In short
Podcast Episode Summary: Reloaded - Rupert Howell on Creating the Agency of the Decade
Podcast Title
Uncensored CMO Podcast Description: The Uncensored CMO explores the realities of marketing theory and practice.
Episode Title
Reloaded: Rupert Howell co-founder of HHCL on creating the agency of the decade Episode Description: This episode, originally aired in May 2021, features Rupert Howell, co-founder of HHCL & Partners, discussing the agency's success and best practices in advertising. The episode covers winning pitches, creative campaigns, and the relationships that underpin successful marketing.
Key Topics Discussed
The Rise of HHCL
- Agency of the 90s: Howell discusses how HHCL became the leading agency of the 1990s.
- New Business Philosophy: His mantra: *Honesty, Respect, Trust* and the importance of transparency in client relationships.
- Example: Admitting mistakes (like a typo) builds trust.
New Business Strategies
- Role Separation: Emphasizes the need for new business to be distinct from day-to-day account management.
- Pitch Process Insights:
- The pitch starts with the first phone call and ends only when announced in Campaign.
- Importance of understanding the client’s needs and relationship dynamics.
- Winning a pitch often depends on relationships, not just creative ideas.
Campaign Highlights
- Carling Black Label & Tango: Howell shares how insights from one brand informed the success of another, specifically how Tango's branding shifted perceptions and boosted sales, ultimately impacting competitors like Fanta.
- 4th Emergency Service Campaign: Discusses the innovative campaign for AA, showcasing how it transformed the brand’s identity and customer engagement.
The Importance of Relationships
- Howell highlights the significance of building relationships not only with clients but also within teams and agencies.
- Successful pitches often rely on personal connections with both decision-makers and their teams.
Challenges and Lessons
- Sustainability of Agency Success: Reflects on how the culture and success of HHCL diminished after his departure.
- Transitions and Acquisitions: Talks about the challenges faced during the acquisition by Chime and how often agencies struggle post-acquisition due to misalignment in vision and culture.
Media Insights
- Howell discusses his experiences in the media landscape, criticizing the sensationalism and negativity pervasive in news reporting, and the mental health implications of constant exposure to such content.
- He suggests reducing media consumption, particularly on social platforms, to improve mental well-being.
Non-Executive Roles
- Explains how he got his non-executive roles through networking and personal relationships rather than traditional methods, emphasizing the importance of connection in business.
Key Takeaways
- Honesty and Transparency: Foundation for successful client relationships.
- Adaptability: Agencies must be willing to evolve and adapt to market changes.
- Networking: Essential for career progression and opportunity access.
- Mental Health: Reducing exposure to negative media can improve personal well-being.
- Team Dynamics: Internal relationships and morale are as crucial as client relationships for agency success.
Conclusion Rupert Howell encapsulates the essence of what made HHCL successful while providing valuable lessons on the intricacies of marketing, agency dynamics, and media. His insights resonate through the challenges of maintaining integrity and creativity in the fast-paced world of advertising and public relations.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:06Ladies and gentlemen, welcome back to the Uncensored CMO. Now, something a bit different in this episode. I'm going to reload one of my favorite episodes all the way back from 2021. This is with Rupert Howe. Rupert is the founder of HHCL and Partners, one of the most famous and successful creative agencies of all time. And because it's quite an old episode of mine, a lot of you listening won't have come across it. So I want to put it back in your feed so you don't miss out. And I think the beginning of 2025 is the ideal time to have an episode like this. Now, a little bit of a warning for you.
0:39This is rather long, almost two hours. In fact, it is the second longest episode after one where I interview myself. So anyway, apologies for that. But I promise you it's worth it. Now, next week, we'll be back to our normal schedule. In fact, not just our normal schedule. We're going to be doing two episodes next week just to get us off in style. Firstly, with Amazon and secondly, with Les and Sarah. So there's lots to look forward to. But in the meantime, sit back and enjoy Rupert Howe. Here it is. so i thought obviously if you don't mind we'll start with the agency the 90s i mean there's so much cool stuff there and then um i thought i would as well dip into new business and and i the reason why is because i don't know if you agree but agency spend a lot of time putting the creatives on a pedestal the planners are like the clever the clever people in the corner but but you know the people that grow the business and work with with clients don't tend to get much uh much airtime do they?
1:30It was ever thus the salesmen are always the people who are down the pecking order in the roll call of glory unless they start winning a lot of sales in which case they get pretty well rewarded so I never minded that I mean the thing in advertising is the thing that matters the most is the idea and the creatives and the planners are typically the architects and builders of those ideas And the job of the client service people, obviously, is to make sure you've got the best chance of the best ideas being bought and made. That comes from building a relationship of trust with the client. And that's what the client service people do.
2:17I had a mantra in the agency which went honesty, trust, respect. And I used to say to everybody, the first thing you have to be with your clients is brutally honest. If you don't know, say, I don't know. If something goes wrong, tell them it's gotten wrong. Don't let them find out. I remember very, very early on, one of our very, very first press ads had a typo in it, which for me was a killer because I'm a typo fan. You are, I've noticed that already, yes. Always have been. And I rang the client up and I said, look, I'm really, really embarrassed about this. We'll give you a refund. But there was a typo in the ad.
2:55It was a very minor typo. And the client said, honestly, it doesn't matter. Nobody will notice it. I didn't notice it. But thank you for calling me. And the reason I did that is A, it's the right thing to do. But B, I think if you're honest with your customers in any walk of life, they begin to trust you. And if they trust you and you build up proper trust between the two parties, you then get to that nirvana, which is respect, mutual respect. And what mutual respect delivers is the ability to listen to and take on board each other's point of view. And clearly in the client-agency relationship, there's always some tensions in that.
3:35The agency sees the world through the lens of advertising. The client sees the world through the lens of business, where advertising is an important component, but certainly not the be-all or end-all. and you have to have mutual respect for those positions and they only come from honesty and trust. So I think that's what good account service people do. Funny enough, new business is a slightly different skill and I know in different types of agencies it's either part of the job of every client service person or it's a separate job. And certainly in the big ad agencies that I worked in and when I became new business director, it was a separate job.
4:13I was literally taken off all my client service duties to become new business director. And it was explained to me, excuse me, the reason for that was explained to me quite well, which is if you have client duties as well as new business duties, the client duties will always come first. And the reason for that is actually because they're easier than new business. so if you've got an excuse you know this john as somebody who's new business really if you've got an excuse not to make that call not to do that difficult thing which is to talk to a person you've never met before rather than talking to somebody you know you'll always do the latter and actually that's why in big agencies or substantial agencies the new business director role was separate because you've got no excuse you've got nothing else to do but to try and That is so true, isn't it?
5:12Because also in your to-do list, getting done what the existing customer needs doing is always going to be the immediate task, is always going to trump the long-term one, isn't it? Exactly. So one of the advice I've given to lots of startup agencies who've asked my advice over the last 20 years or so or 30 years is make sure you've got enough people looking after the existing client so that you, the founder, chief exec, whether that's me or Johnny Hornby at CHI or whoever, can actually spend not all their time, but the focus on their time on developing the business. Do you know that's so interesting actually, because I think there's probably three, if I look at my own career, there's three parts of my own career where I've gone through lots of new business growth.
6:00And every time it's slowed down, when I've had to, again, get internally focused on organizing projects, prioritizing recruiting and it's almost you know it slows down because I'm looking in not looking out and it's been the same pattern I've seen every time. It happens every time John and the you know I had a great example towards the end of my time at Young and Rubicon before I set up HXL where I'd led and won the pitch for the British gas flotation Tell Sid which is still the biggest campaign in British advertising history. That was back in 1986, and I think we spent$27 million in three months.
6:40Now, imagine what that is in today's money. Wow. I mean, hugely successful. I mean, it paid for itself multiple times over. As the Secretary of State, who was a wonderful man called Peter Walker, said to me at the day of the flotation, he said, thanks to the strength of the TELSID campaign and the demand out there I was able to price the issue at the very very highest level that Rothschilds said was possible and he said every penny I added to that share price was worth 100 million so you paid for yourself in spades anyway so a little side story uh but but one of the things that happened after that is that British Gas wanted to reward the agency and gave us the British Gas heating account but they insisted as a condition that I ran the business as the management representative so for the first time for quite a long time I mean I'd run the gas flotation but that was a project not an ongoing account yeah and um and uh so I started you know managing the British gas client and it just meant I had less and less time for new business and the agency's strike rate started to fall and I left shortly after that to set up my own agency and the agency strike rate plummeted and a very good guy called toby hall got got his uh teeth into it and got them back up again because again he was a 100 new business director and do you think there's a there's a different new business skill set because i i've noticed you know you've got established sales people that are very good at keeping the you know keeping the account going doing the admin managing issues that kind of thing but i generally find there's a different breed of person isn't there that that is is comfortable i think so it's either you know it's either a great account handling on steroids or it's a slightly different breed of person i think the thing that marks out and you know i have to be uh you know slightly careful here because in a sense i'm talking about myself and i was i will remind you voted the finest new business director of all time by campaign magazine uh the last time they did feature which was about 25 years ago so i'm sure there's lots of people who've done better since but um uh i think it's having that competitive streak yeah and uh you know this the joy was in winning uh i've always been um very competitive and uh i like to win um uh funny enough less competitive in sport than you might imagine okay when i played a lot of sport i mean i did like to win but not at all cost yeah some people but when it came to business definitely I you know it was the thrill of the chase and some people like that and some people are scared by that I loved it and I was inspired really by people at Saatchi's and you know we may talk a bit about Tim Bell later it became really my my mentor and then we ended up as colleagues as well the Saatchi's machine in the early 80s later I mean it was extraordinary and they had this astonishing passion to win and never ever ever give up famously Saatchi's would win business having been told they'd lost the pitch and then they literally work overnight ring the client the next morning and say we've just realized this is one of the ideas we never showed you can we show it to you oh and the client invariably would say yes of course and invariably because they'd worked out why the other ideas haven't been successful they'd come up with something that was good so they snatched victory from the jaws of defeat just so often and that inspired me and one of the mantras I had when new business director at YNR and then in my own agency is just never give up don't take no for an answer there comes a point where you're going to piss the client off if you carry on nagging and you have to judge that but just never gave up and quite often we have clients very doubtful about the ideas we put in front of them because we were always pretty radical and it took a lot of hand-holding and we've just we always recognized that a pitch started from the very first phone call they made to you and how you handled that or the very first letter you got in the old days right down to the moment the other agency was announced in campaign which was the point you gave up it's funny actually when um when i started freelancing about three or four years ago i was quite surprised actually i got i got a quite a large number of calls from agencies who i used to be their clients and said oh can you come and do some pitch training and um you know because obviously you've been a cmo you understand it from the other side of the fence you know help us understand so i did this little presentation called the 10 things you never knew about a cmo trying to get them into the into the head and one thing i said that always i could never understand is whenever I sent the brief out you know for a pitch I literally wouldn't hear from the agency for a week two weeks until they came in and I just said the biggest thing I can tell you to do is phone up immediately you get the brief ask to speak to the decision maker and just get them to talk you through it and say well what's the business issue we're trying to solve what criteria are you going to judge this by how could we guarantee we win it and then so in you know 15 minutes you could probably you know work out how to win it sort of thing but very wise exactly what I used to do so I'd get the brief and I'd just uh ring up and say look I just want to check that I've understood this so can we just walk through the brief together yeah and yeah 15 minutes and you've got so many clues as to what the person was looking for the other the other critical thing from the agency perspective and you can call this cynical if you like I call it sensible is there is only one purpose in pitching and that's to win the pitch it's actually not to solve the problem oh that's a good distinction i like that yeah the purpose is to win the pick there is only one purpose from the agency i used to say to everybody if you sit around thinking that you can in three or four weeks solve the problem of this business you are deluding yourselves you can't okay you might make a contribution towards solving the business but you can't solve the problem you might be able to solve solve the cmo's problem yeah which may be nothing to do with solving the business's problem yeah it may be with his or her relationship with the ceo it may be all all sorts of things i always used to want the first question i used to ask when discussing the brief is what keeps you awake at night and it's amazing how often it would stray off the standard of business discussion to personal issues um that and also i'd always find out the name of the pa and chat her up good because it was always a hurry i'd always chat them up yeah so i'd know their name and i'd know all sorts of things so that meant when it got down to the nearer the pitch or just after the pitch when they're briefed to keep the agencies away by the cma I couldn't get through because I knew Julie I'd say Julie I'm so sad that Spurs lost again this week because I'd know that he's a Spurs fan now what's John doing today?
13:58when can I get it? you know and they'd always help yeah oh that's genius I'd always make friends with the receptionist the PA and I'd always I'd always focus on the decision maker and what his or her issue was and what was going to win the pitch. And, you know, there's many, many times you've won the pitch. And then when you actually sit down with the client, you properly say, look, the more we think about this, we're not sure what we put up in the pitch is the right thing. I also used to say to clients, because obviously later in my career, I was often asked by clients to advise them on pitch processes.
14:39I said, honestly, you shouldn't be looking for the solution. You should be looking for the partner. Yeah. The people you can work with, you know, the people you like. And I remember going with one client to choose an agency in Germany and we did the three pitches in one day and the client said to me, he said, you know, I really like, you know, what agency one did. You know, I did that and I'm not sure about I like them. Now agency three, what lovely people, but I wasn't, didn't think the pitch was very good. So I said to them, well, yeah, but you know, which one would you rather work with? And they said, well, number three, I said, but then you've made your decision.
15:14Because actually, they're a very competent agency. You can see from their showreel that they know what they're doing. Together with you, if you like each other, you'll work out the best solution. I think you're right. Never underestimate the importance of the passion of the team. You want to believe that that team want to win. And also that you can see yourself working with the people. I think that's really, really important. The other thing you said there as well. The person who taught me the most about new business, though, this single individual is a wonderful lady called Lindy Payne. And Lindy founded the advertising agency register, the AAR, which is now owned by Martin Jones, who I've known for donkey's years.
15:54But Lindy was one of my best mates. And she became a big, you know, a big ally of mine when I was new business of YNR again, because she liked me for whatever reason. And then when I set up HHCL, she was unbelievably helpful. and I thought she had the best summation of everything really she said to me in one sense she said Rick what you have to understand is clients are looking for mates who understand their business that's what they're looking for if they think you could be a mate and that you understand the dynamics of their business then you will win more pitches than you can imagine yeah so it wasn't it wasn't a cynical attempt to make friends with clients but I genuinely tried to do that as part of the process and sometimes that was difficult because sometimes I didn't like them and they didn't like me and guess what we didn't win those pitches but most of the time I got to a place with the with the client where we got pretty damn well so unless we blew it in the presentation i knew we were going to win and occasionally we did blow it in the presentation of course we did but you know we we were we you know if you think on average in those days it's it's pretty much the same now there are four agencies on a pitch list maybe five so on the basis that all are pretty competent because they are you've got a 20 25 chance of winning so if you strike above 25 you know you're doing pretty well well throughout our 10 year full independent history we struck at 65 really wow that's brilliant you know and when i was new business director of y &r we struck at nearly 50 and it's it's and i measured it by the way most people never bothered measuring things like that but i measured everything as well because i you know i do believe following the data which is a current mantra yes is a pretty sensible thing to do because it tells you things so yeah we measured it and the other thing i used to do is when we didn't win I'd send in my finance partner, Robin Price, to do a post-pitch analysis with the client, which they always were happy to do, to find out why we didn't win.
18:02And it was normally, even though they didn't express it like this, they didn't like us. Yes. Or, you know, or... Chemistry. Or they couldn't see a way that we would be acceptable to their more senior management. Yeah. because we were radical and we were young and ballsy and so on and so sometimes they were scared of what their senior management would think funnily enough as time went on we got into you know uh after after we'd been agency of the year a couple of times that problem went away because we had credibility and also i you know started being asked to attend board meetings with the whole board which is something that just doesn't happen nowadays it hardly happened in those days so myself and my planning partner were the first outsiders ever ever in history to attend a lego board meeting so we were flown out to Billund by um um by the by the founder's uh i think he's either son or grandson kirk christiansen who was a delightful man absolutely delightful man and they basically owned Billund and yes and flew and we flew out he he has a collection of castles and private jets but he lives in a two up two down in bill and strawberry oh he did in those days and we were invited in because he he wanted an outsider to say what the computer games world was going to do to lego we basically said it was going to kill it we were wrong by the way but a lot of what we said we did the old dance of death for them yes but a lot of what we said which is that they should embrace the online gaming world and allow, for example, kids to design stuff on their computer that then would print out a building plan using Lego, which they did and so on and so forth.
19:53But their product and their brand was stronger than we thought. But things like, you know, I went into, with the launch of Go for British Airways, I wrote a tiny part of Barbara Kasani's business plan that we went in to present to Bob Ayling, the boss of British Airways, that became Go. I was with Mike Harris of the main board of Prudential when we presented why they should launch a credit card called A. Yeah. So I got invited up into those very senior levels of companies and big companies, which just didn't happen to other agencies. And I think it was partly because my sort of balls and naivety, I just thought, well, why wouldn't they want to meet me?
20:46I love it. And actually, I got on pretty well with them. You know, Peter Davis, who was chief exec of the crew, the ex-chief exec of Sainsbury's, we ended up getting on pretty well. Although he wasn't a huge fan of my agency. He was a big fan of Abermead, having been the Sainsbury's client. And, you know, Bob Aylin got on fine. But now, you know, the problem for agencies nowadays is they are further down the food chain, and that is a problem. But in those days, as I said, that was one of the reasons why, particularly in the early days, we sometimes didn't win pitches. But the critical thing was we went in and asked the question.
21:26So we always had the data. Why had we won? Why had we not won? That is so important. it goes back actually to what you said at the beginning which was um you know agencies are looking at the narrow communication but their clients are looking at the entire business and something i often say to people is really understand the business problem because if you can help the client solve the business problem then you're going to be heroes you know well the first the first thing i said when i when i was doing these master classes i don't do them anymore but when I did them, is I'd say to the agency team, I said, okay, what was the last pitch you did?
22:01And somebody would say, I don't know, doesn't really matter, Toyota cars. I said, did you read their annual report before the pitch? No, not one of them, ever, never, ever had read the annual report. I said, well, why wouldn't you do that? Why wouldn't you read their annual report? I said, it's the most boring document on the planet, annual report. but it has it has two really vital things in it and one fun thing in it which are the only three things that you need to read in an annual report the first is the chairman's statement because that will tell you what the shareholders and the board are concerned about happy about worried about and then you read the chief executive statement because that will tell you what the management concerned about worried about as well you don't really need to look at all the numbers maybe the headlines then you just want to go to the back and read what the highest paid director is paid a because that's amusing but b because i used to use that whenever i used to then get into debates with procurement about how high our fees oh very good so i used to say that's really interesting so you're telling me that my agency's fees for the year which are less than your chief executive was paid last year are too high that was always quite a good emotional blackmail one love it um because we were very premium priced i mean very premium priced and um uh you know our margins were comfortably the best in the advertising industry um um because i said look you know we're the best we're good so you know if you make the best pet food you'd expect to charge more for it yeah we make the best ads we're going to charge more for them well something something i think people forget as well is um it's only in my experience and maybe because i didn't take responsibility for it but the brief is often not written by the cmo it's often written by someone a bit more junior and it's often sort of almost everything we know or whatever you know it doesn't often tell you exactly yeah and so i the first thing i say whenever i've done the pitch training is the brief is never actually the brief your first job is to understand what the real brief is and that's doing exactly what you said get under the skin of the financial statement talk to the CMO and then the other bit of advice often give people which um came down to I remember I was in Ireland on a on a trade thing for when I was working soft drinks and we had the Tesco buyer uh flew over to Ireland to do a presentation on what Tesco's objectives were and I was up late at night in the bar with him and he said to me John how are you going to get me promoted and I'm like David what do you mean he said well look I'm only here for a short time I'm I've got my eye on the next role.
24:34What are you going to do as one of my top three suppliers to get me promoted? And I thought to myself, do you know what? Actually, that's about right. What am I going to do for him that's going to make him so famous within Tesco and within the industry that's going to help him succeed sort of thing? And you suddenly realise that a lot of it comes down to, you've talked about it, certainly personal. What's the personal situation of the person you're dealing with and the decision maker? I mean, I always knew that with all of my clients. I kind of knew where they were in their career and what they were thinking.
25:05And, you know, a lot of them I helped into other roles. And in fact, and again, partly for business reasons, because they then, you know, went to a new company and reappointed us. So Jan Smith, the wonderful iconoclast Jan Smith, who was the person who appointed us to launch First Direct for Midland Bank HSBC, then appointed us at uh Mazda Cars and then appointed us at the co-op she did three huge appointments and she did the other two without a pitch she just moved it straight to us aren't they the best situations we don't even have to pitch because you got the reputation yeah because she knew we were the best and we she knew we understood her iconoclasm uh which typically was she always wore a big fedora and if she took the fedora off when she got into the office she was in a good mood and if she left it on she was in a bad so we used to know she still had her hat on just to not just not get into any fights but if she had her hat off we could fight her tooth and nail on anything and every subject but you're right about you always follow the the individual not necessarily the company i remember um i when i was in i left britwick where i was for a few years and went in to do a do a startup and i hired a pr agency and they were they were i thought i'd try and find someone who's new, you know, going to, going to do work a lot harder for a lower fee because I want to prove themselves.
26:28So I ended up working with this agency for about three years. And then I got the call to go, John, we're really sorry. We have to resign the account. I'm like, what's happened? What's happened? And they'd of course got a brief from a slightly bigger software brand that was going to pay them twice as much, partly off the back of the work we've done together. I was really upset. I was just fuming. So I thought, you know, all that trust we've built up, the working relationship, I've supported you in the early years. I would never, ever do that. It really hurt me, actually. And then about six months later, I then became the CMO at LucasAid, which was about three times the size of the client that they had given me up to take on.
27:04And I just thought, look, there's a bit of karma in the world, isn't there? But, you know, that lost loyalty meant they weren't, you know, you don't know where your client is going to end up, do you, and what they're going to be doing next. I've never done that. I'd never do that. Dump a client for a bigger one. Just wouldn't do it. and um i mean it's interesting talking about brick one of the questions because i do i do want to you know i want to to talk about this is that you you asked about um the nature of the client and you know buying good work and so on and so forth and you mentioned andrew marston who's a friend of mine actually even though in the end he was the person who finally took the well i want to ask you about that of course yeah yeah he took the tango account away from hhcl and gave it to chi And I think, although I think CHI is one of the best agencies around and Johnny Hornby's a genius, they've never even touched the lows of the work we did for Tango, let alone the highs.
28:04And neither has anybody subsequently. So it wasn't Andrew who bought the good work. And, yeah, he was uncomfortable with us. But the great thing about Andrew is he was always honest with me. He always told me right from the outset what his concerns were, what he was worried about. And therefore, it never really came as a shock when the business went. And it was fair enough. And he was decent about it and all that sort of stuff. And so we managed to remain friends. But the secret with Tango was a client called Tony Hillier. So Brett Vick hired as marketing director this guy called Tony Hillier, who had been the brand manager on Carling, Carling Black Label, and had done or had been there when some of the great Carling Black Label work was done, like sort of Dam Busters and all that kind of stuff.
28:58And when Tony got to Britvik, he called the pitch straight away. Tango had had a terrible campaign with kids, you know, right on kids playing street hockey with a can of tango rather than a ball. And it was one of those ones, which is, you know, so typically of a middle-aged person trying to be down with the kids, missing horribly, missing horribly. Anyway. And Tony called the pitch and I met Tony for the first time. And I said, look, okay, why have you put us on the shortlist? Because by then we started doing some pretty notable work. we'd won the Grand Prix at Cannes for the best ad in the world in 89 for Max L.
29:41Tate. And so we were pretty high profile. But he also said, look, you know, I thought Stephen Axe, your credit partners, did the best ever Carling Black label ads. They did Hamlet one, which was, you know, Overeos on the Edge, you know, Bouncing the Skull and all that sort of stuff. They did some great Carling work. and he said and the truth is and this was the brilliance of his brief he said the truth is what I really want he said one of the things that used to really cause me problems at Carling is that and all the anti-booze advertising lobby latched onto this is that the favorite ads of eight to 12 year olds was calling black lady and were not meant to appeal to anybody under 18.
30:34Yeah. So he said I suppose what I really want is a lager ad for tango. Lager advocates, that's brilliant. No I want a lager ad for tango. Yeah yeah. I want a lager ad for the brown tango that's aimed at you know 10 to 15 year olds and that was the genius of his brief whatever was written by some flunky and if you if you deconstruct the semiotics of the great tango app it's a lager and it just was incredible i mean sales increased by 700 almost instantly so what was a a can gathering dust on the back of a chip shop shelf suddenly became the coolest brand for kids to be seen with and i mean it destroyed fanta it did yes through fanta yeah This is an astonishing fact, probably one of my proudest ever moments, because I used to say to clients, the best sign that your ad is working well is if it damages your key competitor, not just enhances you.
31:36So I said, look, there's two ways you improve your business. One is lifting yourself up. The other is pushing your opponent down. and I said the best strategies, the greatest strategies on any advertising or any marketing do both those things. So take the AA. If you're the fourth emergency service, what does the RAC do? They're fucked. They can't be the fifth or the sixth and they can't say they're the second or the first because then they'd upset the police and the ambulance which is why we said it's the fourth emergency service and it killed the RAC. I mean we went from seven million members and declining to nine and a half million and growing inside two years it mullered them so that's what great strategies do they elevate your brand but they also whatever the reverse of elevate is they de-elevate your opponent's brand and that's what tango did to fanta sony fanta became so uncool and they were still running ads with californian you know kids teenagers on the beach you know in the sunshine yeah and the coca-cola company withdrew fanta from the uk market yeah i remember that 18 months because we killed it how cool is that that's really cool yeah i mean i remember i mean i grew up with tango as my favorite brand of soft drink as a kid and then my first job after university was at britbic and back in 97 so how about that well tony then got tony got um uh kind of headhunted to join a sort of entrepreneurial business where he could be a shower in the furniture game which which was fine and uh i've forgotten his surname to my utter shame but steve somebody else took over who was brilliant as well the bravest one of the bravest people that i've ever come across i mean for example he let us do this for the still tango launch we did the fake product recall yes massive trouble yes yes so we had and we put him on camera So it was him saying, I'm the marketing director of Britain.
33:37I'm really sorry. If you've seen bottles of Still Tango around, they're a counterfeit product. You shouldn't buy them at all. And it just went, whoops, sell back in two days. And we also did a whole campaign of planting empty bottles of Still Tango in rubbish bins all around festivals and events. So they were sort of full of these empty bottles and people think where's that where can i get that yeah yeah um he was incredibly brave we got into a lot of trouble for that for um uh yeah you know uh damaging the potential seriousness of product recalls well i wanted to ask you about this right because because getting into trouble seems to be almost in the dna of tango doesn't it how much of that was like a conscious so obviously you had a you had some ads banned didn't you and you had to recall the slap campaign so how much of the strategy depended well yeah they were slightly different the first thing is is is you you have to believe this we never deliberately got anything banned so you can call that naivety or the triumph of optimism over realism but it it never crossed our minds that for example the orange tango slap would become a playground craze because it was it was meant to be an analogy for the fact the hit of orange juice in tango because tango was believe it or not the only orange soft it did it had a really high fruit content yeah yeah well that was that was that was where it came from the brief the brief from the brilliant planner john leach who did it was this is about the hit of real orange juice in the taste uh because everything else like fanta was totally 100 % synthetic.
35:22Anyway, we had no idea. And it literally became a playground craze of going around slapping people. We'd seen it more as the sort of Morecambe and Wise type of slack. But anyway, it became a craze. And in fact, we pulled the ad. It didn't get back. So there's a misconception about that. I got a phone call on about the fifth day of the campaign and the guy on the end of the fence said hi um i promise you i'm not one of these usual people who complain i'm a i'm an ent surgeon in in cheshire and he said i just uh operated on a burst eardrum and going into the anaesthetist i asked the kid what it happened and i got a tango oh so uh we called it that day and then replaced it with the kiss which was never quite as good but it was still good and then we went on so so we didn't have um we had less and ads banned than you might imagine but we had lots of ads that caused controversy so even even the fourth emergency service because uh what i'd done is i'd cleared it with the chief of the Metropolitan Police, the head of the ambulance service and the London Fire Brigade, I actually talked to the boss man of each of those before we presented the idea to the AA.
36:50That's impressive. We did present it in a picture. Yeah, because I knew that the first thing they would say when we presented it was, you can't do that. And literally, again, a fantastic client at the AA who's unfortunately passed away now, but he was quite an old guy and he retired up to Harrogate. I went to see him even after he retired. He was a brilliant man. And in fact, the director general I kept in touch with until he retired as well, a guy called Bob Chase. And we got to the presentation and I said, I'm going to do an unusual thing in this pitch. I'm going to present you the idea before we present any rationale or strategy.
37:26Right up front, because I know you're going to have a problem with it. So they looked at me like I was really straight. so I said you know I basically we did a video camera we took video cameras out one of the things we did for any pitch is really really kind of get under the hood of the product and what we did with the AA is we went out with the patrols incidentally amazingly we were the only agency that actually went out with one of the patrols and worked with the patrols for a couple of days and took a video camera and we had on camera people um who uh by the side of the road who the aa was sorting out and we interviewed them and they kept saying things like you know i can't tell you how happy i am that they're here this was a real emergency they kept using the word emergency and i remember asking one of them was a woman i said what what what do you mean a puncture is an emergency?
38:25She said, well, I've got to get my kids to school. She said, look, my kids are sitting in the car. They're late for school. They're going to get into trouble. It's an emergency. And another person said, I've got to get to the airport.
38:40And so I played this to the management of the AA and I said, you're not a breakdown service. you're an emergency service in fact you're the fourth emergency service in people's minds alongside the police the fire brigade and the ambulance they said we can't say that so i said hang on a second and then i played them video on video ahead of the london fire brigade the lender thing saying actually we see these guys as another emergency service alongside us and the client hit the table he went we can do this and i knew i'd won the pitch 10 minutes into the pitch it's a great pitch test and that. But what an idea though, what a great idea.
39:20And the idea, funnily enough, didn't come from a planner, it came from the art director. We were sitting in the room for the sort of first pitch, you know, powwow, sort of idea sharing. Myself, the account director is called Misha, Liz and Dave, who were the creative team, who went on to do some, they actually, Liz wrote, does what it says on the tin. And we were talking about this sort of, what happened by the side of the road. and Misha, the account director, was saying, you know, and I talked to this person about that and that. And it was Dave Suddenly who never said anything. He was a classic art director who never spoke, just sat there.
39:57He ended up being a very good art director, actually. And he said, well, they're just another emergency service, aren't they? He said, they're like, you know, the fourth emergency service. And we all looked at each other and went, fucking hell, Dave, that is genius. And then the only thing we had to change is we, I always used to sort of try and have informal discussions with clear cast. They weren't called that in those days. I can't know what they were called, but they're called clear cast nowadays. And I'd sometimes, if I thought something was controversial, would have us sort of off the record.
40:34And they said, well, you can't say that because the thing about the emergency services is that they're available to 100 % of the population and the AA isn't. so we added and it made it stronger to our members were the fourth emergency service which actually then made membership even more valuable so the truth of the matter is it did take a brave client uh uh to buy quite a lot of our ideas and a very strong client and somebody had a very secure relationship with their boss because you know we would quite often have uh chief exec say to us well on your heads be it to me and the client and fortunately the vast majority of the time it was hugely successful but we had our failures you know and and the great thing is I never ever in the in the 10 years of the independent history of HHCL when I was running it I never ever ever had a client turn around to me and say this is your fault uh how dare you do this to me you've ruined my career you've ruined my life or anything like that literally never ever and that was again because we had this relationship yeah honesty trust and respect so i i had never conned them into buying an ad i'd always i'd always shared with them why why i thought it would work and where the risks were and i think i've talked to you before john about again how we manage the research process because I used to say to all the clients conventional research will reject many of our best ideas and so we used to insist we always had a pre-research meeting if the client insisted on watching through a mirror and we always used to advise them not to because it would pollute their thinking and the whole point of having a moderator is they're there to interpret for the client it's a bit like well I can't remember I can't think of a decent analogy right now but you know there's no point employing a mechanic and then soon they're telling them you know how to mend the engine the whole point of a great researcher is they could interpret what people were saying if you watch through a mirror and you're not expert you unfortunately believe people what they say because most of the time most of the time they don't mean what they say they're just trying to be helpful and and their way of being well their way of being helpful is to bring you back to the norm or to the average which in advertising is the biggest sin of all because you know when you're subjected to whatever it is 1500 commercial messages a day and people only remember three being average is effectively like burning and the thing used to really really bother me about it was when someone sees my poster for the first time they have not just sat through two hours of focus group with someone explaining the strategy and the idea so the only thing that matters is what do people feel and think the moment they see it that that that's what you've got to capture absolutely right and of course that's slightly moderated in if you see a tv ad five ten times and so but even then you know the attention span is minimal and and but i was always you know we'd always say to parents in a pre-research meeting so So, for example, it's not the best example, but Fourth Emergency Service, we said to the client, people will obviously say, you know, you can't say that, how dare you do that, blah, blah, blah.
44:05So the moderator will have to show them what the head of the police think and all that, which is a bit unusual in a focus group, but there's no point doing the focus group unless you realise that this is all going to be... And then, you know, you ask the question of, assuming this was supported by the police, the fire brigade, the ambulance what do you think of positioning aas and then people just said well yeah they are a bit like that aren't they and of course the interesting thing is the best thing of the lot is i got invited by the client to present to they had a annual sort of conference of all the patrols i mean literally not all of them because they got some out on the road but they'd have half a day and do the presentation twice so they have half the patrols in the morning and half the patrols in the afternoon where they can get to Basingstoke.
44:52And I presented this idea. You could see the check, because most of them are ex-military. Most of them are ex-military. You could see the chest come out. It's like we're not just some fucking greasy mechanic who happens to have a yellow back. We're like the police, the fire brigade and the ambulance. All of whom, particularly in those days, including the police, had amazing reputations. I mean, nowadays, the police have a slightly less positive reputation, but nonetheless, mostly very positive. fire brigade and ambulance are the heroes of our they are and they were sort of being put alongside this so what it did for internal morale and employee stuff and i used to say to clients a lot i say actually just as important as your target audience is your employees your employees this ad is aimed at your employees as well they should feel proud to be associated with this brand you know and and we need constantly therefore you need not to us just assume because they work for Britvik that they're going to like the Tango ad.
45:50You need to take the trouble to explain to all the staff why you're doing what you're doing. Tony and Steve were brilliant at that, at bringing the company with them. That is one of the most important. I think a lot of agencies miss that because in the pitch training I do, I often say your customers have a customer. Don't forget, they may be the customer in this little transaction, but they have got to go and share the work. They've got to get a sign off at the board. They've got to brief it to the sales team. and they've got to show the service to you know um it there's a whole lot of people that depend on the success of what you're creating and and the more you can arm them with what they need you know to sell it on and to you know the better really the other thing i think in your story that really hit home for me actually thinking about i know we talk a lot about pitching here but it's good um that hit home to me actually was the how profound it is when you see an agency really go out of their way to understand the real situation like you did with going to with the aaa vans to the side of the road and talk to somebody in an emergency i think some of the best pictures i've been involved in have been where the agency on gatorade as an example where they've gone out and done five aside and they've they've been in this you know the situation with our target audience and really understand it and come back with the videos and that i think is just it because you you want to know your agency understands the business and that they care well Robin White who's a another great friend of mine and and you know founder of WCRS one of the great agencies Robin always had a mantra which is interrogate the product until it confesses to its strength you know but that is true you know you you can't do enough research on understanding the product and the and the people involved in the product and all those kind of things so this sort of you know I still think a lot of agencies have this notion that you know that they you know have a look at the product look at the brief and then disappear into a room for two weeks and a puff of white smoke will come out and they'll come up with a junior solution well of course it can happen but the the best agencies um in history have always uh followed the old gary player mantra which is yeah you know the harder they practice the luckier you get so true you know we were just incredibly hard working i was explaining because as you know i share quite a number of businesses nowadays, including some startups.
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48:13And somebody, they weren't complaining is too strong, but somebody made some comment about working till midnight on Sunday to me the other day. And I said, I didn't have a day off for five years. They said, oh, come on. I said, no, no, no. I went into my office every Saturday and Sunday for the first five years of the existence of HHCL, as did not all of our staff. And in fact, we encouraged our staff, particularly as we got to years three, four, five, not to come in but the founders we'd been doing stuff we were there non-stop and you can only do that if you've got an incredibly supportive family which you know I was incredibly lucky you know my wife effectively brought up the kids almost on her own we were in there every day and in fact my first two the only two holidays I had in that first I'm gonna I'm slightly exaggerating I think it was three years actually not five years the only two holidays I had in those first three years were paid for by my clients oh really yeah so um uh the first one and there's a story behind this was thames television but uh the guy at thames television who was one of my first clients in fact he he went into a contract race with dame pack to be my first client and won it so it was actually our very very first client was thames television and uh the sales director there Jonathan Shire about a year in said to me he said I can't remember how the topic of holidays came up and I just laughed and said well don't be ridiculous Jonathan of course I'm not going on holiday I've started a business and stuff like that he said well it's ridiculous you've got to have a break so I tell you we've got a ski trip next week why don't you and Claire come on it this was for obviously for media buyers so there were a bunch of media buyers and and me and Claire taken by Thames Television on a ski train.
50:00So we had three days skiing holiday. And then about three years in, I was talking to the chairman of Molson, the Canadian brewer. And their chairman of their company was a wonderful man. He became a good friend called Norman Seagram, who was from the Seagram family. And Eric Molson was on the board as well, but Norm was the chairman. He was a little sort of five foot six, pocket rocket, bullet, bald, bullet headed, hard guy. and we did we did a great campaign to launch Molson in the UK which had the rather convoluted end line of Jim Dunn says don't drink it and it was basically this guy and it was his real name Jim Dunn who basically was um uh loved Molson so much he wouldn't let anybody else have it so in fact it was a precursor to the Walker's Crisp campaign with Gary Lillick it was exactly the same idea they just copied yes yes yes um jim dunn says don't drink it anyway and i remember i had a great client again but very nervous who who insisted i went out to canada to present we'd won the pitch this was not the idea that won the pitch it was a development idea and um i went out to canada to present to the to the committee of the board with norm eric Molson so it's pretty you know pretty big wig types and presented the Jim Dunk idea and uh I remember Norm looking he sort of hunched down he looked down the end of the boardroom table to me said well Robert he said it's brave but I knew he was then going to run it and it was very it was very successful and um you know again I'd explained to Norm that um you know he was going up against a body of brilliant creative work because in those days the lager advertising i mean you had couldn't give a full that's the heyday wasn't it yeah carlin that label you had george the bear before it all got effectively banned that well having fun in lager ads got banned effectively so now they're all poncey load of tosh um but they were brilliant i said you've got no chance with your budget against that lot unless we do something completely ridiculous So my favourite execution of it was Jim outside a pub, and he's drinking a Molson, and he said, you know, Molson Canadian lager, it's fresh brewed, this, that, and the other.
52:26He said, why would you drink anything? He said, no, that's right, he said, it's all great. He said, but I do not think you should drink that. You'd be much better off drinking this, and you pan out, and there's a tanker delivering lager through a huge fucking pipe to the pub and he said it goes on he said this is much better he said it's mass produced you know he said it's fantastic stuff this and it's so upset the rest of the log community and of course what that did is lift the profile of molson yeah amongst publicans and everybody else because that was part of our target audience and and again that comes back to you know the ad didn't get banned but it was controversial because it basically said all other lagers have come out of a tanker which they do yeah yeah as it happens as it happens whereas ours was bottled ours was not dropped yeah bottled and imported yeah it's totally imported malt from canadian uh and it was the original stuff no in fact it was made in a huge fucking brewery in in toronto and montreal is beside the point it arrived in a nice It is.
53:33And, you know, I think the thing we were really brilliant at was when we got into trouble was turning the tables and making it a benefit to the client, not a problem. Yeah. So I always remember on Tango, you may not know this one, but we had one execution which had a sort of Giles cartoon granny with orange balloons, but she comes out with a hat in and you think she's going to burst the balloons, but she blows up instead. Okay. So Exploding Granny, it was called. And it was, and he'd go, whoa, I'm sorry, I wasn't expecting that, you know. And it's the hit of Real Oranges, and she was all dressed in sort of orange plain, and she blew up, not the blues.
54:16Anyway, so I get a phone call from The Sun.
54:22And The Sun didn't know me, but they phoned the agency, obviously it got caught through to me. and it said look um we've had we've had complaints about you know explaining granny that this is sort of ageist and you know and is disrespectful to old age people so i said really have you got any comment i've got no point i said honestly i mean i said who made that complaint they said it was somebody from age concern i said okay anyway so the sun that day prince has in its comment column third you know they always used to have three comments and their comment the third one saying you know tango's taking it too far now age concern are very concerned you know blowing up granites disrespect for old people we should honor our old people anyway so i phone up the age concern and get through to the director general of age concern i said i've only got question for you.
55:17Have you actually seen the ad? He said, no, I haven't. The son phoned me up and explained it to me. It sounds absolutely horrendous. I said, have you got a video recorder? He said, yeah. I said, can I bike one round to you? He said, yeah, of course. I bike it round. So anyway, I phoned him up and I said, what do you think now? He said, it's hilarious. I'm sorry. I'm so sorry. Anyway, I said, okay. So I rang the son up. And I said, just so you know, Age Concern have withdrawn their complaint and it's not a problem. oh okay listen the next morning their lead leader column said have age concerned got nothing better to do oh no so first off that taught me about tabloid newspapers which is they create the controversy and then comment on the controversy and then and then complain about the controversy they've created oh but it also taught me you can turn things around just by doing a little bit of homework and having the balls to call somebody up and say do you know in the end tango got great pr but you've just described what's wrong with social media haven't you which is everyone's commenting on the comment and no one's actually done the research to find out whether the original thing is right or wrong well the classic one was the instant i mean whatever you think of it the instant sort of attack on the government's race report which came within a minute they cannot have read it.
56:37They cannot have read it. So these were pre-prepared complaints and their complaints may be valid but at least have the intelligence to wait for as long as it would take to read it and analyse it. I read a lot of comments and listened to a lot of discussion on LBC from people that had a strong opinion who hadn't read it and admitted they hadn't read it and they're reacting to what they read about it which I think is very satisfied affairs the secret to pitching new business agency success agency failure it I mean in the end you have to have the talents in place but it does come down to relationships and you know I think the reason why I was good at new business and HHCL was successful at new business rather than then successful at the ads which we were as well was because I'm I'm good at building relationships and uh I like I enjoy building relationships and I am not remotely interested in the status of who I build relationships with never have been yeah sure it's sexy to meet Jeff Bezos and Jerry Yang and all that stuff but I'm just as in I'm just as interested in building a relationship with their PA because I know in the end they don't give a fuck about me.
58:02But if the PA might, because most people don't bother to take the time to get to know them. And I enjoy, but I enjoy that. I don't just do it for the effect, although I like the effect. I enjoy doing that. I find that a good thing to do. It's one of the reasons why I probably would be a very bad politician and it's the big flaw in Boris Johnson, which is I like to be liked. And the only way you can be liked is if you put yourself out there and you create those relationships. And I like to be liked. I'm perfectly happy to accept not being liked, in which case then that becomes somebody I completely blank out in my life.
58:48And to me, they don't exist anymore. But if I get on with people, then I'll do anything for them. And I find that people will do things for me. And I think it's that that is at the core of being able to build those relationships. If you look at any successful service business, which the advertising business is, if you haven't got that, you never reach the heights you might be able to hit. If you've got genius, you can do well, but you need to do really well, I think. I think you need that ability to build relationships. And, you know, everything flows from that. A hundred percent. I've so seen that in my career.
59:38The people I respect most that have really transformed businesses have just had that ability to convince anybody of anything and build trust really, really quickly and authentically. and everything else follows from that doesn't it you know if you've got that the the business will flow afterwards so so this probably explains doesn't it because one thing i was going to ask you about is you had this incredible 10 years sold sold the business and then and then it hit a challenging moment and we were talking a bit earlier weren't we about the the moment andrew pulled you off the tango um work so how did that conversation go how did he i mean you i think you said that he was very good at sort of managing you know yeah he was i wasn't you see by that stage i was running chime yeah the agency and i've been asked many many times why the decline in hhcl happened and did i regret the sale to chime i mean the sale to chime happened for the best of reasons we had turned down every offer in town i mean everybody was trying to buy us every major agency.
1:00:45So I turned down the Y &R deal that became Rainey Kelly Campbell, Rolf Y &R, which was Robert Campbell and MT Rainey's terrific agency that did the Y &R deal. I was offered that deal two years before. In fact, I was offered a bribe by the senior management of Y &R in New York of a million dollars if I put the deal across the line. So I said, well, no, I said, well, I don't do that. You just put a million dollars on the price that will be shared equally amongst all the shareholders. But I turned it down because every sale of a great agency to a big multinational that I'd ever seen had led to a complete dilution of the ethos of that agency and only a marginal increase in the performance of the other agency.
1:01:31I do think Adam and Eve with DDB might be the exception to the rule in recent times, but there are very, very, very few that have ever managed that process. So we were reluctant to do it. But we had to do something. And the official line we always gave is we were made an offer we can't refuse, which is true. I mean, you know, Chime and WP, Martin Sorrell, because Sorrell put the cash element of the deal in, you know, they paid 12 times profits for us, which, you know, is about as rich as it gets. and um you know we we i used to say publicly well you know we couldn't turn that down but that wasn't the real reason the real reason was that adam lurie our planning partner wanted to get out of the business and we'd always said you know if any of us wanted to get out we'd commit to each other in five year chunks so five years in we all committed the five of us who founded the company we all committed to each other for another five years and in fact we then pulled in when we became HXL and Partners, Chris Satterthwaite, who went on to be chief executive of Chime after me.
1:02:43Chris, who's one of my best mates, we pulled him in as a founder of the new HXL and Partners and him and his team committed for five years. So we were approaching our 10th year anniversary, are we going to recommit to each other for another five years? And Adam said, I know, I don't want to do it anymore I want to go and write books and we had long hard discussions about could we replace Adam with somebody in-house and in fact the guy who was the planner on Tango would have been the candidate John Leach who's brilliant but I started feeling it was more me than anybody else that I'd sort of had enough of it I'd been carrying this business from a business perspective all the stuff we talked about earlier for 10 years and I was tired you know I'd done it from the age of 30 to the age of 40 uh I'd had three years of no holidays I then had you know another seven years of certainly no days off even when on holiday and just sort of constant constant work and I was sort of I was ready for a not a change of pace but a change of context a bit and Tim who had founded Chime by then Tim had constantly been saying to me come on come on we could put our businesses together you know he had what was regarded as the best PR business in the UK independent and we had the best comfortably the best advertising business and we were mates and so on so it made so much sense the issue would always be how are we going to run things and how's he going to pay for us because we were bigger than bell possibly oh right okay yeah yeah yeah i mean in terms of profits and revenue we were bigger um even though chime was a public company so they could have raised money on the markets and so on then sorrel came in because sorrel had been trying to buy hhcl for ages and wanted me wanted to put it into ogilvy's or thompson's or i see any of those yeah offered all of that.
1:04:48So Sorrell said look I will fund the deal effectively so basically the money we got for HXL we got half in Chime shares and half in cash which is what Sorrell put in and then he ended up with 21 % of the enlarged shine which he still has WP still. And Tim and I thought this is going to be great he didn't want to do any of the plc stuff i was fascinated by taking that on as a new challenge i'd never done it before i'd only worked for a big multinational or been an entrepreneur i'd never run a public company and suddenly i was going to be chief executive of plc listed on the main market as well not aim market and tim hated all that he hated the city and he just he loved being with clients and politicians and so i thought this is going to be great and And we had a year's earn out that went brilliantly well.
1:05:42We smashed it, got another three million on top of the price. All great. I handed over then to, you know, other people. And I suppose this is sort of blowing my own trumpet, but it was never the same without me. And I think what I gave it was I gave the company its daily energy. and without that energy it lost a bit of the sparkle it still had the genius but less of the sparkle and I I'm I'm not brilliant at multitasking it's why the new business director role being taken off existing clients worked so well for me yeah I love that sort of single focus and my attention turned almost exclusively to the city and sorting out Chime which was a bit of a mess because Tim didn't care about that stuff he cared about the clients and I thought this is going to be great he cares about the clients I'll care about the city all good and actually for a year we thought we were geniuses and we cracked the code particularly because we did together the whole creation and launch of go for British Airways so I'd won the go pitch Barbara Cassani was based in our offices because she wanted to be physically away from British Airways the pilots were all interviewed in our agency and all that stuff we got involved in the naming we i introduced her to wolf olins to do the design because i'd done first direct with wolf olins who were brilliant um and then i said right you know and bell pottinger should do the pr they did a brilliant job and i remember tim and i sitting down after the successful launch ago saying we fucking cracked it at last we can go to a client saying we can do everything for me from naming, design, advertising, PR.
1:07:34Now, Tim, I'm a good salesman, but Tim was a great salesman, the best I've ever seen. Could we get any other clients to give us the totality of their comms business? No, we couldn't. And, of course, we realized the impediment was that in the vast majority of companies, the advertising and marketing budget was held by the CMO. But the PR budget was held by the director of corporate affairs. And typically they hated each other. I mean, properly hated each other. Everyone used to say, oh, CFOs and CMOs hate each other. No, they don't. They don't always understand each other. But CMOs and corporate affairs always hated each other.
1:08:16Because it was jealousy over the budget. And we could not. The only time we ever got it to work was startups where you didn't have those people. You just had the founder and got on with it. Anyway, so that was the first problem. So there were three problems that happened that caused the demise of HXL. So first is that I took my eye off the ball and focused on the city. The second was that the proposition, although beautiful on paper, struggled in practice. and then third WPP that had promised us interested access to its networks shoved us shoved the agency and I should have known better into Red Cell which was a dog's dinner run by an idiot and it just never worked and it never could have worked and I should have not allowed it but I had my eye on other things.
1:09:14So it was my fault to a great degree. And then once it became clear that HXL was not going to flourish in that regime, it was too late really to rescue it. A lot of the talent had seen the writing on the wall and had gone. I was to go back in and rebuild it, which was one of the options. I just personally couldn't do it. couldn't do it. And then later down the line, the thing that led to me leaving Chime was, and I should have guessed this, much as I loved him to this dying day, he was astonishingly conservative in both a small C and a big C. I didn't mind the big C bit, but small C conservative, he hated change.
1:09:59And Chime needed to change in so many ways. And I particularly was interested in building up sport marketing. He didn't want to do that. So in the end, he didn't want to do any of the stuff I wanted to do as chief executive. And I had two options, either to oust him, which I was never going to do, A, because he was not a good enemy to have, and B, because I liked him, and C, because it was his company to start with. And so I just, on the anniversary, I'd done a five-year handshake with Tim and Martin Sol to say I'd do five years minimum. and I left on the anniversary of the fifth year of selling HXL to Chime.
1:10:39I left. And they tried everything to keep me. I mean, everything. But I'd had it. And that's because I couldn't do it. And in fact, Chris Sathaway was a much better chief executive of Chime than I ever would have been. And he built Chime into the biggest sport marketing business and all that. Because after I'd gone, Tim sort of retreated a bit into his own world of just looking after class. He actually let Chris do all the things and more. Not all the things. So there were a few things I wanted to do that Chris was allowed to do. And then Chris had much bigger and better ideas that he was then also allowed to do and built it into a very successful business till it was bought by Private Equity, which I was delighted about because I still had lots of shares.
1:11:24Oh, good. Excellent. Well, there's a happy ending in that sense. Yeah. And Chris is a great mate as well. But you've touched on something I think really important is the role of founders and how you can't, you know, it's very rare to be able to replace founders or integrate into bigger networks, isn't it? I mean, you see it so often as a book I've read, which I love is The Founder's Mentality, looking at the difference in market valuation between founder led businesses and management led businesses. And it's quite profound, isn't it? You know, you talked about the hard work, the relationships you've got.
1:11:57You just can't easily replace that. Well, it's true. That is true. But on the other hand, then look at examples like, you know, what Bill Gates did with Steve Ballmer, what Steve Jobs did with Tim Cook, is there comes a point actually where all of that flips on its head. And a founder is an impediment to a business growing because the nature of founder entrepreneurs is that they're control freaks. They care too much about everything. Yeah, yeah, that's true. And there comes a point when you get to a certain size where you need professional managers and the founder needs to get the hell out of the way or go into an advisory role.
1:12:36And in fact, Sergey and Bryn have done that, haven't they, at Google. So, you know, letting Larry take over and run it. But we're talking there about companies that got into the billions. The problem with ad agencies is they, well, A, they never get to that size. and so where's the point in the timeline and size line where you can actively hand over and the trouble is it hardly ever hardly ever reaches that that perfect inflection point because they never get that big i mean bbh have probably done it better than anybody else handing over but they did that by only selling 49 to publicists and therefore keeping control and they got to a big enough size by opening their own international offices to be able to fund out the fund the founders you know because John Bartle went first and then effectively um Hegarty and then effectively Nigel all of all of whom are good mates of mine and were very helpful to me in my advertising building the agency that's the other weird thing about advertising is we compete tooth and nail yes during the day but people were incredibly helpful yeah uh aside that you know mike greenley's uh gold greenley's trot was just down the road from us mike greenley's is one of my best mates you know now he you know they lent us a photocopier when i was broke just before a pitch you know it's kind of agencies help each other it's weird it's kind of a nice little community but that's partly because it's a village and it's small it is yeah and therefore that that notion of handing over to a second tier or something is very hard to make very very hard very hard to manage and i you know i've got that in my um in in in one of my existing chairmanships and at some point we'll have it with system one group yeah which is which is how do you manage how do you manage that process yeah because it is it is um it's difficult it is Very few people do it.
1:14:39And it needs two sides to tango. It needs the founder to let go. And it needs the management team to really take up the slack. And the slack is multidimensional and deep. it is isn't it and you need to get the individuals that can replicate that founder's behavior like you talked about the obsession with customers the the hard work you know all that all that energy that you bring you know you have to try and replace that yeah i'm not i wouldn't use the word replicate john i would because if the time is right unless it happens because they get run over by a bus which is different but if it's a voluntary and timely handover it should be because some of what's needed has changed because you've grown to a certain size where it needs different skill sets so yes you've got to keep the passion and energy but there might be there might be some skill sets that are no longer needed and others that are newly acquired and you know the interesting thing about I mean I don't know if you've watched the Gates documentary it's quite old now but it's called inside Bill's brain it's fantastic um you know he hasn't he hasn't left Microsoft he's still there chairing the board but he's really genuinely let the management run it yeah and he's gone off and what what like any obsessive like him he had to get obsessed with something else and he's obsessed with his foundation and you know and eradicating polio and etc etc but he's still got his wisdom in there and you know founders getting ousted is not a good idea unless they want to be ousted it's much better to somehow harvest their wisdom in a in a in a more informal way going forward that makes sense that's why you end up with you know advisory things or whatever anyway let's let's not get sidetracked what i've um what i've seen in my career happen time and time again, actually, is that that professionalization management takeover happens too early in so many cases in the life stage of the brand.
1:16:45And actually what was on a rocket fuel growing quickly starts to slow down because you behave like a much bigger corporate organization and you lose the entrepreneurial, you know, kind of low bureaucracy, fast moving, you know, you know great culture that made the company a success so i think for me you know spending a lot of time looking at this and looking at different companies i think it's timing and it's understanding life stage and and that kind of thing you can often kill something particularly when it's definitely no definitely there's no question that in retrospect we the sort of hand over hxl happened too early and if we'd done another five years i think we would have been able to open international offices and we'd have had a path more similar to bbh yeah but do i regret it well no not really because hhcl achieved i mean i have moments where i think oh that'd be interesting hhcl achieved astonishing things i mean it was agency of the decade won grand prix at can still talked about in reverence still everybody and i mean everybody who worked there says it's the best place they have ever worked ever it was an amazing environment we created to let talent flourish we were diverse before it was required uh in lots of different ways and uh it you know i'm very proud of all that but if we hadn't done what we'd done i would never have been a public company chief executive which taught me a huge amount that i was able to bring to bear in other things but also has prepared me for what I do now um the McCann thing would never have happened I mean what a weird thing that was for me to go from you know the best agency in the world to probably the worst and uh you know and to just to see why the biggest agency in the world could be so good in some places and so bad in others and it was the worst agency in the world in London but it was the best agency in Norway, in Italy, you know, in, I mean, in loads of places.
1:19:06It was the best agency in that country. And of course, what is it down to? It's down to the people. It is. It's down to the people. And I discovered, which is why I ended up leaving McCann, there was an inverse relationship between the engagement of the Americans and the success of the office. Yeah, makes sense. So every time the Americans came over, who were the two top Americans, were two of the biggest arseholes it's ever been my misfortune to come across. Deeply unpleasant human beings, big chips on both shoulders, come from wrong side of the tracks, greedy beyond anything I'd ever seen, didn't give a fuck about the clients, didn't give a fuck about the work, only cared about their own personal wealth.
1:19:55I mean honestly I'm not exaggerating horrible people and every time they came across to Europe which fortunately was only once a year for the big tour around to do the budgets it took me a month and I was only there three years took me a month to repair the damage because they the people I would have grown men come out of meetings crying because they were so fat you know I had one guy I I mean, this is actually a minor example. I had a brilliant bloke, lovely man, who ran the office in Belgium, which was a pretty successful office, but he had a comedy Clouseau accent. So his French, his English accent was, I mean, really extreme, like Clouseau.
1:20:45And about three minutes into his presentation, the first time I'd been in these round presentations, the global chief executive, American, and said, I can't fucking understand him. Why don't you fucking speak English, you fucking cunt? Oh, no. Right? And I said, hang on, hang on, John. I said, hang on, hang on. He speaks a lot better English than we do French. Yeah. I can't fucking understand him. Right? And this guy, I mean, I had to pick up the pieces for a month after that. He said, you know, I said, no, he doesn't hate you. Come on, he's just a stupid young. Come on, let's forget that. you know you you know in the end you he didn't did he approve your budget yes well then it's all and i had to do that and after three rounds of doing that i just couldn't take it anymore they were such arseholes and um so uh they didn't like me either by the way so uh he used to call me he used to call me that damn limy literally really believe it or not don't use that word he was I'm a Danish American.
1:21:43Jeez. My final death knell came because the holding company, IPG, were forced by Wall Street because at that time, McCann had been under an SEC, or Interpublic had been under an SEC investigation. So I had to make 104 offices Sarbanes-Oxley compliant, which I've got to tell you, is hilarious. Well, it's hilarious, particularly in places like Greece and Turkey, where you have to say you can't bribe clients anymore. and the bloke in Greece who was a really top bloke he opened I kid you not not exaggerating he opened a drawer in his desk and it had a array of Rolexes he said well what am I going to do with these oh that's brilliant he said these are the these are the what I give the clients you know to win pitches in Greece and he said I bought loads of jet skis to give them as well what am I going to do with those I said you don't have to sell them you cannot write private anymore I then had to fire the boss in Turkey and I put in a lovely guy called Tanker, who's American educated and kind of understood why we had to be Sarban Oxy compliant.
1:22:47He ran me, he said, said, Rupert, our biggest client is up for review in Turkey, it's Turkcell. And he said, I've got a slight problem, he said, because I've discovered that part of the arrangement is$50 ,000 in a brown envelope goes to the Prime Minister's office. Oh, no. I said, well, you can't do it, Tanker. He said, well, we'll lose the account. I said, you can't do it we have to be sarbonoxic compliant so he rang me 24 hours later he said we've lost the account wow and uh so i had to do all of that as well uh and i got it all done i got it all done so every mccann eme office became sarbonoxic compliant we had record new business for three years doubled the margin to seven to fourteen percent but i ended up hating the Americans with a passion and they hated me and I said IPG did this um succession management study and um I was told this by the CFO of IPG later is that they came around to McCann and they said well obviously John you know John your replacement would be Rupert Howell and he said oh my dead body with that fucking line he get my job and I was out within three months but it good thing is I was technically fired because the only good thing about American companies is their severance is spectacular.
1:24:04I bought a boat and a DB9 as with part of my settlement. Oh well done, well done, okay. But I mean he beat me to it by about a month. He said, it's so funny the Americans are so funny, he said can we go out for a cocktail after the board meeting? And I know that's like their language for let's go for a beer or you know you signal don't you with alcohol what kind of discussion you were. For the Americans we're going for a cocktail means man's man yeah and going for a beer means having fun going for a cocktail means we need to have a man-a-man-a discussion so he said look Rupert he said I can't argue with your record in Europe it's it's terrific you've hit every target but you know you you just won't follow you know my my directions and I said well John I've explained why not because if I followed them everything that I've achieved in Europe would go in the other direction and he said well I don't you know he said in the end I don't care about that you know I'm the boss you know you know it's my way or the highway he said that I tell you that's true he said those words yeah so I said okay well what would the highway look like and he pulled a letter oh really he said look you know this is what the highway would look like so I opened the letter and read it and was I'm not very good at a poker face but i was pretty good that day i nearly choked on my cocktail because it was treble what i would have asked wow so i said can i have a think about it he said tonight can you decide so i phoned him up and i said i'll take the highway isn't it amazing i know oh i haven't been i haven't been quite in that situation i mean i've been in a similar situation not not with those sums of money but you just look at it and go not only they're paying a vast amount they're also letting go of someone that's delivered the results just because of ego and well the other thing is the amazing thing is about and i you know i literally left straight away i cleared my desk on the monday and um about three weeks later i get a call from him he said rip it um can you can can you can you help me with something i said what he said well the opal client in germany is refusing to talk to anybody other than you yeah exactly could you just try and you know pacify him i said john you fired me yeah he said i know i know i know but could you just do that i said i'll tell you what i'll do it this once but please don't ask again yeah anyway so i did it i phoned the other client i said honestly the guys in the frankfurt office are terrific this is who you need to talk to this is who you can trust so i did that and then um itv came out the woodwork and Michael Grade is my best mate in media and had been for donkey's years.
1:26:54So he's an old friend. And he said, look, I've just got to ITV. It's a fucking dog's dinner. You know, I need somebody who understands the media and advertising world to sort out the commercial side of it. Would you come and join me? And I said, well, no, I'm going to take the whole summer off. He said, well, would you come and join me in September? Because this was, I think this was, I can't remember when it was May or something like that. and um i said yeah well i'll have a think about it kind of thing and michael's michael actually is probably as good a salesman as tim bell was and so persuasive and utterly brilliant i love michael and um he uh he persuaded me to go and join i2d and that would never have happened if i hadn't so yeah so yeah the way i look at it and you know that was that was a it was a brilliant eye-opening but bruising experience so I was on a main market PLC FTSE 100 PLC board a totally dysfunctional board half of whom hated each other I mean really it was a board split right down the middle which so one of the most obvious learnings from that was you that just cannot happen you cannot have it unless you've got a united board you can have dissent on issues but if you've got a board where dissent is on personality, you've got no chance.
1:28:15The board was terrible, but we did great things at ITV and I met lots of famous people, which was entertaining, and one or two have remained friends. But most of them, of course, as soon as you leave, would walk past you in the street. Actually, quite a few are not like that, to be fair. But I would say the majority are like that. literally people who were all over me like a rash you know a month later no not months later six months later i'd be in the ivy club and say hi and they'd look at me like they didn't know who i was and um there are some others who are genuine and wonderful incidentally the best of the lot is hampton deck i hear that i hear that so often so many people say that yeah i still see we still see deck and his wife ali yeah um a bit i see ant less because after he split up with lisa yeah uh but deck we still see and we go to the theater together when that was allowed and yeah come to things of ours and he's a lovely lovely lad i took him to the my my end gig at itd was uh the football world cup in south africa 2010 so i had the boys down there with me for a week we had a great time brilliant brilliant and so they're great and Amanda Holden's great I still see her occasionally because I was involved with her with Batsy Dogs and Cats and Phil Schofield only because his daughter is one of my daughter's best mates so I see Phil so I've been on the sidelines and all the fallout oh yes in him coming out yeah which there wasn't a single person in show business that didn't know he was gay but anyway it didn't matter it still caused a ruckus and actually a lot of upset for his wife and kids.
1:30:02Not the fact, but how he did it. So that was fun. And then, you know, I would never have done Reach because I met Simon Fox through ITV because we tried to hire him to run the PLC overall. And he turned us down. But I stayed in touch with Simon, which I think is an example of how I... Yeah. I only met Simon once because I was asked to interview him as part of the selection process. I thought he was fabulous, exactly what we wanted, what Michael Gray and I wanted to run the PLC. I was never going to run the PLC. I ran the channels. But I wasn't experienced enough to run a FTSE 100 PLC. And Simon had come from HMV that he'd rescued a couple of times.
1:30:43Really liked him. He has the most integrity of anybody I've ever worked with. He was an incredible guy. Really liked him. And, you know, after I left ITV, I sort of messed around in all sorts of things. and then he turned up at reach and um one of the ideas i was looking at was to um take over the intellectual property of the news of the world and create an online version so i still own urls like world of the news oh yeah and um i had had a lot of uh high level support uh but in the end the numbers just didn't work um unless we did it with an existing title like the sunday people that was owned by then Trinity Mirror that became Reach.
1:31:28So I rang up Simon and I took him through the idea. He said, it's a great idea. We don't know what to do with Sunday people. Let's talk about it. And again, we spent six months doing that. Could not make it work financially for both parties. And so we had a breakfast where we called it. You know, he said, come on, let's have a breakfast just to put the seal on it that we're not going to do this and so on. And I said, yeah, OK, that's very nice. and not thinking he might have an ulterior motive. And at the breakfast, he said, honestly, I've been here six months at Reach. It's a total mess. Would you help me turn it around?
1:32:02Because you understand media and advertising. Almost the exact same conversation I'd had with Michael Grade, you know, five years earlier or four years earlier. And because I liked him, and because I wasn't doing anything else particularly interesting, and because he said I didn't have to work full time, I could do four days a week. and then at my request after a year, we went down to three days a week and I could start taking on other outside chairmanships, I said yes. And the rest was history. We did a great turnaround. It was fascinating. And I learned really how the tabloid media works, which is a whole other topic.
1:32:40I was going to say, there's an episode in that one, isn't there? But all I would say is they're not bad people at all. Yeah. I in my entire time there I didn't meet a single journalist who I would classify as an unpleasant or bad person but the pressure they're under nowadays particularly to to break stories and to get eyeballs is causing all sorts of damage yeah to their profession to their integrity to them personally and to their victims or subjects depending on how you want to call it and um I was quite pleased actually to retire when Simon got ousted and the new chief exec came in it was a perfect time for me to say that's enough because I was starting to get uncomfortable with what the journalists were being asked to do for commercial reasons quite understandably because they will not survive unless those commercial targets are met but there's damage being caused by that it's the you're right the machine isn't it is incentivized to work in that way well if you put a story up online with a headline that says reasonably good news reasonably good news very good news AstraZeneca AstraZeneca vaccine gives 90 % immunity to this that and the other you'll get you know 500 clicks if you put up shock horror 50 year old woman dies of blood clot after vaccine you get 8 million and that is the be all and end all of the whole process which is there's been an inflation of shock tactics in the headline writing to grab the eyeballs because if you don't somebody else will and if you don't as a journalist you get fired you've got targets of the number of clicks you have to get and they talk about click bait and unfortunately click bait is driven by shock and horror massive exaggeration celebrity however vacuous, nudity, sadly still, but it's true, and violence.
1:35:01They're what put it up. The only thing that gets you up a click list that doesn't fall into those categories is in football. So any story about Manchester United, Liverpool, Chelsea and Arsenal, they're the four, get much bigger clicks from around the world than any other story. So, for example, if the story was Spurs buy Lingard from Man United, that would get 1 ,000 clicks. Man United sell Lingard to Spurs would get 10 ,000 clicks. Oh, really? Same story, different angle. Wow. So think about that in the context of any story you read. that's what's going on in social media that's and that all starts with the online news sites and um so we we turn we turn reach trinity mirror from a bit of a basket case into a into a viable machine but i think the next thing you know the the challenge is how do you how do you police that that's another whole episode isn't it because you know for the benefit of society how do we wean ourselves off that drug?
1:36:17Well, there's been a book, there's a pamphlet book written by a Norwegian psychologist that my wife gave me for my birthday, that's called Why You Should Give Up the News. And it's brilliantly argued that actually it's deeply damaging to your mental health. If I could summarise the book, which I won't do it justice, but if I could summarize it in one sort of idea, he said, basically, in the very beginnings of humankind, the news you got from, you know, whether it's from the beating drums or the smoke signals or whatever, word of mouth, was about topics that directly affect you personally. So the volcano is erupting.
1:37:01we should probably leave the cave is a personal, it affects you directly. And what's happened with mass media news is that 99.9 % of our news is about stuff we can do nothing about. And therefore, it makes us feel helpless. And helplessness is very damaging to mental health. So his solution is, do not read any newspapers and do not read any online news sites anything that's local to you will you will get to hear about through neighbors and friends and so on and anything that really matters you won't be able to avoid however hard you've got through water cooler conversations or whatever and if you really really can't give it up 100 give up everything except read the week once a week that makes a lot of sense and it's very well argued and so what i what do you know what it was affecting my mental health and the number of people who said to me i don't watch the news anymore and i very very rarely watch the news anymore and i have deleted everything i've deleted every news app apart from two so i've kept the bbc which even though you get a metropolitan elite left of center view is less exaggerated biased and frantic than anyone else and then to counterbalance it i've kept the sun which i know it's a naughty thing to do when you've worked for the mirror but the reason i've kept for sun is that the sun is actually slightly right of center it's not rabid right wing actually it really is yeah i've only really just started reading it online.
1:38:47Yeah. And I get, you get the slightly different point of view from The Sun, but I'm about to delete that too, because it's starting to annoy me. It's exaggeration. And I think I'm happier for having, I'm genuinely happier for having deleted Mail Online, which I mean, I've talked to the guys at the Mail, you know, I knew Paul Dacre well, and I knew the guys at Mail Online. Their strategy was to irritate people. It was to wind up Middle Britain. I mean, that's the genius of the Daily Mail is they know how to wind up. Paul said to me once, he said, Rupert, if ever you see a front page story about the BBC or the EU, it's because I've got nothing else.
1:39:29He said, because I know that if I put an anti-BBC or anti-EU story on the front page of the mail, it will sell and my readership will get appropriately wound up. I mean, it was totally open about it. you just think, have we really come, is this where we've really got to? It's the danger of a free press. And the critical thing is that you allow a free press with different points of view. And that's why Andrew Neil's new thing is important, because on television, all the news is left of centre. Only slightly, but it is. And he's going to do something he's not doing in Fox News. He'll do very slightly right of centre.
1:40:13He's just hired my old friend Alistair Stewart. Alistair's a Labour voter all his life. So, you know, he's not just, he's hired Pierce, who's a Labour voter all his life. He's not going to, you know, it's not, it's not, you know, he's not going to hire fucking Katie Hopkins. No. So, but we need that because there isn't balance. The alternative though, John, you have to think about the alternatives, you know, is do you want a poodle press like they've got in France or Germany? You know, where then, you know, I mean, French and German governments, they're just going at them now, but they've literally got away with murder over this vaccination incompetence.
1:40:52Oh, I can't believe that. I mean, people have died. People, I mean, thousands of people in France and Germany have died because of decisions taken by their politicians for political reasons, not their reasons. I mean, can you imagine if Boris had done that here? Yeah. he would have been in court by now, including by the telegraph that's Tory supported. So the question becomes, which do you prefer? And that's what I learned at Reach, because it had the express and the mirror and the star. So the mirror always took the left to centre line, the express to the right to centre line, the star took the piss.
1:41:33And that was kind of how it worked. And then we had all the regional papers and titles, like the Liverpool Echo, Manstrudely News, who had to remain centrist because their business model couldn't allow them to be either left or right. They had to be in the middle. And therefore, you know, more focused on, and obviously more focused on important local news. Local newspapers are really important things and they've gone, they're in real danger because they actually contain the news that does matter to you. Yes, they do. And I think you've touched on the most important thing, which is mental health, actually.
1:42:08And like you say, you're deleting apps and you understand the industry. You know what's going on. You're still deleting the app. I've done the same. I think I only I'm down to two now. And I've whittled my social media down to two as well because I just found myself, you know. Yeah. I mean, I don't use social media at all. And that's because of what I learned about it at ITV. So I had a Twitter account, a Facebook account, an Instagram account, and I deleted all of them. And I've done that partly for self-preservation because I would be arrested, I'm sure. Because I'm an obsessive, you know, and I've said this to you before, John, when we were talking about business, is email's my medium, which you've seen.
1:42:54I'm very quick on email. I'm on it all the time. Email's my medium. So those things aren't my medium. I'm not naturally at home on that social media, whereas somebody of your age would be. but I know that I would get into trouble particularly on things like Twitter and Facebook because I get so cross at the fucking morons and the moronic things they say you know I'm of that generation that shouts at the telly yeah but the joy of shouting at the telly is nobody else can hear you yes the danger of shouting at the telly on Facebook is it's never ever ever deleted it's there forever I just yeah I remember saying to Lloyd Emley the editor-in-chief of the of the mirror group i said honestly and he knew i was you know not labor supportive i said honestly lloyd i'm gonna get rid he said i would root because you know he said it's fine you and i having banter but you you know the banter he said i have with you i would you cannot on twitter you cannot no and i say to my kids my kids are on facebook now they don't know no interest in facebook is uh you know facebook's for kids they think or it is it is yeah it has gone that way there's all around tiktok and instagram and all that but they don't they don't put anything up that is anything other than completely anodyne and therefore my argument is well what's the point if that's what you're going to do just get rid of them i know i've had to do the same for my do you really want to see what your mates are having no i don't i don't give a fuck what you well i i get to that point where i want to jump in and have a rant and i think no no no no i can't do it see but you just get that stress it actually creates a bit of stress in you because you're feigning the anxiety of the issue or the point of view and you've got to make a choice either you're in it or you're not you know well you know my my version of that is whenever i got really angry i'd write an email but not send them and every single one of those i've saved to draft in my history well i've never sent well done because basically you vent and then realize to send them is only going to be prolong the argument yeah upset somebody and get you nowhere yeah that's good advice well listen i think it's been absolutely brilliant i mean i was going to ask a little bit about your non-execs and what you see you know are the big issues coming coming up in the future well you know people will say you know they plan their non-executive life and so on but that's not how it happens i was going to say how do you get a non-exec role because i've been i've been approached for a couple through relationships and again listen you know i'm an old white male okay I'm an old white male you will come become one of those at some point and the game has changed for us and most people would say well about time too so I'm not complaining I've had a very privileged life and privileged I didn't have a wealthy upbringing but I ended up your privileged upbringing only because my dad was in the army and in those days they paid to send you to a school like Wellington, which I would never have happened otherwise, obviously, because we had no money or anything.
1:45:58But I'm aware that as a well-educated white male, I've had every advantage in life, so I ain't complaining. So very early on, I worked out that I wouldn't get any non-exec roles by talking to a headhunter or putting myself on a database or any of that because nobody actively wants an anonymous old white male. So that meant by definition it had to be either people I knew or people where I had very, very specific skill sets. And actually all of them, all four have come from people I know. So my first one of my current lot, and in fact, every non-exec I've ever had has come from people I know well.
1:46:46So my first one which is Roxy the music streaming business is I was introduced to the chief exec by not a close friend of mine but a sort of acquaintance called Michael Mazinski who has a really interesting ad agency called the London Agency and Michael had approached me about becoming a London ambassador just because it's a hilarious title I countenanced it and also a great friend of mine called Bruce Haynes is non-exec chairman of the agency so I went to meet Michael a few years back liked him a lot and said well I'll help you if I can but I don't want to be paid I don't want any sort of title but you know you can give me commission if I help you get a new client something like that anyway and we sort of ended up chatting a lot and then suddenly he ran me one day and he said I'm great friends I'm a shareholder I'm great friends with the chief exec founder and shareholder in Roxy I think you'd be perfect for them as a chairman and he's looking for a chairman so I went to meet Rob Lewis the chief exec and we just it was one of those things we hit it off instantly I'd won the pitch within 10 minutes and he won the pitch for me by showing me the product which is spectacular yeah I just fell in love with it completely and the rest is history so that's how that happened then the next one well system one happened because of Simon bridges at canaccord so simon i met when uh i was a non-executive chairman of an israeli ad tech business called matomi uh which was founded by my former mccann israeli country manager who was my favorite country manager became a very good friend lan shaloa genius absolute genius top israeli businessman not just in advertising and elan asked me to he was ipoing it on the london market asked me to join the board I did he then wanted didn't want to be chairman so I took over as chairman and our brokers were Canicorn Simon Bridges did a brilliant job really liked him we became good friends we both like cricket so we go to Lourdes together and then he said to me about a year ago I've got a little company that I like a lot who I think you know will be looking for a new chairman would you be interested because it's kind of in your in your sector so I said tell me about them I said oh yeah it looks interesting I'd heard of it as brain juicer and I didn't know John but I'd come across him and Orlando so I said okay well you know they're interested sure and then again the rest is history then the my medicinal cannabis business is a very old friend of mine the founder chief executive funny enough we just got the 9 million euros this week is the to start to buy the site that we've got optioned and build the greenhouses but the founder CEO Simon Crane is a very old friend of mine who I met when he was chief exec of QPR and Wasps and he worked at the Coca-Cola company as head of strategy in Atlanta and then came back to the UK ran QPR and Wasps and I met him then because I had a sport marketing business and we became good mates and he rang me up just out of the blue and said i've got this company i need a non-executure would you like to do it i said yes and then my final one was which is pinwheel which is the sustainable living app it was the guy i was a consultant to a guy who founded smart energy gb and when he was thinking about what he wanted to do next and started talking about this idea two years ago he said would you be my chairman and i said yeah sure so i've helped him build the whole thing you know one of the things i my advice i the wonderful Zoe Harris, who's now marketing CMO of On the Beach, the travel company.
1:50:31Oh yes, I've met her, yeah. I discovered she was CMO of Confused.com but didn't like it. Yeah. And she's gone to On the Beach. Well, I trained her, trained her, I discovered her at Trinity Mirror as a sort of marketing manager there. Ex-planner from WCRS, she was the planner on Sky at White Collins and then cross sides to become a she'd been on both sides of the agency client equation and one of the few people who did it comfortably uh absolutely wonderful woman super smart great fun brilliant in every way and uh i sort of took her under my wing she was reporting to me to start with and she was one of those people who'd completely hidden her light under a bushel all her career so the thing I forced her to do was to start building a network so I got her I introduced her to Wackle the Women's Advertising Club of London because my old friend Sue Far sort of runs that so she's now a prominent Wackle member I got I got her to join the Marketing Society she's now a prominent member there I got to do I said you just got to get out and meet people and start speaking at conferences of course it turns out she's bloody good at it everybody loves Zoe when they meet her because she's a very colourful, vibrant, you know, sort of slightly out there character as well as super bright.
1:51:51She's more a planner by mentality than anything else. And, you know, that led to her getting offers for Confused.com and now on the beach and so on. And she will go right to the top of anything she does. The only thing she needed to do that she hadn't done, and she credits me with all of this, is learn how to network. yeah and it's just you've got to do it you've got to you've got to do it well i think that's a very very very good point to end thank you rupert that's been wonderful very happy no i enjoyed well it's been fun to chat awesome thanks mate yeah really good cool all right we'll see you soon take care mate take care bye
From the publisher
Uncensored CMO Reloaded. This episode was first published in May 2021.
Rupert Howell is one of the founders of the iconic advertising agency HHCL & Partners. This is a bumper 2 hour episode, but I promise you it's worth it. We spend a lot of time actually talking about new business and the importance of winning pitches and growing customers. We also look at the campaigns that the HHCL created, where the ideas came from that inspired such iconic and effective work. And I think you'll find that quite revealing also how relationships are basically underpinned all of Rupert's success. Enjoy.
We covered so much ground in this bumper 2 hour episode, so here's the list of what we touched upon:
- How Rupert made HHCL the best agency of the 90’s
- Ruperts New Business Mantra – Honesty. Respect. Trust.
- Why saying ‘I don’t know’ and ‘we got it wrong’ is so important
- How the agency’s sole focus is Advertising but the Clients sole focus is the business
- Why new business should always be separate to the day to day account management
- How Rupert became ‘the finest new business director of all time’
- How to win a pitch even after you have lost it
- Why the pitch process begins with the phone call and only ends when its announced in Campaign
- The sole purpose of the pitch is to win and not to solve the clients business problem
- Why HHCL had a strike rate of 65% for new business
- What the company annual report can tell you for the pitch process
- Why you should try and get your customer promoted
- How Carling Black Label inspired the most successful Tango Advertising of all time
- How Tango destroyed Fanta and forced Coke to withdraw it from the market
- How a call from a Surgeon led to the Tango Slap commercial being withdraw from market
- Why the ‘4th Emergency Service’ transformed The AA and how the bold idea was sold in
- How spending time with an AA team out on a call led to the idea
- The importance of winning your internal teams and why they matter as much as your customers
- Interrogating the product until ‘it confesses its strength’
- Why the harder you practice the luckier you get is just as true for an agency
- The real hard yards of the start-up phase that meant not taking a day off in 3 years
- How tabloids create controversy and how to respond to it
- Why relationships are the secret to really succeeding in business
- Turning down offers to sell the agency including a £1million bribe
- Why HHCL accepted an offer from Chime with the support from Sir Martin Sorrell
- Why so few agencies ever succeed after being acquired by a network
- Why HHCL was never the same after Rupert left and why he would never go back
- The importance of timing for Founders handing over to the next generation
- Dealing with bullies, bribary and negotiating an exit from McCann with a boat & DB9 as consolation
- Which celebrities are still speaking to Rupert after he left ITV
- Why social media is driven by click bait and negative headlines
- Why you should give up the news, except perhaps local news
- The Pros and Cons of a British free press
- How to get a non-exec role
