Chaos, Creativity & Courage - how Tubi took on the streaming giants - Nicole Parlapiano

14 May 2025 · 1 h 9 min

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In short

Podcast Summary: Chaos, Creativity & Courage - How Tubi Took on the Streaming Giants with Nicole Parlapiano

Podcast Title

Uncensored CMO Podcast Description The Uncensored CMO explores the multifaceted truths about marketing theory and practice, aiming to reveal both the good and the bad within the discipline.

Episode Title

Chaos, Creativity & Courage - How Tubi Took on the Streaming Giants Episode Description Nicole Parlapiano, CMO of Tubi, shares her entrepreneurial journey, insights into marketing, and her experiences dealing with major brands and crises.

Key Takeaways

  • The Role of an Entrepreneurial CMO
  • Thinks with a broader perspective, integrating the voice of the consumer across various departments.
  • Takes initiative beyond traditional marketing to drive overall business impact.
  • Embracing Chaos
  • Nicole advocates for embracing chaos as an opportunity for learning and growth.
  • She recounts her transition from private equity to eHarmony and later, her experiences at WeWork and Tinder.
  • Navigating the WeWork Crisis
  • Nicole shares insights on managing reputational damage during the WeWork crash, including dealing with leaked internal communications.
  • Importance of adapting quickly to organizational changes and market conditions.
  • Transitioning to Tubi
  • Nicole discusses why she joined Tubi, highlighting the challenges and opportunities within the streaming industry.
  • Creative Marketing Strategies
  • Collaboration with the agency Mischief to create bold and unconventional campaigns, such as the Super Bowl ad involving a giant rabbit.
  • Focus on audience engagement and the importance of memorable, creative messaging.
  • Innovative Initiatives at Tubi
  • Development of "Stubios," a program for fan-led content, allowing creators to engage directly with their audiences and produce content based on viewer interest.
  • Challenges in Ad-Supported Streaming
  • Discussion on how to effectively market Tubi to advertisers and the necessity of changing how ad space is purchased.
  • Advice for Aspiring CMOs
  • Nicole emphasizes the importance of being patient, adaptable, and open to learning.
  • Encouragement to take risks and embrace creativity while being mindful of organizational goals.

Detailed Discussions

  1. What Makes an Entrepreneurial CMO?
  2. Emphasis on a holistic view of the business and driving impact beyond just marketing strategies.
  3. The necessity of stepping out of traditional roles to identify and capitalize on broader business opportunities.
  1. Career Journey and Embracing Chaos
  2. Nicole's career is filled with jumps into unpredictable environments that shaped her resilience and creativity.
  3. Notable experiences from her time at WeWork, including the challenges of internal communication and the fallout from the company's potential IPO.
  1. Marketing's Role in Ad-Supported Businesses
  2. Importance of understanding the unique position of Tubi in the streaming landscape and effectively communicating its value to advertisers.
  3. Strategies to differentiate Tubi from subscription-based competitors, focusing on its unique content offerings.
  1. Collaboration with Mischief
  2. Working with a creative agency to push boundaries and develop bold campaigns that resonate with audiences.
  3. Analysis of the effectiveness of the Super Bowl ad and the response it generated, showcasing the power of unconventional marketing.
  1. Innovative Fan Engagement with "Stubios"
  2. Concept of empowering fans and creators to co-create content, reflecting the changing dynamics of content consumption in the digital age.
  1. Navigating Corporate versus Creative Tensions
  2. Advice on balancing corporate objectives with creative freedom, emphasizing the need for alignment between marketing and overall business goals.
  3. The importance of being flexible and responsive to market signals while maintaining a clear strategic vision.

Conclusion Nicole Parlapiano's journey as a CMO illustrates the complexities of modern marketing, particularly in volatile industries like streaming. Her insights on creativity, chaos, and courage provide valuable lessons for current and future marketing leaders, underscoring the need for adaptability and a consumer-first mindset in driving successful marketing strategies.

Final Thoughts Nicole encourages aspiring CMOs to embrace their unique paths, embrace failures as learning experiences, and remain open to the ever-changing landscape of marketing.

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Transcript

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0:06Ladies and gentlemen, welcome back to the Uncensored CMO. Now, in this episode, I'm talking to one of the most entrepreneurial CMOs in the US right now, Nicole from Tubi. She has an amazing background and track record, having worked in some fascinating businesses like WeWork and Tinder, and before that, even having her own startup in the dating space. I love Nicole. She has so much experience, so much wisdom, and there are lots of lessons from her journey that I think you'll find absolutely fascinating. Not least, what she's doing on Tubi right now. Here it is. Ladies and gentlemen, welcome to the Oncensor CMO.

0:40And I'm delighted to be joined by Nicole from Tubi. Welcome to the show. Thank you for having me. Very excited. Very excited to have you. And I must start with congratulations because you've recently just been nominated, or not nominated, given entrepreneurial CMO of Forbes, which is fantastic. It is. It was one of the ones I've, not that I'm not proud of them all, but I feel like entrepreneurial CMO is one of the better, one of the bigger things you want to be known for. Yeah, 100%. I'm dying to ask you then, what makes an entrepreneurial CMA? I think first and foremost, you're thinking with a board lens.

1:15You're thinking across the business. You are thinking about driving impact outside of marketing. You are bringing the voice of the consumer into the room for product, for content, for your CFO, for your CEO. You know, a lot of it can be uncomfortable because I think you have to be comfortable stepping out of your lane. And maybe stepping in on other people's toes. But if you see a business opportunity, maybe it's not necessarily something that marketing can solve and drive, but there's a bigger business opportunity. It doesn't mean you can't be spearheading an initiative that is product or content driven and championing people to get on board.

1:52So it's really, I think, thinking about the business from all angles and not just thinking about how marketing can drive the business, but how the business can move forward and taking a long-term lens on how we're going to win in an industry and a market. and sometimes that might not be a marketing initiative. I love that answer actually because like so much of marketing I think is beyond what people traditionally call marketing, don't they? Yes, it's not just creative campaigns. Yeah, I know. It's like we seem to kind of default that. But if I look at the big transformations I've had in my career, most of them aren't traditional marketing.

2:24It might be, you know, business organisation change or kind of sometimes I've had no budget and been able to do things on no budget or their ways of getting products into distribution that you know didn't happen before but i think it's so important isn't it as marketers to think think from a business first point of view rather than just going oh what's the marketing answers this question i've got yeah or you could say you know what a non-entrepreneur is like oh i don't have the money to do this or i can't compete because i don't have the things that other people have like you have to dig deep and you have to get that entrepreneurial spirit of like maybe there's a partnership maybe there's another brand or business and you are that person reaching out on LinkedIn, and it's a strategic partnership.

3:01So I think that it really has to do with what, you know, not looking at your, you know, your weaknesses, as reasons why you can't break through or do the job traditionally, you have to constantly challenge yourself. And, you know, marketers, whether it be no matter what you're marketing, we are at the forefront of technology and change, we have experienced so much disruption, technological and cultural, where every day, something can happen and the way that it's landing with consumers and how they're feeling is not how it was yesterday so i think that like you just have to be nimble and you have to be flexible and you can't be too like married to a creative campaign or promotional calendar you have to really be responsive so i think that all those elements come at play and and you know a lot of the businesses that i have worked for have been either sometimes very culture forward um like entertainment dating or not as culture forward office-based financial services but still you have to kind of know the sentiment of consumers and overall what's going on and what they need to hear and what your how your business plays a role in that moment yeah totally there's a lovely question from cory from elf who i had on the podcast last year and she said kind of success is defined by the distance between the c-suite and the consumer and from the time between insight to action yes i thought how what a brilliant summary of that exactly that isn't it you know we represent the customer don't we effectively in the organization we do and people would you know comparing it to a restaurant we're front of house yeah we are the the hostess and the and the we are we are talking to everyone making sure they're comfortable making sure they're happy dealing with complaints dealing with good things bad things timing and then you think about the rest of the organization you know you got you have your your chef who is like you know you're talking to the chef about what the consumers want what they like what they sent back you know so we play a really important role and i think just um you know i think that is our job is to make sure that the viewer the viewer the consumer never gets lost in everything that we're doing yeah i mean talking about staying in lane as well the other thing i i noticed is the entrepreneur of cmos rally entire organizations they're not just sticking to this is the you know this is the marketing plan but to create real change and have a vision you've got to get everybody on board and i think we've got roles internally probably as much as externally to communicate to the business about how we're going to achieve our goals.

5:23Yeah. And what role? Brand isn't just creative campaigns. Brand is a North Star. It's what we all operate from. It's who we believe we are in the marketplace. It's how we deploy products, content, services. It's everything. And everything has to be wrapped around that. And you have to really question organizations. If there's initiatives that fall outside of serving the brand and the difference and the role that we play in the market, should we be doing them right um it does it can drive a lot of energy and a lot of focus in an organization because ultimately we're the ones that are partnering with the ceo to what is our mission what do we mean in the world and then everything cascades you know from that there's a lovely little phrase you use i think in the write-up about the entrepreneurial 50 which you you talked about your career being chaotic i love chaos i know which doesn't surprise And you referred to being in some uncomfortable or pushing yourself yourself in some uncomfortable positions.

6:22So how important is that chaos been in terms of your learning and what have been the most kind of chaotic moments that you've had to? Yeah, I would say like, you know, I'm not I always haven't been as comfortable with it. I would say the pivot point for me was really in 2008. I was working in private equity. I was going back to school to get my MBA and we were dealing with extreme it was the recession I worked in financial services like it was chaos and I had to really I lost my job during that time I was in business school and I had to stay in LA so I had to really think about what am I going to do to make money full stop and that involved everything from nannying to selling Christmas trees to like I mean that's a humbling experience I'm someone that is getting a you know a master's degree in business, slinging Christmas trees on a lot, because that's what I needed to do.

7:14And in that time, I had to make a switch. There was no jobs in financial services, certainly not in LA at that time. And so I took a chance on taking a job at eHarmony, which was my first marketing job. And that was uncomfortable because I'd never worked in tech. I had never worked within a marketing organization. I started way at the bottom. And so I just absorb everything like a sponge and I'm a super curious person. And if I'm interested in a business model, I find it very energizing. And dating in 2009 was like, you know, it was before the iPhone. I mean, it was like this idea that technology could help connect people romantically was extremely interesting to me because it's not just a tech product.

7:57The psychology of how people are compatible and what makes them happy long-term is like, it's so interesting. So that's why I took the job. and that was my, you know, first cutting my teeth in tech and first cutting my teeth in in marketing and I was doing, you know, I was on the acquisition marketing team. So it was similar that you're thinking about capital deployment, how are we driving, you know, qualified registered registrants, which means like they had a real intent to meet somebody on the product. They took the time to fill out a great bio. It wasn't just measuring on how many overall regs we got.

8:31It was the quality of these people and what they do to an ecosystem and community that actually is what makes the product successful. So that's where I started. And then after that, I mean, when I graduated business school, I had two partners and we started our own dating company because we really felt like there was a gap in the market for younger people. I mean, you had Match, Any Harmony, which were the bigger players then, and they weren't really suited for younger people and dating. And being in a city like LA that's a little bit more isolating than New York, it's very hard to meet people.

9:03This was also pre-Uber. So, you know, it was a dating app that helped you plan your night out based on neighborhood and the guy type that you were interested in. So it would say on Thursday nights, if you want to meet that Hollywood agent, that Ari Gold type of person, go to this bar on this night and you're going to find that person. And it was very fun. So I had the experience of building a product, trying to raise money, pivoting product because investors at that time were telling us, well, it should be this or that. And of course, it was a lot of male investors that aren't single. And so you can get rattled and try to pivot your product or you can stay true.

9:43We struggled and ultimately we did get bought by Match Group and we didn't make our own app. Oh, no. Yeah. Despite them buying. yeah yeah we just we didn't hit we didn't you know that's how earnouts work and so um and then i went agency side during that time because i had to i could only do that for about nine months to 12 months before i ran out of money yeah and i had to work so i was then took a job on the agency side yeah i so resonate with that i did um i left a big corporate job maybe 10 years ago and put all my life savings into a management buyout of a small a small drinks business yeah so a bit similar to you actually despite smashing the targets they move the goalposts for the earn out so can they do that yeah well when you're a minority shareholder you realize they can do anything they want top tip read read the small print read the fine print right honestly i had a meeting with a lawyer and the the manual the not the manual sorry what is it called the investor agreement or something i can't remember the official term for it it was like a book and then you know the lawyer sort of said you know marked it all up and said right there are 15 things you need to pay attention to these are they and i don't remember anywhere in that conversation yeah that they could change the goalposts yeah and the one that really caught me out was um if they sold to another private equity company they could roll over my investment without me taking money out okay when i when i worked that out four years in i'm like hang on a minute so i could be i could be subject to a change in ownership have no control over who we sell to and my investment goes into that new company that i have no you know no influence over at all it was it was a tough tough lesson And it's why they kind of say you always make your money on your second deal, not your first deal.

11:22Definitely. Just fast track this little bit of learning, you know. But I think it's also like just what we've experienced in the past 10 years is everyone thinking going into startups, that it's a win-win all the time for everyone. We don't often talk about the failures or the difficulties. We just talk about the unicorns that were successful. and you know I happen to be tied to one of the biggest you know ramp ups and crashes and falls of in tech which is WeWork which you know I was there before the first round of SoftBank money came in we were on this incredible run you know 120 130 percent year-on-year revenue growth opening buildings in new markets globally adding 60 to 150 new buildings monthly monthly it was insane.

12:10And then having to shelve an IPO and then try to evade bankruptcy and that whole thing crashing, going from like a$4 billion valuation to barely, you know, 500 million is not an easy thing to experience. But I think it's a learning lesson. And that was a, you know, kind of a very visible one that it's not always going to win. It's not always a smash hit. Your first business isn't always the one that succeeds just constant repetition right how do you pick yourself up after that because i it's quite hard isn't it when you put a lot of your experience expertise your identity even you know into something like that and then it doesn't work so i would say because i have an mba and because i had worked in private equity um i had a very realistic view of the numbers and the valuation and i pulled money out every tender offer every time softbank gave us money, I cashed in.

13:07All my chips, I didn't take most of my comp in equity like other employees did. And every time that I said I was, you know, I'm going to take the tender offer, they're like, but they're only offering like$50 a share. I said, I think that's fair. I think that's a fair price. I'm going to, you can hold, but I'm not going to. Because this is a costly business to be in. There's not a lot of scale here. We haven't developed a lot of tech that's going to help us scale. Sub-leasing buildings, building them out as short-term rentals, it's a very capital-intensive business. And so while I thought it was a valuable company, I don't think the valuation ever matched what it was.

13:43And if there's a book on WeWork and I'm in one of the chapters, because one of my emails had gotten leaked during the crash, like when we shelved the IPO and everyone internally, when we released the documents was so excited. They were like, did you see it? It's a beautiful document. Did you see the pictures we put in it? And I was like, this is going to the financial community and we have pictures of massive festivals and concerts we've had with Adam on stage with celebrities and you put that into the S1 filing. And so I sent an email because I had to shut down all of my campaigns in search and in social because we were just getting dragged and people were clicking on WeWork because they were looking for information on the company, but they had no intent in buying the product.

14:29And I had sent an email asking corporate to kind of change some things on the core site. Executive bios, clients that we have, something other than elevating the world's consciousness because this is making us look worse. Someone leaked that email. And I think they said it was the first signs that someone internally had said, this is not a good thing for us and it's not going to go well and we're not going to make this IPO. and when we the IPO date was in September and I told them I said I'm gonna go to Italy for two weeks they're like you're gonna go away during the IPO and I was like this IPO isn't happening I'll be in Italy lo and behold I was in Italy and they're like it's not happening best place to be when something doesn't happen yeah so I just kind of I just think um while like you know most startups and most organizations like that it is so culture driven it is so mission driven but you you have to pay attention to the p and l but so much in what you said there i mean i mean weirdly i got a finance degree and i did finance and economics for university and then went into marketing after that which is a bit weird at the time but i actually am very grateful for that because as you were saying earlier you know marketing is about moving business forward and understanding the financial implications of what you do is critical so you had that you had that belief in the business but also a realism you know informed by your understanding of finances Yeah.

15:48But I'm intrigued that getting your email leaks in such a highly sensitive moment where there is so much money at stake for so many people. How do you respond to that? I mean, do you know how it happened or? You know, the people that are on the email and it's about, you know, somebody on the email. And, you know, Corp. Coms gets involved and, you know, there were so many things that were leaking at that time. this was like low on the totem pole. They were dealing with... There's another crisis worse than mine. I was so, it felt like such a violation because it's internal communications. Somebody clearly leaked it to the press.

16:26I don't know what the intent was. So you're thinking like, who can I trust? But that was an organization that it was very, it was like the Hunger Games of Jobs. You really couldn't trust many people. But I just remember it being a time where every day we were in the office, it was very hectic. It was very stressful. It took a massive toll on me. And even though I was a part of the retention team after the crash and incentivized to stay through it, I physically and mentally was so exhausted. And, you know, you're letting go. We let go 2 ,000, 3 ,000 people one day in New York. You know, it was when you're there after something like that, the teams that are left behind, you know, I think everyone was like, oh, all these people that got laid off.

17:11They're mostly, they're most spared. The people that are left behind to pick up those jobs and kind of move it forward is really hard. And I just, you know, didn't, I love the business, but I didn't have the heart to stay in it. And I had, Tinder had been recruiting me for a few months. And I said to my husband, I think it's, and it wasn't just a moving to Tinder. We moved back to LA. I was like, get me far, far away from here. And you know, sometimes it is okay in life to run from your problems. people i think um you know say you need to stay somewhere and stick it out and wait until it gets better but like sometimes it's okay you have to call it sometimes you have to call it you have to say you know i the athletic term i left everything on the field yeah i didn't have anything really more to give in the in the sense that i could have you know i think that's a really good judgment isn't it because like you you understood the business you've made your contribution you you knew the business inside out and what could and couldn't happen so to have that judgment to go do you know what staying won't actually benefit me or the business yeah and i had the opportunity to go work for a company and a product that i intimately know because that's where i started my career and i i vividly remember the first time i opened tinder product and this is when we had our dating startup and i opened it up and i was like oh my god this is incredible like it just changed the game for dating it brought a whole new generation of daters forward and so it was an interesting opportunity and it felt like a welcome change and it ended up being the gangster of all gangster moves because i left we work in january of 2020 started uh tinder in february 2020 and nothing could have been worse for we were than the pandemic and office space no longer of course so they only they got that team so you had the ipo failed and then you had covid next and then covid next so everyone that stayed deserves a gold medal and if anyone can recruit people from we work marketing they should because that is a ton of resilience and a ton of grit of just who goes through things like that i mean talk about just absolute disruption right yeah it's amazing how do you like you know how do you kind of deal with the i guess the perception of like being on a tee i know i know i know everyone listening to this will be bored of me saying how I got fired twice in the year.

19:28I make so many jokes about it. But, you know, it's hard sometimes, isn't it, to kind of tell the story and explain how these, you know, how these things happen. So how do you approach kind of leaving there and starting a new job? I probably didn't take off enough time to decompress. And I'll say that. I think when you're in an organization for so long and you're going through such stressful situations, I do think there is a sense of needing to decompress. and I think in retrospect when I started at Tinder, I had that WeWork mentality of like kill or be killed, let's move forward. I came from a hyper growth organization.

20:06Tinder was at a different stage at a different time and so I learned and I think so much of what we do is reading the room and understanding the organization you're in and what's the culture and what's the operating model versus being kind of a bullet in a China shop and it was very different. um we work was an open combative environment executives would yell at each other in boardrooms and that was fine and everyone was okay after not everywhere is like that so i think um i i should have decompressed more i think maybe initially came in a little hot on some things because i was just hungry and wanted to move things forward all i saw was opportunity to change and kind of continue for Tinder to chart this, you know, just incredible course.

20:52And I think you need to have a little bit more tact and sometimes a little bit more grace in those situations. So that's how I reflect on it. So I think my advice to anyone would be is just to take a beat and listen. And I think there's so much pressure for leaders in marketing and CMOs to come in and make immediate impact, right because our tenure is short right um tends to be and the things we do can be immediate but a lot of the things we do do take time so you're constantly trying to balance the short-term improving yourself to building something long-term that is sustainable and so i think we have a lot of pressure um and sometimes that pressure can make you want to move too fast and and break things and you know that's not always the best approach yeah you're so true aren't you about balancing that like that there's a theoretical right things to do as a cmo isn't there in terms of growing the business and then there's a how you get things done in an organization given the culture and how decisions are made i remember chatting to a cmo recently and she said i think for the first maybe 90 days but she went and interviewed everybody and just said what would be what does success look like and what would you advise me to be successful in this organization how decisions get made and what's your perception of marketing and i just thought it's a really good thing to do you should do that in the interview phase not when you start yeah true i wouldn't take the job if we can't answer those questions right like with all of the c-suite you should be meeting with everyone and understanding do they all agree yes on what this role is do they all agree on the scope yeah if they're not aligned how do you get alignment and how do you get clarity because sometimes we don't know what we're walking into and a lot of organizations have very different perspectives on marketing.

22:35Almost most of the CMOs I know, our remit is different underneath us. The things we do every day can be different. I oversee communications. That's not the case for other CMOs. So what is the CMO scope? What are we going to be judged on? On what timeframe? And you need that from your CRO, your CEO, your CFO, your CPTO, and understanding the relationships they've had with marketing in the past and what needs to be improved. And even just talking to the marketing team about where do they think they could be doing better? What are the tense relationships they're having with other organizations? Or you can do more of that work when you get there to help the marketing team kind of be more evangelized with the rest of the C-suite.

23:16But I think you have to ask those things before you take the job. Because how many people take these jobs and it seems sexy and you're working on this big brand and you have this big budget and then you go in and you go, uh-oh. And I like to see a three-year plan. I don't want to know just what the first like where does this business want to be in three to five years what are we gunning towards what is the big moment for the ceo is it a sale is it getting acquired is it ipo is it a certain revenue target and ibida target it is it a global ambition what does that look like long term that we're building and then you can work back for how do we build towards that but you have to you also can't take too long you have to have short-term wins because you got to build trust yeah right yeah no it's a classic nice day thing isn't it like get strategic wins under your belt really really early yeah to make an impact i'd say in about half the jobs i've had i'd even go as far as to say i don't think the organization even knew what marketing was or the or the extent that the marketing can impact because like you say in some companies it's it is comms quote unquote yeah other companies it's like turning up at events and building a stand and like giving brochures out you know what i mean yeah so i think part part of the challenge of our job compared to say a CFO or something like that is it's much less clearly defined and varies depending on the sector you're in and the context you're in as well.

24:33100%. It's not the same. You could walk into any CMO job and it can be completely different. And also life cycle as well. I mean, whenever I worked to kind of start, like going back to my private equity point, I was the first marketer the organization that ever employed. And I would say 90 % of my job was not what people call marketing. It was, you know, going out and convincing customers to stock our products or sorting out industrial disputes on the production line and stuff like that because I was a part owner as well. On the private equity side I'm curious as to how that was for you like because I often thought when I worked in private equity they didn't pay enough attention to the marketing and how that plays a role in their success.

25:10You're operationally and financially ripping the company apart and thinking about supply chain and those types of things but you're not necessarily thinking about your marketing budget, how you market where your customer is how to move it forward i i didn't see that in my time there i found it super fascinating it's one of those things where two things can be true at the same time i think so again just my experience in the private equity business i was in but they had a real respect for brand as in as in their view would be we are buying an asset which is undervalued because it hasn't established the brand so they would their advice is threefold number one employ the best design team you possibly can in the world and nail your proposition from day one and be very clear about who you are where you're going and your vision and your brand and how it communicates right number two invest in capacity to forex the business in the next like three years yeah so that we can we sell future capacity and all that sort of thing number three was hire a team they called it two levels above so basically they say hire expertise in every key position identify which positions are get people ranked to two levels above in terms of experience and all that kind of things so i was the the marketing uh 2x higher right you know but so having said that so they've and then the fourth thing they did is they wrote the exit memorandum on day one okay which i thought was really good yeah i love that we do that too and i actually am a big believer of putting something like that on paper does manifest it into existence i know and it was so simple it was one page and it was like financially what is the story going to tell brand what is the story are going to tell um not um people what's we're going to tell and i think the other one was might be markets expansion or innovation or something like that anyway it was so super clear and you're like we kind of work back from well if that's for that to be true this must take place within three years yeah for that to take place what has to happen so on the one side in terms of two things being true they were definitely brand led they definitely respected marketing however when it came to investing in marketing people love the word brand until you ask for money for brand i find that also very interesting they're like our brand our brand not investing in your brand your brand exists in your mind and internally but like yeah the brand has to be present for people people have to feel it they have to touch it they have to understand it if you're not investing in it exactly so i know so i turned up on day one i do not have a budget so i'm like what am i doing you know how does this thing work and so everything i did was either for free or created with a budget of zero or i had to build a business case which usually involved earning it before i spent it so yeah so i had to uh reduce the cost of production per unit by x amount so that i could then argue that three pence in every pound would get reinvested into marketing and then when we got to a certain point i could spend it yeah um so i was forever negotiating yeah so what So what I did is I did the positioning, the branding and all that sort of thing first.

28:10But my thought process was, how do I make this brand design so good that the top 10 customers in the UK will ask me to list it so that then we generate whatever millions of pounds turnover that will then release a budget later on? Or I had to go to those customers and go, here's what we will be doing if you agree to stock us. You know, those sort of things. You play a bit of that game. But actually, I have to say, in all honesty, it forced a level of creativity. Probably the best creative things I've done in my entire career were in those moments where I had no choice but to push the boundaries of creativity in terms of my thinking and think to myself, who can I partner with that I can bring value to that they will give me media for free?

28:54Yes, yes. You know what I mean? That's what I was doing, right? Yeah, yeah. So I remember partnering with this, they don't exist anymore, but this augmented reality business called Blippa, where you put your phone over a pack or a bit of print or something, and it would just come to life in front of you sort of thing. Now, this is 2013, right? So the technology was just nascent, just literally at the beginning. They were one of the pioneers. so i went in and i pitched them and i said look i can get you on the pack of every bottle of coca cola in the world right and they were like and i worked for a little juice brand that no one ever heard yeah yeah they're like how you're gonna do that i said because if you partner with me and prove the technology on my brand and i end up in store next to coke you're gonna get a call at one point from the coke team going we want what he's done right yep 18 months later that happened now Not in every pack of Coke in the world, but they launched this music thing where basically you put your phone over it.

29:49You know, augmented reality brings it to life. You can choose this music and do all this stuff, right? Yeah. So they gave me all the technology for free and all the media around it and all the press and all that kind of thing, simply because I went to them and said, look, if you do this for me, I think it's going to lead to good things happening for you. I mean, creative deal making. It is deal making. It was the hustle. This is the thing, isn't it? I think this is what marketers forget is the amount of hustle involved when you're working on a startup and scale up. Yeah. And even like many organizations still have zero-based budgeting, you had a business case for everything.

30:17And be really accountable, even though you don't know yet what exactly that is. But the creative is the biggest variable. It is the biggest variable in everything. And so we pay a lot of attention to that. And it really depends on, again, different organizations have a different creative tolerability. And I think most CMOs want to do breakthrough work. It's just internally there is a lot of challenges to that. and you um i think something i work a lot on is like how do i get people to embrace the creativity and not be afraid that maybe you know aren't in the marketing organization how do you get your ceo to want to take this swing with you um above above that person too and you can be in places where i don't know creative has to go through five people that aren't marketers to get over the line i mean that's like crazy.

31:05And again, they're not operating with the consumer lens. So I think it's a difficult job and how we all navigate getting bold things over the line. Because, you know, and I've worked on the agency side, every client wants something bold. But then when you bring them something bold, they get scared or they can't do it, you know. So I just kind of have spent so much time thinking about how do I get people behind an idea and how do I lock them into the strategy and really get them to understand the consumer before we even go through creative. Like, do we align that this is the business problem? Do we align that these consumer insights are driving this initiative?

31:43Do we align that the message should be this, and this is what we're going to overcome, and this is how we're going to measure it? Once there's understanding there, then the creative should make sense no matter how wild it is, right? But that's why I spend a lot of time on the strategy and bringing everyone in versus if you go into that room and you're just going to show them the commercial you want to shoot you're going to be dead upon arrival everyone's opinions come into the room people don't know what context to take it they're often not the consumer of the product yeah and i think that's where things go wrong yeah i think everyone listening will resonate with that right yeah because you know as marketers we love the creative part of the role don't we yes that's the bit that gets excited and then and the amount of times i've had this amazing session with the agency and got super excited by the time i get to a cold industrial estate in the middle of nowhere on a damp monday morning and i'm sat in front of the grown-ups you know what i mean so here's my idea that it's like tumbleweed yeah and the room goes dark and the room goes thunder starts clapping because why wouldn't we just do this can we just do a half price promotion john and yeah when the room starts creatively brainstorming like they're creative directors you know you've you're losing something went wrong abort you know um that's what you want to avoid and you want to give people input you want to make them feel heard but you also want to go in with passion and with conviction yeah and most times what i've found is like that is infectious if people can tell that you have conviction that you are willing to put your neck on the line for this work that you are ultimately going to be accountable they'll bet on you yeah yeah they'll bet on you yeah but if you're coming in they can smell fear yeah 100 yeah you just got to really mentally get ready for that when you're You're fine for a job.

33:29You know, your passion is as much as what people are buying, isn't it? Yes. As your skills. Do I believe this person believes what they say? Do I believe they want it enough to do the job? And it's the same when you pitch an idea into a business. People are looking for what's your level of confidence here? Yeah. Now, you're working with, I think, one of the most creative agencies in the US, probably in the world at the moment, with Mischief. In fact, a slight side note, I love Greg's quote about what would you do if you weren't afraid? which I think is in the situation you're talked about yeah it's a really good undermining kind of not under sorry undermining revealing tactic isn't it to say to say to the audience okay well what would you do if we weren't afraid about the consequences just to open our minds up to kind of creative ideas yeah I you know Greg should find out what is the response to people what would be everyone say because I think what we would say and what we do are two different things I met Mischief at my time at Tinder, and we never got to do, we were too afraid to do probably the type of work that I was wanting to do that I thought we needed to do at that time.

34:32And so when I had this opportunity at Tubi, and I had a CEO that was wanting, he wasn't afraid. We're talking about an entrepreneur who started a business who everyone told him wasn't going to work in streaming, was never going to work for a very long time. and so I loved that underdog spirit and I loved that he wanted to go there and so when I brought them in it was a completely different relationship because we didn't operate with a ton of fear and I think sometimes when I've said that it gets misconstrued that I don't care about losing my job or do I come from a trust fund or something which I definitely do not, how could you not be afraid but I find that in this business we'll get fired for the things we don't do and the risks we don't take as much as we'll get fired for the risks we do take, you might as well go out swinging.

35:22Yeah. Yeah. You know, like, I mean, if you think about it, like much can be lost on the other side too. And how would you, what are you comfortable with doing? And I just, I, it was my first CMO job and, you know, I had an executive tell me probably two years prior that the reason why I was getting passed up for a CMO role was because I hadn't done big brand creative in like Super Bowl on the on the client side that I was a good growth marketer good TikTok marketer understood the kids but like I didn't have that pedigree and I thought well I just had never have never had the opportunity and so I'm kind of can be spiteful and I always love to like kind of on the that stuff really motivates me so I'm like I'm gonna do my first Super Bowl and I'm gonna show everybody like let's let's I'm really gonna lock into this and it ended up being like beyond my wildest expectations about what I what I thought I could do what people thought to be could do on that night it was incredible now which one was your first one was it the rabbit hole it was rabbit holes and the interruption spot yeah and so you know thinking about you know you're you could talk you know you have to give the context on to be and what we're up against um this is 2023 this is after Netflix just delivered their worst quarter ever.

36:42LA is shaking. Everyone is thinking, you know, we're talking about the streaming wars and who's going to win and is it profitable and how is it going to shake out? And when I got the call about this job, I wasn't familiar with Tubi and I thought that's weird because I hold a marketing budget. So if this was a place that I could be putting money, why don't I know about it? And I thought, do I want to enter the streaming wars with a player that I've never heard before when I know how big the competition is and how much they spend? Initially, I asked the recruiter, you can throw a rock on Pico Boulevard and hit an entertainment marketer.

37:15Why are you calling me? Why are you calling me? There's so many good people in market. I'm not the right one. And she was like, they don't want anyone with an entertainment background. Just meet the founder. Just hear what he has to say. And I've made a lot of decisions based on people. And I really liked him and I liked his perspective and I thought the business was in this very unique place to win. Not only because it's free and accessible, because the way that they approach streaming and the product and the content was very unique. This idea that we all have individualized viewing experiences and things we want to watch, and it's not really about what Hollywood is telling you to watch.

37:54This idea of prestige and IP and being so content forward is not necessarily what is a good business model, and that people are actually watching very different things than we would think they do. I thought that it was really interesting. And so when we were starting, I brought Mischief in, we knew we had to do a Super Bowl ad. And you're looking at the cultural context of where media is going and the fragmentation. But not only the fragmentation, like younger audiences and younger viewers sort of identify, you know, in these micro cultures, and they kind of take pride in the things that are different.

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38:30And there's all these sub communities and subcultures. Think about the social brands and which has had the most organic growth you're talking, you know the reddits the discords the tiktoks that are interest-based graphs and so i thought taking that lens of like what's going on in the media landscape and how younger viewers consume content what to be had to offer by having this incredibly deep rich library very deep cuts things you can't find anywhere else things that are really based on your unique interest and then you look at the competitive landscape that's all very ip driven very title driven very show driven And I think previously Tubi had tried to compete in that.

39:08And you just can't compete there. And again, those companies and those brands are building IP, but they're not doing anything for their brand. We don't know any of these shows what streaming platform they're on. We really don't. And that entertainment has not invested in their brands. What does it mean? And they've got some very strong brands, but I don't know that any of us can say what they stand for, believe in, and who they're exactly for. right so for super bowl we thought we have to come out in a very disruptive fashion and show the ethos of to be so having you know a giant rabbit abducting people and throwing them down metaphorical personalized content rabbit holes felt like i don't think anyone else is going to do that on that night i think that's fair to say and i just like i just was like this is something and when we first went through the creative i was a little bit horrified and disturbed and for a minute i was like did i make the right choice in choosing mischief but it was the script that i couldn't forget yeah the next day i was like i still remember it and so i think it surprised me yeah i didn't know if i liked it or i didn't like it but i remembered it and that's kind of the way that i review work and then the disruption spot was really just a way to hack the screen yeah we know we know reddit has done it um coinbase has done it and um to in that night fake like someone sat on the remote and have that incredibly viral moment was just insane.

40:38And I think the barometer of some of the work that we do is if you make something that elicits such a surprising reaction that people are then capturing content or imitating what it's like. I mean, we have people uploading their ring camera footage of their families just screaming at each other, you know? And so what I think the most beautiful thing is you put something out to the world and everyone is doing their own version of it yeah and showing it through their lens and making it their own and making it their own experience that they remember i mean like what an incredible gift yeah you know i mean you talk about coinbase hacking as well but i think the thing that you got right is it wasn't obviously a hack to begin with do you know what i mean that was the clever thing is you're going oh has someone changed the channel what's going on here something and you still see the presenters for a couple of seconds yeah don't you see like oh hang on where's the remote yeah it was like wait who hang on who's navigating to like something wrong are we switching channels yeah and we got a product demo and out of it so it was it was awesome so yeah it was a one-two punch of like you know getting attention but also telling a brand narrative through rabbit holes and then showing a bit of our personality through the hack it's really interesting how you described it just before when you described it as i didn't know if i liked it but i didn't forget it right because i got i ran the data through system one on this actually just have a look before before before chatting and i really fascinating because so last year we did a study called the extraordinary cost of being dull yeah where the big i mean again to quote greg the biggest risk you can take is to be ignored right yeah the number one emotion globally response for advertising is nothing at all neutrality people feel nothing right that's the battle i know we spend all this money to all this marketing yeah and most people ignore it don't feel anything right anyway so um and we and we found in the study that the biggest antidote to that was surprise yeah now looking at the graph on on your uh on your spot it has almost zero neutrality right literally nobody is left going i don't know how i feel and what you get is you get the biggest emotion is surprise and then there's a bit of uh fear coming in as well right and as people are going what's going on yeah these people get abducted you know yeah and then it kind of resolves at the end as you go ah right okay i get it right this is what's happening and we've continued to do work like that like i'm always prepared every time we do a campaign that that people there's going to be people that aren't going to like it yeah that we might get dragged for something yeah that there is going to be people that are going to be the people that are going to be as vocal championing it there's going to be as many people not liking it and you know that's that's a hard pill to swallow like people just absolutely trashing your work or you know not like not understanding the lens in which it's operating in but you have to be brave you do and you have to just like kind of not care what other people think as long as it's driving the business you know totally the other thing i noticed in the data was quite interesting is we measure emotional intensity so how strongly people felt and that was off the scale yeah so so basically it wasn't just people felt indifference or i felt a little bit happy they're like no i felt a lot yeah as well and there's a close um correlation between not only surprise but emotional intensity and likelihood to go and uh act afterwards click or view or whatever sort of thing which presumably came through in the results definitely as well so And even just this past Super Bowl, we did, we had a new character, which was a cowboy with a flesh.

43:53Yes. And the cowboy was I couldn't have anticipated that the cowboy would be as polarizing as as he was. Yeah. People felt very strongly. He was either nightmare fuel for some people or, you know, there's a whole Tumblr community that's obsessed with him. his backstory how did he have was he birthed how does he sleep at night with the flesh hat it's like crazy yeah but you almost don't you know you don't know how people are going to react and it's i just find it very funny what certain people are offended by at this point yeah yeah it's just an advert yeah yeah now we've got i don't know anyone watching the video will be able to see hopefully behind me behind you we've got um some new branding as well that you brought out last year last year what was the thinking behind the branding and it looks very very good as a as well but um what was the process yes we in that first year it was like figure out who the brand is put out a super rollout in a world cup campaign um and when we really got in touch with who the brand was and what it meant to people the design system did not reflect those emotions so at tubi we like to say we are inviting exciting and mischievous and we had not updated our brand design system in years.

45:11And it was the point where it was so inconsistent across product, growth teams, distribution, that there was just no consistency because the system wasn't designed to be that flexible and it wasn't designed to elicit emotion. So we, you know, had our brand book, our brand beliefs, our purpose, you know, the role we play in the world. And then we really work closely with Dixon Baxi to figure out, okay, like how does this visually and verbally come to life? Even I think my favorite part of the rebrand is the mnemonic. So when you open the Tubi app and it sings our name, Tubi, Tubi, like my three-year-old kid, he sings it and he looks up and like we had a big debate of like, should it be a sound?

45:58And I'm like, we're welcoming, exciting, and inviting and also I'm a challenger brand anytime I can sing my name and say my name and that memory and that reinforcement instead of just a a text sound I'll call it for a lack of a better word yeah I'm gonna do it and like every single touch point is that deliberate and this was a this was a project that I worked closely with at a product design because I think I can't do anything that isn't going to flex to the product all the screens and surfaces we operate on? How is our content going to look in it? What is the experience going to be? How does the design system unlock product innovation within streaming?

46:33You know, how is it going to unlock opportunities in our grid, in our homepage? And how is that going to evolve? And are we building something that this product can continue to evolve in? So we worked really closely together and it is a beast. Anyone who's done a brand refresh, I mean, these are like also lots of feelings. And we did lots Lots of testing along the way with consumers, with advertisers. Because I think what often isn't talked about is half of my headspace is figuring out advertisers and what they want and need from a media product. And, you know, the thing is, is that I, you know, I know a lot of CMOs.

47:10I know a lot of heads of media at agencies. I've worked those places. And the aesthetic and the design is important to us. You know, it has to be intentional. there is even when we go to events or we go to can how does this design system look in a physical space you know so you have to stretch it that far and it was great but it was a lot of work and i we're all really happy and just at every event whether it's an internal company event or you know a b2b event or even yesterday or new front to see this visual visceral brand with all these tones and things to play with and the rabbit holes kind of being this thing that is inviting you in um it's it's imprinted everywhere and i love to just see that that stretch and that flex and be able to take to be there it's a good point actually you've got two audiences really haven't you got obviously you're bringing entertainment to a broader audience by making it free obviously but then obviously to pay for the free i make my money off advertisers exactly right so that's the deal yep um i think i read somewhere that 30 to 40 percent of your audience don't consume other forms of streaming is that right so you're also extending who what gets to watch yeah so you're extending the streaming landscape yeah really the interesting conversation in streaming and ad supported streaming is i think typically the way marketers and media buyers were looking at it as an extension to tv like an incremental audience but it is this is not an emerging space this is just how entertainment is now consumed it is an essential part of your media buy and free streaming in particular, because it offers the scale, you're not only unlocking nonlinear audiences, you're unlocking audiences that aren't on other streaming platforms for whatever reason, right?

48:53The US market is mostly subscription based. And we've entered into the space of you're paying a subscription and you're also seeing ads in that subscription tier. So there's not really YouTube being probably the most prevalent of pure play free streaming. but we don't have that for like the entertainment space. So I think with advertisers, it's getting them to understand how they can activate audiences on the platform. What are the benefits of that? It is a lot about the ad product and the ad roadmap because CTV is the expectation is it is going to be as sophisticated as Meta and Google's stacks at this point.

49:31It can't just be bought on a show basis or on a genre basis or on a broad demo basis. It can, but it can be much more effectively bought. so i think it's that and i think traditionally you look at entertainment and you're selling the shows not the audience that's how tv was bought right you want to run within this show block a because it does have your audience overlap but um you know the streaming consumption is so much more fragmented and people are consuming all sorts of things so i think um you can't look at it as just the content and the original content only you know it's very exciting If you can match the targeting of, say, the meta platform with the richness of attention and emotion that comes with, like, you know, entertainment and TV, that's the holy grail, right?

50:16To blend those two things together. It is the holy grail. And I think, you know, you have that attention. And I'm a big proponent of social, but sometimes you don't know what you're running next to or what mental state people are in when they're on those platforms. Usually when they're in streaming properties, they're relaxed. They're watching something they love. we know this from like emotional sentiment tracking you know versus when you're on a social app or an entertainment platform the mindset is different and it is about your message and your creative but it is also the mindset of the consumer and what they're seeing in and around it that does impact the effectiveness you know i mean i think one of the most wild statistics i saw was um karen nelson field from amplify did this she's looked at uh attention by platform and by creative and the difference in attention of you know in terms of attention of the advert varies by by platform is huge you know it's like like 12 or 13 times from a in in social feed versus kind of tv and connected tv is wildly different and then the elasticity of that attention based on how good the creative is yeah gives another percentage altogether sort of thing so you then so once you start waiting for attention and waiting for the creative quality creative quality you end up with a wildly different media plan yeah the one you started with yeah and it slightly blows my mind but if you work back from the creative and the attention gained by the platform you'd make some very different investment decisions you definitely would and i think like that's why you have to be very deliberate about what platforms you're operating in and what the potential is and i think you know there's still a battle to like when you're doing a big campaign to not to make sure that the messages you're putting out are right it doesn't all need to be matching luggage you can be responsive have a ton of stuff in your creative bank that's within the vein of what you're trying to communicate so that like if you're getting signals on something yeah you can you can see what's working and move on but so much of those like you know go-to-market playbooks with like this hero asset that then scales down to this channel and then that channel it's just like you're resizing things that like strikes a very bad chord with me yeah like um because i think then you're not you're losing the essence of the of the context um and the environment and the behaviors you want to elicit in that context and in that environment yeah makes complete sense now talking of uh social and being fan first i think one of the coolest things you've done is studios so i'd love you to explain for anyone listening and watching doesn't i didn't know what that was actually until i till i discovered it it's a really cool kind of bit of innovation you've done in terms of bringing content from groups that maybe haven't kind of had a chance to get their content out there before and also allow fans to interact with that content yeah i think the fan i think there's two things like it's there's so much in the creator economy And Studios is actually a labor of love that took even longer than the brand redesign.

52:55And I started on that immediately when on Studios or something in the creator space immediately when I started. Because the way that I was looking at consumption and trends and perhaps coming from a place like Tinder, I pay so much attention to what younger audiences are doing because I think it actually dictates what the future holds. and so when you see you know the role that youtube and social and you really if you've ever been to a vidcon or worked with any influencers and experienced the fans of these humans and these individuals and these creatives it is real and that is the new celebrity and so it felt like there was an opportunity and this is not for every creator but there are a lot of creators who are personas online who are doing, you know, vignettes and skits.

53:43They're essentially acting because that's the only way that they know they just want to be seen. And they're making content and social has given them an outlet that is outside of the Hollywood veneer, right? Like, how do you start in Hollywood? I like, I don't know how if you're not related to someone and you don't live in LA, it seems very daunting. You know, Issa Rae, who was a mentor in the program, she's one of the few stories of someone who started an episodic series on youtube that then got picked up by hbo i mean but there's not as many examples of that are there not many really surprising given like the scale you can get to on youtube and the revenue potential is just mind-blowing but it's what we you have to kind of drop the conventional wisdom of what you think quality content is right yes and the quality of the creators are doing is very high so it wasn't just that it's not wouldn't like we be the first people to work with creators.

54:35But the idea was to give them a little bit more autonomy. And so we created a product where creators can put their project up. And if their fans want the project to be greenlit and they show up for the greenlight, we greenlight their first project. And along the way, because people are very interested, how do things get made? Pick up behind the curtain in Hollywood and see what does it take to make a movie or TV show? What is it like on set? What is it like for someone who's a first time doing this in a professional manner? And so they post like updates and they get feedback from the community and the project gets platformed on Tubi.

55:14And if it hits certain viewership and engagement rates, you unlock a second green light. Because even in Hollywood, you can have one success, but one success does not dictate a second one, right? So kind of having these, and that's where studios was born from the name is like these little micro studios that are really you know fan fueled and driven by the fans and the creators are you know they're the eps of their studio i think in the future these individuals don't even have to be in front of camera talent if they don't want to be and i'm just so inspired by what i've seen with younger generations and the lengths of creativity and the things that they're able to do like we used to have to get like real cameras.

55:55And like they all can edit now. Like so, and AI is only going to, what, amplify really all of their tools. So it was this idea that the people make the choice, the viewer makes the choice on what gets made. We're platforming new voices in Hollywood. We're giving people up at bats. And that's very in the Tubi ethos because most of our content library does come from independent production companies and directors in markets outside of Los Angeles and they are able to make complete living off to be and they get to do it in their voice for their community maybe things that wouldn't be platformed or wouldn't get greenlit through the traditional system and they get a ton of viewership on to be and we are just like our core strength is being able to help people find their stories and help stories find their audience and I don't think that that is like that is very unique in Hollywood yeah it's usually like we have the story we want you to watch how do we get you to watch it yeah yeah yeah yeah we have an idea we're the arbiters of cool yeah and we are gonna push that down and i think we see the world very bottoms up like whatever the viewers like like we're gonna do more of it and we're gonna double down like i'm fans of the fans like i not that i don't enjoy watching content or movies and tv shows but like you have to take that personal lens of what you watch and you we want to watch and then the funny point on advertisers that i always think is interesting i had someone once tell me that like for us to get advertisers to advertise on our platform they'd have to be to be viewers and that was such a red herring thing to say i think because if we as marketers are deploying capital based on where we watch yeah we should be fired totally right like just just because you and i love white lotus doesn't mean i need to go like you know partner with white lotus no if if we have your consumer and we can drive a valuable connection between your brand and this consumer why wouldn't you advertise with us it has it should have nothing to do with content that you like to watch and and we're we're coastal beings so our our consumption tastes are very different yeah so i always think that that is the one thing that we are continuously trying to educate advertisers on my favorite quote of all time I think in marketing is Sarah Carter, who said, you are not the customer.

58:14And it's like, the thing you have to remind everybody all the time, you know, everyone makes decisions based on what they think. Yeah, not on not an actual customer. And very few of us ever represent our customer personally. Yeah, you know, we're not in the market. It'd be impossible to write. Yeah. And that consumer is changing. So it's changing over time. But so that's interesting about having a media platform is just like how much personal bias still goes into this whole process. You know, you've done a lot of uh cool stuff on the brand over the last couple of years um what's what's your advice to sort of balancing up the kind of corporate versus kind of creative because we started the conversation about being an entrepreneurial cmo yeah how do you you know how do you get these ideas through an organization and and help them help them come to life because i think that's that's something i think navigating that and you know an idea is nothing without execution is it and i think a lot of the job is trying to execute things i mean it's exactly what I said before, it's understanding what drives the business, understanding and having an honest conversation about what are the tensions in moving that forward.

59:15I think sometimes as companies and brands, we're not honest about what we're not good at. And we're maybe not honest about what we are the best at, and you have to confront it. So I think, and then you have to diagnose, can marketing play a role in overcoming this challenge for the business? And that's not always a yes. And I think marketing not signing up to solve business problems that marketing can't solve. And I don't mean that a CMO can't help solve that problem, but maybe it's not a creative campaign or a creative execution. So I think being super crisp and clear, and all businesses are facing a multitude of problems.

59:49What's the most important to tackle at this moment in time? What's the one we're going to tackle next? And you kind of have to chart that path. So I think getting really clear on the business, what are we trying to overcome and what's the challenge? What do we challenge with the viewer? What's the cultural challenge? What's the competitive challenge? And then how does this creative deliver on those things? But if you're not clear about that strategic upfront, I don't think you can let creativity live because then it just feels like creativity for the sake of creativity. And it's not going to work.

1:00:20And then as hard as it is to attach KPIs to some of these things, you have to do your best to forecast and give executives idea of like, what signals are we going to see that says we did our job? And that is modeling. It's no different than it is in private equity where you're like, well, I think, I know brands got this. So if we do this, we're going to make this assumption. And this is where we're going to net out. I mean, I have models that have been wildly off, but they get better and they get more refined over time. But you've got to put your neck on the line also for the numbers and you got to sign up for something.

1:00:53And then sometimes you have your talent between like, like this assumption was off, you know, we weren't able to achieve that. And I've always found that that is warmth and welcome in the room to just be honest. Yeah. And not sign up for goals that are just easy to achieve. Sign up for real fucking stretch goals. Yeah. You know, like let them like, and you can caution for the stretch goal, but like I find sometimes people put KPIs that they can easily hit. And that feels, that feels a little. That's usually the sales department do that, right? The marketing department do the unrealistic ones, the sales team.

1:01:28We use the phrase sandbag in Newcastle. Yes, yes. Sandbag it. I love your word signaling, actually, because most things really worth doing take time. And most real success comes through compounding over time, right? And most businesses don't have patience to wait. So in an ideal world, what you're doing is you're looking for little signals that directionally this thing is gathering momentum or you're getting velocity or you're getting each time it's getting better. that is worth the patience to hold out. Because I think that's part of the challenge in marketing is we're one of the departments that's looking beyond the next quarter's sales, right?

1:02:01Yeah. And it can be hard then, can't it? Because we often defend what we're doing before it's even had a chance to work. And that's why you have to be really, you know, you have to be very flexible in your planning. You're going to get signals in the first quarter that might blow up your second quarter plan. And so that's why it's like, you do have to have a plan that you can follow. But I always tell the team, we reserve the right to change investment. We reserve the right to do different things. Because if the signals are telling us something different, the worst thing you can do is just bulldoze through your annual plan and deal with it later, right?

1:02:31You have to be nimble in that way. And I think that flexibility is also appreciated at the executive level to say, hey, these are the signals we're seeing. I've done things like at Tinder, I took my marketing budget, lowered it because we were having some issues on the customer support side, which didn't sit under me. And it was bubbling into social in such a way that it was actually very hard to run the social channels. And I said, I will give budget to hire more customer support people so that the company and the brand does not have this problem. That's how I see it. So you also have to be willing to say, if marketing isn't the problem, can marketing help finance fixing the problem?

1:03:12And that might mean giving money to other markets, other teams, so that the product experience can be what it needs to be, so that the customer support can be what it needs to be because ultimately those are all brand touch points and we can be saying whatever we want to say if that's not the experience we're delivering we're never going to be successful as a collective organization so you know maybe you don't do your flashy campaign and it's very spent in a very unsexy way that the business just desperately needs as a as an executive leader it's your job to raise your hand and say we can do you know maybe we're not going to do this so how many times you've seen like a really sexy campaign for an airline and then you've tried to log in on your app you can't even like choose your seat or whatever you know right or the lines were long or nobody got back to you exactly it's like you know that is the core of the business that we deliver on is and there's no you know there's no salience in the message if it's not what people are experiencing yeah you know all goes to waste so let's maybe finish up on um if you were to give some advice to the next generation of cmo coming up next what would your bit of advice be to them?

1:04:19You know, be patient and be nimble in your career and don't be so hard on yourself. I think I meet with so many college kids and they're business majors and they're not sure what facet of business they want to go into. And they're really stressed out about making that right choice. And is it analytics? Is it creative? Is it agency side versus client side? Is it finance and not marketing, I think that it doesn't matter. You just have to have a start and you have to be tenacious and you have to put yourself out there. I mean, we both have just had a chat about like our careers did not start in this.

1:04:59And where you start doesn't need to be where you end. And you can lose jobs, you can pivot. And I think that ultimately makes the best CMOs because you're not, you're an entrepreneurial ones because you're not just coming from a place of doing the same thing and maybe just leveling up at that thing. And you look at business problems very differently. So I think that's what I would say is like, take that pressure off, give yourself some grace. And where you start doesn't need to be where you end up. I think a varied path and being open to other opportunities is really important. Our careers are so long.

1:05:33The next chapter of art, what am I going to be? A teacher? I don't know. I don't know what I want to be when I grow up. But I think, you know, I don't. But I think we all have. And I think there's just so much urgency when you're young, because what we've what we've idolized, at least in America, is young people that are brilliant under the age of 30. And someone asked me when I was at USC a month ago, they said, Are you on any of the 40 under 40 or 30? No, I wasn't. And I'm not and I'm older now. And I don't like the ageism in it. Right? Like it's it gives it gives people this pressure that early on you have to be this thing.

1:06:09And nobody knew who I was until like two years ago. And I'm fine with that. I didn't go to Cannes or do any of those things. I still, you know, I'm a successful person. So like, I just think that taking that pressure off. And I think as an industry, we've got to recognize more people that maybe aren't at bigger brands that aren't doing the flashy work, but are still doing the work and doing cool stuff and like doing with what they have right with what they're given and i don't know that we honor that enough and that we make space for those either heads of marketing or you know vps of marketing that are at challenger brands or startups and you know it's different but i think we can do a lot for the industry you know very very well said and i've been pitching can to create the zero budget lion yeah because i you're so right right if you've got a sexy brand lots of money an amazing agency you could do stuff that's award-winning right yeah but i really i'd love to see you know the people that had no budget had to hustle their way to success pulled off incredible things yeah you know that they shouldn't have done yeah i mean that's what i want to learn from within constraints can come mass creative creativity totally and i think the abundance and like you we said you can pay your way to yeah many things actually if you have that much money and you're still fucking it up there's a real problem right um and you know maybe we should celebrate the losses i don't know but i I do think that that is an important conversation we need to have in more of those circles.

1:07:31You know, that's another idea. Yeah. Yeah. Return from failure line as well. Yeah. Like how do you overcome? Yeah. How do you overcome? Or, you know, the brand turnarounds and the brand revivals are just, I mean, something I have so much respect for. Yeah. You know, whether it be a Stanley Cup or Crocs or the things that you thought were, you know, you haven't seen or thought about in 30 to 40 years that are now cool. Like that's hard. Uggs, you know, like I could name many that like were things. and then not a thing. And like to revive and resurge the brands is an incredible feat. So I think just more of that, more of the differences, you know?

1:08:09Definitely. The I Survive WeWork award as well. It's like you said. Oh my God. We'll get them out of wherever they are now. Yeah, there's many of them. There's more soldiers than me. Amazing. I appreciate it. This was fun. Thank you very much for listening or watching Uncensored CMO. I hope you enjoyed that. If you did, please do hit the subscribe button wherever you get your podcasts. If you're watching, hit subscribe there as well. I'd also love to get a review. Reviews make a big difference on other people discovering the show. So please do leave a review wherever you get your podcasts. If you want to contact me, you can do.

1:08:45I'm over on x at Uncensored CMO or on LinkedIn where I'm under my own name, John Evans. Thanks for listening and watching. I'll see you next time.

From the publisher

Nicole Parlapiano is the CMO of Tubi, an ad-supported streaming platform taking on the subscription giants. Nicole has previously had her own dating startup acquired by Match Group, before working in private equity, famously being Head of Marketing at WeWork during their crash and most recently VP Marketing for Tinder. Nicole is one of the most entrepreneurial CMOs on the planet, bringing a unique lens to brand building, embracing chaos and driving the business forward with marketing.


Timestamps


00:00:00 - Intro

00:01:06 - What makes an entrepreneurial CMO?

00:06:04 - Why Nicole embraces chaos / her career journey

00:11:34 - Nicole’s experience at WeWork

00:15:49 - Dealing with a leaked WeWork email

00:19:16 - Leaving WeWork for Tinder after the crash / how to successfully join a company as CMO

00:24:57 - Marketing’s role in private equity businesses

00:33:43 - Working with Mischief and what would you do if you weren’t afraid?

00:36:20 - Why Nicole joined Tubi (and the streaming wars)

00:38:04 - Working with Mischief to create a brave Super Bowl campaign

00:44:28 - The

00:47:53 - How Tubi markets to their advertisers

00:52:19 - The “Stubios” innovation for fan led content

00:58:33 - Getting creative ideas seen in a corporate environment

01:01:31 - How marketing can help grow the organisation

01:04:03 - Nicole’s advice to aspiring CMOs

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