How Heineken became creative brand of the year - Ali Payne

26 Aug 2026 · 45 min · 20 chapters

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In short

Ali Payne, CMO of Heineken US, discusses how Heineken won Cannes “Creative Brand of the Year” and how to build effective creator/brand advertising using three levers: creative quality, creator fame, and brand fit (from the Creator Effectiveness Playbook by WPP Media, System 1, and TikTok). He also explains Heineken’s World Cup strategy as a non-official sponsor: “official beer of soccer” via trademark, cultural insertion, and activation before/during/after major events.

Guest background

Ali Payne is Heineken US CMO and was Creative Marketer of the Year from Cannes. She previously ran the Mexican portfolio for Dos Equis (including “The Most Interesting Man in the World”) before becoming global CMO.

Key claims

Creativity drives business outcomes (Heineken cites System 1 and market-mix modeling). Strategy is choosing what not to do. Innovation must fulfill a need and deliver great product experience.

Notable examples

World Cup activations (VTO volunteering funded with game-viewing beer; “Dutch bus” to distributors; limited-edition “official beer of soccer” cans). Heinz partnership (“Hein-Eken” ketchup/beer six-pack carrier and “keg” rivalry). Dos Equis “Most Interesting Man” reclaimed and evolved with the original actor. Beer Moretti “at the table” heritage storytelling. Heineken Zero Zero expanding beer occasions for women via non-alc innovation.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Introduction to Creator Ads

0:00 to 0:38

Learn about the key levers for impactful creator advertising.

“Hey everyone, now if you want to know the secret to more impactful creator ads, then this is good news.”

Ali Payne on Marketing Challenges

0:54 to 2:14

Ali discusses challenges and creativity in marketing during major events.

“It's Ali Payne, the CMO of Heineken in the US.”

Heineken's World Cup Strategy

2:14 to 4:36

Insights into Heineken's strategies during the World Cup and brand presence.

“I mean, certainly looking in, it looked like you had a great time And it looked like the U.S.”

Cultural Engagement and Legal Loopholes

4:36 to 7:50

Discussion about using cultural moments and legal strategies in marketing.

“sort of iterations of that throughout the course of the, you know, the program.”

The Importance of Brand Legacy

7:50 to 13:14

Ali shares how Heineken maintains its brand legacy while staying relevant.

“And of course, we're official sponsors of things.”

Winning Cannes Creative Brand of the Year

13:14 to 13:38

Celebrating Heineken's achievement at Cannes and its creative investment.

“And I stand on the shoulders of a lot of the CMOs worldwide because it was a collective effort.”

Fostering Creativity at Heineken

13:38 to 14:00

Ali discusses Heineken's commitment to creativity and its impact on the brand.

“Did you set out to achieve that or is this an outcome of kind of a plan to be more creative and do more creative work?”

Investing in Creativity at Heineken

14:00 to 18:16

Learn how Heineken prioritizes creativity in its marketing strategies.

“Even actually the investment of our top CMOs from our top markets are all going to go to Cannes for the whole week.”

The Return of the Most Interesting Man

18:16 to 22:36

Discover how Heineken revived a legendary campaign and its impact.

“Some people are like, why on earth would you record a WhatsApp?”

Crafting Campaigns with Heritage

24:31 to 28:00

Understand the importance of heritage in Beer Moretti's marketing strategy.

“But of course, selling the Italian sort of, I guess, aura outside Italy was what we do, what we take, Bimretti we take.”
Show all 20 chapters

Engaging Sponsorship Strategies

28:00 to 29:34

Learn how Heineken enhances event experiences through innovative sponsorships.

“You know, we had referees, reffing, you know, now you can for our Heineken 00 in Grand Central Station.”

Breaking Gender Stereotypes in Beer

29:34 to 31:18

Discover how Heineken is addressing gender stereotypes in the beer industry.

“the challenges i think beer has got as a category is it's kind of fairly traditionally male isn't that.”

Keys to Successful Product Innovation

31:18 to 34:08

Understand the essential ingredients for launching successful new products.

“So, yeah, we've extended our certainly building, you know, younger and with women through our innovation in that category.”

Creative Collaborations: The Heinz Partnership

34:08 to 37:40

Explore the creative collaboration between Heineken and Heinz for marketing.

“Because we often, as businesses, we often go, we need to shift this much volume in that particular production line and so on.”

The Reality of Being a CMO

37:40 to 40:27

Gain insights into the challenges and responsibilities of a Chief Marketing Officer.

“whether it's collaboration with Heinz or something else we can do, you know.”

Strategic Decision-Making in Marketing

40:27 to 42:01

Learn about the importance of strategic focus and consistency in marketing.

“statement brands do have to have a point of view otherwise why are you here so yeah finding that balance, you know, and sometimes it does mean taking a little bit of a risk, you know.”

The Importance of Brand Consistency

42:01 to 43:30

Learn how consistency in branding can prevent confusion and enhance identity.

“very choiceful and saying no to certain things.”

Advice on Innovation: Kill Early

43:31 to 44:40

Discover the crucial advice about knowing when to end projects in innovation.

“What's the best piece of advice you've ever been given?”

Focus on What Matters

44:41 to 45:14

Understand the importance of focusing resources on successful projects rather than distractions.

“Pet projects, things that keep reoccurring.”

Celebrating Creative Achievements

45:15 to 45:30

Celebrate the success of Heineken as the creative brand of the year.

“And glad you brought back the world's most interesting man as well.”
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Transcript

Automatic transcript. May contain errors.

0:00Ali Payne:Hey everyone, now if you want to know the secret to more impactful creator ads, then this is good news. Stop obsessing over engagement rates and start pulling the three levers that really make a difference to your brand. Now what are they? They are creative quality, creator fame and brand fit. And they're revealed in a brand new report from WPP Media, System 1 and TikTok called the Creator Effectiveness Playbook. This is your guide to making fantastic creator advertising that works for your brand. Now, to get a hold of it, all you have to do is go over to systemonegroup.com and download the report today.

0:38Ali Payne:All right, without further ado, let's go on with the show. The magic of how a brand was born is important to hold on to. And I think sometimes in marketing new brand teams coming in as a CMO, you want to make a mark. And sometimes you can just be doing change for change's sake. Ladies and gentlemen, welcome back to Uncensored CMO. Now in this episode, we're going to be talking to the Creative Marketer of the Year from Cannes. It's Ali Payne, the CMO of Heineken in the US. Strategy is more about what you're not going to do than what you are going to do. Capturing eyeballs these days is tough, right?

1:09And live sport in particular is one of the few events that gets everyone's eyeballs. Sometimes not being the official sponsor forces you down to be super creative. Like how are we going to do this within the legal boundaries? How can we insert ourselves into the culture of the event? And I think it made us more creative.

1:33Ali Payne:Ali Payne, welcome to the show. Thank you. So great to be here. Good to be here and hot off the back of the World Cup as well, which is great. What was it like being in the town, one of the towns that hosted it? Look, I said to everyone, I'm actually in mourning that it finished on Sunday because I think what the World Cup did was really bring country fandom to the US. It created a wave of positivity. And so in every city, whether it was New York, Boston, Houston, Dallas, LA, everyone was out supporting their own country. And we were, as the official beer of soccer, of course, we were right there at the heart of it.

2:13So it was awesome.

2:15Ali Payne:I mean, certainly looking in, it looked like you had a great time And it looked like the U.S. put on a great show for everybody and really attracted the crowds. And lots of my American friends were very proud as well that it showed off the country in a great light. Oh, yeah. You know, and I think I think it was needed. Right. That obviously a lot of the press coming out of the U.S. has been negative. Things like tariffs, all those sort of things that have impacted the world. So actually having something where people could focus on on just pure celebration and bringing soccer like a sport to the U.S.

2:48US, whilst it's actually got quite a strong, I wouldn't say underground movement, it is a very popular sport. It's played at grassroots by kids. So I guess the fact that it doesn't have as big a professional league as, say, hockey or football, but the fact that we were able to bring soccer to the US and they could see the power of the game is just awesome. And, you know, we did things like, you know, people heard about the Tartan army in Boston, you know, drinking the town dry. Of course, you know, we came to the rescue. Heineken delivered beer in an emergency. So it's all those things that we could do to just continue the celebration, you know.

3:31Ali Payne:It's funny, isn't it, how it's those things, the reactive things, like the Norwegians doing the rowing. Yes, the rowing. things like that. It's funny, isn't it, how they're the things we remember, the kind of cultural moments where brands stepped up. So something like that, was that planned or do you just decide, you know, do you have things ready to go or do you kind of decide in the moment to do something? Look, we did have a certain number of things planned. We had a program called VTO, Volunteer Time Off. As everyone knows, actually watching football can be a tough thing when you're at work because a lot of the games are in the middle of the day.

4:05So we found a sort of loophole in people's what we call volunteer time off. A lot of companies offer their employees time off to go and volunteer. So what we did is organize with a group of NGOs, volunteer programs like cleaning up a beach in Miami or working in a food bank in New York, that you could volunteer and that we would then fund you watching the game and drinking some Heinekens at the end of your volunteer opportunity. So those are the things we planned.

4:35Ali Payne:And we had sort of iterations of that throughout the course of the, you know, the program. But there's other things we just jumped on. So, you know, we have cultural listening, people, we had squads of people finding out what was going on. And I think leaning into that fandom, you know, the left, right on, you know, with the Dutch, of course, we bought the bus, the Dutch bus to our beer distributors in Texas, you know, those sort of things we jumped off on as the, I guess, as the games unfolded. So, yeah. Now, I must ask you about official beer of soccer, right? So when I saw that, knowing that you weren't the official sponsor of the World Cup, I immediately went to chat to EPT and was like, hang on a minute, is this legal?

5:17Ali Payne:I know. How do you get away with that? Yes, well, I did the same thing, by the way. It was a legal team. I'm like, Matt, who's a legal guy. I'm like, are you sure? You know, look, my predecessor, I said, I step into my predecessor's CMO. He trademarked it back in the day, I don't know how long ago, because we have a strong affiliation with soccer in the US. We're sponsors of the Champions League, etc. So it was something that we were able to say and legally we trademarked it and we were legally able to use it. So we used it to our advantage. And, you know, of course, obviously the rest of the world calls it football or football.

5:57You know, the fact that we could lean into what Americans call it at the time. and if you're in a lot of our major cities, you'll see our great out-of-home placements with official beer of soccer and helping Americans translate soccer terminology to actually American football terminology. So yeah, it was fantastic. We also took it onto our packs. So all the way in store, we had limited edition like aluminum can that we sold through pubs and bars. So yeah, it was great for us to be able to, I guess hijack as we aren't the official sponsor. Yeah, that's amazing.

6:34Ali Payne:Do you track who the public think are sponsoring the World Cup? Did you see any kind of sense? Yeah, I don't have official data. We do track across all our sponsorships. And sometimes it's more surprising. I think, you know, sometimes you think the official sponsors are the ones that are going to be known the most. Whereas the ones that really show up in store, in the bars, you know, Our heartland is in a lot of the cities for Heineken where the games were being played. We have our highest share in New York City, big share in Miami, Philly, Boston. So the East Coast is a bit of our heartland. But again, we're pretty big in Texas.

7:14So the fact that we showed up in store and out of home and all those touch points with the consumer, with the official beer of soccer, I think meant that we were up there pretty much above some of our beer competitors. I can well imagine that.

7:31Ali Payne:I've got some data on this because there's a report from a company called Nectar Social. And they worked out that non-sponsors actually got more earned media on social media than sponsors, which I think was fascinating. I mean, imagine sponsors spending tens of millions of dollars, aren't they, buying all the rights to the World Cup. The fees alone are in the millions. I mean, I do have a bit of a theory. And of course, we're official sponsors of things. And, you know, but sometimes not being the official sponsor forces you down to be super creative. Like, how are we going to do this within the legal boundaries?

8:04How can we insert ourselves into the culture of the event? And we, like at Heineken, it was all about fandom. We have this sort of campaign. Fans have more friends. And, you know, it's about it's easy to pick up friends who have similar fandom to you.

8:18Ali Payne:Right. I think it made us more creative because we knew that Big Beer Competitor was the official sponsor. They were going to be blocking all the signage, you know, in the stadiums, etc. So how do we be clever and, you know, almost hijack the cultural moments around fandom? So, yeah, for me, I'm not surprised in some ways because I think he could just become a bit more creative. I always said those brands that I've worked on that have the smallest budget, sometimes you can just do magic things, you know. Yeah, because you can get a bit lazy when you've got big budgets, you know, just slap the logo on and official beer of this.

8:55And, you know, so, yeah, I think that's why.

8:57Ali Payne:Yeah, there's an amazing book by Adam Morgan called A Beautiful Constraint. Yes. It's all about where innovation ideas come from and actually the power of having constraint. Yes. Probably the best example I've got. I worked at, I was working at Britvik, that's a Pepsi franchise in the UK during the Olympics 2012, where it was in London. and coke have this policy of wherever the games go they will put their competitor back a generation that's how they phrase it well they'll literally take over the entire city take over the entire country and we actually sent a team of people to the vancouver winter olympics 18 months earlier to study everything they did and we kind of worked out where the roots were going to be where the merchandise is going to be where the bribes were going to be everything right yes and basically what what we'd end up doing i think it was either six or 12 weeks we accepted that in this geography we weren't going to win right we couldn't do anything about it because it was you know near the olympic park all the routes in but then we built a plan which was to win in the all the weeks running up and all the weeks coming afterwards yes and by the end of the year we'd taken two percentage point share in cola and we'd got to a record ever market share yeah no i know I think that would never have happened without the Olympics.

10:11Ali Payne:I think if it hadn't been an Olympic year, we hadn't have taken that threat so seriously, I'm pretty sure we wouldn't have achieved that. No, and on Heineken too, we were the same. You know, I guess soccer or football, often the season never ends. My husband's a lifetime Arsenal supporter. I joke. It's like the football seems to be on. You have three weeks, a break a year. But we have the lead up to the Champions League, right? And then it was rolling into the World Cup. But we knew we had to get out early, right? And so we were on the floor in all the grocery stores and the bodegas in New York really early.

10:43And I think that's because we knew that we had to get, I guess, share of mind on the floor. We wouldn't have been so early, I don't think, if it wasn't a World Cup year in the US.

10:56Ali Payne:Now, you're managing a brand that's, I believe, over 150 years old. Yes. Doesn't it? How do you approach kind of knowing what to keep about the brand with such a big legacy and also make it culturally relevant in the way that you've just described? I always think about brand building as making sure you hold on to the legacy. And often the brilliance that started the brand is really at its core. We talk about Freddie Heineken, you know, who, you know, sort of walk the halls of Heineken in Amsterdam and you see Freddie. and he has this famous quote and I'm not going to, my Dutch is terrible so I will say it in English which is I don't sell beer, I sell good times.

11:34I think is how you pronounce it in Dutch and for me that's the fundamental thing that we've carried forward and our mantra is that we believe in a refreshing social life and a social life is best had in real life and if you think about like what's changed you know we were we were stuck in our homes during covid couldn't get together um social media has has taken people away from necessarily you know uh getting together in real life but you know those moments when you do get together in real life are super super important so i think carrying that thread it really did come from we don't sell beer we sell good times and good times are the best had over a beer in real life for me that's the the red thread that we've carried from heritage to now yeah i think everybody's starting on a brand should

12:25Ali Payne:go back to the museum oh yeah i love archives it's amazing yeah like we have the heineken experience um and the archivist there i've often done that i used to work at kellogg's and i'd go in and and go to the archive and um see all the little things we used to put in the cereal packs and those sort of things, you know, you can find the best things through archive. Yeah. Because I think the magic of how a brand was born is important to hold on to. Yeah. And I think sometimes as, you know, in marketing, new brand teams coming in as a CMO, you want to make a mark and sometimes you can just be doing change for change's sake.

13:04And it's sort of important to really understand what makes a brand, the brand it is. Yeah.

13:12Ali Payne:I couldn't agree more. Now, a very big year for you this year because you won Can Creative Brand of the Year. Massive congratulations. Huge, huge achievements. Yes. And I stand on the shoulders of a lot of the CMOs worldwide because it was a collective effort. It's a worldwide, you know, contribution to all our awards. But yeah, it's amazing. That is incredible to do that. I think 31 Lions this year, which is an amazing haul. Yeah, yes it is. Did you set out to achieve that or is this an outcome of kind of a plan to be more creative and do more creative work? I think creativity has always been at the heart of what the Heineken company, but in particular the Heineken brand has been about.

13:52But I think in the last, I would say, four or five years, putting creativity back as a major focus for the business, we certainly have made that a mantra. Even actually the investment of our top CMOs from our top markets are all going to go to Cannes for the whole week. You know, that alone is a big investment. A lot of companies don't put creativity at the forefront. So I think our investment in creativity, we have a capability team, our Global Commerce University, which is, yes. Ooh, that's interesting. Yeah, we have what we call a creative ladder, a 10-point scale with sort of legendary at the top, ownable in the middle, destructive at the bottom.

14:41And we talk about our creative across all our brands, not just Heineken, and push the bound, like really talk about creativity, which I don't think many companies do. It's very hard to judge your own. Everything you put out you think is wonderful, right? But actually having a sort of, I guess, a jury of your peers also assess it and sometimes they're not coming with the background and everything is hugely valuable. So, yeah, we truly believe in lifting up creativity across the organisation and it's a fundamental skill that we try and build in across our brand teams you know and building it as a capability amongst our junior brand team members because i think sometimes you may come into marketing not having learned the ropes you know and so it's really

15:27Ali Payne:important i can imagine how that would play out in the marketing team how do you get the wider business kind of on board with the sort of work you're doing and the investment that goes behind it as well yeah look i think a lot of it is proving um that creativity matters and that it amplifies you know your content that goes out creative content will actually sell more beer than non-creative content. So creativity, it's what, I forget the multiplier, five times. And we have that data. We, you know, do all our market mix modeling and we can prove that creativity drives business. And we have things like System 1, of course, and those things that, you know, they talk about that.

16:07So proving its business outcome, I think, has been a really important part. And we know, we fundamentally believe that that is true. and that's what uh that's what helps at least for me to sell it to our ceo yeah no it's so crucial

16:21Ali Payne:i mean funny you mentioned system one but i mean the first time i ever used them the creative agency came out with an amazing campaign i mean it's honestly spectacular for a relaunch for brand i was on yeah and i remember presenting it and literally the room was like crickets like literally everyone was going what was that about john and i was like oh no they don't get the idea this is terrible yeah and so i went away and i thought how do i get this how do i get them to see this and i remember i gave john the founder a system on a call and said hey man help me out here how do i get them to do this and i got him in a couple weeks later and they were eating out of his hand because he provided the science behind it and the data and then at the end of the meeting they're like well this is the most obvious thing ever and i said well hang on a minute two weeks ago you were laughing at me and now you're sat there going this is really obvious exactly i mean and And I think, I mean, obviously marketing is art and science and having that science back up.

17:14But I mean, if you think back to the great campaigns you remember, like if someone mentioned a brand, you'll first of all recall the marketing and the great campaign versus anything else. So it does prove that it's embedded in your, you know, hardwired in your memory. The great creative instantly makes brand recall. and in a world where you've got, I don't know how many messages a day, 3 ,000 plus, that's super critical, right? So creativity has to cut through, you know?

17:47Ali Payne:It really, really does. I'm going to build on that point in a second, but just quick before I do, any particular highlights for you in all those Lion winners, if you're allowed to say? Oh, yeah. Well, I can give a big shout out to our Brazil team. They won many awards. I don't know, maybe 10 awards off this one, which was, it could have been a Heineken. So it was built off the insight that if you all have friends who either you're SMS or WhatsAppping, that they record their message rather than type it. And that creates quite a little bit of friction and tension. Some people are like, why on earth would you record a WhatsApp?

18:23You could have just called me or we could have met. Your message was so long, I didn't listen to it. So the insight there was actually, let's go against all those people that record their WhatsApp messages and incentivize them. It could have been a Heineken instead. Get a free Heineken if you submit your friend's WhatsApp message and actually meet them in real life at a bar. And that won a number of awards at Heineken. And I think that's just a brilliant way of sort of saying, hey, you know, there's just moments in life where it could have been a Heineken instead. and we encourage people to get together.

19:00Ali Payne:I love that a lot. It's funny, I was interviewing Karen Blackett the other day and at the end of the, just after the interview, she said to me, whatever you do, never leave me a voice note, John. And she goes, in the time it took you to voice note me and me voice note your back, you could have just picked up the phone and we could have had a lovely chat. Exactly, yeah. Or you could have had a Heineken. Could have had a Heineken, even better, which I think would be perfect. Now I wanted to touch on creative consistency. We did this bit of work a couple of years ago at System 1 called Compound Creativity.

19:27Ali Payne:where we discovered actually that great creative work wears in. And I love, you've got an amazing example of this in terms of the world's most interesting man. Can you explain this? Because I think this is one, I don't think I've ever come across a situation like this where you've put some work out to pitch and the creative agency have come back and presented an old idea. So just explain this because I think this is genius. Yeah, so look, when I joined Heineken in the US in 2018, I actually came in running the Mexican portfolio, which is Dos Equis, which we were talking about. And I entered when we had had the most interesting man number two.

20:05We'd probably done probably the worst thing you can do, which is leave a legendary campaign behind and put a second most interesting man in the world out there. And it was met with a frosty reception. So that was canned. And we went on to what I would call some struggling years of finding a point of view on Dos Equis. Then I went over to Amsterdam and came back as CMO. So I sort of was able to, this like, you know, I'm going to crack Dos Equis. It drove me mad when I was here. I'm going to crack Dos Equis. And everything we did pointed to the fact that the most interesting man in the world and stay thirsty, my friends, still lived on.

20:43And actually in the intervening 10 years, so we stopped the campaign in 2016 and it's now 2026. in those intervening 10 years, he, the man himself and the meme, I don't always, but when I do, had lived on in social media. And so actually everyone still knew it. And we were like, you know what? I think there's an opportunity to reclaim, reclaim all those memes. You know, I don't always drink beer, but when I do, I drink Dos Equis. It was such an ownable line. The man himself was so iconic and well known. And actually, you know, we tested it, of course, we tested it with younger consumers who were not even legal drinking age when we stopped the campaign in 2016.

21:32And it's still known. And so we felt like that we were onto something. So when we went out to an agency, we actually decided to go and pitch. We gave the agencies the option. We had a fantastic briefing session. We talked about the legacy of the campaign. We talked about the creative desert years, as I called it, which I was sort of responsible for as well. And we said, look, we're putting it down. And we say, it used to be completely off the table. We're not going back to him. But if we did, that's an option. Come back. and unanimously actually the agencies all of them all four that we pitched to um said we can bring him bring him back we will evolve it we make it much more we bring it back make it relevant for today it's a bit like my freddy story right make it relevant for today but that he lives that he can live on and stay thirsty and that idea of like you know taking the path less traveled being you know a little risky because then you'll actually have a better story to tell at the bar and uh yeah So we brought him back, the original himself as well.

22:36Ali Payne:And same actor as well? Yes, same guy. Yeah, we approached him. I remember meeting him in a pub up just like 15 minutes north of our office to say, what's he like? Over at Dos Equis we talk about the sort of possibility of bringing him back and he's like, I'm up for it. So yeah, that sort of started the ball rolling. So his fame has gone to another level, presumably. Oh yeah, yeah. He was always famous. Like he never lost his fame where the man and the actor sort of became a blurred line. But, yeah, no, he dons. Once he's on set, like he did, you know, there's nothing we haven't put the most interesting man through.

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23:15He's ridden trains in India. You know, what did we have him do? He's painted a self-portrait blindfolded on the mountains in Chile. He's chased a tornado in a car. You know, you name it, he's done it. So he's been, he's had many stories to tell about what we've put him through over the years. Love that.

23:33Ali Payne:He's one at life, hasn't he? Like become famous for one thing. You'll never be out of work again. I talk with marketers all day. Many of them say the same thing. Traffic is down, leads are down, and they're not sure why. Until they realize what has changed. Most of their customers now trust AI to recommend the right brands to them. And the first one that AI recommends, they go with. visibility in AI search comes down to whether AI trusts your content but most brands have no idea where they stand so how do you show up when someone asks AI about the things that you sell with HubSpot AEO HubSpot AEO shows you exactly where your brand stands in AI search and makes clear recommendations on what to do to improve it without having to guess so when someone asks AI what to buy you're already the answer try it for free at hubspot.com forward slash aeo another uh good example actually from your portfolio which i know you worked on is beer and moretti yes yeah which i know going back to system one database here i think is one of the highest scoring campaigns right and it's just beautiful example of the role of provenance and history and heritage and being true to your roots as well well you know beer and moretti is like the biggest beer in Italy.

24:50But of course, selling the Italian sort of, I guess, aura outside Italy was what we do, what we take, Bimretti we take. It's sort of around being at the, what are Italians known for? Being at a shared table, the nonnas cooking, their favourite pasta, all getting together over a beer in a beautiful environment. It's at the table. and we needed to bring that essence of Italy and everything that's wonderful about Italy, you know, to life outside Italy, right? And so, you know, that's why I think the power of what is Bia Moretti, you know, and we always said that Bia Moretti's spiritual home was Tuscany in terms of that feeling.

25:34People are especially from the UK. It's a massive brand, obviously, in the UK. You know, bringing that essence to life was super important. So I think all the work we did there, I think the whole visual world of Beer Moretti is very clear. What it is, how it's very social, it's multi-generational in a way. You know, it's getting together, it's enjoying life's simple pleasures, as we say. And simplicity is around great friends, family, over great food, with a great beer, you know. Yeah, I really, those were special advertising. Always great to shoot in Italy too. I was going to say, that was a tough job on set.

26:12Yes, exactly.

26:12Ali Payne:We open in Tuscany. That's right. In a lovely old town. Break for a three-hour lunch, you know. Yes. Yeah. So, no, it's awesome. I wanted to ask you a little bit about sponsorship. Now, I know you didn't sponsor the World Cup, obviously. But you were the official sponsor of soccer. Yeah. But you do sponsor a lot of other things. We do, yes. Like the golf and Formula One and so on. What's your strategy in terms of sponsorship? And how do you kind of get the return on investment? because, you know, sponsorship costs are going up and up and up, aren't they? Yeah. It's very challenging. And it is, yeah.

26:42Agency fees, there's sort of the, what do we call it, the race to race and sponsorship, especially, you know, capturing eyeballs these days is tough, right? And live sport in particular is one of the few events that gets everyone's, you know, eyeballs. If you just looked at the success of the New York Knicks, right, winning New York, Like everyone was glued to the TV, whether they were watching at home or in a bar. So, yeah, look, sponsorship. I think my rule of thumb is, you know, we can't spend everything on fees. It's nothing without activation and how you activate in a very clever way. And it's about bringing the entire experience to life before, during, and after.

27:22Because sometimes the actual event itself is a weekend, right? So, like, we sponsor Formula One. The races move around the world. we have three Formula 1s in the US we have one in Miami, Vegas and Austin so we look at how we engage with the fans before whilst we actually have the during the event and the fan zones and things actually at the event but also the conversation about the drivers and the teams after the event so you know making sure that you're not just spending it all on fees that you're also activating and honestly I've worked in rules of thumb that were between for every dollar you spend on fee you should spend between two and four dollars on activation so i think that's the most important thing and and it's not about just slapping your logo on as the official beer you know we we sponsor the u.s open and we we work a lot on driving that engagement like it's it's the event of new york city people are transiting through grand central station to get there how do we own grand central Station in the lead up, the anticipation.

28:27You know, we had referees, reffing, you know, now you can for our Heineken 00 in Grand Central Station. You know, it's those things, as I said, the before, during and after that we need to make sure we amplify across our sponsorships.

28:42Ali Payne:You're right, because the sponsorship itself is purely permission to play, really, isn't it? It is, yeah. You saw that at the World Cup. I mean, I think Adidas came out top, didn't they, in terms of the amount of earned media they got but the difference between some of the sponsors was wild no exactly yeah you know we sponsor Coachella as well you know from music platform we have the like Heineken the Heineken house which is only branded stage where we curate the music and yeah a lot of it's about engagement who's in the lineup you know uh you know my daughter came with me to to Coachella this year and she's shared her spot like mom this is the Spotify list I've made an entire three-hour session but you to you know get out of your oldies but goldies uh you know music and listen to the stuff that you know that i that i'm going to be listening to so you know it's it's how we engage in that and bring that experience to life across coachella was really important for us too yeah i talk about younger people and also to my women as well um one of the challenges i think beer has got as a category is it's kind of fairly traditionally male isn't that.

29:42Ali Payne:But I noticed, again, just on the system one database, one of the best campaigns he did was a German one called Cheers for All scored 4.6 star. And it played brilliantly on that kind of scenario where it's stereotype. The guy's having a beer, the girl's having a cocktail, and the server assumes that's the way around. And then they swap it. And it just gets funnier and funnier in different situations. Exactly. Yeah. Women can drink beer too, right? Exactly. Exactly. So how are you bringing in kind of new people into the category? Yes, I mean, yeah, like I think beer in the past has had a bit of a bro, you know, what we used to call barbecues and bros, especially in the US with sometimes how it's been advertised.

30:23And women do drink beer, by the way. I drink beer. I think the Heineken, you know, entry into the non-Alk space has definitely unlocked that opportunity for us. So, you know, Heineken Zero Zero, which we launched in 2017, it's the biggest, you know, zero beer worldwide. And then like we've extended into, you know, like different innovation. Now we have Heineken Zero Zero Ultimate, which is, you know, triple zero. So zero cows, zero elk, zero sugar. You know, those things have brought a lot of women into the brand who may, you know, in a bar choose to drink some water or, you know, diet sodas. So actually we've extended the occasion a lot more through a lot of our innovation.

31:09We've also brought in flavors this year. So cold pressed lime, nectarine and juniper, which, you know, gives a little more flavor to beer that I think is important. So, yeah, we've extended our certainly building, you know, younger and with women through our innovation in that category.

31:28Ali Payne:And you do a lot of innovation, I know. But what would you say are the ingredients of a successful piece of innovation? Because everyone knows the statistics, you know, in terms of nine out of ten. Yeah, innovation. Never make it. I mean, yeah, there's a lot of doom, isn't there? There is a lot of doom. And I've had a, if anyone reads my LinkedIn profile, I've had a history of innovation with other companies as well. And it's not easy. You know, people can always talk about their successes, but there's usually a graveyard of skeletons. Look, I think it's first and foremost, it has to fulfill a need.

32:01Like, you know, I always think the worst thing is if you've got a solution in search of a problem to solve. The extension into non-alc did fulfill a need. You know, people want to feel like they're part of a group, but sometimes just do not want to drink alcohol. And it played that role, right? You can fit in. We would say you can cheers with a beer. You can cheers with a Heineken 00. And there's not like questions. Well, you're not drinking, you know. So it filled a need. It still, I think fundamentally, it still comes down to absolutely amazing product experience. Like all the best marketing in the world can't bandaid over a poor product experience.

32:40People will try it and if it doesn't taste great, they won't come back. And the mastery, our master brewers in the Netherlands, I think they worked on it for years and years and years to really perfect. I always say it's Heineken without alcohol. It's not a non-alcoholic beer. It's Heineken first and foremost without alcohol. And, you know, people say, oh, my gosh, it is the best tasting non-alcoholic beer. And it's because it is a great product. So for me, it fills a need. Then, of course, let's say wrap around the great marketing, tell people what it does. We, you know, we launched with quite a shock tactic associated with like the fact that you could be seen drinking a beer in places where you never would be seen drinking a beer, like in the office at lunchtime, driving a car.

33:29you know so we had a famous shot by a california beach where a policeman comes up and the guy's sipping in a car because in in the u.s you cannot what they call have open container in a car even your passengers so it was quite sort of i guess disruptive because our message was now you can you can drink heineken wherever right so i think disrupting this disruptive marketing was also a major part of it but fundamentally fulfills a need great product yeah i love your phrase

33:58Ali Payne:a solution in search for a problem. I remember a CEO I used to work for would say, let's make what we can sell and stop trying to sell what we can make. Yes, exactly. Because we often, as businesses, we often go, we need to shift this much volume in that particular production line and so on. We're thinking like what we can sell rather than actually what does the consumer want. I mean, and there is some sort of mantras too, which is sometimes the consumers don't know what they want. What Ford said, if I asked them what they wanted, they would have said that they wanted a faster horse. So there's a bit of a balance.

34:29But I do think sometimes in big CPG corporates, we've got like because we can make it and we think we can make it, we'll find someone who'll want to drink it. And I think this coming back to a fundamental consumer insight and a need is still important. Absolutely.

34:46Ali Payne:Now talking about needs, one of the most surprising and standout bits of marketing you've done recently was the Heinz partnership. I think LinkedIn was flooded with lots of love for it as well. how did you put well firstly describe it for anyone who's not seen the partnership what it was and then how do you get to the point of doing it because i've worked in some big organizations getting two big organizations to collaborate particularly where it's their core equity and their packaging as well is not easy to do yes i agree look um you know two iconic brands right i think we have both over 150 year legacy it's actually driven off a key insight if you come go into a like a bar, a hamburger joint, six pack carriers of beer are used as condiment carriers.

35:35So people, they'll have the bottle of ketchup stuck in it. They'll have often knives and forks and napkins and they'll have, you know, salt and pepper. And everyone's like, oh, wow, they're reusing our Heineken six pack carrier as a condiment carrier in a bar. So it was a habit that was sort of being done. And so we were like, you know what, what would be the ultimate thing, which is when you're having a beer, you're often ordering a hamburger, right, in these bars or wings or whatever. Wouldn't it be great to have the condiment, so Heinz ketchup, in the six-pack carrier with, you know, take out one of our bottles, sacrifice one of our bottles for Heinz?

36:14So, yeah, that was how it started. So it started off a fundamental thing that if you walk into a, especially a New Yorker or anywhere in the U.S., you'll see that sort of thing happening. Then it was approaching the team, but we've had a little bit of a, I guess, a tip for tat rivalry with the Heinz social media team. They launched the beginning of this year, sometime this year, the ketchup keg. And they came out and they're like, we have a keg full of ketchup, you know, and this is what you need to, you know, dispense enormous amounts of ketchup for your barbecues and your cookouts. And we came out, we actually have a keg.

36:50We have a Heinz, a Heineken keg. and so we came out with like a social media post that said it had to be Hein-Eken with our keg instead and that started a little bit of a rivalry between the two social media teams so we did have that connection and then conversations top to top yeah we managed to pull it off yeah because as you say getting it signed off through your own legal corporate affairs global stakeholders. Imagine you have that on both sides.

37:21Ali Payne:I was going to say, that's not easy. But I think these days there's a willingness to lean into the culture of it. We were swept up with the World Cup, I guess, atmosphere. So, yeah, we're super glad we made it happen. And I think it also proved to us that we can be agile. You can make it happen. And so it gave us a taste for, I guess, you know, more creativity going forward, whether it's collaboration with Heinz or something else we can do, you know. I thought the design was very clever as well, wasn't it? because you kind of had Heinz, you had the beginning of their logo and then Enneken is the end of yours, which is good.

37:54And, you know, they have it has to be Heinz and we have it has to be Heineken. So, yeah. Yeah, it's very clever how it kind of works together.

37:59Ali Payne:And how did that come to life in stores as well? Were you selling the pack like that? Yeah, I mean, pulling off that sort of, you know, at large scale, but token packs, we have, you know, merchandise. So we have Heineken branded outfits and Heinz and Heineken branded shirts. We used it a lot to just sort of drive, you know, social conversation, but did take, you know, even our employees can win shirts. So, yeah, it was a lot of amplification through social media. And, you know, there's a love of both brands in the U.S. And you've got red in your logo as well. So kind of the red and the green together.

38:37Ali Payne:Exactly. Yeah. Weirdly, we're like a match made in heaven. Yeah, it didn't feel that unusual. Yes. Yeah. I wanted to ask you, you know, we talked a lot about sponsorship, advertising, you know, looking in from the outside, people assume you must have this amazing, glamorous life where you're sort of on set meeting interesting people, going to interesting places. What's the, what would people be surprised to learn about the role of a CMO compared to how they might perceive it to be? Yeah. I mean, people think, you know, I guess the number one thing is, oh, you must be the most super creative person.

39:05Like you're creating all these ideas. I think I employ people that work with great agencies that create great ideas. I think the thing I say my mantra is how to keep creativity alive through the process, you know, because, you know, there's legal requirements, there's corporate affairs, there's attitude to risk taking, there's creativity by committee sometimes. And how do you keep that process alive through all the systems? There's research, which can also, as we know, sometimes, you know, kill creativity. So I feel like my job is how do you keep creativity alive? Take the data. It's not about ignoring research or ignoring our, we certainly can't ignore our legal teams and things.

39:49But how do you make sure that the environment's right to let creativity happen? We talked a lot about that as a global CMO group on Heineken at Cannes, you know. What are those barriers? and I think that's people would be surprised that sometimes you know I go home and go did I keep creativity alive today you know and push the boundaries a little I love that phrase but sometimes you can get especially I think with with the rise of so much media you can get cancelled in a second I think some people can be very nervous about being cancelled or make the wrong statement brands do have to have a point of view otherwise why are you here so yeah finding that balance, you know, and sometimes it does mean taking a little bit of a risk, you know.

40:36It does. I love that.

40:38Ali Payne:I love how you phrased that. I often used to talk about providing the air cover. Yes. Because what often people don't realize is how much air cover you provide, whether it's challenges from finance or supply chain or reasons why it's a bad idea or that they throttle the idea before it's had a chance to grow because the early ideas are often, you know, not the ideas you end up with and they need time to kind of breathe, don't they? I find, and I try and train this into some of our, like we very much confuse execution with idea. The idea may be absolutely brilliant, but the execution of it is questionable.

41:14Yeah. Or we kill a great idea because an execution has gone off the rails and it wasn't true to the idea. So really going, it's just true to the idea, you know, the campaign idea, and then you're not killing something just because of one bad execution. And I think that's sometimes really hard to keep alive because people judge things by the execution. And you're like, well, no, that's not – we could change the execution. You know, the idea is really, really sound, you know. So, yeah, keeping that alive through the process. That's huge, that, isn't it?

41:44Ali Payne:And what would you say makes a really great CMO? I think the other piece of advice I've been given is strategy is more about what you're not going to do than what you are going to do. because I think you get thrown with so many things, so many avenues you could go down and being very choiceful and saying no to certain things. That's why I think sometimes brands lose their way. Can I jump in on this conversation? Can I do this? Can I do that? So being very clear about what you're not going to do and then being very purposeful about what you're going to do. I'm a big believer in inconsistency. I think, you know, and I've been a victim myself, come in, change things you know and I've learned even bringing back the most interesting man the power of consistency distinctive assets you know the same like tagline the same you know the way you show up all the way through from every piece of content into the store so yeah for me it's being very clear about what you what you are and what you're gonna do but also definitely what you're not gonna do yeah those things really compound don't they they kind of build on each other and you know the more you use them the more they grow whereas if you change them you just reset them then exactly you can have a sort of brand frankenstein as i call it because you've just sort of got on the latest bandwagon about everything you know yeah um especially you know you talk about leaning into the cultural conversation we did with heinz and things there was a moment like we could we could respond to heinz's launch of the ketchup keg because we we have a keg and we are in beer but other brands tried to sort of you know wade in a little and It's like, well, it's not their role, you know.

43:22So being very clear about where your role is, what you can involve yourself in. Because otherwise, I think you just, you know, just become noise.

43:29Ali Payne:Now, move us around up. One question I ask everybody. What's the best piece of advice you've ever been given? Actually, it's probably in relation to innovation. The strategy quote was definitely a great one. It's more about what you're not going to do than what you do. But the other one is, in innovation, kill early. Oh, yes. Yes. Don't flog a dead horse. So know when to cut your losses. Yeah. You know, I think sometimes things can linger on with innovation. So, and, you know, we talk about like, you know, nine out of 10 things fail, except some things are going to fail. And if you're, but then if you're on the winner, go, you know?

44:04Yeah.

44:04Ali Payne:I think I heard a, it was now former CEO of Coke, actually, who was speaking at an event I was at last year. And he was asked, like, what, you know, what will stand out about his tenure as CEO? And one of the phrases he uses, I became a zombie killer. Yes, yes, exactly. He said the amount of projects. No, you're right. And he said they were well-meaning people. They were in it for the right reason, you know, all the whole things. They were very passionate. Yes. But I just knew that they were just trying to keep something alive that should have been killed years ago. and it's taking resource away from doing the right thing.

44:35No, I totally agree. And yeah, whilst I relate it to innovation, it's actually your job.

44:40Ali Payne:Yeah, yeah. Pet projects, things that keep reoccurring. We call it like whack-a-mole. You know, you've killed it and then it pops up somewhere else. Yeah, because it takes an enormous amount of resource and energy. So let's focus on the things that are really working, you know, and yeah, I think it's a good mantra. And what people don't factor in is the opportunity cost. Exactly. There is a cost of what you're not doing. Yes, yeah. That you should be doing. Like let's sweat the really important things, you know, the things that really matter. Going that extra mile on the creative versus distracting on something else, you know.

45:12So, yeah.

45:13Ali Payne:Couldn't agree with that. Well, listen, massive congratulations on an amazing year. Creative brand of the year. That's amazing. Yes. So very well done. And glad you brought back the world's most interesting man as well. That's great to see. And there are so many lessons in, you know, what you're doing. And so I appreciate you sharing it. Anyway, thank you. And welcome to Heineken's. Thank you. Headquarters here in the US. Anyone watching this, by the way, on YouTube will see some of it in the background. I know. See our giant bobblehead and most interesting man. Yeah, we've got one on the table as well, so go check it out.

45:44Ali, thank you so much. Yeah, thanks so much. Good to have you.

45:47Ali Payne:So I hope you enjoyed that episode of Uncensored CMO as much as I enjoyed making it. Now, by the way, I've got a new newsletter. So if you'd like to get my thoughts on the one thing that I take out from each episode every week, then do subscribe to the One Thing newsletter. I'd really appreciate it. Also, I have another podcast. Just launched Uncensored Renegades with the fabulous Cori Marchesotto. She is one of the world's best CMOs. She's an absolute rock star. Every week we pick one topic, spend 20 minutes trying to fix it. So check out that. It's in your feed, Uncensored Renegades. And finally, I want to give a huge thank you to my sponsor System One.

46:24Ali Payne:They generously provide so much support for this podcast. It would not happen without them. So big thanks and lots of love to System One. I'll see you next time.

From the publisher

Ali Payne, CMO of Heineken, joins us to discuss how one of the world's most iconic beer brands became Creative Brand of the Year at Cannes Lions - and what it takes to keep a 150-year-old brand feeling fresh.

From being the "Official Beer of Soccer" as a non-sponsor of the FIFA World Cup to reviving the legendary "Most Interesting Man in the World" campaign, Ali shares how Heineken balances long-term brand building with cultural relevance. We explore what it takes to get an entire organisation behind bold creative ideas, the role of sport in Heineken's marketing strategy, and how brands like Birra Moretti continue to grow through innovation.


Timestamps

00:00 - Trailer
00:56 - World Cup fever for the USA and Heineken
02:51 - Jumping on cultural moments
04:25 - Becoming the official beer of soccer (unofficially)
06:50 - How non sponsors got more coverage than sponsors for the World Cup
10:18 - How to manage a 150 year old brand
12:31 - Winning Cannes creative brand of the year
14:46 - Getting the wider business on board with creative work
17:06 - Ali’s favourite Cannes Lions winner
18:38 - Bringing back Dos Equis most interesting man
22:58 - The success of Birra Moretti
24:49 - Heineken’s sports sponsorship strategy
28:32 - How are Heineken bringing new people into the category
29:56 - The ingredients for a successful innovation
33:12 - Heineken’s partnership with Heinz
37:08 - How great CMOs keep creativity alive
40:11 - What makes a great CMO?
41:58 - What’s the best advice you’ve ever recieved?


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Thank you to our sponsors System1 and HubSpot

Download System1's creator effectiveness report here:
https://system1group.com/the-creator-effectiveness-playbook

Find about more about HubSpot's AEO product here:
https://www.hubspot.com/products/aeo


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