worked out I had hay fever which is not a good not a good start but it was a very interesting business but it's b2b um not on the core of Unilever but you're getting all of the training about brand building consumer facing brand building in fact being exposed all of that training and working with others who were working with consumer brands made me feel that oh maybe the business I'm in is not the one that is most interesting so after three years I actually asked to make a move and i made a move to a consumer facing business but it was a small entrepreneurial business called unipath in consumer health care women's health care um it was a tech startup they took a technology which was monoclonal antibody technology but they applied it to pregnancy testing so they were the pioneers of the two blue lines oh really wow and patented that and had the patent for that globally so they were the people that invented the simple way of knowing whether you're pregnant or not and then commercialized it and were commercializing other aspects of women's health care so i thought wow this might be quite interesting maybe a better fit for the next step consumer branding because it was a consumer facing business and i wanted to test out my experience in there but also i felt look i'm interested in this and i could understand it actually so i was one of the few people that could sit in r &d and talk about monoclonal antibodies and actually understand what they were doing and how they did it um doesn't make you a great marketer but it probably as i said earlier it gets you more connected into the organization a little bit more respected when you're talking with phds and r &d and so i joined unipath tiny business in unilever's um sort of home and personal care group along with leavers and leader gibbs i think it was in the day so you're part of a group that's doing amazing brand building things and i could learn from all of that if i had a question on segmentation i could learn from the best at the center of Unilever but it was a very small business and you could actually do quite meaningful things inside your team get promoted quite fast asked to do big things I was a general manager when I was 31 because I asked to create a general manager position to run the UK and they were like yeah why don't you do that so I felt I was really lucky in those first 10 years because I had all of the training the backing and the business had the financial security of being part of Unilever But what I got to do was experiment with jobs, do international jobs, general management jobs, sort of develop quite fast.
8:08I'm not sure that would have been available to me into a bigger organisation. They're probably a bit too competitive. So in a small organisation, you probably can do more. And so that probably for me personally, those 10 years stood me in really good stead. It's really similar, actually. My experience, and not quite at the League of Unilever, I was at Britvik and I gravitated to the smaller brands. because what I found is you had much more responsibility. You may not have the budget or the glamour of working on Pepsi, which is probably our biggest, or Robinson's our biggest brand, but you've just got so much more experience.
8:37You've got P &L accountability. You've got to own the plan and implement the plan. And I just similar thing to you kind of working international for a bit to see how the markets do it, a bit of innovation and so on. And I think you accelerate your career far quicker, don't you? And you just get much more rounds of experience rather than working on a small part of a big brand, which can take a lot longer. And I think for me also, much more leadership experience, probably much faster. I mean, getting to manage small teams is not that hard, but often I was put in charge of sales teams and managing people a lot older than me sometimes, which in your early part of your career, it gave me a lot of experience, I think.
9:14So I'm incredibly grateful, actually. And I think if you cut me through the wrist, I am Unilever through and through. I know you tend to be, you're either P &G or Unilever today. And I do feel deeply grateful to that organization. In fact, I was the president of the marketing group of Great Britain a couple of years ago, and you have to organize speaker dinners. And I actually went to talk to Alan Yope, who I didn't know, who was CEO of Unilever at the time. And I said, will you come and be one of my speakers? Because I'd love you to come and talk at something. Because for me, Unilever is so part of my background.
9:48And I'm so proud to have been part of the organization. I'd love it if you would come and talk to the group. And he was absolutely fantastic. Oh, that's very, very special. Yeah. Now you made quite a big pivot, didn't you, after that point? So you went from probably the most brand-led organisation, I think, on the planet to the world of paint and a very, very big job with lots of responsibility. So what was the challenge in moving from a brand-led organisation to ICI, which I'm guessing was probably a lot more commercial R &D focused, product focused? Actually, there's an interesting story about how you get that job right when people think these things are well plotted.
10:20and it's a bit of a fluke and a massive stroke of good luck and a bit of preparation. I was talking to a friend whose husband used to work at Unilever and I'd probably been, I was at 10 years at Unilever at that point, thinking, what do I do next? I was in this small company. I couldn't go much further in the small company and it wasn't obvious how I'd make my way back into the big parts of Unilever. So I was at that point of thinking, what's next? Talking over dinner. And then three weeks later, got a call from him and he said, I've been thinking about Eucharist and your next step. and I'm at ICI, the paints business actually needs really good marketers.
10:55It's got the Dulux brand. It really needs good marketers. They don't always find it easier to attract them. Do you think this might be interesting? And I remember thinking, Unilever, ICI paint, why would you ever do that? I'm in the kind of like the best organization for brand building. But then I started to think, oh, Dulux, wow. I'm working in a very small business and this is a massive brand. My brand in Unipath gets one foot of space in boots and I can go into B &Q and you see Dulux and it takes up metres and metres of aisles. This might be quite interesting. And personally, I love interior design architecture.
11:30So this is not hard for me to get interested in that world of colour and interior design. So I started to get quite interested. But the only thing that happened was he said, well, I'll try and set up a meeting for you with the European CEO. That meeting didn't really happen. It took about almost five or six months later. We tried to get this meeting. Didn't happen. I was traveling. He was traveling. And in the end, we found the date. And I thought, well, I'll just go. And I went to this meeting. The chemistry was very good. I liked him a lot. We talked a lot. And it wasn't an interview because there was no job.
12:00And so you're probably a bit more confident. And we talked about what I felt the business might need. And I talked about a local business that might benefit from more European or global brand building, category management. and he said so what would you want to do if you came here and i said well maybe the you know uk marketing director would be the place to start but there's probably something you could do at european level and he said funny you should say that keris because yesterday our uk marketing director resigned wow to go to a very big job at nestle so literally a meeting that had taken five months and almost never happened happened the day after someone left and he said why don't you come and talk to the UK general manager which I did they wanted to see me like a hole in the head because I would have been given to them but we actually got on very well I started then to prepare I kind of wanted to do this do a job there at that point and so I just met people in the organization and they never actually advertised the job and I think if they'd advertised the job I probably would never have got it because even though I was Unilever I was working on very small things i'd never made a television ad in my life and yet ici paint and g-lux was doing a lot of that work so i think they actually took a bit of a punt on me and it was literally fortuitous that i happened to get that job and that's how i ended up being marketing director of ici paints i think this is such an important point though because like and we had helen on from squiggly careers who's just incredible and and i think we we tend to think of careers as this linear i mean particularly in a unilever it's like i go and do this job then i go and get the experience in this market and then I work on this brand and this bit of the mix.
13:34But actually you make your career far more than people realise. It's a lot less linear, isn't it? Yeah, it was a relationship. It was a connection. And then when that connection was made, which almost didn't happen, yeah, I actually prepared really hard for it. I really then decided I wanted to do that job. And I remember being so excited about going there on my first day and thinking how wonderful to learn about this whole new world. I was a UK marketing director, so it was a really big job. the first time I'd really and it was the most senior marketing role in the organization so I was really excited about it and I remember going in to see my boss the general manager and he said Keris we need to have a chat and he said something you need to know which is um we've just fallen out with our biggest customer which is being cute and we're about to have quite a lot of our range delisted and we're not quite sure what that's going to mean for us and I thought I was going into this nice learning period of a new organization get your feet on and i joined a business that actually was in crisis it was pretty scary if you talk about being out of your comfort zone i've never been more out maybe i have since but i was thrown out of my comfort zone because they're like we don't know quite what this is going to mean for us this is off scale we're going to lose 30 of the volume of our business and distribution overnight and we got to work at what we're going to do and how you're going to help and i'm thinking okay right what am i going to do in my team so it was not a comfortable start that said as they say never waste a crisis i got a lot of help from friends and networks um that i built in unilever and said look how can you help me i've got a month to create an innovation program and a whole brand building program that is either going to try and win that customer back because we hoped we could win the customer back and if not we've got to build our brand elsewhere and make up for a significant chunk of lots of distribution and you're from that world and you'll know what that can mean to business and uh and we did lose that distribution and i we spent collectively the next two years putting into place all of that innovation the business made a massive commitment to brand building also working with very big customers so we work very closely with home base but we also fell in love again with independent retailers that i think if we're honest we turned our back on a little bit to focus on the big chains.
15:53And through those years, we built back all of that market share. And in fact, three years later, we still didn't have that distribution. We'd put on four percentage points in market share value and were making to the business, the margins were a lot healthier. It wasn't what I expected to go there and do. I thought I would do some nice marketing with an amazing paint brand. But from a commercial perspective, category development, working with customers driving all of that stuff was the accelerated learning of a lifetime it's amazing isn't it how a crisis actually very very often turns out to be the best thing that ever happened because it focuses it forces you to lead doesn't it it forces you to move quickly it forces you to innovate forces you to think about your brand all those things that may not have happened at the pace that and it forces you to connect into the organization yeah and i mean i have another story probably from virgin media when we come to that which is when things happen like that Like if you've joined an organization, a senior, it can take you a long time to connect to build those relationships.
16:53When you join a team that is facing something quite difficult. Yeah. If you use that opportunity, you form relationships and connections because you're in the trenches together. That's a very good point. And suddenly you're in the business and not on the outside of the business. And you don't know it at the time, but it was the thing that allows you to get connected and work as a team and then go and get stuff done. slightly analogous this um during covid did some do some research from mc saatchi clear that talked about the role of a cmo in a crisis and it's really interesting because the expectations of the business is that the cmo will lead come up with strategy be very visible connect to customers all those kind of things so when things are going well the cmo is kind of in the background when things are in crisis like everyone's looking around going what are you gonna do like come on Like, where's your plan?
17:38Yeah. Do you know what I mean? Yeah, because we had to grow. And we had to grow with different customers. And you really realize, yeah, I think I could be the source of that growth. Also, I mean, look, you don't do this on your own. We had a new sales director join the organization. He was phenomenal. He understood the power of us working together. And if you've got a great marketing director, a really strong partnership with your sales director, and you both understand each other's roles, which isn't always easy. We all know sometimes a bit of conflict between those two functions. But he was brilliant.
18:07And together, plus the other team, we kind of fought that course. And so it was not the experience I expected joining the organisation. But I stayed, look, almost for 10 years in that business, clearly loving it. And then over time, my love of colour, interior design, the psychology of colour and of environment, we were able to do some of that stuff and that exciting stuff and we could do some more creative things. Just before we move on, what lessons did you draw from how to work closely with commercial colleagues? Because I think that's probably something that a lot of marketers listen will feel the sales team don't understand the benefit that marketing brings.
18:48You know, they see us as a cost, not as an investment. And there's always that sort of competitive rivalry. You know, as marketing, you're looking more long term sales. You're looking at what do we sell yesterday sort of thing. So those two functions often great each other, don't they? And it can be hard to build trust and execute. So any advice on how as marketers we can be more effective working with kind of a sales team? That's a very good question. And I have to say it really helps if you have a really high quality leadership on the sales side. And we did. So the quality of that individual, but also their relationship, they were prepared to work together.
19:21They did not see us as competitors. And that I don't want to underestimate. That really helps. The other thing that we did, and in fact, one of my teams had this idea is we started to work very closely on category development. So not just brand development, but how we could help retailers. And this was really back in the day, right? So this is quite early on how we could really help them shape the category. What was interesting is the decorating category had got wallpaper and paint and almost four times as much space was taken up with wallpaper than paint. And we worked together on category management that said, you make four times as much profit out of paint.
19:58We suggest you reduce your wallpaper space and you give much more to paint because you'll make much more money. And actually, that was very successful for the retailers we're working with, which is why they fought off against B &Q agencies, why they were more successful in that time. But that was a program that was done absolutely together with the sales teams. So we had joint teams working on things to create category solutions, to create promotional solutions that were going to advantage our customer, not just build our brand. But having those teams working together and interestingly, presenting those ideas, we'd get the sales team to present the ideas to their other colleagues, not the marketer trying to sell to a sales team about what they wanted to do.
20:41we got teams working on it and often the sales representative on the team would talk about why this idea was a great idea poacher term gamekeeper it's and you sort of sit back and think that was not my idea it was one of my team's ideas and you think it was absolute genius because it was now became our idea our ambition not a marketing versus sales that's a genius bit of us i love that i often say to people let other people tell your story because it's so much more credible isn't it if it comes from someone else that's a really good tip yeah it wasn't my natural style i kind of want us to be amazing group that's you know showing that we have impact and it was just through you know some of my team were a bit smarter a bit more eq in that sense and they said why don't we run this project like this and and i think it could be more effective and uh because we were testing quite radically some assumptions around promotional effectiveness we weren't you know spending money on the wrong things so we were challenging quite a lot of what the teams had been doing not an easy thing to do but having them work with the data work with us on it it turns me but also even in the way you tell the story about the the four to one ratio in terms of where profit comes from you're using data very clearly to show the commercial opportunity and then marketing and supporting with the execution of that and then you think well what are you going to fill that space with it's got to be great and then well we've got a ton of innovation that we think is going to drive up your profitability and it's going to add more value and you better have the innovation and you better have the marketing that really connects the audience into that stuff so you've got to deliver underneath it yeah um but actually luckily with a brand like do you like actually it's a phenomenally good brand but uh with a very clear purpose actually i think it's quite interesting we sort of articulated it which is the time it was your dad's favorite paint brand is that actually it yeah well dad's favorite paint brand in a category that's all driven by young women so not such a great thing and so we said how do you take your dad's favorite paint brand to be a brand that's synonymous with young people, the explosion, the changing room effect, the explosion of interior design, and synonymous with colour.
22:41So we had to go from being your dad's favourite paint brand and white paint to a brand that was dynamic and synonymous with colour. So I had a very clear sort of sense of what we were trying to do. Not just because we thought that was the right way of building the brand and connecting with our customers, coloured paint is a lot more profitable than selling white paint. So it was in all of our interests that we sold a lot more colour paint than white paint. And so it had a very clear, the brand idea, the purpose, and we ultimately made it a very big idea to add colour to people's lives, called Let's Colour, was always rooted in a business imperative of driving business growth, but absolutely linked to a truth about the customer and the audience, and then that would actually really redrive the business.
23:23And so it ended up being that sense of how colour can have an impact on your life became a very big purposeful idea but it wasn't me that understood the power of purpose at that time it was a new ceo joined the organization actually an ex-unilever ceo that in the last couple of years that i was there really unlocked for me actually the critical role of marketing to mobilize mobilize an organization behind a common purpose and actually to do something that's more powerful for your audience which is like to to do something which actually has a bigger purpose in the world but has commercial benefit but that's that that's where purpose is done right isn't it and that's a really really good example because it's rooted in an absolute truth about the people you're doing it's authentic to what you do it's in court so why you exist and it makes profit right which is what you're here to do so it's aligned absolutely right i mean that sort of end diagram of you know a category insight um a consumer in societal insight a consumer insight and a brand insight because we also with gilocks understood the science of color we really understood the science of color so it was like that was a sweet spot brand idea what was interesting i was very excited about it because i could see how it's going to connect with the audience i could see how it was going to grow with customers and that's where my excitement was and it took this a new ceo joining us who's actually ex-unilever and this is way before paul polman and what this is way before that actually this gentleman called text gunning he was the ultimate purpose-led marketer he joined the organization when we had been ic i've been acquired by our biggest competitor actually we're acquired by accident bell that's quite a challenge being acquired by your biggest competitor we were actually then asked to lead that integration and a year into that acquisition a new ceo joined he could see the power of this idea that why we existed to add color to people's lives was not just a great way of connecting audiences or customers with us he saw it as ways galvanizing an organization that was still two companies two ex-competitors former ICI and former accident he knew he had to galvanize the organization and he said I want to use this idea to galvanize this organization behind a new purpose of why we exist we've left we leave the past behind and I had never thought about that I was thinking about my role to grow customers to grow the business he was thinking about the power of idea to mobilize and this organization to take us to a better place and it was uh it was it was pretty challenging time for a whole bunch of other reasons which i won't go into but in terms of a learning it was probably one of the most powerful learning experience of my life and when we took that idea into the organization and said look this is why we exist it's like adding color to people's lives it improves worlds improves our customers world painters can have a brighter future we created a whole internal plan around it and it can help our lives adding color to our lives Why are offices so boring?
26:14Why don't we add colour to our offices? Why don't we help all of us understand the power of colour? So we did all of these programmes inside and outside the organisation. And it really, really helped drive a new sort of a feeling for the organisation behind a new common purpose. We were now the new Axe and a Bell, not the two former fighting competitors. Critically, it also drove a lot of growth through the organisation. So Let's Colour, and I still see it on cans and vans today, and that's sort of like 15 years ago. So a great learning experience. That's really powerful. There's some good data on it actually.
26:46Peter Field did a report on purpose a couple of years ago and he was looking at the IPA database and whether purpose gives brands an advantage or not. Now, overall, purpose-led campaigns did slightly worse than non-purpose-led campaigns. Of course, the headline was, you know, purpose doesn't work. He then drilled into when it works and why it works when it works sort of thing. And what the interesting observation is, exactly as we've said, it's true to your core reason for existing is when it does work, of course. But the interesting other observation is particularly works for recruiting people and for internal employee engagement and satisfaction.
27:20And we forget that sometimes in all the critique of purpose in communication, often the role is actually about what's the organisation here to do. Great. And we used it as a great start. We used it to get distribution. So we'd work with distribution partners to say, look, come and exist with us on this and let's invest in communities. So it really wasn't just a comms thing that we think is a nice thing to say. It was core to why we did what we did. And it was a way of growing the business and building sort of mobilizing the organization. And it was interesting because I was part of this acquisition.
27:56Culturally, it's very challenging. And it was very challenging because we were acquired by our competitor. And the organization has spent the last 50 years trying to kill each other. and it's quite hard because you don't like each other where you do business that's like the truce in world war one when they come over you come together it's like oh let's create this new business you're like well hang on a minute we spent all our lives trying to fight each other and kill each other in the marketplace now let's work as a team and um it was an insight it was about how you just get an organization away from what it used to be to go behind a new common sense direction but so yeah so that was that was that was that was towards the end that was the last couple of years i'd love it lovely example my creation on purpose i was working on lucas aid sport and the brand had been in long-term decline so you know high single digit decline every year category under threat space in store under threat seen as an outdated brand and the team came up with this beautiful positioning called made to move and the insight was just as human beings we are made to move and we feel better we work better everything you know we live longer if we move more and so we decided that you know as human beings we're made to move and lucas aid is here to help and suddenly we viewed everything through that lens is what we're doing helping people to move more wherever you are whoever you are whatever you know your ability is etc etc it's a lovely galvanizing thing and i remember um so i was the marketing director at the time and then i was in charge of uh basically announcing this new brand strategy to all our customers in the annual in in the autumn you have your annual sell-in for the for the following year and the very very first customer i had to present this new strategy to was greg's the baker which is a very big Like, you can imagine me like going, I got the brief, like, John, we need you for the first half an hour.
29:37You inspire them and, you know, you're leading and then we'll do our JBP negotiations next. But you're up first, right? You know, inspire the Greggs exec on your new campaign. And I'm thinking I could not think of a single way in on this. I'm like, this is so difficult. Greggs, sausage rolls. Where do I go with it? Anyway, so I just thought, hell, I'll just do it. I'll just give it all the barrels. And I started talking about it. And then they stopped me halfway through and we go, we've got an idea. I'm like, what is this idea? This is absolutely perfect for our business. And I'm like, I don't understand what you mean.
30:08They said, can you make an app that tracks how people in Greggs move? And the biggest problem we've got is we have lots of people that are overweight because all they do all day is go take the sausage rolls out of the oven, put them over the counter, right? Oh, right. Yeah. So internally within Greggs, one of their biggest HR problems was they're not encouraging a healthy living because people are getting, obviously they can have free grapes or whatever. But what they suddenly saw in the idea wasn't what I thought, which was a consumer idea. It was actually internal employee engagement. So they said, right, the biggest thing I do next year is get stores competing on a step basis.
30:46Can we encourage our staff to move more and exercise to compensate for, this was also when pasty gate was happening. You know what I mean? So they had a reputational issue. It's one of those things I did not realize that, And actually the campaign, although it was successful from a consumer point of view, we just pivoted straight away and went, this is a great B2B thing. How can we help our customers help their employees to move more? And then suddenly it changed every conversation we ever had. So just the power of B2B. We forget, don't we, that even in the most B2C brands, you have a B2B element.
31:19Yes, there is a relationship or a gatekeeper. Exactly, that gets you that. That can affect. Well, how smart of that. Greg's person. and then for you yeah it completely shocked me because i was honestly i was thinking i think i cannot connect this strategy to what they want and surprisingly was the best the best selling i ever did that year was was amazing um and you had a little stint in private equity didn't you just to turn to that because it connects to your ici role don't you a bit later you then go and you find yourself in private so um so uh the ceo i was working for in ici paint a gentleman called david hamill he actually left when we were acquired so he managed the first year of the integration um he then left because they wanted people to move to amsterdam and he was like that's not for me so we always knew he would lead us through the first year and a lot of the leadership board interesting even though we've been acquired by axo they acquired us because we've built global businesses in often emerging markets that they hadn't been able to do and we were a consumer facing business and they were much stronger on the b2b and they said we want to grow in your area so most of the management team they put together was former icip people including the ceo it's quite like very brave of them to do that, to say, look, we've acquired this business because we want these skills and this culture, please help us.
32:31And so David was leading that, but just for the first year, we always knew he would leave after that. And he was one of those leaders that you, you know, you follow. He made a pivotal impact on my career. He'd created the first CMO job in ICO paints for me. And we went on a journey together. So when he left, that was quite tough. And then a couple of years later, he turned up somewhere else working with Bain Capital. and I was at British Airways at the time and they were recreating the role that I'd gone there to do and that wasn't quite what I wanted to do and he actually said, look, do you know what we did at ICI?
33:03Want to come and work in private equity? Turning around businesses is really exciting. It's really hard, but it's really exciting. I'm doing something where they need people with consumer skills, brand building skills, innovation skills. Do you want to come be part of this management team? And I thought, do you know, that probably now fits me a bit better and it felt like it was the right role and i also went because i trusted him a lot as a leader i thought if anyone can lead a business through transformation and turnaround he can do that and i might learn something along the way so i went into working with bain capital into what people thought well you've gone from big brands into this really it's a bathroom business you can sell bloody toilets how interesting is that and i was like oh yeah god i hadn't quite thought about that but actually for me i'm like bathrooms are amazing spaces because you don't forget i'm an interior design fanatic and I'm thinking how you create a functioning beautiful bathroom really matters to your life and I was really into it and we would go to these big trade shows there was one every year in Germany called Ish which was football pitches full of all of the bathroom show houses and for me it was what I would love to spend my time doing walking around these amazing interior design sets.
34:17And I'm thinking, and this is now my job. So for me, I never saw it quite that way. I saw it as a great opportunity to invigorate. Idle Standard was an old brand, had a lot of heritage. It was very B2B. They wanted it to be B2C. How do you get into showrooms and DIY and make a consumer-facing brand out of this? And I kind of thought, oh, I think I can do that. And it goes back to your point you made earlier, John, which is it's a small business. It was a billion pound turnover or something compared to British Airways, which is 7 billion. But I was in charge of quite a lot, all the product development, all the innovation, all the trying to get into showrooms, design.
34:53And we rebuilt a brand from scratch. How am I going to position this? What's the language, the identity, the visual language of it, the purpose of the idea? And we had this idea about a beautiful use of space because this was a bathroom business that understood the ergonomics of how to design something. So it was all about the beautiful use of space. And we had ideas where we actually did research where we put, all done in the right way, heat cameras into people's bathrooms. And we looked at how they use their space and where all the wasted space was and how we could then help them redesign their bathrooms, of course, using our stuff, to make a beautifully functioning space.
35:26And so it actually was one of those cases where it's a small business, but I've got a train set to play with. and if you have to grow your idea and build your grow your brand with consumers we had had this great opportunity and i i hired a few brilliant people small teams the budgets were not huge the ambition was massive hired a few brilliant agency people who created some fantastic work for us and so i look back on that i think the impact on the business of the brand in all of its incarnation including a whole new pricing strategy and all of that that we created is probably one one of the most impactful things that I've probably done because it touched every part of the business.
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36:08That said, it was in when the world was still in economic downturn from the credit crunch crisis, we couldn't turn around the business. I learned so much about fixed costs and variable costs. You've no idea that when you've got a kiln running, you have to fill it with volume because you can't just turn the fires off. I learned that when your volume's disappearing, that cost base goes in the wrong direction. I learned so much more about working capital, cash flow, in a good way commercially, but it was not great for the business. So even though the ambition was huge and the things we were doing amazing, we were working hard to hold still.
36:49And ultimately, many of our competitors are going out of business. we sold a piece of the business to raise capital to go into a big restructuring program and that was quite sad i was shareholding that business i was part of the management team that knew it was the right thing to do there's no question you have to do that you've got to save the business you've got to go into restructuring it meant the writings on the wall was you don't need me and my team so i kind of made myself redundant a bit faster than i thought i had a plan or i'll leave in six months and they're like no you're right why don't you go now um so that was quite hard actually so i loved it it was really tough i learned a ton and then i was out of a job and i was out of a job and you know you've seen my trajectory for the first time in 20 odd years and um that's pretty sabering um i luckily i'd got a bit of a month redundancy payout so i wasn't struggling to pay the mortgage the next month i had a bit of time to work out but i had not been out of a job not been out of gainful employment even since i started my phd so that's a sabering time in your life when you got time to step back but a lot of time to step back and think about well that didn't quite work out i went there to turn around a business we hope to sell it be successful move on to other things it didn't work out and then you have to sort of think what am i going to do i resonate a lot with that i mean i i did on a much smaller scale something a bit similar so i was um at britwick soft drinks i'd done you know big big brands uh have been relatively successful i like to think and then i've gone into private equity a bit similar to you and i've met this private equity company and they said we've just bought a juice brand that no one's ever heard of it's a food service only brand it looks like it's been designed in a cash and carry on a friday afternoon you know it was you know it was sort of very anonymous very generic and this sort of thing and we want to turn it into a leading retail brand of juice and i was like fantastic you know i'm like this is great you know i love taking something that looks so desperately you know difficult because you can make so much more impact but actually my story is very similar to yours because i mean i mean i learned i learned so much i mean exactly as you say like you know we had to make be redundant or the lease on the factory was running out or we had to you know re-mortgage the you know the site or whatever you know although we had industrial disputes to sort out and it's funny i suddenly realized that the marketing bit of my job was like 10 it was like the optional bit but actually running a business and cash flow and all that kind of thing was the main thing but i remember i learned so much that the um the advice they they gave me when i started there was they had a philosophy of doing do three things number one really invest in your positioning and your brand identity and what you stand for.
39:36They would literally say, hire the best agency on the planet to help make sure you have ultra clarity on why you're here and why you exist and how you look and all that sort of thing. Second thing, hire a management team at least two rungs above the management team you think you need. You know, sort of thing. We were all overqualified. I know, that's why they approached me. They're like, you know, you know what happens next. You know where we're going, that kind of thing. And then the third thing was invest in efficiency and capacity so you have a sustainable business model that will last five years that you could kind of sell on.
40:08And they were very good about it. And I remember we sat together and we actually wrote the exit plan on day one. We like, what do we think needs to happen in the future for us to be a success? And how's that going to work? And it was great. A bit like you, though, things changed on the journey. And they had, in this case, they had other businesses they'd invested in, and they were managing the portfolio businesses, and they were failing in other businesses. And they asked us to all effectively double what we're committed to do and extend the ownership for twice the length of time and for me personally having put all my savings in yeah i couldn't go that long for starters and i wasn't going to get out what i thought i was going to get out by doing it so even though being successful the context just changed on me and then a bit like you and then you suddenly think what do you do for that there are some things you can try i mean that we had a very sobering meeting because we knew the markets were tough with mckinsey they were doing a blueprint for us and all of us as you say we were all massively overqualified for our jobs um sat around this table and then telling us about what the prognosis was for the marketplace and we're doing i remember them saying all of our experiences bad markets trump good management teams pretty much every time that's sobering and we were sat there thinking oh dear we think we are this dream team and we are in hideous marketplaces and it's for us i'm sure it's not always the case there will be the exception that proves the rule but actually we were not the exception we were that rule it's probably the reverse isn't it is that a expand rapidly expanding market probably raises poor management teams as well doesn't it the reverse of that was spot on so we we couldn't do what we needed to do and i mean bank capital the people there they invested twice there's some very smart people that lost quite a lot of money and uh we all thought we were the people to turn it around and i think i'm not even sure i'm not i think it still might be private i'm not sure but it didn't work out and so uh yeah gotta move on now everyone listening is probably shouting in my ear going john when are we going to talk about the bbc because you've been chatting away about some amazing experience and and by the way thank you because you know your experience through that is incredible and there's a lot to learn from and i haven't even touched on the fact that you worked at the b at british airways and virgin so very just for quick before we get into bbc what's it like going from british airways to virgin because they're two ultra competitors they look and feel totally different from the outside in terms of what they stand for and how they look up but what was that like well yeah well i went to british airways because um i was a gold card holder i was a frequent flyer doing a lot of traveling and a very and a proud british airways gold card flyer but felt i could help the airline because as a customer i thought they could do better and i just working with techs and on purpose i thought i think this this organization's sort of and we said lost its mojo and i was asked and drew crawley who recruited me for that role and i really loved drew and uh went there to work for him and he said look i really want to do something different here and it's a very commercial role at the way it was constructed at the time a lot of customer um the customer team was going to be part of that team so a big role but really want to help get this airlines mojo back and so i sort of went in with thinking i can really help this organization help get its purpose back and um and i think even though i was there for a short period of time i think really helped to do that We really focused on how we're going to compete because it was getting squeezed between low cost airlines and then airlines with unlimited pockets, deep pockets to invest in the customer experience.
43:26How are we going to do that? We did a bit of work. We basically said, look, we'll win by making people feel special. We'll use data. We know a lot about our customers. We can use data to unlock making that a special relationship. So we had this whole program around how we're going to make people feel more special, even if they can't have everything they want when they're flying. but it will feel special because we are human beings running this airline and will make our customers feel special and a lot of the insights were it's amazing how a pilot walking down the back of the aircraft and saying hello to your five-year-old son is going to thing may the thing that makes you love that airline for your life not whether you got a better packet of crisps or not it's the human experience it's how you're made to feel of course you need a fairly decent seat and a bottle of water but so we were tapping into that so we did quite a bit of strategy work on how are we going to do that and then working with the pilots that one that's amazing meeting with pilots and i talked to them about what it'd been like to be a frequent flyer and how i felt when the impact that they had to me when i got on a plane from flying back from japan which is an interesting culture and if you've been away for two weeks in japan suddenly you get on the aircraft and they say good morning ladies and gentlemen welcome british airways and you're home and i talked about that and they were losing connections with their customers and and i was like you've no idea the impact in fact putting pilots out front in cabins again was one of the initiatives we had which said they welcomed you onto the airline you couldn't go into the cabin anymore because we know 9-11 stopped that interaction but the fact that pilots stood outside and welcomed when you came was one of those initiatives because it makes people feel great about who they're flying with and working with the most brilliant nigel bogle um at bbh a man who's had a big impact on my life and learning we worked together on how through communication we could unlock the power of the airline and through that we we worked with to fly to serve because to fly to serve is written on all of the planes it's in the pilot's uniforms it's stitched in that their role in life is to fly to serve and we felt at that time with strikes and ash clouds that the organization had lost touch with why it exists which is they are the experts in flying the safety of flying but they're there to serve and the quality of service and british service and the Britishness of the experience of being fair and quality and that spirit was being lost a little bit.
45:41And so this was an idea to help the organisation. It was inside out. So trying to take my learning from AXO and Tex Gunning, an inside out idea to help the organisation get its mojo back. And the expression of it was very much to fly to serve. Now, BA, great. Large organisation, complex, probably quite a lot of parallels to what it feels like to be at BBC, I have to say. Come on to that bit later. But then after my year of sabbatical, I was actually attracted to Virgin Media. And I actually, after taking that year off, where I wasn't sure I wanted another job, I then was really attracted by the opportunity that came because very data, very digital, subscriber-driven business.
46:23I didn't have experience of driving subscription businesses and to work with the Virgin brand. I thought it was like an opportunity to be on the loop. So that was that's why I kind of came back big time into the world of work and Virgin. Yes, I mean, Virgin Media, it's a wholly owned business, but you're part of they are part of the Virgin group. You get to work with the Virgin group, but you mostly get to try and live the Virgin values. And they are clear. They're writ large. And a couple of them I take with me through my life, actually, which is being straight up. I try and use it a lot in business and as a leader.
46:56But one of their values from a brand is being red hot. and we felt at virgin media some of the communication and the way we talked to customers was not really treating customers in the way a virgin brand should treat a customer and say part of the brief there was can we just get a bit hotter dial a bit more red hot back into the virgin brand but it's brilliant being part of that group because you can learn from others and everyone else who's been a pioneer of virgin and even talked to rich himself about what it really is at the essence to be a virgin brand and even though this is a virgin media it's a very competitive very dynamic very commercial business yeah you've got to deliver the numbers that's for sure but i was trying to also build up a bit more of that red hot brand spirit so it would drive the numbers and so that that was a bit about virgin media and the two businesses ba yeah it was quite interesting to be at meetings with the airline people and i'm like sorry because they i remember someone talking about they're working at virgin atlantic and they said yeah but during those three years ba then got their mojo back and they did and i was a bit like i'm sorry because it didn't help the virgin Atlantic business at that time, BA really started to work.
47:59So that was quite strange being in the same room as the Virgin Atlantic people. But at that point, I was pretty happy to be part of a Virgin business, actually. So brand builder is amazing. Well, from one iconic British brand, I mean, you must tick the box for iconic British brands. If I say, you like your British brands. You do, don't you? You should have some kind of like damehood or something for services to Britain. I think you're right, I should. Can we drop that in the New Year's Honours? Whoever's watching or listening caris bright ladies and gentlemen uh give her a day mode um but yeah one iconic british brand to another the bbc i mean like that is that's the crown jewels isn't it i mean if ever you had responsibility for managing a brand that everyone loves is is trusted around the world is you know put on a pedestal sometimes i suspect and that's one of the challenges um what what are you here to do for the brand in your role as kind of chief customer officer?
48:50Well, it's, um, it's, when I took the phone call, I really wasn't sure. Cause I was loving Virgin media. And I thought the BBC as a, as a customer leader, a marketer, am I really going to have an impact? And I was really worried. I heard, you know, the BBC is going to be tough to work in. And I wasn't sure it was the right thing. My head was saying, don't do this. My heart, however, and as a Brit, you're like, how can I not try or at least want to be part of this organization? And I'm so grateful that I heart one overhead and I made the leap and I came here. and originally the role was was sort of designed to sort of say look we've got these incredible data sets of um customer data through the license fee and count data through asking people to sign to the bbc and we think we can develop a more personal relationship with our audiences and we want someone who can come in and and help do that it was quite a loose brief and also yes you're you You'll run a few things.
49:57And it was quite hard to work out quite really what they wanted me to do and why they wanted me to do it. And it was the first time that role had existed. There'd been, of course, a CMO and good CMOs where marketing and the audience's team, which is all the insight and data, were sat together. But this was the first time they put the license fee unit, which is the revenue-generating team that's accountable for collecting 3.8 billion pounds worth of revenue from the license fee, which essentially is the biggest CRM machine in the UK outside of the NHS and HMRC. It's the first time they put all that together.
50:34And so I'm not sure quite that what we wanted me to do, but I've kind of designed what I thought I could do and try and, I mean, they wanted a very much commercial person into this organisation. So they wanted to bring in some customer-centred, customer growth thinking into the organisation. So they hired a commercial person to do that. And so that's what I've tried to bring in. and what I've really tried to do and in particular over the last four years is a couple of things one is the uniqueness of this organization this wonderful beautiful torture that we say we live with inside the BBC is we have to exist for everybody in the UK if you consume live telly and iPlayer you have to pay you have to pay the same thing if you do you know you have to pay for us if you do that.
51:21And we have to do that for everybody. So unlike every other job I've had, where I segment my audience precisely, work out who wants more, who's going to charge, who can I get to do more for so they want to love me more and pay more, I cannot ask anyone to pay more. I can't do more for some audiences so they pay more. I have to create, work out how to help this organization create enough value for everybody. So one of the first things I did is luckily by putting these teams together in these data sets a year in one of my audience's team guy called nick north who's brilliant came to me and said look we've got this cross media measurement tool that actually for the first time we think we can codify what a valuable relationship behaviorally looks like with the bbc if you do this you're willing to pay for us and we codified that threshold of value.
52:15It's like a value daily habit. If you have this relationship with us, if you spend five hours over five days and two or more modes, so you watch and listen or you watch and go online. If you do that, it's enough and you'll want to pay. And we've got many people that we're doing way more than that for, but they pay the same. But critically, you've got a lot of people that are not getting enough value you aren't serving them enough so how can you with this threshold measure of customer value help the organization understand how to orient what it makes to get enough value for everybody so i would say the one thing i think i'm most proud of inside the bbc and it took a couple years to do it is to put a measure of customer value at the heart of the BBC that now sits on our audience scorecard that everyone in the BBC, particularly in the UK, is trying to work to do.
53:12We know the segments for whom we get enough value with those that don't. We look at the return on investment of all of our content, Charlotte Moore and her TV team or audio team, Deborah Turner's own news team, Roger and his nation's team. We're all working to one big audience map and an understanding of who gets value, who thinks the BBC is for them and who doesn't and how do we help those that don't get enough and it's driving a lot of decision making where we put our money across the bbc so it's probably what not what you'd expect out of this job but it's like with an organization like this that doesn't have a pnl and how do you understand what customer value needs to look like we codified it it's now driving all the decision making it feels when people come here we talk about people that might churn out of paying the license fee I've put a propensity to churn model into the BBC.
54:00Everyone's like, God, this feels a bit like a commercial business. And I'm like, yeah, funnily enough, if you hire someone like me, it's going to be a bit like that. But mostly we're here to get enough value for everyone, so they value us critically because we feel that the world and the UK is better off with the BBC. We think we've got three critical roles to play that if we don't exist, won't happen, which is to pursue truth with no agenda other than the audience's agenda, to back homegrown storytelling and talent that tells our stories with our talent because if we don't exist trust me the global players will not invest they might say they do but they won't so we feel like we belong so the cultural the culture of the uk can stay intact and to bring people together when others seek to divide we are unique because of big events whether it's sport or the things that drive the nation or the big tv moments we seek to bring people together the communities together because we think we're better off together than as divided so we think we're fighting against some pretty powerful forces and we believe we are valuable to the UK and to the world and those three roles are kind of driving what we do and so having first put value at the heart of the BBC and customer value the thing I'm now really really trying to do is really connect audiences with the brand of the BBC.
55:21Many people use us. In fact, 90 % of the UK uses the UK every month. And we are pretty much consumed by everybody. But they don't often know that they touch the BBC. With this amazing piece of research where we took the BBC away from people for two weeks or for 10 days and said, right, we're going to give you£13 because that's what the two weeks of BBC cost at that time. We're going to take the BBC away. You cannot watch, listen, go online and consume the BBC. They had to do it. We took families away from it. And at the start, majority of them said, well, I don't really use the BBC, live without it.
55:54We shouldn't have to pay the license fee. Don't use it enough. Maybe watch it once or twice a month. When we went back, they're like, please, can I have it back? I didn't realize I can't watch Match of the Day. I didn't realize I can't watch EastEnders. I didn't realize I listened to Radio 2 in the car. I didn't realize I listened to Five Live or the cricket. I didn't realize that Nan really loves radio three we didn't realize we can't go to news online we didn't realize when something's happening in the world i can't watch the bbc news we didn't realize actually the role that you play in our lives and you kind of think i don't know if ever that is a marketing challenge or communication challenge it's like people are consuming you they are using you you've solved that they just don't know it and part of my job is to make sure people are aware much more of the bbc that they do love that they love us a bit more and they value us a bit more and maybe understand And that our existence is better for all of us, that we all contribute something, but that we all get something out of it and that society gets something bigger out of it as a result of us existing.
56:55And now that is probably, I would say, my big task is really driving advocacy for the BBC brand and wanting and helping people love us a bit more and be a bit more valued. It's a hard challenge, isn't it? Because I think whereas with Sky is a script on Netflix, you opt in, don't you? you make that conscious choice of you know it's 5.99 a month or 50 pounds a month which i know exactly i'm trying to think of the lowest netflix maybe it's 9.99 now who knows but you know you're making a conscious decision aren't you you're doing the equation in your head thinking do i want to watch that series how often do i watch tv i think with you everyone's grown up with it on the radio in in the living room when you go abroad you know you think oh where can i get my news now I'll try and find BBC Worldwide, you know, the World Service to try and, you know, know what's going on if something's happened.
57:43You know, remember that in 9-11, I was in the Maldives, you know, and you do, you go for it. And that's a hard thing to convey the value of, isn't it? It must be very challenging. It is. And let's be also honest, audience behavior is changing quite a lot. So many younger people or really digitally savvy people consume much less of the type of thing we do. Our competitors are gaming, you know, social media. So there really are some big societal shifts and audience shifts that really, really mean that we have to stay relevant, really be on top of our game to ensure that we stay relevant for the next hundred years.
58:13So this is not an easy task by any way. There are trends that we have to be really mindful of. But yeah, just helping people understand the role and value of BBC in their life today. And also, yeah, getting people to consume us a bit more. Making more of the things that they really love, particularly for some audiences that don't get as much value out of us that they should. because they pay and they need to get more value from us. So that's the job. So a tricky question. So if I was to think about the BBC and what brand attributes I apply to the BBC, it would be trust, wouldn't it? And, you know, like you think about where do I believe the news is coming from?
58:47You know, that sort of thing. What happens when, I mean, like Hugh Edwards, the story blew up? I mean, that must provide you with some pretty hard challenges. And particularly when, I mean, I'm fascinated to know, you're reporting on that news story as well, which is a really odd position to be in, isn't it? It is strange. But the only way you can be trusted is to report on it honestly as well. Yes, and people probably don't realise, and they probably don't believe us, but I can say as an outsider that's come in, BBC News is editorially independent from the management of the BBC. We have no control over what BBC News reports on.
59:16They have to report fairly and impartially on the events of the day. And if the events of the day and the news is about the BBC, they have to report on that in a way. And we do not. I find that astonishing. We do not go downstairs and say, can you spin it this way? There is no control. And in fact, they probably over-index slightly because of the desire to show impartiality and distance, editorial distance from the corporation. Probably talk a little bit too much about the BBC, but the news organisation is editorially independent. They are free to talk about the stories of the day, including us.
59:52In fact, we have to hold power to account. and if we are the power or some of our talents power is being used in the appropriate they have to hold us to account in that that is life of being here when you're inside it it can be frustrating and challenging because you kind of think don't do that we need people to love us but it's powerful the fact that we have the editorial independence so um we'll preserve it um that's why we're here well it's an advantage and a disadvantage i imagine because you kind of you're kind of forced to you know to talk about how do you win back about i mean do you measure trust that because i'd imagine that's a high yes we measure a lot of things i mean we've got a couple of five big metrics at the top of our scorecard you know universality matches to us we need to be used every month every week so we measure who uses us we we measure are we fair and balanced so actually are you trusted is whether people see you as fair and balanced that's the key measure we measure that's right at the top of our scorecard we measure people whether they consume us whether they choose us often it's that sort of value daily habit metric more and more we measure actually our online reach how many people are engaging the bbc digitally and in the signed account we've got like five big metrics at the top of the scorecard but trust so rbc is fair and balance we absolutely measure it and measure it globally and bbc news is the most trusted news brand globally and that's really important to us and we absolutely want to preserve that and drive that forward now one of the interesting challenges in your particular role is is your marketing probably some of the best content that ever existed in the world you know because i'm worried it's david attenborough doing blue planet well you know i mean you've got some incredible So how do you, but you're not an advertiser, I suppose, in the traditional sense, are you?
1:01:25But you are obviously communicating to an audience. Yeah, so the big difference being here than in many other businesses, marketing is usually the most interesting storyteller of an organisation. It's often one of the most creative parts of an organisation, seen to be the creative engine that takes other products and services and maybe makes them more interesting to the audience. That is not our job here. This is an organisation of storytellers. the most brilliant storytellers whether they're journalists or whether they're drama storytellers or they're comedians this is an organization of storytellers and so our job as sort of brand builders is to engage audiences in that content and of course to make sure they ladder up to the bbc and so to make that content famous hopefully and critically attributed to the bbc it's quite hard everyone loves traitors my job is not just to get them to love traitors to make them sure realize that it comes from the BBC so support us otherwise you may not get more traitors so making sure that people understand that content making that content famous loved and out there and historically there may have been a much less role for marketing because we only got so much owned media people were sat in front of four BBC channels or listening to our radio channels but the world as you'll know is not like that these days you know proliferation of channels So actually we are.
1:02:42I buy media. I absolutely plan and use my owned media, television, ratings, GRP, digital display. We plan and own that as sharply as anybody. It's not as personalized as I'd like it to be, but that's coming. It's run like a proper commercial organization. And we buy media. We buy cinema. We buy out of home. We buy commercial radio. We treat it like an organization. And why that matters more than ever is because our audiences aren't just sat in front of our channels. I have to go and reach them on social on digital or out I have to go more often and find people to attract them into the BBC they're often paying and I need them to get more value from the BBC so actually the role of marketing to help audiences discover our content is as is critical more than ever but I don't have to be the most powerful storyteller but trying to add up the story of the BBC is actually quite hard because individually it's easy to get people to have traitors but to make people understand that all of that drama all of that comedy all of that music all that news has come to bbc is actually quite hard but that's that's the joy of the job right tracer's great i mean i actually applied for it last season i didn't get i didn't get through i was thinking i was just it was more i don't know i i love it i love the format what would you be traitor i would i would i was going to associate experiment because i just thought i spend all my time convincing people to do things right in terms of you know sales and marketing I interview and meet a lot of people and I have to get to know them and understand them very very quickly so um so anyway so my pitch was you know as a podcaster and as a promoter effectively my job is to meet people build relationships quickly convince them of things and I just as a social experiment I'd love to take part in it you know keep it flying I know I'll have to buy again it's going to be more serious amazing format it's very good celebrity traders of course is that oh I didn't know all that didn't know that that's good casting that's gonna be pretty interesting Yeah.
1:04:31Oh, yes. No spoilers here. Yeah. Very good. That's a very clever twist. I like that. And it is a joy to actually market that, if you call it marketing. Interestingly, when you've got a new series, no one knows about that. Trying to engage people in new things is sometimes quite hard because how do you introduce that? And we try and get talked about. And as marketers, what we often do is like, well, you don't invest right up front. You don't know whether it's going to connect. But if it catches fire, you then invest behind. something like traders is a brilliant example of that we could see quite quickly it was really getting talked about the social media conversations were amazing because it is incredible isn't it and we then just really pumped in behind that a lot of marketing expenditure to get people to know that to draw them in so we sort of like wait for it to catch fire a bit and then really sort of like go behind then you get series two series three that is amazing because you've got people you want to engage in series one engage in series two so from a marketing perspective it is fascinating to engage people.
1:05:23We absolutely love it. Any tips for anyone listening about how to make content that really engages and catches fire? Because I mean, you've got the ultimate war chest of amazing content to work with, haven't you? Yeah, but choosing what to talk about, that's half of our job actually because there are so many things and we do do a lot of marketing, but you've got to choose what you're going to choose to engage audiences in. Is it going to build the brand? Is it going to drive the audiences, the ones that you really want to drive to your platform, disproportionately investing in those underserved audiences?
1:05:50Are you going to build your brand in the way that you want to build it. If I did everything around traitors or things we might have acquired for the platform, does that build the role of the BBC in the way that I want to build it, that people realise that we're different than other organisations? Probably not. It's got to be a balancing act. So we'll also talk about journalism and the fact that we'll pursue truth with no agenda. And in fact, I mean, tomorrow, October 30th, we'll launch of a big new campaign for BBC News or BBC that talks about, you know, the fight for truth is on. the fact that trust is earned is about the fight against disinformation so from a brand building perspective we're also having to choose what are the things that you should talk about not just to engage audiences in you and drive audiences to your platforms and to consume you being consumed matters but also to get an idea of the bbc and why you exist and help them understand that and that is part of the challenge so brand advocacy is audience driving as well so i like the fight for truth is earned because it just it does that venn diagram you said earlier isn't it of a proper consumer insight who do i believe yeah uh but also it's a it's a platform that you can own because you have owned it and and you've got and you haven't got a vested corporate interest and also the thing we're trying to do is lift the lid on bbc news so the one of the first campaigns we did and this comes out of bbc creative this is their work if you know how it's made you can trust what it says the team are trying to lift the lid on what they do and debra turnis is wanting to make it a more transparent organization because her belief is if people understand the power and why we do what we do and how we do it it will of course earn their trust and earn their trust even more and we then said it we actually turned it into communication and said you look you know if you know how it's made you can trust what it says because trust is earned and um this is when i think from when the business and marketing is in a sweet spot for me that's a great example of that you've got a business that's doing something competitive relevant and true and then as communicators and marketers you sort of then take that to the organization in a really really powerful way And I hope, I believe your data suggests so, but I hope we can really connect with audiences and particularly audiences that may not think that BBC News in a world of TikTok and social media is a place that you should go if you really do want to know what's going on in the world.
1:07:58Now, I'd love to carry on talking about this because there's so much we could talk about. We might have to do a follow up episode just on the BBC, but I know time has got the better of us. But maybe just to finish up, you've had a really, really interesting career, kind of brand led. you've gone into you know something quite technical and sales organization you work for iconic brands startups you know and now at the bbc what advice would you give somebody else who's kind of you know entering into a marketing career wants to aspire to the kind of role you do what what have you learned that really stands out that makes you a success in the role that you have my goodness i think first of all i mean as marketers right always being really curious i'm interested in what make how things work why people do what they do i'm interested in business i'm interested in business models and i think that's why i've actually operated a number of different business models i'm curious about if i understand the world of packaged goods and fast meat how does an airline work how does a subscription but so i i think it's helped me because i've been very curious i'm as curious about the customer and why they make the choices they make i'm really curious about the people in the organization why they do what they do really important organization like the bbc because people are here for a reason it's never about the money it's about the belief So I'm curious and therefore you invest in them and understanding them, what they want to get out and what you can do to help them.
1:09:17And sort of remaining curious and curious also in how organisations create value. In this organisation, it's audience value. In other organisations, it's customer value, it's financial value, it's profitability. I've always been interested in the commercial aspect of business, how to drive growth and how to create value. So I think being commercially savvy and interested in that has helped. Yeah, that's pretty good advice to me. understand how money is made and understand how the customer makes decisions i would say i got some really great advice quite early in my career when someone said what are you afraid of keris why aren't you being bolder and i'm glad they said that to me really early because it's like what am i afraid of i wasn't being very bold or very courageous and the one thing i've learned is you gotta go for it be bold it might not all work out as i can tell from my career but if you aren't doing something big and courageous and bold what's the point so i would always say go for the bold thing yeah ask for big things be a bit courageous put yourself on the line be good be nice be kind that's what i try to sort of love that and if anything you know it's those challenging career moments that don't go well that probably set you up for the kind of roles you've got don't get out of your comfort zone yeah how are you going to expand your comfort zone as they say it isn't comfortable.
1:10:31But when you look back, you sort of think, yeah, I'm glad I made that leap. So yeah. Well, listen, that's a beautiful place to end. Thank you so much, Keris. Really enjoyed this conversation. I'm sure we'll be having a lot more conversations like this in the future. I hope so. I really enjoyed it. Thanks very much, John. Thank you. Thank you. Thank you very much for listening or watching Uncensored CMO. I hope you enjoyed that. If you did, please do hit the subscribe button wherever you get your podcast. If you're watching, hit subscribe there as well. I'd also love to get a review. Reviews make a big difference on other people discovering the show.
1:11:00So please do leave a review wherever you get your podcasts. If you want to contact me, you can do. I'm over on x at Uncensored CMO or on LinkedIn, where I'm under my own name, John Evans. Thanks for listening and watching. I'll see you next time.
From the publisher
Kerris Bright is the Chief Customer Officer at the BBC. She was previously Chief Marketing Officer at Virgin Media.
She is a highly experienced leader, bringing a customer-centred, data driven approach to setting marketing strategy and executing with creative flair. Before Virgin, she held senior marketing positions at British Airways, ICI Paints and Unilever. While at British Airways, she spearheaded the development of ‘To Fly: To Serve’, a new purpose for the organisation and a multi-platform campaign and at ICI Paints she transformed the company from a ‘multi-local’ to global brand building organisation. After gaining a PhD in molecular neuroscience from the University of Sussex, she began her career in marketing as a graduate trainee at Unilever.
Timestamps
00:00:00 - Intro
00:00:26 - Why Kerris has a PHD in molecular neuroscience
00:04:04 - Getting marketing training at Unilever
00:09:56 - From Unilever to joining Dulux in crisis
00:18:33 - How marketers can work closely with commercial teams
00:22:12 - Purpose led campaigns
00:31:36 - Lessons from Kerris’ time in Private Equity
00:42:06 - From British Airways to Virgin
00:48:42 - Kerris’ role at the BBC
00:58:32 - The power of the BBC’s editorial independence
01:01:05 - Marketing the BBC
01:05:20 - How the BBC makes engaging content
01:08:13 - Kerris’ advice to aspiring marketers
