530 - Something Simple to Do When Mental Health Derails You with Frannerd

12 Nov 2025 · 1 h 14 min

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Creative Pep Talk - Episode 530 Summary

Episode Details

  • Title: 530 - Something Simple to Do When Mental Health Derails You with Frannerd
  • Host: Andy J. Pizza
  • Guest: Fran Meneses (Frannerd), Illustrator, Comic Artist, YouTuber

Overview In this episode, Andy J. Pizza reconnects with Fran Meneses, who returns after a six-year absence from the podcast. The discussion centers on the challenges of maintaining creativity amidst mental health struggles and the transformative impacts of the pandemic on their careers and creative practices.

Key Themes

  1. Mental Health and Creativity
  2. Challenges: Both Andy and Fran discuss how mental health issues like anxiety and depression can disrupt creative workflows.
  3. Coping Strategies: They share personal experiences and techniques that have helped them manage their mental health while pursuing creative endeavors.
  1. Creative Crossroads
  2. Letting Go: The conversation touches on the importance of recognizing when to let go of creative projects that no longer serve your goals.
  3. Reinventing Focus: Fran discusses the need to realign with one's true creative path and make intentional choices about what to pursue.
  1. Impact of the Pandemic
  2. Personal Shifts: Both hosts reflect on how the pandemic catalyzed significant changes in their creative directions and personal lives, prompting introspection and reassessment of their careers.
  3. Therapy and Self-Acceptance: Fran shares her experience with therapy and emphasizes the importance of self-compassion during difficult times.

Key Takeaways

Insights on Mental Health

  • Acceptance Over Judgment: Learning to accept where you are in your mental health journey without self-judgment is crucial. Both guests note that resisting feelings often prolongs suffering.
  • Finding Joy in Creativity: They emphasize the importance of engaging in creative practices that feel enjoyable rather than purely productive.

Navigating Change

  • Embracing Personal Growth: The hosts discuss how their identities and creative outputs have evolved, highlighting the value of embracing change rather than resisting it.
  • Long-term Projects: Fran shares her current focus on graphic novels, discussing the difference in narrative depth compared to shorter comics, and how this allows for richer storytelling.

The Role of Community

  • Isolation in Freelance Work: The challenges of working as a freelance artist often result in feelings of isolation. Both guests discuss the need for community and connection in creative practices.
  • Sharing the Journey: Fran expresses her desire to help others by sharing her creative process and decision-making, reflecting on the positive aspects of community support.

Conclusion The episode is filled with candid reflections on mental health, creativity, and the journey of personal growth. Andy and Fran's conversation offers listeners encouragement and strategies for navigating their own creative journeys, especially during challenging times.

Links and Resources

  • Fran Meneses (Frannerd): [Website](https://www.frannerd.cl) | [Instagram](https://www.instagram.com/frannerd/?hl=en) | [YouTube](https://www.youtube.com/c/FranMeneses) | [Patreon](https://www.patreon.com/frannerd)
  • Learn More: [Creative Pep Talk](http://creativepeptalk.com)

Final Thoughts This episode serves as a reminder that while the creative journey can be fraught with challenges, embracing change and nurturing self-acceptance can lead to profound personal and artistic growth.

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Transcript

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0:00This is a huge episode because longtime friend of the show, Franerd is back after a six year hiatus it wasn't on purpose that we didn't do an episode together in that time we actually had had calls and talked a little bit and caught up with each other in that break but uh i am so thrilled to have fran back on the show um we have similar creative journey in some ways but over the past five years or so we've both been through a lot but fran has had a lot of big personal shifts and um shifts in her creative journey and how she relates to her creativity and I was just really excited to reconnect and walk through what she's been going through and learning.

0:45We talk about self-love and how it relates to your creativity. We talk about a lot of mental health stuff, things like depression and anxiety and what it's like trying to fit creativity within that. And so if you struggle with those things, I hope that this episode is a balm for that and hopefully can make you feel less alone and then maybe even find some things that help you manage a little bit of that. We talk about loving your past work and when you get at a creative crossroads and you have to let go of something legitimately and choose something else and really double down. We talk a little bit about aging and a relationship to creativity and it was just a great chat, a great reconnection and I hope that Fran comes back on the show again soon.

1:35If you don't know Franard, I recommend checking out her comics on Instagram at Franard. Also, you can search Franard on YouTube and check out her channel or check the show notes for the link. She's got an amazing YouTube channel. I've been doing that for a long time. Hope that this conversation just gives you some relief and some pep and some refreshment creatively and then stick around to the end. I'm going to be back with a quick little creative call to adventure, something that you can do with the information from this episode. It's called the Backpack Repack, and it's meant to help ease the load a little bit and hopefully give you a little pep on where to direct your attention in a way that's going to be a life giving in this moment that you find yourself in.

2:25All right. Without further ado, here is my chat with Fran. on the creative journey it's easy to get lost but don't worry you'll lift off sometimes you just need a creative pep talk

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4:09Now available in Canada too. That's q-u-i-n-c-e dot com slash p-e-p-t-a-l-k. Free shipping in 365 day returns. Quince.com slash pep talk. This episode is sponsored by Squarespace. I freaking love having Squarespace as a sponsor because it's easy to sell it when you love something this much. I'm a big fan. Squarespace is an all-in-one website platform designed to help you succeed online. Here's what I love about Squarespace. They're intuitive and super versatile drag-and-drop tools, meaning you can make a custom website without knowledge of code that makes people say, whoa, who made that for you?

4:53Looks like you built that from scratch. People have really said stuff like that to me about my site and I built it myself quite easily with Squarespace. You can check it out at AndyJPizza.com if you wanna check that out, what I did with it. It doesn't look templaty and it screams my creative brand. I also love that I have all of my domains through Squarespace now, which makes it seamless and easy to manage. I know the first thing us creative folks do when we get an idea is to grab that URL. Now you can keep track of all your websites and your domains in one place that's super intuitive and easy to manage.

5:24Head to squarespace.com slash peptalk for a free trial. And when you're ready to launch, use promo code peptalk, all one word, to save 10 % off your first purchase of a website or domain. So I'm super pumped to talk to you. It's been a while since we've had a podcast episode. We've caught up a couple times. but uh do you have a guess of when the last time you were on the show was oh my god was this pre-pandemic it was oh it must have been 2019 that was 2019 wow i know isn't that crazy andy i was a different person same last time i so if anyone wants to be like oh i'm just gonna listen to france episodes on create a pet talk they're gonna be like who is this that's someone else sorry can i can i curse you can curse yeah wow 2019 2018 i was wow i was married i was straight um i had an online store what was 2019 andy like i was uh the height of my ambition i would say that was i went to eat the world i wanted to and i thought i could and i i felt pretty invincible at that time um i had a right when the pandemic hit i had a bunch of stuff in the works that were like very very exciting that all kind of disappeared there's a bunch of other stuff that maybe we'll get into but i i feel and i'm sure and you've had some huge markers and and changes but i feel like um no matter who you are who's listening to this everyone will have experienced some level of that Oh, yeah.

7:08Some level of metamorphosis. Yes. And I wanted that was the next question I was going to ask is because I felt like when I was thinking about you and knowing the journey that you've been on, I thought, OK, what happened in the pandemic? And the image that came to mind that I don't even have a specific reason, but I thought it feels like, I don't know if you had this when you were a kid at school, but where the class is going crazy. We're all in primal mode. Everyone's screaming, shouting, and then the teacher would turn the light off. And everyone's like, oh, it's serious now. Like, wait, what was going on?

7:50What were we doing? Like, that's what I feel like the pandemic on some level, it felt like that where everyone's and that, you know, including the ambition thing of like, when that hit, yes, some of those things dissolved. But then I also I went to therapy for two years. I'd already just started it. But I it was a for me, a thing of stepping back like, wait, what am I doing? Why am I doing this? Is this where I want to go? Is this, you know, so does that feel right to you? Absolutely. It was a forced, unconsensual, introspective period for everybody. It was. And I resonated a lot with what you said around just like the limitations and like the who we were prior to the pandemic and who we are today.

8:40Because I was in a very similar path before the pandemic of like having all of these projects and all of these things that I wanted to do. And I think the things that have changed since then is accepting that there are kind of like a myriad of limitations, whether that's the pandemic or your body, things that you can control in ways that you have to readjust and reset and recalibrate your expectations. And that has been such a difficult lesson for me to learn and to kind of like cope and navigate. Because I think like the major, I mean, like, oh my God, we could be talking about this until tomorrow for everything that changed.

9:30But something that I'm working on right now, like struggling with right now is wanting to do everything, Andy. And my body presents right now the biggest limitation, which is like my mental health and being and feeling very frustrated and impatient. because I think like, and I'm sure you relate when you're struggling with ADHD as you do, or when you're suffering from depression, as I do, mixed with generalized anxiety disorder. It's just like, it's, they're like this like mental weights that you have to lift every morning and be like, okay, what do I want to prioritize? What am I able to do? That's why like, this is called a disability and it's been so hard to accept this and the of like as your as our bodies are aging as the the the circumstances are changing it's been very just like frustrating to put this into the mix you know it seems like prior pandemic we were I don't I don't want to say unstoppable because there's also like a time in a freelancer's career when you have to reset your expectations and now because of other circumstances life circumstances you're like no you have to actually prioritize what you want to do and what you can and you're able to do do Do you relate to this?

11:07Very much so. And what comes to mind for me is the way that the pandemic, whenever it hit, like watching my kids and the life stages they were at, which when you're kids, we have about a three-year gap between the three kids each. So like when you're that age, every few years is a very different life stage because you have elementary school, middle school, high school. They're very different zones. And so I'm just thinking about how we personalize the pandemic or how it might get confused with also just life stage stuff. It definitely had a massive effect on me and everyone I know. The world is completely different.

11:56There's no doubt about that. But as you're saying that, I'm thinking about how I was going from mid-30s to late-30s in that time, and I was already moving from the feeling for a lot of people, not everybody, but a lot of people, 20s and early 30s, that's when you probably feel most unstoppable anyway. That's when you're feeling ambitious. That's when you're – and then as you're moving forward, whether it's body or mental health or circumstance, you start hitting. Circumstances also tend to come in those times where you're like, shit, like this – like everything's real and it's causing you to kind of pause, which is interesting.

12:35Just to go back to what you said about the weight that you're holding with anxiety, depression, and I've had the worst anxiety and depression that I've ever had over the past two years. And very, some really bad bouts. I talked a little bit about it on the show a year ago. Last summer was particularly bad, probably the worst depression I've ever had. There's a lot of different factors that I haven't really felt comfortable talking about. But, but I like what you said about the weight thing of these are weights that you have to carry around. I think the interesting thing for me is the hard thing is that they're always a different – it's like you're picking up a backpack, but you never know how much it's going to weigh that day.

13:22Oh, yes. You know? Yeah. Because it just – it fluctuates and there's so many factors that you can't – no matter what you do, you can't fully figure it out. What has helped with coming to terms with that? Oh, man. Um, I think one of the biggest, I mean, so many lessons I learned in therapy, but it's trying not to be judgmental of my depression. Yeah. I think being judgmental, even though it's valid and I'm trying to be like, oh, it's okay to feel frustration and to be angry at feeling depressed, of having to slow down once again, of having to reassess and reshift your expectations. I found myself that when I feel judgmental against this thing that it's beyond me it doesn't help me in any way it doesn't make me feel better in any way it's almost like when you're going through a cold and you're like no no I'm gonna suck it up and go outside and live my life the only thing you're doing is prolongating making the cold last longer so I'm like the only thing that I can do right now is heal as much as I can and try to accept that this is where I'm at I think the beautiful thing about acceptance is that not because you're accepting something it means that you're agree agreeing with what is happening you can disagree with what it's happening and accept at the same time and I think understanding that dialectic around acceptance and trying to be like, okay, radically accept this is where I'm at right now.

15:09What can I do in this state? And so I've prioritized, for example, anything that's urgent and important, I will do it. And I think this is why I've been reading so much this year, Andy, because it's one of the things that I can do as I'm laying on my couch. yeah uh because even like being vertical you know like sitting straight it takes so much of my energy and uh the the trying to work hand in hand with fatigue like acute fatigue it's been really challenging and so I've been trying to be like okay I do want to start writing how can what can I do right now in this in this current state that will allow me to nurture myself uh within reason like within reason and I found myself like reading has been a great outlet not only like for escapism and trying to run away from this reality that we're currently in uh but also because it's not physically demanding and also i've been i've been reading andy so many books on writing on like like uh non-fiction on writing and like stephen king for example i haven't read that writing but i've heard it's really great if you like stephen king i really recommend it that was weirdly my first ever stephen king book and so i don't i've never read a stephen king novel so okay yeah but If you're a huge fan, I will say the book is meant for you because he walks you through behind the stage of what was like writing Carrie and what was his childhood and all of that.

16:53And so I think like if you like his work, this is like a great window into his life and like the way he approaches writing and his creative routine, I guess. but so I've been reading a lot of books on writing and I guess like one of the things that all of the writers agree is that if you want to write you have to read and so I'm like okay this is I guess the year that I will do reading the year of reading for me and so that's the way I've been navigating depression right now yeah that makes tons of sense I it mirrors my experience almost Exactly. What you said is my exact experience where the best thing to do was for the longest time, if I picked up the backpack and it was way heavier that day, I would be like, shit, no, no.

17:49How did I get here? How do I stop it? What do I, you know, all of those feelings. And it would actually make everything worse, make the anxiety worse, make the depression worse. everything would be worse and just like you said the thing that helped me the most was if i picked up the backpack and it was super heavy that day the first thing i would do would be kind to that thing and be like yeah okay so it's a heavy day all right what kind of just like you said my wife actually told me this same thing she's like think about what can you do on days like that um i agree And it's totally, totally true.

18:26And that just that I feel like there's a kindness to yourself of this is real. This is a, you know, and like you said, there were a lot of things, pretty much almost everything that I had to do, I did. So it's not like I – and I was lucky enough to be well enough to do that because not everybody is. But I totally, totally agree. And I've talked so much on this show over the past couple of years on this obsession I have with the studies around some super interesting to me studies about how – I always say to me because I'm like, I don't know. I've never – I don't feel like I've ever met anybody that has shared my enthusiasm for this.

19:11I just don't know. Okay, hit me, hit me. There's a lot of studies around how, so there's good stress and there's bad stress. So you need good stress. I've heard the same. And there's bad stress, which hurts you and can have all these different effects on you. And these are peer reviewed studies. These are the good shit. And so much about whether it is good or bad stress in your body, so much of it is whether you accept it or reject it. So it's about how you relate to it. Yeah. And so I feel like that's at play here with your mental health stuff is like if you reject it, if you're like, nope, I'm not depressed.

19:56I don't have any of this stuff. There is a way in which it becomes, I think, probably worse stress. Whereas if you're like, oh, okay, this is a thing that I have to figure out how, how do I accommodate for this thing? Fascinating. And it actually changes how, how your body experiences the stress, the effect the stress has on you. Yeah. Anyway. So I love what you said about that. Same. And can I go back to what you said around, because I, I struggle with the same disease, Andy, of like intellectualizing or like over intellectualizing. Yep. And I remember saying this year has like I spent so many hours just like trying to figure out why am I depressed?

20:38You know, and there's a lot of self-invalidation comments that I'm like, but my life is so beautiful. Look at where I live and what I do. And I have I feel so privileged with all of this and like especially with what is happening in the world. There's a contrast of other people's reality in my reality. And I'm like, so why am I so sad if I have all of this, you know? And even when explaining this to people of like, I'm going back on antidepressants. I am trying to slow down work-wise. All of this is happening. And my mom, for example, has been really keen on like, but what is the source of this sadness?

21:23Like, can you tell me when did it begin? And I'm like, I, I like, I'm, I'm still puzzle around this idea of like, what is the source? And I think, because I, I think there's this massive solace, Andy, or this hope that if we figure out the source, if we figure out the nugget, the answer, we're going to be healed. It's going to be like a cathartic relief. Oh my God, I'm, I'm cured. You know, I figure out the secret. So it's good. but unfortunately with a lot of things uh not knowing I mean knowing the source won't make us feel any better long term necessarily and also intellectualizing i.e like wondering over and over again what was the reason what happened at least to me and I'm speaking on on behalf of myself, but like it removes me from feeling the feelings.

22:21And I think part of the, I guess the strategy when it comes to mental health is just like noticing your feelings again, not non-judgmentally, just noticing where you feel them in your body. Can you tell I've been on therapy for seven years? but it's been like truly revelatory because I've been spending so much time trying to understand which is a good thing but when it's preventing you from feeling or from noticing what is happening again you're just delaying the cold longer and longer and so this that's the I guess the anxiety that I felt all this time it's like people are asking me what is the source of this and because I don't have an answer I'm like there's something wrong with me why don't have a reason and then you go on this spiral of why do I feel sad if this is my reality you know yeah and just accept sometimes I've had to learn the hard way that depression and anxiety most of the times they're like a retroactive there's from things that you've been caring for a long as time probably.

23:34And like you said, you might not get the answer years from now, like looking at far ahead that you're like, Oh, this is what was going on. And I, I was too close to the forest to see the trees, you know? Yeah. Uh, okay. I have so many, so many little threads to pull out, but one was, this is a really delicate thing because for me, cause I, as we're talking through this, I'm thinking, I feel like there's a way to engage with this stuff where you accept it and you acknowledge it and you don't run from it like we're saying, and then also do what you can to heal and grow and all that. So it's a weird tightrope because like I said earlier, if I fall too far off on the side of how do I fix this?

24:34What's wrong with me? I, I end up really in a worse place. So I, and the next thing I wanted to talk about is maybe over in that camp. So I was just trying to acknowledge it because the thing that made me think about my experience that is maybe one contributing factor. And it's something I wanted to ask you about. I've labeled it the dark side of the dream. And this is what I mean by that is, uh, sounds like very Pink Floyd, by the way. I know. Yeah. Uh, it's like the one factor that I've wondered if it was a contributing element is being a freelance artist is you're so isolated. So I have my wife and kids, which, you know, are around me a lot.

25:26Um, and that is definitely, I'm a big deal, uh, to not feeling as isolated, but I can go, I think it's hard for people to understand that don't either really work remotely, but not even remotely because I'm, I'm only doing a couple of meetings a week and I'm pretty introverted and I like doing all the art that I make. Um, but I think like what you said to you started today, I don't think it was, I think it was before we were recording of, I'm the first person you talked to today. So we're like warming up and I have exactly the same thing. I was at the hardware store today and I was, I had my headphones in, I was listening to audio book and I'm like thinking if someone asked me a question or if I have to ask someone a question.

26:14I am unpracticed and I'm going to be weird. I'm going to, I'm about to be weird. I got to really think about what would the person say in that circumstance? It's anxiety and it's all these different things. But I think one thought I had, cause I've also read a bunch of self-help books again. I always have done that. That's just kind of, I don't know, my disease for some reason. But one of the things I've come across a ton is all of the literature and books around this huge Harvard study that's the longest study of all time. And the result is just like, you need people. You need lots of people in your life that you can measure the quality of your life by how many strong connections you have and da da da da da.

27:07And that's what I mean by the dark side of the dream of wanting to be an artist full time is that there are ways. Yeah. That you are spending tons of time alone, even if you are in a vibrant community. And I, so I didn't, I felt like this veered a little bit close to, we're trying to solve it. And I didn't want to, I didn't want to propose it like that, but that's what came up for me is you and I, I assume, live pretty similar lives in certain ways. There's obviously some differences because I'm married and I have kids, but that's been a lot. That's in my mind a ton. And for people that aspire to make books and do art and all that stuff, it's one element that I just don't see talked about a lot.

27:56So how do you feel about all that? Because it's kind of, that's my experience. It, uh, going back to like reading books on writing, that's something that also a lot of writers, uh, have to struggle with, or, or I guess like, uh, endure. It's like being alone, being a writer and being, uh, an artist, you, you're kind of like accepting a life of solitude. I think this is why it's so important to like yourself Andy like I I I think like a couple of years ago I didn't like myself I was my worst enemy and isn't that interesting how one is so kind to others to your relatives to friends and yet when it comes down to mistakes that you make or uh there there's like a an extra inch of like scrutiny that it comes down to when you treat yourself and I'm like why is this happening to me and I think like and going back to like mental health as way how how much it affects your creative routine I will say yeah but um something that I really wanted to work on was, okay, how can I befriend myself?

29:17How can I actually like myself and be like, Hey, if I actually went to a party and I will meet my myself, I, I will say now, absolutely. I will be my, my own friend, but because you're, we're, we're committing to a life of solitude and I'm saying solitude in terms of like work from home, working by yourself, being your own boss yeah setting your own schedule I think it's paramount it's so it will be great if you could enjoy your own company um which like it's uh for a lot of people it's like oh of course but it's not a given when you're telling yourself like for example especially when you're a content creator as well and you have to edit yourself your voice your your face witnessing yourself aging online is an act of bravery Andy because we're surrounded ourselves with like younger younger generations that are doing like so like such an interesting things and at the same time is scary as well like we have a decade plus online and all of these different versions of ourselves are online all of the things that we said 15 years ago all of the weird advice that we gave that we don't relate anymore are there for everybody to see and so the act of accepting not only our present self but feeling compassion with older versions of ourselves that are still out and living online yeah it's a lot it's a lot And so I'm not even going to start if you speak on another language online, which, by the way, when you edit, like my first language is Spanish.

31:09And so like sometimes I have to edit videos and I'm like, God, that was not the word I had to use. So like there's an extra layer when you're an immigrant and you're speaking another language. You have an accent probably that you want to erase, which, by the way, don't. like I think accents are endearing yeah uh they make you stand out and unique so don't change your accent um but yeah I I don't know if I answer your question Andy but like acceptance is so important when you are going to spend so much time with yourself yeah 100 % I totally totally agree. And the last year I did a series, um, and it's been the center of a talk that I've been, I had been working on for a long time, which is about ADHD and my mom and all that.

32:01Um, so the listeners of the show have heard me say this a billion times, but for the sake of the conversation, I'll just very quickly insert that idea of I've, I have come to the same conclusion for different reasons of the central foundation of your creative practice being a loving relationship with yourself. And the way that I wrote it for the series was this idea that art is self-expression. And if you want to love your art, you can't hate the thing that it's an expression of. If you hate yourself, you're never going to love your self-expression. You have to have a relationship. And not only that, it sounds almost trite or like a platitude, but it's very real in that.

32:48Why would you, if you really were an enemy of yourself, why would you do the things necessary to put yourself out into the world? Why, like putting it onto the page, putting it on, like, what you won't, you'll stop yourself because you don't, you believe it'd be better if there was less of you, not more and, you know, expressed. So I totally agree. Yeah, it's a mirror. Yeah. I was going to ask you about, because we haven't talked on the podcast in 2019, it made me realize that you have the same experience that I have, which is I have at least a decade of myself on the record. And it's so painful.

33:32It's so painful. And I used to take off – every time we hit 100 episodes, I'd take off 100 episodes off the internet. And then when I moved to the podcast network, they were like, you should just put all those up because it's open inventory and there could be ads on there and all this stuff. And I don't think it will earn me much money. But it forced me into this position to be like – I think – like Sophie, my wife, talked about how everything you're talking about is a creative journey. and there's probably value to keeping it up there, even though it's really uncomfortable for you. How can you be all about the journey with, and also trying to hide your journey, but it's so, so I agree with Sophie.

34:18Yeah. Yeah. How do you feel about that? Because you, like you said, you've had all these different iterations and these big revelations and you've changed in so ways how do you how do how do you feel about that I mean that's what's preventing me from hiding all of my videos and previous Instagram posts I will say because in a way I want people the there's such a like a vulnerable thing of of allowing someone to see a such up close a version of yourself that you're no longer and i feel very naked and i'm like oh they're it's almost like they're they're witnessing like a an onion that had too many layers you know and now i'm a different onion i don't know how to explain it

35:11But in a way, it's again, going back to acceptance. I don't I don't agree with past friend in so many ways. But at the same time, I agree with Sophie that if we want to if we want to convey the beautiful thing that is going on a journey and changing and no one likes change. uh but it is the only content constant thing um part of the i think like the decision that you have to make as a content creator is whether you want people to see where you come from and how much you have evolved and change as well uh and part of that means like sometimes people are going to see like videos where i was in a relationship with a man you know uh living in another country, having different set of values of what I, for example, like something that pains, I mean, I don't know if pains me as a word, but like something that I struggle right now, it's how much I, I treasured productivity.

36:18And I love being productive and getting things done. But I remember because I was coming from a place of very low self-esteem, my productivity was very intertwined with my self-worth. And now I wish I could have like a footnote on every one of those videos of being like, this is a valid route, but I don't agree with this friend anymore. Which is something that I wish I could do with every piece of content that is like prior pandemic. And also sometimes the anguish that comes from, sometimes I don't know like looking at yourself and I wonder if this happens to you Andy and being like wow I don't recognize myself like this I don't know who this person is and it's it's it's kind of scary sometimes um and do you feel that way when you listen to your like old episodes of the podcast yeah I think I don't know if I would phrase it that way but sometimes we try to, sometimes we'll replay an episode.

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37:25So this is the only time that I ever go back and listen to them because I want to like, if I'm like, oh, maybe we'll replay that one. I did this yesterday. And this was only an episode from two years ago. And I still was like, I cannot replay this.

37:45And it's not like, there's a lot of different reasons why I might feel like that. Like I feel like that. I think it's always about, for me, a lot of it's about like subconscious motivators and things that are going on that I can sense in the recording. And so that's always uncomfortable. There's usually just like the odd thing where I'm like, that just doesn't feel it. The context is just not right anymore. So it just, I can't really, so it's usually only little things that truly negate me feeling like I could replay it. But the general, the whole thing is just, it's just like, you just have this aerial view of where you were and what you were doing and why you were feeling the way you were feeling.

38:31And also how you showed up to the microphone or the video or whatever. And it's just, you're just so transparent to your later self. And it's just deeply uncomfortable. But as you were saying that, I was thinking it's like I'm great. Not only am I – part of the reason I keep it up there is because like I think it's important to show the journey or at least not be ashamed or not love your past self. because I think finding compassion for that person is key to not feeling cringe and negative about who you are now. Because you know I am doing the same thing in other ways that I won't be able to tell until five years from now.

39:21Exactly. So I think I try to like – putting them back up was partially trying to make peace with like that's whoever that was and they were going through stuff. And I'm exactly the same in that I am also unaware of what I'm unaware of. Five years from now. Yeah. Yeah. Isn't that great and crazy at the same time? It is. It's also you can't have enough self-compassion, which is another lovely thing.

40:09so one of the big changes that you had that i wanted to touch on was last time we spoke we both had in my experience this relationship to our illustration career experiences around that and then also this side of what we were doing that was uh kind of commenting on that. You had a YouTube channel, you still do, and I was doing the podcast. But then since then, from what I know, it seems like we both have gone pretty deep into bookmaking in different ways. Unexpectedly. Yeah. And so you've been working on graphic novels in this period of time. Right. Uh, and yeah, I, I wanted to know like a little bit more about that.

41:05Like what was that? Does that feel like your main focus now? Yes. Creatively. I mean, it can never be the main focus because I'm, I'm also, I'm divided. I'm a cake that has been slice in many parts and one of those parts that i'm hoping it's getting bigger and bigger as time goes by is graphic novels but i'm also divided on like youtube and patreon yeah um and so it's been a journey and because i remember when i so like the last time we talked i had nice humans which used to be my online store yeah and i remember all this time i guess like when when I started with illustration my goal was like how can I make more time to illustrate how can I make more time to draw and inadvertently or like without knowing when I opened the online store I had this vision of like oh I just want to make my own stationery the stationery that I see there's a gap in the market you know being like how can I be my own target audience but the thing that I I miss with having an online store is that the more the store was growing the less time I had to draw and so I kept going back to this this nugget of like if if I could do anything I would love to do comics but then this this online store that I love is my my offspring you know my baby is taking me too much too much time there's a lot of like admin work that even if I delegate I still have to do a lot of like decision making and stuff like that and so I saw myself at the end of a row a self-imposed end of the row and being like okay if I really want to see the store to like thriving I have to make the decision to inject more time and probably like hire more people do I really want to do that and it's crazy when again as we get older or we start getting more years of experience as a freelancer I thought that prioritizing time and prioritizing projects will mean letting go things that you don't want to do yeah and I saw myself Andy saying no to things that I wanted to do for things that I wanted to do even more and so that was I think the the scary decision of having to pause and close this door for now was because I really wanted to give graphic novels a shot and I couldn't do all of it at once no matter how much younger Fran wanted to do it all and eat the world I'm like oh I have a limited amount of time and energy especially like mental health and all of that and so it was very scary because it felt like free falling I'm like I have no idea if this is gonna work there's something within me I work a lot of with intuition that is telling me this is the right thing to do but I have no idea if this is what gonna this is working out yeah and it's also accepting that it's going to be a long-term thing that I won't see results in like five years or so this was like back in 2021 when I made the decision so I'm not gonna see results anytime soon and just like jumping I jumped and I am so happy past friend jumped because I'm now able to draw way more than I used to when I had an online store and even though the graphic novel is still like in the works I am enjoying so much of the process because the thing that I wanted to I guess experiment or explore was I enjoy drawing comics so much most of my comics on my Instagram are like a short format very small arc in in terms of like narrative yeah and so I'm like what will it happen if a I write my first graphic novel because in the past I work with writers and b what would happen if I ever write something that has like a longer arc and so it's been fascinating to explore this and I think this is why I enjoy illustration so much because we could we could do like packaging design and like illustrations for packaging or illustrations for web design or um editorial and newspaper magazines we can also like there's a myriad of things that we can do as illustrators and finding myself in the publishing world once again now in the in like the u.s publishing world it's exciting because there's so much that i want to share and seeing that graphic novels are becoming something for the first time i mean not i'm not for the first time but like more and more people are reading graphic novels i think this is the way that i want to reach uh not only my audience but more people you know and it's interesting how we're both tackling like different demographics when it comes to books as well you're on the younger yeah um side and your books like how long does it take you from beginning to end um a picture book probably i would say for if if i'm involved in writing it too it's probably like six months okay i think yeah it's a shorter timeline i'm guessing yeah you so you sold this book right and then i said it went on an auction it sold november last year which was crazy because it was prior election so the timing was just really weird yeah um and i signed the deal i think it was like february march this year yeah and it's crazy andy because they i've never worked with a publisher that are so they want to be part of every stage of this project and so they wanna i'm about to finish the script now and so uh they sent me this timeline and for july next year they want to see the entire book sketched the whole book sketched out but they also want to see the storyboard in between all of this and i'm like but the storyboard it will be confusing it's just like stick figures and they're like we don't care we We want to see the story.

48:14So I've never had to like draw an entire storyboard prior. We're talking 256 pages, by the way, of storyboards. I'm like, that's insane. Anyway. And so in the following year, I have to submit all of the final full color and pages. And then I have to wait an extra year just for printing and distributing. So I'm like, oh, this is like the big guns. I'm so, I was so used to a way smaller publishing industry in Chile. And so I am learning so much as I go because there are lots of like steps that I have to follow. And suddenly it's a larger team that is going to be involved in like reading and whatnot and giving me feedback, color tests.

49:06they even did like a font with my own handwriting which is super cool yeah for like writing the the speech bubbles and whatnot and if it ever gets translated it will be way easier but so anyway all of this to say that it's been such a new process for me to work with a larger uh with for second but with a larger publisher in comparison to what i was used to in chile did when you're going from these ideas that are these little narratives for Instagram and moving from that to this bigger one. Two things that come to mind. One, did the idea or the ideas or the direction show up in a similar way to these other ideas that you have, the smaller ones?

49:58That's the first question. The second question is um as you move to the longer narrative does it resolve in a similar way do you and also did you sorry i'm asking so many questions but the other piece is uh i can't remember what it is because after apologizing i lost it so i'll come back to it go ahead yeah you can interrupt me okay so you asked me if the shorter comics they present the the idea present itself in a similar way that the longer one yeah and i will say the topics they do so for example i know i want to talk about finding yourself that's one of the nuggets of the of the book of agnes which is the graphic novel there uh young adult coming of age story about this girl called agnes yeah and she's trying to figure out who she is and like what she wants to do for a living and who she likes so like getting to know yourself one-on-one and so I'm like okay there there's there's certain nuggets that I want to talk to about like this this uh finding who like your your identity within clusters within groups of people within like who she is as a daughter who she is as a friend who she is as a romantic interest for example yeah and like the some the same ailments that i went through as a teenager as well and so i think like i have more time to develop it and i think like the main difference between shorter and longer format comics is that i can take the time to do a build-up which whereas in my shorter comics it's almost like a glimpse i'm taking you on a long way you know when like i don't have a dog, but I know my cousin, Christina has a dog, Bianca.

51:50Shout out to Bianca. She's also an elder. She also has an elder pet. So elder pets unite. Yeah. Anyway. I have a 16 year old dog, so I feel it. Okay. I have an almost 16 year old cat. So God, Andy, we have to talk about that anyway. She's in diapers. So yeah. Anyway. Anyway, that's another grief that we, anyway, another ailment, But sometimes she will send me an audio and she will talk to Bianca, the dog, and be like, sorry, Bianca, this is a shorter run. This is a shorter walk. We're just going to walk around the block and that's it. And that's the comics on Instagram. They're a shorter walk around the block.

52:28And so you can get like a quick glimpse into a fleeting feeling, a situation that happened to me, an idea. but with the the longer walk i can introduce just like the seed that gets planted and then how the the main character for example uh kind of like is uh ruminating this idea over and over again the intrusive thoughts that happen to her uh silences what an amazing and beautiful thing to do also on graphic novels that and this is also like a like a vulnerable thing Andy I am so used to when I'm the first draft of the script I remember I was on over explaining mode yeah and I realized like oh part of the the thing that I enjoy about doing comics or the comics that I have loaded so far is that there are times of silence, times of just witnessing your feelings, witnessing what has happened and communicating in a visual way.

53:37But to strip the script from dialogue and allowing the audience to understand what is happening in a visual way, it's so scary because you're trusting that the work that you're doing is happening effectively and I'm like oh my god is this will they understand what is you know like it's a it's such a like again stripping yourself from the the words and trying to let your work speak for itself and so I've been the the part that I'm in right now when it when it comes to like the editing the script is getting rid of killing all my darlings just like getting rid of the excess over explanation and trying to have this which studio ghibli does so well like this moments of silence in which you're marinating what it's happening processing what it's happening the thing that about that is before we chatted i went and i was looking at some of your videos just to see your most recent one.

54:48And the thing that hit me like a ton of bricks was how much they are like comics. Have you ever felt like that? Yeah. So here's what I was like, Oh my gosh. Like it hit me really hard because the thing that you do, they're like panels you have like here literally i'm watching you water your plants and these speech bubbles pop up and it's exactly like a panel it's like a panel of a woman watering her plants i haven't seen it that way and i was like oh my gosh i want i was like if she doesn't think of it this way, it will blow my mind because it's, and everything you just described about like these moments of silence, these moments of like, that's what so much of your videos are.

55:48And so I was going to ask you about like, whether you had on a cerebral level noticed the ways that vlogging has perhaps prepared you to make these books. But it sounds like you hadn't really. Yes and no. Like I, I didn't make the connection. Yeah. That's why I'm speechless because I didn't, I, I, I've, I've noticed that when you're doing storyboard, you have to put yourself a lot on like my, like a director's mindset because you're choosing like what is going to be the camera quote the camera angle and so of course like when when I've been doing like storyboards that's where my mind goes to and I think editing and filming videos has helped me think about my mind as a art director I guess but I love moments of just like quiet just like witnessing in a quiet way this domestic bliss you know like oh this is just a person and that's the type of videos I also enjoy myself like I really enjoy watching of just like a person like you said like watering plants and listening to someone like sharpen their pencil yeah um but again it takes courage to allow those silences to sit and why so many times those scenes get cut um again you will have to see how many of them i managed to publish in the final piece but yeah that's yeah that's that's so interesting i was just thinking like if you had if you illustrated those little bits just a panel each they would just instantly feel like a comic.

57:38And, uh, it's, it's just fascinating to me because I, I have a similar trajectory in terms of, um, how the podcast, there's a lot of storytelling on the podcast and a lot of fed into being able to write picture books. Um, but yeah, it's, it's, uh, it's just, uh, one of the themes that I've been exploring on the show recently is I've, the whole time I've done the show, I've talked about creativity like a journey and I've talked about the hero's journey. But recently I've been mentioning, I've been thinking about how the hero's journey is like a, a, it's a, it's actually like an inauthentic experience.

58:20So if you think about hero's journey as like a psychological thing, the idea is the character is leaving home, which is who they really are. Home is, that's who they are. They're going to try something else, which is the extraordinary world. It's the world outside of themselves, but they bring it back to an authentic version. So they bring something back to this authentic self. The reason I bring it up so much is because I think the creative journey has so many of these like side quests and you really have to in the moment I imagine like someone like Matt Damon writing Good Will Hunting I have to imagine like he's he's convincing himself he's a writer like maybe I'm a writer like yes I'm writing this for my acting but I just imagine like you have all these I had all these periods of time where I had to like really think like this is who I am this is what I'm doing and I'm you know i'm all in on this thing and i've had 10 different versions of that and yet almost always there's a return to something and like i was trying to do picture books before i started the podcast and i wasn't getting anywhere with it wow and so there's just this back yeah there's just this return to and how all these things feed into the next thing and so as i as i was watching your videos that's what became I mean and the same yeah I was I published uh two graphic novels before in Chile and now I'm going back to it um I think like Ocean Vang the writer yeah he was recently in a in a podcast episode saying the same how he doesn't want to call himself a writer because there's this like constrictive hat that you're putting on and it's the same with I guess like that's the beautiful thing about illustration that you can wear a lot of hats within the illustration realm yeah but i think part of the i think you fit a lot into into the description of like a renaissance man and and i think like i i wish like more people i'm trying to see myself also as a renaissance you are you're because i'm not we do a lot of things i do a lot of things yeah yeah and and And the career and hoping we can do this a couple of more decades, but most likely we're going to shift gears in like 10 years from now.

1:00:51I was just thinking about that when, like before we started talking, something that I think like someone told me once that your skin changes its complexion and its consistency, its characteristics every seven years. Right. And I just began my eighth year. Like all of your cells replace. All of yourselves. Yeah. And even like if you used to be like if you used to be like a oily skin after seven years, you can be like a sensitive to dry skin. Anyway, skincare girls like help me anyway. But I was just thinking about that because I just begun my eighth year in New York City. and like the metamorphosis that I've had since moving into the city now I feel something like a snake because I am again stripping myself from this version that I used to be and uh who knows if like seven years from now ten years from now we're gonna go back into you know the project that sometimes the time is right for certain things and i love the cyclical aspects sometimes of freelancing that we have no idea what we're going to be doing in 10 years within this realm you know who knows if andy you're going to be just a right like and by just a writer i mean like just writing books you know yeah yep like who knows and that's the isn't that beautiful though that we can like be flexible enough to allow those eras, such a loaded word, but like eras to coexist one with each other.

1:02:30Absolutely. And I, it makes me curious what you feel like. So you had done these graphic novels before you have your YouTube era. What do you think you got from the YouTube era that you're bringing into this graphic novel that's really different to what you had in these previous ones? Oh, my God. YouTube era. Oh, man. I love the sharing aspect of YouTube. And I think I know exactly in which way YouTube is being fed by the graphic novel, because sharing the process of it has been strangely liberating. I remember when I started, I had so many questions about like, oh my God, how do you get an agent?

1:03:20How do you apply for an agent? And being able to document every step of the way has been great because I'm trying to, I think my ethos or my mindset when freelancing has been like, why am I sharing? And who am I sharing this with? and the I guess my goal and because I didn't go to university for like I didn't go to art school I'm like if I've been so thankful of people who have shared things in the past with me that I'm like if I can help the person like coming behind me or even like alongside me yeah and make their journey less expensive take less time to figure this out I'm gonna do it and So that's the way YouTube has been fed by the graphic novel.

1:04:08And I guess like the other way around, I guess it's, I don't know if the graphic novel has been influenced by my YouTube channel. I guess like what we were talking about in terms of like composition, I will say. Yeah. To help me understand composition and storyboard and camera and how one sees different scenes with a different lens and a different perspective. That has been really helpful. Other than that. Well, I've had a blast chatting with you and catching up. Andy, it went by so fast. I know. yeah I could talk to you like four hours yeah we could do a mega mega episode but we'll have to do it again let's not wait six years or whatever it was I hope so has it been six oh yes it's been six years and I'm really excited to see your book too for having me

1:05:28massive thanks for Fran Manessis coming on the show and hanging out go check out Fran on YouTube and Instagram check out the show notes for the links I'm back with a quick creative call to adventure. It's the backpack repack. And this is about letting go of things as well as adding something that is exciting and interesting and doable in the moment that you find yourself in. And I just, this conversation, what it did for me was it caused me to pause and think about what are the things on my creative plate that to mix metaphors that have weighed me down what are the things that are in my creative backpack rather that have that I put in maybe a long time ago and I just kept going with it maybe there are creative habits or expectations or sometimes it looks like stuff that I've included in my creative process when I'm making a book or the process of putting out an episode, every once in a while, it's good to step back and be like, what of these things are no longer really that important or adding anything?

1:06:45They're just extra. They're just more weight that I'm carrying. What are these things? Maybe they're effective on some level, but they're really making the process unenjoyable. They're really making me not want to do this thing and it's good to review and be like okay we need to get rid of this thing we need to quit adding that part to the process we need to quit posting on that channel whatever it is and i just thought it could be good to give you some permission not that i am any authority in your life but um some permission and some encouragement to say hey just pause for a minute and see like maybe the weight, if the creative practice, the creative backpack has become unnecessarily heavy and it's no longer fun, it might be time to step back and say, what of these things in my creative identity?

1:07:41Maybe you've called yourself a designer and an illustrator and it's time to let go of the designer. Maybe it's time to let go of the illustrator. Maybe it's, you know, what, it doesn't matter what it is. It's going to be different for every person, but I just think it's good to have a minute to say, hey, even if it's just right now, like Fran talked about in this episode, letting go of her online shop, and maybe she'll come back to that, maybe she won't. But even if it's just right now, what's something that is just making this unbearable or not fun anymore, or it's killing your motivation? I think it's good to, at times, unpack the backpack.

1:08:17The other piece of it is I like what she said about she's getting in deep into writing and that reading was a big part of that. And she started counting reading as part of the creative practice, which of course it is. That research component, that experiential component, filling up your inspirational cup component, all of that is so essential. And I like that she acknowledged that because it gave her some sense of being productive in a way that feels really manageable in this particular season. And so when it comes to maybe potentially adding something back in, instead of adding something back in because you're like, well, I took out that weight, I can carry some more productive stuff in my pack.

1:08:57What if you stopped and you were like, what could I add that made it all feel lighter? I've been thinking about this recently in terms of just my everyday habits. Like we've done a few things where we had, we were like, okay, for the next seven days, we're going to do the big walk. We're going to do the longer walk with the dogs. If we can't, we're going to do the shorter walk, but we're going to try to do a longer walk every night for seven days straight. And that shifted to the next week where I thought, okay, for the next seven days, instead of thinking, oh, I'm going to do this many runs and I'm going to do this many workouts, I'm going to do that, whatever.

1:09:39What if I just did every day, I have to do some type of exercise for seven days. And then if after that, I want to keep doing a version of that fine. Um, or if I want to just go back to my regular cadence, that's fine. But I felt like I needed to inject that. And so is, are there, and it could be a drawing thing. It could be like, instead of thinking, Oh, I got to do a hundred day project. I got to do a 30 day project, whatever it is, pause and say, could I do something for seven days that just sounds exciting and fun? Because if you can find that excitement and that fun, it can have an effect.

1:10:19It can have a domino effect to the rest of your stuff. For me, you know, at different times in the show, I talked about how I wanted to, there were times where it was effective to slay the dragon before breakfast kind of thing. It's this idea that you would do the thing on your list that you wanted to do least or that was the most pressing and do that thing first in your to-dos and that it will make the rest of your day great. And that worked for me at different times. But when I'm feeling down or I'm struggling with mental health stuff, I usually can't do that. What it means is that I actually procrastinate sitting down and doing anything.

1:10:58And so in those moments what I need is to add something to my backpack that's like, hey, what's the thing that I just desperately want to do? Can I find anything that just sounds fun or really doable? And can I start my day with something, a 20-minute thing, a 30-minute thing that's that? And that that will get me sat down, it'll get me into the practice, it'll make me feel like I'm moving and going and I don't have to then make that harder transition. So is there anything that you could do that you could count as part of your creative practice, creative backpack that maybe it's watching a movie, maybe it's instead of TikTok, maybe it's reading a book.

1:11:42It could literally be anything that's contributing to your creativity and creative wellbeing. So that's what I've been thinking about after this conversation and I found it really inspiring and a bit healing of a chat. And I really appreciate Fran's continual vulnerability, both on this show and then on her YouTube channel and on the internet. She's just someone that I am really inspired by and I'm happy to call friend. Thank you to Fran for being on the show. Thanks to Sophie Miller for being a producer and editor on the show. Thanks to Connor Jones of Pending Beautiful for audio edits, video edits, animation, sound design.

1:12:26Thanks to Yoni Wolf of the band Y for our theme music and for our soundtrack. And until we speak again, stay pepped up.

1:12:53Hello, this is Jack Wilson, the host of the History of Literature podcast. For the past 10 years, I've been talking to novelists, biographers, and scholars about the greatest books in the history of the world and the men and women who wrote them. Like our recent episodes on Dante and Love, a starter pack of 10 Indian classics, the pop culture that influenced Sylvia Plath, and a talk with scientist and novelist Alan Lightman about the wonders of nature. Join us at the History of Literature podcast wherever you get your podcasts. Okay, the podcast is over, so I don't know why you're still listening, but I am glad that you enjoyed it enough to stick to the end.

1:13:36I have one more thing for you. If you're in a place where you're feeling a lack of clarity and you want to figure out your industry market and niche and find the perfect strategic side project to do next, go sign up to our newsletter at andyjpizza.substack.com and you will get a confirmation email that will give you the download of our Creative Career Path hand booklet. And the whole process is in there. And you might also get a few bonuses in there depending on when you sign up. But again, thanks for listening. Glad you enjoyed the episode. And stay pepped up, y 'all.

From the publisher

Feeling lost on the creative journey? Download our 7 step Creative Career Path Handbooklet for FREE by signing up to our newsletter: http://andyjpizza.substack.com

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FRANNERD RETURNS! Illustrator, Comic Artist and YouTuber Fran Meneses is a long time friend of the show and it’s been 6 years since her last episode!

We dive deep into:

1 - When mental health “gets in the way” of your creative plans and what has seemed to help both of us.

2 - How to think about creative crossroads and let go of things that don’t serve where you want to go and double down on the path you do want to take.

3 - How the pandemic impacted both of our careers and shaped out creative focus moving forward.

This chat was a blast and filled me with so much hope and comfort. Hope it does the same for you!

 

SHOW NOTES:

Fran Meneses AKA Frannerdhttps://www.frannerd.clhttps://www.instagram.com/frannerd/?hl=enhttps://www.youtube.com/c/FranMeneseshttps://www.patreon.com/frannerd

Producer / Editor: Sophie Miller http://sophiemiller.coAudio Editing / Sound Design: Conner Jones http://pendingbeautiful.coSoundtrack / Theme Song: Yoni Wolf / WHY? http://whywithaquestionmark.com
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