In short
How to build an iconic, category-bigger brand by creating internal belief, using brand to prime humans and “prove” to machines/LLMs, and avoiding bland AI/trope-driven sameness.
Guest background
Jonathan Mildenhall is CMO of Rocket Companies. Formerly helped create Coca-Cola’s “Open Happiness” (described as Coke’s most profitable platform). First CMO at Airbnb; wrote the board-facing white paper “The Business Case for Building an Iconic Brand.” Also served in London advertising; later ran marketing budgets growing from $25M at Airbnb to ~$750M.
Key claims
The biggest destroyer of brand value is erosion of belief inside the company (investment vs spend). Product “reasons to believe” are necessary but often insufficient; iconic brands add emotional resonance and cultural platforms (e.g., belonging, happiness). Marketing must educate the whole enterprise. Traditional funnels fail in AI; use priming (humans) and proving (LLMs/recommendation systems).
Notable examples
Coca-Cola “Open Happiness” (launched during the Great Recession; became award-winning/profitable; consumers personalized and co-created content). Airbnb “Belong Anywhere” (host community as the emotional/cultural platform; performance marketing turned off after brand flywheel). Rocket’s “romancing the American dream” via home ownership; Super Bowl 2025 creative benchmarked against Apple/Nike/Coke/Airbnb.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOUniversal Truths in Marketing
1:03 to 1:30
Explore the universal truths about value creation and destruction in marketing from Jonathan's experience.
“It's weeknight dinners, sitting around the table, everyone talking all at once.”
Universal Truths in Marketing
3:57 to 6:15
Explore the universal truths about value creation and destruction in marketing from Jonathan's experience.
“Across the breadth of your career, from the Coca-Cola company, Airbnb, serving as a consultant with your own agency, now at Rocket Companies, you have marketed a portfolio of products and services.”
The Power of Belief in Brands
6:15 to 8:10
Understand how belief within a company influences brand value and marketing success.
“And I started to ride on the shoulders of all the men and women that had come before me for 120 years building that brand.”
Nike's Declining Brand Value
8:10 to 10:50
Discuss the decline of Nike's brand value due to strategic missteps and loss of customer connection.
“Which doesn't mean it goes from X to zero, but what destroys value?”
Creating Iconic Brands at Rocket Companies
10:50 to 12:33
Learn about the creative strategy used at Rocket Companies for building an iconic brand.
“Seth, when we first presented, the Rocket restages only in its second year.”
The Business Case for Iconic Branding
12:33 to 14:00
Discover the fundamental elements of building an iconic brand as explained by Jonathan.
“What's also worth noting for the audience, and in particular the CEOs and CFOs in the show's audience, is that every one of those case studies, those reference points, saw brand as a driver of business.”
Transitioning from Coca-Cola to Airbnb
14:00 to 18:05
Learn about Jonathan Mildenhall's shift from a marketing giant to a startup mindset.
“When I was at the Coca-Cola company, I was a marketer.”
Building the Business Case for an Iconic Brand
18:05 to 19:31
Explore how Mildenhall crafted a white paper to position Airbnb as an iconic brand.
“So four years from$25 million to$700 million.”
Adapting Marketing Strategies in 2023
19:31 to 20:38
Understand how marketing strategies have evolved with technology and audience expectations.
“All of those factors can be found in the analysis of some of the world's most powerful brands.”
Adapting Marketing Strategies in 2023
22:10 to 22:45
Understand how marketing strategies have evolved with technology and audience expectations.
“This is a job for Indeed Sponsored Jobs.”
Show all 22 chapters
The Role of Product vs. Brand in Marketing
22:49 to 28:00
Discover the balance between product importance and brand marketing strategies.
“It's weeknight dinners, sitting around the table, everyone talking all at once.”
Building the Rocket Brand Narrative
28:00 to 28:40
Learn about the strategic vision behind the Rocket Companies brand.
“Well, under Varun Krishna, the CEO of Rocket Companies, it's like, no, now is our time to really, really set out the narrative of what the Rocket brand could be.”
Cultural Narratives and Commercial Success
28:40 to 33:00
Explore the connection between cultural narratives and brand success.
“But we'll put that aside for the moment.”
Emotional Connection in Marketing
33:00 to 37:04
Understand the importance of emotional connections in marketing strategies.
“a lot of people talk about today in 2026, which is personalization at scale.”
Emotional Connection in Marketing
39:55 to 40:26
Understand the importance of emotional connections in marketing strategies.
“It's weeknight dinners, sitting around the table, everyone talking all at once.”
The Role of Branding in the Marketing Funnel
40:26 to 42:00
Discover how branding influences every stage of the marketing funnel.
“Awareness, understanding, familiarity, perhaps trial in certain categories, then consideration, purchase, and on.”
The Importance of Brand Beyond Performance Marketing
42:00 to 46:30
Explore the concept that brand relevance is crucial at every stage of the marketing funnel.
“But the idea that if every single marketing organization appreciated the fact that the bottom of the funnel is still as important to the brand and the brand message as the top of funnel, you can't bifurcate the two.”
The Priming and Proving Model in Marketing
46:30 to 52:33
Learn about the new marketing model focusing on engagement with both humans and machines.
“And so I actually think that there is a greater connective DNA in a priming improving model than there was the traditional funnel model.”
Creating and Destroying Marketing Tropes
52:33 to 56:00
Understand the need for creativity in marketing and the desire to eliminate clichés.
“When you gift the enterprise a core creative idea that can just get everybody, rather than fanning out, to actually kind of fan in, have focus, and create this sense of collective belief.”
Questions for CMOs: Vision and Commitment
56:00 to 58:01
Learn the pivotal questions CMOs should ask CEOs to drive marketing success.
“Well, there's two questions that have been consistent with every job that I've taken in marketing.”
Building a Meaningful Brand Ecosystem
58:01 to 1:00:58
Discover how values and community create lasting economic value for brands.
“In 2015, James Murphy, the musician behind LCD Sound System, opened a 20-seat natural wine bar in Brooklyn.”
Building a Meaningful Brand Ecosystem
1:01:46 to 1:02:21
Discover how values and community create lasting economic value for brands.
“Visit the website for full terms and conditions.”
Transcript
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1:00This episode is brought to you by Palmolive. Family time isn't just the big moments. It's weeknight dinners, sitting around the table, everyone talking all at once. So when the plates are empty and the sink is full, use Palmolive Ultra. Palmolive's most powerful formula removes up to 99.9 % of grease, leaving your dishes sparkling clean. And the new convenient pump makes cleaning even easier, so you can spend less time tackling dishes and more time together. Shop now at palmolive.com. We don't need slow motion shots of beer pouring into a glass. We don't need hairpin. Are you sure? We don't. We don't need hairpin turns in car commercials.
1:42We don't need the glossy hair shot in shampoo commercials. And yet the industry is addicted to tropes that create a sea of sameness. And I am genuinely worried that over the next two or three years, We're going to find ourselves in the blandest period of creativity because of the application of AI tools, generative AI, and marketing tropes, which, of course, the models are reading. But I am very excited that actually coming out of this transition into a sea of sameness will get genuine creative disruption all over again.
2:27Welcome back to Create or Destroy. It's a business show. It's a marketing show. It's a show that argues they've always been the same thing. On this week's episode, I sit with Jonathan Mildenhall, the CMO of the Rocket Companies, who spent his career believing that brands can be, should be, and are bigger than their categories. Jonathan helped create open happiness at Coca-Cola, which became the brand's most profitable platform in its history. As the first CMO at Airbnb, he wrote a white paper for CEO Brian Chesky and the board titled The Business Case for Building an Iconic Brand. And four years later, he was managing a marketing budget that had grown from$25 million when he got there to$750 during his tenure.
3:09Now, as the first CMO of the rocket companies and their portfolio, he's helping people on their path to prosperity by romancing the American dream through home ownership at a time when every macro and microeconomic force seems to be working against him. I talked to Jonathan about the argument, one that I think every CEO needs to hear, that the single biggest destroyer of brand value is the erosion of belief inside a company. We talk also about why so much marketing never transcends its category, why he's replaced the traditional funnel with a model called priming and proving that treats humans and machines appropriately enough as two distinct audiences, and why the two questions he asks every CEO before taking a job are questions every marketing leader should be considering and asking.
3:56Let's get into it. So let me start here, right? Across the breadth of your career, from the Coca-Cola company, Airbnb, serving as a consultant with your own agency, now at Rocket Companies, you have marketed a portfolio of products and services. You've created some products and services along the way too, each of which has fundamentally different motivators and seeks different relationships with human beings. So I'm wondering, kind of in the pattern recognition part of the show, have you found that there are universal truths about, regardless of business, regardless of business model, how value gets created and, you know, as corollary, how value gets destroyed within an enterprise?
4:48Yeah, after a 15-year career in the London advertising industry, My first client-side job was working at the Coca-Cola Company, Vice President of Global Advertising. And I spent the first three months every Wednesday in the archive of the Coca-Cola Company. And the Coca-Cola Company archive is the world's most valuable commercial archive. I was there when it was donated to the Library of Congress. Oh, really? Yeah. Really? what an amazing collection of artifacts that actually plots, you know, the history of marketing. Coke claims so many marketing firsts, from sampling to couponing to branded merchandise, et cetera.
5:36But over the first 12 weeks of my induction to Coke, I realized that that brand had something that no other brand really understood, and that's that it could create such significant belief that could really, really change the way that the world feels. And so I started... Can I interrupt? Why did they have that and no other brand? What gave them the permission to be a business, not just a brand, but a business that could do that? It was just part of the culture. every single but this is in 2007 every single executive in the entire system 750 000 people believed coke was at the time the world's most valuable brand but everybody believed that it was the world's most powerful brand because it could actually and i genuinely believe this you know if you turned coca-cola's marketing off for a month at the time i think the world would feel slightly less happy because every single consumer touch point for Coca-Cola was promoting happiness.
6:49And I started to ride on the shoulders of all the men and women that had come before me for 120 years building that brand. And I truly believed that the Coca-Cola brand could do anything. And it's that belief that I took with me to Airbnb. It's that belief that I took with me when we started 21st century brand. And it's that belief that my team and I are now practicing at Rocket. And I believe that the most value creating brands are the ones that are driven by human beings that actually believe in the role of the brand and that being bigger than the category the brand occupies. You differentiated between valuable brand and powerful brand.
7:35And I really, I really love that nuance to you mentioned in 2007, it was the world, Coca-Cola was the world's most valuable brand. It is not today. Now, some of that is, I think, a function of methodology and how we, how we evaluate what quote unquote, a valuable brand is. But some of that is a function of change in the rise of technology and trillion dollar capitalization companies. But I want to use the point to ask the second part of the question, which is, what have you learned about what destroys value? Which doesn't mean it goes from X to zero, but what destroys value? What have you seen across your time with so many different clients on the agency side of your business through to today?
8:20And just as a student of of commerce and culture. The biggest destroyer of brand value, honestly, is correlated with the volume of belief that is inside a company. The most consistent brands in terms of brand power, cultural relevance, a disproportionate share of mind, a disproportionate share of category, are the ones where the leadership team everybody in the organization truly believes in the investment not the spend the investment behind the brand and we we see brands rise and fall in such an alarming pace now what's happened at nike over the last five years is as a as a brand driven creative marketer is devastating to me.
9:18And the only thing that has changed is the belief inside the company. Yeah, the belief inside the company, to the extent it's changed, I don't know, but is a consequence of strategic decisions a CEO made. And what's so interesting is Nike, I mean, every time we talk about value destruction on the show, almost every time Nike becomes the poster child. And of course, it's not the only one. but it's such a tragic example of what happens when you take your eye off of the customer what happens when you take your eye off of the consumer because they did both and what happens when you stop telling stories that connect with audiences and whether you have worked on nike or not nike He is responsible for attracting some of this industry's most creative, most powerful, most ambitious brand minded marketing execs and creators.
10:21And when Nike loses its shine, the industry feels a little less confident, a little less exciting. Yeah, I agree. It has been such a creative leader for so long. And it goes back to belief. In the power of X, right? And brands like Coca-Cola, brands like Nike, other great, many great brands along the way have provided that inspiration, which became aspiration for a community. That's exactly right. Seth, when we first presented, the Rocket restages only in its second year. We introduced the new Rocket core creative idea in Super Bowl 2025. the primary audience before we introduced it on super bowl was our own team members you know we've got a banking force of 6 000 people who are constantly on the phone with clients helping clients and so um we had 15 000 of us in little caesar's arena in detroit and before we presented the work audaciously we presented four iconic american brands with their core creative ideas So it was Apple Think Different, Nike Just Do It, Coca-Cola Open Happiness, and Airbnb Belong Anywhere.
11:40And we presented those four brands and we said, we ask you not to judge the quality of the Rocket work on Rocket's historical creative output. We want you to judge it against these iconic brands because that's the ambition. And arguably our purpose, because we are meeting each and every client exactly where they need to be met and nudging them on their journey to prosperity through the act of home ownership, arguably our purpose is more important than any of those other brands. So our creative work, our core creative idea has to have much more cultural weight. And, you know, I proudly use other brands to continue to set my own standard of excellence within Rocket, but with any brand that I've served.
12:33What's also worth noting for the audience, and in particular the CEOs and CFOs in the show's audience, is that every one of those case studies, those reference points, saw brand as a driver of business. And actually, that's a good segue to the second thing I want to ask you about. So you're at the Coca-Cola company and it is, you know, CPG is a broad category, is certainly marketing centric. It always has been brand centric and aware. The Coca-Cola company, as you pointed out, arguably as top five of the most marketing and brand centric businesses in the world. But then you go to Airbnb. be. And at the time you get there, a little bit less brand centric, brand awareness without perhaps brand meaning.
13:27And as I know from our chatting over time, one of the first things you did when you got there was you built a narrative, a presentation tactically, that if I'm getting it right, was titled The Business Case for Building an Iconic Brand. So you go from the Coca-Cola company to a place where you got to make the business case for building an iconic brand. Tell us a little bit about what was fundamental to that business case that is relevant to any business. And then I got a follow up. Good. When I was at the Coca-Cola company, I was a marketer. I was one of the highest marketers responsible for Coca-Cola North America at the time I left.
14:14And so therefore I was king of the castle because Coca-Cola is unashamedly a marketing driven company. And now I'm moving to this tiny little startup whose total valuation was less than my annual spend for Coca-Cola North America. Is that right? Yeah. Billion dollars value at Airbnb and a$1.2 billion marketing budget at Coca-Cola. um and i was nervous because i said to brian chesky the co-founder and ceo of airbnb during the interview process i said i know that should i join airbnb i'm no longer king of the castle i'm the stepchild and that's because tech companies other than arguably apple at the time this is back in 2014, a deprioritized marketing because they believe that the product is all.
15:12And I wanted to make sure that Brian's vision for the legacy of Airbnb was significant enough that it would create the space for us to build yet another iconic brand. and the ambition was to build the most influential travel brand. Now, you know, we were a tech company. Everything can be measured. And we have a bunch of financiers. We were a private company at the time around the board table. And one thing, Seth, that I don't think that CMOs take responsibility for is the urgent need to educate the organization about what marketing can actually do for the organization. Couldn't agree more. And it's a failure that affects everything from growth value, value of marketing within an enterprise, value of marketing to capitalization to global GDP.
16:13Yeah. If you're a new CMO and you don't take the responsibility of educating all stakeholders inside the organization, no matter how vast, no matter how complex, you're actually setting yourself up to fail. And so at Airbnb, we sat down to write the business case of creating an iconic brand. Brian Chesky wanted Airbnb to be an iconic brand. He feels it in every single cell of his body, but he's not a marketer. He doesn't understand the art and science of building an iconic brand. So I took it upon myself with the agency to write a white paper, the business case of creating an iconic brand. And we'd report out to the board on an ongoing basis, Airbnb's progress in terms of becoming an iconic brand.
17:06Now, when I started in Airbnb, in 2014, my global budget was$25 million. That was for product marketing, PR, policy, brand, and performance marketing. I was investing$1.2 billion in North America alone. At the time, Booking.com was spending$2.4 billion. So every dollar of Airbnb's budget had to feel like$1 ,000 in the marketplace. The beauty of that is that it mandated audacious creativity. And whatever the category was doing, we actively rejected so that we could earn a disproportionate share of PR as a result of our spend. But writing the business case for creating an iconic brand educated the entire company to think of marketing Airbnb in a very different way.
18:04Four years later, the marketing budget that I was responsible for was$750 million. So four years from$25 million to$700 million. So clearly, the business case had been made. The flywheel started to turn. And when that flywheel at Airbnb started to turn, not only was the business case made, the confidence around the board table to pour more money into it was tremendous. And then Airbnb did something that no other iconic brand has ever done, declared that performance marketing was no longer creating value for the business. They turned performance marketing off. And now Airbnb is proudly a brand marketing iconic brand that doesn't rely on performance marketing because they realized that was just short-term gain.
18:50Now, Airbnb has become the generic for the category. That really helps. But it's through excellence in brand marketing that Airbnb has now been able to become one of the most efficient travel platforms. What were one or two of the points you made in that first white paper that said, here's the business case for their, you know, I'm assuming it was a balance of the quantitative and the qualitative. Do you remember anything in particular? Like, you know, consider this. Yeah. Disproportionate share of earned media, disproportionate share of consumer advocacy, disproportionate share of talent, and ultimately a disproportionate share of shareholder return.
19:31All of those factors can be found in the analysis of some of the world's most powerful brands. Is there anything as you look, that was 07, you said? Yeah. Is there anything as you look back? No, sorry, 2014. 14, 1407 was the Coca-Cola company. As you look back, if you were going to write that paper today, what might change? right now yeah of course at the time there was only one audience that you had to win against and that was the cuban audience today we have two audiences we have humans and machines and you can't gamify the machines there is a a way of ensuring that you show up as a primary recommendation within large language models that is not yet fully understood by the marketing community.
20:31But that's where things like community reviews, third-party endorsements, industry recognition. As a marketer, you have to understand the footprint of all of the pages, all of the platforms that LLMs will cite to make an instant recommendation on the trust and the validity and the authority of your brand. And so technology now has become a new audience that, as a marketer that's responsible for fully stacked marketing, you really, really have to think about the investment, the financial investment, to ensure that you get a disproportionate share of recommendation with the LLMs. Yeah, and evolving art and science, given that the technology is still so relatively new.
21:25Still so relatively new, but it is vast, and it has happened with unprecedented speed. I mean, it's trite to say it, but it's fucking crazy. It is. It really is.
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22:45This episode is brought to you by Palmolive. Family time isn't just the big moments. It's weeknight dinners, sitting around the table, everyone talking all at once. So when the plates are empty and the sink is full, use Palmolive Ultra. Palmolive's most powerful formula removes up to 99.9 % of grease, leaving your dishes sparkling clean. And the new convenient pump makes cleaning even easier, so you can spend less time tackling dishes and more time together. Shop now at palmolive.com.
23:19I want to go back to something you said a few minutes ago. You were talking about, I think we were at the beginning of this conversation about kind of the difference between working at a CPG company, Coca-Cola, and working at a tech company, Airbnb. be. And you made the point that with the exception of Apple, a lot of tech companies, certainly at the time, thought product is all are the words you used. And I think a lot still do. And of course, even at the Coca-Cola company, product was pretty fucking important. So if product isn't all, there's no doubt it matters a whole hell of a lot. How do you explain to somebody who thinks product is the business, that it's kind of like, yeah, but, or yeah, and.
24:07How do you help them understand product's essential, but it's not everything? It's not sufficient. It really depends on the ambition. And I don't just mean the ambition for the CEO. I mean the ambition for the entire C-suite. I've never worked for a company that didn't have aspirations to become the definitive brand in category. And if you want to be the definitive brand in category, you need an idea that can transcend the category. And the product reason to believe is a stepping stone towards that. But the trouble is, Seth, you see so much marketing that just ends with product romance and doesn't actually step outside of the category.
24:55And so it's a very, very narrowcast brand narrative that appeals to a narrowcast bunch of human beings. And I've always believed, after studying the likes of Steve Jobs and Phil Knight and working for somebody like Brian Chesky, I've always, always believed that the role of a leadership team is almost to distort reality so that you can create a new space in the category so that you can create transformational shareholder return. I don't know, Brian, but you made the point he's not a marketer. But he's certainly a chief executive, to your point about turning off performance, who has come to understand and believe in marketing.
25:46Based on your experience with Brian, what counsel would you offer the CEOs in the audience on like you don't have to be a marketer that's not their job but you do have to understand the efficacy of it its contribution to value creation what advice would you give them on on the marketing cynics in the audience on where to start with that journey yeah well the first thing I'd like to say is one of the most talented marketers that I've ever worked with is Brian Chesky. It was so interesting. When he first interviewed me, the first thing that he did when we met in person is he pulled out of his bag a sheet of paper and it had the Nike swoosh, the Disney signature, the Coca-Cola contour bottle, and the Apple logo, and then a question mark, and he said it was Airbnb.
26:38And he just put the piece of paper down on the table and said, what would you do so that Airbnb could become a peer of these brands? It was the most inspirational way of opening an interview that I've ever had in my 36-year career. So Brian is a marketer. He understands what he has to do to build an iconic brand, but I had to create the blueprint. He created the expectation and it was my team and my job to create the blueprint. And I think the first thing that really, really talented marketers do, we've mentioned this before, but you have to distort reality. If you stay in the present with the present playbook, it's just going to get to ever diminishing cycles of return.
27:30so how do you create a new playbook you have to create a vision that might be audacious we're doing this at rocket right now we're romancing the american dream through home ownership at a time when home supply home prices inflation and interest rates are all working against us now arguably you could say well actually you know isn't the most responsible thing to do is just kind of like focus on interest rates and retreat a little bit at this time. Well, under Varun Krishna, the CEO of Rocket Companies, it's like, no, now is our time to really, really set out the narrative of what the Rocket brand could be.
28:12We're focused on three things. We will build one of North America's most culturally significant brands, and that will translate into one of North America's most commercially successful case stories over the next few years. Now, Now, we've got macroeconomic forces that are working against us right now, but we are laying the foundation for when the headwinds turn into tailwinds and Rocket will have established itself as a brand that is an undeniable part of the American narrative. So you mentioned a second ago the role of the American dream in Rocket's commercial journey, which has its own challenges given that there's a whole generation now, I think two generations, who do not believe that the American dream is accessible.
29:01But we'll put that aside for the moment. At Rocket, you're selling a path to prosperity rooted in that dream. At Airbnb, you sold belonging. at the Coca-Cola for brand Coca-Cola, because your remit was across a portfolio. You sold the notion of happiness and open opening happiness, which is one of I have used open happiness as an example of a quote unquote purpose driven campaign forever, because I'm digressing, but everybody thinks purpose is about solving some massive societal ill. I was like, no purpose is putting a smile on somebody's face. Happy. And I totally agree. It's one of my favorite campaigns ever.
29:44For the audience, again, draw the line. And you just said it a moment ago. From culturally significant to commercially successful, right? Means and ends, objectives and strategies. When you sell belonging, when you sell the American dream, when you sell happiness, What's the connective tissue between idea, emotion, and commercial consequence and impact? People all over the world increasingly want to believe in something bigger and something better than their daily lives would suggest. we're yearning to be part of something bigger and brands that can offer a sense of community um a sense of ideology and a sense of belonging are the brands that are gonna earn a disproportionate share of consumer loyalty and consumer advocacy i i truly don't understand the marketing playbook that resides in product features, or at best, just an emotional benefit, the brands that define our times, the brands that are brave enough to either step into the cultural narrative or create a cultural narrative.
31:13And once you create a cultural narrative, particularly with social media being used as such an effective tool, you co-create that narrative. And what I really like about it is you actually kind of lose control of the narrative. And we did that with Open Happiness when Cher a Coke was conceived in Australia. And then all of a sudden, every individual on this planet believed that they could open up their own personalized sense of happiness through opening up a can of Coca-Cola or a bottle of Coca-Cola with their name on it. So here we had a universal truth. The world is yearning for more happiness.
31:56I'm pretty sure there was no Seth bottle. I bet there was. I bet we can find you. Actually, I think I did get, because they were my client, but I think I got sent one, but it was not in the marketplace. As long as your name had a set number of characters, we could get it on the bottle. But that is a fantastic example of a universal belief in happiness, a huge cultural narrative. I mean, you've got to remember that we introduced Open Happiness in 2008, the time of the Great Recession. I mean, the world was not a happy place, but we introduced it. And all over the world, people flocked to it. It became Coca-Cola's most profitable and award-winning platform in its history over the course of seven years.
32:45As consumers own the idea, they love the personalization of the idea, and then they created a whole load of content, a whole load of conversations that Coke lost control over. And it was a beautiful thing to be part of. It's the first I can think of example of what a lot of people talk about today in 2026, which is personalization at scale. And I'm getting very tactical with that reference, which is the names on the bottles. But the names on the bottles, even if there was no Seth bottle, and I'm pretty sure I'm right, they were an idea and the expression of an idea that, to a point you've made a handful of times, transcend, unite, and connect to commerce.
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33:33And I think there's just such an important lesson in it. And I want to dig deeper into the lesson of emotional benefit and emotional connection, which we can have to product, of course. Yes. Yes. But what's your perspective on the role of that emotional connection in driving commerce, in driving commercial consequence and positive commercial consequence? And then how's that change, if at all, in the world when you're marketing to the machine? Yeah. Yeah. So I don't want anybody to take from this recording that product reasons to believe are irrelevant today. Absolutely not. Yeah. They are essential.
34:23They're a foundation upon which great brands stand. The challenge is how do you romance the product reasons to believe in a way that feels distinct to your brand? And different than the competition, whose product reasons to believe are often fairly similar. Very similar. Very similar. That's exactly right. So we're romancing the product in a way that's distinct to the brand, knowing that the product credentials are probably very, very similar. It's like Airbnb versus HomeAway versus VRBO. The actual product functionality is very, very similar. With Airbnb, we created emotional resonance because Airbnb put the community and the role of the hosts front and center into its brand narrative.
35:11HomeAway, which is eight years older than Airbnb, VRBO, which I think is 10 years older than Airbnb, didn't do that. They were steadfastly focused on the home. We disrupted the category by being focused on the host. and then we asked ourselves the question what is the host bringing to the airbnb i think you're just giving me the finger it kind of looks like that
35:37sorry about that edit that out um uh but of course when you've got an army of hosts around the world opening up their homes what they're actually doing is they're creating a sense of belonging. And so belonging became the cultural platform. So here we've got the product reason to believe you can find a cheap home anywhere in the world on Airbnb. The emotional reason to believe the humanity of an Airbnb host was more empathetic, more compassionate, more welcoming than the humanity of any of our competitors. And then you've got millions of hosts behaving in such a fashion on a global basis, quite easy then to have a cultural platform of belonging.
36:23And so those three tiers of product reasons to believe and emotional reason to believe that can ladder up into a cultural gift to the world and for Airbnb, it was belonging, that playbook still stands. But unfortunately, so much of marketing resides in the product reasons to believe. And that's why I was going through a number of airports to get here, and I'm looking at all of this SaaS work and B2B work and stuff, and it's just like people are spending so much money in that category, but the work is so bland because it is all vacant product statements and product reasons to believe. It says nothing.
37:04It compels nothing. it's it's it's um value destructive because those resources are not accruing to the benefit of the organization enterprise and shareholder that's absolutely right if you want to look at how quickly ai could destroy the value of creativity because it's we've now got tools that can create endless amounts of content that will all look exactly the same all you have to do is stand in an airport and go, right, okay, this could be the world of marketing because it's a sea of sameness without any strategic or creative distinction. At JFK, Rolex has physical clocks right there, at least in the American terminal.
37:50And I've looked at that. It is literally just a clock with the Rolex branding on it. And I'm like, how is this the right place for that? I don't understand it. It's a bad example, irrelevant to our conversation. But I'm like, why was that a good use of resources? There is something about marketers that show up in airports that just believe that the human beings that are traveling through airports are all on Xanax. There is just nothing that is distinctive. There's no great storytelling. And yet you've got a captive audience. Airpods should have some of the most interesting and inspirational marketing.
38:35And they actually have some of the blandest. It pisses me off every time I go. Likewise. And as a traveler on Xanax, I'm still annoyed. I'm still annoyed.
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40:25all right i want to i want to go to something you've said i think recently which is um we've kind of been talking about the funnel right implicitly i want to make it explicit and for those in the audience who are not familiar with the traditional funnel which probably doesn't exist certainly in a linear fashion it there are a handful of variations on it but it tends to start With awareness, you cannot sell anything if somebody is unaware of it. Awareness, understanding, familiarity, perhaps trial in certain categories, then consideration, purchase, and on. I think I got it screwed up, but whatever.
41:03It's a progress. You said recently that brand isn't the top of the funnel, which is where it has historically in some categories been placed, which is awareness and perhaps understanding. It is the funnel. Tell us what you mean by that. So I need to credit the original mind that came up with that phrase. June Silverstein, who is the chief marketing officer at Coach. Yeah. I was at the Brandcast presentation in New York a couple of weeks ago, and she gave one of the most inspirational speeches that I've ever heard from a CMO. And what was so, so powerful is her thesis was very, very simple. She was like, we're losing relevance with Gen Z.
41:54Gen Z are no longer spending time where we used to market the brand. Gen Z are looking for Coach to be so much more authentic. and and she said you know 70 of her budget was all performance marketing and she was like we're trying to performance our way out of irrelevance and then she was like you know when we were having the conversation about where the budget allocation should go in the funnel she said the entire funnel is the brand and it was one of those jaw-dropping moments for me where i was just like we've moved rockets kind of financial allocation into a more progressive model. We call it priming improving.
42:39We can talk about that in a moment. But the idea that if every single marketing organization appreciated the fact that the bottom of the funnel is still as important to the brand and the brand message as the top of funnel, you can't bifurcate the two. I mean, arguably, I mean, I love what June has said. I love your take on it. But at the moment of transaction, what does Google call it? It's not the moment of truth. The moment of truth. They have some phrase for it. That's where brand, meaningful brands matter most. Because if I'm standing at a shelf, literal or metaphorical, I'm deciding between products as we said earlier that may be substantially the same that's right right that's right and and um yeah I really I really love what June said which is you can't performance your way out of irrelevance and Mayor Gupta talked about this on an earlier episode of the show where he's like you cannot capture demand you have not created right right the math ain't Mathen, right?
43:56And so give us, you mentioned priming and what was the other thing? Priming and proving. Tell us what that is. I'd like all listeners to really take a look at this model. This is a model that was conceived by my previous business partner, a guy called Neil Barry, who's the chief exec of 21st Century Brand. And as I started at Rocket, Neil and I were having dinner and I was like, Neil, I need help. Rocket invests over a billion dollars a year in marketing in one market, North America. The vast majority of that is in performance marketing. But in today's AI landscape, I'm not sure that the traditional approach to budget allocation at Rocket is right.
44:44And so he said, well, we've been developing this new model, priming, improving. And if you like, I'll help you pilot that at Rocket. And I was very interested because it's very, very simple. In today's world, we have two audiences, humans and machines. Humans need to be primed through brand awareness initiatives, brand affinity initiatives, brand advocacy initiatives, and obviously driving action to your store or your digital platforms. um and so that's the traditional above the line playbook but then he started to talk about how you then prove to the machines that are making the recommendations to the audience who has been primed it's a really good framework your authority your trust your industry credentials and and for me it really really helped me blow up the funnel we don't think at rocket now in terms of the funnel, we think of where on this virtual, this infinity flywheel of speaking to human beings who are then checking in with LLMs, the LLMs are citing thousands and thousands of pages in like milliseconds, making very, very clear recommendations back to humans.
46:08And if you can get that flywheel turning, so authority and trust with machines and familiarity and cultural relevance with humans that is the new play that is the new funnel um and i'm very very proud to say that all of rocket's investment for 2026 has been planned around this priming improving model and and it's it's how do you find the balance we're working through the balance i mean honestly i mean we're tracking now uh share of llm recommendation yeah just a year ago you couldn't even do that right so so it's the right question steph it's just a little early yeah um but those marketing organizations that are obsessing about how to track their favorability the recommendation ranking of llms that's where a lot of the um uh problem solving within marketing departments should be focused do you do you think that we're going to wind up in this new world is priming improving the new brand and performance which is to say it's it's a binary that may not serve us very well over time right because is the balance going to be on proving to llms because they're the new search and discovery mode and therefore we forget about the human at the other end of it the human who's ingesting the llm well it's interesting because one of the biggest influences of the LLM models is the real consumer comments on platforms like YouTube and Reddit and LinkedIn.
47:50And so I actually think that there is a greater connective DNA in a priming improving model than there was the traditional funnel model. So I'm kind of quite confident that this new way of thinking will keep the primacy of distinctness that human beings are looking for front and center of any brands go to market i want to ask you two last questions um when you and i were chatting last week i'm going to try and see if i can squeeze in three it's your show you can do what you want well i can but you know you're not wrong you're not wrong um when you and i were talking a week ago you said something about about something you've learned over the course of your career and something that you're now trying to teach to your team which is about learning when to explode ideas and when to distill them right when to take something a kernel and make it bigger and when to synthesize.
48:57Talk about that because I found it so interesting and I think it's useful to anyone in the audience regardless of what they're doing. I think both take courage. So at all of the marketing roles that I've had, you walk in as a new marketing leader and there is an awful lot of data, research, opinion, legacy stakeholders there's a lot of noise there's a lot of noise and your job as well as educating to the entire enterprise what marketing can bring and what marketing can do for the business you also have to synthesize down all of that noise so that you can get to a proper strategic insight that you believe isn't just going to benefit the brand and how the brand goes to market but how the entire enterprise might rally around this new insight for the brand by which the enterprise serves.
49:56And so the ability to wade through all of this data to get to a strategic insight that is new, that is surprising, but feels incredibly familiar, that is an art in and of itself. and then that insight is translated to a creative brief and for me i've done this in all my marketing positions i'm not looking for an advertising end line i think one of the world's most fantastic advertising end lines is coke is it it was such a powerful end line it was a strategic lockout for anybody else in the category but it was an end line there's nothing else you can do with is it it's just an end line but things like think different just do it open happiness belong anywhere own the gene that we we call it a core creative idea and the way of measuring the fertility of a core creative idea is how many places could you apply it immediately without diluting it does it work for talent recruitment does it work for investor relations does it work for new product development roadmaps?
51:12Does it work for advertising? Does it work for a sponsorship? All of those ideas, the Think Difference, the Just Do It, the Open Happinesses, you can explode them so that they can become omnipresent in culture. I just want to interrupt you because I think there's a really important lesson, again, to the breadth of the audience of the show and what you just said, which is you were looking at the campaign's fertility, sorry, the idea's fertility, the core creative idea is fertility in the context of every function within the enterprise not just whether it had efficacy across marketing's various verticals that's exactly right the marketers who understand how to gift the enterprise something that is binding something that helps the enterprise creates collective narrative coherence i love that yeah i couldn't say it better.
52:06That's exactly right. Collective narrative coherence. Those roles, those ideas can elevate an enterprise more effectively than any other discipline. That's why I'm so enthusiastic about marketing. I've been in this industry for such a long time. There is no discipline that can transform an entire enterprise as rapidly as marketing. When you gift the enterprise a core creative idea that can just get everybody, rather than fanning out, to actually kind of fan in, have focus, and create this sense of collective belief. And it's why marketing has to be reimagined within the enterprise, not as a function, but as a mindset.
52:51That's right. Yeah, I completely agree. All right, I do have a last question for you, and it's the way we end every show, which is I'm going to give you a magic wand. I'm going to give you all the power in the world and you can create anything tomorrow and just any one thing tomorrow and you can destroy any one thing tomorrow. What would you create and what would you destroy with all the power to do so? I would like to create universal belief in the marketing industry that this industry can lead any enterprise through any hard, challenging time. Today, right now, is arguably one of the hardest times in marketing's modern history.
53:43And I want everybody to lean in with a sense of belief, a sense of courage, and a sense of conviction. We are at our best when we tackle hard things. And that's what I would like to create, a universal sense of belief. What I would like to destroy are all the marketing tropes that we find in every single category. We don't need slow motion shots of beer pouring into a glass. We don't need hairpin. Are you sure? We don't. We don't need hairpin turns in car commercials. We don't need the glossy hair shot in shampoo commercials. And yet the industry is addicted to tropes that create a sea of sameness.
54:30And I am genuinely worried that over the next two or three years, we're going to find ourselves in the blandest period of creativity because of the application of AI tools, generative AI, and marketing tropes, which, of course, the models are reading. But I am very excited that actually coming out of this transition into a sea of sameness will get genuine creative disruption all over again. I typically end the show there, but what you've said reminds me at the end of something you said in the beginning when you got to Airbnb and you asked Brian what he, or maybe it was even in the interview process, because you needed a reason to believe that you could make a difference there.
55:16And you asked him what he wanted the company's legacy to be, which requires a founder, a CEO to think out generations. Yes. And everything you built was serving that legacy, was a path to progress against that generational vision. Is there a lesson in that for every chief executive, every marketing executive, every executive inside an organization about the time frame in which they should be considering what today's work is in service of? Well, there's two questions that have been consistent with every job that I've taken in marketing. and that is genuinely are we building a multi-generational company and if so what is the vision to take us there now the founder the ceo doesn't need to be incredibly clear but they have to be incredibly compelling otherwise i'm not necessarily interested for me, that wouldn't set me up to do the part, which is the second question that I ask, is will you allow me and the team to do the very best work of our careers?
56:49And whether it was, I asked Brian that question, I asked Dan Gilbert and Bruin Krishna at Rocket, those two questions, because I want to work for companies that have a long-term commitment to marketing investment, and I want to work for companies. Our time on this earth is far too short, and I have no interest in doing work that is not as good as the work that I did at Coke, not as good as the work that I did at Airbnb, or not as good as the work that we started to do at Rocket. And so what's the vision for a multi-generational company, and what's the definition of the best work of our collective careers, because it's not just marketing.
57:33They're two really, really important questions that I would encourage any CMO to ask of any CEO. With that, Jonathan Milton Hall, this is going to sound cheesy, but I've been thinking about it. You rock it. See what I did there? Appreciate you coming on this show. That is so painful. Please take that back. I'm speaking of bad tropes. In the absence of shiny hair, I went with that. Thank you for being with us. It's an absolute pleasure. Thank you for having me. In 2015, James Murphy, the musician behind LCD Sound System, opened a 20-seat natural wine bar in Brooklyn. Of course it was Brooklyn. Called the Four Horsemen, which was derided by some as a vanity project from a rock star with good taste and time on his hands.
58:20Thing is, it earned a Michelin star. And then he opened a club next door. And then a second restaurant across the street. And it all worked. Not because Murphy had become a great restaurateur overnight, but because he'd spent 15 years through LCD's sound system building something that had nothing to do with restaurants and everything to do with why people walked through the door. He built a sensibility, a world, a shared set of values about what was worth your time and money. And the trust that people felt inside that world didn't stay inside the music. It converted into restaurants, venues, and an ecosystem of businesses that built on each other because meaning had already been built.
58:59Now let's go from LCD to LSD, because arguably Murphy was just building on something started by the Grateful Dead, who'd been living and ultimately marketing through the same pattern since the late 60s, a framing that as a proud deadhead myself, I think they'd reject entirely. Because they were ideologically opposed to the music industry's commercial machinery, the dead-created community. They let fans tape and share shows freely, even setting up taper sections inside their venues. They sold tickets directly to fans, and they welcomed the sprawling fan-run economy in the parking lots of every show, which became part of the show and experience.
59:35None of it was about strategy per se, because all of it was about values. But values, when they're consistent and real and held over decades, are a form of cultural capital, and those values built a community so devoted, it created its own economic system. By 1994, they were making$53 million a year in concert revenue. 30 years after Jerry Garcia died, Dead & Company's final tour grossed$115 million. The music never stopped, and apparently neither did the value in the monetization. And this pattern keeps on trucking. See what I did there? In 2024, Charli XCX released Brat, and within weeks of the release, the album's lime green aesthetic and the attitude underneath it had been adopted, arguably co-opted, by global brands, a presidential campaign, and NASA, all trying to create relevance by borrowing meaning they hadn't built, but that they hoped would create signal in a world of noise.
1:00:31My point is that music has always understood something that most companies haven't, which is that value doesn't begin and end with the product, but with the world built around it, the identity, the community, the shared sense of what and sometimes who belongs and doesn't. And if this is real, consistent, and nurtured. It converts into economic value across categories and decades in ways that no campaign or product can replicate. Every enterprise is either building this kind of ecosystem or it's not, and the decisions about what and who you stand for, what you don't and won't do, and how consistently and where you show up all either create value or destroy it.
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From the publisher
Jonathan Mildenhall has spent his career believing that brands can be bigger than their categories. In a storied career, he helped create “Open Happiness” at Coca-Cola, which became the brand's most profitable platform in its history; at Airbnb, he wrote a white paper for Brian Chesky and the Board titled "The Business Case for Building an Iconic Brand," and four years later he’d proven the case and was managing a marketing budget that had grown from $25 to $750 million during his tenure. Now as the first CMO of Rocket Companies, he's helping people on their path to prosperity by romancing the American dream through homeownership at a time when every macroeconomic force is working against the premise.
Seth talks with Jonathan about his argument, one every CEO needs to hear, that the single biggest destroyer of brand value is the erosion of belief inside a company; about why so much marketing never transcends its category; why he's replaced the traditional funnel with a model called priming and proving that treats humans and machines as two distinct audiences, and why the two questions he asks every CEO before taking a job are questions every marketing leader should be asking.
Create or Destroy: Reimagining Marketing with Seth Matlins is produced by The Wisdomous Company and the Vox Media Podcast Network.
Follow the podcast on Instagram / Threads / TikTok: @createordestroypod
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