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Unofficial Partner Podcast - Episode Summary: UP534 Barney Francis on Media Rights and Wrongs
Podcast Description Unofficial Partner is a leading podcast focused on the business of sport, featuring prominent figures from the international sports industry discussing significant issues.
Episode Overview In episode UP534, Barney Francis, the Executive Vice President of IMG Studios and former MD of Sky Sports, shares his insights into the sports media economy. The discussion revolves around pressing topics such as emerging sports formats, piracy, streaming disruption, rights economics, and the challenges faced by rugby in the UK.
Key Discussion Topics
- New Sports Formats
- Discussion on the emergence of new models in sports broadcasting.
- Distinction between additive (enhancing existing offerings) and disruptive formats (challenging the status quo).
- Resilience of Incumbent Rights Holders
- The ability of established rights holders to maintain their dominance amid changing media landscapes.
- COVID-19 is highlighted as a turning point, reigniting interest in traditional leagues.
- Piracy: Cultural Norms
- Transformation of piracy from a humorous taboo (nudge and wink) to a cultural norm among younger generations.
- Discussion on the long-term implications of this trend for financial viability of sports.
- The Netflix Value Equation
- Comparison of subscription pricing between mainstream platforms like Netflix and premium sports channels.
- Netflix's affordability makes it less prone to piracy compared to expensive sports subscriptions.
- Rights Fragmentation vs. Consolidation
- Examination of the trend towards either consolidating broadcasts under fewer rights holders or fragmenting rights across multiple platforms.
- Challenges in determining the optimal strategy for growth and viewership.
- The "Home of" Strategy
- The concept of being designated as the "home of a sport" and its implications for broadcasters in terms of rights acquisition and audience engagement.
- Discussion on whether it is a marketing position or a strategic necessity based on audience needs.
- Sky's Consumer-First Philosophy
- The importance of prioritizing subscriber value in decision-making processes within sports broadcasting.
- How Sky Sports navigated rights negotiations with sports organizations to ensure consumer satisfaction.
- Rugby's Structural Failures
- Analysis of the challenges faced by rugby in the UK, including its demographic reach and participation rates.
- Need for a unified approach among rugby organizations to maximize revenue and audience engagement.
- The Creation of The Hundred
- Insights into the development of The Hundred cricket format aimed at revitalizing interest in the sport.
- The collaboration between Sky and the ECB to create a simplified and engaging format for younger audiences.
- Premier League Production In-House
- Discussion on the Premier League's strategic shift to in-house production and its implications for broadcast rights and audience engagement.
- Remote Production and Efficiency
- The evolving nature of sports production, incorporating technology and remote capabilities to enhance efficiency and reduce costs.
- Examples of successful remote productions, like those in MLS.
Key Takeaways
- The sports media landscape is evolving rapidly, with new formats and changing consumer behaviors.
- Piracy poses significant challenges, particularly among younger audiences who do not see the need to pay for sports content.
- The balance between providing value to consumers and meeting the financial demands of sports organizations is delicate and complex.
- Collaboration and strategic planning among sports federations and broadcasters are vital for the future growth and sustainability of sports.
Conclusion The episode presents a comprehensive view of the challenges and opportunities within the sports media economy. Barney Francis offers valuable insights into how the industry is adapting to consumer needs and technological advancements while addressing significant issues like piracy and rights management.
For more in-depth discussions, listeners are encouraged to explore the Unofficial Partner podcast catalog featuring over 500 conversations on various sports business topics.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOExploring Media Rights in Sports
0:45 to 2:10
Discussion on media rights, monetization challenges, and sports economics.
“the Premier League's move in-house with its production, what that means.”
The Impact of New Formats and Piracy
2:10 to 3:50
Insights into new sports formats, piracy, and audience engagement.
“And this is sort of not about the Bola League, but it's about those sort of industry narratives that the money wants, frankly.”
Baller League and Audience Expectations
3:50 to 5:30
Evaluating the Baller League and its role in attracting younger audiences.
“We can almost frame COVID as a key defining moment, certainly in the UK market, but globally as well.”
Super Bowl Weekend and Broadcast Strategies
5:30 to 8:00
Discussion on Super Bowl expectations and the evolving broadcasting landscape.
“And Mike McCarley, who sort of created it, you know, long, long-standing former NBC golf diehard specialist, creator, etc.”
Resilience of Traditional Sports Leagues
8:00 to 9:50
Analysis of how traditional leagues have adapted post-COVID and their resilience.
“My 20-year-old student lives with another group, and I sort of interrogate their viewing habits, their views on piracy and all these sorts of things.”
The Challenge of Piracy in Sports Consumption
9:50 to 12:20
Exploration of piracy's impact on sports consumption and revenue generation.
“Well, actually, if that's happening there, then I don't quite know.”
Netflix's Unique Approach to Sports
12:20 to 14:01
Insights into Netflix's strategy for sports and its effects on traditional models.
“And therefore, the accessibility is much greater.”
The Evolution of Sports Broadcasting
14:01 to 18:03
Explore the current landscape of sports broadcasting rights and challenges.
“You know, they obviously, they take WWE Raw, but that's sports and entertainment, which is slightly different.”
Challenges for Leagues and Federations
18:04 to 21:14
Discuss the obstacles leagues face in securing broadcast rights and revenue.
“If you take the Premier League, for example, the international market just keeps on growing, the domestic market's been relatively flat.”
Centralization vs. Distribution in Broadcasting
21:15 to 23:27
Analyze the benefits and drawbacks of centralized vs. distributed broadcasting.
“But I just don't know whether it's a strategic internal position as well, whether actually there is more depth to it than just, okay, I get it.”
Show all 20 chapters
The Future of Rugby Broadcasting
23:28 to 28:00
Understand the complexities of rugby broadcasting and the role of consumer interest.
“through all the assets, whether it be the URL and the apps, they will cover all stories in all of golf.”
Rugby Broadcasting Decisions
28:00 to 30:00
Explore the complexities behind rugby broadcasting decisions and their consequences.
“And I've never said this before, but I can tell you now, the reason they weren't on Sky was not lack of appetite for Sky.”
Challenges in Rugby Participation
30:00 to 33:10
Understand the grassroots challenges facing rugby and its impact on audience growth.
“Part of the problem with rugby, I think, in this country is only 5 % of schools play rugby.”
The Creation of The Hundred
33:10 to 34:50
Learn about the inception of The Hundred and its goal to revitalize cricket participation.
“such that they made sure they had a participation programme because without young people coming through, without the sport being played at grassroots, then we're just playing around until the sport ends.”
Future of The Hundred and Broadcasting
34:50 to 37:30
Discuss the future of The Hundred in the broadcasting landscape and market dynamics.
“I think the 100 is a really fascinating case study because, again, people sort of forget how influential Sky or, you know, in the creation of it.”
Premier League's In-House Production Strategy
37:30 to 42:00
Examine the Premier League's strategy in bringing production in-house and its implications.
“Occasionally you will have someone paying a premium for total exclusivity or there'll be something around a sport in a market where there's a real skew for whatever reason.”
The Evolution of Premier League Media Rights
42:00 to 43:52
Explore how the Premier League has transformed its media rights and responsibilities.
“over the last couple of decades, we've supported them with the production elements.”
Technological Advancements in Sports Broadcasting
43:52 to 46:01
Learn about the shift towards remote production and the role of technology in broadcasting.
“really, really quickly and AI is helping advance that.”
The Impact of Remote Commentary on Sports Coverage
46:01 to 50:44
Discuss the implications and perceptions of remote commentary in various sports.
“Next month is the fourth season of MLS that we're producing.”
Memorable Sporting Events and Personal Reflections
50:44 to 54:49
Barney Francis reflects on his favorite sporting events and their significance.
“Well, listen, we could go on forever, but I've come to your time.”
Transcript
Automatic transcript. May contain errors.0:00Hello, welcome to Unofficial Partner, the sports business podcast. I'm Richard Gillis. Today's guest is Barney Francis, who is executive vice president of IMG Studios and was formerly managing director of Sky Sports.
0:14Barney Francis:It's a really interesting step that they've made into six nations because they feel they can monetize that because there are enough number of households in this country. But can you do that for the Premier League? No, you don't have enough homes to pay the advertising yield that's going to pay the Premier League. you know, billion and a half quid a year. So it's a real insider's view of the sports media economy. And the conversation spans new formats in sport, piracy, streaming disruption, rights economics, the creation of the hundred, the state of rugby, the Premier League's move in-house with its production, what that means.
0:50And the consistent thread is what it is that the fan wants and what does the money want? What do the financial markets want? And are they the same thing? And there are plenty more where this came from. So there's about 530 sports business conversations in our Unofficial Partner archive of podcasts. You can go there for absolutely no money and access there across all different sports, lots of different themes and subject areas. There is something for everyone. Also, if you're interested in this sort of stuff, the Unofficial Partner Substack newsletter goes out every Thursday. So if Substack is your thing, then you'll find us there.
1:30I thought you were very good on the, I saw you on the, whatever that morning was, at EY, Nick Keller's. Oh yeah, yeah,
1:36Barney Francis:the sports industry thing, yeah. Yeah, so it sort of prompted me and I wanted to get you on for ages and so thank you. That's all right. Because I think there's so many different bits of the conversation and to your point, varying degrees of people wanting to embrace the new, whatever the new is and there's a sort of interesting question about what that is and what the stories are, you know, and what the expensive stories are. I was looking at Baller League in Germany and thinking that story has, there's been a lot of money bet on Gen Z behaviours, shortening of things, you know, the sort of playbook that the Bola League represents.
2:11And this is sort of not about the Bola League, but it's about those sort of industry narratives that the money wants, frankly. So it's quite an interesting sort of moment. What do you make of the Bola League?
2:21Barney Francis:So, I mean, obviously it followed on from Gerard Piquet's version of it. Yeah. And I watched, look, I watched a bit of it on Sky this year. I get its place. I get its role. Everybody is looking for new sort of IP creation. Yeah. I guess it comes down really to what is the expectation, you know, what you're hoping to achieve. You know, as we're talking now, it is Super Bowl weekend. and it is NBC's turn and they'll hope to beat last year's 127 million households that watched it in the US. And if they can get 128, then hallelujah, it'll be more cameras than ever before, etc, etc. So the big stuff is still attracting huge audiences.
3:09Barney Francis:And so it kind of depends what the expectations are. Whenever I watched it this year, and obviously it was on Sky in the UK, finding a clear window is really really hard so it tended to be up against football it was sort of scheduled from 6 p.m i think i'm right saying 6 p.m till 10 in the evening normally up against other live football so you know what are the expectations all around i guess from the broadcaster's point of view it is here's something that's appealing to a new generation influences packed or seemingly a packed copper box etc but it's not trying to take away clearly are not trying to take away the football ardent football fan who's watching probably a live game yeah so so from the broadcaster's point of view it is okay here's something different and we'll offer up choice and choice has been the name of our industry for the last 30 odd years from a broadcast point of view from the baller league point of view or the investors in it what are they hoping to do to usurp the live game uh live professional league football or cup football no they wouldn't have wanted that but they just think there is a there is another seam of a attention that they can that they can grab and grab hold of and monetize it sort of feels that you're right it sort of feels additive you know to the yeah because you've got this sort of rate again it's that scenario where you've got a load of money you know sitting in various funds that are popping up waiting to be deployed and then yeah it's looking at the different types of as you say choice and baller league you put into one category with like tgl golf for example feels similar you know okay it's not gonna take over the world but it's not for me but it's for someone you know hopefully they've done their homework and you know there's a there's a model there but then you've one of the themes of i think the last six months to a year has been the sort of resilience of the incumbent rights holder yeah i think that's look i think that's i think you're absolutely right and i don't think that's just the last year i think that's been the last i think since COVID, right?
5:08Barney Francis:We can almost frame COVID as a key defining moment, certainly in the UK market, but globally as well. Key defining moment where what we might call the sort of traditional leagues and formats had another boon and had another boost. It's interesting you mentioned TGL because I was actually thinking about that driving in this morning. TGL's window, right? So it's a really interesting concept. And Mike McCarley, who sort of created it, you know, long, long-standing former NBC golf diehard specialist, creator, etc. So it's a really good concept. And it's being positioned right now as the season, both seasons are underway pretty much.
5:48Barney Francis:You know, they're both, you know, the FedEx doesn't signal everyone takes a break till Christmas, just as, you know, the road to Dubai doesn't signal the end of the DP World Tour. Things carry on. But it really feels in January, you know, we're in this sort of the Arab swing on the DP World Tour. in Qatar this week. On the US tour, you know, Brooks is back and that gives the PGA Tour sort of another boost. So the tours are really sort of up and running and yet still that is the window for TGL because they're sort of up and running but not everybody is playing in everything yet. You know, so by sort of March time as we're heading towards Augusta, everyone's back on tour and playing stuff seriously.
6:27Barney Francis:So the window for TGL is really quite narrow but their ambition would never have been let's stop people watching uh the tours it's just here's something that's additive that's fun that of course has a virality to the it's it's digital and social after the live uh live event uh and just just creates different a different or grabs different attentions so but you know but the heart of it is the peaks we know the peaks in golf this year will be around the four majors you know there's no rider cup this year obviously it may be around the the players which is always is the best field in terms of the world's top 50.
7:05Barney Francis:So it's the same with football. You know, it is baller league, serves an audience. But this weekend, well, last weekend's big game, I guess, was Spurs-Man City. This weekend, I can't remember. Have we got Liverpool? Have we got Liverpool-Arsenal this weekend? You know, but it's those big games that really get everybody truly, truly excited. And I think, you know, if you hear the way that Sky Talk at the moment you know my old my old home they it is very much that since covid live sport and fundamental the heartland of live sport that we all know and love is what's really really really delivered you know cricket we've got a world cup this year but still everyone's talking about the ashes as calamitous as the ashes might have been from a results point of view it's still a still bigger in the uk audience than viewing to say ipl well i think there's a again there's a tendency to overplay individual case studies you know and my point being i think probably i'm over reading live golf and its relationship the pga tour and its its inability to disrupt a major global sport with a new thing and the pga tour has responded we're seeing it in rugby the response of the the big unions and federations has been fierce in you know as r360 comes into the picture or attempts to so you've got that the defense position and then you sort of think okay am i over reading live golf is that typical or is it outright in the same way i'm probably in danger of over reading the baller league individual case studies don't necessarily mean that the idea is wrong or the story is flawed no no that's right you know i've got a i've always i've always said this i've got uh 20 year old and 18 year old boys who are sports mad and i i probe them all the time as to their viewing habits.
8:58Barney Francis:My 20-year-old student lives with another group, and I sort of interrogate their viewing habits, their views on piracy and all these sorts of things. Do they realize they can pay a subscription? Or is it just an option to pay? Right. Here's a point, which is, and I've long held this view. 15 years ago, when piracy was really starting to create an impact, I remember talking to various Premier League chief execs and saying, you know, from a Skype perspective, we really need your help here. We need you to be telling your fans that ultimately this is going to lead to loss of broadcast revenue that's going to impact the revenue into each club and therefore the players that the season ticket holders get to see, right?
9:43Barney Francis:So it is a, you know, it is a spiral into an abyss ultimately. And at the time, the clubs always felt that it was the broadcasters' issue rather than the club's issue. but at the time then 15 years ago you know piracy was a nudge and a wink in a pub yeah it was hey richard you know i've got this thing i've heard of this way you don't have to pay your subscription fast forward 15 years i go to my my son's digs in bath where he's at university and chat to his mates and sort of say you know when you emerge with your degree and you hopefully you know there are some jobs out there and you will earn an income how are you going to consume your sport and they all say the same thing right it is it is a fire stick or it is a illegal illegal stream somehow that they'll access as a as a cultural norm yeah yeah right the nudge in the wink 15 years ago is now for the next generation a cultural norm so that's the the existential problem that sport faces is a a new generation and therefore the generations that follow who don't expect to pay for anything i remember talking to bill bush about this it was at premier league for a long time and you know he sort of became this sort of global expert on this question yeah that's right and that's right it was you know it was fascinating i really enjoyed it but he so there's the sort of hard this is theft this is you know against richard scumor on it gets very properly crossed if you start to you know make pseudo-intellectual arguments for this is real demand you know this is this is sort of no one pirates rubbish things it's a it's a all of that all of that stuff and he you know bill bush said you know that's just a middle-class dinner party conversation you know this is theft and this is ip theft and you have to go after this you know this is proper criminality and there is a it's interesting that cultural thing because you're right in that it's not in the margins anymore you know you go to a you know I've got a mate who's an accountant, you know, very upstanding member of, you know, and he's in the fire stick goes and away he goes.
11:45And it's sort of thing. Well, actually, if that's happening there, then I don't quite know. But you said something I mentioned at the beginning, your appearance at the EY event. And you mentioned something about the sort of market taking care of the problem of almost like the super platforms. Can you just explain what you meant by that? Because you were saying that actually there's going to be a sort of that we're in a transition period here.
12:08Barney Francis:okay well i'll i did say that and i'll approach it slightly differently in sort of uh and asking a question of you is do you hear of people saying that they pirate netflix right no no right password sharing idea there's a bit of that going on okay just sort of middle class piracy isn't it that's right but it's not a because the entry point the entry point to netflix is relatively cheap versus premium sports subscriptions. Yeah. And therefore, the accessibility is much greater. People don't mind parting with 15 pounds a month versus, say, 100 pounds a month. Therefore, the likelihood of people looking for cheaper ways or free ways to stream sport work to be on Netflix is less because 15 pounds a month is far more savoury.
13:01Barney Francis:And there's also a brand halo with Netflix. it feels like value, right? When you turn on, they've got a brilliant user interface, brilliant selection of algorithmically driven search and navigation that suits your viewing habits and suits mine. And therefore, you feel it is a service that is very palatable and certainly really good value. And so it's the value equation. So therefore, we're seeing Netflix. It's a really interesting approach they're taking to sport right now where you've seen the numbers that they drive for NFL on Christmas Day. Their most recent boxing, obviously, was AJ versus Jake Paul.
13:42Barney Francis:If you go back to Jake Paul versus Mike Tyson and the numbers they were doing. Katie Taylor. So they've driven some really interesting numbers there. They've obviously announced that they're going to be doing Fury's comeback fight in April. So they're looking at sport in a slightly different way. They're not getting involved in leagues right now. You know, they obviously, they take WWE Raw, but that's sports and entertainment, which is slightly different. But that's the only thing they've got right now, which is the, that has a regularity and a seasonality to it. Otherwise, they're popping up.
14:14Barney Francis:And it's available to us all. So their sports strategy right now is really interesting. The challenge, as we know, is it for the pay TV sports subscription market, wherever you are in the world, is piracy is driving at the heart of the revenue generation for that, whilst the costs have all going up because every federation, every governing body wants more money. So we're at a really interesting point in the sports economy and piracy's got a huge role to play in that and it needs to be combated. The problem is which side owns the pen on dealing with piracy. and the that netflix sort of incentive in the market again it's interesting because you start to say right okay if that's what they want you know the eventization of sport or whatever you want to call it how you then if you're a governing body or a rights holder respond i mean and again i was trying again talk about over reading individual case studies uh there is you've got that sort of relevant uefa moment where they had to sort of come and get me to the stream and that felt like okay that's directly aimed at netflix or whatever and it didn't didn't happen and paramount have sort of come in and got that but what do you what was your reading of that because am i put it sort of putting two and two together and making about eight there or are they was that just their response the way they're packaging their rights and they're looking at netflix and saying right okay is this what you want or a zone or whatever yeah look look i think i think the answer to that is every governing body is looking at how it can drive more value you know as i said as i sort of keep saying since covid the value of premium sport has has gone up but everybody wants to every federation has it for due to responsibility to its its its members right its clubs etc etc so it's always trying to eke out additional value additional revenue for that so every federation every league approaches it differently you know we saw we work very closely with mls and i think it was four years ago coming where they did that global deal with with apple yeah which kind of made us all stop you know in the industry it's like wow okay so here's a here's a league that's clearly on the up with a sport where participation and grassroots is increasing as some of the other traditional american sports were facing sort of grassroots challenges um that are all you know that are well known and they've done a deal with one of the biggest companies in the world and that's suddenly really interesting and there are that hasn't that's not happened many times with many many properties so the jury's out on on whether you know are we going to be in 10 years time are we in a world where all the big sports are are taken by the big streamers i don't know is that the hope of all the federations no they're all they all have different challenges we talk to leagues and federations all the time and of course what what most hope is that in their domestic market in the primary market that the the broadcast rights are going to go up so you need competitive tension for that whether that is the traditional pay tv operators some of the telcos who are still around or the streamers and then of course what every league and federation wants as well is an increase in its overseas revenue that it's driving but that's a really really congested space.
17:42Barney Francis:So part of what we do is advise, you know, scrutinous data capture on the likelihood of increased viewership that leads to increased revenues, etc. There's a lot of money in the system, but there's not enough money perhaps to meet everybody's ambitions and hopes and desires. And that's when leagues and federations then have to start addressing their cost base. If you take the Premier League, for example, the international market just keeps on growing, the domestic market's been relatively flat. I couldn't speak with absolute knowledge, but I would imagine that every Premier League club's wage bill has only gone up in that time.
18:17Barney Francis:And that's been helped by the overseas revenue and the interest in the Premier League, which is, you know, which is unstoppable. Whereas the domestic revenue has been pretty flat. That's the challenge for the Premier League will deal with the next rights market. Yeah, yeah. And one of the sort of strategies is to break up the big number. So if broadcasters don't want to take the big risk with a huge sort of outlay they're carving that up which again gets back to the previous conversation about piracy so one of the seemingly incentives of people pirating is actually the pain in the ass of my thing being across many different outlets yeah well it's it it's really interesting and i'll just give you two really obvious examples right which are very apparent now so it's we're speaking on the thursday it's the start of the six nations yeah and the six nations is just on ITV, right?
19:03Barney Francis:So it is in one home. And of course, the debates over the last sort of couple of days has been around them taking ads, picture-in-picture ads during play. You know, they're free-to-air broadcast that needs to monetize its asset. They've taken a risk on bringing it all under one roof. So no doubt where the Six Nations is going to be. It's all on ITV, but they have to monetize it. So I have some sympathy against some of the criticism that's come their way. But interestingly, last week, the FIFA Women's Champions Cup was in the UK. And I had breakfast with Jessica, who's the commissioner of the NWSL.
19:39Barney Francis:So the North American Women's Soccer League. And they're just thinking about their future. They're currently across five different broadcasters. And they've got good relationships with them all. But is that right for their future? Should they be in one place? Should they be in two places? Should they be in five places. And, you know, I was out of the country Monday, Tuesday, talking to another European League federation where they're assessing their future and centralization of productions, you know, should they own the production piece, which is what makes it easier to bring in the super platforms to the marketplace.
20:21Barney Francis:Anyway, we have this sort of debate. And right now they're in their rights are spread across a couple of broadcasters and i just asked the key question is you know what research have you done into what your consumers want right and that's at the heart of every you know you and i can pontificate and postulate theories and all these sorts of things but ultimately it's the consumer that matters most so if i go back to nwsl split across five different licensees and right now that means that most of their games are broadcast if you're a fan of a certain club, then you know exactly where you're going to find them.
20:55Barney Francis:So that's good. Bringing it all into one place, does that make it better? Maybe, but maybe not because maybe the money's not as good, therefore the development of the league, et cetera. So these are all the quandaries that we face at IMG, that all the leagues and federations face. But ultimately the heart of the sports economy is the consumer. And without that consumer, back to the rugby, every rugby fan knows for the Six Nations for the next five or six weekends exactly where to go yeah yeah and you know itv have to drive some commercial return on that how much sport do you think a channel needs to be the home of question so that's a really you know what how much of it is necessary to to build a destination for a particular sport and how many sports can sustain a home for a broadcaster well i think i think if you take the world's biggest sport by league number of professional leagues and participation football what would the home of football mean here in the uk uh do you have to have every league my old place right do you have to have every league or do you have to have the the leagues that matter here so sky obviously have premier league efl sbfl no longer has Champions League hasn't for the last three cycles but is back with the Europa League at the next cycle so Sky the home of football well they're certainly the home of English and Scottish football yeah is it the home of football it's a really hard thing to argue and of course back to the consumer and the customer it is actually for them to define whether they see something as the home of sometimes No, it's because I sort of see it from the outside as a marketing position.
22:50But I just don't know whether it's a strategic internal position as well, whether actually there is more depth to it than just, okay, I get it. You know, it's a sales tool.
22:58Barney Francis:Yeah, it is a sales tool. Back to my old place, if you go back to golf, you know, they have the two principal tours, DP World Tour and the PGA Tour, and they have the four majors. They have the Ryder Cup. They have the President's Cup. They don't have Live. But you would still say right now that's the home of golf for the UK market. There is one principal tour that they don't show. But other than that, you can pretty much get everything. And then, of course, they will, through the digital and social, through all the assets, whether it be the URL and the apps, they will cover all stories in all of golf.
23:37Barney Francis:So therefore, there's a real legitimacy to call yourself the home of golf in the UK market. So, of course, you need to have critical mass, right? If you and I were to start up a broadcast network today, and I hope you can bring the capital that will enable us to do that, you know, how could we sit here and strategize on, well, let's become the home of football? Now, we might be able to. I don't know their exploitation, but we might be able to buy the Estonian League in the UK, and therefore we could call ourselves the home of football in the UK for the Estonian League, right? But it's, you know, critical mass is obviously really important.
24:16One of the things, so on the bundle where we do with, you know, Murray and Yannick, and it's sort of one of the themes that comes back. There's a question about, do broadcasters have long memories? Do they hold grudges? Is there, when you were at Sky, so when, and the case study that Murray quite often references is Sky and rugby. And, you know, having been for a period of supporting the sport, being the bank, doing the Sky job, and then they go off somewhere else yeah and then there's another these are all cycles and they come back again yeah what how is how does that play into that sort of process because everyone you sort of assume it's a big grown-up corporate conversation but there's also the you know what you stitched me up last time i just wonder how long those memories last and whether there's a sort of grudge against particular sports okay or you know like champions league and sky
25:10Barney Francis:So first things first, so we'll come back to rugby. I'll give you the best story about that. Sky is a customer business and therefore every single day, every single decision is about making sure Richard is getting value for his subscription. Yeah, honestly, and I could not speak more positively about that as a culture within the organization as a B2C. So a senior sports executive came in to see me once and wanted to sell something to Sky. And I said, not going to buy that. Why not? And I said, because that won't add a single subscriber. And therefore, it's just adding cost to the base. so there might be a little bit of incremental value to you Richard you might have been interested in the sport and you might get a bit more but actually if I'm adding more cost to the base then that leads to more cost for the subscriber ultimately and this person turned to me and said you don't like my sport that's why you're not buying it and I said to him whoa whoa I'm just a I just occupy the chair right I'm a custodian for Richard's money and my job is to spend it as wisely as possible.
26:23Barney Francis:It's got nothing to do with what I like. And I remember saying to him, if I made decisions for me and my interests, I'd have Aston Villa at four o 'clock every Sunday. Right? Not that you could, right? The way that it's packaged, right? But it's not. And I remember saying to him, you've got to understand, I'm not making decisions based on whether you and I like each other, whether I like your sport. That's not my job. My job is to aggregate the subscription revenue and spend it in a way that best drives value for Richard so that tomorrow he doesn't wake up and think, actually, I'm not getting as much value anymore.
26:58Barney Francis:So that's kind of the precursor to the rugby conversation. So rugby, when we were thinking about moving from numbered channels to genre channels, the obvious one that wasn't creative was rugby. There was a time early 2010s where I think we were contracting with 14 or 15 different rugby organisations. All the home nations individually, various leagues, various overseas organizations, et cetera, et cetera. And I used to say to them, why do you coalesce? Rather than coming in, you run a home nation, you're coming in the day after somebody else who runs another home nation has come in and you want a pound more from me and you don't care if that means to take a pound out of the next person through the door.
27:44Barney Francis:why don't you coalesce and create a calendar and create a system and a framework you know back then i would always say to world rugby that's that's incumbent on you to create that but rugby couldn't do that and i felt at the time in the early 2010s that part of the problem was the the ultimate executives the administrators of rugby at the time were so subjective in their views and their thoughts and because they were diehard died in the wall of rugby fans yeah at heart and therefore there was a layer of objectivity that wasn't there and they weren't thinking about the consumer they were thinking about you know just just pull more money from broadcasters for your own federation and slowly uh to create a when we move move forward a few years in creating a genre channels for rugby channel to have existed, Sky needed one of two leagues, needed either the domestic league, Premiership Rugby, or it needed what we used to have in the Heineken Cup that went through various different iterations.
28:52Barney Francis:And I've never said this before, but I can tell you now, the reason they weren't on Sky was not lack of appetite for Sky. It was decision-making their end for whatever reason. And those reasons weren't always commercial. So Sky certainly didn't walk away from rugby. You know, we would have created a rugby channel because we knew from the consumer insight and data and the segmentation of audiences and sports fans that a rugby channel would work. But at the time, rugby chose different pathways. And I don't think rugby, you know, here we sit in 2026, I don't think rugby in this country has come out of that particularly well and needs to probably reassess and re-aggregate into one or two or three homes and destinations.
29:42Barney Francis:Right now, I think rugby is spread quite far and wide. So if it wasn't a commercial, so you're saying that it wasn't just about taking more money from whatever it was, BT at that point, what was it about then? Why make that decision on that? what what what's in that decision come on come on we've only just met each other
30:05Barney Francis:but sometimes look so i'm not i'm not you know i'm not i'm not here to sort of criticize and sort of lay sort of suspicious theories and what have you but some but sometimes organizations make them make decisions for different reasons okay what okay so it wasn't it certainly wasn't sky walking away from rugby well i think it's interesting you're saying about there's there's there was a couple of things one is that it makes me think about cvc and actually what the story of cvc and rugby was was sort of founding like i'm going to answer barney's question there we're going to have some sort of unity and whether or not they've got a big enough stick is the question and they've got yeah they haven't got a big enough proportion or percentage of the of the thing to wield that sort of clout yeah i mean i remember having this I did have this very conversation with Nick from CVC many many years ago about you know the ability of rugby to aggregate and drive meaningful broadcast revenue and interest from from its fans and what have you you know even going wider than that I used to talk to Ian Ritchie when he was in the big chair at the RFU there about you know together you know a broadcaster, let's say Sky, and rugby can lobby government.
31:17Barney Francis:Part of the problem with rugby, I think, in this country is only 5 % of schools play rugby. Therefore, it's a complex game. Therefore, how can you build audiences for a game that only 5 % of kids play? I didn't play rugby at school. I'll take my kids to the Six Nations. They played rugby at school, but they still ask me questions, I don't know. I don't know what that penalty is being given for. There's a complexity to the game, which creates a bit of a barrier. So we'd say, you know, there's a broadcast opportunity here and a revenue opportunity here. But actually, what we really need to work on is who are the next generation of subscribers from a pay TV point of view?
32:01Barney Francis:Who are the next generation of debenture holders at Twickenham? Well, if you're only pooling from 5 % of the population every year that sort of tricks over into you know back to my my 20 year old as soon as he becomes a uh a worker and generates an income if he hasn't played rugby he's not going to be part of that story so it's really and i used to i remember discussing that with with with nick as well so whether they've got the the leverage to aggregate rugby in the right way i'm i'm not sure i'm not i'm not i'm not close to them now but i think the the fundamental problem lies actually a bit deeper than that, which is certainly in this country, which obviously you don't get in New Zealand.
32:42Barney Francis:You don't get in South Africa where it's the number one sport. It's not the number one sport in this country. And part of the problem with that is grassroots and playing in schools. And we used to, you know, the one thing I would say that I inherited at Sky when I took over that job there was the criticality and the importance that we would place on developing partnerships with governing bodies and rights holders such that they made sure they had a participation programme because without young people coming through, without the sport being played at grassroots, then we're just playing around until the sport ends.
33:22Barney Francis:You know, you never have that problem with football, but rugby has that problem. You know, cricket, go back to the deal, the big five-year deal that we did back in 2017, which created the 100. part of the part of the issue there was a lot of ecb initiatives had rid had sort of worked to a degree but weren't driving increase in participation they had quick cricket and stars cricket and these sorts of things and i remember saying to tom harrison who was ecb chief exec at the time and i'd known tom we'd played cricket against each other at university and therefore we and we played club cricket in the same league uh and it was he was at tellington i was at hamstered right so it It was in our heart.
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34:04Barney Francis:He was a miles better player than me, let me tell you, even back at university. But in our heart was we want to see more people playing the game and we absolutely understand how important that is for the next paying consumer. And that's what sort of stoked the creation of the 100. Let's make something that's really simple to understand, which is a bridge between the sort of cricket that my boys played when they were seven and eight and test cricket because it needed revitalizing. But that's always been Sky's way and many pay TV broadcasters all around the world. Just by the rights, you need to be investing in a participation program which creates deep roots in this relationship and in this sport that everybody will benefit from in the long term.
34:50I think the 100 is a really fascinating case study because, again, people sort of forget how influential Sky or, you know, in the creation of it. And I think it's Sky Labs. Did it come out of Skylabs or the combination of?
35:04Barney Francis:Yeah, it went into Skylabs once we'd done the deal. I do remember, I remember exactly where I was sitting when Tom rang and said, because we were talking about lots of elements to the deal, and he said, participation, we've got this idea called the 100. Bear with me. And instantly I said to him, right, it's red versus blue. And I'm thinking about the explanation to young people, right? You start on nought and you've got 100 balls. As one goes up, the other comes down. It's as simple as that. Let's make it really, really simple. And it sort of took me back to 2001, 2. I was head of cricket at Sky at the time.
35:43Barney Francis:England, we were on a tour to Zimbabwe. I was sat in a hotel room in Harare with dear old Bob Willis and David Lloyd talking about what does English cricket need? because at the time Sky didn't have only one test match in the summer and the one the internationals and all the domestic stuff. And we met up with Duncan Fletcher, who was coach at the time, and we were sort of talking about this idea around sort of T20 and sort of we took to ECB and Stuart Robertson at ECB at the time had already been thinking about a T20 thing. You know, clubs played it on a Tuesday and a Wednesday nights. Could it become a professional format?
36:21Barney Francis:So, and then of course T20 was born and then the IPL takes over etc etc so it was with that sort of excitement that when tom rang me and said you know got this idea about the hundred it was okay so this can be the the bridge the entry point for for children because the problem with t20 in this country was great concept to start with started at each game starts at 5 30 ended at 8 20 2020 funnily enough and families were going to it in those first couple of seasons and then it got kind of subsumed into the counties they wanted to move it to day night games so they could sell more food and beverage etc and then it's kind of lost its way so the hundred would sort of do exactly what t20 did at inception and given that sort of how embedded sky are i mean we've got a moment coming up you know i think it's 28 where the renewal for the for the hundred i think you know it comes to market and it's a different landscape now you've got a lot of very rich franchise owners who are now saying well okay to your point about you know fiduciary responsibility they want a return for this massive outlay that they've they've made that's going to be a bitter pill if it doesn't stay at sky i mean at sky how to the to the point about grudges and you know that's going to be a very difficult thing if it leaves sky presumably Well, look, the first thing I'd say is for any sport, any broadcast network or telco or platform, any country around the world, the market always sets the price.
37:56Barney Francis:Occasionally you will have someone paying a premium for total exclusivity or there'll be something around a sport in a market where there's a real skew for whatever reason. But generally speaking, the market will always set the price. So all those investors in the 100 would have done their diligence. They'd have looked at the opportunities that exist ahead, and the rights will be sold in accordance with the market. At the moment, there are challenging markets around the world, and there are buoyant markets around the world. If you look, what have we seen over the last three or four years in the US market, look at the NFL renewals, look at the NBA renewals, those markets that are founded on broadcast networks with mass number of homes and therefore big populations that are driving huge advertising revenues, you can see why that sustains.
38:48Barney Francis:In this market, it's much more challenging, which is why, you know, high TV, it's a really interesting step that they've made into six nations, because they feel they can monetize that because there are enough number of households in this country. But can you do that for the Premier League? No, you don't have enough homes to pay the advertising yield that's going to pay the Premier League a billion and a half quid a year. So when it comes to the ECB renewal in 2008, it's more than just the 100, it's everything. The market will set the price for that. Could it be skewed by an organisation, let's call it, who might just want to take the 100 and have a run with that?
39:25Barney Francis:Of course it could. And that's what the new investors and owners will be hoping for. But it seems to me there's a legitimacy to most of the investors in the league. They are long-term players. They are, generally speaking, organisations that are steeped in cricket. And clearly, the thought is around global franchise cricket, etc., etc. So I'm pretty sure they're not in for a quick buck. Let's talk about your day job now. Yeah. So the production business. yes and again this is my sort of peripheral reading i was looking at some of the trends within it and now the obvious question that you know is going to get asked about premier league taking production in-house yeah now and i sort of understand it but i just do just explain the rationale for it and what the difference is now or you know in a year's time compared to the past and do you think are they is it an outlier or is that going to be sort of the new normal is that what other people are going to say right okay we need to do what the Premier League has done so it's a really good question and it will take me a little while to answer it in full so firstly you know we've partnered with the Premier League for many years IMG and they've been great partners and I'd like to think they would say the same you know when they leave uh at the end of this season everybody's being very adult very gracious very complimentary about each other it's really worked for us and it's really worked for them the premier league back to what i was saying earlier about the desire the desire of every federation to maximize its overseas revenue you know it doesn't doesn't it doesn't take too much insight to see domestic revenue for the premier league is just about now exceeded by overseas revenue.
41:17Barney Francis:So if you think about that for a second, all of that money coming in from overseas, what the Premier League are doing now allows them to be closer to all of their overseas licensees rather than coming through the conduit of IMG. So they want to be closer to understanding what their Japanese licensee wants, what their New Zealand licensee wants, what their their Chilean licensee wants. So they want to own the relationships with their overseas license holders because they're generating quite so much wealth. So that's at the heart of, I mean, I don't need to speak for them, but that's what I see is at the heart of their decision to do this.
41:58Barney Francis:And the reason they can do this is because, you know, over the last couple of decades, we've supported them with the production elements. and that has helped drive that's helped we played a small part in helping drive those revenues you know i always say uh richard scudamore got out years ago in advance of all the other leagues and would go around the world telling everybody about the virtues of the premier league and they're very far very quickly the premier league become the number two league in most in most markets so all that groundwork has been done that has driven that overseas revenue and now they want they want to own that.
42:34Barney Francis:But there aren't many leagues that are in that position that couldn't do that. You know, it is, they've taken on a big cost, a big capex cost, building out those facilities, and they take on all those responsibilities. You know, if there was a problem with the feed this weekend to a far-flung territory in the world, then we take the accountability for that. Now all that accountability goes to the Premier League. So they're taking on the ownership of the responsibility, but the benefits are staying close to their partners. I don't think there is a football league, certainly, in the world that's in the position to do that right now.
43:09Barney Francis:So we, as you know, we're partners with the football league. We're partners with the MLS and SBL where we centralize the production of all of their live games and their additional content. So that's a big cost. It's a lot of people. There's a lot of complexity. you know as we are as as my part of the industry is moving from big old outside broadcast trucks loads of cameras satellite distribution etc we're moving to obviously everything is fibred we're trying to remote produce more and more so we're not sending people on location all the time because of the cost of that sustainability reasons etc etc so the world is our world is changing really, really quickly and AI is helping advance that.
43:55I always describe it as from the pitch to the eyeball, there are so many links in the chain to get that match broadcast
44:03Barney Francis:so that you can watch it in your lounge. And every link is a cost. And right now, nobody wants to spend less. So how do we use technology and advancement to get rid of some of those links? But it's still complex. So we spend, you know, our job when we partner with leagues is to help them grow by doing a centralised and increasingly remote production, which allows them to go to the market and say, we've got a complete solution for you. If you're a super platform who thinks there's an opportunity for football in a certain territory, well, here's the complete solution that is created for us by our partners at IMG Studios.
44:43Barney Francis:Because that's a big undertaking for any league to do. And I think the Premier League has proven that they can do it, but they're doing it at a stage where they're generating billions of overseas revenue so from a an img perspective is it yeah what's the difference so when between you and the competitor set so if if because there's a danger of efficiency being you know cost being another thing so there's a race to the bottom that is the obvious question there so i'm trying to work out if i'm the client in the marketplace, what's the difference? What's the differentiation? And how do you build value?
45:26What the nature of value is, I suppose?
45:29Barney Francis:Yeah, that's right. So look, I mean, first things first is if you get it wrong, then there are things out of your control, right? Sometimes there is technical interference or climatic interference that can get in the way. So that can happen to anybody. But doing stuff on the scale that we do, where we are constantly working to improve the quality and reduce the cost. We have a scale now that we've built out that enables us to do that. Next month is the fourth season of MLS that we're producing. And we're starting to remote produce some of the matches. And the best way I can describe that is, let's say it's a game in Vancouver, where we will have 8 to 12 cameras, and we will rather have everybody on site, we'll have camera people, technical engineers, but all those camera signals are going to be fed back to 707 Stanford, which is our sort of TKO home, the WWE headquarters there, where those cameras are fed into some hardware, which we call simply live.
46:43Barney Francis:and that's fed back to Stockley Park where one of our football directors will direct the game. If you just think about that for a second, we'll have a very experienced football director in West London who is directing a game out in the most northwesterly point of MLS in Vancouver, driving efficiency with less people on site. The latency is negligible to deliver all those signals back to a very experienced director in the UK who's directing the feeds, and that is being delivered to the Apple platform almost instantaneously. That director previously might only do the Vancouver game. That director now can do that game and maybe do another game in a few hours' time or certainly do another game tomorrow.
47:32Barney Francis:So that scale and critical mass and our expertise in doing that is probably what sets us apart. Now, if you were interviewing or chatting to any of our competitors now, they'd say they do similar. But it is about how do we drive value for our partners in bringing the cost down but improving the quality? Because nobody, no league or federation of any sport wants to go to the marketplace and say, we're selling you something that's worse than it was last year. It's always got to be better. So it's perpetual improvement. It's interesting, the remote production thing. because there's sort of as a cricket fan i was it was it was interesting the tnt doing the ashes from london yeah and you know i assume that technically it's all fine but there is a sort of it's almost like a image question or a but intangible it's something about okay well they're not putting their heart and soul into this they're just doing it and i noticed that the bbc are doing the world cup from remotely itv are doing it from new york so that's obviously a trend that is going to continue again people like me moan about lots of things but there's a sort of sense that oh they're not there do you know i mean it's like that there's an intangible there that i think i'm now blaming the broadcaster for not taking my sport seriously yeah look i think every sport it's really hard to come up with a single conclusion for that because every sport is is different i remember first time going out to augusta to see the masters when when i was at sky and the broadcast compound is quite some way away from the course you've got obviously the 18 holes the beautiful garden of eden and then you've got the par three course which is the most stunning golf course prior to seeing the other one and then the broadcast compound is beyond that and i remember going down into our commentary booth which was uh in the basement where uh it would have been bruce and ewan at the time who uh you know our regular lead commentary team and they're sat in a bunker looking at looking at monitors and graphics and what have you and i remember thinking of course everybody wants to be at augusta but actually from a commentary perspective they don't they don't see anything other than what you and i see at home as a viewer yeah whereas in cricket uh and with my experience in cricket commentators i always used to say to them you've got to commentate on what you see on your screen because that's what richard's watching at home whereas the inclination is you're in a commentary box you've got a monitor in front of you when you're holding the mic i can tell you now this is exactly how it happens every commentator is talking over the monitor but when the ball is bowled short pitch ball and batsman a swivels and and pulls or hooks it commentators looking over the monitor out on the ground to see where the ball's going is there a fielder right a deep leg that deep square leg right or can you see from the trajectory that that ball is going to be disappearing into the stands they will do that and then come back to the monitor so there are some sports where i think the remote commentary is is absolutely fine and others where even though you have to commentate off what the viewer is seeing at home there is a wider perspective that allows you to to tell a a cleaner story for the for the viewer so it's you know every sport is every sport is different you know the super bowl this weekend every commentator of course because of the this the scale of the event will be on site whether it be for NBC whether it be for NFL Network and uh and where else you know for the rugby I don't know well I guess it'll emerge but I would imagine the commentators will be uh on site so but you know it is easy to send for ITV to send their commentators around Europe it is very expensive to send your commentators down to down to Australia would I have made the same decision I'm not going to answer that.
51:25Barney Francis:Will you ask the question?
51:32Dear, right. Okay. Well, listen, we could go on forever, but I've come to your time. It's a question about what's your favourite event? I'm assuming it's the Masters.
51:44Barney Francis:What's my favourite event? Well, I would say my three favourite events that I've witnessed firsthand would be England winning the World Cup in that dramatic Super Over 2019 at Lourdes. Yeah. Yeah, yeah. Cricket World Cup. Yeah. Actually, I'm going to name four in my three. Secondly, I would say Medina, Ryder Cup. Oh, God, yeah, yeah. Incredible coming from behind. just because, you know, the one thing that is indefinable in our industry is momentum. I was having this conversation with my kids at the weekend. Momentum in sport, how things change, right? And we just kind of knew, you know, ahead of Poulter's last putt on the Saturday, it was kind of just something changing.
52:29Barney Francis:So when we turned up on Sunday, it was, well, we're going to win this, right? Which was crazy. My third will be AJ Klitschko at Wembley. dramatic fight but also culmination of a strategy that i've put in place i'd always been a boxing fan and back in sort of 2009 when it took over boxing was in a bit of a mess and then made the choice to just partner with matchroom and then rebuild boxing into bigger stadiums and then aj wins the gold medal in the olympics in 2012 and then when he beats klitschko that's kind of the culmination of a strategy that was really working. But also, I've loved boxing all my life.
53:09Barney Francis:And then the fourth of my three was Aston Villa 1, Bayern Munich 0 last year in the Champions League, where I took my son George, who not through any pressure of me has become a Villa fan. And it was just an incredible night, right? And of course, I remember as a kid watching Villa beating Bayern Munich 1-0 to win the Champions League, the European Cup in 1982. Peter Wythe. And there we were on a, I can't remember whether it was a Tuesday or Wednesday night last year, and Villa win 1-0. And my 17-year-old at the time turns to me and says, Dad, this is the best night I've ever had at Villa. And I turned to him and I said, son, this is the best night I've ever had.
53:48That's a low bar, though, to be fair.
53:50Barney Francis:Oh, stop that. Who do you support? Tottenham. I can talk about low bars all day. Yeah, well, come back when you've got a star on your badge. So, yeah, they're my things. But, you know, I love all sport. I love going to Wimbledon every year, Paris Olympics. I just decided just to take myself as a paying consumer one day to the athletics track. Love that. You've heard me say how disappointed I am with where athletics is right now because it's kind of the oldest discipline in the world, run, jump, throw. and I think from a participation perspective you know in an age where we are more conscious of inclusion than ever before it literally has something for everybody to participate in whatever body shape you are it has something for everybody so it dismays me so I love going I love watching I love it all that's good good place to end yeah good Barney Francis loves it all that's the headline there we go that's true absolutely true brilliant okay good thank you enjoyed that cheers for that and come back anytime
From the publisher
Barney Francis offers an insider's view of the sports media economy, drawing on his huge experience as MD of Sky Sports in the UK and EVP, Studios at IMG, the company's production business. The conversation spans new sports formats, piracy, streaming disruption, rights economics, the creation of The Hundred, the Premier League's move to in-house production, and the structural challenges facing rugby in the UK.
- New Formats: Additive vs Disruptive
- Resilience of Incumbent Rights Holders
- Piracy: From Nudge and Wink to Cultural Norm
- The Netflix Value Equation
- Rights Fragmentation vs. Consolidation
- The "Home of" Strategy
- Sky's Consumer-First Philosophy
- Rugby's Structural Failures
- The Creation of The Hundred
- Premier League Production In-House
- Remote Production and Efficiency
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