Estelle EXCLUSIVE The Truth Behind AMERICAN BOY “I Prayed For The Strength To Speak To Kanye!”

8 Apr 2025 · 1 h 52 min

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In short

Podcast Summary: We Need To Talk with Paul C. Brunson featuring Estelle

Podcast Overview Title: We Need To Talk with Paul C. Brunson Description: The podcast focuses on meaningful conversations that are often avoided, creating a safe space for vulnerability, self-discovery, and real-world connection. Topics range from personal conflicts to breakthroughs, and the human experiences that define relationships. Instagram: [@needtotalk](https://www.instagram.com/needtotalk) TikTok: [@weneedtotalkpod](https://www.tiktok.com/@weneedtotalkpod)

Episode Overview Episode Title: Estelle EXCLUSIVE The Truth Behind AMERICAN BOY “I Prayed For The Strength To Speak To Kanye!” Description: Estelle, a Grammy Award-winning artist, discusses her journey in music, identity, and self-belief. This episode covers her experiences growing up in West London, her rise in the music industry, and the inspiration behind her hit "American Boy."

Key Moments and Discussions

  1. Introduction (00:00)
  2. Host Paul C. Brunson introduces Estelle and sets the tone for a candid conversation.
  1. Estelle's Childhood (01:50)
  2. Growing up in Hammersmith, London, surrounded by a large, supportive family.
  3. Influential figures: Her grandmother, who instilled strong values.
  1. Family Dynamics (04:40)
  2. Discussion on her grandmother's impact and her parents' relationship.
  3. How her parents' split affected her upbringing.
  1. Early School Experience (11:22)
  2. Estelle shares her experiences in school, music, and the cultural environment.
  1. Career Beginnings (15:28)
  2. The start of Estelle's music career and the challenges faced as a Black female artist in the UK music industry.
  1. Cultural Comparisons (27:31)
  2. Differences between Hip Hop and R&B in the USA vs. the UK during the early 2000s.
  1. Meeting Kanye West (35:53)
  2. An impactful encounter with Kanye West at a chicken shop in LA that led to her hit "American Boy."
  1. The Legacy of "American Boy" (51:26)
  2. Breakdown of how the song was created, its impact, and its significance.
  1. Personal Struggles (56:48)
  2. Discussion about moments of doubt and feeling overwhelmed in her career.
  3. Learning to trust herself and the journey towards self-acceptance.
  1. Relationships and Motherhood (1:06:44)
  2. Estelle reflects on her relationship history and her thoughts on motherhood.
  1. Spiritual Beliefs (1:21:51)
  2. Insights into Estelle's spiritual beliefs and how they shape her identity.
  1. Allyship and Advocacy (1:26:30)
  2. Why allyship is crucial to Estelle and her views on love and acceptance in society.
  1. Final Thoughts (1:46:18)
  2. Paul shares his takeaways from the conversation and the profound insights gained from Estelle.

Key Concepts and Takeaways

  • Resilience and Self-Belief: Estelle emphasizes the importance of trusting oneself and overcoming self-doubt in pursuing dreams.
  • Cultural Representation: The conversation highlights the significance of representation in music, particularly for Black artists and women.
  • The Power of Connection: Estelle's encounters with influential figures in her life, including Kanye West and John Legend, shaped her career trajectory.
  • Importance of Community: Family and community support play a vital role in Estelle's life and career.
  • Spirituality and Identity: Estelle’s beliefs influence her worldview and approach to life, advocating for acceptance and love across different communities.

Conclusion This episode of We Need To Talk not only reveals the multifaceted journey of Estelle as an artist but also serves as a reminder of the power of persistence, the beauty of self-discovery, and the importance of community and allyship in navigating life's challenges.

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Transcript

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0:00This episode is brought to you by Progressive Insurance. Fiscally responsible. Financial geniuses. Monetary magicians. These are things people say about drivers who switch their car insurance to Progressive and save hundreds. Visit Progressive.com to see if you could save. Progressive Casualty Insurance Company and affiliates. Potential savings will vary. Not available in all states or situations. Look out, it's Kanye. I was like, dear God, if you are there right now, please, I need him to come outside so I can say something to him in Jesus' name. And then Kanye walked right outside and I said,

0:45One of his friends actually came up with the, don't like his baggy jeans, but I might like what's underneath him. And I was just like, okay, come here, young star. And that's it. It took us, like I said, 15, 20 minutes to hear it and left it and went home. Will there ever be an American boy 2.0? There was a lot. I was like, why are you even bothering? I have people who would actively say she's a waste of money and then be happy for me at the Mobos. I feel like the industry is like a death by a thousand cuts. What was the moment where you felt like you were on the brink of losing it? Oh, goodness.

1:17I was performing everywhere I could, any stage I could get to. It doesn't matter the crowd. I'm having fun time. Behind the talent, they saw the passion. Were you the first person that John Legend signed? He literally started a label to sign me. He believed in me that much. I get off the train at Sandra Paye. It's like 1 in the morning. I'm on stage at 2. I drink half a bottle of vodka. My body wasn't working. Everything started slowing down. I get to a show and my voice don't want to sing. Is there anything that we have not yet talked about that you want to talk about?

1:56helps us grow our community.

2:05I've known you for 15 years. 15 years. And I've also watched a million of your interviews, but I'm going to try to go in a different direction. Okay. If I can. Shoot. Right? Because I really want to get into who you are behind the music, behind the career. and where I want to start is where you were born and where you grew up. All right, so where did you grow up? I grew up in Hammersmith. I was born and raised in Hammersmith. Grew up in West Ken. I know that. I know that. My favorite theater is Lyric. See? Okay, that's down the street from where I was born. Oh, really? Yeah. And so that was like all our walking distance, schools there, Lyric theaters there, Hammersmith shopping centers there, you know, that whole King Street.

2:54That was our stomping ground. That was where we were from. Yes. But my grandma had her house and my granddad when they first came here. And like maybe the 60s, early 60s. Okay. Can I even ask you on that? Yeah. So your grandparents, is this from the Senegalese side? Yeah, yeah. Now, all right, this is the nerd in me. Yeah. Why did they come to the UK? Because I see that a lot of people who left Senegal would go to France. Yeah. So why the UK? So my granddad, I think, came for work. And then my grandma followed. It was like, you've got to come join your husband. And my mom came, she said, I think in 72, she was 12.

3:37And it was like the culture shock of culture shock. She came in a poncho. She still has it. She said she came in a poncho, the wool poncho, like to freezing London, like off the plane, like crazy. like what in the world are we walking into you know and it was like a whole new home from what she tells me it was tough like the thing wasn't easy like there was a lot of everything you could think of from that era going on the teddy boys the racism the the let's go beat black people for no reason all of that stuff happened she could communicate so much with the look yes she was the funniest the loveliest you know sit there and just bust it up for all times but she had a mom where she would just look at you or look at whoever in the room you knew exactly what time it was without having to say it and i know that came from having to be in scenarios where you couldn't really you know because of the era you're a woman in the 50s and 60s you had to be up under your husband and then her husband was muslim and she was christian and that was a whole nother change over too that's interesting yeah that's interesting so would you say that your your grandmother was definitely the most influential figure within your family.

4:49Yeah, very matriarchal family. She was definitely the one. The one. Yeah, she left us early, middle of last year. That was tough. You know, that was tough because I remember thinking, what am I going to do when she leaves? What am I going to do? I know now. Yes. But I remember the feeling. It was tough. It was a tough year. I'm sorry to hear that because that's recent for you. When you go back to you being a little girl, you think about your grandmother, right? what values do you believe that she instilled in you oh okay so and I didn't know this at the time but I trace it back to her being a Libra she's very much like look good when you leave the house

5:34go back go change uh I think it was more for her especially about like you're never gonna tell me my kids look less that you know especially again you've got to think of the era you know like coming from uh africa you already looked at as like less than and you know in those areas and let's be truthful like they were not the nicest of like well they were absolutely racist and all the things and one of the things she uh told me i guess later that everyone's always like well finally you got braces i said because my nan told me to not to do with you people everything was blowing up american boy was out she was like look at you look so pretty hey, go get these fixed.

6:12Oh, wow. I said, okay. Only because she told you. Smoothly. And this is the pride in the sense of self my parents and family raise us with. They're like, you're good. You don't allow other people to dictate what this is, who and how this moves. Was it like this idea of if I show up correct, right, then I'll feel better about I have more confidence. It was some of that. And it was also like, why would you fight yourself? Like, why wouldn't you want to look your best? Right. You know, if there's a thing to help you look your best, go do it. Go do it. Yeah. If it makes you feel good and it's not based on somebody else's stuff, go do it.

6:53Okay. All right. I love it. I love it. So it was a big household, though. It's huge. All right. So how many brothers and sisters for you? In my immediate, there are nine. And then I have cousins and nieces and nephews and there's so many of us. But my grandma had seven kids. And we're our own, I would say we're our football team. We're our own best friends. You know, we're our own gang crew, you know? Yeah, I can see how close-knit family was. And I think also for a lot of immigrants, right, that family was everything because family was your support system. It was. And it was a reminder of where you came from, you know?

7:34Especially if you're coming from places like West Indies in Africa, seeing that person next to you who looks like you, sounds like you, feels like you, understands intimately and without a shadow of a doubt what that look means without having to explain it to anybody is a whole other, you know, invaluable, especially in the 80s and the 70s and the 60s, you know, reestablishing yourself in another country. Yes. Yes. All right. So what about your parents because their story is like a movie it is it's a it's a full it's love it's love it's love it's love it's right yeah it is the short version they met my mom was on a double date kind of like chaperoning my auntie's date at the house okay and so my uncle had brought his brother which happens to be my dad and my mom and him kind of looked at each other like oh hello and got together.

8:29My mom was like, yeah, we met April, then you came along. I said, first date. Oh, really? Terrible. It was terrible, Paris. Are you serious? They were like immediate, like essentially immediately. I don't know the first date, but immediately. They broke up. Family members didn't approve of them being together in some capacity. It was stuff with that. All right. Can I ask on this? Because from what I understand is it was your grandmother, the matriarch. who said, this is enough between you two. Yeah. This is the thing that no one really talks about, which is a wild thing. There was togetherness, but there was certain angst and certain annoyances with the African community and the West Indian community.

9:13And it was like, these West Indians, these Africans, and it was a lot going on that was opposing them being together, per se. So my grandma was just like, it's enough. You know, like, you can't come here no more. This is enough. Like, it was a lot happening between them. And it had nothing to do with them, more to do with everybody around them and their chat. Their chat. And because your father's from Grenada. Yeah, yeah. 20 years later, they get back together. It was, I met my dad randomly, like I was kind of thrust into the scenario when I was 17. And I was just like, I didn't ask for this. I don't know what this is.

9:53And what I love about my dad, and me and him are gang now, but what I love about my dad is he was very, he wasn't forceful. He didn't be like, well, I'm young. He wasn't that guy. Respect, he was never that guy. He was always very much like, when shall come? When will you be ready? You know? You can look at it as it's poetic, it's romantic, but it's also tragic. Crazy. Because you think that, so how old were you when your father and mother were really separated? And they were forced to be. Three. So you're three. Yeah. And I remember him talking to me against the door in grandma's house. And I remember just looking.

10:30I can see it in my mind's eye now. Like, he was just telling me he loves me and all of this stuff. And then I don't think I see him after that. And then the next time I see him, I was, like, at school. And he'd come to the school gates to say hi. And I was like, oh, what's that? Like, you know. So the last time you saw your father, he's waving at you. Yeah, yeah, yeah. Just to say hello. Say hi. I'm here. Yeah. And then you don't see him for over 10 years. Yeah. All right. When you look back, how do you believe that separation impacted you as a little girl? The choices I made, the men I did, the rejection, the way I dealt with my friends, the way I dealt with my family.

11:06It was very much like, well, I'll just leave. I'll just be gone. I just everything was just like, all right, I'm glad. No explanations. I didn't owe anybody any explanations. No one owed me any. It's fine. Just be gone. And I was comfortable dealing with people like that. man it all ground to a halt at 37 wow my voice and everything started failing me I want to say my body was just like you have things to work out of your system and this is not going to continue for the next phase of your life so you continued that I'm out I'm done very abrupt exits all the way through most of your adult life and you feel like that stemmed from those early on Absolutely.

11:48But you felt love. You knew what love was. You knew what support and trust was through the family. But then what was school like for you early on in being here? It was a crew. That's how I figured out how to sing is with them. We thought we were Jodeci. We thought we were SWV. We thought we were Mel and Kim early days. We thought we were any version of an R &B anything or soul or reggae. That's who we were. like we would go to school and be the ones in school like come on let's do the dance whatever like that was us right so on pepper was me and my cousin patient that we all were raised as sisters and brothers because we were all pretty much at my nan's house for a period so my cousins were my sisters you know like my like they're my brothers they're not they're not like people's technical cousins or they live over there like that that's how I learned how to sing.

12:44That's how I learned how to manage group. This is how I learned how to manage myself around people. It's how I learned how to be choir director, like early days choir director, per se. It all came from that. It all came from that unit. But it sounds like it wasn't necessarily you thinking this is a profession. It was just fun. It was fun. And that's been the core thing up and down. Like, as long as it's fun, that's it. Alright, I love it. I love it. Now, So school for you, though, because I would imagine, you know, being in London at that time, was it a positive experience for you? It wasn't terrible for me.

13:24Okay. But honestly, it wasn't. I would say I was liked a lot, you know, like I was well liked, you know. I don't know how to say that. Who doesn't want to like you? Come on now. Sure. I don't take it for granted. When it came to secondary school, we all moved. It was a different space, space area or whatever. But now you're getting to see people from different areas and who weren't raised like you, who didn't do the, who don't have the same baselines as you have. And you still have to be in the world and represent the family. You know, like, who's smoking? I feel like I smoked for three seconds and was like, because my mom would always threaten us.

14:00If you smoke, I'm going to put you in the cupboard with a pack of cigarettes and make you smoke it. Wow. We never wanted that experience. No. But that was a threat looming in our heads. if she catches me with smoke, oh, cigarettes, she's going to put me in the cupboard and make me smoke my cigarettes. And I love it because you've got to think, like, nine kids, you've got to figure a way to, like, keep them in order. So that was a good enough threat. She had a moment about me smoking weed and then was like, so where do we at? Now we thought. But it was like, my cousin P and me, we were, like, the group, the singers, they know what they're doing.

14:36Okay. So we always had different groups, like me and these girls are going to be SWB, and I can do a four-part harmony myself, so I'm going to just pick you, you, and you, and we're going to be Jodacy this week, and we're going to be... It was all of that, right? My favorite class was music. It was music. It was music. Well, music and English. Okay. Yeah. English because I like to read. like I'm a I'm a I will take my shoes and my books with me everywhere I go like I love I love to read like it's a thing I would go to sleep with books under my pillow and my mom would be like yeah you have a crook nap because you slept on a pile like what are you doing stop it oh but wow of books yeah it was a real thing well um I would get books every year for Christmas and be the happiest child alive like not I don't want a doll I don't care give me books give me the anthology of uh But Sweet Dali High gave me The Hobbit, gave me all of that.

15:37I was into it. You were into it. Yeah. See, and this is at what age? Oh, goodness. My whole life. Yeah, what early teens were talking about? No, I'm talking like I was... Senior school, was it? 10, 11. 10, 11, okay. Yeah, 10, 11 up. So think about that. Yeah. 10, 11, like, says almost no 10, 11-year-old that they want books for Christmas. Just me. But I think that's beautiful, right? Are you beginning to think professionally what you want to do? And is it music or no? No. It wasn't professional like, oh, this is, how will I say this? I think it was like, this is what I'm going to do for a living.

16:16And the thing that kept becoming the recurring factor, the recurring theme in my head and in my spirit and in my life was, whenever you're singing, whether you're in your room, whether you're on stage, whether you're washing dishes, you are in another world, you know? It wasn't escapism even though it was just like you were just euphoric. Like you feel joy on a different level. So I kept doing it. I just kept trying to look for that joy, that feeling, that euphoric, that pointer. Sure. Was it that white rabbit? Yes. You know? Yes. I was just like, this is the thing that I like to do. I really like doing this.

16:53And I do it pretty okay. You know? But how did you know you were doing it okay? Like, how did you know? Were people telling you you have a great voice or? Well, it started with rapping. Okay. That was the thing. People were like, I don't know. I know you. It was a given that I could sing to my family. Not to me. To them. They were like, yeah, she, yeah, all right. And my cousin would always be like, your voice is so husky. And I was like, but you sound like SW. You sound like Coco from SWV. I couldn't do all of those. Like, and I was always like the bass note or the Mary J of it. Okay. It was just always that.

17:28I never really thought of that being the voice thing or that my voice was the thing. So I started rapping. I always did the raps too because I don't know. I was just good at it. So when I started going at it for real, after like several talent shows and we were trying to do it and my cousin decided not to do it. And my little sisters was like, turn up, have fun. I'm going to do this no more. Right? Two degrees. They're like, this is boring. We all, everyone just kind of dissipated. I said, well, I'm going to do it solo then. And I would start hanging out at different ciphers and see all people, you know, people rapping.

18:07I started working at a record store called Daryl. And this one guy was like, you, you rap a little bit, don't you? And I was just like, along to the songs, you know? And he was like, you should write your own. you should you should do them i was like i was like nah try like you could i'm sure you could do it like you know i feel like you can his name was fallacy and i went back i went home and i wrote a rap and the next time i seen was like look look listen to my rap it's like 18 17 something like 18 19 he was like see like you're good keep keep writing keep doing it and then it was just after to the races, I was like...

18:47You were just riding... Riding raps. Riding raps. Riding raps. But at that time in the UK, so you're 18, 19, are there any other rappers, especially who are women, doing their thing? Yeah. Who was it? On the scene, it was Tempo, Wildflower, Simone, and me. All right, so there's a crew of y 'all who are rapping, right? but are you thinking this is a career, this is a profession? I thought I was going to be a singer. I was like, all those lead to being just singing. I didn't think rapping was a thing. So after Fallacy tells me to rap, like just rap these raps, I would go in all the open mics and I would recite these raps I had written.

19:32I wouldn't even try and freestyle. I was like, I'm a great memory. This is what we're going to do. And if I freestyled, it was for eight bars. And I was like, then we go to the pre-writings, please, because I absolutely know I am not Eminem. This is not what's happening. I am not Big L. Nope. Well, I'm clear about my limitations. And so it was, but people would stand out. People would come and be like, yo, you stand out. You like, this isn't normal. I don't know any women that do what you do. I was like, yeah, there's someone. So yeah, that they do them, but you are different. Like you're not forcing it and you sing.

20:06Okay. It's like, you might be right. And so I was just like, I would go into studios. I would record any chance, any moment, any, any second I got. to get in a studio with anybody and write, anybody and rap, I was in there. I would make the opportunities. I would talk to producers. They all came through the record store. I would go to the events. They were all there. And like I said, I'm not, I don't have a personality that's harsh or hard to, you know, to deal with. I didn't think so at the time either. Some people might, I don't know. I don't care. You know, I got along with most people. So I feel like we, yeah, I had great relationships, I want to say.

20:44and people were very open to me like yeah come on let's let's try some things so that you're still 19 at this time you're showing up talent shows you are developing your skill yeah what also seems like what's happening is is that you're getting a lot of validation yeah you're getting people who you respect saying you're special yeah right so you believe this that you were special all right because i know because now i know you like you're very confident yeah you're very confident but it seems like the confidence was really seeded with your grandmother your mother your family but it's really growing at this point so what would you say is the the break that you get in your music career the first real break

21:31that's tough because it was a series right okay It went like that Okay What's the first? The first was I put my own record out Just because Alright I had some CDs pressed up And I got some vinyl pressed up That was like a big accomplishment Paper and everything It was crazy And that's in the UK? It's in the UK And when you Because you pressed it yourself Like are you You're handing it out Or you're selling it? Handing it Selling it Doing everything I could Everything Okay Not making anything Oh it's super in the red Okay not thinking about it in those terms. Just like, whatever. We're just going.

22:11Performing it everywhere I could. Okay. Any stage I could get to. And that's where I learned how to perform. That's where I learned how to like, it doesn't matter the crowd. This is going to be good. I'm having a fun time. I'm still on the open mic circuit. I'm still doing shows, popping up for people's things. Lyrical Lounge with Pogo and Ty, God rest his soul. I'll go out to Ty and I was like, you see me out here like, he's like, you still gotta earn some stripes though and i was just like earn some stripes all right you see me all right i'll earn the stripes so he has me come up um at one event he was doing elsewhere and freestyle do my show and after that show he was like all right you did it come on to the next we're gonna put you on the fly and we come do the next lyrical lounge that was like wow wow that's big on the flyer too i'm on the flyer for lyrical lounge at jazz cafe yes at the jazz cafe like the one of the main places you want to perform in the UK at that time.

23:08So I got to do Lyrical Lounge and I think, I think I did my best show. I think I did my best. I was very happy with it. And he was like, that's what I'm talking about. Like, you know, like sometimes you still got, you still, people are going to put you through the paces and you, you did it with grace. You weren't, even though however you felt, you weren't a, can I curse a bit? Yes. You weren't a dick about the whole, like prove something. Right. You went and did the work. And I was like, yeah, cause I want to do this. So I'm going to do the work. You know, so it wasn't a thought to me. It was just like, get it, get it done.

23:38So from that point, Black Twang called. And I realized now that it was like they had to kind of, all of them had to speak and agree that I was the artist that Black Twang should work with. They were all friends too. And I didn't, I wasn't thinking at the time. I was just like, what if, you know, I wasn't expecting a call from Black Twang to be like, be on my record or nothing. He just called me and was like, I seen you at Lyrical Lounge and, you know, Ty and them say you're really good and you're an artist and you working, I'm working on my new album, you want to feature on this record, like you're young, you're hot.

24:09I was just like, I'll be there with bells on. What time? How would you like for me to appear at the studio? Yes, you know? So this is your first big feature. This is your first feature. Well, my second. Your second feature. Right before that, after Lyrical Lounge, I get a call from DJ Skits. I forgot that I got DJ Skits calls, and he's like, I'm working on an album, come down and put a verse on it. And I'm working. I remember maybe the day before I was working, of course, the day before I was like, oh, I'm at work tomorrow. I work at Mark Suspenses. Because we have to make money. Yes. So that's the full-time Mark Suspenses.

24:47That's my part-time-ish. This is how I get money. Because my mom was like, what are we doing? You still live in the house? What's happening? You're young. Get something together. And I left work. I remember running down in my work clothes. I had this grey jacket grey puffer jacket like little middle belt I had my scarf on everybody else would put their wraps down and I'd come in and it was a thing to get the last verse on a record that means you the best one yes I was like oh shit I better be good I better be good in my head I was just like oh I hope this is good and so I came in I remember I was like now it's the model her verbalist I hit you up with lyrics that'd be two You have to be a feminist, ladies, specialist.

25:32What are you saying? You ain't know about me? You ain't heard. I was going. I was just going. I always felt like I was a - In your Marxist-Fedra. In my Marxist-Fedra's outfit. And they were just like, I remember the reaction being like, jeez. Okay. Well, damn. You know? I was just like, is it good? Like, you straight? They were like, yeah. I was like, okay, well, I'll just go now. And then I went home. They're in North London. I live in West London. I got on a bus. Took myself home. and they were like come shoot video and I was like okay found my outfit it was me and my sisters and my cousins and we was in the video they were always around me they would always show up for things for me and after that between Black Swang and Skits they both kind of came out within a year of each other it just went ballistic and what year is this?

26:222001 yeah 2001, 2002 so they come out you're featured on both and that just, I mean, how does that uplift you? There's more buzz about who you are. There's way more buzz. A publicist comes. Her name's Angela. She's like, I see what you're doing. I want to help. And she's like, you know, we're just working for credit. You know, like, don't worry about paying me. I'm building my chops too. I was like, okay, thank you. Yeah, so this is the first professional that comes on your team, in essence. So it's just you and the publicist. No, I have a manager. Okay. He was in and out. he was doing his best and like halfway through it he kind of quit he was like it's a lot but she stuck around um then I moved to another manager and he was good too but his angle was he was a distributor so that helped with like when we're still pressing up records and whatnot down further down the line so she comes in and she's getting me these magazines and these covers and she did a lot of work for a lot of years you know and she did get a job with a big agency because of it so it worked out.

27:24I was very happy about that. But between then and then we pressed more records. We did more mixtapes. I sold those mixtapes. I was still at the record store for a while and then I left because it got pecking. I was like, I can't come back here every Saturday because I'm literally in Germany or France or doing shows. So you're doing shows all throughout Europe now? All over the world. All over the world except for America. Okay. Interesting. You guys did not recognize you guys did not recognize British hip hop at all and it was a struggle that was part of the early struggle I was like you people can we spend just one second on that because I feel like at this time I was living in the States I was in New York and hip hop was New York R &B was kind of New York, Atlanta especially with Jermaine Dupri so so deaf, that whole situation obviously California right but I don't ever remember an R &B or hip hop artist from the UK ever being talked about in the UK what do you think that was?

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28:37was it just that we were just too big on ego? no it was just the dominant space of music I don't know that it was ego because whenever they would come and they would have to come and do promo here it was a lot of love when I went it was a lot of like yo there's loose ends is Soul to Soul and they would start counting down all that so they knew we existed and I was like well there's also Damage Misha Paris and I would start running off all Beverly Knight Huff B Soul David like David Lindenhaut I would start running off all the names Craig David there's all these people too you should check out and I've been that person that's partly why I had my show I also met a lot of artists at the beginning of their career rap artists like Mos Def like Slum Village oh wow who came through who came through the shop, Deal Real.

29:24I met them at the beginning of their careers or at least maybe a year or two in. Oh, wow. Okay. So there was always that personal commonality. Later on when I see them, I'm just like, yeah, we know each other. We've been out here, you know? How many... They know us. ...black women from the States, whether they be in hip-hop or R &B, were coming through the U.K. at that time? Oh, my goodness. Rod Digger. Jill Scott he's a soul child it was only the big groups the Destiny Childs the like A. Marie's and those people that came over in that era they wouldn't send the R &B girls to the UK like that which was odd to me it was never really a whole come and touch the people like there is now yeah and also too in the UK then and even now is such a huge music market like in the research I was seeing it blew me away the US is the biggest market Japan is the second biggest and then the UK is the third in terms of domestic markets around music so UK huge market lots of genres popping off in the UK incredible artists popping off in the UK but when I look back and when I read and research it feels like black women in music there has been the lowest of low ceilings place and we've had Jamelia on, you know, when I look at careers like Miss Dynamite's career.

30:53And I think, well, one is, is this just me saying this? Or do you believe that there was a very low ceiling placed on black women in music in the UK? They just didn't expect us to do shit. And that's the frustration of it all, because we have very high expectations. And why not? The worthiness of my dreams is not based on anybody else's version of events. you know um so when i'm shooting for the stars i'm gonna go get that you know get out the way it was always my thought if you if you're not the one get out of my way let me go find the person you know let me go find the thing or let me go get to the thing myself um but there was a lot of very much in your face like why are you even bothering i have people who and black people who thought who would actively say she's a waste of money and then be at the shows clapping for me at the Mobos.

31:46You know, to my face, two people around me. And I was like, you go away. Go sit down somewhere, but you're a waste of time. So, like, it was a lot of, like, don't even, you're not as good as you're never going to be as good as. And I saw it being leveled at the black women who were trying things. And I think I came in via hip-hop. So I managed to dodge some of it. Interesting. But even when I got there, it was still a good amount of people like, why are you bothering? What's your plan here? You've done it with the 18th day. Now go sit down and go find something to do. And I was just like, well, I didn't start with you, so I'm for sure not listening to a thing you have to say.

32:26Yeah. But why was it so? I mean, I could come up with probably 50 different reasons, but you were in it. Like, why was it so? Why were people saying you're a waste of money? Why? I can't call it. I feel like it's self-hate to a degree. And I don't know what anybody else has been through. And I don't like to call people's experiences shit. But I don't know. I just feel like it's very weird to discourage somebody from dreaming. It's very weird to do everything you can do to try and knock down their version of greatness. It's a very weird approach to have in life. But there are a lot of people who do it, I think.

33:07And also I think they do it to be seen as like, like cool and in the, in the, in the boys club or in the, in the crew of people who are, you know, wherever they want to be in whatever department that they rep or whatever label they rep or whatever company they rep. And it's just wildly just, it's hate. It's just being a hater, essentially. I can't call why. I think there's just like a ceiling of like you've done enough or energy of like that's okay but don't go too much you know that I remember her name she did that poem on the Beyonce album she was like they teach you to just do enough don't be too much it's okay just stay at that level I believed and lived the exact poem my whole life like why Why do I have to stay at your level?

34:01Who dictated that? What's that going to do with me? That's your business. Is this one of the reasons why, or should I say a main reason why you left? For sure. I saw, well, the main fundamental reason was I was signed to the U.S. I was signed in the U.S. Okay. After I asked the U.K. company to let me go. Because I believe in myself. I signed to Atlantic U.S. And I didn't think anything of it more than I was like, well, I guess I'm going to have to be out there now. You know, when I was with my label in the UK, it was a lot of support and equally a lot of like, OK, well, she's done it. You know, we gave it the shot.

34:46I think part of why they signed me was like staying cool and on the cusp. It's a business. I get it. You want to sign the hottest thing on the street. And at the time it was like, yeah, she's the name. and even as much as I was the name, it was like, I would go to the labels and they were like, we don't get it. And then I'd see demo for any other British female or anything and I'd be like, that sound like my record. And they pop, they blow and they big in the charts. I'm like, I know I have something. I know I have something. So the opportunity came for me to learn the business and I realized the route I took was so that I could have a clear blueprint.

35:25for my own career. Okay. Being independent, knowing how to do it by myself, knowing how to like do everything from press up vinyl to organize an interview, knowing how to go and get it played at radio, watching and seeing all of the things. Couldn't have happened if I had just signed straight to a label. Okay. And just, I had to go through all of that because I'm doing it now. You know, with my new album, I've been doing it for the past 12 years by myself, by myself. with my team. But you're leading it. I'm leading it, yeah. But I could never have the confidence to do that if I hadn't did it back then because they kept saying no.

36:05And then when they finally said yes and we had success, they still said no. Right. I was just like, I'm sick of the no. No. So early on, that deal, the first deal that you got in the U.S., that was, but that's on a major. A major, yeah. All right, so one thing that we have to say, though, because I think a lot of folks don't know the Roscoe's Chicken story. And this is near and dear to my heart because Roscoe's, whenever I land in L.A., that's the first stop. You get off the plane and everyone's like, go to Roscoe's Chicken. It's the closest to Morley's. It's the closest to Nando's. Roscoe's, right, at the time.

36:48And so we were staying up the street, me and my homegirl. it was Kanye's mixtape that he had out after his very first time he put out a mixtape and it was just like it was really it was just like him, John GLC, Consequence like all the time Chicago, New York and it was like one of my favorite mixtapes, I want to tell you I used to just rock that 24-7 I used to be in my back, I was in my like this is it and I would listen to that ad nauseum at the house on whenever I was walking down the street. I was like, this guy's voice. I feel something with it. I just don't know. I just feel like we're going to do something good.

37:26If I could just find him. Like my boyfriend at the time was like, you smile so much. Do you know this guy? He's like, I love to see you smile. But like, do you know this guy? And I was like, I don't. But look, it's the music. His voice makes me just feel good. It's just a thing with his voice. I feel it somewhere. Like we're connected somewhere. I don't know. It just feels like church. And it feels like home. And I just, you know, that was a real thought. And like, I'm walking down the road. So I have my little Gucci slides on. And my little short skirt. Mark Echo. It was just wild fashion. It was wild fashion.

38:02Don't laugh. And I go to Roscoe's and I've got my headphones in. And I'm like, look up, look to the right. It's Kanye. Just in Roscoe's just. Big chilling. Eating food. And I know my eyes widen. So I just gathered myself. I was like, I want a Carol C special. I'll just be there. She's like, yeah, okay, 15 minutes, I'll come get you. I was like, okay. I go outside and I do a prayer. Did you? Yep. I was like, dear God, if you are there right now, please, I need him to come outside so I can say something to him in Jesus' name. I just need to tell him I need to work with John. That's all I need. And please, if you are real, I need you to make it happen in Jesus' name.

38:48Thank you. Amen. man. Then I go back to listening to the record and then Kanye walked right outside. And I said, Oh, thank you. Hi. Hello. I'm a star, you know, people I know. Cause he had just been to London. I heard the conversation was he'd just been to London. He was working with so solid and, you know, just making buzz. Okay. Being in studio with different producers. And I had just done a record recorded free with Megaman. So it was waiting to come out. It was all in. It's like, I just worked with someone like, you know, anyway, John legend. where is he he looks at me like i got two heads he's like you you know him i was like yeah i i don't but like i know his voice he's really good i don't want you to do a record with him he's like all right well take my number come to the studio and my thing is i think the confidence that i have been around different rappers and artists i don't it's not a thought to me you know and so i go to the studio and i'm sitting talking to john because i'm a nerd like i read books and I'm definitely the computer girl like ooh the newest Mac is out so this is your first time meeting John Litchell but sorry if his voice makes you smile but here's the thing he doesn't speak like he sings have you heard him speak and sing like I've heard I mean I've heard him like in an interview yeah well he was very self spoken at the time and he doesn't sound like oh when he speaks he's very like you know and he's calm then he goes into the studio to sing and me Kanye's on the roller going up and down record factory and i'm like did we just come out here to get cookies where you've john like what i'm just listening to him talk and he's like what you just met he was just talking to him i was like so i felt like i blow my chance to ask him in that i was like god damn it like so i was like oh let's go back here so we go back in and he's in the studio and we're listening to the record that he's cutting and kind of he's like yo you're missing this note and he couldn't figure out what the note was so I sang the note for him and John was like I did that note and I was like it's there and I'm like I'm just I know what I'm doing in the studio so I was like it's it's probably turned down it's it's this note right and he's like yeah and I was like it's probably turned down it was like that one's and the guy I had muted it.

41:08Okay. And they look at me like I got three heads because, why are you telling us what to do? Who the fuck are you? What the hell is happening? I'm just like, I know what I know, okay? And I'm not afraid to, like, say it. So let that sit. And he's like, he comes down. I was like, yeah, I didn't realize. Hi, I'm Estelle, by the way. And I have this record I really want you to sing. And I'm like, all right, so play it. So I played it to them. I came prepared. I had prerecorded a version of Hey Girl. Okay. And I did his vocal. that how well i wanted him to sing it because again i'm studying i'm listening i'm like this is he's gonna be so great on this record and he heard it and they were like all right just leave it with us like but we fuck with you you cool like you know i was like all right thank you bye like i got my business go home we stay in touch on email and he hits me he's like yeah kanji said i can do it you know like it's no beef on like it's no issues the label do their thing but he likes you know he liked the record he said do it if i want to and i was like what do you want to and he's like yeah I was like, cool.

42:07I said, well, when you back in London, when you come to London, he said, well, I'll be over there because we finished my album, we signed, da-da-da-da-da-da. He comes over. We go to the studio. He knocks it out. We will eat Chinese food and then everything. That's how the relationship goes. That's how it goes, yeah. And we stayed in touch because it was music. I think his thing was always like, your melodies are second to none. He has me come out on every single tour date, show date. I'm always, he's always like, come be a part of what we got. when we're here. And I don't know if the label saw this or cared, but the A &R, the end of the project, when I'm getting ready to start the new record, I was like, well, John wants to help me.

42:47Co-exec produces out my arch. John, to do it, he says, absolutely, I'll do it with you. I told him, John wants to do it with me, and they told me, they asked me who he is, and I want to punch a wall. I was like, let me go, please. Because this is before Get Left, this is before, though. No, this John Legend at this point has gone platinum. Oh, what? He's on every magazine cover you could think of. He is the John Legend. And they're still asking you, who is he? Who, who? Yeah. And I said, let me go. I was like, let me go. Let me go now. Let me go from the label. I don't care. Because you can't, you're not on the same page.

43:24But it sounds like they're really saying, they know, they're aware of him. They're just saying. We don't care. We don't care. We don't care. Who do you think you are? Who do you think he is? Yeah. and that's the energy that I felt you know and you saw it as a whole system that you didn't want to engage with so that's really that's why you go to the US or it's by me to tell John I might be leaving the label and him said he said to me I'll sign you I was like you sure you know I work you know I'm not one of these what is it I'm not one of these Saturdays like I go to work and he was like yeah come on Were you the first person that John let you sign?

44:05He literally started a label to sign me. He believed in me that much. He was like, I see you working, and I know I'm just along for the ride, but I'll help you. I was like, thank you. That's incredible. It's a lot of love. Because I see that you've been receiving that, though, throughout all those. The growth of your career is the validation, and people immediately seeing the talent. But behind the talent, they saw the passion, And that's probably really what connected John Legend to your work. I believe it. I hope you won't mind that we're taking a quick break from this conversation to talk about my show sponsor, Shopify.

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46:14Because if you're with the right person, even the hiccups become part of the story you'll both laugh about later. And that's what Tinder is all about and a sponsor of this podcast. You might think it's just for hookups, but in fact, on Tinder, a relationship starts every three seconds. So forget about planning the perfect date and just pick the right person to go on it with. It starts with a swipe. Download Tinder today. So then at what point do you write the iconic... The writing one? What is it? Ten years later, no, I was joking. But you wanted this, though. You wanted a song that you could sing to the end of time in any country in the world, any city in the world.

47:02I have a few of them, thank God. Come on now. Won't he do it? Won't he do it? When do you write? I write that in 2006. Six Okay so you're in the States Yes You're signed to John Legend And Atlantic When he's like come to Miami I've got sessions with Will.i.am I've got some shows out there Come on Cool Well they set up a session with Will.i.am For me to be there too And he plays He plays the bass of it Not the intro Just the Like the bass line of it And he's playing that whole thing And he starts running the track And I was like Run that back what is what is that okay he's like I don't think I said no I said if this isn't a hit you're gonna make your money back because I'm going to Ibiza with it and I'm gonna make you your money back I'm gonna go take this record we're gonna release it in Ibiza I had a whole independent plan for it I was like it's gonna be good I'm gonna perform it just Ibiza we're gonna make it just in Ibiza I and Apple will love this okay cause I know this it felt like Garage it felt like that vibe Joe's like what have you been doing out here?

48:13And I'm like, I've been on the beach. Because while you've been recording, I've been enjoying myself. I've been having a time. These guys loves me. These men love me. And I've been loving the men. It's been glorious. And he's looking at me like, such a child. I'm just like, absolutely. I'm going to have a good time. He's like, well, come on, let's write the record. And he puts in, this time he did the melody. He's like, you know, like, da, da, da, da, da, da. And I'm like, yeah. And I was like, da, da, da. We back and forth on the different things. And then we filled in the words. One of his friends actually came up with the...

48:48We was like, don't like his baggy, but I might like what's underneath him. One of his friends said that, and I was just like, okay. Who are you, young star? Like, what is this? Anyhow, I vocal a demo vocal with everyone in the room. And we're like, this feels special. Because it felt fun. It was genuinely, we were just in there, like, talking shit. yeah just having a good time having a good time and then john leaves you know i stay in miami a couple of days and i revocal it it took me all the 15 minutes wow i did it with the biggest smile on my face i was just having all the joy i was just like and but he gave me notes on it was like you know when you sing it like be bright like i was just like oh that's easy yes i can channel um holly from hidey high like all the british comedies and all the fun dixie I was like that was my channeling and then we would have all these conversations about the Motown lives and what made them great and that was our other thing was music and one of them one of the things about the Supremes that no one really knows is like Diana Ross was put in the front this is so the story goes Diana Ross I'm sure will say something different but she's put in front because her voice was light it wasn't so gospel-y it wasn't so black right and you know So the idea was like, well, just do a lighter version of the record.

50:12Sing it lighter. Oh, that was a jealous note to you. Yeah, he was like, you know, sing it lighter. He said, remember the Diana Ross? And that was the conversation we were having. I was just like, yeah, let me try. Let me try. So when I sang it, I was like, I was in my Supremes. I was in there like, I was really doing Diana in my head. Oh, wow. And I was giving Polly in the like, I really want to give you. You know, like going. Yes. I see it. I see it now. Exactly. Think about how she would do like, can't hurry love. Like, oh, you just have to. The shoulders and the cleat, you know, the decolletage.

50:51Like the whole like, that was everything I was giving. And so all of that intention went into that record. Wow. And it was just fun. It was the whole point. It was like, I kept saying in the booth. I remember that I'm like, this is going to be fun. People are going to have fun to this. It's going to be so joyful. You know, like, this is it. And that's it. It took us, like I said, 15, 20 minutes to hit and left it and went home. That's the only point that almost feels disappointed to me. Look, but it takes you 10 to 20 years to get to 15 minutes. Okay? It takes you 10 to 20 years of studying, of practicing the house, of singing every minute I got, annoying every single person around me, annoying myself yes like stretching my vocal like training myself to sing octaves that were not natural to me you know bronchitis laryngitis traveling body folded over i'm barely unfurling my body getting in the studio singing figuring out to be 15 minutes and perfect yeah it's incredible in in in the research uh you i mean you know this better than me it was number nine on the Billboard Hot 100.

51:59Yeah. Obviously won a Grammy Award. Best Rap Song Collaboration. Four times platinum in the UK, exceeding 2.4 million copies in the UK alone. Five times platinum in the United States. Just like... Good time. It's a good time. Yeah. It's a good time. It just felt like it was buoyed by such good energy and goodwill, too. And it lives forever. You know what's so profound to me about American Boy in particular is that, so I have a 14-year-old and 11-year-old, right? They know that song. Yes. That's the plan. They know it. A matter of fact, you know, I got the most number of cool points with them ever.

52:45Because I was like, you know, I've got Estelle coming on. They said, you've got Estelle. I was like, I know Estelle. We go back like 10 plus years. They were like, Dad, why didn't you tell me you know Estelle? Because here's the thing. my sisters feel the same about you, by the way. Oh, really? Yeah, they came to your, they come to your talks. They come, they're like, oh. They had a whole, I was like, yeah. They showed me pictures at one of your talks. They were like, we was at the panel. I was just like, all right, did you get close? Tell them I said hi. Yeah, I know. I was like, isn't this, it's wild.

53:16Yeah. It's wild. But the song, though, is, by the way, tell your sisters I said hello. I will. Yeah. They're going to see this. They're going to see it. Yeah. But the song, the fact that it is so profound to them, that means that you got this through time and the Kathy Sledge who I grew up looking at on a wall with my parents was on FaceTime with me in the Panini that's when I call it the Panini the pandemic she was like come on my show and I was like when would you like me there and with bells I'll be there you know and we get on Instagram live and she's like that's a forever record I was like it is it is like yours like yours like the many you have like the many like the many you have thank you you know will there ever be an American boy 2.0 no you didn't even give it a second no who wants that no no no no who wants that I want that you know what alright so let me let me give you this I gave them that and it wasn't me who wrote it it was it was me entertaining the idea from the label playing ball has a song called Fall in Love which I still like.

54:27It's just beautiful, melodic songs. Really cute. And I love singing it. But they didn't want it. It was like, it was all intents and purposes. If you go look it up, there's a song called Falling Love. It features John Legend and it features Nas. I have a record with Nas. John Legend and Nas. And nobody wanted that record. They didn't play it. They just, they were like, eh, it's not American Boy. I was like, well, because American Boy is American Boy. Can I just do what I came here to do there? Yes. And then we moved along and thank you. And then, you know, and here we are. Continue. Conqueror.

55:01One love. One love. Freak. Like, you know. Yeah, obviously. I don't think that's your only forever record. No, no, no. There's a few. There's a couple. There's a couple. I got a couple. 98. 98. 98. 98. 98. 98. 98. 98. 98. 98. sang it the other day and I barely had to sing it and that made me feel like thank you man what would you guess my favorite is or one of my favorites come over I mean how do you what what is why did why did you know that because it is it's my favorite Jamaica yeah yeah I think it's one of the best songs ever ever written thank you ever written thank you I probably play that song once a week, every week.

55:45So when you look at your streams, most of those are me. Thank you. Thank you so much. Thank you. I appreciate that. That's one of my joints, though. Oh, my gosh, man. Like, all you need is that, and it looked like, actually, Sunday is my favorite day to play that. Yes. Yeah. And it's another intentional thing. I make records for your life. I don't want to just make it for the minute. I want you to be able to be like, I hoovered the floor playing this. I was in the bathtub to this. I was washing dishes to this because this is what I do and so I always want to make records that sit in that pocket for people I never want to just be the the hype, the pop, the whatever I want to make records that you're listening to the words and you're feeling what I felt when I wrote it yes what I love too is that you can listen to it with the family like you know you know you know sometimes some music you just have to this is me in the car by myself this is outside this is outside music yeah But yours is inside and outside music, you know, and I think that's beautiful.

56:44Thank you. Right. But now, if I'm just looking at the career, because I know we've only really dissected one song, but obviously you have multiple albums. Yeah. But I know that you're working on a book. Yeah. And the book is really how you've dealt with the music industry. Yeah. And really kept your sanity. Yes. So that is something that I see is incredibly challenging for all artists. And some of them are not able to keep their sanity. There's a time. So when you think back throughout your career thus far, because you're still early in your career. Thank you. When you think back, what was the moment where you felt like you were on the brink of losing it?

57:27Oh, goodness. I think maybe 2011, right before Thank You came out and all of me, like after Shine, I allowed myself to move in too many different directions. There were all these things that you're supposed to get, you're supposed to do, you're meant to be, you're supposed to be this by now and you're supposed to be that by now and this is what's supposed to be happening and this is how this is meant to be and why aren't you doing the thing? and it was like every millisecond of every day had one of those questions in it it got manic um for a while it was a couple of like my my usual responses lock you off switch out i'm not doing this you gotta go i gotta go i'm really gone peace out whatever you want to think of me i don't give I'm gone.

58:19And part of it was surviving. And the other half of it was, yeah, some of you didn't deserve my presence. You know, I have to go. This is crazy. Like, the fact that I let you speak to me after the way you spoke to me. You're talking about in the industry. In the industry. It was nuts, you know? Can you give an example? Because, for example, we had Cher Lloyd on the pod, and she was talking about, my God, she talked about how she was married, went to L.A. The record label told her. Don't be married. No, told her, you could stay married, but we want you to go get with Justin Bieber. Here is where he's going to be in the club, and we don't care that you're still married, but you get with Justin Bieber.

59:00I was like, I can't believe it. Yeah, pro-cho. So I can imagine, but when you think about, what's a moment where you just thought it was a ridiculous ask or a ridiculous request? Now, there wasn't so much ridiculous request that I feel like the industry is like a death by a thousand cuts. You know, like there was little inferences, like little digs, little moments, little pokes at what you shouldn't, shouldn't be doing, who you shouldn't, shouldn't be seeing. They'll talk to your boyfriend, and then he comes to you with some craziness. And then there's a singer, another person, another artist, and there's another producer, and then there's people closest to you.

59:41And it just all was just, it got nuts. I was very open, and I still am to a degree, but with bad discernment because, you know, we grow. And that was a process in itself that I had to figure out. I think everyone kept coming at the idea of keeping it real. The most valuable thing to her is she likes to act like she's regular. Right? She likes to be with her people. She likes to... So it was people. It was the people around me. It was the demands on my time, on what I should be paying for this, and the expectancy of me always being the one to take care of everything and everybody. And that's a common theme, right?

1:00:24And then, you know, while I've taken care of everything and everybody, In the very next room was a conversation going on about me and all of my business with people that I trusted and respected or people I trusted to hold me together. And nothing was being said to defend me. Nothing was being said to be like, well, hold on, give it perspective, in the same way that I would for them. And so I found that out and I was like, it's been fun. It's been fun. You can no longer reside here. you know and that left me by myself and having to figure it out again with another group of people but the point when I realized it wasn't even about them it was about me okay it's about the energy that I was giving to the world and whether I felt worthy of everything that I had worked for and why I kept just give if I did feel worthy why I just kept giving it away with no consequence with no boundary no anything to it yeah just kept throwing just giving to people it was wild but But it sounds like you didn't feel worthy.

1:01:25I didn't. Okay. And it was the 2017 break was like the final straw in that. For me, it was like my voice, my body wasn't working. Everything started slowing down. I get to a show and my voice don't want to sing. Like it literally was like, ah! And I was like, this is not what I'm used to. What is happening? And I made it through the show, but then after that I was like, all right. this is you know i'll go to the doctor and he's like you stressed but it's nothing here that should do that and so for me it was like okay i need to see a therapist it's it's internal it's gotta be so well and so it was just like understanding how to manage that how to how to not just throw away be a good steward with the blessings you know instead of feeling like i was obligated to everything and everyone because of my success it was like a it's like a double-edged sword you've done so well and we've carried you there so now you owe us and i felt i believed that as though i nothing i had done was because of myself or because of my own fortitude or because of me and god it was just like me god and now i owed 50 million 11 people who just decided that they were a part of this right so now right you know as though as though the paycheck wasn't enough as though the thank you wasn't enough although as though the i'm gonna to refer you wasn't enough it was like now i need you to forever be in debt to me and i was like i don't have to yes so what was the big lesson from the therapist that helped you to regain trust your life trust trust myself my confidence is one thing the trust is another the decisions you make aren't from just out the sky like it's here it's your core it's my it's the holy spirit it's the truth you know and I made those decisions and I made those decisions and I would catapult forward and then I get forward and then I start to um and are and overthink the scenarios and call in advice because you're supposed to call in you know somebody might know better than your spirit but at the time based on the way that at core I was raised right the family dynamics um based on the way I was raised socially, based on the way I came up, I'm supposed to always have a thing or a person other than myself to validate.

1:03:45Right? I had to knock that out. I had to knock that out with ferociousness and with niceness and with grace. I had to tell myself, it's okay. You did the right thing. It's a freak and it's a journey. You know, this stuff is a journey. Every layer you peel back is another version of where you've done it and you have to be like, okay, girl, it's okay.

1:04:38It's okay. being in the mix and being social. I'm literally just having the time of my life listening to music, listening to whatever they're playing. With yourself? With myself. And it was like, people had so many issues with that. It was just always the poking point. You're so quiet. You're so dead. Yes. And now I'm like, yes, I am. You okay? Have you ever been quiet? You should be quiet right now.

1:05:04Shh, stop talking. You know, like, get away from me. Go for that. Yes. You know? Yes. And I love it. I love because it gives me a chance to hear. It gives me a chance to be with myself clear up and down. I love it. I think that many people have an issue with silence. And it's because of, you know, the thoughts and the ideas that wrap around in their mind. Yeah. And I notice that also people have a tough time being quiet with others. Yeah. You know, what I love with a couple, and I've reached this point finally with Jill, is being quiet together. The dopest feeling in the world. Oh, my God. You don't have to fill the space.

1:05:46No. Let it be. Yes. Let me be in service to myself. Yes. And shut the fuck up. Yes. And pray about what's going on in your situation. Or listen to a megahertz frequency, quiet your mind, and go to sleep. Even if you are mindlessly scrolling, right? And I understand it's not the best thing to do, but even if I am sometimes, guaranteed 70 % of the time I have my headphones on with a frequency ranging from 4.32 to like natural frequency. Really? Just have a frequency playing? That's a good time. That's the best music. What does the frequency do? It just, it quiets the, it quiets my brain down a bit so that I, or even my, I feel it in my body too.

1:06:30Like it quiets my physical body down sometimes, especially when I've been moving from pillar to post. Like I'm having a heavy promo day. I'm talking to every version of news or whatnot. Afterwards I'll go and I have like my Buddhist bowl. Okay. And I play that. I hit it three times and just allow the sound to kind of like settle my heart. I recommend it to everybody. It's on YouTube. Go have at them. I take what everyone says and I try to apply it to a psychology and say, how does psychology work on this, right? But it makes sense because it sounds like what you're doing is you're regulating yourself.

1:07:02Self-regulation. Right, so it's self-regulation, which is a big issue that we have. But now one of the quick ways of regulation is co-regulation with someone else. And one area that I've never really heard you expand on, that I would love to spend a little bit of time on because we have a little bit of time. Let's see. Are these relationships? These are stellar relationships. Because can I say, you are great at keeping your relationships on the low. No, I don't talk about it. You don't talk about it? No, but I can say some things because I think it's important. I think it's important for people to understand me because I put so much of relationships in the songs.

1:07:44I just don't talk about it. I don't point names out. Yes. And I don't think it's fair. I don't think it's fair on whoever I'm dating for me to be like and this is the face to the name of this so everyone go have a time about that with them no like that's mad and that's I'll get that back I don't want that I heard you say something earlier you said that you are dating yeah so does that mean that you are dating in a in florals or just in words yes I am dating that's it that's what we got I just told you I don't talk about this stuff again like no So you're dating. Yeah. Actively. Yeah. So that means that then is it a green light if someone listening, watching said, oh, my gosh, this means that.

1:08:28He's like, can I match me? I can slide. Can I slide in the DMs? Yeah, yeah. Is that a green light to slide in? No, no. Please don't slide in my DMs. I trust God to lead. But the DMs is not where I ask him to send them. I do not respond to the DMs. Please don't. You don't? No. Do you know how many relationships? I know. I don't live in that world. I don't live in that world. My DMs are fun. Like, I have a lot of people that, like, hey, sexy, Estelle, my bell, I can be your American guy. It's a lot. And it's always like, yo, no, I'm straight. Straight? Okay. You want an introduction. That's what you want.

1:09:07Yeah, I'm a let me see. And I'll, like, read the energy and the person's vibe, you know. I do that with friends. I do that with people I meet. I'm a sacred space here. I don't like to just be, I'm here with everybody. No. Yeah. I do respect that. You have kept that. You're like, this is private, and you're not going to get this. No, this is for me. Yeah. I trust that. I'm cool about that. In the lyrics of Thank You, which, by the way, you performed at my book launch. I did. which I appreciate that. Way back, way back in the day. I had a great hairstyle. It was crazy. Oh, my gosh. The whole look was, it was excellent.

1:09:53He would feed us sometimes. But I wrote down the lyrics here. These tears I cry sure won't be the last. The pain inside which never seems to pass, never seems to pass me by, so I thank you, said I thank you, yes, I thank you, for making me a woman. And you know who wrote those lyrics? Akon. For the honest, it made no sense. At first, I had to get past the shock. Are you serious? I had to get past the shock that it was Akon. And then I was like, he has some wives. He understands. He understands women in a different way. Like, he understands women. Akon wrote this? Thank you for making me a woman.

1:10:36Akon wrote that. He wrote that record for a female artist. The label sent it to me like, this record you gotta sing it and i was just like no i don't want to sing this record again i'm very private but it felt like that was what i was going through on repeat with every man i had dated since maybe leaving london before leaving london like it was just like it was just the repeat of in different bodies in different scenarios there was another woman there was another scenario, there was cheating, there was trust issues, there was resentment, there was you're doing this and I'm not doing that issues.

1:11:15And it was just on repeat, so I felt like that's what it was going to be. This is what happens. And I was like, I don't want to sing this record because words mean things, okay? Yes. Words mean things, and I've got to go sing this record. And the guy I was with at the time was literally, that was what was happening. And I wasn't really aware. Crazy because he encouraged me to sing it. bananas but it was more about like he he felt like the label gonna drop me if i didn't and he didn't want to be out of a job or whatever it was happening and he used to work with me um in my band uh that's i feel like that's whatever and um so it was a lot like i didn't want to sing it i just felt like oh this is admitting the truth this is saying what's actually happening this is i'm not ready to for people to know me like that because then that would make me feel weak and that would make me feel like you out here getting cheated just like the rest of us you know ego you know a lot of that I sang it and I cried partly because I didn't want to sing it and partly because it fucking felt freeing to be able to say it say it yep and then everything came out after the fact when we broke up and so I had the song to go on tour and therapize with and every time I sang it I think I got halfway through it I would take a full mile jewelry and throw the shit down because I couldn't feel it.

1:12:38You know, I felt like I was numb after singing it for a while. Oh, my band were like, here she go. You got that one, you got that one. That ring is over there. But the feeling, I would have to walk off stage pretty much every time after I sang it because it was overwhelming. It was just like a... That's incredible. Yeah. And so I realized, okay, it's almost like every time I say it, every time you confess the truth, it comes out of you. The lie of it, you break it. It comes out of you. like something like you sweat it out right and then i got to a point where i done all the therapy and done things and got over it and i was like i'm not sad about singing this record anymore and literally in that space i start hearing a new orleans bounce version of it so now i sing thank you and i do it's a new orleans bounce and i'll be out here shaking my butt like what's up yeah it's a celebration now exactly it's like a yeah that was thank you for getting me through that since.

1:13:32So that was one relationship that led you to have, you carried that pain with you. It was one, like maybe I was 25. Were you in love? I thought I was. Back then, yeah. With that version, yeah. But y 'all, I was in it. And I'm a relationship girl. I'm like, we in it. We live together. We're like, we're in it when I'm in it. Back then. and I did too much you know I think about it I did too much and too much too early you know I think it was also because of well part of it was moving to the states you know like being in the states like and having to find family find people to be around oh because you were alone because that was just me it wasn't like anybody else I was like find a rock find an anchor and it was when you're the anchor Wherever you are is home.

1:14:28Wherever I am is home. Yes. And that's the baseline. Yes. Didn't know it then. Yes. You know? So when you think back to the relationships that you've had throughout your life, do you feel like you have ever been loved? Yes. Yeah, I have. Okay. I have. I wouldn't allow it with one guy. And that caused some things. We were both children, brothers and mine. It wasn't like we were like 28 and 30 and had life experience. We were in his early 20s. But to him, loving me meant, okay, do your career, but now I want to have a kid. And I was like, no. No, that can't happen, you know? Because of your career.

1:15:13Well, because of the examples I'd seen. My mom worked a lot when we were growing up, a lot. And I always put in my mind I want to be able to, A, afford them without having to like work as hard as she worked. And I want to put no extra on her by having baby and then being like, well, I'm going to go do my career. Here go the baby. I didn't want to do that to my mom, you know. But he was very, you know, I didn't see him as an option of the father. Like, sir, you barely have it together. How will we raise this child? Like, you can't take care of the baby. My mom's going to have to take care of the baby.

1:15:50No, you know. And so that was a breaking point. You know, and I was like, you know, but I understand his version of love at the time and what it meant. And it was for me at that time, it was great until it wasn't. Yes. You know, I think that that is very mature. Now. Very mature to say, you know, this situation is not right to bring a child into it. You know, I talk about this with a lot of guests, you know, this whole idea of conscious parenting. And that begins before you have the child. Way before. Right. And you were there in that zone. But being a mother, is that something that you've wanted?

1:16:31I have and I do still. I'm open to it however it comes, whether next year I have a child or whether I adopt. And I'm so grateful to be alive in a time where you can have a surrogate. There's ways, you know. but I also think I've been a mother to so many people, so many kids my whole life it's, you know I think you get it in different ways but for you to you're open to it are you open to it but the prerequisite is you want to have a partner first yes, for sure I don't want to do this on my own at all my mom is still a resource for me my dad is still the person I call you know what I mean like so give me context right right and i would like to be that with a partner i don't want to do that by myself right it's interesting you you talking about that how you still rely on them i could see now the void you know that that that was put in your life when you're yeah when you're nanbass yeah yeah because i would imagine she was that too you were calling on her well she sang me happy birthday was the last time we saw each other on my phone and i told you i bawled for maybe half the day it's maybe a year before she passed i'll cry right now um but there was a like i just think about her entire experience and i wanted more for her i wanted her to have more i wanted her to see and but this was the journey she chose she was brave man she was really brave you know she was one of the ones you know um and I think about that and I think about the women that she came from and I think about my life and I think about the fact that I am her boldest dream I lived and I live in a whole nother country like she did I built community like she did like my granny would go and fix curtains in people's houses when they first came over and lay carpet and lay floors for people that couldn't call the handyman because they weren't going to them because they was black.

1:18:43So my grandma knew how to do some things, and she would go and help other women build their homes. And, you know, I'm living the things that I know she saw for herself that she wasn't able to do, you know? And I just think to myself, that's a blessing. That's a wild blessing to even, you know? So I'm happy about it. I'm just like, every time I think about that, I think to myself, So there's no version of me that I should ever not trust. There's no version of me that needs to play small. There's no version of me that needs to entertain thoughts of mediocrity because she ain't go through all of that for me to do this.

1:19:22No. I get chills thinking about her because I think when you say you are her wildest dream, it's almost like you're beyond her wildest dream yeah she she would be like how is how is she doing like i broke my foot maybe a couple years ago and she and she had alzheimer's intervention back when she was leaving us and my mama told her and my mom was like you know she asks about your foot every other week you know they can't remember a short term and she asks about your foot every other week like how's your foot doing how's your back how's everything working with your with your body I was like why does she know that why does she remember this yeah like why is this a thing and it just is a thing in your mind like don't forget who you are where you came from and that somebody loves you and will love you for eternity the spirit is with you you know so yeah I'm crying again sorry but it really is that and so like not every decision is from that but that's part of the confirmation of trusting myself.

1:20:27Yes. You know? Yes. Yeah. It's profound. That's going to stay with me. Yeah. You know what's going to stay with me too with what you just said is that it's with you forever. Yeah. Yeah. She is. She never leaves me. Like, she'll pull up on me in a second. Yes. I have a beautiful garden at my home and it's part of my personal ritual and part of my thing. I pray for a gorgeous garden because I like spending time. I'm an earth sign. I like being in the trees. And when she was leaving, maybe three days before she really left, it was like a butterfly came and almost hit me in the head. A big one. It was like huge.

1:21:05I thought it was a bird. And I was like, what the fuck was this? Like I freaked out. And then I got still and I was like, she's leaving. I was like, she's going to go. I spent a few more minutes out there. And then my mom calls like two days later. Like she's leaving us. She's leaving us. So I was like, she already left. She had a body. She got out of the body. She already left. My mom was like, you know, my mom was grieving and having a time. And so when she came down, when we all came to the realization that she was gone, I go out the next day and I have a plant that my mom had got me for my birthday.

1:21:41It's a white birds of paradise. And this thing has not bloomed since we bought it maybe four years ago. That thing had two white blooms on it. just overnight. Two white blooms just popped out of the birds of paradise. I was just like, well, let's just let me know that they're here with me. Like, these are two ancestors that just popped up and said, like, hi, this is why you got that plant. That thing hadn't bloomed for four years in this weekend, in this period of time, and it literally lasted for three days, and then they went. I was just like, okay, that was just her letting me know. You know, your faith, I find it be so interesting because you have faith.

1:22:28You believe in God, but spiritually you're connected. So it's interesting because when I hear a lot of people talk, it's like, I'm religious. No, no, I'm spiritual. You know, but you believe in all of it. And not to make it frivolous for anybody who has their distinct beliefs. Like, you know, the higher being, the great I am made it all. He knew that we were going to be diverse humans and a very diverse species. And he gave us various different ways to get to him. So use it. Use it. See what works for you. You know, don't vilify one to say another. This is the best way. We don't have to have a best.

1:23:08We just have a way to have to have a way to get to it. Yes. To it. Yes. That's my belief. So get to it. Is this what guides your belief around treating all people equal? Because, you know, as I said, my boys know you from American Boy, but they know you from something else. Do you know what's the something else? Garnet. You're a Garnet. Yes. Oh, my gosh. They flipped out, too. Come make it up. This is the one that I expect people to know me from, but also I know that Fortnite did a good job of remaking American Boy, and kids are like, that's the Chuck Junk song. I'm like, all right, you guys. But yeah, Garnet, Stevens Universe.

1:23:47Yeah. I mean, and what I didn't realize, because I wasn't watching, right? But my boys were watching. Yeah. Right. But I didn't realize how it leans into advocating and supporting being true, I would say, an ally show to the LGBTQ plus community. Man, I, it's the, one of the honors of my life. So when Steven Universe comes along, I'm beating my team up. I need a voiceover because people tell me the way I speak is great. I'm beating them up. And I remember they were like, oh, why do you want a voiceover? Go make a song. I'm like, I want to do more things. I want to spread out. Yes. And they're like, all right.

1:24:27So my agent finds me, finds me, Stevie Universe. And she comes and she's like, this is a cartoon. It's not much money. And I'm like, what's it about? What's the story? she's like well it's this is you play the big sister of the this group of aliens and it's like let me the thing let me read it so i read it and it's about these this big sister i was like well i can relate to that definitely a big sister thousands of thousands of sisters and brothers yes i understand that and then i'm looking at it and i'm like the head the hair the thing so i had this dream one time i had this song called freak and i'm trying to think of what the video is going to be because I write all my videos.

1:25:08Side note, my wife's favorite song of yours. Okay. When we play that song, she starts dancing and my sons are like, uh. What is going on? Yes, mom! That's more of an outside song. That's an outside song. No, don't play that in the house. Don't play that in the house. Play it in the car. So the first conversation I have with Rebecca, she's like, you know, I'm a big fan of your music. The song Freak, the video you had and I'm just like, like I'm having all these like oh this came from somewhere she's like i drew it based off of that because it felt so strong and so well you know and purple because you know but she had to have on pants i was like of course she had to have on pants in the video i'm in a black suit and like almost like a tribute the video is almost like a tribute to missy's she's a bitch yes i didn't none of us knew the trajectory was going to take yeah i just knew it was like these crystal gems from space we're taking care of this little boy on earth and as it starts to unfold and i'm not a good watcher of my work I don't go back and look at it and, you know, I don't do that.

1:26:06I just put it in the wild and let it be. And we do about four to five seasons of this show. And then I start going to the cons. And I'm humbled at every turn. I didn't know. It's amazing. I mean, I've never read about a show quite like it. Nothing like it. Nothing like it. Nothing like it. Nothing like it. The creators were real clear about their intentions with it. The kids kept saying, like, why is Garnet a black woman? No, why is Garnet black? Right. They said, well, she's black because why not? Because why not? So every other thing in power, well, that's the strongest thing is white and male.

1:26:50Why not? Why not? And I said, and this is why I'm on the show. I said, because why not? Why not? That's your career. Why not? Why not? Why not? Talk about, like, there's no version of not. Why is allyship so important to you? Because we're humans, man. I don't get to tell you how you should love, feel about yourself, feel about anybody else in the same way you don't get to tell me that. You know? I don't understand judging people based off of fear. I don't understand telling people they can't live a life because you're scared of what that life looks like. everybody should have that barometer. Everybody should work to have that barometer of trust and decency in themselves.

1:27:40And if you have that and you can see it for yourself, you should be able to see it for somebody else. If you can't see it for somebody else, that means you don't have it for yourself. So that's a you thing. That's a real, go figure yourself out. I don't think you hate, I just think you have issues with yourself. Yes, yeah, it begins and ends with you. Yeah, that's so, my thing is just like, well, I love the world. You know, on the, and I just have to say this, on the show in particular, what I didn't realize is that, all right, so you may know this. I'm not sure if you know this. Between 2017 and 2019, there was a 222 % increase in the number of LGBTQ plus characters in new series that have come out.

1:28:23Right. And I think Steven Universe has played a major role in this. and that Rebecca, I didn't realize, she's a non-binary bisexual showrunner. So one of the few. One of the few. And that Steven Universe had over 40 LGBTQ characters, including the only asexual character. Look, she was a visionary. She is, not was. She is. And she's so, she's bold and she's clear. And when I tell you the gentlest soul you will ever meet, like she barely speaks. Rebecca Sugar Rebecca Sugar is like you have to be like say that louder say that again like what like she's very gentle but she's very intentional yes you know and like I'm inspired by people like that it's joyful like I'm honored it's absolutely incredible yeah absolutely incredible give her our Emmys yeah I mean I think it I think it will come so last topic is quick ones yeah is I know you had some wild stories.

1:29:30Can I tell you an inside wild story that I know you have? What, tell me. This is not putting you on blast, but this will be good, is that when you were at the book launch, at my book launch way back in the day, we got a car for you. Yeah, what happened? Did I take the car? Did I do extra things with it? Did I go crazy? Did I keep going? Can I tell you? Probably, I kept going. I was like, Estelle is a rock star. What did I do? Wild night, huh? No, no. It wasn't a wild night. No. Where did the bill come in at is the question. Okay. I'm so sorry to talk. Can I tell you exactly where the bill came in?

1:30:06The bill was supposed to be like 500 US. Oh, no. It was more? The bill came in at over 3 ,000. What? Yes. No, no, no. This is what you did. Wait. Where did I go? Tell me the thing. This is what you did. So we were on the phone. So they called because we were like, okay, it's got to be 500. It's a little bit more. so we're going to call. The fact that they were calling, I was like, oh, man, this is going to be a problem. No, no, no, no, no. This is good. This is good. This is good. So they call and they said, so, you know, you know, Mrs. Estelle, you know, she had the car for a little while. And I said, where did she go?

1:30:40Like, what happened? And they said, well, you know, she went, after she left the event, you know, she went to this place, then she went to this place, and then she went to this party, and then she went to this place. And I was like. I was probably outside. I cannot deny the allegations. I was probably outside. I'm not being the allegations on that one. But you taught me you know how to party, miss. I do. I did. Like, you did? You stopped it? I stopped. Yeah. Did you? Yeah, you can't do that for your whole life. All right. So you were official. You were officially. I was having fun. Like, I remember that era.

1:31:11I was having a lot of fun. And I'm sorry again for like. No, no, no, no. Like, I apologize. I had a good time. Thank you. Thank you so much. But can I say. It's a night out. You didn't even try. You came through on just the strength to do the book launch, right? Yeah. But I have to ask then because you had some wild moments. Yeah, I did. If you think about the wildest moment. Okay, I'll go over you. I had a trip. I had to go do some shows. And I'm booked to perform in Lebanon, Cannes, and San Tropez. It's like a week full of gigs. So I go to Lebanon and we do this gig and it ends up being on top of a rooftop of this building, this beautiful building, but next door there's like bullet riddled.

1:31:55I'm really like, I haven't rebuilt it. That looks a little fresh. Whatever. Okay. We keep going. Our flight gets canceled from, we fly to Paris. Our flight gets canceled. We have to get on a train. We get on a train to the Saint-Drapez. I get off the train at Saint-Drapez. It's like one in the morning. I'm on stage at two. And it's like a club. And I did a whole 20-minute set with dancers. We knock it out. I drink maybe half a bottle of vodka that night with some Hennessy. No sleep. No sleep. Puke and rally next morning. Me and my friend are out on the can. We're on the seat front. It's a wild 48 hours.

1:32:39We get to Saint-Tropez, and I have to perform again. I'm on stage, and they're like, yeah, so we have a couple breakers to the club. And, you know, he likes to perform with the people. I was like, hmm? I was like, scroll back, scroll back. And I see this man come walking through in a tankini and some slides. A tankini? Like Ali G. Oh, that's a tankini. A tankini. Okay. Ali G. Yeah. And he has on like daisy slides. Slides like a little baby heel. And it's the slides. And I'm just looking at him going like, dog. Yeah. Anyhow, I'm on stage and I'm performing and whatnot. And then I look to my right and this man has joined me for American Boy.

1:33:18You said it's a duet. At this point, he's like, so this was the part. He just comes up there and he's like, get in it. And I'm just like, all right, we'll take it. I should have it. But that was a wild story. A comedy of errors leading up to me and the tankini man singing the microphone. Singing, yeah. In Saint-Tropez at 2 in the morning. But you know what? I absolutely love that. Yeah, it's a good time. Yeah, it's a great time. So when I be outside partying. That's why. That's why. You know, also, too, is I realized that the energy level, though, that it takes to be able to do that back to back.

1:33:51Like the stamina is ridiculous. That's why I can't point no more. Because I'd like to be able to do it forever. Yeah. So at some point you have to like temper that. Yeah. Yeah. Slow down. Your body deserves to be here. Yes. You know, yeah. Fair enough. Those were, that's the wildest. Yeah. What about happiest moment in your career?

1:34:13Jeez, I'm waiting for it. I've had a lot of happy times. I've had a lot. but I think the best is yet to come. I do believe that. I don't want to be like, that's it! Because I feel like every time I say that's it, God tops it. There's moments of extreme gratification. Doing a Comic Con and seeing a little girl or a little boy or someone who identifies as they coming up to me being like, thank you, I see myself. Thank you for voicing something that I can see myself in. And then I think about my nieces hearing my voice and being like, that's Auntie. Yes. That's Auntie Stale. Those moments make me feel like you're on the right track.

1:34:49I feel warm inside when those moments happen. And then there's winning a Grammy, and then there's winning a MOBO, and then there's winning a MOBO two more times. And I sit in those moments, and I'm just like, you know, I'm straight. I can be quiet in a hotel room after a gig. I don't need to be outside. Yeah, look at that. Go home. Listen to some frequency. Listen to some frequency. I guarantee you, if you see me with my headphones out in public, I am somewhere else. All right, so that was happiest is yet to come, but you have many happy moments. Yeah. What about, so far, the proudest moment in your career?

1:35:26This new album. Okay. This new album is my proudest moment. It took so much for me to be content or to be happy with the human I am today. It took so much. I'm so proud of myself. Like, ooh, you got me crying again. I am so proud of her. like girl you did it you're doing it you know this version of you that you get to really tell the world you are and stand on it and live it and sing it and dance it like oh it took me so long to get here and i'm so proud of myself like and i know wherever i go from here on wherever it goes next i'm gonna be proud of that too but to be able to emotionally mentally physically push through all of that and it was heavy it was like walking through thick molasses to now be on the other side of the molasses and be like oh I swim in this like water that's easy this is me you know what I should have known but I didn't I think because you wear such a smile on your face is I didn't realize how much pain you had to go through in your career I mean I should have assumed it But I mean, when you're living your dream, per everybody else's version of the dream, you don't you almost don't feel worthy of or you don't feel worthy of any sympathy or why should anyone care that I don't feel like singing today?

1:36:54Why should anyone care that? Because you've got the dream you asked for. You've got the thing you worked for. And my buddy was telling me sometimes you should probably not sing today. You're going to go out there and give bad vibes. You're going to go out there and damage yourself. Your head hurts. You didn't eat today. You didn't feed me today. You've been working out for 700 days in a row and your body is literally doing this. You don't think you deserve a massage with someone to help you unfurl it? How are you out there and your body's doing this? And you don't think you deserve that? You don't think that that's part of...

1:37:32One of my team members always says to me, You're an athlete. Start treating yourself like you care about your body. that was a ping, that was a thing. And it was like, I'm an athlete. Yeah, I'm an athlete. Hold on. Right. Let me change. Let me change some things. So this album, this is the first, this is fully you. This is me, baby. We're meeting 100 % Estelle on this. Yeah. Yeah. It's a good time. All right. It's a good time. This is good. This is good. I know. That just reminded me, this is a personal question, because I was a huge, and to this day, huge De La Soul fan. De La Soul was actually, that's where, in New York, where I lived.

1:38:12Yeah. They were the first piece of mine that I bought in my life. Three is a magic number. Yes. I mean, just one of my first two. Yeah. And I think that you were that chorus, that hook on memory of. Yeah. So remember the guy that I told you I was in a relationship with when I was like 25? And I just didn't know what it was and where. it was that was me just reminding myself to not go down that road again never go down that road again in memory of yeah i love the memory of us we're good though i remember you now and i wrote that with pete rock in a publishing studio channel good let it go and um then pause had hit me like hey we're working on our album and we'd like to do a record with you and i was like whole soul and i'd met maceo a while ago so i knew him but it wasn't the level where i could just be like do you need any records so when pause hit me i was like oh and so i called my manager i was like have we written anything he's like the pete rock record send them that i was like okay so send him the record and he was like essentially damn like we're gonna we're gonna do this don't we know p we got you just send us a session it's like okay and then they sent it back when i told you the honor i sat there in tears like i was 11 that was my first piece of vinyl i bought for 50p someone left at the you know the school fairs they do like everyone brings in their stuff someone had that pink and yellow vinyl at the school fair and i bought that like it's so pretty took it home my uncle was like you don't know nothing about this i was like yes i do i didn't but listen to it and like saturday three years of magic all that mind blown so to be on their last record and to be the single and to have spent that time with them shooting a video and listen to dave and and they were both talking maceo and dave were talking to me about relationships and and then pos chimed in and i'm sitting in the car with three ogs telling me men talking to me about their experiences in love while I shoot a video where I play the bride.

1:40:29I was like, God, you can't make this stuff up. No, because when I read that that was the first piece of vinyl, like that's the first album that you bought, and then to then think, oh, my God, but didn't I see her sitting in that car in the memory of video? Three is a magic note. Yeah, I was like, you can't make it up. This is divinely guided, divinely orchestrated. You can't make it up. Cannot. Estelle we talked about many many things many many many many many many many many things is there anything that we have not yet talked about that you want to talk about no I just thank you for this this opportunity but I'm proud of you I loved again the flip happened you came here you've been doing it we crossed each other we said see you okay I'm going to London now I have a book come in and that I feel like is going to give people tidbits of how to do it so I want people to understand that the book is not going to be salacious it's not going to be one of those things I'm not it's not a tell all I don't believe in that if you I'm not telling that get out of here that's not what we do no but I am going to explain how I've lived my life and how I've gone to where I've gotten to and I want people to take from that what you will and discard the rest like use it as a reference book don't don't take it on like well it's del said try it your your fingerprint is your fingerprint and my fingerprint is mine yeah no if it works for you great if it doesn't okay you know but here's so the books come in take that for what it is and you know have fun with it and trust yourself what's the title of the book do you know it's not there yet it's not there yet all right okay yeah i think it should be called i think it should be called thank you because I think that you live in gratitude and even in this conversation what I've noticed is that you have gone through the thing you're appreciative of whatever the thing was you pull a lesson so you're showing gratitude and that ultimately is what also allows us to have the self-worth that you have to be able to stand in our silence and our independence and so That's true.

1:42:46Yeah. That's a good, yeah. I mean, here's my, here's the thing. I got to talk to the book. Yeah, say that. Think about it. Think about it. You think about it. All right, so then there is a last question that everyone gets. So you've had some incredible conversations throughout your life. Yeah. When you think back to the most memorable, who was it with? What'd you talk about? What'd you learn? Red Temperton. It always comes to mind. Red Temperton. I was maybe 23 Rob Temperton wrote on Thriller with Quincy Jones and Be It and Off the Wall like for Michael Jackson this is that guy I was mad about everything and everyone because it felt like the world's biggest uphill battle trying to release the 18th day I'm already signed, what's the problem?

1:43:34it felt like every step of the way of shooting for the stars there would be someone to tell me why I couldn't do it and he says you're going to go far so how do you deal with people when they're just complete like they're telling you no he said this is musical chairs he said so you know um learn from people don't burn the bridges he said because they'll move to a different seat and they might be less hot and that's been the truest thing ever because there have been so many people that i've met and because i'm consistent the love and the The respect I get when I walk in the room is wildly different to maybe another artist who was riding high and doing whatever at the time.

1:44:19And I was grateful to listen. I'm grateful I got to sit in 10 minutes of him and his wife Kathy's time. A few hours and they stay in touch over the years. And they would always make sure to give me good nuggets. Like, you okay? Yeah, right. Come around for dinner. You know, like just and I was moving around. So I didn't get to do too much. but those moments meant like, I hold on to those. It's like, don't be a dick where you don't have to be a dick. You know, just keep it level. It's okay. It'll be all right, you know? And that's been like a stay, keep it level. Be okay. And it's been more than okay.

1:44:58It has been. You know, when I think about your career, just to even, you know, summarize it all for me, is what I find to be so interesting about you is that you are one of the very few people who are not just famous around the world, but in particular in the U.S. and the U.K. It's a rarity to be famous and popular because fame is, in my opinion, people are aware of who you are. You're recognizable. Oh, that's Estelle, right? But popularity requires people to like you. And what I notice is that you're not just liked by all, but you're liked in particular by artists, by your peers. I like the artists.

1:45:47But your peers, I could see that they love you. When I hear people talk, it's like it's always positive. It's always positive about you. And then not only do you have that popularity and fame, but then through the age range, right? It's like my parents, right, where I can't say their age because they would reach out and strangle me right now. But trust me, they're older than me. Yeah. You know, down to my sons who are 11, 14. The whole range. I'm in between. It's like we all know you, but we all like you at the same time. Makes me happy. You know, that's a blessing. You lived a blessed life. And the best end note is you have made your grandmother proud.

1:46:33So proud. Yes. Yeah, me crying again at the end. Don't do that. This is going to be a thing. Yeah. Yeah. Yeah. For sure. So thank you. Yes. Thank you. Thank you. What did you think? All right. You know, I've known Estelle 15 years. Like, oh, 15 years. Yeah, 15 years. And I think I learned more about her in this conversation than I did across the 15 years. I know that she's been reluctant to share private details about her life, and namely the pain that she's gone through being a part of the industry. I didn't realize how impactful her grandmother has been throughout her life that I just didn't realize.

1:47:21You can create your own path in life. She created this path when she was told no many, many times, not just in the U.K., but also when she got to the U.S., and how she made a way. Without question, a big inflection point in Estelle's life was Roscoe's Chicken and Waffles with Kanye West. I strongly believe it was Estelle's confidence and building the respect in London that is what allowed her to get the invite to the studio, which then she eventually meets John Legend. John Legend eventually signs her and co-writes American Boy, which is one of the most popular songs ever penned. The lesson for all of us is to have that self-confidence, to step into situations and make the ask.

1:48:14You will never get unless you ask. And Estella is a prime example of that. And when I heard that, and I think this is why it hit so big in the U.S., I think American boys were always associated with the all-American boy, which the all-American boy was normally, you live in California, you are white, you're not black, you are six foot five. But here Estelle was saying, you know, American boy, and she was talking about baggy pants. And she was talking about someone who I knew. She was talking about this guy right there. Like, really, this is who she described. That is not what the American boy was.

1:49:00You know, so for her to sing that song, it was empowering, actually.

1:49:10Thank you.

From the publisher

In this episode of We Need To Talk, Grammy Award-winning artist Estelle joins Paul for an unfiltered conversation about music, identity, and the power of self-belief.

From growing up in West London to becoming the first artist to be signed by John Legend, Estelle shares the resilience it took to break into the music industry - and the self-trust she had to develop along the way.

She tells the incredible story of how a chance encounter with Kanye West in a chicken shop led to the global smash hit American Boy. Estelle reflects on the personal losses that shaped her, the industry rejection she pushed through, and how she’s finally learned to trust her voice - both in music and in life.

This is the real story behind American Boy - and so much more.

Follow me here:
https://www.instagram.com/needtotalk 
https://www.tiktok.com/@weneedtotalkpod 

Follow Estelle here:
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(00:00) Intro 
(01:50) Estelle's Childhood in Hammersmith 
(04:40) What Values Did Estelle's Grandmother Instill in Her? 
(06:22) Estelle's Family 
(07:37) How Estelle's Parents Met 
(09:04) Estelle's Relationship with Her Father 
(10:09) How Did Estelle's Parents' Split Affect Her? 
(11:22) Estelle's Experience of School 
(15:28) The Beginning of Estelle's Career in Music 
(27:31) The Differences Between Hip Hop and R&B in the USA vs. UK in the Early 2000s 
(29:43) Estelle's Experience in the British Music Industry as a Black Female Artist 
(35:53) How Estelle Met Kanye West and John Legend 
(44:10) Shopify Ad 
(45:21) Tinder Ad 
(46:16) How Estelle Wrote 'American Boy' 
(51:26) The Legacy of 'American Boy' 
(54:53) Paul’s Favourite Estelle Songs 
(56:48) When Did Estelle Feel Like She Was 'Losing It' During Her Career? 
(1:03:43) How Did Estelle Learn to Trust Herself? 
(1:06:44) Estelle's Relationship History 
(1:15:59) Is Estelle Interested in Being a Mother? 
(1:16:57) The Impact of Estelle's Grandmother's Death 
(1:21:51) Estelle's Spiritual Beliefs 
(1:22:46) Estelle's Role in 'Steven Universe' 
(1:26:30) Why Is Allyship So Important to Estelle? 
(1:28:53) Paul Tells a Crazy Story About Estelle 
(1:31:03) One of Estelle's Wildest Moments During Her Career 
(1:33:07) Happiest Moment of Estelle's Career 
(1:34:49) Estelle's New EP 'New Direction' 
(1:37:35) Paul, De La Soul and Estelle's Feature on 'Memories Of' 
(1:40:24) Estelle's Forthcoming Book 
(1:42:37) Most Memorable Conversation 
(1:46:18) Paul's Takeaways 

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