Bose CMO Jim Mollica on The Number One Predictor of Value Creation

4 Aug 2026 · 1 h 3 min · 25 chapters

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In short

How companies create or destroy value through “asset allocation” across every decision, not just marketing—especially via compounding brand trust, pricing power, and operational choices.

Guest backgrounds

Jim Mollica is Bose’s CMO and president of Bose’s luxury division, overseeing Macintosh and Sonos Faber. He previously worked at Under Armour, Disney, and Viacom, and was Bose’s first CMO after ~60 years built on engineering-led reputation.

Key claims

Better products alone don’t always win; execution, culture, and change management determine whether strategy pays off. Value creation depends on aligning decisions across silos so functional excellence supports emotional meaning. Pricing power and gross margin reflect brand integrity, not just promotions. Asset allocation is the “number one predictor” of success.

Notable examples

Under Armour’s ambitious data/content subscription vision failed due to acquisition integration and operational/cultural mismatch. Nike’s DTC shift unintentionally reduced retailer shelf space, helping competitors like Adidas/New Balance. Viacom/Disney’s “cash cow” mindset and delayed digital learning (e.g., Netflix rights) prioritized short-term revenue over long-term innovation. Sonos Faber’s Italy-only, six-month handmade production is positioned as supply-chain decisions that reinforce trust and desire.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Value Creation vs. Destruction

0:00 to 0:12

Jim discusses the company's decisions that lead to value creation or destruction.

“Meet Klaviyo, your brand's new best friend.”

Value Creation vs. Destruction

3:40 to 4:42

Jim discusses the company's decisions that lead to value creation or destruction.

“of accumulated brand and business decisions that had created pricing power, equity, and demand that defied the need to sacrifice margin for sales.”

Lessons from Under Armour

4:42 to 6:11

Jim reflects on a pivotal experience at Under Armour that illustrates value dynamics.

“And I think the only way you learn is if you're vulnerable with the lessons that you've had where you can introspectively dissect what went wrong.”

Decision-Making in Enterprises

6:11 to 7:56

Insights on how decisions in one area can impact the entire enterprise.

“They destroy more value than they create.”

Nike's D2C Strategy and Its Consequences

7:56 to 10:14

A discussion on Nike's direct-to-consumer strategy and its unintended effects.

“I'm not sure it missed the point, right?”

Value Across Bose's Brands

10:14 to 12:02

Jim contrasts the value perceptions between Bose and its luxury brands.

“And for our audience, Chris is Chris Davis, who's the brand president and CMO over at New Balance.”

Emotional Connections in Branding

12:02 to 14:00

Exploring the emotional aspects of branding and consumer experiences.

“So, you got two jobs inside this enterprise.”

The Emotional Connection to Music

14:00 to 16:36

Explore how Bose connects emotionally with music lovers and their unique selling points.

“So actually, you were saying that, you know, for Bose, it's about the music.”

Craftsmanship and Quality in Products

16:36 to 20:34

Discuss the importance of craftsmanship and quality in high-end audio products.

“I, that company, everything is made in Italy.”

Craftsmanship and Quality in Products

20:38 to 21:24

Discuss the importance of craftsmanship and quality in high-end audio products.

“Running a small business means every dollar has to work hard.”
Show all 25 chapters

Convenience vs. Quality in Luxury Markets

21:24 to 26:50

Analyze the balance between convenience and quality in the luxury market and its implications.

“That means that summer's officially here.”

Lessons from MTV's Decline

26:50 to 28:05

Reflect on the factors leading to MTV's decline in relevance and value creation.

“and they will show and talk to people and tell our story for us, for it.”

Evolution of Media and Business Models

28:05 to 30:00

Discussion on the challenges and changes faced by media companies like Viacom and Disney.

“Or maybe the better question is what didn't happen?”

Asset Allocation as a Predictor of Success

30:00 to 35:00

Exploration of how asset allocation decisions impact enterprise value and long-term success.

“You know, you're in trouble when they have like they pulled together a group of Sandinistas, if you will, and said, go figure out the future of TV.”

Balancing Short-term Gains and Long-term Strategy

35:00 to 37:36

Conversation on the importance of balancing immediate results with sustainable growth strategies.

“You're going to start to see that a decade later when the real effects come come to.”

Balancing Short-term Gains and Long-term Strategy

38:20 to 38:46

Conversation on the importance of balancing immediate results with sustainable growth strategies.

“Every six seconds, a pet owner in the U.S.”

Lessons from Leading the Luxury Group

41:09 to 42:01

Insights gained from managing the luxury group and the importance of collaboration.

The Importance of Embracing Strategy

42:01 to 44:28

Learn why strategic buy-in across all levels of an organization is crucial for success.

“people when you start your career, it becomes very, like very egocentric around like, well, what you do is the most noble of work, right?”

Expectations in Luxury vs. Commodity

44:28 to 46:48

Explore the differing expectations in luxury brands compared to commodity businesses.

“as I listen to you, it feels I'm a luxury consumer.”

Challenges Across Business Types

46:48 to 48:43

Understand the trade-offs and challenges faced in luxury versus premium and commodity businesses.

“But if you're in a commodity business or just maybe even a premium business, maybe going back to our earlier part of our, maybe it doesn't matter as much.”

Long-Term Value Creation

48:43 to 50:08

Discover the significance of long-term metrics in valuing business outcomes.

“So you're probably 100 percent right within some commodity businesses where I think it's much more of a challenge.”

Brand Storytelling in Founder-Led Companies

50:08 to 54:42

Examine how founder-led companies create compelling narratives that resonate.

“Now, I'm putting you in a commodity business, right?”

The Evolution of Bose's Marketing

54:42 to 56:00

Learn about the marketing evolution that Bose underwent under its first CMO.

“And sort of what is rewarded is sort of being able to produce and activate against that story, that backdrop, right?”

Bose's Marketing Challenges

56:00 to 58:01

Explore how Bose's marketing evolved and the gaps created after its founder's departure.

“So I'm saying like I actually understand.”

Final Thoughts and Desires for Change

58:01 to 1:01:30

Discuss the two things the guest would destroy in marketing and the importance of slow time.

“So I want to see if I can just quickly synthesize.”
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Transcript

Automatic transcript. May contain errors.

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1:45There's a place for convenience in this world, right? There's a place for grab-and-go snacks as well as, you know, incredible Michelin dinners. And I think for me, it's on both sides of this, how are you providing incredible value that is monetizable, right? Not just value for value's sake, but it's monetizable that people are saying, I'm willing to pay more for that. I'm willing to, you have price integrity for that, right? Like we can talk about those types of things that show up in other aspects of the business that I think are really important and show compounding interest over time.

2:26At Bose, Jim Mollica holds two roles. He's both CMO of Bose, where he leads a mass premium brand, and he's president of the company's luxury division, where he oversees the legendary audiophile brands Macintosh and Italy's Sonos Faber, where speakers are handmade over six months by dedicated artisans, some of which have not the artisan but the speaker, a window built into the top, so buyers can look down to see every detail inside. because decisions about even the things the customer can't often see matter to the people building them. 60 years into building the Bose brand and business, the company hired Jim as its first CMO, learning the hard lesson that better products don't always win.

3:08And our conversation covers what he's learned and understands about how value is created and sustained. We talk about why every decision enterprise makes from the sourcing of Italian leather to the climate-controlled hand delivery of a$250 ,000 audio system is a brand decision that compounds over time, and how in the case of Bose, that compounding showed up just this past holiday season when the brand was far less holiday promotional than its competition and yet delivered extraordinary results, not because of a campaign, but because of years of accumulated brand and business decisions that had created pricing power, equity, and demand that defied the need to sacrifice margin for sales.

3:54Jim, here's where I want to start. I actually want to start with the show's premise, right? I kind of beat it up a little bit, but what the fuck? It's my show. So the show's premise is that every decision a company makes, not just the marketing ones, but every decision a company makes either contributes to value creation or value destruction. You have worked across multiple categories, big brands, smaller brands. Um, um, I'm wondering if you can share with the audience a story about something you've seen where a decision hasn't played out the way it was intended to and either led to creation or destruction.

4:33Yeah. Um, look, there, there are lots of successes and many more failures, right? Nature of the game. Yeah. Nature of the game. You got to get comfortable with that. And I think the only way you learn is if you're vulnerable with the lessons that you've had where you can introspectively dissect what went wrong. And I think - I've made a few psychotherapists rich in that process. You and me both, brother. You and me both. So look, I think probably one of the biggest one of the biggest ones throughout my career that I look back on was when I was at Under Armour and the brand was, and people forget this, was one of the hottest brands in the world in like 2013, 2014, 2015.

5:24And we had a very ambitious goal and it was a thoughtful vision. It was how how we could go into a community with with fitness and health and buy apps the people we're using now to track whether it's calorie counting with my fitness pal whether it's workouts through map my run or map my fitness and use that data to better predict what they would need in the future so it would be very proactive around gear that could be shipped to them as well as content. We were building out an entire content studio around there for training and turn it into a subscription service. The premise of it was amazing.

6:06And it was super bold and an ambitious idea. The realities where we lost sight is that, look, most acquisitions are not successful. They destroy more value than they create. Why do you think that is? If you're looking at just pattern recognition as an observer and student of business, not just a practitioner. You know, why is that? Yeah, because it's not played out in the pro forma, right? It's reality. It's people. It's operations. It's different cultures. It's different goals. Many times the people don't stick around for the evolution of that. They haven't been bought into the vision. Change management is super hard, really difficult.

6:51You know, there's everything from the repetition to continuing to drive the what's in it for me and aligning all the visions and goals. It's really hard because you have an old company and a new company that both their visions are changing now with the acquisition. And I'd been part of a lot of them. Remember, I was at Disney. I was at Viacom. I've seen a lot of these. And, you know, it was an incredible ambition. But in the end, the transformation, the culture, the dynamics, the vision far outpaced what we could do operationally. Integrating technology and data and systems and backends, that was not the core strength of what Under Armour was all about.

7:32And so ultimately, you know, it was a very long and arduous toll to get to an end result that was less than satisfying. Let me, because what you've highlighted there is a strategic decision that didn't play out. Yeah. Right. And that's like, you know, bad, but there's a difference between missing the mark and missing the point. That one missed the mark. I'm not sure it missed the point, right? Like it was, at least in what you've shared, it seemed to be sound logically, rationally, strategically. Just points to how hard executing brilliantly is and the fact that some ideas are too early. I'm wondering, and it doesn't have to be from your career, but again, as a witness to an observer of business, if you can think of an example that talks about how a decision in one part of an enterprise, positively or negatively, affected an outcome in a different part of the enterprise.

8:31Yeah. I mean, look, I think there are all kinds of decisions sort of, you know, set another way. I think a lot of times marketers are very, very focused on sort of the goals within their discipline. And the reality is, you know, the broad organization is a much broader perspective and you're optimizing for the end sum, not the integer. And I think, you know, what ends up happening if you're not well plumbed, if there's not a strong relationships operating system that is moving through that company, that those decisions aren't taken into consideration. And I've seen, you know, look about expanded distribution or, you know, take another example within the competitive athletic space of like what Nike did when they decided they're going full scale D to C, which, you know, if you're an operator looking to maximize gross margin in the short term and think you're going to have greater control over the data because you've disintermediated those retailers.

9:38Like, yeah, I could see somebody making that decision from the financial side in a short-term play, trying to maximize gross margin and have a story then for the street. What ended up happening and hit was like the flow down with end retailers then giving that shelf space to competitors. And other competitors executed brilliantly. Like I would argue that decision helped revive interest in Adidas. That new balance. Well, New Balance did both. Nobody executed better than New Balance. No, the best. And Chris did an amazing job of not just taking advantage of the distribution, but it became pool distribution because he created such a hot brand through the collaborations that he was running.

10:21That's right. And for our audience, Chris is Chris Davis, who's the brand president and CMO over at New Balance. But again, I think I think and I have beaten John Donahoe up a few times on this show in my previous one for those mistakes or for for the reality. But I think kind of like your Under Armour example, it's hard to look at what he was thinking on paper and say, OK, this doesn't make sense. Right. There was a soundness to it unless you don't understand how meaning is created and how brands are sustained. And I think that was amongst the weaknesses of that strategy. Right. And so I'm wondering, can I just jump just for a second on that?

11:06If you ever interrupt me again, you won't show up on the show again, but yeah, you do you. Forgive me. So, look, I think even from a brand perspective, I think their argument was if we control the experience, if it's our temple as opposed to somebody else, it's more brand right and it creates more value for the end consumer. That was the argument. And it was hard to disagree with that. And also going back in time, everybody else chased them because for the first several years, it was working and it became really, really apparent that they had really started to accelerate their gross margins in their business.

11:46And they had so much of that coming through digital. It wasn't until you started to see the secondary effects after the fact that gets to your point. The unintended consequence. Yeah, absolutely. It gets to your point. Yeah. Now, let's go back to where you are, or let's go to where you are now. So, you got two jobs inside this enterprise. You're the CMO of a premium, but still on a relative basis, mass consumer brand, and concurrently president of a luxury division where you also. So you market Bose on the one hand and Macintosh and Sonos Faber on the other, right? Inside the same company. And so you've got two fundamentally different.

12:31Well, actually, I don't want to I don't want to make that a statement. Do you have two different definitions with and relationships definitions of and relationships with value as you go through kind of the Bose group and the premium and the luxury group? I don't think my definition of value is different at its most macro level. I think what we're trying to do with value is with Bose, we're trying to create this indelible link between, between Bose and your music, which is both a functional excellence and an emotional excellence. What's more important in that balance? I think you have to have the functional or else the emotional won't last.

13:20Right. And so I think you lead with the functional and then the emotional comes. Functional is the foundation. Yeah, absolutely. Emotional is the reason. Right, because if you don't have the functional, I think the emotional becomes thin. And for a period of time, you dupe people, but they're smart consumers and they catch up to it. Yeah. I think what does - I think that's why my first marriage ended. Brilliant, brilliant. I think what is different between those two worlds is sort of the level and the heights with which you can create experiences. The luxury side of my business knows no bounds for what can be created with regards to costs associated, to dreams, to aspirations.

14:09It's just merely can we translate that to enough value that consumers then say that this is an indulgence, but it is absolutely worth every penny because I can't unhear what I just heard and nothing will ever be good enough again. So actually, you were saying that, you know, for Bose, it's about the music. Yeah, absolutely. What is it, if I'm buying Bose for the music, right? And the functional and emotional, what am I buying Macintosh and Sonos Vapor for? What are you selling? So there are core, I'm selling in both instances. It's an emotional elevator. And it's also sort of a, at times, a time portal.

14:56The emotional elevator is that when you listen to music that's meaningful for you, Because we really market to the hardcore music fan, like music geeks, because our products - Across the company? Across the company. It's built by people in the world. It's fiercely independent company that only focuses on sound. And through that, we have this mission that has pulled together people that have been rabid about music for their entire lives. My head of engineering was in a Black Sabbath cover band. Like, that's just the nature of the place, right? And so for us, this emotional elevator allows you to set the tone for a dinner party.

15:38It allows you to push through that last mile when you don't want to run anymore and you need that motivation. It allows you to wallow in misery of a terrible breakup when you put that sad playlist on. And the two different, the luxury versus the premium business are just, we're providing accessible price points for people that love music and want it to sound incredible. and a brand that really stands for that community. Like we're in, we're not in culture. We're in the music business. We're about celebrating artists, artists and the discovery artists and making those human connections, whether it's community, whether it's how you define yourself and allow you to get deeper in there.

16:17And there are just different expressions of that. One's a little bit more accessible. One becomes maybe even more of a ritual, right? The ritualization of the slow moment when you put the record on. Ritual is an interesting word. I want to ask you, though, to kind of, it's a little bit of a consideration, reconsideration of the first question I asked you, but inside a company that is making products, sensory products, whether premium or luxury, that start in the ear, but then go through the body and the mind. what's an example of a decision that nobody would consider a marketing decision because it wasn't inside your purview and and if you can like don't give me a product answer because of course go back to your point about the the fundamental obviously the fundamental is there but that is essential to that experience to what whether it's the bose consumer the mac consumer experiences yeah it just lives in another part of the org entirely and that the CEOs and CFOs and product people in in the shows in my show's audience can hear and say oh I never thought about it that way yeah so I'm gonna use Somos Faber as an example and have I been saying Sonos Faber and you've been No, you can do it both ways.

17:49Both ways.

17:54I, that company, everything is made in Italy. Everything. And everything's made by hand. Everything. And so for us, the decision to make sure that the products we create, and as we expand the portfolio and do other things, There are lots of places that we could move those in the supply chain. There are lots of places where we could source the material that are not in Italy. And for us, you are buying in this experience, this sonic sculpture. It's a piece of art. They are beautiful. Everything is handmade. It takes six months to make these speakers. And so for me, the consequence or the outcome of that is this incredible narrative and story that has some element into marketing.

18:47But the decision is raw material supply chain. The decision is talent recruitment in Italy and training. The decision is the craftsmanship and slow time around the product and tradition. all of those things that we're celebrating that, look, the world is full of conveniences. And my theory is, is that everybody has some level of passion points that they really care about. For those that love music, being able to have the luxury of slow time, of a ritual, of sharing music with your kids. I mean, this is very well-known ritual in my family of dad reading the New York Times on Sunday and listening to the Beatles' White Album has been drilled drilled into my kids, right?

19:32That and Bill Evans, I have been drilled into my kids on Sunday mornings. And my kids have taken that with them. It's a part of their childhood. White Album scared me to death the first time I heard it. Everybody, but it may, like the, what it's, it's like grows on you to this, this comfort, this friend, this familiarity. And, and to me, like being a part of that ritual with what we're creating and paying, paying tribute to the, the artistry of Italy, you're buying into Italy as well as this love of this ritual within your passion of music is a very powerful thing that flows through the entire organization.

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21:58it's a really interesting example and i love it because it does illustrate the thesis so well and i love i love your choice of of the word convenience right um because convenience is oftentimes compromise but i want to ask you why you think it matters and let me couch this right Which is to say, if you look at other high-end luxury brands, I'm going to use fashion as an illustration, whether it's, it doesn't matter who it is, but almost every one of the highest end luxury brands manufactures outside of their country of origin and in Asia. Yeah. And it says so on the label. Right. Right. And the user, the person who's spending$3 ,000 on a shirt or tens of thousands of dollars on something else, either they're not paying attention or they're paying attention and they don't give a shit.

22:57Why then? Because you could make equipment with the same fidelity, with the same quality and save a dollar, but you're making a decision not to, to preserve. not just the heritage, but the relevancy of the heritage and its translation into experience. And I'm wondering why. Yeah, that's a great question. Look, I think some people have figured that out and some people have rejected product being manufactured. Like Remova is a classic example. You've seen some of the other big fashion luxury houses. By the way, the former CMO of that brand told me it's actually Remova. Remova? Because it's German.

23:44So the W is pronounced as a V. So just as you, you know, schooled me on this. I'm coming back at you. Okay, all right. Fair enough. Turn around. It's fair play. Okay. I think some people are aware of that. And I think that erodes trust and credibility as a short-term decision that a lot of, you know, luxury for a long time got lazy because they were using APAC in China in particular. Exactly. the rocket fuel for their growth. Yeah, yeah, yeah. The market. Yeah, people started to get fat and happy on those keggers year after year, seeing 20 % growth. And it was really being fueled by China. And so, you know, it started off as an argument of we're going to create luxury within China and make it, you know, a bit of a local spin.

24:25Oh, interesting. I didn't understand it that way. Part of it, not everybody. And then others just went full bore on that. I think some people are, you know, logo shopping and some people are discerning customers. And I like to think of the audience as discerning customers. And so I think that one of my jobs is to uphold the integrity of Bose, Macintosh and Sonos Favre. And one of the things like to such a degree, it matters to me that in many of the Sonos Favre speakers, there actually is a window at the top that you can look down into the speaker to see every single meticulous thing that's done in that speaker.

25:03So, you know, even the things that you can't see matter to us and we create them at such a level that they are unparalleled because it matters. I really love. I love what you just said. It's like it may not matter to the user. It matters to us. Right. And and that then translates maybe just through osmosis to the user. That's where trust is rooted. Think about the people. Think about the engineers. Think about, you know, we have, you know, a handful, probably four or five Italian artisans that just work the leather, the finest leather in the world for the outside of the speakers. If we're willing to compromise on these other things, do you think that ultimately people are like, well, it doesn't really matter what quality leather we get?

25:56Well, it doesn't really matter. Like the smallest imperfection. Yeah. And all of that stuff, I believe compounds. What I think, you know, when you talked about create and sort of how I look at it, you know, it's trite to say, oh, you look at it as a portfolio. In a way, that's true, but it's much more nuanced. I look at their short term and long term decisions. And I really believe that when you get something, it starts to have compound effects or compound interest. Both for the up and the down. Up and the down. And so by making the decision that we're making about where we make and how we make those products, for me, that is going to pay dividends for incredible times after that investment has already been made.

26:41because it goes in and it becomes, you become known and famous for it. And for the people that matter, they tell that story. People will buy this product, care about it so deeply and appreciate the experience that they'll come in and they will show and talk to people and tell our story for us, for it. But look on the other side of that with Bose, there's a place for convenience in this world, right? There's a place for grab and go snacks as well as incredible Michelin dinners. And I think for me, it's on both sides of this, how are you providing incredible value that is monetizable, right? Not just value for value's sake, but it's monetizable that people are saying, I'm willing to pay more for that.

27:23I'm willing to, you have price integrity for that, right? Like we can talk about those types of things that show up in other aspects of the business that I think are really important and show compounding interest over time. You know, I want to talk more about luxury, but despite the fact that 10 minutes ago you talked about, you know, briefly in your tenure at Viacom, I didn't hear MTV in my head until something you just said. And it is tragically an example, for those who loved it, of extraordinary value creation and then irrelevancy. and it's a brand it sold recently right didn't it sell it just doesn't matter anymore but certainly culturally and you know there was few brands that mattered more or were able to monetize mattering more as you look back like what happened what were the decisions two or three of course you know television changed consumption changed music everything fucking changed but that's life and business and that's not unique to MTV.

28:36What happened? Or maybe the better question is what didn't happen? Wow. We could spend a couple of hours on that. I mean, look, I think I loved my time at Viacom. I interacted, worked with, and met some of the most creative and interesting and smart people I've ever met in my life. I loved, literally loved the atmosphere there. Brilliant people were there. Yeah. Really loved the atmosphere. Tom, Judy, Venn. Oh my gosh. Ross. Yeah. Ross. I mean, just so many incredible people. Um, what, what I think at its core is the fundamental problem was, is they became wedded to a system and it was a dual revenue system, both the carriage fees that they, they would receive from cable operators and the advertising dollars because they had so much power.

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29:22Same thing happened with Disney, with ESPN, where they had so much power that the spirit of innovation, the risks, all of those things, they weren't treating it as a portfolio. But cash cow and how about securing the future? Because nothing, no stock runs like this forever. And as you think about that, how do you manage the future? And one of the reasons I left Disney to go to Viacom was to how to infuse a bigger sense of digital within their portfolio, both from a business standpoint and a marketing standpoint. And I was shocked to the level of resistance that I found at evolving the business model there.

30:04You know, you're in trouble when they have like they pulled together a group of Sandinistas, if you will, and said, go figure out the future of TV. Oh, right. Like, like this is this is an issue. And I think I think that evolution, even under the Netflix deal is the right question. Right question. But but the wrong time to ask it. And it should have been a company wide imperative on where are we creating the learning agenda, the test bets. Right. Because to me, again, what decides, you know, creation or or or like the appreciation of an asset or what you destroy in it is asset allocation. It is the number one.

30:45Doing that prudently is the number one predictor of success. So for the audience, enterprise asset value is a consequence of the asset allocation decisions the enterprise makes, again, the thesis of the show, that either accrue to creation or destruction. How you spend not just your money, but your time and your people's time. A hundred percent. And I think their asset allocation went into other things as opposed to a focus on where their revenue streams that they can open up in the future. One of them could have been early on in Netflix before Netflix has really had their, they were sort of in that duel, a little bit streaming.

31:31Not many people are streaming, still sending out the DVDs and they were making this transition. They came to Viacom and asked for our portfolio. And one of the arguments - When you say they asked for the portfolio, what do you mean? They wanted to get the rights to be able to stream and - Put it in the library? Yeah, put it in the library. Stream and put it in the library. I was an advocate of saying, striking a business deal with them that would take less money and we get data back from them because it would inform us. and also to look at this as a marketing channel specifically for the kids and family business.

32:06So if I have Teenage Mutant Ninja Turtles and SpongeBob and Dora in front of people that is high repetition, I'm conditioning them in a flywheel that then will be more likely that they're going to the movie, that they're going to buy the consumer products, that they're going to download the educational games. And so we're going to take advantage of that moment. Well, instead, kind of Netflix today. Yeah. Instead, we maximize the revenue in that moment and did None of that. And then what happened is the very next two-year cycle within that deal is that, thanks, these are all the programs that no one watches.

32:37We only want these three. And if you're not willing to give us, you know, them for this amount of money, we don't want you. Yeah, I mean, I think it goes back to your pointing out the short and the long. If you only play for the short, you fuck the long. And, you know, I had Gary Vee on the show earlier and we talked a bit about kind of the absence of innovation at Apple over the last decade. And yet over the last decade or maybe a little bit more, I can't remember when Steve died, you know, values 10x as measured by stock price market cap. And it's, it's, if, if you're protecting what you have, which is a necessity and not building, I also talked about it with Don McGuire at Qualcomm, right?

33:32Which is if you just, if you're just playing for today, your eye is not on, you know. know you can it's almost like a private equity play you can maximize your portfolio within the moment to look yeah to to to have that valued at its peak by making a lot of short-term decisions and cutting some expenses and innovation right because again like the two things that i think fuel growth or innovation slash r &d and the brand in its broadest i mean that goes back to the drucker quote right the enterprise has you know um two primary create the the job of the enterprise is to create and keep a customer.

34:08Therefore, the two primary functions of the enterprise are innovation and marketing. Everything else he says is just an expense. Totally, totally right. But what did he know? Yeah, just the godfather of modern business theory, right? But as you think about that, I think there are accommodations when people talk about the short term. I think there are investments and bets that you are making in the short term that you need to run the business. You have to secure today, right? This can't be like one of the things it does drive me crazy. And I think sometimes you hear this from the marketing world is, well, you know, we have to play for the long term.

34:43We have to be sure, but you have to secure today. And then you're all of your bets need to make sure that because the results of Apple, I think, if you look at that, if they're not funding, I'm not saying they are aren't, but if they're not funding all of this future, you're not going to see it today. You're not going to see it next year. You're going to start to see that a decade later when the real effects come come to. To your point earlier about compounding, which requires a discipline and a patience and bias towards slow capital that the public markets don't have. And obviously, easier at a company that you're in today or a company like Chris is in, which is privately held.

35:27But there's nothing easy about it. If it was easy, I wouldn't have a show. But there's another side of it. Can I just throw out the other side of it? Look, being private has a tremendous amount of advantages and you can play for the long term. You can make bets that we're going to pay off and compound interest over time. But I do think occasionally, though, you can lose the sense of urgency around the moment of fighting quarter to quarter. You can lose a little bit of that competitive spirit if you do not. because I've worked for a couple of private companies now too. And so in that balance, I think you have to strike the middle.

36:03There's tremendous advantages that really play to the long-term and your strength of a business and being able to go very deep and do things that you wouldn't otherwise be able to do, even in the marketing decisions that we want to make. But I think there's also an element that you have to make sure that you can continue to push urgency and a sense of competitiveness in the marketplace. Well, I think, I think agreeing with you, I think what sometimes gets lost is that playing for today and planning for tomorrow, that's, it's not, as opposed to the thesis of the show, which is it's A or B creation or destruction.

36:49That's not a binary. Yeah. Right. Like today builds for tomorrow. How is that? If you do it right. A hundred percent. But doing it right, of course, is hard. And a lot of companies are trading tomorrow for today. You know, a promotion strategy that drives no incrementality but leads to pantry load and just, you know, screws the next few quarters because everybody bought for this quarter. So you could report a number to the street is not doing your shareholders or stakeholders any value. And destroys your pricing power. Yes. Like one of the things that I'm super excited about is like what we have done with the Bose brand over the last few years has given us incredible pricing power.

37:35So this past year, this past holiday season, a pretty incredibly difficult period for a lot of brands, right? A lot of products like people were concerned about where the world's going, being much more conscious about where they were spending their dollars. we were far less promotional and we really did on a gross margin basis did an incredible job and that that gets back to the brand the promise and and i think people lose sight of that in the financial equation that gross margin and pricing is is absolutely a reflection of the brand as well as it is engineering and and i think in some models that's not always taken into consideration yeah yeah

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41:09what have you learned because you you've been spearheading the luxury group for almost two years right yeah year and a half yeah um what have you learned about the creation of desire doing that, that maybe the earlier parts of your career hadn't taught you? Yeah. Wow. I've learned a ton. I mean, I have really gone to school on everything from like the way products are built to the way that the individual supply chain works and the care and how like the partnerships that you have to create with these other groups in order to deliver the end brand promise. I think, you know, when I, I think this is probably common for a lot of people when you start your career, it becomes very, like very egocentric around like, well, what you do is the most noble of work, right?

42:13And it's the most important piece of the work. And so, you know, I started off as a planner and a strategist and I was in love with the strategy. And, you know, you slowly start to realize that if you're not thoughtful and careful and that strategy doesn't flow to every, bought into and applied by every single aspect of the organization. And, you know, people talk about customer service, of course, all that stuff that's customer facing, sure. But I'm talking about all the stuff behind the scenes. and I think what the luxury business has helped me understand. Sorry, I think you, I want to interrupt you because I don't think you finished your thought, right?

42:56Would you say as a planner, you realize that if the enterprise doesn't embrace it, but I don't think you finished the thought. Where were you going to go? Yeah, so if the enterprise doesn't embrace it, not just understand it, but embrace it and apply it to their work, then you ultimately do not achieve what the intended strategy or the objectives of the strategy, right? It's not enough to get people to parrot it. You actually have to act that way. And it can't just be consumer facing. It means everybody in that organization that has any role in any way, shape or form, the finance group, the accountants need to understand that when you're making an investment, there may not be a linear connection between X and Y that they want.

43:39And they have to trust some of the business models that you are providing to them, that they're going to get there. The suppliers that you're working with need to understand why that particular copper matters most, or you need to source gold to fill in the cracks of the copper wiring so there literally is no electronic distortion at all detectable by machines. It's a lot more work in time. That flows all the way through what I learned as I've taken this over is that this has removed this artificial barrier between sort of strategy, like the marketing and brand strategy and the ultimate application and end results of the business across every single silo.

44:28as I listen to you, it feels I'm a luxury consumer. I've done some luxury brand work in my past. Is it easier to make that case in luxury because of the price you're charging, because of the margins you're commanding, because of the reputation and the trust and the quality you have to uphold, right? Right. So, A, is it easier? And then kind of as a follow up, if you were to go into a commodity business tomorrow, right, where your competitive set is six, one, half dozen of another, what lesson would you bring from luxury? great follow-up um okay let me start with the first one i don't think it's easier i think it's different i think the expectations are so extraordinary right right that that that at times you know if you spend 250 000 on an audio system it better be magical sure shit should right and And I think that that level, that bar, it can be uncompromising.

45:52These people were discerning consumers that have a real passion for this. And so therefore, the expectations are through the roof. And so I think you're just dealing with different – finding the best vacuum tubes in the world becomes competitive and difficult because they're used for lots of different things. Right? Making sure that you have a reliable supplier for the finest Italian leather when there are a lot of people that want that finest Italian leather and being able to ensure that it's being manufactured and created in the right way. And handling every house, even think about like the finishing a product and making sure that the climate control of that product and the hand delivery of this product to somebody's home, which could take eight hours to set up, is handled in the right way.

46:39it's just an absurdly high bar so i think it's different i think you'll but let me push a little yeah sure not not on the point that it's different but let me let me say i think it's easier here's why and i don't know i'm playing devil's advocate but it's easier because everybody in the enterprise knows that every one of those things matters and so teaching a cfo or your supply chain person that these decisions, like they get it. But if you're in a commodity business or just maybe even a premium business, maybe going back to our earlier part of our, maybe it doesn't matter as much. And therefore getting the CFO to, as you said earlier, understand that sometimes outcomes are non-linear, positive outcomes are non-linear, feels like a bigger hill to climb.

47:32And you've been in those businesses. Yeah, I think that's fair. But I think, look, there are still economic realities within luxury. Of course. And the consumer is resilient, but not immune. And so to price realities and all the rest. So it's very real. And whether you're public or private within those businesses, there are obligations. And there are annual operating plans and there are commitments that everyone takes very seriously. So there are tradeoffs all the time. There are different levels. And I'd say in some senses, it's harder because if you miss on a bet, you have less levers to pull.

48:09So that has been my experience, which, you know, I'd say cutting the other way, it's very different. And it's it's you your hit rate needs to be better. I think on the premium side, and I think if I look back, it's there's not that I really haven't worked a lot in commodity businesses. I've been lucky enough to work in, you know, high and differentiated IP businesses. businesses. Yeah. Yeah. Yeah. And product is IP. Right. Right. Right. Totally. And I think I've been been lucky enough that like there've been high involvement, passion point categories where people take more time. Right. So you're probably 100 percent right within some commodity businesses where I think it's much more of a challenge.

48:52There's much more day to day trade offs. But I think even in premium businesses and the work I do with Bose, like those discussions are very real on the decisions that we make of, you know, what's the expectation for this consumer as we are, you know, carrying the flag for, you know, rabid music fans and the expectation of this and what is right and what is not. Like even to the materials with our open earbud, it's like the expectation that that thing holds when you're in the worst possible conditions out there is very real. Because if you spent this money and it falls in a, you know, in the sewer, right?

49:28Or it gets crushed by the bus because it fell out of your ears, a big deal. And so for us, those things really matter. And I think I had this discussion with somebody that runs our analytics and they were talking about, but it doesn't show up in the MMM, the media mix model, right? As it shows up in the base. That's my compounding, right? That's my compounding asset valuation. Show up in LTV. Yeah, 100%. But that's a longer protracted metric that I think sometimes people will say, well, that's a moving average over five years or whatever it is. And so therefore, it's harder to justify these things.

50:02But I think when you're looking quarter to quarter on an MMM and you're pointing to the base, you can make that argument. Yeah, I think one could tell that analyst that it is always better to make things that work and don't suck. But that's just me. I'm bringing you to my next meeting. Now, I'm putting you in a commodity business, right? Six, one, half dozen of another. one can argue that brand is even more important in a world where products are parity right because then what differentiates you but what's the lesson you bring forward from luxury i think that if you have a super compelling backstory um i think if you live the backstory and you're true like you're truly in it and go deep in it um you have authority in that space that you could brand successfully and differentiate the ultimate commodity.

50:59I don't know, salt. I think if you focus - I mean, milk did it. Yeah, totally. It's exactly what - 100%. Yeah, that's a better example. Yeah, right? Exactly. If it can work for milk - Yep. It can work for you. That's right, Jeff Goodby. All right, let me ask you a question as we get towards the end of this. You were the first CMO at Bose, right? Yeah. So the company operated for almost 60 years, building one of the most recognized and respected, trusted audio brands in the world on engineering and product alone. Right. Right. So when you walk in as the first person with that title, I'm wondering, I'm wondering what was the argument or rationale that preceded you for why the role was needed?

51:49and does it is there anything the audience should take away from it you know this this end of one example about the relationship between product-led value uh creation and and marketing-led value creation yeah it's um not as distinct from product but on top of yeah i mean there are a couple different there are a couple different facets of the answer to this question there's one founder-led companies, which interestingly, I've worked for three. Ralph Lauren, Under Armour, and Bose. I think they very much follow the same pattern of founder finding an unarticulated need, being able to create the story and the backstory around how it came to be.

52:37trying to yeah because i'm wondering what ralph's unarticulated need was the story and backstory like yeah a genius but what was the i mean he was making ties yeah i think his bigger vision was ultimately this this mythology accessible accessible lifestyle like immersion brand i think I think he, in his mind, had these pictures of 40s Hollywood and, you know, romantic notions of, you know, what sort of classic England looked like and the Ivy League backdrops and these, you know, the Wild West and these vignettes that he wanted to tell stories of in his mind, even as he started the business around the time.

53:25I'll tell you what, just a quick story. It's 1994, 1995. I'm working for a sports marketing company that no longer exists called ProServe. And we're going to pitch polo on something. And we go to their offices at 650 Madison. And I walk into these offices with no expectation, whatever, because I wasn't that thoughtful. I doubt that, but okay. was like, I was below, the elevator doors open and you are in Ralph's world. And I had never seen an office like that. I had never seen the physical manifestation and expression of brand in every inch of those however many thousands of square feet. Again, this is 30 odd years ago, blew me away.

54:20And yeah, that guy knows something about story and backstory. He does. The mansion that he has on the Upper West Side with it, right? Upper East 72nd and Madison. Yeah, the mansion. Rhinelander Mansion, I think. Unbelievable immersion into his world. And he was one of the first to do that. And that was a massive undertaking. Experience before anybody used the word. Oh my gosh, yeah. And so, look, I think when you have a founder like that, they know how to tell the story. and captures people's imagination. And sort of what is rewarded is sort of being able to produce and activate against that story, that backdrop, right?

54:58And then as the business gets bigger and more demanding, I think that starts to change. And I think, you know, their disassociation because they're becoming more successful with the normal consumer, their everyday consumer, I think also just the nature of being able to strike lightning twice is really, really hard on those things. And so the business starts to change. And I think there was no difference with Bose. Dr. Bose was, for those that don't know the story, was a professor at MIT. He was celebrating his PhD. He went out and he loved music, loved going to see live music and classical music, went out and bought these incredible speakers, or he thought, brought them home, set them up, listened to them, was super disappointed.

55:41So as a PhD from MIT would do, he broke them down, reverse engineered and came up with these direct reflecting speakers that became the inspiration behind the famous 901s that sounded like a concert hall because they would throw the sound off of the back walls and sort of vibrate throughout the room as opposed to directly hitting you in the face with a direct beam. So I'm saying like I actually understand. Me too. Me too with my engineering background. But the point is that I think as those companies grow, there becomes a moment in time where they have to reexamine what happens to get them to the next level with who is providing the mythology, the backstory, and building upon that incredible foundation that they have.

56:32And so I think what happened with Bose is they started off with great functional expertise. They had a brilliant founder that was also like very progressive with marketing. He started one of the really like popularized direct marketing and the Paul Harvey reads on the old, you know, AM radio. All right, audience, you're going to have to Google that one because most of you won't know it. But crazy. Legend, Paul Harvey. Yes, yes, yes. But like immersive retail experiences that he was having where he was selling in-home systems. um same thing with automotive audio brought that to the cadillac and you know studied that by going into uh going into a dealer and spending two months working with the salespeople to understand what people looked for and buying an automobile once he was no longer involved with the business right a lot of those muscles and in his direction were lost within the company because there are a lot of people that knew how to execute against that vision and i think you know what ended up happening with Bose is the story of a lot of companies is there was a gap and somebody came in with better emotional marketing without functional excellence, maybe punched them directly in the face.

57:45And they sat up and took notice and say, Hey, maybe a better product doesn't always win. And that opened up the door. A better product most definitely does not always win. Yeah. And that opened up the door for somebody like me to, to, to come in and, and try to help restore the legacy. So many questions going through my head in this moment, and I know we're at time. So I want to see if I can just quickly synthesize. Yeah, nah, fuck it. We're going to go to our last question. All right. Last question, player. All right. We end, as the audience knows, every episode asking our guests, my guests, the same question, which is if you had all the power in the world and you could create anything tomorrow or destroy anything tomorrow, what would it be?

58:26and the common instruction is you can answer it however you want. It need not be in a business context. Yeah, there's so many, you know, noble and high-minded things you could say. Look, let me get a shout-out. Don't pretend that you're noble and high-minded. I'm not, I'm not, I'm not. And so this is where we're going to go. I'm going to give a shout-out to my marketing brethren. If I could kill two things right now, God, please. Destroy, destroy. Sorry, destroy, destroy. Let's be on brand, all right? Yes, yes, yes, destroy. I barely established this thing. You're already morphing it. Yeah. Destroyed.

58:59Two things, I would say. One, I would love to destroy the brand versus performance discussion. It's just so tiresome, so played out, so misconstrued. So self-defeating. Yeah. It's just like enough of that conversation and never hear it again. And the meeting cultures. that just the meeting culture, I find that people celebrate how busy they are. It's like how important you are. And I think it is, it is, I'm trying to do my best to break out of that and not go and be included to things. I love that. And - You still want to be invited though. Yeah, exactly. I love the decline. Actually, I took a page from this from some of my Italian colleagues who said, you know, we find ourselves in meetings all day long and the morning is the only time we can get our work done when North America is not at the office.

59:55So I think that's really important. And I think what I want to create is within, there's so much convenience. There's so much, you know, speed and shallowness that to me, I think this element of slow time in creating more space for slow time in the areas that matter to you. If it's making coffee, then you go and you find that coffee maker that matters to you and you take the 20 minutes to craft that as a ritual to you as like centering, right? Almost meditation. If it's making a drink, if it's having a moment with a record, God forbid somebody goes out and has the time to buy an album that drops on a Tuesday like we used to stand in line, come home, put it on, listen to it sequenced, read the liner notes.

1:00:56I think that slow time is the new luxury in pockets where you can fit it. I think that's what I would love to create more of. I mean, you could have gone with World Peace, but you went with Coffee. No, I kid, but I really love that slow time that, I mean, I cherish having, I can't have too little to do. That's my favorite thing. I'll bed rot all day long. You give me a shot at it. God bless you, man. Yeah, slow time. Here's to that. Jim, thanks so much for being with us. Appreciate you. Thanks for having me here. It's been great. All right, man. As we end this episode, consider this. A recent headline in a travel newsletter read, American Airlines CEO Celebrates Taking Away Free First Class Upgrades, Says Customers Will Pay.

1:01:48As an American Airlines loyalist and concierge key member, my reaction was, what the fuck? But the accompanying article explains that American CEO Robert Isom recently told investors at the Bernstein Strategic Decisions Conference that Americans caught up to its competition in selling first class upgrades rather than giving them away, And perhaps, not surprisingly to an investor conference, he was pretty enthusiastic about it. On paper, it's logical. Why give away your most premium product when someone will pay for it, even if what they'll pay is relatively nominal? You're capturing incremental revenue that was otherwise being left on the table.

1:02:27Maybe. But consider that Americans' own strategy identifies its loyalty program as one of four strategic pillars, and that at the same conference, ISOM described it as the thing that holds the rest of the strategy together, saying, quote, everybody wants an American advantage mile. And it's not just a strategic pillar. It's a cash and margin cow that reportedly generates over$7 billion on margins of over 50%. So what fuels this loyalty and its bottom line impacts? People spending tens of thousands of dollars a year on tickets and credit cards because the program rewards their loyalty. And for decades, the single most valuable reward, the reason people chased and maintained elite status, were complementary first-class upgrades.

1:03:11And I speak from experience as a concierge key member, America's highest status level, which means one of the primary reasons customers stayed loyal to and chose American over Delta or United is being methodically dismantled. And the question worth considering is whether this strategic shift will lead to value creation or value destruction? I think the answer depends on the timeline. Near-term, it's revenue. But over years, it may be the thing that unwinds the loyalty behaviors of the company's most loyal and profitable customers. Because the moment a$50 ,000 a year business customer decides that their status no longer has the same privileges, they don't just stop getting upgraded.

1:03:49They start reconsidering the competition. And this is what it looks like when a company optimizes for the transaction at the expense of a relationship, when a decision that seems rational to the revenue management team is actually a marketing decision with compounding consequences that the company may not have understood it was making. The upgrade isn't just a bigger seat and salad, it's the enterprise telling its most valuable customers, we see you, we value your loyalty, and there's a reason to keep choosing us. Selling this for an incremental dollar may proved to be penny-wise and pound-foolish, and buying a first-class seat at a bargain upsell price might just wind up being one of the most expensive discounts in the history of the airline industry.

1:04:33Time will tell, but it's something to consider. Today's episode was produced by Art Chung, Jim Mackle, Manolo Moreno, Brandon McFarlane, and Ashley Futterman from the Vox Media Podcast Network and the Wisdomist Company. Meet Klaviyo, your brand's new best friend. With all your data in one place, Klaviyo knows you and your customers. Its AI agents build campaigns from one prompt and answer questions 24-7. Always on brand, always with your OK. Go to klaviyo.com slash best friends. Support for the show comes from Engine. Running a small business means every dollar has to work hard. But if your team is still booking travel the old way, it's costing you more than you think.

1:05:15Engine is the fastest growing travel and spend platform in the country, built specifically for businesses like yours. Book a trip in as little as two and a half minutes. Earn up to 10 % back on hotels. And in 2025, Engine customers save more than$300 million on travel with zero booking fees, no contracts, and no BS. More than 1 ,000 businesses join Engine every month. Join them and get$500 when your business signs up and starts traveling at engine.com slash box. Support for the show comes from Delta Airlines. Every athlete at the top of her game knows that greatness isn't just a destination. It's a grueling, lifelong journey.

1:05:59It's built on early mornings, silent sacrifices, and an unwavering drive to outclimb the achievements of yesterday. That is the journey of a WNBA athlete. And Delta is there every step of the way. Delta is proud to host these competitors, providing charter flights for every WNBA team to elevate their travel experience and champion equity on every leg of their trip. Keep climbing with Delta Airlines, the official airline of the WNBA.

From the publisher

Some of the Italian luxury audio brand Sonus Faber’s speakers are made with a window on the top so buyers can see every detail of their handcrafted interior. Because as Jim Mollica, CMO of Bose and President of the company’s Luxury Consumer Audio division puts it, everything matters and everything communicates. This conviction, that what a company chooses to care about when nobody's watching compounds into pricing power and trust, and is the thread that runs through this entire conversation. 

Sixty years into building the Bose brand, he's its first CMO, hired after the company learned the hard lesson that better products don't always win. We talk about his time at Disney, Ralph Lauren, and Under Armour, why decisions about Italian leather sourcing and climate-controlled hand delivery of a $250,000 audio system are brand decisions that compound whether they’re measured or not, and why his time at Viacom taught him that asset allocation is the number one predictor of whether value gets created or destroyed.

Create or Destroy: Reimagining Marketing with Seth Matlins is produced by The Wisdomous Company and the Vox Media Podcast Network.

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